{"id":615,"date":"2021-03-22T23:36:38","date_gmt":"2021-03-22T22:36:38","guid":{"rendered":"http:\/\/ibiworld.eu\/en\/?page_id=615"},"modified":"2023-07-05T09:43:36","modified_gmt":"2023-07-05T07:43:36","slug":"names-directory-t","status":"publish","type":"page","link":"https:\/\/ibiworld.eu\/en\/names-directory-t\/","title":{"rendered":"NAMES\u2019 DIRECTORY | T"},"content":{"rendered":"[vc_row][vc_column][vc_column_text]\n

A<\/a> B<\/a> C<\/a> D<\/a> E<\/a> F<\/a> G<\/a> H<\/a> I<\/a> J<\/a> K<\/a> L<\/a> M<\/a> N<\/a> O<\/a> P<\/a> Q<\/a> R<\/a> S<\/a> T<\/a> U<\/a> V<\/a> W<\/a> X<\/a> Y<\/a> Z<\/a><\/strong><\/h3>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_column][\/vc_column][vc_empty_space height=”50px”][vc_column_text]\n\n\n\n
 <\/p>\n

 <\/td>\n

\n

French\"\"<\/strong><\/p>\n<\/td>\n

English\"\"<\/strong><\/td>\nItalian\"\"<\/strong><\/td>\nRussian\"\"<\/strong><\/td>\nGerman\"\"<\/strong><\/td>\nSpanish\"\"<\/strong><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n[\/vc_column_text][vc_tta_section title=”T” tab_id=”1606258776108-4d17cd64-80a2″][vc_column_text]\n
\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
\"\"T.kenna<\/strong>, Luke<\/p>\n

White supremacist, 1979-
\n\"\"<\/td>\n

DU PLASTIQUE ET DU SANG POUR LES ANUS N\u00c9O-NAZIS<\/a><\/td>\nPLASTIC AND BLOOD FOR NEO-NAZI ANUSES<\/a><\/td>\nPLASTICA E SANGUE PER GLI ANI NEONAZISTI<\/a><\/td>\n\u041f\u041b\u0410\u0421\u0422\u0418\u041a \u0418 \u041a\u0420\u041e\u0412\u042c \u0414\u041b\u042f \u0410\u041d\u0423\u0421\u041e\u0412 \u041d\u0415\u041e\u041d\u0410\u0426\u0418\u0421\u0422\u041e\u0412<\/a><\/td>\nPLASTIK UND BLUT F\u00dcR NEONAZI-ANUS<\/a><\/td>\nPL\u00c1STICO Y SANGRE PARA ANOS NEONAZIS<\/a><\/td>\n<\/tr>\n
<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

\"\"Tabaja<\/strong>, Adham Husayn<\/p>\n

Hezbollah Leader
\n\"\"<\/td>\n

L\u2019ENTREPRISE MILLIONNAIRE PAS SI SECRETE DU HEZBOLLAH EN GAMBIE<\/a><\/td>\nHEZBOLLAH\u2019S NOT-SO-SECRET MILLIONAIRE BUSINESS WITH GAMBIA<\/a><\/td>\nIL BUSINESS MILIONARIO, NEMMENO TANTO SEGRETO, DI HEZBOLLAH IN GAMBIA<\/a><\/td>\n\u041c\u0418\u041b\u041b\u0418\u041e\u041d\u0415\u0420\u041d\u042b\u0419 \u0411\u0418\u0417\u041d\u0415\u0421, \u0414\u0410\u0416\u0415 \u041e\u0427\u0415\u041d\u042c \u0421\u0415\u041a\u0420\u0415\u0422\u041d\u042b\u0419, \u0425\u0415\u0417\u0411\u041e\u041b\u041b\u0410 \u0412 \u0413\u0410\u041c\u0411\u0418\u0418<\/a><\/td>\nDAS NICHT SO GEHEIME MILLION\u00c4RSGESCH\u00c4FT DER HISBOLLAH IN GAMBIA<\/a><\/td>\nEL NO TAN SECRETO NEGOCIO DE HEZBOL\u00c1 EN GAMBIA<\/a><\/td>\n<\/tr>\n
<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

 <\/p>\n

\"\"Tabidze<\/strong>, Galaktion<\/p>\n

Novelist, 1892-1959
\n\"\"<\/td>\n

GEORGIE: DES ROSES CONTRE LA PEUR DES RUSSES<\/a><\/td>\nGEORGIA: ROSES AGAINST THE FEAR OF THE RUSSIANS<\/a><\/td>\nGEORGIA: ROSE IN PIAZZA CONTRO LA PAURA DEI RUSSI<\/a><\/td>\n\u0413\u0420\u0423\u0417\u0418\u042f: \u0420\u041e\u0417\u042b \u041d\u0410 \u0423\u041b\u0418\u0426\u0410\u0425 \u041f\u0420\u041e\u0422\u0418\u0412 \u0421\u0422\u0420\u0410\u0425\u0410 \u0420\u0423\u0421\u0421\u041a\u0418\u0425<\/a><\/td>\nGEORGIEN: AUF DEN STRA\u00dfEN, ROSEN GEGEN DIE RUSSEN<\/a><\/td>\nGEORGIA: ROSAS CONTRA EL MIEDO A LOS RUSOS<\/a><\/td>\n<\/tr>\n
<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

 <\/p>\n

\"\"Tacito<\/strong>, Publio Cornelio<\/p>\n

Historian, Politician, 56 d.C.-120 d.C.<\/p>\n

\"\"<\/td>\n

QUAND LE CRIME DEVIENT UN \u00c9TAT: LA TURQUIE DE KAMER ET ERDOGAN<\/a><\/td>\nWHEN THE MOB BECOMES THE STATE: THE TURKEY OF KAMER AND ERDO\u011eAN<\/a><\/td>\nQUANDO IL CRIMINE SI FA STATO: LA TURCHIA DI KAMER E ERDO\u011eAN<\/a><\/td>\n\u041a\u041e\u0413\u0414\u0410 \u041f\u0420\u0415\u0421\u0422\u0423\u041f\u041b\u0415\u041d\u0418\u0415 \u0417\u041d\u0410\u0427\u0418\u0422 \u0413\u041e\u0421\u0423\u0414\u0410\u0420\u0421\u0422\u0412\u041e: \u0422\u0423\u0420\u0426\u0418\u042f \u041a\u0410\u041c\u0415\u0420\u0410 \u0418 \u042d\u0420\u0414\u041e\u0413\u0410\u041d\u0410<\/a><\/td>\nWENN KRIMINALIT\u00c4T ZUM STAAT WIRD: KAMER UND ERDO\u011eANS T\u00dcRKEI<\/a><\/td>\nCUANDO EL CRIMEN SE CONVIERTE EN ESTADO: LA TURQU\u00cdA DE KAMER Y ERDO\u011eAN<\/a><\/td>\n<\/tr>\n
<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

\"\"Taeia Italeli<\/strong>, Iakoba<\/p>\n

Politician
\n\"\"<\/td>\n

TUVALU, LA NOUVELLE ATLANTIS<\/a><\/td>\nTUVALU, THE NEW ATLANTIS<\/a><\/td>\nTUVALU, LA NUOVA ATLANTIDE<\/a><\/td>\n\u0422\u0423\u0412\u0410\u041b\u0423, \u041d\u041e\u0412\u0410\u042f \u0410\u0422\u041b\u0410\u041d\u0422\u0418\u0414\u0410<\/a><\/td>\nTUVALU, DAS NEUE ATLANTIS<\/a><\/td>\nTUVALU, LA NUEVA ATL\u00c1NTIDA<\/a><\/td>\n<\/tr>\n
<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

\"\"Tagro<\/strong>, D\u00e9sir\u00e9<\/p>\n

Politician, 1959-
\n\"\"<\/td>\n

TRAFIGURA: POURQUOI NOUS DEVRIONS EN AVOIR PEUR<\/a><\/td>\nTRAFIGURA: WHY WE SHOULD BE AFRAID OF IT<\/a><\/td>\nTRAFIGURA: PERCH\u00c9 DOBBIAMO AVERNE PAURA<\/a><\/td>\nTRAFIGURA: \u041f\u041e\u0427\u0415\u041c\u0423 \u041d\u0410\u041c \u0421\u0422\u041e\u0418\u0422 \u0415\u0401 \u0411\u041e\u042f\u0422\u042c\u0421\u042f<\/a><\/td>\nTRAFIGURA: WARUM WIR UNS DAVOR F\u00dcRCHTEN SOLLTEN<\/a><\/td>\nTRAFIGURA: POR QU\u00c9 DEBEMOS TEMERLA<\/a><\/td>\n<\/tr>\n
<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

