{"id":620,"date":"2021-03-22T23:46:39","date_gmt":"2021-03-22T22:46:39","guid":{"rendered":"http:\/\/ibiworld.eu\/en\/?page_id=620"},"modified":"2023-05-18T14:21:12","modified_gmt":"2023-05-18T12:21:12","slug":"names-directory-v","status":"publish","type":"page","link":"https:\/\/ibiworld.eu\/en\/names-directory-v\/","title":{"rendered":"NAMES\u2019 DIRECTORY | V"},"content":{"rendered":"[vc_row][vc_column][vc_column_text]\n

A<\/a> B<\/a> C<\/a> D<\/a> E<\/a> F<\/a> G<\/a> H<\/a> I<\/a> J<\/a> K<\/a> L<\/a> M<\/a> N<\/a> O<\/a> P<\/a> Q<\/a> R<\/a> S<\/a> T<\/a> U<\/a> V<\/a> W<\/a> X<\/a> Y<\/a> Z<\/a><\/strong><\/h3>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_column][\/vc_column][vc_empty_space height=”50px”][vc_column_text]\n\n\n\n
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French\"\"<\/strong><\/p>\n<\/td>\n

English\"\"<\/strong><\/td>\nItalian\"\"<\/strong><\/td>\nRussian\"\"<\/strong><\/td>\nGerman\"\"<\/strong><\/td>\nSpanish\"\"<\/strong><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n[\/vc_column_text][vc_tta_section title=”V” tab_id=”1606259023990-3ed33a4d-6494″][vc_column_text]\n
\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
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\"\"Vaclavic<\/strong>, Ivan (a.k.a. De\u00e1k, Maro\u0161)<\/p>\n

Mercenary, 1977-
\n\"\"<\/td>\n

MERCENAIRES ET EMIRATS: LE PERIL MONDIAL DE L\u2019INDUSTRIE PRIVEE DE LA MORT<\/a><\/td>\nSOLDIERS OF FORTUNE AND EMIRATES: THE GLOBAL DANGER OF THE PRIVATE DEATH\u2019S INDUSTRY<\/a><\/td>\nSOLDATI DI SVENTURA: LA MINACCIA GLOBALE DELL\u2019INDUSTRIA PRIVATA DELLA MORTE<\/a><\/td>\n\u0421\u041e\u041b\u0414\u0410\u0422\u042b DOOM: \u0413\u041b\u041e\u0411\u0410\u041b\u042c\u041d\u0410\u042f \u0423\u0413\u0420\u041e\u0417\u0410 \u0427\u0410\u0421\u0422\u041d\u041e\u0419 \u0418\u041d\u0414\u0423\u0421\u0422\u0420\u0418\u0418 \u0421\u041c\u0415\u0420\u0422\u0418<\/a><\/td>\nS\u00d6LDNER UND EMIRATEN: DIE GLOBALE GEFAHR DER PRIVATEN TODESINDUSTRIE<\/a><\/td>\nSOLDADOS DE LA PERDICI\u00d3N: LA AMENAZA GLOBAL DE LA INDUSTRIA PRIVADA DE LA MUERTE<\/a><\/td>\n<\/tr>\n
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\"\"Vagata<\/strong>, Pamela<\/p>\n

Computer Engineer, 1989-
\n\"\"<\/td>\n

CHATGPT: ENTRE FASCINATION ET CRAINTE<\/a><\/td>\nCHATGPT: BETWEEN FASCINATION AND FEAR<\/a><\/td>\nCHATGPT: TRA FASCINO E PAURA<\/a><\/td>\nCHATGPT: \u041c\u0415\u0416\u0414\u0423 \u041e\u0427\u0410\u0420\u041e\u0412\u0410\u041d\u0418\u0415\u041c \u0418 \u0421\u0422\u0420\u0410\u0425\u041e\u041c<\/a><\/td>\nCHATGPT: ZWISCHEN FASZINATION UND ANGST<\/a><\/td>\nCHATGPT: ENTRE LA FASCINACI\u00d3N Y EL MIEDO<\/a><\/td>\n<\/tr>\n
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\"\"Vagner<\/strong>, Arnaud<\/p>\n

Analyst, Director at Iceberg Research
\n\"\"<\/td>\n

QUI FAIT PLEURER LA CITE DU LION<\/a><\/td>\nWHO MAKES THE LION CITY CRY<\/a><\/td>\nCHI \u00c8 CHE FA PIANGERE LA CITT\u00c0 DEL LEONE<\/a><\/td>\n\u041a\u0422\u041e \u0417\u0410\u0421\u0422\u0410\u0412\u041b\u042f\u0415\u0422 \u041f\u041b\u0410\u041a\u0410\u0422\u042c \u0413\u041e\u0420\u041e\u0414 \u041b\u042c\u0412\u0410<\/a><\/td>\nWER BRINGT DIE L\u00d6WENSTADT ZUM WEINEN<\/a><\/td>\nQUI\u00c9N HACE LLORAR A LA CIUDAD DE LE\u00d3N<\/a><\/td>\n<\/tr>\n
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\"\"Vaja<\/strong>, Rajendra Kumar<\/p>\n

Smuggler,<\/p>\n

\"\"<\/td>\n

60 ANS DE DICTATURE ET 200 ANS DE GUERRES, D\u2019ESCLAVAGE ET DE CONTREBANDE: BIENVENUE AU CONGO<\/a><\/td>\n60 YEARS OF DICTATORSHIP AND 200 YEARS OF WARS, SLAVERY AND SMUGGLING: WELCOME TO THE CONGO<\/a><\/td>\nIL CONGO DRC DOPO 60 ANNI DI DITTATURA E DUE SECOLI DI GUERRE, SCHIAVISMO E CONTRABBANDO<\/a><\/td>\n\u0414\u0420\u041a \u041a\u041e\u041d\u0413\u041e \u041f\u041e\u0421\u041b\u0415 60 \u041b\u0415\u0422 \u0414\u0418\u041a\u0422\u0410\u0422\u0423\u0420\u042b \u0418 \u0414\u0412\u0423\u0425 \u0412\u0415\u041a\u041e\u0412 \u0412\u041e\u0419\u041d, \u0420\u0410\u0411\u0421\u0422\u0412\u0410 \u0418 \u041a\u041e\u041d\u0422\u0420\u0410\u0411\u0410\u041d\u0414\u042b<\/a><\/td>\n60 JAHREN DIKTATUR UND 200 JAHREN KRIEGEN, SKLAVEREI UND SCHMUGGEL: WILLKOMMEN IN KONGO<\/a><\/td>\nCONGO RDC TRAS 60 A\u00d1OS DE DICTADURA Y DOS SIGLOS DE GUERRA, ESCLAVITUD Y CONTRABANDO<\/a><\/td>\n<\/tr>\n
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\"\"Val<\/strong>, Philippe<\/p>\n

Journalist, 1952-<\/p>\n

\"\"<\/td>\n

GREGOIRE VERDEAUX: L\u2019AMI QUI GERE LE TRESOR<\/a><\/td>\nGR\u00c9GOIRE VERDEAUX: THE FRIEND WHO MANAGES THE TREASURE<\/a><\/td>\nGR\u00c9GOIRE VERDEAUX: L\u2019AMICO CHE GESTISCE IL TESORO<\/a><\/td>\n\u0413\u0420\u0415\u0413\u041e\u0420\u0418 \u0412\u0415\u0420\u0414\u041e: \u0414\u0420\u0423\u0413, \u0423\u041f\u0420\u0410\u0412\u041b\u042f\u042e\u0429\u0418\u0419 \u041a\u0410\u0417\u041d\u0410\u0427\u0415\u0419\u0421\u0422\u0412\u041e\u041c<\/a><\/td>\nGR\u00c9GOIRE VERDEAUX: DER FREUND, DER DEN SCHATZ VERWALTET<\/a><\/td>\nGR\u00c9GOIRE VERDEAUX: EL AMIGO QUE GESTIONA LA TESORER\u00cdA<\/a><\/td>\n<\/tr>\n
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\"\"Valcke<\/strong>, J\u00e9r\u00f4me<\/p>\n

Football manager, 1960-
\n\"\"<\/td>\n

MADERE, L\u2019ILE DE CRISTIANO RONALDO<\/a><\/td>\nMADEIRA, THE ISLAND OF CRISTIANO RONALDO<\/a><\/td>\nMADEIRA, L\u2019ISOLA DI CRISTIANO RONALDO<\/a><\/td>\n\u041c\u0410\u0414\u0415\u0419\u0420\u0410, \u041e\u0421\u0422\u0420\u041e\u0412 \u041a\u0420\u0418\u0421\u0422\u0418\u0410\u041d\u041e\u0420\u041e\u041d\u0410\u041b\u0414\u041e<\/a><\/td>\nMADEIRA, DIE INSEL VON CRISTIANO RONALDO<\/a><\/td>\nMADEIRA, LA ISLA DE CRISTIANO RONALDO<\/a><\/td>\n<\/tr>\n
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\"\"Valabhji<\/strong>, Laura<\/p>\n

Busineswoman, 1977-
\n\"\"<\/td>\n

SEYCHELLES: LA TIRELIRE DES OLIGARQUES<\/a><\/td>\nSEYCHELLES: THE OLIGARCHS\u2019 PIGGY BANK<\/a><\/td>\nSEYCHELLES: IL SALVADANAIO DEGLI OLIGARCHI<\/a><\/td>\n\u0421\u0415\u0419\u0428\u0415\u041b\u042c\u0421\u041a\u0418\u0415 \u041e\u0421\u0422\u0420\u041e\u0412\u0410: \u041a\u041e\u041f\u0418\u041b\u041a\u0410 \u041e\u041b\u0418\u0413\u0410\u0420\u0425\u041e\u0412<\/a><\/td>\nSEYCHELLEN: DAS SPARSCHWEIN DER OLIGARCHEN<\/a><\/td>\nSEYCHELLES: LA HUCHA DE LOS OLIGARCAS<\/a><\/td>\n<\/tr>\n
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\"\"Valabhji<\/strong>, Mukesh<\/p>\n

Businessman, 1958-
\n\"\"<\/td>\n

SEYCHELLES: LA TIRELIRE DES OLIGARQUES<\/a><\/td>\nSEYCHELLES: THE OLIGARCHS\u2019 PIGGY BANK<\/a><\/td>\nSEYCHELLES: IL SALVADANAIO DEGLI OLIGARCHI<\/a><\/td>\n\u0421\u0415\u0419\u0428\u0415\u041b\u042c\u0421\u041a\u0418\u0415 \u041e\u0421\u0422\u0420\u041e\u0412\u0410: \u041a\u041e\u041f\u0418\u041b\u041a\u0410 \u041e\u041b\u0418\u0413\u0410\u0420\u0425\u041e\u0412<\/a><\/td>\nSEYCHELLEN: DAS SPARSCHWEIN DER OLIGARCHEN<\/a><\/td>\nSEYCHELLES: LA HUCHA DE LOS OLIGARCAS<\/a><\/td>\n<\/tr>\n
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\"\"Vald\u00e9s<\/strong>, Alberto<\/p>\n

Economist, 1930-
\n\"\"<\/td>\n

LE CHILI DE GABRIEL BORIC: LE RETOUR DE L\u2019ESPOIR<\/a><\/td>\nGABRIEL BORIC\u2019S CHILE: THE RETURN OF HOPE<\/a><\/td>\nIL CILE DI GABRIEL BORIC: IL RITORNO DELLA SPERANZA<\/a><\/td>\n\u0427\u0418\u041b\u0418 \u0413\u0410\u0411\u0420\u0418\u042d\u041b\u042f \u0411\u041e\u0420\u0418\u0427: \u0412\u041e\u0417\u0412\u0420\u0410\u0429\u0415\u041d\u0418\u0415 \u041d\u0410\u0414\u0415\u0416\u0414\u042b<\/a><\/td>\nGABRIEL BORIC\u2019S CHILE: DIE R\u00dcCKKEHR DER HOFFNUNG<\/a><\/td>\nEL CHILE DE GABRIEL BORIC: EL RETORNO DE LA ESPERANZA<\/a><\/td>\n<\/tr>\n
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\"\"Valentini<\/strong>, Jean-Pierre Baptiste<\/p>\n

Oil trader, 1964-
\n\"\"<\/td>\n

TRAFIGURA: POURQUOI NOUS DEVRIONS EN AVOIR PEUR<\/a><\/td>\nTRAFIGURA: WHY WE SHOULD BE AFRAID OF IT<\/a><\/td>\nTRAFIGURA: PERCH\u00c9 DOBBIAMO AVERNE PAURA<\/a><\/td>\nTRAFIGURA: \u041f\u041e\u0427\u0415\u041c\u0423 \u041d\u0410\u041c \u0421\u0422\u041e\u0418\u0422 \u0415\u0401 \u0411\u041e\u042f\u0422\u042c\u0421\u042f<\/a><\/td>\nTRAFIGURA: WARUM WIR UNS DAVOR F\u00dcRCHTEN SOLLTEN<\/a><\/td>\nTRAFIGURA: POR QU\u00c9 DEBEMOS TEMERLA<\/a><\/td>\n<\/tr>\n
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\"\"Valenzuela<\/strong>, Camilo<\/p>\n

Military, 1940-
\n\"\"<\/td>\n

LE CHILI DE GABRIEL BORIC: LE RETOUR DE L\u2019ESPOIR<\/a><\/td>\nGABRIEL BORIC\u2019S CHILE: THE RETURN OF HOPE<\/a><\/td>\nIL CILE DI GABRIEL BORIC: IL RITORNO DELLA SPERANZA<\/a><\/td>\n\u0427\u0418\u041b\u0418 \u0413\u0410\u0411\u0420\u0418\u042d\u041b\u042f \u0411\u041e\u0420\u0418\u0427: \u0412\u041e\u0417\u0412\u0420\u0410\u0429\u0415\u041d\u0418\u0415 \u041d\u0410\u0414\u0415\u0416\u0414\u042b<\/a><\/td>\nGABRIEL BORIC\u2019S CHILE: DIE R\u00dcCKKEHR DER HOFFNUNG<\/a><\/td>\nEL CHILE DE GABRIEL BORIC: EL RETORNO DE LA ESPERANZA<\/a><\/td>\n<\/tr>\n
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\"\"Valkovskaya<\/strong>, Victoria<\/p>\n

Fiduciary trustee, 1984-
\n\"\"<\/td>\n

SEYCHELLES: LA TIRELIRE DES OLIGARQUES<\/a><\/td>\nSEYCHELLES: THE OLIGARCHS\u2019 PIGGY BANK<\/a><\/td>\nSEYCHELLES: IL SALVADANAIO DEGLI OLIGARCHI<\/a><\/td>\n\u0421\u0415\u0419\u0428\u0415\u041b\u042c\u0421\u041a\u0418\u0415 \u041e\u0421\u0422\u0420\u041e\u0412\u0410: \u041a\u041e\u041f\u0418\u041b\u041a\u0410 \u041e\u041b\u0418\u0413\u0410\u0420\u0425\u041e\u0412<\/a><\/td>\nSEYCHELLEN: DAS SPARSCHWEIN DER OLIGARCHEN<\/a><\/td>\nSEYCHELLES: LA HUCHA DE LOS OLIGARCAS<\/a><\/td>\n<\/tr>\n
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\"\"Vall<\/strong>, Ely Ould Mohamed<\/p>\n

Politician, 1953-2017
\n\"\"<\/td>\n

COMMENT MEME LA FOURMI MAURITANIENNE PEUT CHANGER L\u2019EQUILIBRE DU MONDE<\/a><\/td>\nHOW EVEN THE MAURITANIAN ANT CAN CHANGE THE BALANCE OF THE WORLD<\/a><\/td>\nCOME PERSINO LA FORMICA MAURITANIA CAMBIA GLI EQUILIBRI DEL MONDO<\/a><\/td>\n\u041a\u0410\u041a \u0414\u0410\u0416\u0415 \u041c\u0410\u0412\u0420\u0418\u0422\u0410\u041d\u0421\u041a\u0418\u0419 \u041c\u0423\u0420\u0410\u0412\u0415\u0419 \u041c\u0415\u041d\u042f\u0415\u0422 \u0411\u0410\u041b\u0410\u041d\u0421 \u041c\u0418\u0420\u0410<\/a><\/td>\nWIE SELBST DIE MAURETANISCHE AMEISE DAS GLEICHGEWICHT DER WELT VER\u00c4NDERN KANN<\/a><\/td>\nC\u00d3MO INCLUSO LA HORMIGA MAURITANIA CAMBIA EL EQUILIBRIO DEL MUNDO<\/a><\/td>\n<\/tr>\n
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\"\"Van Baaren<\/strong>, Joop L.<\/p>\n

Christian activist, 1914-1988
\n\"\"<\/td>\n

HEEREMA: LE LONG VOYAGE DU NATIONAL-SOCIALISME A L\u2019EXPLOITATION DES FONDS MARINS<\/a><\/td>\nHEEREMA: THE LONG JOURNEY FROM NATIONAL SOCIALISM TO THE EXPLOITATION OF THE SEABED<\/a><\/td>\nHEEREMA: IL LUNGO VIAGGIO DAL NAZISMO ALLO SFRUTTAMENTO DEI FONDALI OCEANICI<\/a><\/td>\nHEEREMA: \u0414\u041e\u041b\u0413\u041e\u0415 \u041f\u0423\u0422\u0415\u0428\u0415\u0421\u0422\u0412\u0418\u0415 \u041e\u0422 \u041d\u0410\u0426\u0418\u0417\u041c\u0410 \u041a \u042d\u041a\u0421\u041f\u041b\u0423\u0410\u0422\u0410\u0426\u0418\u0418 \u041e\u041a\u0415\u0410\u041d\u0421\u041a\u041e\u0413\u041e \u0414\u041d\u0410<\/a><\/td>\nHEEREMA: DIE LANGE REISE VOM NATIONALSOZIALISMUS ZUR AUSBEUTUNG DES MEERESBODENS<\/a><\/td>\nHEEREMA: EL LARGO VIAJE DEL NAZISMO A LA EXPLOTACI\u00d3N DE LOS FONDOS MARINOS<\/a><\/p>\n

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\"\"Van Buren<\/strong>, Frank<\/p>\n

Accountant, 1963-
\n\"\"<\/td>\n

HEEREMA: LE LONG VOYAGE DU NATIONAL-SOCIALISME A L\u2019EXPLOITATION DES FONDS MARINS<\/a><\/td>\nHEEREMA: THE LONG JOURNEY FROM NATIONAL SOCIALISM TO THE EXPLOITATION OF THE SEABED<\/a><\/td>\nHEEREMA: IL LUNGO VIAGGIO DAL NAZISMO ALLO SFRUTTAMENTO DEI FONDALI OCEANICI<\/a><\/td>\nHEEREMA: \u0414\u041e\u041b\u0413\u041e\u0415 \u041f\u0423\u0422\u0415\u0428\u0415\u0421\u0422\u0412\u0418\u0415 \u041e\u0422 \u041d\u0410\u0426\u0418\u0417\u041c\u0410 \u041a \u042d\u041a\u0421\u041f\u041b\u0423\u0410\u0422\u0410\u0426\u0418\u0418 \u041e\u041a\u0415\u0410\u041d\u0421\u041a\u041e\u0413\u041e \u0414\u041d\u0410<\/a><\/td>\nHEEREMA: DIE LANGE REISE VOM NATIONALSOZIALISMUS ZUR AUSBEUTUNG DES MEERESBODENS<\/a><\/td>\nHEEREMA: EL LARGO VIAJE DEL NAZISMO A LA EXPLOTACI\u00d3N DE LOS FONDOS MARINOS<\/a><\/p>\n

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\"\"Vance<\/strong>, James David<\/p>\n

Manager, 1984-
\n\"\"<\/td>\n

PETER THIEL: LE REVE D\u2019UNE TECHNOCRATIE MYSTIQUE<\/a><\/td>\nPETER THIEL: THE DREAM OF A MYSTICAL TECHNOCRACY<\/a><\/td>\nPETER THIEL: IL SOGNO DI UNA TECNOCRAZIA MISTICA<\/a><\/td>\n\u041f\u0418\u0422\u0415\u0420 \u0422\u0418\u041b\u042c: \u041c\u0415\u0427\u0422\u0410 \u041e \u041c\u0418\u0421\u0422\u0418\u0427\u0415\u0421\u041a\u041e\u0419 \u0422\u0415\u0425\u041d\u041e\u041a\u0420\u0410\u0422\u0418\u0418<\/a><\/td>\nPETER THIEL: DER TRAUM VON EINER MYSTISCHEN TECHNOKRATIE<\/a><\/td>\nPETER THIEL: EL SUE\u00d1O DE UNA TECNOCRACIA M\u00cdSTICA<\/a><\/td>\n<\/tr>\n
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\"\"Van den Bergh<\/strong>, Niclaas \u201cNick\u201c<\/p>\n

Mercenary, 1956-
\n\"\"<\/td>\n

MERCENAIRES ET EMIRATS: LE PERIL MONDIAL DE L\u2019INDUSTRIE PRIVEE DE LA MORT<\/a><\/td>\nSOLDIERS OF FORTUNE AND EMIRATES: THE GLOBAL DANGER OF THE PRIVATE DEATH\u2019S INDUSTRY<\/a><\/td>\nSOLDATI DI SVENTURA: LA MINACCIA GLOBALE DELL\u2019INDUSTRIA PRIVATA DELLA MORTE<\/a><\/td>\n\u0421\u041e\u041b\u0414\u0410\u0422\u042b DOOM: \u0413\u041b\u041e\u0411\u0410\u041b\u042c\u041d\u0410\u042f \u0423\u0413\u0420\u041e\u0417\u0410 \u0427\u0410\u0421\u0422\u041d\u041e\u0419 \u0418\u041d\u0414\u0423\u0421\u0422\u0420\u0418\u0418 \u0421\u041c\u0415\u0420\u0422\u0418<\/a><\/td>\nS\u00d6LDNER UND EMIRATEN: DIE GLOBALE GEFAHR DER PRIVATEN TODESINDUSTRIE<\/a><\/td>\nSOLDADOS DE LA PERDICI\u00d3N: LA AMENAZA GLOBAL DE LA INDUSTRIA PRIVADA DE LA MUERTE<\/a><\/td>\n<\/tr>\n
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\"\"Van der Dijs<\/strong>, Cicely<\/p>\n

Wife of Gerrit Schotte, 1979-
\n\"\"<\/td>\n

CURA\u00c7AO: NAISSANCE ET MORT D\u2019UN PARADIS FISCAL<\/a><\/td>\nCURA\u00c7AO: THE BIRTH AND DEATH OF A TAX HAVEN<\/a><\/td>\nCURA\u00c7AO: NASCITA E MORTE DI UN PARADISO FISCALE<\/a><\/td>\n\u041a\u042e\u0420\u0410\u0421\u0410\u041e: \u0420\u041e\u0416\u0414\u0415\u041d\u0418\u0415 \u0418 \u0421\u041c\u0415\u0420\u0422\u042c \u041d\u0410\u041b\u041e\u0413\u041e\u0412\u041e\u0419 \u0413\u0410\u0412\u0410\u041d\u0418<\/a><\/td>\nCURA\u00c7AO: GEBURT UND TOD EINES STEUERPARADIESES<\/a><\/td>\nCURA\u00c7AO: NACIMIENTO Y MUERTE DE UN PARA\u00cdSO FISCAL<\/a><\/td>\n<\/tr>\n
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\"\"Van der Straeten<\/strong>, Tinne<\/p>\n

Politician, 1978-
\n\"\"<\/td>\n

TRAFIGURA, POUTINE ET CES SANCTIONS INUTILES<\/a><\/td>\nTRAFIGURA, PUTIN AND THOSE USELESS SANCTIONS<\/a><\/td>\nTRAFIGURA, PUTIN E QUELLE INUTILI SANZIONI<\/a><\/td>\nTRAFIGURA, \u041f\u0423\u0422\u0418\u041d \u0418 \u042d\u0422\u0418 \u0411\u0415\u0421\u041f\u041e\u041b\u0415\u0417\u041d\u042b\u0415 \u0421\u0410\u041d\u041a\u0426\u0418\u0418<\/a><\/td>\nTRAFIGURA, PUTIN UND DIE NUTZLOSEN SANKTIONEN<\/a><\/td>\nTRAFIGURA, PUTIN Y ESAS SANCIONES IN\u00daTILES<\/a><\/td>\n<\/tr>\n
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\"\"Van Gennip<\/strong>, Jos<\/p>\n

Politician, 1939-<\/p>\n

\"\"<\/td>\n

ENFER YEMEN: ARMES ALLEMANDES POUR L\u2019ARABIE, POUR AL-QAIDA ET POUR LES MERCENAIRES AMERICAINS<\/a><\/td>\nYEMEN\u2019S HELL: GERMAN WEAPONS FOR ARABIA, FOR AL-QAIDA AND FOR AMERICAN MERCENARIES<\/a><\/td>\nINFERNO YEMEN: ARMI TEDESCHE PER L\u2019ARABIA, PER AL-QAEDA E PER I MERCENARI AMERICANI<\/a><\/td>\n\u0410\u0414 \u0412 \u0419\u0415\u041c\u0415\u041d\u0415: \u041d\u0415\u041c\u0415\u0426\u041a\u041e\u0415 \u041e\u0420\u0423\u0416\u0418\u0415 \u0414\u041b\u042f \u0421\u0410\u0423\u0414\u041e\u0412\u0421\u041a\u041e\u0419 \u0410\u0420\u0410\u0412\u0418\u0418, \u0410\u041b\u042c-\u041a\u0410\u0418\u0414\u042b \u0418 \u0410\u041c\u0415\u0420\u0418\u041a\u0410\u041d\u0421\u041a\u0418\u0425 \u0413\u041e\u041b\u041e\u0412\u041e\u0420\u0415\u0417\u041e\u0412<\/a><\/td>\nH\u00d6LLENJEMEN: DEUTSCHE WAFFEN F\u00dcR ARABIEN, F\u00dcR AL-QAIDA UND F\u00dcR AMERIKANISCHE S\u00d6LDNER<\/a><\/td>\nEL INFIERNO DE YEMEN: ARMAS ALEMANAS PARA ARABIA, AL QAEDA Y MERCENARIOS ESTADOUNIDENSES<\/a><\/td>\n<\/tr>\n
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\"\"Van Gogh<\/strong>, Vincent Willem<\/p>\n

Painter, 1853-1890
\n\"\"<\/td>\n

CURA\u00c7AO: NAISSANCE ET MORT D\u2019UN PARADIS FISCAL<\/a><\/p>\n

L\u2019\u0152UVRE D\u2019ART: LA DEVISE DE LE RECEL MONDIALE<\/a><\/p>\n

VIE ET MIRACLES D\u2019UN MERCENAIRE DANS LA GUERRE MEDIATIQUE<\/a><\/td>\n

CURA\u00c7AO: THE BIRTH AND DEATH OF A TAX HAVEN<\/a><\/p>\n

ART: THE CURRENCY OF THE GLOBAL COMMERCE OF STOLEN GOODS<\/a><\/p>\n

LIFE AND MIRACLES OF A MERCENARY IN THE MEDIA WAR<\/a><\/td>\n

CURA\u00c7AO: NASCITA E MORTE DI UN PARADISO FISCALE<\/a><\/p>\n

L\u2019OPERA D\u2019ARTE: LA VALUTA DELLA RICETTAZIONE GLOBALE<\/a><\/p>\n

VITA E MIRACOLI DI UN MERCENARIO NELLA GUERRA DEI MEDIA<\/a><\/td>\n

\u041a\u042e\u0420\u0410\u0421\u0410\u041e: \u0420\u041e\u0416\u0414\u0415\u041d\u0418\u0415 \u0418 \u0421\u041c\u0415\u0420\u0422\u042c \u041d\u0410\u041b\u041e\u0413\u041e\u0412\u041e\u0419 \u0413\u0410\u0412\u0410\u041d\u0418<\/a><\/p>\n

\u041f\u0420\u041e\u0418\u0417\u0412\u0415\u0414\u0415\u041d\u0418\u042f \u0418\u0421\u041a\u0423\u0421\u0421\u0422\u0412\u0410: \u0412\u0410\u041b\u042e\u0422\u0410 \u041c\u0418\u0420\u041e\u0412\u041e\u0413\u041e \u0424\u0415\u0425\u0422\u041e\u0412\u0410\u041d\u0418\u042f<\/a><\/p>\n

\u0416\u0418\u0417\u041d\u042c \u0418 \u0427\u0423\u0414\u0415\u0421\u0410 \u041d\u0410\u0415\u041c\u041d\u0418\u041a\u0410 \u0412 \u0412\u041e\u0419\u041d\u0415 \u0421\u041e \u0421\u041c\u0418<\/a><\/td>\n

CURA\u00c7AO: GEBURT UND TOD EINES STEUERPARADIESES<\/a><\/p>\n

DAS KUNSTWERK: DIE W\u00c4HRUNG DER GLOBALEN HEHLEREI<\/a><\/p>\n

LEBEN UND WUNDER EINES S\u00d6LDNERS IM MEDIENKRIEG<\/a><\/td>\n

CURA\u00c7AO: NACIMIENTO Y MUERTE DE UN PARA\u00cdSO FISCAL<\/a><\/p>\n

LA OBRA DE ARTE: LA DIVISA DE LA RECEPTACI\u00d3N MUNDIAL<\/a><\/p>\n

VIDA Y MILAGROS DE UN MERCENARIO EN LA GUERRA MEDI\u00c1TICA<\/a><\/td>\n<\/tr>\n

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\"\"Vanhanen<\/strong>, Matti<\/p>\n

Politician, 1955-
\n\"\"<\/td>\n

LES MAINS SALES DE LA FINLANDE<\/a><\/td>\nFINLAND\u2019S DIRTY HANDS<\/a><\/td>\nLE MANI SPORCHE DELLA FINLANDIA<\/a><\/td>\n\u0413\u0420\u042f\u0417\u041d\u042b\u0415 \u0420\u0423\u041a\u0418 \u0424\u0418\u041d\u041b\u042f\u041d\u0414\u0418\u0418<\/a><\/td>\nINNLANDS SCHMUTZIGE H\u00c4NDE<\/a><\/td>\nLAS MANOS SUCIAS DE FINLANDIA<\/a><\/td>\n<\/tr>\n
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\"\"Van Loggerenberg<\/strong>, Johann<\/p>\n

Police Officer, 1960-
\n\"\"<\/td>\n

DE PHILIP MORRIS AUX ARTISANS LOCAUX, LA CONTREBANDE S\u2019EST MONDIALISEE GRACE AUX \u00c9MIRATS<\/a><\/p>\n

COMMENT L\u2019AFRIQUE DU SUD CONSTRUIT SON AL CAPONE<\/a><\/td>\n

FROM PHILIP MORRIS TO LOCAL ARTISANS, THANKS TO THE EMIRATES, SMUGGLING HAS GONE GLOBAL<\/a><\/p>\n

HOW SOUTH AFRICA BUILDS ITS OWN AL CAPONE<\/a><\/td>\n

DA PHILIP MORRIS AGLI ARTIGIANI LOCALI, GRAZIE AGLI EMIRATI IL CONTRABBANDO \u00c8 DIVENUTO GLOBALE<\/a><\/p>\n

COS\u00cc IL SUDAFRICA COSTRUISCE IL SUO AL CAPONE<\/a><\/td>\n

\u041e\u0422 \u0424\u0418\u041b\u0418\u041f \u041c\u041e\u0420\u0420\u0418\u0421 \u0414\u041e \u041c\u0415\u0421\u0422\u041d\u042b\u0425 \u0420\u0415\u041c\u0415\u0421\u041b\u0415\u041d\u041d\u0418\u041a\u041e\u0412: \u0411\u041b\u0410\u0413\u041e\u0414\u0410\u0420\u042f \u042d\u041c\u0418\u0420\u0410\u0422\u0410\u041c \u041a\u041e\u041d\u0422\u0420\u0410\u0411\u0410\u041d\u0414\u0410 \u0412\u042b\u0428\u041b\u0410 \u041d\u0410 \u041c\u0418\u0420\u041e\u0412\u041e\u0419 \u0423\u0420\u041e\u0412\u0415\u041d\u042c<\/a><\/p>\n

\u041a\u0410\u041a \u042e\u0416\u041d\u0410\u042f \u0410\u0424\u0420\u0418\u041a\u0410 \u0421\u041e\u0417\u0414\u0410\u041b\u0410 \u0421\u0412\u041e\u0415\u0413\u041e \u0410\u041b\u042c \u041a\u0410\u041f\u041e\u041d\u0415<\/a><\/td>\n

VON PHILIP MORRIS BIS ZU LOKALEN HANDWERKERN \u2013 DANK DER EMIRATE IST DER SCHMUGGEL GLOBAL GEWORDEN<\/a><\/p>\n

WIE S\u00dcDAFRIKA SEINEN AL CAPONE AUFBAUT<\/a><\/td>\n

DESDE PHILIP MORRIS HASTA LOS ARTESANOS LOCALES, GRACIAS A LOS EMIRATOS, EL CONTRABANDO SE HA GLOBALIZADO<\/a><\/p>\n

C\u00d3MO SUD\u00c1FRICA CONSTRUYE SU AL CAPONE<\/a><\/td>\n<\/tr>\n

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\"\"Van Ravesteyn<\/strong>, Willem A.<\/p>\n

Politician, 1876-1970
\n\"\"<\/td>\n

CURA\u00c7AO: NAISSANCE ET MORT D\u2019UN PARADIS FISCAL<\/a><\/td>\nCURA\u00c7AO: THE BIRTH AND DEATH OF A TAX HAVEN<\/a><\/td>\nCURA\u00c7AO: NASCITA E MORTE DI UN PARADISO FISCALE<\/a><\/td>\n\u041a\u042e\u0420\u0410\u0421\u0410\u041e: \u0420\u041e\u0416\u0414\u0415\u041d\u0418\u0415 \u0418 \u0421\u041c\u0415\u0420\u0422\u042c \u041d\u0410\u041b\u041e\u0413\u041e\u0412\u041e\u0419 \u0413\u0410\u0412\u0410\u041d\u0418<\/a><\/td>\nCURA\u00c7AO: GEBURT UND TOD EINES STEUERPARADIESES<\/a><\/td>\nCURA\u00c7AO: NACIMIENTO Y MUERTE DE UN PARA\u00cdSO FISCAL<\/a><\/td>\n<\/tr>\n
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\"\"Van Reybrouck<\/strong>, David<\/p>\n