\"\"Tagwirei<\/strong>, Kudakwashe Regimond<\/p>\n

Entrepreneur, 1969-
\n\"\"<\/td>\n

TRAFIGURA: POURQUOI NOUS DEVRIONS EN AVOIR PEUR<\/a><\/td>\nTRAFIGURA: WHY WE SHOULD BE AFRAID OF IT<\/a><\/td>\nTRAFIGURA: PERCH\u00c9 DOBBIAMO AVERNE PAURA<\/a><\/td>\nTRAFIGURA: \u041f\u041e\u0427\u0415\u041c\u0423 \u041d\u0410\u041c \u0421\u0422\u041e\u0418\u0422 \u0415\u0401 \u0411\u041e\u042f\u0422\u042c\u0421\u042f<\/a><\/td>\nTRAFIGURA: WARUM WIR UNS DAVOR F\u00dcRCHTEN SOLLTEN<\/a><\/td>\nTRAFIGURA: POR QU\u00c9 DEBEMOS TEMERLA<\/a><\/td>\n<\/tr>\n
<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

\"\"Tajal Din<\/strong>, Hajj Hussein<\/p>\n

Hezbollah Leader
\n\"\"<\/td>\n

L\u2019ENTREPRISE MILLIONNAIRE PAS SI SECRETE DU HEZBOLLAH EN GAMBIE<\/a><\/td>\nHEZBOLLAH\u2019S NOT-SO-SECRET MILLIONAIRE BUSINESS WITH GAMBIA<\/a><\/td>\nIL BUSINESS MILIONARIO, NEMMENO TANTO SEGRETO, DI HEZBOLLAH IN GAMBIA<\/a><\/td>\n\u041c\u0418\u041b\u041b\u0418\u041e\u041d\u0415\u0420\u041d\u042b\u0419 \u0411\u0418\u0417\u041d\u0415\u0421, \u0414\u0410\u0416\u0415 \u041e\u0427\u0415\u041d\u042c \u0421\u0415\u041a\u0420\u0415\u0422\u041d\u042b\u0419, \u0425\u0415\u0417\u0411\u041e\u041b\u041b\u0410 \u0412 \u0413\u0410\u041c\u0411\u0418\u0418<\/a><\/td>\nDAS NICHT SO GEHEIME MILLION\u00c4RSGESCH\u00c4FT DER HISBOLLAH IN GAMBIA<\/a><\/td>\nEL NO TAN SECRETO NEGOCIO DE HEZBOL\u00c1 EN GAMBIA<\/a><\/td>\n<\/tr>\n
<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

\"\"Tajani<\/strong>, Antonio<\/p>\n

Politician, 1953-
\n\"\"<\/td>\n

PANZERI ET CES AMIS DE L\u2019AUTRE RIVE<\/a><\/td>\nPANZERI AND THOSE FRIENDS FROM THE OTHER SIDE<\/a><\/td>\nPANZERI E QUEGLI AMICI DELL\u2019ALTRA SPONDA<\/a><\/td>\n\u041f\u0410\u041d\u0426\u0415\u0420\u0418 \u0418 \u0422\u0415 \u0414\u0420\u0423\u0417\u042c\u042f \u0421 \u0414\u0420\u0423\u0413\u041e\u0419 \u0421\u0422\u041e\u0420\u041e\u041d\u042b<\/a><\/td>\nPANZERI UND DIE FREUNDE VON DER ANDEREN SEITE<\/a><\/td>\nPANZERI Y ESOS AMIGOS DEL OTRO LADO<\/a><\/td>\n<\/tr>\n
<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

\"\"Tajideen<\/strong>, Ali Muhammed<\/p>\n

Hezbollah Leader
\n\"\"<\/td>\n

DAR AL-HANDASAH: LE C\u00d4T\u00c9 OBSCUR DU COLOSSE<\/a><\/p>\n

L\u2019ENTREPRISE MILLIONNAIRE PAS SI SECRETE DU HEZBOLLAH EN GAMBIE<\/a><\/p>\n

LES OMBRES RUSSES SUR LE SCANDALE AFRILAND<\/a><\/td>\n

DAR AL-HANDASAH: THE DARK SIDE OF THE GIANT<\/a><\/p>\n

HEZBOLLAH\u2019S NOT-SO-SECRET MILLIONAIRE BUSINESS WITH GAMBIA<\/a><\/p>\n

RUSSIAN SHADOWS ON THE AFRILAND SCANDAL<\/a><\/td>\n

IL LATO OSCURO DEL COLOSSO DAR AL-HANDASAH<\/a><\/p>\n

IL BUSINESS MILIONARIO, NEMMENO TANTO SEGRETO, DI HEZBOLLAH IN GAMBIA<\/a><\/p>\n

OMBRE RUSSE SULLO SCANDALO AFRILAND<\/a><\/td>\n

\u0422\u0415\u041c\u041d\u0410\u042f \u0421\u0422\u041e\u0420\u041e\u041d\u0410 \u041a\u041e\u041b\u041e\u0421\u0421\u0410 \u0414\u0410\u0420 \u0410\u041b\u042c-\u0425\u0410\u041d\u0414\u0410\u0421\u0410<\/a><\/p>\n

\u041c\u0418\u041b\u041b\u0418\u041e\u041d\u0415\u0420\u041d\u042b\u0419 \u0411\u0418\u0417\u041d\u0415\u0421, \u0414\u0410\u0416\u0415 \u041e\u0427\u0415\u041d\u042c \u0421\u0415\u041a\u0420\u0415\u0422\u041d\u042b\u0419, \u0425\u0415\u0417\u0411\u041e\u041b\u041b\u0410 \u0412 \u0413\u0410\u041c\u0411\u0418\u0418<\/a><\/p>\n

\u0420\u0423\u0421\u0421\u041a\u0418\u0415 \u0422\u0415\u041d\u0418 \u0412 \u0421\u041a\u0410\u041d\u0414\u0410\u041b\u0415 AFRILAND<\/a><\/td>\n

DIE DUNKLE SEITE DES KOLOSSES DAR AL-HANDASAH<\/a><\/p>\n

DAS NICHT SO GEHEIME MILLION\u00c4RSGESCH\u00c4FT DER HISBOLLAH IN GAMBIA<\/a><\/p>\n

RUSSISCHE SCHATTEN AUF DEM AFRILAND-SKANDAL<\/a><\/td>\n

EL LADO OSCURO DEL COLOSO DAR AL-HANDASAH<\/a><\/p>\n

EL NO TAN SECRETO NEGOCIO DE HEZBOL\u00c1 EN GAMBIA<\/a><\/p>\n

SOMBRAS RUSAS SOBRE EL ESC\u00c1NDALO AFRILAND<\/a><\/td>\n<\/tr>\n

<\/td>\n <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

\"\"Tajiden<\/strong>, Huda Saad<\/p>\n

Hezbollah _Banker
\n\"\"<\/td>\n

L\u2019ENTREPRISE MILLIONNAIRE PAS SI SECRETE DU HEZBOLLAH EN GAMBIE<\/a><\/td>\nHEZBOLLAH\u2019S NOT-SO-SECRET MILLIONAIRE BUSINESS WITH GAMBIA<\/a><\/td>\nIL BUSINESS MILIONARIO, NEMMENO TANTO SEGRETO, DI HEZBOLLAH IN GAMBIA<\/a><\/td>\n\u041c\u0418\u041b\u041b\u0418\u041e\u041d\u0415\u0420\u041d\u042b\u0419 \u0411\u0418\u0417\u041d\u0415\u0421, \u0414\u0410\u0416\u0415 \u041e\u0427\u0415\u041d\u042c \u0421\u0415\u041a\u0420\u0415\u0422\u041d\u042b\u0419, \u0425\u0415\u0417\u0411\u041e\u041b\u041b\u0410 \u0412 \u0413\u0410\u041c\u0411\u0418\u0418<\/a><\/td>\nDAS NICHT SO GEHEIME MILLION\u00c4RSGESCH\u00c4FT DER HISBOLLAH IN GAMBIA<\/a><\/td>\nEL NO TAN SECRETO NEGOCIO DE HEZBOL\u00c1 EN GAMBIA<\/a><\/td>\n<\/tr>\n
<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

\"\"Tajideen<\/strong>, Husayn<\/p>\n

Hezbollah Leader
\n\"\"<\/td>\n

DAR AL-HANDASAH: LE C\u00d4T\u00c9 OBSCUR DU COLOSSE<\/a><\/p>\n

L\u2019ENTREPRISE MILLIONNAIRE PAS SI SECRETE DU HEZBOLLAH EN GAMBIE<\/a><\/td>\n

DAR AL-HANDASAH: THE DARK SIDE OF THE GIANT<\/a><\/p>\n

HEZBOLLAH\u2019S NOT-SO-SECRET MILLIONAIRE BUSINESS WITH GAMBIA<\/a><\/td>\n

IL LATO OSCURO DEL COLOSSO DAR AL-HANDASAH<\/a><\/p>\n

IL BUSINESS MILIONARIO, NEMMENO TANTO SEGRETO, DI HEZBOLLAH IN GAMBIA<\/a><\/td>\n

\u0422\u0415\u041c\u041d\u0410\u042f \u0421\u0422\u041e\u0420\u041e\u041d\u0410 \u041a\u041e\u041b\u041e\u0421\u0421\u0410 \u0414\u0410\u0420 \u0410\u041b\u042c-\u0425\u0410\u041d\u0414\u0410\u0421\u0410<\/a><\/p>\n

\u041c\u0418\u041b\u041b\u0418\u041e\u041d\u0415\u0420\u041d\u042b\u0419 \u0411\u0418\u0417\u041d\u0415\u0421, \u0414\u0410\u0416\u0415 \u041e\u0427\u0415\u041d\u042c \u0421\u0415\u041a\u0420\u0415\u0422\u041d\u042b\u0419, \u0425\u0415\u0417\u0411\u041e\u041b\u041b\u0410 \u0412 \u0413\u0410\u041c\u0411\u0418\u0418<\/a><\/td>\n

DIE DUNKLE SEITE DES KOLOSSES DAR AL-HANDASAH<\/a><\/p>\n

DAS NICHT SO GEHEIME MILLION\u00c4RSGESCH\u00c4FT DER HISBOLLAH IN GAMBIA<\/a><\/td>\n

EL LADO OSCURO DEL COLOSO DAR AL-HANDASAH<\/a><\/p>\n

EL NO TAN SECRETO NEGOCIO DE HEZBOL\u00c1 EN GAMBIA<\/a><\/td>\n<\/tr>\n

<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

\"\"Tajideen<\/strong>, Kassim<\/p>\n

Trader Hezbollah
\n\"\"<\/td>\n

DAR AL-HANDASAH: LE C\u00d4T\u00c9 OBSCUR DU COLOSSE<\/a><\/p>\n

L\u2019ENTREPRISE MILLIONNAIRE PAS SI SECRETE DU HEZBOLLAH EN GAMBIE<\/a><\/td>\n

DAR AL-HANDASAH: THE DARK SIDE OF THE GIANT<\/a><\/p>\n

HEZBOLLAH\u2019S NOT-SO-SECRET MILLIONAIRE BUSINESS WITH GAMBIA<\/a><\/td>\n

IL LATO OSCURO DEL COLOSSO DAR AL-HANDASAH<\/a><\/p>\n

IL BUSINESS MILIONARIO, NEMMENO TANTO SEGRETO, DI HEZBOLLAH IN GAMBIA<\/a><\/td>\n

\u0422\u0415\u041c\u041d\u0410\u042f \u0421\u0422\u041e\u0420\u041e\u041d\u0410 \u041a\u041e\u041b\u041e\u0421\u0421\u0410 \u0414\u0410\u0420 \u0410\u041b\u042c-\u0425\u0410\u041d\u0414\u0410\u0421\u0410<\/a><\/p>\n

\u041c\u0418\u041b\u041b\u0418\u041e\u041d\u0415\u0420\u041d\u042b\u0419 \u0411\u0418\u0417\u041d\u0415\u0421, \u0414\u0410\u0416\u0415 \u041e\u0427\u0415\u041d\u042c \u0421\u0415\u041a\u0420\u0415\u0422\u041d\u042b\u0419, \u0425\u0415\u0417\u0411\u041e\u041b\u041b\u0410 \u0412 \u0413\u0410\u041c\u0411\u0418\u0418<\/a><\/td>\n

DIE DUNKLE SEITE DES KOLOSSES DAR AL-HANDASAH<\/a><\/p>\n

DAS NICHT SO GEHEIME MILLION\u00c4RSGESCH\u00c4FT DER HISBOLLAH IN GAMBIA<\/a><\/td>\n

EL LADO OSCURO DEL COLOSO DAR AL-HANDASAH<\/a><\/p>\n

EL NO TAN SECRETO NEGOCIO DE HEZBOL\u00c1 EN GAMBIA<\/a><\/td>\n<\/tr>\n

<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

\"\"Tajideen<\/strong>, Mohammed<\/p>\n

Hezbollah Leader
\n\"\"<\/td>\n

DAR AL-HANDASAH: LE C\u00d4T\u00c9 OBSCUR DU COLOSSE<\/a><\/td>\nDAR AL-HANDASAH: THE DARK SIDE OF THE GIANT<\/a><\/td>\nIL LATO OSCURO DEL COLOSSO DAR AL-HANDASAH<\/a><\/td>\n\u0422\u0415\u041c\u041d\u0410\u042f \u0421\u0422\u041e\u0420\u041e\u041d\u0410 \u041a\u041e\u041b\u041e\u0421\u0421\u0410 \u0414\u0410\u0420 \u0410\u041b\u042c-\u0425\u0410\u041d\u0414\u0410\u0421\u0410<\/a><\/td>\nDIE DUNKLE SEITE DES KOLOSSES DAR AL-HANDASAH<\/a><\/td>\nEL LADO OSCURO DEL COLOSO DAR AL-HANDASAH<\/a><\/td>\n<\/tr>\n
<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

 <\/p>\n

\"\"Talabani<\/strong>, Jalal<\/p>\n

Politician, 1933-2017
\n\"\"<\/td>\n

SEULS, COMME LES KURDES<\/a><\/td>\nLONELY AS THE KURDS<\/a><\/td>\nSOLI COME CURDI<\/a><\/td>\n\u041e\u0414\u0418\u041d\u041e\u041a\u0418 \u041a\u0410\u041a \u041a\u0423\u0420\u0414\u042b<\/a><\/td>\nEINSAM WIE DIE KURDEN<\/a><\/td>\nTAN SOLO COMO LOS KURDOS<\/a><\/td>\n<\/tr>\n
<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

\"\"Talake<\/strong>, Koloa<\/p>\n

Politician, 1934-2008
\n\"\"<\/td>\n

TUVALU, LA NOUVELLE ATLANTIS<\/a><\/td>\nTUVALU, THE NEW ATLANTIS<\/a><\/td>\nTUVALU, LA NUOVA ATLANTIDE<\/a><\/td>\n\u0422\u0423\u0412\u0410\u041b\u0423, \u041d\u041e\u0412\u0410\u042f \u0410\u0422\u041b\u0410\u041d\u0422\u0418\u0414\u0410<\/a><\/td>\nTUVALU, DAS NEUE ATLANTIS<\/a><\/td>\nTUVALU, LA NUEVA ATL\u00c1NTIDA<\/a><\/td>\n<\/tr>\n
<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

 <\/p>\n

\"\"Talal<\/strong>, Al Waleed<\/p>\n

Entrepreneur, 1955-
\n\"\"<\/td>\n

SEYCHELLES: LA TIRELIRE DES OLIGARQUES<\/a><\/td>\nSEYCHELLES: THE OLIGARCHS\u2019 PIGGY BANK<\/a><\/td>\nSEYCHELLES: IL SALVADANAIO DEGLI OLIGARCHI<\/a><\/td>\n\u0421\u0415\u0419\u0428\u0415\u041b\u042c\u0421\u041a\u0418\u0415 \u041e\u0421\u0422\u0420\u041e\u0412\u0410: \u041a\u041e\u041f\u0418\u041b\u041a\u0410 \u041e\u041b\u0418\u0413\u0410\u0420\u0425\u041e\u0412<\/a><\/td>\nSEYCHELLEN: DAS SPARSCHWEIN DER OLIGARCHEN<\/a><\/td>\nSEYCHELLES: LA HUCHA DE LOS OLIGARCAS<\/a><\/td>\n<\/tr>\n
<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

 <\/p>\n

\"\"Talansky<\/strong>, Morris<\/p>\n

Businessman,
\n\"\"<\/td>\n

ISRA\u00cbL: LE CHANTAGE DE NETANYAHOU<\/a><\/td>\nISRAEL: NETANYAHU\u2019S BLACKMAIL<\/a><\/td>\nISRAELE: IL RICATTO DI NETANYAHU<\/a><\/td>\n\u0418\u0417\u0420\u0410\u0418\u041b\u042c: \u0428\u0410\u041d\u0422\u0410\u0416 \u041d\u0415\u0422\u0410\u041d\u042c\u042f\u0425\u0423<\/a><\/td>\nISRAEL: DIE ERPRESSUNG VON NETANJAHU<\/a><\/td>\nISRAEL: EL CHANTAJE DE NETANYAHU<\/a><\/td>\n<\/tr>\n
<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