Writer, archaeologist, 1971-<\/p>\n

\"\"<\/td>\n

60 ANS DE DICTATURE ET 200 ANS DE GUERRES, D\u2019ESCLAVAGE ET DE CONTREBANDE: BIENVENUE AU CONGO<\/a><\/td>\n60 YEARS OF DICTATORSHIP AND 200 YEARS OF WARS, SLAVERY AND SMUGGLING: WELCOME TO THE CONGO<\/a><\/td>\nIL CONGO DRC DOPO 60 ANNI DI DITTATURA E DUE SECOLI DI GUERRE, SCHIAVISMO E CONTRABBANDO<\/a><\/td>\n\u0414\u0420\u041a \u041a\u041e\u041d\u0413\u041e \u041f\u041e\u0421\u041b\u0415 60 \u041b\u0415\u0422 \u0414\u0418\u041a\u0422\u0410\u0422\u0423\u0420\u042b \u0418 \u0414\u0412\u0423\u0425 \u0412\u0415\u041a\u041e\u0412 \u0412\u041e\u0419\u041d, \u0420\u0410\u0411\u0421\u0422\u0412\u0410 \u0418 \u041a\u041e\u041d\u0422\u0420\u0410\u0411\u0410\u041d\u0414\u042b<\/a><\/td>\n60 JAHREN DIKTATUR UND 200 JAHREN KRIEGEN, SKLAVEREI UND SCHMUGGEL: WILLKOMMEN IN KONGO<\/a><\/td>\nCONGO RDC TRAS 60 A\u00d1OS DE DICTADURA Y DOS SIGLOS DE GUERRA, ESCLAVITUD Y CONTRABANDO<\/a><\/td>\n<\/tr>\n
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\"\"Van Roemburg<\/strong>, Evelien<\/p>\n

EU-functionary, 1980-
\n\"\"<\/td>\n

GRECE: LES NOUVEAUX CAMPS DE CONCENTRATION<\/a><\/td>\nGREECE: NEW CONCENTRATION CAMPS EMERGE<\/a><\/td>\nGRECIA: NASCONO I NUOVI CAMPI DI CONCENTRAMENTO<\/a><\/td>\n\u0413\u0420\u0415\u0426\u0418\u042f: \u041f\u041e\u042f\u0412\u041b\u042f\u042e\u0422\u0421\u042f \u0412\u0421\u0415 \u041d\u041e\u0412\u042b\u0415 \u041a\u041e\u041d\u0426\u041b\u0410\u0413\u0415\u0420\u042f<\/a><\/td>\nGRIECHENLAND: DIE R\u00dcCKKEHR DES KONZENTRATIONSLAGERS<\/a><\/td>\nGRECIA: SURGEN NUEVOS CAMPOS DE CONCENTRACI\u00d3N<\/a><\/td>\n<\/tr>\n
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\"\"Van Rooyen<\/strong>, Des<\/p>\n

Politician, 1968-
\n\"\"<\/td>\n

LE CLAN GUPTA ET LE SACCAGE DE L\u2019AFRIQUE DU SUD<\/a><\/td>\nTHE GUPTA CLAN AND THE SACKING OF SOUTH AFRICA<\/a><\/td>\nIL CLAN GUPTA ED IL SACCO DEL SUDAFRICA<\/a><\/td>\n\u041a\u041b\u0410\u041d \u0413\u0423\u041f\u0422\u0410 \u0418 \u041c\u0415\u0428\u041e\u041a \u042e\u0410\u0420<\/a><\/td>\nDER GUPTA-KLAN UND DIE PL\u00dcNDERUNG S\u00dcDAFRIKAS<\/a><\/td>\nEL CLAN GUPTA Y EL SAQUEO DE SUD\u00c1FRICA<\/a><\/td>\n<\/tr>\n
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\"\"Vansanten<\/strong>, Kris<\/p>\n

Businessman, 1965-
\n\"\"<\/td>\n

NYRSTAR: L\u2019AGONIE DU GEANT DANS LES GRIFFES DE TRAFIGURA<\/a><\/td>\nNYRSTAR: THE AGONY OF THE GIANT IN THE CLAWS OF TRAFIGURA<\/a><\/td>\nNYRSTAR: L\u2019AGONIA DEL GIGANTE NEGLI ARTIGLI DI TRAFIGURA<\/a><\/td>\nNYRSTAR: \u0410\u0413\u041e\u041d\u0418\u042f \u0413\u0418\u0413\u0410\u041d\u0422\u0410 \u0412 \u041a\u041e\u0413\u0422\u042f\u0425 TRAFIGURA<\/a><\/td>\nNYRSTAR: DIE QUALEN DES RIESEN IN DEN KLAUEN VON TRAFIGURA<\/a><\/td>\nNYRSTAR: LA AGON\u00cdA DEL GIGANTE EN LAS GARRAS DE TRAFIGURA<\/a><\/td>\n<\/tr>\n
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\"\"Vardanyan<\/strong>, Robert<\/p>\n

Businessman, 1979-
\n\"\"<\/td>\n

LES DESHONORANTS CHEVALIERS DE (ENE)MALTE<\/a><\/td>\nTHE DISHONOURABLE KNIGHTS OF (ENE)MALTA<\/a><\/td>\nI DISONOREVOLI CAVALIERI DI (ENE)MALTA<\/a><\/td>\n\u0411\u0415\u0421\u0427\u0415\u0421\u0422\u041d\u042b\u0415 \u0420\u042b\u0426\u0410\u0420\u0418 (\u042d\u041d\u0415)\u041c\u0410\u041b\u042c\u0422\u042b<\/a><\/td>\nDIE UNEHRENHAFTEN RITTER VON (ENE)MALTA<\/a><\/td>\nLOS DESHONROSOS CABALLEROS DE (ENE)MALTA<\/a><\/td>\n<\/tr>\n
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\"\"Varela<\/strong>, Manuel<\/p>\n

Lawyer,
\n\"\"<\/td>\n

LA MONTAGNA INCANTATA E GLI GNOMI DELLA FINANZA<\/a><\/td>\nTHE ENCHANTED MOUNTAIN AND THE FINANCIAL GNOMES<\/a><\/td>\nLA MONTAGNE ENCHANTEE ET LES GNOMES DE LA FINANCE<\/a><\/td>\n\u0417\u0410\u0427\u0410\u0420\u041e\u0412\u0410\u041d\u041d\u042b\u0415 \u0413\u041e\u0420\u042b \u0418 \u0424\u0418\u041d\u0410\u041d\u0421\u041e\u0412\u042b\u0415 \u0413\u041d\u041e\u041c\u042b<\/a><\/td>\nDER VERZAUBERTE BERG UND DIE GNOME DER FINANZ<\/a><\/td>\nLA MONTA\u00d1A ENCANTADA Y LOS GNOMOS DE LAS FINANZAS<\/a><\/td>\n<\/tr>\n
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\"\"V\u00e1rhelyi<\/strong>, Oliv\u00e9r<\/p>\n

Politician, 1972-
\n\"\"<\/td>\n

LA SOUFFRANCE DES ABANDONN\u00c9S: LA BI\u00c9LORUSSIE NE SE REND PAS AU TYRAN<\/a><\/td>\nTHE SUFFERING OF THE ABANDONED: BELARUS DOES NOT SURRENDER TO THE TYRANT<\/a><\/td>\nLO STRAZIO DEGLI ABBANDONATI: LA BIELORUSSIA NON SI ARRENDE AL TIRANNO<\/a><\/td>\n\u0421\u0422\u0420\u0410\u0422\u0415\u0413\u0418\u042f \u0417\u0410\u0411\u0420\u041e\u0428\u0415\u041d\u041d\u042b\u0425: \u0411\u0415\u041b\u0410\u0420\u0423\u0421\u042c \u041d\u0415 \u0421\u0414\u0410\u0415\u0422\u0421\u042f \u0422\u0418\u0420\u0410\u041d\u0423<\/a><\/td>\nDAS LEIDEN DER VERLASSENEN: WEI\u00dfRUSSLAND ERGIBT SICH NICHT DEM TYRANNEN<\/a><\/td>\nLA ANGUSTIA DE LOS ABANDONADOS: BIELORRUSIA NO SE RINDE ANTE EL TIRANO<\/a><\/td>\n<\/tr>\n
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\"\"Varoufakis<\/strong>, Ioannis \u201cYanis\u201d<\/p>\n

Politician, 1961-
\n\"\"<\/td>\n

LA MER \u00c9GEE, LA FRONTIERE LA PLUS CHAUDE D\u2019EUROPE<\/a><\/p>\n

LE DESASTRE DU BREXIT ET LA CHUTE DE BORIS JOHNSON<\/a><\/td>\n

AEGEAN, THE HOTTEST BORDER IN EUROPE<\/a><\/p>\n

THE BREXIT DISASTER AND THE FALL OF BORIS JOHNSON<\/a><\/td>\n

EGEO, LA FRONTIERA PI\u00d9 CALDA D\u2019EUROPA<\/a><\/p>\n

IL DISASTRO BREXIT E LA CADUTA DI BORIS JOHNSON<\/a><\/td>\n

\u042d\u0413\u0415\u0419\u0421\u041a\u041e\u0415 \u041c\u041e\u0420\u0415 \u2013 \u0421\u0410\u041c\u042b\u0419 \u0413\u041e\u0420\u042f\u0427\u0418\u0419 \u0420\u0423\u0411\u0415\u0416 \u0415\u0412\u0420\u041e\u041f\u042b<\/a><\/p>\n

\u041a\u0410\u0422\u0410\u0421\u0422\u0420\u041e\u0424\u0410 BREXIT \u0418 \u041f\u0410\u0414\u0415\u041d\u0418\u0415 \u0411\u041e\u0420\u0418\u0421\u0410 \u0414\u0416\u041e\u041d\u0421\u041e\u041d\u0410<\/a><\/td>\n

DIE \u00c4G\u00c4IS, DIE HEI\u00dfESTE GRENZE IN EUROPA<\/a><\/p>\n

DAS BREXIT-DESASTER UND DER STURZ VON BORIS JOHNSON<\/a><\/td>\n

EL EGEO, LA FRONTERA M\u00c1S CALIENTE DE EUROPA<\/a><\/p>\n

EL DESASTRE DEL BREXIT Y LA CA\u00cdDA DE BORIS JOHNSON<\/a><\/td>\n<\/tr>\n

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\"\"Vecchione,<\/strong> Gennaro<\/p>\n

Soldier, 1958-
\n\"\"<\/td>\n

MOUVEMENT 5 ETOILES ET LEGANORD: REPETITIONS GENERALES POUR UNE INTERNATIONALE POSTFASCISTE<\/a><\/p>\n

APRES L\u2019ARTICLE D\u2019ALDO TORCHIARO: GENNARO VECCHIONE N\u2019EST QUE LA POINTE DE L\u2019ICEBERG<\/a><\/td>\n

5-STAR MOVEMENT AND LEGANORD: DRESS REHEARSALS FOR A POST-FASCIST INTERNATIONAL<\/a><\/p>\n

AFTER ALDO TORCHIARO\u2019S ARTICLE: GENNARO VECCHIONE IS ONLY THE TIP OF THE ICEBERG<\/a><\/td>\n

MOVIMENTO 5 STELLE E LEGA NORD: PROVE GENERALI PER UN\u2019INTERNAZIONALE POST-FASCISTA<\/a><\/p>\n

DOPO L\u2019ARTICOLO DI ALDO TORCHIARO: GENNARO VECCHIONE \u00c8 SOLO LA PUNTA DELL\u2019ICEBERG<\/a><\/td>\n

\u0414\u0412\u0418\u0416\u0415\u041d\u0418\u0415 5 \u0417\u0412\u0415\u0417\u0414 \u0418 \u0421\u0415\u0412\u0415\u0420\u041d\u0410\u042f \u041b\u0418\u0413\u0410: \u0418\u0421\u041f\u042b\u0422\u0410\u041d\u0418\u042f \u0414\u041b\u042f \u041f\u041e\u0421\u0422\u0424\u0410\u0428\u0418\u0421\u0422\u0421\u041a\u041e\u0413\u041e \u0418\u041d\u0422\u0415\u0420\u041d\u0410\u0426\u0418\u041e\u041d\u0410\u041b\u0410<\/a><\/p>\n

\u041f\u041e\u0421\u041b\u0415 \u0421\u0422\u0410\u0422\u042c\u0418 \u0410\u041b\u042c\u0414\u041e \u0422\u041e\u0420\u041a\u042c\u042f\u0420\u041e (ALDO TORCHIARO): GENNARO VECCHIONE \u2013 \u0422\u041e\u041b\u042c\u041a\u041e \u0412\u0415\u0420\u0428\u0418\u041d\u0410 \u0410\u0419\u0421\u0411\u0415\u0420\u0413\u0410<\/a><\/td>\n

5-STERNE-BEWEGUNG UND LEGANORD: GENERALPROBEN F\u00dcR EINE POSTFASCHISTISCHE INTERNATIONALE<\/a><\/p>\n

NACH DEM ARTIKEL VON ALDO TORCHIARO: GENNARO VECCHIONE IST NUR DIE SPITZE DES EISBERGS<\/a><\/td>\n

EL MOVIMIENTO 5 ESTRELLAS Y LA LIGA NORTE: ENSAYO GENERAL DE UNA INTERNACIONAL POST-FASCISTA<\/a><\/p>\n

TRAS EL ART\u00cdCULO DE ALDO TORCHIARO: GENNARO VECCHIONE ES S\u00d3LO LA PUNTA DEL ICEBERG<\/a><\/td>\n<\/tr>\n

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\"\"Vecchioni<\/strong>, Roberto<\/p>\n

Musician, 1943-
\n\"\"<\/td>\n

LE ROI SECRET DE TAORMINE<\/a><\/td>\nTHE SECRET KING OF TAORMINA<\/a><\/td>\nIL RE SEGRETO DI TAORMINA<\/a><\/td>\n\u0422\u0410\u0419\u041d\u042b\u0419 \u041a\u041e\u0420\u041e\u041b\u042c \u0422\u0410\u041e\u0420\u041c\u0418\u041d\u042b<\/a><\/td>\nDER GEHEIME K\u00d6NIG VON TAORMINA<\/a><\/td>\nEL REY SECRETO DE TAORMINA<\/a><\/td>\n<\/tr>\n
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\"\"Vedder<\/strong>, Richard Kent<\/p>\n

Economist, 1940-
\n\"\"<\/td>\n

PHILIP MORRIS ENTRE EN GUERRE \u2013 AVEC LES POPULISTES, LES EXTREMISTES DE DROITE ET LES CHEIKHS ARABES<\/a><\/td>\nPHILIP MORRIS GOES TO WAR \u2013 WITH POPULISTS, SUPREMACISTS AND ARAB SHEIKHS<\/a><\/td>\nLA PHILIP MORRIS VA ALLA GUERRA \u2013 ALLEATA A SUPREMATISTI, POPULISTI E SCEICCHI ARABI<\/a><\/td>\n\u0424\u0418\u041b\u0418\u041f \u041c\u041e\u0420\u0420\u0418\u0421 \u0418\u0414\u0415\u0422 \u041d\u0410 \u0412\u041e\u0419\u041d\u0423 \u2013 \u041d\u0410 \u0421\u0422\u041e\u0420\u041e\u041d\u0415 \u0410\u0420\u0410\u0411\u0421\u041a\u0418\u0425 \u0421\u0423\u041f\u0420\u0415\u041c\u0410\u0422\u0418\u0421\u0422\u041e\u0412, \u041f\u041e\u041f\u0423\u041b\u0418\u0421\u0422\u041e\u0412 \u0418 \u0428\u0415\u0419\u041a\u041e\u0412<\/a><\/td>\nPHILIP MORRIS ZIEHT IN DEN KRIEG \u2013 MIT POPULISTEN, RECHTSEXTREMISTEN UND ARABISCHEN SCHEICHS<\/a><\/td>\nPHILIP MORRIS VA A LA GUERRA \u2013 ALIADO CON SUPREMACISTAS, POPULISTAS Y JEQUES \u00c1RABES<\/a><\/td>\n<\/tr>\n
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\"\"V\u00e9drine<\/strong>, Hubert<\/p>\n

Politician, 1947-
\n\"\"<\/td>\n

JONATHAN GRAY : PARIS A SON NOUVEAU RICHELIEU<\/a><\/td>\nJONATHAN GRAY: PARIS HAS ITS NEW RICHELIEU<\/a><\/td>\nJONATHAN GRAY: PARIGI HA IL SUO NUOVO RICHELIEU<\/a><\/td>\nJONATHAN GRAY: \u0412 \u041f\u0410\u0420\u0418\u0416\u0415 \u041d\u041e\u0412\u042b\u0419 \u0420\u0418\u0428\u0415\u041b\u042c\u0415<\/a><\/td>\nJONATHAN GRAY: PARIS HAT SEINEN NEUEN RICHELIEU<\/a><\/td>\nJONATHAN GRAY: PAR\u00cdS TIENE SU NUEVO RICHELIEU<\/a><\/td>\n<\/tr>\n
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\"\"Vegera<\/strong>, Viktor<\/p>\n