\"\"Talenti<\/strong>, Pier Francesco<\/p>\n

Entrepreneur, 1925-1997
\n\"\"<\/td>\n

HENRY KISSINGER, L\u2019AME NOIRE DU 20EME SIECLE<\/a><\/td>\nHENRY KISSINGER, THE DARK SOUL OF THE 20TH CENTURY<\/a><\/td>\nHENRY KISSINGER, L\u2019ANIMA NERA DEL XX SECOLO<\/a><\/td>\n\u0413\u0415\u041d\u0420\u0418 \u041a\u0418\u0421\u0421\u0418\u041d\u0414\u0416\u0415\u0420, \u0427\u0415\u0420\u041d\u0410\u042f \u0414\u0423\u0428\u0410 20 \u0412\u0415\u041a\u0410<\/a><\/td>\nHENRY KISSINGER, DIE SCHWARZE SEELE DES 20. JAHRHUNDERTS<\/a><\/td>\nHENRY KISSINGER, EL ALMA NEGRA DEL SIGLO XX<\/a><\/td>\n<\/tr>\n
<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

 <\/p>\n

\"\"Talon<\/strong>, Patrice<\/p>\n

Politician, 1958-
\n\"\"<\/td>\n

BOLLORE: LE VERITABLE ROI DE L\u2019AFRIQUE<\/a><\/td>\nBOLLOR\u00c9: THE TRUE KING OF AFRICA<\/a><\/td>\nBOLLOR\u00c9: IL VERO RE D\u2019AFRICA<\/a><\/td>\n\u0411\u041e\u041b\u041b\u041e\u0420\u0415: \u0418\u0421\u0422\u0418\u041d\u041d\u042b\u0419 \u041a\u041e\u0420\u041e\u041b\u042c \u0410\u0424\u0420\u0418\u041a\u0418<\/a><\/td>\nBOLLOR\u00c9: DER WAHRE K\u00d6NIG VON AFRIKA<\/a><\/td>\nBOLLOR\u00c9: EL VERDADERO REY DE \u00c1FRICA<\/a><\/td>\n<\/tr>\n
<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

 <\/p>\n

\"\"Tamince<\/strong>, Fettah<\/p>\n

Businessman, 1972-<\/p>\n

\"\"<\/td>\n

QUAND LE CRIME DEVIENT UN \u00c9TAT: LA TURQUIE DE KAMER ET ERDOGAN<\/a><\/td>\nWHEN THE MOB BECOMES THE STATE: THE TURKEY OF KAMER AND ERDO\u011eAN<\/a><\/td>\nQUANDO IL CRIMINE SI FA STATO: LA TURCHIA DI KAMER E ERDO\u011eAN<\/a><\/td>\n\u041a\u041e\u0413\u0414\u0410 \u041f\u0420\u0415\u0421\u0422\u0423\u041f\u041b\u0415\u041d\u0418\u0415 \u0417\u041d\u0410\u0427\u0418\u0422 \u0413\u041e\u0421\u0423\u0414\u0410\u0420\u0421\u0422\u0412\u041e: \u0422\u0423\u0420\u0426\u0418\u042f \u041a\u0410\u041c\u0415\u0420\u0410 \u0418 \u042d\u0420\u0414\u041e\u0413\u0410\u041d\u0410<\/a><\/td>\nWENN KRIMINALIT\u00c4T ZUM STAAT WIRD: KAMER UND ERDO\u011eANS T\u00dcRKEI<\/a><\/td>\nCUANDO EL CRIMEN SE CONVIERTE EN ESTADO: LA TURQU\u00cdA DE KAMER Y ERDO\u011eAN<\/a><\/td>\n<\/tr>\n
<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

\"\"Tanaka<\/strong>, Kakuei<\/p>\n

Politician, 1918-1993
\n\"\"<\/td>\n

CRACK TOSHIBA : LA FIN DU MYTHE JAPONAIS<\/a><\/td>\nCRACK TOSHIBA: THE END OF THE JAPANESE MYTH<\/a><\/td>\nCRACK TOSHIBA: LA FINE DEL MITO NIPPONICO<\/a><\/td>\n\u0420\u0410\u0417\u041b\u041e\u041c TOSHIBA: \u041a\u041e\u041d\u0415\u0426 \u042f\u041f\u041e\u041d\u0421\u041a\u041e\u0413\u041e \u041c\u0418\u0424\u0410<\/a><\/td>\nTOSHIBA ZERBRICHT: DAS ENDE DES JAPANISCHEN MYTHOS<\/a><\/td>\nCRACK TOSHIBA: EL FIN DEL MITO JAPON\u00c9S<\/a><\/td>\n<\/tr>\n
<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

\"\"Tanassi,<\/strong> Mario<\/p>\n

Politician, 1916-2007
\n\"\"<\/td>\n

MOUVEMENT 5 ETOILES ET LEGANORD: REPETITIONS GENERALES POUR UNE INTERNATIONALE POSTFASCISTE<\/a><\/p>\n

HENRY KISSINGER, L\u2019AME NOIRE DU 20EME SIECLE<\/a><\/td>\n

5-STAR MOVEMENT AND LEGANORD: DRESS REHEARSALS FOR A POST-FASCIST INTERNATIONAL<\/a><\/p>\n

HENRY KISSINGER, THE DARK SOUL OF THE 20TH CENTURY<\/a><\/td>\n

MOVIMENTO 5 STELLE E LEGA NORD: PROVE GENERALI PER UN\u2019INTERNAZIONALE POST-FASCISTA<\/a><\/p>\n

HENRY KISSINGER, L\u2019ANIMA NERA DEL XX SECOLO<\/a><\/td>\n

\u0414\u0412\u0418\u0416\u0415\u041d\u0418\u0415 5 \u0417\u0412\u0415\u0417\u0414 \u0418 \u0421\u0415\u0412\u0415\u0420\u041d\u0410\u042f \u041b\u0418\u0413\u0410: \u0418\u0421\u041f\u042b\u0422\u0410\u041d\u0418\u042f \u0414\u041b\u042f \u041f\u041e\u0421\u0422\u0424\u0410\u0428\u0418\u0421\u0422\u0421\u041a\u041e\u0413\u041e \u0418\u041d\u0422\u0415\u0420\u041d\u0410\u0426\u0418\u041e\u041d\u0410\u041b\u0410<\/a><\/p>\n

\u0413\u0415\u041d\u0420\u0418 \u041a\u0418\u0421\u0421\u0418\u041d\u0414\u0416\u0415\u0420, \u0427\u0415\u0420\u041d\u0410\u042f \u0414\u0423\u0428\u0410 20 \u0412\u0415\u041a\u0410<\/a><\/td>\n

5-STERNE-BEWEGUNG UND LEGANORD: GENERALPROBEN F\u00dcR EINE POSTFASCHISTISCHE INTERNATIONALE<\/a><\/p>\n

HENRY KISSINGER, DIE SCHWARZE SEELE DES 20. JAHRHUNDERTS<\/a><\/td>\n

EL MOVIMIENTO 5 ESTRELLAS Y LA LIGA NORTE: ENSAYO GENERAL DE UNA INTERNACIONAL POST-FASCISTA<\/a><\/p>\n

HENRY KISSINGER, EL ALMA NEGRA DEL SIGLO XX<\/a><\/td>\n<\/tr>\n

<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

\"\"Taniguchi<\/strong>, Norio<\/p>\n

Engineering scientist, 1912-1999
\n\"\"<\/td>\n

LE MICROCOSME: PLUS IL EST PETIT, MIEUX IL FONCTIONNE<\/a><\/td>\nTHE MICROCOSM: THE SMALLER IT IS, THE BETTER IT WORKS<\/a><\/td>\nIL MICROCOSMO: PI\u00d9 \u00c8 MINUSCOLO, MEGLIO FUNZIONA<\/a><\/td>\n\u041c\u0418\u041a\u0420\u041e\u041c\u0418\u0420: \u0427\u0415\u041c \u041e\u041d \u041c\u0415\u041d\u042c\u0428\u0415, \u0422\u0415\u041c \u041b\u0423\u0427\u0428\u0415 \u0420\u0410\u0411\u041e\u0422\u0410\u0415\u0422<\/a><\/td>\nDER MIKROKOSMOS: JE KLEINER ER IST, DESTO BESSER FUNKTIONIERT ER<\/a><\/td>\nEL MICROCOSMOS: CUANTO M\u00c1S PEQUE\u00d1O, MEJOR FUNCIONA<\/a><\/td>\n<\/tr>\n
<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

\"\"Tappan<\/strong>, Robert<\/p>\n

Lawyer, 1965-
\n\"\"<\/td>\n

PHILIP MORRIS ENTRE EN GUERRE \u2013 AVEC LES POPULISTES, LES EXTREMISTES DE DROITE ET LES CHEIKHS ARABES<\/a><\/td>\nPHILIP MORRIS GOES TO WAR \u2013 WITH POPULISTS, SUPREMACISTS AND ARAB SHEIKHS<\/a><\/td>\nLA PHILIP MORRIS VA ALLA GUERRA \u2013 ALLEATA A SUPREMATISTI, POPULISTI E SCEICCHI ARABI<\/a><\/td>\n\u0424\u0418\u041b\u0418\u041f \u041c\u041e\u0420\u0420\u0418\u0421 \u0418\u0414\u0415\u0422 \u041d\u0410 \u0412\u041e\u0419\u041d\u0423 \u2013 \u041d\u0410 \u0421\u0422\u041e\u0420\u041e\u041d\u0415 \u0410\u0420\u0410\u0411\u0421\u041a\u0418\u0425 \u0421\u0423\u041f\u0420\u0415\u041c\u0410\u0422\u0418\u0421\u0422\u041e\u0412, \u041f\u041e\u041f\u0423\u041b\u0418\u0421\u0422\u041e\u0412 \u0418 \u0428\u0415\u0419\u041a\u041e\u0412<\/a><\/td>\nPHILIP MORRIS ZIEHT IN DEN KRIEG \u2013 MIT POPULISTEN, RECHTSEXTREMISTEN UND ARABISCHEN SCHEICHS<\/a><\/td>\nPHILIP MORRIS VA A LA GUERRA \u2013 ALIADO CON SUPREMACISTAS, POPULISTAS Y JEQUES \u00c1RABES<\/a><\/td>\n<\/tr>\n
<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

\"\"Tarakhovsky<\/strong>, Alexander<\/p>\n

Undergraduate, 1998-2020
\n\"\"<\/td>\n

COMMENT TROIS \u00ab FILLES \u00bb POURRAIENT SAUVER LA BIELORUSSIE<\/a><\/p>\n

LA SOUFFRANCE DES ABANDONN\u00c9S: LA BI\u00c9LORUSSIE NE SE REND PAS AU TYRAN<\/a><\/td>\n

HOW THREE \u201cGIRLS\u201d COULD SAVE BELARUS<\/a><\/p>\n

THE SUFFERING OF THE ABANDONED: BELARUS DOES NOT SURRENDER TO THE TYRANT<\/a><\/td>\n

ECCO LE TRE \u201cRAGAZZE\u201d CHE POTREBBERO SALVARE LA BIELORUSSIA<\/a><\/p>\n

LO STRAZIO DEGLI ABBANDONATI: LA BIELORUSSIA NON SI ARRENDE AL TIRANNO<\/a><\/td>\n

\u041a\u0410\u041a \u0422\u0420\u0418 \u00ab\u0414\u0415\u0412\u0423\u0428\u041a\u0418\u00bb \u041c\u041e\u0413\u0423\u0422 \u0421\u041f\u0410\u0421\u0422\u0418 \u0411\u0415\u041b\u0410\u0420\u0423\u0421\u042c<\/a><\/p>\n

\u0421\u0422\u0420\u0410\u0422\u0415\u0413\u0418\u042f \u0417\u0410\u0411\u0420\u041e\u0428\u0415\u041d\u041d\u042b\u0425: \u0411\u0415\u041b\u0410\u0420\u0423\u0421\u042c \u041d\u0415 \u0421\u0414\u0410\u0415\u0422\u0421\u042f \u0422\u0418\u0420\u0410\u041d\u0423<\/a><\/td>\n

WIE DREI \u201cM\u00c4DCHEN\u201d BELARUS RETTEN K\u00d6NNTEN<\/a><\/p>\n

DAS LEIDEN DER VERLASSENEN: WEI\u00dfRUSSLAND ERGIBT SICH NICHT DEM TYRANNEN<\/a><\/td>\n

ESTAS SON LAS TRES \u00abCHICAS\u00bb QUE PODR\u00cdAN SALVAR A BIELORRUSIA<\/a><\/p>\n

LA ANGUSTIA DE LOS ABANDONADOS: BIELORRUSIA NO SE RINDE ANTE EL TIRANO<\/a><\/td>\n<\/tr>\n

<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

 <\/p>\n

\"\"Tarasov<\/strong>, Sergey<\/p>\n

Scientist, 1979-
\n\"\"<\/td>\n

BASES MILITAIRES ET MINES: LE NOUVEAU VISAGE DES FONDS MARINS<\/a><\/td>\nMILITARY BASES AND MINES: THE NEW FACE OF THE SEABED<\/a><\/td>\nBASI MILITARI E MINIERE: IL VOLTO NUOVO DEL FONDO DELL\u2019OCEANO<\/a><\/td>\n\u0412\u041e\u0415\u041d\u041d\u042b\u0415 \u0411\u0410\u0417\u042b \u0418 \u0420\u0423\u0414\u041d\u0418\u041a\u0418: \u041d\u041e\u0412\u042b\u0415 \u041b\u0418\u0426\u0410 \u041e\u041a\u0415\u0410\u041d\u0421\u041a\u041e\u0413\u041e \u0414\u041d\u0410<\/a><\/td>\nMILIT\u00c4RST\u00dcTZPUNKTE UND MINEN: DAS NEUE GESICHT DES MEERESBODENS<\/a><\/td>\nBASES MILITARES Y MINAS: LA NUEVA CARA DE LOS FONDOS MARINOS<\/a><\/td>\n<\/tr>\n
<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

\"\"Tarczy\u0144ski<\/strong>, Dominik<\/p>\n

Politician, 1979-
\n\"\"<\/td>\n

PANZERI ET CES AMIS DE L\u2019AUTRE RIVE<\/a><\/td>\nPANZERI AND THOSE FRIENDS FROM THE OTHER SIDE<\/a><\/td>\nPANZERI E QUEGLI AMICI DELL\u2019ALTRA SPONDA<\/a><\/td>\n\u041f\u0410\u041d\u0426\u0415\u0420\u0418 \u0418 \u0422\u0415 \u0414\u0420\u0423\u0417\u042c\u042f \u0421 \u0414\u0420\u0423\u0413\u041e\u0419 \u0421\u0422\u041e\u0420\u041e\u041d\u042b<\/a><\/td>\nPANZERI UND DIE FREUNDE VON DER ANDEREN SEITE<\/a><\/td>\nPANZERI Y ESOS AMIGOS DEL OTRO LADO<\/a><\/td>\n<\/tr>\n
<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

 <\/p>\n

\"\"Tarin<\/strong>, Shaukat Fayaz Ahmad<\/p>\n

Politician, 1953-
\n\"\"<\/td>\n

SEYCHELLES: LA TIRELIRE DES OLIGARQUES<\/a><\/td>\nSEYCHELLES: THE OLIGARCHS\u2019 PIGGY BANK<\/a><\/td>\nSEYCHELLES: IL SALVADANAIO DEGLI OLIGARCHI<\/a><\/td>\n\u0421\u0415\u0419\u0428\u0415\u041b\u042c\u0421\u041a\u0418\u0415 \u041e\u0421\u0422\u0420\u041e\u0412\u0410: \u041a\u041e\u041f\u0418\u041b\u041a\u0410 \u041e\u041b\u0418\u0413\u0410\u0420\u0425\u041e\u0412<\/a><\/td>\nSEYCHELLEN: DAS SPARSCHWEIN DER OLIGARCHEN<\/a><\/td>\nSEYCHELLES: LA HUCHA DE LOS OLIGARCAS<\/a><\/td>\n<\/tr>\n
<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