Military, 1960-
\n\"\"<\/td>\n

DMITRYI MAZEPIN, LE PREMIER OLIGARQUE DE LONDONGRAD<\/a><\/td>\nDMITRIJ MAZEPIN, THE FIRST OLIGARCH OF LONDONGRAD<\/a><\/td>\nDMITRIJ MAZEPIN, IL PRIMO OLIGARCA DI LONDONGRAD<\/a><\/td>\n\u0414\u041c\u0418\u0422\u0420\u0418\u0419 \u041c\u0410\u0417\u0415\u041f\u0418\u041d, \u041f\u0415\u0420\u0412\u042b\u0419 \u041e\u041b\u0418\u0413\u0410\u0420\u0425 \u041b\u041e\u041d\u0414\u041e\u041d\u0413\u0420\u0410\u0414\u0410<\/a><\/td>\nDMITRIJ MAZEPIN, DER ERSTE OLIGARCH VON LONDONGRAD<\/a><\/td>\nDMITRIJ MAZEPIN, EL PRIMER OLIGARCA DE LONDONGRAD<\/a><\/td>\n<\/tr>\n
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\"\"Velazques Torres<\/strong>, Consuelo<\/p>\n

Songwriter, 1916-2005
\n\"\"<\/td>\n

CESARIA \u00c9VORA: LA MELANCOLIE DE LA DIVA AUX PIEDS NUS<\/a><\/td>\nCES\u00c1RIA \u00c9VORA: THE MELANCHOLY OF THE BAREFOOT DIVA<\/a><\/td>\nCES\u00c1RIA \u00c9VORA: LA MALINCONIA DELLA DIVA SCALZA<\/a><\/td>\n\u0421\u0415\u0417\u0410\u0420\u0418\u042f \u042d\u0412\u041e\u0420\u0410: \u041c\u0415\u041b\u0410\u041d\u0425\u041e\u041b\u0418\u042f \u0411\u041e\u0421\u041e\u041d\u041e\u0413\u041e\u0419 \u0414\u0418\u0412\u042b<\/a><\/td>\nCES\u00c1RIA \u00c9VORA: DIE MELANCHOLIE DER BARF\u00dc\u00dfIGEN DIVA<\/a><\/td>\nCES\u00c1RIA \u00c9VORA: LA MELANCOL\u00cdA DE LA DIVA DESCALZA<\/a><\/td>\n<\/tr>\n
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\"\"Velkouleskou<\/strong>, Delia<\/p>\n

Economist, 1975-
\n\"\"<\/td>\n

LA MER \u00c9GEE, LA FRONTIERE LA PLUS CHAUDE D\u2019EUROPE<\/a><\/td>\nAEGEAN, THE HOTTEST BORDER IN EUROPE<\/a><\/td>\nEGEO, LA FRONTIERA PI\u00d9 CALDA D\u2019EUROPA<\/a><\/td>\n\u042d\u0413\u0415\u0419\u0421\u041a\u041e\u0415 \u041c\u041e\u0420\u0415 \u2013 \u0421\u0410\u041c\u042b\u0419 \u0413\u041e\u0420\u042f\u0427\u0418\u0419 \u0420\u0423\u0411\u0415\u0416 \u0415\u0412\u0420\u041e\u041f\u042b<\/a><\/td>\nDIE \u00c4G\u00c4IS, DIE HEI\u00dfESTE GRENZE IN EUROPA<\/a><\/td>\nEL EGEO, LA FRONTERA M\u00c1S CALIENTE DE EUROPA<\/a><\/td>\n<\/tr>\n
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\"\"Verbraecken<\/strong>, Els<\/p>\n

Entrepreneur, 1971-
\n\"\"<\/td>\n

BASES MILITAIRES ET MINES: LE NOUVEAU VISAGE DES FONDS MARINS<\/a><\/td>\nMILITARY BASES AND MINES: THE NEW FACE OF THE SEABED<\/a><\/td>\nBASI MILITARI E MINIERE: IL VOLTO NUOVO DEL FONDO DELL\u2019OCEANO<\/a><\/td>\n\u0412\u041e\u0415\u041d\u041d\u042b\u0415 \u0411\u0410\u0417\u042b \u0418 \u0420\u0423\u0414\u041d\u0418\u041a\u0418: \u041d\u041e\u0412\u042b\u0415 \u041b\u0418\u0426\u0410 \u041e\u041a\u0415\u0410\u041d\u0421\u041a\u041e\u0413\u041e \u0414\u041d\u0410<\/a><\/td>\nMILIT\u00c4RST\u00dcTZPUNKTE UND MINEN: DAS NEUE GESICHT DES MEERESBODENS<\/a><\/td>\nBASES MILITARES Y MINAS: LA NUEVA CARA DE LOS FONDOS MARINOS<\/a><\/td>\n<\/tr>\n
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\"\"Verdeaux<\/strong>, Gr\u00e9goire<\/p>\n

Lobbyist, 1972-<\/p>\n

\"\"<\/td>\n

GREGOIRE VERDEAUX: L\u2019AMI QUI GERE LE TRESOR<\/a><\/p>\n

DE PHILIP MORRIS AUX ARTISANS LOCAUX, LA CONTREBANDE S\u2019EST MONDIALISEE GRACE AUX \u00c9MIRATS<\/a><\/td>\n

GR\u00c9GOIRE VERDEAUX: THE FRIEND WHO MANAGES THE TREASURE<\/a><\/p>\n

FROM PHILIP MORRIS TO LOCAL ARTISANS, THANKS TO THE EMIRATES, SMUGGLING HAS GONE GLOBAL<\/a><\/td>\n

GR\u00c9GOIRE VERDEAUX: L\u2019AMICO CHE GESTISCE IL TESORO<\/a><\/p>\n

DA PHILIP MORRIS AGLI ARTIGIANI LOCALI, GRAZIE AGLI EMIRATI IL CONTRABBANDO \u00c8 DIVENUTO GLOBALE<\/a><\/td>\n

\u0413\u0420\u0415\u0413\u041e\u0420\u0418 \u0412\u0415\u0420\u0414\u041e: \u0414\u0420\u0423\u0413, \u0423\u041f\u0420\u0410\u0412\u041b\u042f\u042e\u0429\u0418\u0419 \u041a\u0410\u0417\u041d\u0410\u0427\u0415\u0419\u0421\u0422\u0412\u041e\u041c<\/a><\/p>\n

\u041e\u0422 \u0424\u0418\u041b\u0418\u041f \u041c\u041e\u0420\u0420\u0418\u0421 \u0414\u041e \u041c\u0415\u0421\u0422\u041d\u042b\u0425 \u0420\u0415\u041c\u0415\u0421\u041b\u0415\u041d\u041d\u0418\u041a\u041e\u0412: \u0411\u041b\u0410\u0413\u041e\u0414\u0410\u0420\u042f \u042d\u041c\u0418\u0420\u0410\u0422\u0410\u041c \u041a\u041e\u041d\u0422\u0420\u0410\u0411\u0410\u041d\u0414\u0410 \u0412\u042b\u0428\u041b\u0410 \u041d\u0410 \u041c\u0418\u0420\u041e\u0412\u041e\u0419 \u0423\u0420\u041e\u0412\u0415\u041d\u042c<\/a><\/td>\n

GR\u00c9GOIRE VERDEAUX: DER FREUND, DER DEN SCHATZ VERWALTET<\/a><\/p>\n

VON PHILIP MORRIS BIS ZU LOKALEN HANDWERKERN \u2013 DANK DER EMIRATE IST DER SCHMUGGEL GLOBAL GEWORDEN<\/a><\/td>\n

GR\u00c9GOIRE VERDEAUX: EL AMIGO QUE GESTIONA LA TESORER\u00cdA<\/a><\/p>\n

DESDE PHILIP MORRIS HASTA LOS ARTESANOS LOCALES, GRACIAS A LOS EMIRATOS, EL CONTRABANDO SE HA GLOBALIZADO<\/a><\/td>\n<\/tr>\n

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\"\"Verga<\/strong>, Giovanni<\/p>\n

Writer, 1840-1922
\n\"\"<\/td>\n

ROSA BALISTRERI, LES CRIS DE DOULEUR DE LA SICILE<\/a><\/td>\nROSA BALISTRERI, SICILY\u2019S CRIES OF PAIN<\/a><\/td>\nROSA BALISTRERI, LE URLA DI DOLORE DELLA SICILIA<\/a><\/td>\nROSA BALISTRERI, \u041a\u0420\u0418\u041a\u0418 \u0411\u041e\u041b\u0418 \u0421\u0418\u0426\u0418\u041b\u0418\u0418<\/a><\/td>\nROSA BALISTRERI, SIZILIENS SCHMERZENSSCHREIE<\/a><\/td>\nROSA BALISTRERI, LOS GRITOS DE DOLOR DE SICILIA<\/a><\/td>\n<\/tr>\n
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\"\"Verne<\/strong>, Jules<\/p>\n

Novelist, 1826-1905
\n\"\"<\/td>\n

SI TON ORDINATEUR TOMBE SOUDAINEMENT AMOUREUX<\/a><\/td>\nSUDDENLY, IF YOUR COMPUTER FALLS IN LOVE<\/a><\/td>\nSE IL TUO COMPUTER DI COLPO SI INNAMORA<\/a><\/td>\n\u0415\u0421\u041b\u0418 \u0412\u0410\u0428 \u041a\u041e\u041c\u041f\u042c\u042e\u0422\u0415\u0420 \u0412\u0414\u0420\u0423\u0413 \u0412\u041b\u042e\u0411\u0418\u0422\u0421\u042f<\/a><\/td>\nWENN DEIN COMPUTER SICH PL\u00d6TZLICH VERLIEBT<\/a><\/td>\nSI UN ORDENADOR DE REPENTE SE ENAMORA<\/a><\/td>\n<\/tr>\n
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\"\"Verschleiser<\/strong>, Jeffrey<\/p>\n

Banker, 1969-
\n\"\"<\/td>\n

L\u2019AXE SECRET ENTRE GOLDMAN SACHS ET LES OLIGARQUES<\/a><\/td>\nTHE SECRET AXIS BETWEEN GOLDMAN SACHS AND THE OLIGARCHS<\/a><\/td>\nL\u2019ASSE SEGRETO TRA GOLDMAN SACHS E GLI OLIGARCHI<\/a><\/td>\n\u0422\u0410\u0419\u041d\u0410\u042f \u041e\u0421\u042c \u041c\u0415\u0416\u0414\u0423 \u00ab\u0413\u041e\u041b\u0414\u041c\u0410\u041d\u0421\u0410\u041a\u0421\u00bb \u0418 \u041e\u041b\u0418\u0413\u0410\u0420\u0425\u0410\u041c\u0418<\/a><\/td>\nDIE GEHEIME ACHSE ZWISCHEN GOLDMAN SACHS UND DEN OLIGARCHEN<\/a><\/td>\nEL EJE SECRETO ENTRE GOLDMAN SACHS Y LOS OLIGARCAS<\/a><\/p>\n

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\"\"Verwoerd<\/strong>, Hendrik Frensch<\/p>\n

Politician, 1901-1966
\n\"\"<\/td>\n

MIRIAM MAKEBA, LA VOIX DE L\u2019AFRIQUE<\/a><\/td>\nMIRIAM MAKEBA, THE VOICE OF AFRICA<\/a><\/td>\nMIRIAM MAKEBA, LA VOCE DELL\u2019AFRICA<\/a><\/td>\n\u041c\u0418\u0420\u0418\u0410\u041c \u041c\u0410\u041a\u0415\u0411\u0410, \u0413\u041e\u041b\u041e\u0421 \u0410\u0424\u0420\u0418\u041a\u0418<\/a><\/td>\nMIRIAM MAKEBA, DIE STIMME AFRIKAS<\/a><\/td>\nMIRIAM MAKEBA, LA VOZ DE \u00c1FRICA<\/a><\/td>\n<\/tr>\n
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\"\"Vetere<\/strong>, Fausta<\/p>\n

Singer
\n\"\"<\/td>\n

ROSA BALISTRERI, LES CRIS DE DOULEUR DE LA SICILE<\/a><\/td>\nROSA BALISTRERI, SICILY\u2019S CRIES OF PAIN<\/a><\/td>\nROSA BALISTRERI, LE URLA DI DOLORE DELLA SICILIA<\/a><\/td>\nROSA BALISTRERI, \u041a\u0420\u0418\u041a\u0418 \u0411\u041e\u041b\u0418 \u0421\u0418\u0426\u0418\u041b\u0418\u0418<\/a><\/td>\nROSA BALISTRERI, SIZILIENS SCHMERZENSSCHREIE<\/a><\/td>\nROSA BALISTRERI, LOS GRITOS DE DOLOR DE SICILIA<\/a><\/td>\n<\/tr>\n
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\"\"Vetola<\/strong>, Jukka<\/p>\n

Manager, 1961-
\n\"\"<\/td>\n

LES MAINS SALES DE LA FINLANDE<\/a><\/td>\nFINLAND\u2019S DIRTY HANDS<\/a><\/td>\nLE MANI SPORCHE DELLA FINLANDIA<\/a><\/td>\n\u0413\u0420\u042f\u0417\u041d\u042b\u0415 \u0420\u0423\u041a\u0418 \u0424\u0418\u041d\u041b\u042f\u041d\u0414\u0418\u0418<\/a><\/td>\nINNLANDS SCHMUTZIGE H\u00c4NDE<\/a><\/td>\nLAS MANOS SUCIAS DE FINLANDIA<\/a><\/td>\n<\/tr>\n
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\"\"Vettivetpillai,<\/strong> Sev<\/p>\n

Financier, 1970-
\n\"\"<\/td>\n

HUSSAIN AL NOWAIS: LE MOYEN \u00c2GE DU CAPITALISME ARABE AVANT L\u2019EPREUVE DU TROISIEME MILLENAIRE<\/a><\/td>\nHUSSAIN AL NOWAIS: THE MEDIEVALISM OF THE ARAB CAPITALISM FACING THE TEST OF THE THIRD MILLENNIUM<\/a><\/td>\nHUSSAIN AL NOWAIS: IL MEDIEVALISMO ECONOMICO ARABO ALLA PROVA DEL TERZO MILLENNIO<\/a><\/td>\n\u0425\u0423\u0421\u0421\u0415\u0419\u041d \u0410\u041b\u042c-\u041d\u041e\u0412\u0410\u0418\u0421: \u0410\u0420\u0410\u0411\u0421\u041a\u041e\u0415 \u042d\u041a\u041e\u041d\u041e\u041c\u0418\u0427\u0415\u0421\u041a\u041e\u0415 \u0421\u0420\u0415\u0414\u041d\u0415\u0412\u0415\u041a\u041e\u0412\u042c\u0415, \u041f\u0420\u041e\u0412\u0415\u0420\u0415\u041d\u041d\u041e\u0415 \u0422\u0420\u0415\u0422\u042c\u0418\u041c \u0422\u042b\u0421\u042f\u0427\u0415\u041b\u0415\u0422\u0418\u0415\u041c<\/a><\/td>\nHUSSAIN AL NOWAIS: ARABISCHE WIRTSCHAFTSMITTELALTER VOR DEM TEST DES DRITTEN JAHRTAUSENDS<\/a><\/td>\nHUSSAIN AL NOWAIS: EL MEDIEVALISMO ECON\u00d3MICO \u00c1RABE A PRUEBA DEL TERCER MILENIO<\/a><\/td>\n<\/tr>\n
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\"\"Vialli<\/strong>, Gianluca<\/p>\n

Sportsman, 1964-2023
\n\"\"<\/td>\n

MADERE, L\u2019ILE DE CRISTIANO RONALDO<\/a><\/td>\nMADEIRA, THE ISLAND OF CRISTIANO RONALDO<\/a><\/td>\nMADEIRA, L\u2019ISOLA DI CRISTIANO RONALDO<\/a><\/td>\n\u041c\u0410\u0414\u0415\u0419\u0420\u0410, \u041e\u0421\u0422\u0420\u041e\u0412 \u041a\u0420\u0418\u0421\u0422\u0418\u0410\u041d\u041e\u0420\u041e\u041d\u0410\u041b\u0414\u041e<\/a><\/td>\nMADEIRA, DIE INSEL VON CRISTIANO RONALDO<\/a><\/td>\nMADEIRA, LA ISLA DE CRISTIANO RONALDO<\/a><\/td>\n<\/tr>\n
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\"\"Vian<\/strong>, Giovanni Maria<\/p>\n

Historian, 1952-
\n\"\"<\/td>\n

VATICAN ET FRERES MUSULMANS: 100 ANS DE RELATIONS POLITIQUES ET ECONOMIQUES<\/a><\/td>\nVATICAN AND MUSLIM BROTHERHOOD: 100 YEARS OF POLITICAL AND ECONOMIC RELATIONS<\/a><\/td>\nVATICANO E FRATELLI MUSULMANI: UN SECOLO DI RELAZIONI POLITICHE E FINANZIARIE<\/a><\/td>\n\u0412\u0410\u0422\u0418\u041a\u0410\u041d \u0418 \u041c\u0423\u0421\u0423\u041b\u042c\u041c\u0410\u041d\u0421\u041a\u0418\u0415 \u0411\u0420\u0410\u0422\u042c\u042f: \u0412\u0415\u041a \u041f\u041e\u041b\u0418\u0422\u0418\u0427\u0415\u0421\u041a\u0418\u0425 \u0418 \u0424\u0418\u041d\u0410\u041d\u0421\u041e\u0412\u042b\u0425 \u041e\u0422\u041d\u041e\u0428\u0415\u041d\u0418\u0419<\/a><\/td>\nVATIKAN UND MUSLIMBRUDERSCHAFT: 100 JAHRE POLITISCHEN UND WIRTSCHAFTLICHEN BEZIEHUNGEN<\/a><\/td>\nEL VATICANO Y LOS HERMANOS MUSULMANES: UN SIGLO DE RELACIONES POL\u00cdTICAS Y FINANCIERAS<\/a><\/td>\n<\/tr>\n
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\"\"Vicentini<\/strong>, Giuseppe<\/p>\n

Politician, 1887-1943
\n\"\"<\/td>\n

LA DERNIERE VICTIME DU BANCO AMBROSIANO<\/a><\/td>\nTHE LAST VICTIM OF BANCO AMBROSIANO<\/a><\/td>\nL\u2019ULTIMA VITTIMA DEL BANCO AMBROSIANO<\/a><\/td>\n\u041f\u041e\u0421\u041b\u0415\u0414\u041d\u042f\u042f \u0416\u0415\u0420\u0422\u0412\u0410\u0411\u0410\u041d\u041a\u0410 \u0410\u041c\u0411\u0420\u041e\u0417\u0418\u0410\u041d\u041e<\/a><\/td>\nDAS LETZTE OPFER DER BANCO AMBROSIANO<\/a><\/td>\nLA \u00daLTIMA V\u00cdCTIMA DEL BANCO AMBROSIANO<\/a><\/td>\n<\/tr>\n
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\"\"Vico<\/strong>, Giambattista<\/p>\n

Philosoph, 1688-1744
\n\"\"<\/td>\n

L\u2019ENDETTEMENT EN CHINOIS SE TRADUIT PAR EVERGRANDE<\/a><\/p>\n

QUAND MEME L\u2019AIGLE N\u2019OSE PLUS VOLER<\/a><\/td>\n

INDEBTEDNESS IN CHINESE TRANSLATES AS EVERGRANDE<\/a><\/p>\n

WHEN EVEN THE EAGLE NO LONGER DARES TO FLY<\/a><\/td>\n

INDEBITAMENTO IN CINESE SI TRADUCE EVERGRANDE<\/a><\/p>\n

QUANDO NEMMENO L\u2019AQUILA OSA PI\u00d9 VOLARE<\/a><\/td>\n

\u0414\u041e\u041b\u0413 \u041d\u0410 \u041a\u0418\u0422\u0410\u0419\u0421\u041a\u0418\u0419 \u042f\u0417\u042b\u041a \u041f\u0415\u0420\u0415\u0412\u041e\u0414\u0418\u0422\u0421\u042f \u041a\u0410\u041aEVERGRANDE<\/a><\/p>\n

\u041a\u041e\u0413\u0414\u0410 \u0414\u0410\u0416\u0415 \u041e\u0420\u0415\u041b \u0411\u041e\u041b\u042c\u0428\u0415 \u041d\u0415 \u041e\u0421\u041c\u0415\u041b\u0418\u0412\u0410\u0415\u0422\u0421\u042f \u041b\u0415\u0422\u0410\u0422\u042c<\/a><\/td>\n

VERSCHULDUNG HEI\u00dfT AUF CHINESISCH EVERGRANDE<\/a><\/p>\n

WENN SELBST DER ADLER NICHT MEHR ZU FLIEGEN WAGT<\/a><\/td>\n

ENDEUDAMIENTO EN CHINO SE TRADUCE COMO EVERGRANDE<\/a><\/p>\n

CUANDO HASTA EL \u00c1GUILA YA NO SE ATREVE A VOLAR<\/a><\/td>\n<\/tr>\n

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\n\"\"Victoria of V\u00e4sterg\u00f6tland<\/strong>Princess of Sweden, 1977-
\n\"\"<\/td>\n		SUEDE: QUAND LE REVE DES REFUGIES DEVIENT UN CAUCHEMAR<\/a><\/td>\nSCHWEDEN: WENN DER TRAUM DER FL\u00dcCHTLINGE ZUM ALBTRAUM WIRD<\/a><\/td>\nSVEZIA: SE IL SOGNO DEI RIFUGIATI DIVENTA INCUBO<\/a><\/td>\n\u0428\u0412\u0415\u0426\u0418\u042f: \u0415\u0421\u041b\u0418 \u041c\u0415\u0427\u0422\u0410 \u0411\u0415\u0416\u0415\u041d\u0426\u0415\u0412 \u0421\u0422\u0410\u041d\u0415\u0422 \u041a\u041e\u0428\u041c\u0410\u0420\u041e\u041c<\/a><\/td>\nSCHWEDEN: WENN DER TRAUM DER FL\u00dcCHTLINGE ZUM ALBTRAUM WIRD<\/a><\/td>\nSUECIA: CUANDO EL SUE\u00d1O DE LOS REFUGIADOS SE CONVIERTE EN PESADILLA<\/a><\/td>\n<\/tr>\n
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\"\"Videla<\/strong>, Gabriel Gonz\u00e1lez<\/p>\n

Politician, 1898-1980
\n\"\"<\/td>\n

VIOLETA PARRA, LA LIBERTE EST UNE DOULEUR ABSOLUE<\/a><\/p>\n

MERCEDES SOSA, LA VOIX DES SANS-VOIX<\/a><\/td>\n

VIOLETA PARRA, FREEDOM IS AN ABSOLUTE PAIN<\/a><\/p>\n

MERCEDES SOSA, THE VOICE OF THE VOICELESS<\/a><\/td>\n

VIOLETA PARRA, LA LIBERT\u00c0 \u00c8 UN DOLORE ASSOLUTO<\/a><\/p>\n

MERCEDES SOSA, LA VOCE DEI SENZA VOCE<\/a><\/td>\n

VIOLETA PARRA, \u0421\u0412\u041e\u0411\u041e\u0414\u0410 \u2013 \u042d\u0422\u041e \u0410\u0411\u0421\u041e\u041b\u042e\u0422\u041d\u0410\u042f \u0411\u041e\u041b\u042c<\/a><\/p>\n

MERCEDES SOSA, \u0413\u041e\u041b\u041e\u0421 \u0411\u0415\u0417\u0413\u041e\u041b\u041e\u0421\u042b\u0425<\/a><\/td>\n

VIOLETA PARRA, FREIHEIT IST EIN ABSOLUTER SCHMERZ<\/a><\/p>\n

MERCEDES SOSA, DIE STIMME DER STUMMEN<\/a><\/td>\n

VIOLETA PARRA, LA LIBERTAD ES UN DOLOR ABSOLUTO<\/a><\/p>\n

MERCEDES SOSA, LA VOZ DE LOS SIN VOZ<\/a><\/td>\n<\/tr>\n

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\"\"Videla<\/strong>, Jorge Rafael<\/p>\n

Politician, 1925-2013
\n\"\"<\/td>\n

CUBA AUJOURD\u2019HUI: CE QUI RESTE DU REVE \u2013 ET DU CAUCHEMAR<\/a><\/p>\n

HENRY KISSINGER, L\u2019AME NOIRE DU 20EME SIECLE<\/a><\/td>\n

CUBA TODAY: WHAT REMAINS OF THE DREAM \u2013 AND THE NIGHTMARE<\/a><\/p>\n

HENRY KISSINGER, THE DARK SOUL OF THE 20TH CENTURY<\/a><\/td>\n

CUBA, OGGI: CI\u00d2 CHE RESTA DEL SOGNO \u2013 E DELL\u2019INCUBO<\/a><\/p>\n

HENRY KISSINGER, L\u2019ANIMA NERA DEL XX SECOLO<\/a><\/td>\n

\u041a\u0423\u0411\u0410 \u0421\u0415\u0413\u041e\u0414\u041d\u042f: \u0427\u0422\u041e \u041e\u0421\u0422\u0410\u041b\u041e\u0421\u042c \u041e\u0422 \u041c\u0415\u0427\u0422\u042b \u2013 \u0418 \u041e\u0422 \u041a\u041e\u0428\u041c\u0410\u0420\u0410<\/a><\/p>\n

\u0413\u0415\u041d\u0420\u0418 \u041a\u0418\u0421\u0421\u0418\u041d\u0414\u0416\u0415\u0420, \u0427\u0415\u0420\u041d\u0410\u042f \u0414\u0423\u0428\u0410 20 \u0412\u0415\u041a\u0410<\/a><\/td>\n

KUBA HEUTE: WAS BLEIBT VOM TRAUM \u2013 UND VOM ALBTRAUM<\/a><\/p>\n

HENRY KISSINGER, DIE SCHWARZE SEELE DES 20. JAHRHUNDERTS<\/a><\/td>\n

CUBA, HOY: LO QUE QUEDA DEL SUE\u00d1O \u2013 Y DE LA PESADILLA<\/a><\/p>\n

HENRY KISSINGER, EL ALMA NEGRA DEL SIGLO XX<\/a><\/td>\n<\/tr>\n

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\"\"Vidino<\/strong>, Lorenzo G.<\/p>\n

Lobbyist, 1977-
\n\"\"<\/td>\n

LE STYLO QUI TUE PLUS QUE L\u2019EPEE<\/a><\/p>\n

ANWAR GARGASH: L\u2019HOMME DES ALLIANCES MILITAIRES<\/a><\/p>\n

VIE ET MIRACLES D\u2019UN MERCENAIRE DANS LA GUERRE MEDIATIQUE<\/a><\/td>\n

THE PEN THAT KILLS MORE THAN THE SWORD<\/a><\/p>\n

ANWAR GARGASH: THE MAN OF MILITARY ALLIANCES<\/a><\/p>\n

LIFE AND MIRACLES OF A MERCENARY IN THE MEDIA WAR<\/a><\/td>\n

LA PENNA CHE UCCIDE PI\u00d9 DELLA SPADA<\/a><\/p>\n

ANWAR GARGASH: L\u2019UOMO DELLE ALLEANZE MILITARI<\/a><\/p>\n

VITA E MIRACOLI DI UN MERCENARIO NELLA GUERRA DEI MEDIA<\/a><\/td>\n

\u041f\u0415\u0420\u041e \u0423\u0411\u0418\u0412\u0410\u0415\u0422 \u0421\u0418\u041b\u042c\u041d\u0415\u0415 \u041c\u0415\u0427\u0410<\/a><\/p>\n

\u0410\u041d\u0412\u0410\u0420 \u0413\u0410\u0420\u0413\u0410\u0428: \u0427\u0415\u041b\u041e\u0412\u0415\u041a \u0412\u041e\u0415\u041d\u041d\u042b\u0425 \u0421\u041e\u042e\u0417\u041e\u0412<\/a><\/p>\n

\u0416\u0418\u0417\u041d\u042c \u0418 \u0427\u0423\u0414\u0415\u0421\u0410 \u041d\u0410\u0415\u041c\u041d\u0418\u041a\u0410 \u0412 \u0412\u041e\u0419\u041d\u0415 \u0421\u041e \u0421\u041c\u0418<\/a><\/td>\n

DIE FEDER, DIE MEHR T\u00d6TET ALS DAS SCHWERT<\/a><\/p>\n

ANWAR GARGASH: DER MANN DER MILIT\u00c4RB\u00dcNDNISSE<\/a><\/p>\n

LEBEN UND WUNDER EINES S\u00d6LDNERS IM MEDIENKRIEG<\/a><\/td>\n

LA PLUMA QUE MATA M\u00c1S QUE LA ESPADA<\/a><\/p>\n

ANWAR GARGASH: EL HOMBRE DE LAS ALIANZAS MILITARES<\/a><\/p>\n

VIDA Y MILAGROS DE UN MERCENARIO EN LA GUERRA MEDI\u00c1TICA<\/a><\/td>\n<\/tr>\n

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\"\"Vieira Dias<\/strong>, H\u00e9lder \u201cKopelipa\u201d<\/p>\n

Politician, Soldier, 1953-
\n\"\"<\/td>\n

DAR AL-HANDASAH: LE C\u00d4T\u00c9 OBSCUR DU COLOSSE<\/a><\/p>\n

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LES POMMES POURRIES DU JARDIN D\u2018EDEN<\/a><\/td>\n

DAR AL-HANDASAH: THE DARK SIDE OF THE GIANT<\/a><\/p>\n

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ROTTEN APPLES IN THE GARDEN OF EDEN<\/a><\/td>\n

IL LATO OSCURO DEL COLOSSO DAR AL-HANDASAH<\/a><\/p>\n

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LE MELE MARCE DEL PARADISO TERRESTRE<\/a><\/td>\n

\u0422\u0415\u041c\u041d\u0410\u042f \u0421\u0422\u041e\u0420\u041e\u041d\u0410 \u041a\u041e\u041b\u041e\u0421\u0421\u0410 \u0414\u0410\u0420 \u0410\u041b\u042c-\u0425\u0410\u041d\u0414\u0410\u0421\u0410<\/a><\/p>\n

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\u0413\u041d\u0418\u041b\u042b\u0415 \u042f\u0411\u041b\u041e\u041a\u0418 \u0417\u0415\u041c\u041d\u041e\u0413\u041e \u0420\u0410\u042f<\/a><\/td>\n

DIE DUNKLE SEITE DES KOLOSSES DAR AL-HANDASAH<\/a><\/p>\n

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DIE FAULEN \u00c4PFEL DES GARTENS EDEN<\/a><\/td>\n

EL LADO OSCURO DEL COLOSO DAR AL-HANDASAH<\/a><\/p>\n

LAS MANZANAS PODRIDAS DEL PARA\u00cdSO<\/a><\/td>\n<\/tr>\n

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\"\"Vigan\u00f2,<\/strong> Carlo Maria<\/p>\n

Cardinal, 1941
\n\"\"<\/td>\n

MOUVEMENT 5 ETOILES ET LEGANORD: REPETITIONS GENERALES POUR UNE INTERNATIONALE POSTFASCISTE<\/a><\/td>\n5-STAR MOVEMENT AND LEGANORD: DRESS REHEARSALS FOR A POST-FASCIST INTERNATIONAL<\/a><\/td>\nMOVIMENTO 5 STELLE E LEGA NORD: PROVE GENERALI PER UN\u2019INTERNAZIONALE POST-FASCISTA<\/a><\/td>\n\u0414\u0412\u0418\u0416\u0415\u041d\u0418\u0415 5 \u0417\u0412\u0415\u0417\u0414 \u0418 \u0421\u0415\u0412\u0415\u0420\u041d\u0410\u042f \u041b\u0418\u0413\u0410: \u0418\u0421\u041f\u042b\u0422\u0410\u041d\u0418\u042f \u0414\u041b\u042f \u041f\u041e\u0421\u0422\u0424\u0410\u0428\u0418\u0421\u0422\u0421\u041a\u041e\u0413\u041e \u0418\u041d\u0422\u0415\u0420\u041d\u0410\u0426\u0418\u041e\u041d\u0410\u041b\u0410<\/a><\/td>\n5-STERNE-BEWEGUNG UND LEGANORD: GENERALPROBEN F\u00dcR EINE POSTFASCHISTISCHE INTERNATIONALE<\/a><\/td>\nEL MOVIMIENTO 5 ESTRELLAS Y LA LIGA NORTE: ENSAYO GENERAL DE UNA INTERNACIONAL POST-FASCISTA<\/a><\/td>\n<\/tr>\n
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\"\"Vikhora<\/strong>, Alyaksandra<\/p>\n

Student, 1995-2020
\n\"\"<\/td>\n

LA SOUFFRANCE DES ABANDONN\u00c9S: LA BI\u00c9LORUSSIE NE SE REND PAS AU TYRAN<\/a><\/td>\nTHE SUFFERING OF THE ABANDONED: BELARUS DOES NOT SURRENDER TO THE TYRANT<\/a><\/td>\nLO STRAZIO DEGLI ABBANDONATI: LA BIELORUSSIA NON SI ARRENDE AL TIRANNO<\/a><\/td>\n\u0421\u0422\u0420\u0410\u0422\u0415\u0413\u0418\u042f \u0417\u0410\u0411\u0420\u041e\u0428\u0415\u041d\u041d\u042b\u0425: \u0411\u0415\u041b\u0410\u0420\u0423\u0421\u042c \u041d\u0415 \u0421\u0414\u0410\u0415\u0422\u0421\u042f \u0422\u0418\u0420\u0410\u041d\u0423<\/a><\/td>\nDAS LEIDEN DER VERLASSENEN: WEI\u00dfRUSSLAND ERGIBT SICH NICHT DEM TYRANNEN<\/a><\/td>\nLA ANGUSTIA DE LOS ABANDONADOS: BIELORRUSIA NO SE RINDE ANTE EL TIRANO<\/a><\/td>\n<\/tr>\n
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\"\"Viking<\/strong>, Mats<\/p>\n

Politician, 1961-
\n\"\"<\/td>\n

SUEDE: QUAND LE REVE DES REFUGIES DEVIENT UN CAUCHEMAR<\/a><\/td>\nSCHWEDEN: WENN DER TRAUM DER FL\u00dcCHTLINGE ZUM ALBTRAUM WIRD<\/a><\/td>\nSVEZIA: SE IL SOGNO DEI RIFUGIATI DIVENTA INCUBO<\/a><\/td>\n\u0428\u0412\u0415\u0426\u0418\u042f: \u0415\u0421\u041b\u0418 \u041c\u0415\u0427\u0422\u0410 \u0411\u0415\u0416\u0415\u041d\u0426\u0415\u0412 \u0421\u0422\u0410\u041d\u0415\u0422 \u041a\u041e\u0428\u041c\u0410\u0420\u041e\u041c<\/a><\/td>\nSCHWEDEN: WENN DER TRAUM DER FL\u00dcCHTLINGE ZUM ALBTRAUM WIRD<\/a><\/td>\nSUECIA: CUANDO EL SUE\u00d1O DE LOS REFUGIADOS SE CONVIERTE EN PESADILLA<\/a><\/td>\n<\/tr>\n
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\"\"Villa<\/strong>, Ignacio<\/p>\n