\"\"Tarrant<\/strong>, Brendan<\/p>\n

Neo-Nazi supremacist, 1991-
\n\"\"<\/td>\n

DU PLASTIQUE ET DU SANG POUR LES ANUS N\u00c9O-NAZIS<\/a><\/td>\nPLASTIC AND BLOOD FOR NEO-NAZI ANUSES<\/a><\/td>\nPLASTICA E SANGUE PER GLI ANI NEONAZISTI<\/a><\/td>\n\u041f\u041b\u0410\u0421\u0422\u0418\u041a \u0418 \u041a\u0420\u041e\u0412\u042c \u0414\u041b\u042f \u0410\u041d\u0423\u0421\u041e\u0412 \u041d\u0415\u041e\u041d\u0410\u0426\u0418\u0421\u0422\u041e\u0412<\/a><\/td>\nPLASTIK UND BLUT F\u00dcR NEONAZI-ANUS<\/a><\/td>\nPL\u00c1STICO Y SANGRE PARA ANOS NEONAZIS<\/a><\/td>\n<\/tr>\n
<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

 <\/p>\n

\"\"Tatar<\/strong>, Ersin<\/p>\n

Politician, 1960-
\n\"\"<\/td>\n

PARC GEZI: LE SYMBOLE DE L\u2019EFFONDREMENT DE LA TURQUIE<\/a><\/td>\nGEZI PARK: THE SYMBOL OF TURKEY\u2019S COLLAPSE<\/a><\/td>\nGEZI PARK: IL SIMBOLO DELLA TURCHIA AL COLLASSO<\/a><\/td>\nGEZI \u041f\u0410\u0420\u041a: \u0421\u0418\u041c\u0412\u041e\u041b \u0422\u0423\u0420\u0426\u0418\u0418, \u041a\u041e\u0422\u041e\u0420\u0410\u042f \u0420\u0410\u0417\u0420\u0423\u0428\u0410\u0415\u0422\u0421\u042f<\/a><\/td>\nGEZI PARK: DAS SYMBOL DES ZUSAMMENBRUCHS DER T\u00dcRKEI<\/a><\/td>\nPARQUE GEZI: EL S\u00cdMBOLO DEL COLAPSO DE TURQU\u00cdA<\/a><\/td>\n<\/tr>\n
<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

 <\/p>\n

\"\"Tatarintsev<\/strong>, Victor<\/p>\n

Diplomat, 1954-
\n\"\"<\/td>\n

G\u00d8TLAND, OU COMMENCE LA NOUVELLE GUERRE MONDIALE<\/a><\/td>\nG\u00d8TLAND, WHERE THE NEW WORLD WAR BEGINS<\/a><\/td>\nG\u00d8TLAND, DOVE COMINCIA LA NUOVA GUERRA MONDIALE<\/a><\/td>\n\u0413\u0401\u0422\u041b\u0410\u041d\u0414, \u0413\u0414\u0415 \u041d\u0410\u0427\u0418\u041d\u0410\u0415\u0422\u0421\u042f \u041d\u041e\u0412\u0410\u042f \u041c\u0418\u0420\u041e\u0412\u0410\u042f \u0412\u041e\u0419\u041d\u0410<\/a><\/td>\nG\u00d8TLAND, WO DER NEUE WELTKRIEG BEGINNT<\/a><\/td>\nG\u00d8TLAND, DONDE COMIENZA LA NUEVA GUERRA MUNDIAL<\/a><\/td>\n<\/tr>\n
<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

\"\"Tate<\/strong>, Emory Andrew<\/p>\n

Ex kickboxer, 1986-
\n\"\"<\/td>\n

DU PLASTIQUE ET DU SANG POUR LES ANUS N\u00c9O-NAZIS<\/a><\/td>\nPLASTIC AND BLOOD FOR NEO-NAZI ANUSES<\/a><\/td>\nPLASTICA E SANGUE PER GLI ANI NEONAZISTI<\/a><\/td>\n\u041f\u041b\u0410\u0421\u0422\u0418\u041a \u0418 \u041a\u0420\u041e\u0412\u042c \u0414\u041b\u042f \u0410\u041d\u0423\u0421\u041e\u0412 \u041d\u0415\u041e\u041d\u0410\u0426\u0418\u0421\u0422\u041e\u0412<\/a><\/td>\nPLASTIK UND BLUT F\u00dcR NEONAZI-ANUS<\/a><\/td>\nPL\u00c1STICO Y SANGRE PARA ANOS NEONAZIS<\/a><\/td>\n<\/tr>\n
<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

\"\"Taub<\/strong>, Ben<\/p>\n

Journalist, 1991-
\n\"\"<\/td>\n

LAC TCHAD, UN VOYAGE ENTRE ENCLUME ET MARTEAU<\/a><\/td>\nLAKE CHAD, A JOURNEY BETWEEN ANVIL AND HAMMER<\/a><\/td>\nLAGO CIAD, VIAGGIO TRA L\u2019INCUDINE E IL MARTELLO<\/a><\/td>\n\u041e\u0417\u0415\u0420\u041e \u0427\u0410\u0414, \u041f\u0423\u0422\u0415\u0428\u0415\u0421\u0422\u0412\u0418\u0415 \u041c\u0415\u0416\u0414\u0423 \u041d\u0410\u041a\u041e\u0412\u0410\u041b\u042c\u041d\u0415\u0419 \u0418 \u041c\u041e\u041b\u041e\u0422\u041e\u041c<\/a><\/td>\nTSCHADSEE, EINE REISE ZWISCHEN AMBOSS UND HAMMER<\/a><\/td>\nEL LAGO CHAD, UN VIAJE ENTRE EL YUNQUE Y EL MARTILLO<\/a><\/td>\n<\/tr>\n
<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

\"\"Tauran<\/strong>, Jean-Louis<\/p>\n

Cardinal, 1943-2018
\n\"\"<\/td>\n

VATICAN ET FRERES MUSULMANS: 100 ANS DE RELATIONS POLITIQUES ET ECONOMIQUES<\/a><\/td>\nVATICAN AND MUSLIM BROTHERHOOD: 100 YEARS OF POLITICAL AND ECONOMIC RELATIONS<\/a><\/td>\nVATICANO E FRATELLI MUSULMANI: UN SECOLO DI RELAZIONI POLITICHE E FINANZIARIE<\/a><\/td>\n\u0412\u0410\u0422\u0418\u041a\u0410\u041d \u0418 \u041c\u0423\u0421\u0423\u041b\u042c\u041c\u0410\u041d\u0421\u041a\u0418\u0415 \u0411\u0420\u0410\u0422\u042c\u042f: \u0412\u0415\u041a \u041f\u041e\u041b\u0418\u0422\u0418\u0427\u0415\u0421\u041a\u0418\u0425 \u0418 \u0424\u0418\u041d\u0410\u041d\u0421\u041e\u0412\u042b\u0425 \u041e\u0422\u041d\u041e\u0428\u0415\u041d\u0418\u0419<\/a><\/td>\nVATIKAN UND MUSLIMBRUDERSCHAFT: 100 JAHRE POLITISCHEN UND WIRTSCHAFTLICHEN BEZIEHUNGEN<\/a><\/td>\nEL VATICANO Y LOS HERMANOS MUSULMANES: UN SIGLO DE RELACIONES POL\u00cdTICAS Y FINANCIERAS<\/a><\/td>\n<\/tr>\n
<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

 <\/p>\n

\"\"Taverner<\/strong>, Angus <\/strong><\/p>\n

Strategic analyst, 1984
\n\"\"<\/td>\n

LA TRES LONGUE VAGUE DE CORRUPTION A BRUXELLES<\/a><\/td>\nTHE LONG WAVE OF CORRUPTION IN BRUSSELS<\/a><\/td>\nL\u2019ONDA LUNGHISSIMA DELLA CORRUZIONE A BRUXELLES<\/a><\/td>\n\u041e\u0427\u0415\u041d\u042c \u0414\u041b\u0418\u041d\u041d\u0410\u042f \u0412\u041e\u041b\u041d\u0410 \u041a\u041e\u0420\u0420\u0423\u041f\u0426\u0418\u0418 \u0412 \u0411\u0420\u042e\u0421\u0421\u0415\u041b\u0415<\/a><\/td>\nDIE SEHR LANGE WELLE DER KORRUPTION IN BR\u00dcSSEL<\/a><\/td>\nLA LARGU\u00cdSIMA OLA DE CORRUPCI\u00d3N EN BRUSELAS<\/a><\/td>\n<\/tr>\n
<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