Songwriter, 1911-1971
\n\"\"<\/td>\n

MERCEDES SOSA, LA VOIX DES SANS-VOIX<\/a><\/td>\nMERCEDES SOSA, THE VOICE OF THE VOICELESS<\/a><\/td>\nMERCEDES SOSA, LA VOCE DEI SENZA VOCE<\/a><\/td>\nMERCEDES SOSA, \u0413\u041e\u041b\u041e\u0421 \u0411\u0415\u0417\u0413\u041e\u041b\u041e\u0421\u042b\u0425<\/a><\/td>\nMERCEDES SOSA, DIE STIMME DER STUMMEN<\/a><\/td>\nMERCEDES SOSA, LA VOZ DE LOS SIN VOZ<\/a><\/td>\n<\/tr>\n
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\"\"Villagr\u00e1n<\/strong>, Victor Luis Garc\u00eda<\/p>\n

NGO-Leader, 1982-
\n\"\"<\/td>\n

LE SOMMET DE LOS ANGELES, UN NOUVEL ECHEC DE LA POLITIQUE ETRANGERE AMERICAINE<\/a><\/td>\nTHE LOS ANGELES SUMMIT, ANOTHER FAILURE OF US FOREIGN POLICY<\/a><\/td>\nIL SUMMIT DI LOS ANGELES, ENNESIMO FALLIMENTO DELLA POLITICA ESTERA AMERICANA<\/a><\/td>\n\u0421\u0410\u041c\u041c\u0418\u0422 \u0412 \u041b\u041e\u0421 \u0410\u041d\u0416\u0415\u041b\u0415\u0421\u0415, \u041e\u0427\u0415\u0420\u0415\u0414\u041d\u041e\u0419 \u041f\u0420\u041e\u0412\u0410\u041b \u0410\u041c\u0415\u0420\u0418\u041a\u0410\u041d\u0421\u041a\u041e\u0419 \u0412\u041d\u0415\u0428\u041d\u0415\u0419 \u041f\u041e\u041b\u0418\u0422\u0418\u041a\u0418<\/a><\/td>\nDAS GIPFEL VON LOS ANGELES, EIN WEITERES SCHEITERN DER US-AU\u00dfENPOLITIK<\/a><\/td>\nLA CONFERENCIA DE LOS \u00c1NGELES, FRACASO DE LA POL\u00cdTICA EXTERIOR DE EE.UU.<\/a><\/td>\n<\/tr>\n
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\"\"Vincent<\/strong>, St\u00e9nio Joseph<\/p>\n

Politician, 1874-1959
\n\"\"<\/td>\n

HA\u00cfTI, L\u2019ENFER DES CARA\u00cfBES<\/a><\/td>\nHAITI, THE HELL OF THE CARIBBEAN<\/a><\/td>\nHAITI, L\u2019INFERNO DEI CARAIBI<\/a><\/td>\n\u0413\u0410\u0418\u0422\u0418, \u0410\u0414 \u041a\u0410\u0420\u0418\u0411\u0421\u041a\u041e\u0413\u041e \u041c\u041e\u0420\u042f<\/a><\/td>\nHAITI, DIE H\u00d6LLE DER KARIBIK<\/a><\/td>\nHAIT\u00cd, EL INFIERNO DEL CARIBE<\/a><\/td>\n<\/tr>\n
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\"\"Vincenzetti<\/strong>, David<\/p>\n

Spy, 1977-
\n\"\"<\/td>\n

DAVID VINCENZETTI: L\u2019HACKER QUI ESPIONNANT POUR LES DICTATEURS<\/a><\/p>\n

DE LA SCIENCE-FICTION AU CAUCHEMAR: LES LOGICIELS ESPIONS UTILISENT POUR TRAQUER LES ADVERSAIRES<\/a><\/td>\n

DAVID VINCENZETTI: THE HACKER WHO CREATED SPYWARE FOR DICTATORS<\/a><\/p>\n

FROM SCI-FI TO NIGHTMARE: HOW SPYWARE ARE USED TO TRACK DOWN OPPONENTS<\/a><\/td>\n

DAVID VINCENZETTI: LA SPIA CHE SERVE I DITTATORI<\/a><\/p>\n

DALLA FANTASCIENZA ALL\u2019INCUBO: LO SPYWARE DI REGIME PER IL CONTROLLO TOTALE<\/a><\/td>\n

\u0414\u0410\u0412\u0418\u0414 \u0412\u0418\u041d\u0427\u0415\u041d\u0426\u0415\u0422\u0422\u0418: \u0428\u041f\u0418\u041e\u041d, \u041a\u041e\u0422\u041e\u0420\u042b\u0419 \u0421\u041b\u0423\u0416\u0418\u0422 \u0414\u0418\u041a\u0422\u0410\u0422\u041e\u0420\u0410\u041c<\/a><\/p>\n

\u041e\u0422 \u041d\u0410\u0423\u0427\u041d\u041e\u0419 \u0424\u0410\u041d\u0422\u0410\u0421\u0422\u0418\u041a\u0418 \u0414\u041e \u041a\u041e\u0428\u041c\u0410\u0420\u0410: \u0428\u041f\u0418\u041e\u041d\u0421\u041a\u041e\u0415 \u041f\u041e, \u0421 \u041f\u041e\u041c\u041e\u0429\u042c\u042e \u041a\u041e\u0422\u041e\u0420\u041e\u0413\u041e \u0420\u0415\u0416\u0418\u041c \u041f\u0420\u0415\u0421\u041b\u0415\u0414\u0423\u0415\u0422 \u041e\u041f\u041f\u041e\u041d\u0415\u041d\u0422\u041e\u0412<\/a><\/td>\n

DAVID VINCENZETTI: DER HACKER, DER F\u00dcR DIE DIKTATOREN SPIONIERT<\/a><\/p>\n

VON SCIENCE FICTION ZUM ALBTRAUM: DIE SPYWARE, MIT DER REGIME GEGNER VERFOLGEN<\/a><\/td>\n

DE LA CIENCIA FICCI\u00d3N A LA PESADILLA: PROGRAMAS ESP\u00cdA DEL R\u00c9GIMEN PARA EL CONTROL TOTAL<\/a><\/p>\n

DAVID VINCENZETTI: EL ESP\u00cdA AL SERVICIO DE LOS DICTADORES<\/a><\/td>\n<\/tr>\n

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\"\"Vinciguerra<\/strong>, Vincenzo<\/p>\n

Terrorist 1949-
\n\"\"<\/td>\n

HENRY KISSINGER, L\u2019AME NOIRE DU 20EME SIECLE<\/a><\/td>\nHENRY KISSINGER, THE DARK SOUL OF THE 20TH CENTURY<\/a><\/td>\nHENRY KISSINGER, L\u2019ANIMA NERA DEL XX SECOLO<\/a><\/td>\n\u0413\u0415\u041d\u0420\u0418 \u041a\u0418\u0421\u0421\u0418\u041d\u0414\u0416\u0415\u0420, \u0427\u0415\u0420\u041d\u0410\u042f \u0414\u0423\u0428\u0410 20 \u0412\u0415\u041a\u0410<\/a><\/td>\nHENRY KISSINGER, DIE SCHWARZE SEELE DES 20. JAHRHUNDERTS<\/a><\/td>\nHENRY KISSINGER, EL ALMA NEGRA DEL SIGLO XX<\/a><\/td>\n<\/tr>\n
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\"\"<\/strong>Viner<\/strong>, Anton<\/p>\n

Businessman, 1971-<\/p>\n

\"\"<\/td>\n

ALISER USMANOV: LES YEUX INDISCRETS D\u2019UN OLIGARQUE SUR LE MONDE<\/a><\/td>\nALI\u0160ER USMANOV: AN OLIGARCH\u2019S PRYING EYES ON THE WORLD<\/a><\/td>\nALI\u0160ER USMANOV: GLI SGUARDI INDISCRETI DI UN OLIGARCA SUL MONDO<\/a><\/td>\n\u0410\u041b\u0418\u0428\u0415\u0420 \u0423\u0421\u041c\u0410\u041d\u041e\u0412: \u041d\u0410\u0417\u041e\u0419\u041b\u0418\u0412\u042b\u0419 \u0412\u0417\u0413\u041b\u042f\u0414 \u041e\u041b\u0418\u0413\u0410\u0420\u0425\u0410 \u041d\u0410 \u041c\u0418\u0420<\/a><\/td>\nALI\u0160ER USMANOV: DIE INDISKRETE BLICKE EINES OLIGARCHEN AUF DIE WELT<\/a><\/td>\nALI\u0160ER USMANOV: LA MIRADA INDISCRETA DE UN OLIGARCA SOBRE EL MUNDO<\/a><\/td>\n<\/tr>\n
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\"\"<\/strong>Viner Usmanova<\/strong>, Irina Aleksandrovna<\/p>\n

Gymnastic coach, 1947-<\/p>\n

\"\"<\/td>\n

ALISER USMANOV: LES YEUX INDISCRETS D\u2019UN OLIGARQUE SUR LE MONDE<\/a><\/td>\nALI\u0160ER USMANOV: AN OLIGARCH\u2019S PRYING EYES ON THE WORLD<\/a><\/td>\nALI\u0160ER USMANOV: GLI SGUARDI INDISCRETI DI UN OLIGARCA SUL MONDO<\/a><\/td>\n\u0410\u041b\u0418\u0428\u0415\u0420 \u0423\u0421\u041c\u0410\u041d\u041e\u0412: \u041d\u0410\u0417\u041e\u0419\u041b\u0418\u0412\u042b\u0419 \u0412\u0417\u0413\u041b\u042f\u0414 \u041e\u041b\u0418\u0413\u0410\u0420\u0425\u0410 \u041d\u0410 \u041c\u0418\u0420<\/a><\/td>\nALI\u0160ER USMANOV: DIE INDISKRETE BLICKE EINES OLIGARCHEN AUF DIE WELT<\/a><\/td>\nALI\u0160ER USMANOV: LA MIRADA INDISCRETA DE UN OLIGARCA SOBRE EL MUNDO<\/a><\/td>\n<\/tr>\n
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\"\"Vinokurov<\/strong>, Vladimir Nikolaevich<\/p>\n

Diplomat, 1954-
\n\"\"<\/td>\n

BASES MILITAIRES ET MINES: LE NOUVEAU VISAGE DES FONDS MARINS<\/a><\/td>\nMILITARY BASES AND MINES: THE NEW FACE OF THE SEABED<\/a><\/td>\nBASI MILITARI E MINIERE: IL VOLTO NUOVO DEL FONDO DELL\u2019OCEANO<\/a><\/td>\n\u0412\u041e\u0415\u041d\u041d\u042b\u0415 \u0411\u0410\u0417\u042b \u0418 \u0420\u0423\u0414\u041d\u0418\u041a\u0418: \u041d\u041e\u0412\u042b\u0415 \u041b\u0418\u0426\u0410 \u041e\u041a\u0415\u0410\u041d\u0421\u041a\u041e\u0413\u041e \u0414\u041d\u0410<\/a><\/td>\nMILIT\u00c4RST\u00dcTZPUNKTE UND MINEN: DAS NEUE GESICHT DES MEERESBODENS<\/a><\/td>\nBASES MILITARES Y MINAS: LA NUEVA CARA DE LOS FONDOS MARINOS<\/a><\/td>\n<\/tr>\n
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\"\"Visco,<\/strong> Vincenzo<\/p>\n

Politician, 1942-
\n\"\"<\/td>\n

MOUVEMENT 5 ETOILES ET LEGANORD: REPETITIONS GENERALES POUR UNE INTERNATIONALE POSTFASCISTE<\/a><\/td>\n5-STAR MOVEMENT AND LEGANORD: DRESS REHEARSALS FOR A POST-FASCIST INTERNATIONAL<\/a><\/td>\nMOVIMENTO 5 STELLE E LEGA NORD: PROVE GENERALI PER UN\u2019INTERNAZIONALE POST-FASCISTA<\/a><\/td>\n\u0414\u0412\u0418\u0416\u0415\u041d\u0418\u0415 5 \u0417\u0412\u0415\u0417\u0414 \u0418 \u0421\u0415\u0412\u0415\u0420\u041d\u0410\u042f \u041b\u0418\u0413\u0410: \u0418\u0421\u041f\u042b\u0422\u0410\u041d\u0418\u042f \u0414\u041b\u042f \u041f\u041e\u0421\u0422\u0424\u0410\u0428\u0418\u0421\u0422\u0421\u041a\u041e\u0413\u041e \u0418\u041d\u0422\u0415\u0420\u041d\u0410\u0426\u0418\u041e\u041d\u0410\u041b\u0410<\/a><\/td>\n5-STERNE-BEWEGUNG UND LEGANORD: GENERALPROBEN F\u00dcR EINE POSTFASCHISTISCHE INTERNATIONALE<\/a><\/td>\nEL MOVIMIENTO 5 ESTRELLAS Y LA LIGA NORTE: ENSAYO GENERAL DE UNA INTERNACIONAL POST-FASCISTA<\/a><\/td>\n<\/tr>\n
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\"\"Vissoker,<\/strong> Yossi<\/p>\n

Graphologist, 1959-
\n\"\"<\/td>\n

COMMENT JACOB ZUMA SE PREPARE A UNE GUERRE CIVILE<\/a><\/td>\nHOW JACOB ZUMA PREPARES FOR CIVIL WAR<\/a><\/td>\nCOS\u00cc JACOB ZUMA PREPARA UNA GUERRA CIVILE<\/a><\/td>\n\u0422\u0410\u041a \u0414\u0416\u0415\u0419\u041a\u041e\u0411 \u0417\u0423\u041c\u0410 \u0413\u041e\u0422\u041e\u0412\u0418\u0422 \u0413\u0420\u0410\u0416\u0414\u0410\u041d\u0421\u041a\u0423\u042e \u0412\u041e\u0419\u041d\u0423<\/a><\/td>\nWIE JACOB ZUMA SICH AUF EINEN B\u00dcRGERKRIEG VORBEREITET<\/a><\/td>\nC\u00d3MO SE PREPARA JACOB ZUMA PARA LA GUERRA CIVIL<\/a><\/td>\n<\/tr>\n
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\"\"Vitale<\/strong>, Anna<\/p>\n

Singer, 1975-
\n\"\"<\/td>\n

ROSA BALISTRERI, LES CRIS DE DOULEUR DE LA SICILE<\/a><\/td>\nROSA BALISTRERI, SICILY\u2019S CRIES OF PAIN<\/a><\/td>\nROSA BALISTRERI, LE URLA DI DOLORE DELLA SICILIA<\/a><\/td>\nROSA BALISTRERI, \u041a\u0420\u0418\u041a\u0418 \u0411\u041e\u041b\u0418 \u0421\u0418\u0426\u0418\u041b\u0418\u0418<\/a><\/td>\nROSA BALISTRERI, SIZILIENS SCHMERZENSSCHREIE<\/a><\/td>\nROSA BALISTRERI, LOS GRITOS DE DOLOR DE SICILIA<\/a><\/td>\n<\/tr>\n
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\"\"Vitti<\/strong>, Monica<\/p>\n

Actress, 1931-2022
\n\"\"<\/td>\n

MARTA KUBI\u0160OV\u00c1, CETTE VOIX CONTRE LES TANKS<\/a><\/td>\nMARTA KUBI\u0160OV\u00c1, THE VOICE AGAINST THE TANKS<\/a><\/td>\nMARTA KUBI\u0160OV\u00c1, LA VOCE CONTRO I CARRI ARMATI<\/a><\/td>\n\u041c\u0410\u0420\u0422\u0410 \u041a\u0423\u0411\u0418\u0428\u041e\u0412\u0410, \u0413\u041e\u041b\u041e\u0421 \u041f\u0420\u041e\u0422\u0418\u0412 \u0422\u0410\u041d\u041a\u041e\u0412<\/a><\/td>\nMARTA KUBI\u0160OV\u00c1, JENE STIMME GEGEN DIE PANZER<\/a><\/td>\nMARTA KUBI\u0160OV\u00c1, LA VOZ CONTRA LOS TANQUES<\/a><\/td>\n<\/tr>\n
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\"\"Vittorio Emanuele I di Savoia<\/strong><\/p>\n

King of Italy, 1759-1824
\n\"\"<\/td>\n

LA DERNIERE VICTIME DU BANCO AMBROSIANO<\/a><\/td>\nTHE LAST VICTIM OF BANCO AMBROSIANO<\/a><\/td>\nL\u2019ULTIMA VITTIMA DEL BANCO AMBROSIANO<\/a><\/td>\n\u041f\u041e\u0421\u041b\u0415\u0414\u041d\u042f\u042f \u0416\u0415\u0420\u0422\u0412\u0410\u0411\u0410\u041d\u041a\u0410 \u0410\u041c\u0411\u0420\u041e\u0417\u0418\u0410\u041d\u041e<\/a><\/td>\nDAS LETZTE OPFER DER BANCO AMBROSIANO<\/a><\/td>\nLA \u00daLTIMA V\u00cdCTIMA DEL BANCO AMBROSIANO<\/a><\/td>\n<\/tr>\n
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\"\"Vittorio Emanuele II di Savoia<\/strong><\/p>\n

King of Italy, 1820-1878
\n\"\"<\/td>\n

LA DERNIERE VICTIME DU BANCO AMBROSIANO<\/a><\/td>\nTHE LAST VICTIM OF BANCO AMBROSIANO<\/a><\/td>\nL\u2019ULTIMA VITTIMA DEL BANCO AMBROSIANO<\/a><\/td>\n\u041f\u041e\u0421\u041b\u0415\u0414\u041d\u042f\u042f \u0416\u0415\u0420\u0422\u0412\u0410\u0411\u0410\u041d\u041a\u0410 \u0410\u041c\u0411\u0420\u041e\u0417\u0418\u0410\u041d\u041e<\/a><\/td>\nDAS LETZTE OPFER DER BANCO AMBROSIANO<\/a><\/td>\nLA \u00daLTIMA V\u00cdCTIMA DEL BANCO AMBROSIANO<\/a><\/td>\n<\/tr>\n
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\"\"Vlasova<\/strong>, Lilija<\/p>\n

Politician, 1953-
\n\"\"<\/td>\n

COMMENT TROIS \u00ab FILLES \u00bb POURRAIENT SAUVER LA BIELORUSSIE<\/a><\/p>\n

LA SOUFFRANCE DES ABANDONN\u00c9S: LA BI\u00c9LORUSSIE NE SE REND PAS AU TYRAN<\/a><\/td>\n

HOW THREE \u201cGIRLS\u201d COULD SAVE BELARUS<\/a><\/p>\n

THE SUFFERING OF THE ABANDONED: BELARUS DOES NOT SURRENDER TO THE TYRANT<\/a><\/td>\n

ECCO LE TRE \u201cRAGAZZE\u201d CHE POTREBBERO SALVARE LA BIELORUSSIA<\/a><\/p>\n

LO STRAZIO DEGLI ABBANDONATI: LA BIELORUSSIA NON SI ARRENDE AL TIRANNO<\/a><\/td>\n

\u041a\u0410\u041a \u0422\u0420\u0418 \u00ab\u0414\u0415\u0412\u0423\u0428\u041a\u0418\u00bb \u041c\u041e\u0413\u0423\u0422 \u0421\u041f\u0410\u0421\u0422\u0418 \u0411\u0415\u041b\u0410\u0420\u0423\u0421\u042c<\/a><\/p>\n

\u0421\u0422\u0420\u0410\u0422\u0415\u0413\u0418\u042f \u0417\u0410\u0411\u0420\u041e\u0428\u0415\u041d\u041d\u042b\u0425: \u0411\u0415\u041b\u0410\u0420\u0423\u0421\u042c \u041d\u0415 \u0421\u0414\u0410\u0415\u0422\u0421\u042f \u0422\u0418\u0420\u0410\u041d\u0423<\/a><\/td>\n

WIE DREI \u201cM\u00c4DCHEN\u201d BELARUS RETTEN K\u00d6NNTEN<\/a><\/p>\n

DAS LEIDEN DER VERLASSENEN: WEI\u00dfRUSSLAND ERGIBT SICH NICHT DEM TYRANNEN<\/a><\/td>\n

ESTAS SON LAS TRES \u00abCHICAS\u00bb QUE PODR\u00cdAN SALVAR A BIELORRUSIA<\/a><\/p>\n

LA ANGUSTIA DE LOS ABANDONADOS: BIELORRUSIA NO SE RINDE ANTE EL TIRANO<\/a><\/td>\n<\/tr>\n

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\"\"Vodchits<\/strong>, Oleg<\/p>\n

Entrepreneur,
\n\"\"<\/td>\n

TAL HANAN: LA MORT DE LA VERITE<\/a><\/td>\nTAL HANAN: THE DEATH OF TRUTH<\/a><\/td>\nTAL HANAN: LA MORTE DELLA VERIT\u00c0<\/a><\/td>\n\u0422\u0410\u041b\u042c\u0425\u0410\u041d\u0410\u041d: \u0421\u041c\u0415\u0420\u0422\u042c \u041f\u0420\u0410\u0412\u0414\u042b<\/a><\/td>\nTAL HANAN: DER TOD DER WAHRHEIT<\/a><\/td>\nTAL HANAN: LA MUERTE DE LA VERDAD<\/a><\/td>\n<\/tr>\n
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\"\"Voinov<\/strong>, Dana<\/p>\n

Athlete, 1965-
\n\"\"<\/td>\n

SYDNEY 2000 : LES JEUX OLYMPIQUES DE LA CORRUPTION<\/a><\/td>\nSYDNEY 2000: THE OLYMPICS OF CORRUPTION<\/a><\/td>\nSYDNEY 2000: LE OLIMPIADI DELLA CORRUZIONE<\/a><\/td>\n\u0421\u0418\u0414\u041d\u0415\u0419 2000: \u041e\u041b\u0418\u041c\u041f\u0418\u0410\u0414\u0410\u041a\u041e\u0420\u0420\u0423\u041f\u0426\u0418\u0418<\/a><\/td>\nSYDNEY 2000: DIE OLYMPISCHEN SPIELE DER KORRUPTION<\/a><\/td>\nSYDNEY 2000: LAS OLIMPIADAS DE LA CORRUPCI\u00d3N<\/a><\/td>\n<\/tr>\n
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\"\"Voinov<\/strong>, Nicholae<\/p>\n

Athlete, 1967-
\n\"\"<\/td>\n

SYDNEY 2000 : LES JEUX OLYMPIQUES DE LA CORRUPTION<\/a><\/td>\nSYDNEY 2000: THE OLYMPICS OF CORRUPTION<\/a><\/td>\nSYDNEY 2000: LE OLIMPIADI DELLA CORRUZIONE<\/a><\/td>\n\u0421\u0418\u0414\u041d\u0415\u0419 2000: \u041e\u041b\u0418\u041c\u041f\u0418\u0410\u0414\u0410\u041a\u041e\u0420\u0420\u0423\u041f\u0426\u0418\u0418<\/a><\/td>\nSYDNEY 2000: DIE OLYMPISCHEN SPIELE DER KORRUPTION<\/a><\/td>\nSYDNEY 2000: LAS OLIMPIADAS DE LA CORRUPCI\u00d3N<\/a><\/td>\n<\/tr>\n
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\"\"Volkner<\/strong>, Karin<\/p>\n

UN Representative,<\/p>\n

\"\"<\/td>\n

60 ANS DE DICTATURE ET 200 ANS DE GUERRES, D\u2019ESCLAVAGE ET DE CONTREBANDE: BIENVENUE AU CONGO<\/a><\/td>\n60 YEARS OF DICTATORSHIP AND 200 YEARS OF WARS, SLAVERY AND SMUGGLING: WELCOME TO THE CONGO<\/a><\/td>\nIL CONGO DRC DOPO 60 ANNI DI DITTATURA E DUE SECOLI DI GUERRE, SCHIAVISMO E CONTRABBANDO<\/a><\/td>\n\u0414\u0420\u041a \u041a\u041e\u041d\u0413\u041e \u041f\u041e\u0421\u041b\u0415 60 \u041b\u0415\u0422 \u0414\u0418\u041a\u0422\u0410\u0422\u0423\u0420\u042b \u0418 \u0414\u0412\u0423\u0425 \u0412\u0415\u041a\u041e\u0412 \u0412\u041e\u0419\u041d, \u0420\u0410\u0411\u0421\u0422\u0412\u0410 \u0418 \u041a\u041e\u041d\u0422\u0420\u0410\u0411\u0410\u041d\u0414\u042b<\/a><\/td>\n60 JAHREN DIKTATUR UND 200 JAHREN KRIEGEN, SKLAVEREI UND SCHMUGGEL: WILLKOMMEN IN KONGO<\/a><\/td>\nCONGO RDC TRAS 60 A\u00d1OS DE DICTADURA Y DOS SIGLOS DE GUERRA, ESCLAVITUD Y CONTRABANDO<\/a><\/td>\n<\/tr>\n
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\"\"<\/strong>Volobuyev<\/strong>, Igor<\/p>\n

Oligarch, 1971-
\n\"\"<\/td>\n

IL EST TEMPS POUR POUTINE DE REGLER SES COMPTES<\/a><\/td>\nTIME FOR PUTIN TO SETTLE THE SCORE<\/a><\/td>\nPER PUTIN \u00c8 L\u2019ORA DEL REGOLAMENTO DEI CONTI<\/a><\/td>\n\u0414\u041b\u042f \u041f\u0423\u0422\u0418\u041d\u0410 \u041f\u0420\u0418\u0428\u041b\u041e \u0412\u0420\u0415\u041c\u042f \u0421\u0412\u0415\u0422\u0418 \u0421\u0427\u0415\u0422\u042b<\/a><\/td>\nPUTIN: DIE ZEIT DER ABRECHNUNG<\/a><\/td>\nPUTIN: ES HORA DE AJUSTAR CUENTAS<\/a><\/td>\n<\/tr>\n
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\"\"<\/strong>Volobuyev<\/strong>, Nikolay<\/p>\n

Oligarch, 1952-
\n\"\"<\/td>\n

IL EST TEMPS POUR POUTINE DE REGLER SES COMPTES<\/a><\/td>\nTIME FOR PUTIN TO SETTLE THE SCORE<\/a><\/td>\nPER PUTIN \u00c8 L\u2019ORA DEL REGOLAMENTO DEI CONTI<\/a><\/td>\n\u0414\u041b\u042f \u041f\u0423\u0422\u0418\u041d\u0410 \u041f\u0420\u0418\u0428\u041b\u041e \u0412\u0420\u0415\u041c\u042f \u0421\u0412\u0415\u0422\u0418 \u0421\u0427\u0415\u0422\u042b<\/a><\/td>\nPUTIN: DIE ZEIT DER ABRECHNUNG<\/a><\/td>\nPUTIN: ES HORA DE AJUSTAR CUENTAS<\/a><\/td>\n<\/tr>\n
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\"\"Volozh<\/strong>, Arkady<\/p>\n

Businessman, 1964-
\n\"\"<\/td>\n

LES DESHONORANTS CHEVALIERS DE (ENE)MALTE<\/a><\/td>\nTHE DISHONOURABLE KNIGHTS OF (ENE)MALTA<\/a><\/td>\nI DISONOREVOLI CAVALIERI DI (ENE)MALTA<\/a><\/td>\n\u0411\u0415\u0421\u0427\u0415\u0421\u0422\u041d\u042b\u0415 \u0420\u042b\u0426\u0410\u0420\u0418 (\u042d\u041d\u0415)\u041c\u0410\u041b\u042c\u0422\u042b<\/a><\/td>\nDIE UNEHRENHAFTEN RITTER VON (ENE)MALTA<\/a><\/td>\nLOS DESHONROSOS CABALLEROS DE (ENE)MALTA<\/a><\/td>\n<\/tr>\n
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\"\"Voltaire<\/strong> Fran\u00e7ois-Marie Arouet<\/p>\n

Philosopher, 1694-1778
\n\"\"<\/td>\n

ELON MUSK : LE VANTARD LE PLUS DANGEREUX DU MONDE<\/a><\/td>\nELON MUSK: THE WORLD\u2019S MOST DANGEROUS BLOWHARD<\/a><\/td>\nELON MUSK: LO SBRUFFONE PI\u00d9 PERICOLOSO DEL MONDO<\/a><\/td>\n\u042d\u041b\u041e\u041d \u041c\u0410\u0421\u041a: \u0421\u0410\u041c\u042b\u0419 \u041e\u041f\u0410\u0421\u041d\u042b\u0419 \u0412 \u041c\u0418\u0420\u0415 \u041d\u0410\u0413\u041b\u0415\u0426<\/a><\/td>\nELON MUSK: DER GEF\u00c4HRLICHSTE ANGEBER DER WELT<\/a><\/td>\nELON MUSK: EL FANFARR\u00d3N M\u00c1S PELIGROSO DEL MUNDO<\/a><\/td>\n<\/tr>\n
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\"\"Von der Leyen<\/strong>, Ursula<\/p>\n

Politician, 1958-
\n\"\"<\/td>\n

LA SOUFFRANCE DES ABANDONN\u00c9S: LA BI\u00c9LORUSSIE NE SE REND PAS AU TYRAN<\/a><\/p>\n

PARC GEZI: LE SYMBOLE DE L\u2019EFFONDREMENT DE LA TURQUIE<\/a><\/p>\n

MADERE, L\u2019ILE DE CRISTIANO RONALDO<\/a><\/p>\n

LA MER \u00c9GEE, LA FRONTIERE LA PLUS CHAUDE D\u2019EUROPE<\/a><\/p>\n

COMMENT LA TURQUIE TORTURE ET TUE LES INTELLECTUELS<\/a><\/p>\n

NOAM CHOMSKY: LE MONDE A L\u2019HEURE DES COMPTES<\/a><\/p>\n

CENT ANS APRES: SARAJEVO BRULE TOUJOURS<\/a><\/p>\n

LAVROV, L\u2019AFRIQUE ET LE NOUVEL ORDRE MONDIAL<\/a><\/td>\n

THE SUFFERING OF THE ABANDONED: BELARUS DOES NOT SURRENDER TO THE TYRANT<\/a><\/p>\n

GEZI PARK: THE SYMBOL OF TURKEY\u2019S COLLAPSE<\/a><\/p>\n

MADEIRA, THE ISLAND OF CRISTIANO RONALDO<\/a><\/p>\n

AEGEAN, THE HOTTEST BORDER IN EUROPE<\/a><\/p>\n

HOW TURKEY TORTURES AND KILLS INTELLECTUALS<\/a><\/p>\n

NOAM CHOMSKY: THE WORLD AT RECKONING<\/a><\/p>\n

ONE HUNDRED YEARS LATER: SARAJEVO BURNS AGAIN<\/a><\/p>\n

LAVROV, AFRICA AND THE NEW GLOBAL ORDER<\/a><\/td>\n

LO STRAZIO DEGLI ABBANDONATI: LA BIELORUSSIA NON SI ARRENDE AL TIRANNO<\/a><\/p>\n

GEZI PARK: IL SIMBOLO DELLA TURCHIA AL COLLASSO<\/a><\/p>\n

MADEIRA, L\u2019ISOLA DI CRISTIANO RONALDO<\/a><\/p>\n

EGEO, LA FRONTIERA PI\u00d9 CALDA D\u2019EUROPA<\/a><\/p>\n

COS\u00cc LA TURCHIA TORTURA E UCCIDE GLI INTELLETTUALI<\/a><\/p>\n

NOAM CHOMSKY: IL MONDO ALLA RESA DEI CONTI<\/a><\/p>\n

CENTO ANNI DOPO: SARAJEVO BRUCIA ANCORA<\/a><\/p>\n

LAVROV, L\u2019AFRICA E IL NUOVO ORDINE GLOBALE<\/a><\/td>\n

\u0421\u0422\u0420\u0410\u0422\u0415\u0413\u0418\u042f \u0417\u0410\u0411\u0420\u041e\u0428\u0415\u041d\u041d\u042b\u0425: \u0411\u0415\u041b\u0410\u0420\u0423\u0421\u042c \u041d\u0415 \u0421\u0414\u0410\u0415\u0422\u0421\u042f \u0422\u0418\u0420\u0410\u041d\u0423<\/a><\/p>\n

GEZI \u041f\u0410\u0420\u041a: \u0421\u0418\u041c\u0412\u041e\u041b \u0422\u0423\u0420\u0426\u0418\u0418, \u041a\u041e\u0422\u041e\u0420\u0410\u042f \u0420\u0410\u0417\u0420\u0423\u0428\u0410\u0415\u0422\u0421\u042f<\/a><\/p>\n

\u041c\u0410\u0414\u0415\u0419\u0420\u0410, \u041e\u0421\u0422\u0420\u041e\u0412 \u041a\u0420\u0418\u0421\u0422\u0418\u0410\u041d\u041e\u0420\u041e\u041d\u0410\u041b\u0414\u041e<\/a><\/p>\n

\u042d\u0413\u0415\u0419\u0421\u041a\u041e\u0415 \u041c\u041e\u0420\u0415 \u2013 \u0421\u0410\u041c\u042b\u0419 \u0413\u041e\u0420\u042f\u0427\u0418\u0419 \u0420\u0423\u0411\u0415\u0416 \u0415\u0412\u0420\u041e\u041f\u042b<\/a><\/p>\n

\u041a\u0410\u041a \u0422\u0423\u0420\u0426\u0418\u042f \u041f\u042b\u0422\u0410\u0415\u0422 \u0418 \u0423\u0411\u0418\u0412\u0410\u0415\u0422 \u0418\u041d\u0422\u0415\u041b\u041b\u0415\u041a\u0422\u0423\u0410\u041b\u041e\u0412<\/a><\/p>\n

\u041d\u041e\u0410\u041c \u0425\u041e\u041c\u0421\u041a\u0418\u0419: \u041c\u0418\u0420 \u0412 \u0420\u0410\u0421\u041f\u041b\u0410\u0422\u0415<\/a><\/p>\n

\u0421\u0422\u041e \u041b\u0415\u0422 \u0421\u041f\u0423\u0421\u0422\u042f: \u0421\u0410\u0420\u0410\u0415\u0412\u041e \u0412\u0421\u0415 \u0415\u0429\u0415 \u0413\u041e\u0420\u0418\u0422<\/a><\/p>\n