\"\"Taviani<\/strong>, Paolo Emilio<\/p>\n

Politician \/ Gladio member, 1912-2001
\n\"\"<\/td>\n

HENRY KISSINGER, L\u2019AME NOIRE DU 20EME SIECLE<\/a><\/td>\nHENRY KISSINGER, THE DARK SOUL OF THE 20TH CENTURY<\/a><\/td>\nHENRY KISSINGER, L\u2019ANIMA NERA DEL XX SECOLO<\/a><\/td>\n\u0413\u0415\u041d\u0420\u0418 \u041a\u0418\u0421\u0421\u0418\u041d\u0414\u0416\u0415\u0420, \u0427\u0415\u0420\u041d\u0410\u042f \u0414\u0423\u0428\u0410 20 \u0412\u0415\u041a\u0410<\/a><\/td>\nHENRY KISSINGER, DIE SCHWARZE SEELE DES 20. JAHRHUNDERTS<\/a><\/td>\nHENRY KISSINGER, EL ALMA NEGRA DEL SIGLO XX<\/a><\/td>\n<\/tr>\n
<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

 <\/p>\n

\"\"Taya<\/strong>, Maaouya Ould Sid\u2019Ahmed<\/p>\n

Politician, 1941-
\n\"\"<\/td>\n

COMMENT MEME LA FOURMI MAURITANIENNE PEUT CHANGER L\u2019EQUILIBRE DU MONDE<\/a><\/td>\nHOW EVEN THE MAURITANIAN ANT CAN CHANGE THE BALANCE OF THE WORLD<\/a><\/td>\nCOME PERSINO LA FORMICA MAURITANIA CAMBIA GLI EQUILIBRI DEL MONDO<\/a><\/td>\n\u041a\u0410\u041a \u0414\u0410\u0416\u0415 \u041c\u0410\u0412\u0420\u0418\u0422\u0410\u041d\u0421\u041a\u0418\u0419 \u041c\u0423\u0420\u0410\u0412\u0415\u0419 \u041c\u0415\u041d\u042f\u0415\u0422 \u0411\u0410\u041b\u0410\u041d\u0421 \u041c\u0418\u0420\u0410<\/a><\/td>\nWIE SELBST DIE MAURETANISCHE AMEISE DAS GLEICHGEWICHT DER WELT VER\u00c4NDERN KANN<\/a><\/td>\nC\u00d3MO INCLUSO LA HORMIGA MAURITANIA CAMBIA EL EQUILIBRIO DEL MUNDO<\/a><\/td>\n<\/tr>\n
<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

\"\"Taylor<\/strong>, Charles<\/p>\n

Dictator of Liberia, 1948-
\n\"\"<\/td>\n

APRES LA MORT D\u2019ALPHA-ALPHA<\/a><\/p>\n

MERCENAIRES ET EMIRATS: LE PERIL MONDIAL DE L\u2019INDUSTRIE PRIVEE DE LA MORT<\/a><\/p>\n

GUINEE, ENCORE UN CHANGEMENT DE LEOPARD<\/a><\/td>\n

THE DEATH OF ALPHA-ALPHA<\/a><\/p>\n

SOLDIERS OF FORTUNE AND EMIRATES: THE GLOBAL DANGER OF THE PRIVATE DEATH\u2019S INDUSTRY<\/a><\/p>\n

GUINEA, YET ANOTHER LEOPARD CHANGE<\/a><\/td>\n

IN MORTE DI ALFA ALFA<\/a><\/p>\n

SOLDATI DI SVENTURA: LA MINACCIA GLOBALE DELL\u2019INDUSTRIA PRIVATA DELLA MORTE<\/a><\/p>\n

GUINEA, L\u2019ENNESIMO CAMBIAMENTO DEL GATTOPARDO<\/a><\/td>\n

\u0421\u041c\u0415\u0420\u0422\u042c \u0410\u041b\u042c\u0424\u0410-\u0410\u041b\u042c\u0424\u0410<\/a><\/p>\n

\u0421\u041e\u041b\u0414\u0410\u0422\u042b DOOM: \u0413\u041b\u041e\u0411\u0410\u041b\u042c\u041d\u0410\u042f \u0423\u0413\u0420\u041e\u0417\u0410 \u0427\u0410\u0421\u0422\u041d\u041e\u0419 \u0418\u041d\u0414\u0423\u0421\u0422\u0420\u0418\u0418 \u0421\u041c\u0415\u0420\u0422\u0418<\/a><\/p>\n

\u0413\u0412\u0418\u041d\u0415\u042f, \u0415\u0429\u0415 \u041e\u0414\u041d\u041e \u0418\u0417\u041c\u0415\u041d\u0415\u041d\u0418\u0415 GATTOPARDO<\/a><\/td>\n

ZUM TOD VON ALFA-ALFA<\/a><\/p>\n

S\u00d6LDNER UND EMIRATEN: DIE GLOBALE GEFAHR DER PRIVATEN TODESINDUSTRIE<\/a><\/p>\n

NOCH EIN LEOPARDENWECHSEL IN GUINEA<\/a><\/td>\n

GUINEA, OTRO CAMBIO DE LEOPARDO<\/a><\/p>\n

SOLDADOS DE LA PERDICI\u00d3N: LA AMENAZA GLOBAL DE LA INDUSTRIA PRIVADA DE LA MUERTE<\/a><\/td>\n<\/tr>\n

<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

 <\/p>\n

\"\"Tazaghart<\/strong>, Asma<\/p>\n

Journalist, 1965-
\n\"\"<\/td>\n

GOLFE PERSIQUE: LA GUERRE APRES L\u2019ARMISTICE<\/a><\/td>\nPERSIAN GULF: THE WAR AFTER THE ARMISTICE<\/a><\/td>\nGOLFO PERSICO: LA GUERRA DOPO L\u2019ARMISTIZIO<\/a><\/td>\n\u041f\u0415\u0420\u0421\u0418\u0414\u0421\u041a\u0418\u0419 \u0417\u0410\u041b\u0418\u0412: \u0412\u041e\u0419\u041d\u0410 \u041f\u041e\u0421\u041b\u0415 \u041f\u0415\u0420\u0415\u041c\u0418\u0420\u0418\u042f<\/a><\/td>\nPERSISCHER GOLF: DER KRIEG NACH DEM WAFFENSTILLSTAND<\/a><\/td>\nGOLFO P\u00c9RSICO: LA GUERRA DESPU\u00c9S DEL ARMISTICIO<\/a><\/td>\n<\/tr>\n
<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

 <\/p>\n

\"\"Tazaghart<\/strong>, Atmane<\/p>\n

Journalist, 1967-
\n\"\"<\/td>\n

GOLFE PERSIQUE: LA GUERRE APRES L\u2019ARMISTICE<\/a><\/td>\nPERSIAN GULF: THE WAR AFTER THE ARMISTICE<\/a><\/td>\nGOLFO PERSICO: LA GUERRA DOPO L\u2019ARMISTIZIO<\/a><\/td>\n\u041f\u0415\u0420\u0421\u0418\u0414\u0421\u041a\u0418\u0419 \u0417\u0410\u041b\u0418\u0412: \u0412\u041e\u0419\u041d\u0410 \u041f\u041e\u0421\u041b\u0415 \u041f\u0415\u0420\u0415\u041c\u0418\u0420\u0418\u042f<\/a><\/td>\nPERSISCHER GOLF: DER KRIEG NACH DEM WAFFENSTILLSTAND<\/a><\/td>\nGOLFO P\u00c9RSICO: LA GUERRA DESPU\u00c9S DEL ARMISTICIO<\/a><\/td>\n<\/tr>\n
<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

 <\/p>\n

\"\"Tchenguiz<\/strong>, Vincent<\/p>\n

Businessman, 1956<\/p>\n

\"\"<\/td>\n

60 ANS DE DICTATURE ET 200 ANS DE GUERRES, D\u2019ESCLAVAGE ET DE CONTREBANDE: BIENVENUE AU CONGO<\/a><\/p>\n

CAMBRIDGE ANALYTICA: LES CRIMINELS QUI NOUS PERSUADENT DE VOTER POUR TRUMP<\/a><\/p>\n

 <\/td>\n

60 YEARS OF DICTATORSHIP AND 200 YEARS OF WARS, SLAVERY AND SMUGGLING: WELCOME TO THE CONGO<\/a><\/p>\n

CAMBRIDGE ANALYTICA: THE CRIMINALS WHO PERSUADE US TO VOTE FOR TRUMP<\/a><\/td>\n

IL CONGO DRC DOPO 60 ANNI DI DITTATURA E DUE SECOLI DI GUERRE, SCHIAVISMO E CONTRABBANDO<\/a><\/p>\n

CAMBRIDGE ANALYTICA: I CRIMINALI CHE CI CONVINCONO A VOTARE TRUMP<\/a><\/td>\n

\u0414\u0420\u041a \u041a\u041e\u041d\u0413\u041e \u041f\u041e\u0421\u041b\u0415 60 \u041b\u0415\u0422 \u0414\u0418\u041a\u0422\u0410\u0422\u0423\u0420\u042b \u0418 \u0414\u0412\u0423\u0425 \u0412\u0415\u041a\u041e\u0412 \u0412\u041e\u0419\u041d, \u0420\u0410\u0411\u0421\u0422\u0412\u0410 \u0418 \u041a\u041e\u041d\u0422\u0420\u0410\u0411\u0410\u041d\u0414\u042b<\/a><\/p>\n