\u041b\u0410\u0412\u0420\u041e\u0412, \u0410\u0424\u0420\u0418\u041a\u0410 \u0418 \u041d\u041e\u0412\u042b\u0419 \u041c\u0418\u0420\u041e\u0412\u041e\u0419 \u041f\u041e\u0420\u042f\u0414\u041e\u041a<\/a><\/td>\n

DAS LEIDEN DER VERLASSENEN: WEI\u00dfRUSSLAND ERGIBT SICH NICHT DEM TYRANNEN<\/a><\/p>\n

GEZI PARK: DAS SYMBOL DES ZUSAMMENBRUCHS DER T\u00dcRKEI<\/a><\/p>\n

MADEIRA, DIE INSEL VON CRISTIANO RONALDO<\/a><\/p>\n

DIE \u00c4G\u00c4IS, DIE HEI\u00dfESTE GRENZE IN EUROPA<\/a><\/p>\n

WIE DIE T\u00dcRKEI INTELLEKTUELLE FOLTERT UND T\u00d6TET<\/a><\/p>\n

NOAM CHOMSKY: DIE WELT IM UMBRUCH<\/a><\/p>\n

HUNDERT JAHRE SP\u00c4TER: SARAJEVO BRENNT WEITER<\/a><\/p>\n

LAWROW, AFRIKA UND DIE NEUE GLOBALE ORDNUNG<\/a><\/td>\n

LA ANGUSTIA DE LOS ABANDONADOS: BIELORRUSIA NO SE RINDE ANTE EL TIRANO<\/a><\/p>\n

PARQUE GEZI: EL S\u00cdMBOLO DEL COLAPSO DE TURQU\u00cdA<\/a><\/p>\n

MADEIRA, LA ISLA DE CRISTIANO RONALDO<\/a><\/p>\n

EL EGEO, LA FRONTERA M\u00c1S CALIENTE DE EUROPA<\/a><\/p>\n

C\u00d3MO TORTURA Y MATA TURQU\u00cdA A LOS INTELECTUALES<\/a><\/p>\n

NOAM CHOMSKY: EL MUNDO EN EL AJUSTE DE CUENTAS<\/a><\/p>\n

CIEN A\u00d1OS DESPU\u00c9S: SARAJEVO SIGUE ARDIENDO<\/a><\/p>\n

LAVROV, \u00c1FRICA Y EL NUEVO ORDEN GLOBAL<\/a><\/td>\n<\/tr>\n

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\"\"Von Habsburg<\/strong>, Josef Karl Ludwig<\/p>\n

Emperor, 1833-1905
\n\"\"<\/td>\n

MADERE, L\u2019ILE DE CRISTIANO RONALDO<\/a><\/td>\nMADEIRA, THE ISLAND OF CRISTIANO RONALDO<\/a><\/td>\nMADEIRA, L\u2019ISOLA DI CRISTIANO RONALDO<\/a><\/td>\n\u041c\u0410\u0414\u0415\u0419\u0420\u0410, \u041e\u0421\u0422\u0420\u041e\u0412 \u041a\u0420\u0418\u0421\u0422\u0418\u0410\u041d\u041e\u0420\u041e\u041d\u0410\u041b\u0414\u041e<\/a><\/td>\nMADEIRA, DIE INSEL VON CRISTIANO RONALDO<\/a><\/td>\nMADEIRA, LA ISLA DE CRISTIANO RONALDO<\/a><\/td>\n<\/tr>\n
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\"\"Von Metternich,<\/strong> Klemens Wenzel Lothar<\/p>\n

Politician, 1773-1859
\n\"\"<\/td>\n

MOUVEMENT 5 ETOILES ET LEGANORD: REPETITIONS GENERALES POUR UNE INTERNATIONALE POSTFASCISTE<\/a><\/p>\n

LABORATOIRE AFRIQUE DU SUD<\/a><\/td>\n

5-STAR MOVEMENT AND LEGANORD: DRESS REHEARSALS FOR A POST-FASCIST INTERNATIONAL<\/a><\/p>\n

LABORATORY SOUTH AFRICA<\/a><\/td>\n

MOVIMENTO 5 STELLE E LEGA NORD: PROVE GENERALI PER UN\u2019INTERNAZIONALE POST-FASCISTA<\/a><\/p>\n

LABORATORIO SUDAFRICA<\/a><\/td>\n

\u0414\u0412\u0418\u0416\u0415\u041d\u0418\u0415 5 \u0417\u0412\u0415\u0417\u0414 \u0418 \u0421\u0415\u0412\u0415\u0420\u041d\u0410\u042f \u041b\u0418\u0413\u0410: \u0418\u0421\u041f\u042b\u0422\u0410\u041d\u0418\u042f \u0414\u041b\u042f \u041f\u041e\u0421\u0422\u0424\u0410\u0428\u0418\u0421\u0422\u0421\u041a\u041e\u0413\u041e \u0418\u041d\u0422\u0415\u0420\u041d\u0410\u0426\u0418\u041e\u041d\u0410\u041b\u0410<\/a><\/p>\n

\u043b\u0430\u0431\u043e\u0440\u0430\u0442\u043e\u0440\u0438\u044f \u042e\u0436\u043d\u0430\u044f \u0410\u0444\u0440\u0438\u043a\u0430<\/a><\/td>\n

5-STERNE-BEWEGUNG UND LEGANORD: GENERALPROBEN F\u00dcR EINE POSTFASCHISTISCHE INTERNATIONALE<\/a><\/p>\n

LABORATORIUM S\u00dcDAFRIKA<\/a><\/td>\n

EL MOVIMIENTO 5 ESTRELLAS Y LA LIGA NORTE: ENSAYO GENERAL DE UNA INTERNACIONAL POST-FASCISTA<\/a><\/p>\n

LABORATORIO SUD\u00c1FRICA<\/a><\/td>\n<\/tr>\n

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\"\"Von Oranien-Nassau<\/strong>, Juliana Louise<\/p>\n

Queen of Holland, 1909-2004
\n\"\"<\/td>\n

HEEREMA: LE LONG VOYAGE DU NATIONAL-SOCIALISME A L\u2019EXPLOITATION DES FONDS MARINS<\/a><\/td>\nHEEREMA: THE LONG JOURNEY FROM NATIONAL SOCIALISM TO THE EXPLOITATION OF THE SEABED<\/a><\/td>\nHEEREMA: IL LUNGO VIAGGIO DAL NAZISMO ALLO SFRUTTAMENTO DEI FONDALI OCEANICI<\/a><\/td>\nHEEREMA: \u0414\u041e\u041b\u0413\u041e\u0415 \u041f\u0423\u0422\u0415\u0428\u0415\u0421\u0422\u0412\u0418\u0415 \u041e\u0422 \u041d\u0410\u0426\u0418\u0417\u041c\u0410 \u041a \u042d\u041a\u0421\u041f\u041b\u0423\u0410\u0422\u0410\u0426\u0418\u0418 \u041e\u041a\u0415\u0410\u041d\u0421\u041a\u041e\u0413\u041e \u0414\u041d\u0410<\/a><\/td>\nHEEREMA: DIE LANGE REISE VOM NATIONALSOZIALISMUS ZUR AUSBEUTUNG DES MEERESBODENS<\/a><\/td>\nHEEREMA: EL LARGO VIAJE DEL NAZISMO A LA EXPLOTACI\u00d3N DE LOS FONDOS MARINOS<\/a><\/p>\n

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\"\"Von Storch,<\/strong> Beatrix<\/p>\n

Politician, 1971-
\n\"\"<\/td>\n

MOUVEMENT 5 ETOILES ET LEGANORD: REPETITIONS GENERALES POUR UNE INTERNATIONALE POSTFASCISTE<\/a><\/td>\n5-STAR MOVEMENT AND LEGANORD: DRESS REHEARSALS FOR A POST-FASCIST INTERNATIONAL<\/a><\/td>\nMOVIMENTO 5 STELLE E LEGA NORD: PROVE GENERALI PER UN\u2019INTERNAZIONALE POST-FASCISTA<\/a><\/td>\n\u0414\u0412\u0418\u0416\u0415\u041d\u0418\u0415 5 \u0417\u0412\u0415\u0417\u0414 \u0418 \u0421\u0415\u0412\u0415\u0420\u041d\u0410\u042f \u041b\u0418\u0413\u0410: \u0418\u0421\u041f\u042b\u0422\u0410\u041d\u0418\u042f \u0414\u041b\u042f \u041f\u041e\u0421\u0422\u0424\u0410\u0428\u0418\u0421\u0422\u0421\u041a\u041e\u0413\u041e \u0418\u041d\u0422\u0415\u0420\u041d\u0410\u0426\u0418\u041e\u041d\u0410\u041b\u0410<\/a><\/td>\n5-STERNE-BEWEGUNG UND LEGANORD: GENERALPROBEN F\u00dcR EINE POSTFASCHISTISCHE INTERNATIONALE<\/a><\/td>\nEL MOVIMIENTO 5 ESTRELLAS Y LA LIGA NORTE: ENSAYO GENERAL DE UNA INTERNACIONAL POST-FASCISTA<\/a><\/td>\n<\/tr>\n
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\"\"Von Tunzelmann<\/strong>, Alex<\/p>\n

Historian, 1977-
\n\"\"<\/td>\n

HA\u00cfTI, L\u2019ENFER DES CARA\u00cfBES<\/a><\/td>\nHAITI, THE HELL OF THE CARIBBEAN<\/a><\/td>\nHAITI, L\u2019INFERNO DEI CARAIBI<\/a><\/td>\n\u0413\u0410\u0418\u0422\u0418, \u0410\u0414 \u041a\u0410\u0420\u0418\u0411\u0421\u041a\u041e\u0413\u041e \u041c\u041e\u0420\u042f<\/a><\/td>\nHAITI, DIE H\u00d6LLE DER KARIBIK<\/a><\/td>\nHAIT\u00cd, EL INFIERNO DEL CARIBE<\/a><\/td>\n<\/tr>\n
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\"\"Vona<\/strong>, G\u00e1bor<\/p>\n

Politician, 1978-
\n\"\"<\/td>\n

VIKTOR ORBAN, L\u2019EPINE DANS LE C\u0152UR DE L\u2019EUROPE<\/a><\/td>\nVIKTOR ORB\u00c1N, A THORN IN THE HEART OF EUROPE<\/a><\/td>\nVIKTOR ORB\u00c1N, IL \u201cVITTORIOSO\u201d<\/a><\/td>\n\u0412\u0418\u041a\u0422\u041e\u0420 \u041e\u0420\u0411\u0410\u041d, \u201c\u041f\u041e\u0411\u0415\u0414\u041e\u041d\u041e\u0421\u0415\u0426\u201d<\/a><\/td>\nVIKTOR ORB\u00c1N, EIN STACHEL IM HERZEN EUROPAS<\/a><\/td>\nVIKTOR ORB\u00c1N, UNA ESPINA EN EL CORAZ\u00d3N DE EUROPA<\/a><\/p>\n

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\"\"Vovk<\/strong>, Natalya<\/p>\n

Spy, 1979-
\n\"\"<\/td>\n

A LA MORT DE L\u2019ICONE DU NEO-FASCISME RUSSE<\/a><\/td>\nIN DEATH OF THE ICON OF RUSSIAN NEO-FASCISM<\/a><\/td>\nIN MORTE DELL\u2019ICONA DEL NEOFASCISMO RUSSO<\/a><\/td>\n\u0421\u041c\u0415\u0420\u0422\u042c \u0418\u041a\u041e\u041d\u042b \u0420\u041e\u0421\u0421\u0418\u0419\u0421\u041a\u041e\u0413\u041e \u041d\u0415\u041e\u0424\u0410\u0428\u0418\u0417\u041c\u0410<\/a><\/td>\nZUM TOD DER IKONE DES RUSSISCHEN NEOFASCHISMUS<\/a><\/td>\nEN LA MUERTE DEL ICONO DEL NEOFASCISMO RUSO<\/a><\/td>\n<\/tr>\n
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\"\"Vu\u010di\u0107<\/strong>, Aleksandar<\/p>\n

Politician, 1970-
\n\"\"<\/td>\n

COMMENT MEME LA FOURMI MAURITANIENNE PEUT CHANGER L\u2019EQUILIBRE DU MONDE<\/a><\/p>\n

CENT ANS APRES: SARAJEVO BRULE TOUJOURS<\/a><\/td>\n

MOHAMMED DAHLAN, ASSASSIN FOR THE KING<\/a><\/p>\n

ONE HUNDRED YEARS LATER: SARAJEVO BURNS AGAIN<\/a><\/td>\n

MOHAMMED DAHLAN, SICARIO DEL RE<\/a><\/p>\n

CENTO ANNI DOPO: SARAJEVO BRUCIA ANCORA<\/a><\/td>\n

\u041c\u041e\u0425\u0410\u041c\u041c\u0415\u0414 \u0414\u0410\u0425\u041b\u0410\u041d, \u0423\u0411\u0418\u0419\u0426\u0410 \u041a\u041e\u0420\u041e\u041b\u042f<\/a><\/p>\n

\u0421\u0422\u041e \u041b\u0415\u0422 \u0421\u041f\u0423\u0421\u0422\u042f: \u0421\u0410\u0420\u0410\u0415\u0412\u041e \u0412\u0421\u0415 \u0415\u0429\u0415 \u0413\u041e\u0420\u0418\u0422<\/a><\/td>\n

MOHAMMED DAHLAN, AUFTRAGSM\u00d6RDER F\u00dcR DEN K\u00d6NIG<\/a><\/p>\n

HUNDERT JAHRE SP\u00c4TER: SARAJEVO BRENNT WEITER<\/a><\/td>\n

MOHAMMED DAHLAN, ASESINO A SUELDO DEL REY<\/a><\/p>\n

CIEN A\u00d1OS DESPU\u00c9S: SARAJEVO SIGUE ARDIENDO<\/a><\/td>\n<\/tr>\n

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\"\"Vyachorka<\/strong>, Franak<\/p>\n

Journalist, 1988-
\n\"\"<\/td>\n

LA SOUFFRANCE DES ABANDONN\u00c9S: LA BI\u00c9LORUSSIE NE SE REND PAS AU TYRAN<\/a><\/p>\n

BELARUS: LE SILENCE DU DESESPOIR<\/a><\/td>\n

THE SUFFERING OF THE ABANDONED: BELARUS DOES NOT SURRENDER TO THE TYRANT<\/a><\/p>\n

BELARUS: THE SILENCE OF DESPAIR<\/a><\/td>\n

LO STRAZIO DEGLI ABBANDONATI: LA BIELORUSSIA NON SI ARRENDE AL TIRANNO<\/a><\/p>\n

BIELORUSSIA: IL SILENZIO DELLA DISPERAZIONE<\/a><\/td>\n

\u0421\u0422\u0420\u0410\u0422\u0415\u0413\u0418\u042f \u0417\u0410\u0411\u0420\u041e\u0428\u0415\u041d\u041d\u042b\u0425: \u0411\u0415\u041b\u0410\u0420\u0423\u0421\u042c \u041d\u0415 \u0421\u0414\u0410\u0415\u0422\u0421\u042f \u0422\u0418\u0420\u0410\u041d\u0423<\/a><\/p>\n

\u0411\u0415\u041b\u0410\u0420\u0423\u0421\u042c: \u041c\u041e\u041b\u0427\u0410\u041d\u0418\u0415 \u041e\u0422\u0427\u0410\u042f\u041d\u0418\u042f<\/a><\/td>\n

DAS LEIDEN DER VERLASSENEN: WEI\u00dfRUSSLAND ERGIBT SICH NICHT DEM TYRANNEN<\/a><\/p>\n

BELARUS: DAS SCHWEIGEN DER VERZWEIFLUNG<\/a><\/td>\n

LA ANGUSTIA DE LOS ABANDONADOS: BIELORRUSIA NO SE RINDE ANTE EL TIRANO<\/a><\/p>\n

BIELORRUSIA: EL SILENCIO DE LA DESESPERACI\u00d3N<\/a><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/div>\n[\/vc_column_text][\/vc_tta_section]\n","protected":false},"excerpt":{"rendered":"

[vc_row][vc_column][vc_column_text] A B C D E F G H I J K L M N O P Q R S T U V W X Y Z [\/vc_column_text][\/vc_column][\/vc_row][vc_column][\/vc_column][vc_empty_space height=”50px”][vc_column_text]     French English Italian Russian German Spanish [\/vc_column_text][vc_tta_section title=”V” tab_id=”1606259023990-3ed33a4d-6494″][vc_column_text]   Vaclavic, Ivan (a.k.a. De\u00e1k, Maro\u0161) Mercenary,<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"page-FullWidth.php","meta":{"footnotes":""},"class_list":["post-620","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/ibiworld.eu\/en\/wp-json\/wp\/v2\/pages\/620"}],"collection":[{"href":"https:\/\/ibiworld.eu\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/ibiworld.eu\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/ibiworld.eu\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/ibiworld.eu\/en\/wp-json\/wp\/v2\/comments?post=620"}],"version-history":[{"count":64,"href":"https:\/\/ibiworld.eu\/en\/wp-json\/wp\/v2\/pages\/620\/revisions"}],"predecessor-version":[{"id":4640,"href":"https:\/\/ibiworld.eu\/en\/wp-json\/wp\/v2\/pages\/620\/revisions\/4640"}],"wp:attachment":[{"href":"https:\/\/ibiworld.eu\/en\/wp-json\/wp\/v2\/media?parent=620"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}