CAMBRIDGE ANALYTICA: \u041f\u0420\u0415\u0421\u0422\u0423\u041f\u041d\u0418\u041a\u0418, \u041a\u041e\u0422\u041e\u0420\u042b\u0415 \u0423\u0411\u0415\u0414\u0418\u041b\u0418 \u041d\u0410\u0421 \u0413\u041e\u041b\u041e\u0421\u041e\u0412\u0410\u0422\u042c \u0417\u0410 \u0422\u0420\u0410\u041c\u041f\u0410<\/a><\/td>\n

60 JAHREN DIKTATUR UND 200 JAHREN KRIEGEN, SKLAVEREI UND SCHMUGGEL: WILLKOMMEN IN KONGO<\/a><\/p>\n

CAMBRIDGE ANALYTICA: DIE KRIMINELLEN, DIE UNS \u00dcBERREDEN, F\u00dcR TRUMP ZU STIMMEN<\/a><\/td>\n

CONGO RDC TRAS 60 A\u00d1OS DE DICTADURA Y DOS SIGLOS DE GUERRA, ESCLAVITUD Y CONTRABANDO<\/a><\/td>\n<\/tr>\n
<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

 <\/p>\n

Tchioufou<\/strong>, Jos\u00e9 Auguste<\/p>\n

Politician,
\n\"\"<\/td>\n

CABINDA, UNE GUERRE QUI PUE LE PETROLE<\/a><\/td>\nCABINDA, A WAR THAT REEKS OF OIL<\/a><\/td>\nCABINDA, UNA GUERRA CHE PUZZA DI PETROLIO<\/a><\/td>\n\u041a\u0410\u0411\u0418\u041d\u0414\u0410:\u0412\u041e\u0419\u041d\u0410, \u041a\u041e\u0422\u041e\u0420\u0410\u042f\u041f\u0410\u0425\u041d\u0415\u0422\u041d\u0415\u0424\u0422\u042c\u042e<\/a><\/td>\nCABINDA, EIN KRIEG, DER NACH \u00d6L STINKT<\/a><\/td>\nCABINDA, UNA GUERRA QUE APESTA A PETR\u00d3LEO<\/a><\/td>\n<\/tr>\n
<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

\"\"Teagle<\/strong>, Walter Clark<\/p>\n

Entrepreneur, 1878-1962
\n\"\"<\/td>\n

HENRY KISSINGER, L\u2019AME NOIRE DU 20EME SIECLE<\/a><\/td>\nHENRY KISSINGER, THE DARK SOUL OF THE 20TH CENTURY<\/a><\/td>\nHENRY KISSINGER, L\u2019ANIMA NERA DEL XX SECOLO<\/a><\/td>\n\u0413\u0415\u041d\u0420\u0418 \u041a\u0418\u0421\u0421\u0418\u041d\u0414\u0416\u0415\u0420, \u0427\u0415\u0420\u041d\u0410\u042f \u0414\u0423\u0428\u0410 20 \u0412\u0415\u041a\u0410<\/a><\/td>\nHENRY KISSINGER, DIE SCHWARZE SEELE DES 20. JAHRHUNDERTS<\/a><\/td>\nHENRY KISSINGER, EL ALMA NEGRA DEL SIGLO XX<\/a><\/td>\n<\/tr>\n
<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

\"\"Teague<\/strong>, Kathleen<\/p>\n

Lobbyst, 1949-2020
\n\"\"<\/td>\n

PHILIP MORRIS ENTRE EN GUERRE \u2013 AVEC LES POPULISTES, LES EXTREMISTES DE DROITE ET LES CHEIKHS ARABES<\/a><\/td>\nPHILIP MORRIS GOES TO WAR \u2013 WITH POPULISTS, SUPREMACISTS AND ARAB SHEIKHS<\/a><\/td>\nLA PHILIP MORRIS VA ALLA GUERRA \u2013 ALLEATA A SUPREMATISTI, POPULISTI E SCEICCHI ARABI<\/a><\/td>\n\u0424\u0418\u041b\u0418\u041f \u041c\u041e\u0420\u0420\u0418\u0421 \u0418\u0414\u0415\u0422 \u041d\u0410 \u0412\u041e\u0419\u041d\u0423 \u2013 \u041d\u0410 \u0421\u0422\u041e\u0420\u041e\u041d\u0415 \u0410\u0420\u0410\u0411\u0421\u041a\u0418\u0425 \u0421\u0423\u041f\u0420\u0415\u041c\u0410\u0422\u0418\u0421\u0422\u041e\u0412, \u041f\u041e\u041f\u0423\u041b\u0418\u0421\u0422\u041e\u0412 \u0418 \u0428\u0415\u0419\u041a\u041e\u0412<\/a><\/td>\nPHILIP MORRIS ZIEHT IN DEN KRIEG \u2013 MIT POPULISTEN, RECHTSEXTREMISTEN UND ARABISCHEN SCHEICHS<\/a><\/td>\nPHILIP MORRIS VA A LA GUERRA \u2013 ALIADO CON SUPREMACISTAS, POPULISTAS Y JEQUES \u00c1RABES<\/a><\/td>\n<\/tr>\n
<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

 <\/p>\n

\"\"Tedeschi<\/strong>, Gotti<\/p>\n

Banker, 1945-
\n\"\"<\/td>\n

LA MISERE OPULENTE DE LA THEOCRATIE ROMAINE<\/a><\/td>\nTHE OPULENT MISERY OF THE ROMAN THEOCRACY<\/a><\/td>\nL\u2019OPULENTA MISERIA DELLA TEOCRAZIA ROMANA<\/a><\/td>\n\u0420\u041e\u0421\u041a\u041e\u0428\u041d\u041e\u0415 \u041d\u0415\u0421\u0427\u0410\u0421\u0422\u042c\u0415 \u0420\u0418\u041c\u0421\u041a\u041e\u0419 \u0422\u0415\u041e\u041a\u0420\u0410\u0422\u0418\u0418<\/a><\/td>\nDAS \u00dcPPIGE ELEND DER R\u00d6MISCHEN THEOKRATIE<\/a><\/td>\nLA OPULENTA MISERIA DE LA TEOCRACIA ROMANA<\/a><\/td>\n<\/tr>\n
<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

 <\/p>\n

\"\"Teixeira<\/strong>, Antonio Carlos Guedes \u201cTony\u201d<\/p>\n

Mercenary, 1960-
\n\"\"<\/td>\n

MERCENAIRES ET EMIRATS: LE PERIL MONDIAL DE L\u2019INDUSTRIE PRIVEE DE LA MORT<\/a><\/td>\nSOLDIERS OF FORTUNE AND EMIRATES: THE GLOBAL DANGER OF THE PRIVATE DEATH\u2019S INDUSTRY<\/a><\/td>\nSOLDATI DI SVENTURA: LA MINACCIA GLOBALE DELL\u2019INDUSTRIA PRIVATA DELLA MORTE<\/a><\/td>\n\u0421\u041e\u041b\u0414\u0410\u0422\u042b DOOM: \u0413\u041b\u041e\u0411\u0410\u041b\u042c\u041d\u0410\u042f \u0423\u0413\u0420\u041e\u0417\u0410 \u0427\u0410\u0421\u0422\u041d\u041e\u0419 \u0418\u041d\u0414\u0423\u0421\u0422\u0420\u0418\u0418 \u0421\u041c\u0415\u0420\u0422\u0418<\/a><\/td>\nS\u00d6LDNER UND EMIRATEN: DIE GLOBALE GEFAHR DER PRIVATEN TODESINDUSTRIE<\/a><\/td>\nSOLDADOS DE LA PERDICI\u00d3N: LA AMENAZA GLOBAL DE LA INDUSTRIA PRIVADA DE LA MUERTE<\/a><\/td>\n<\/tr>\n
<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

 <\/p>\n

\"\"Tejada Gomez<\/strong>, Armando<\/p>\n

Poet, 1929-1992
\n\"\"<\/td>\n

MERCEDES SOSA, LA VOIX DES SANS-VOIX<\/a><\/td>\nMERCEDES SOSA, THE VOICE OF THE VOICELESS<\/a><\/td>\nMERCEDES SOSA, LA VOCE DEI SENZA VOCE<\/a><\/td>\nMERCEDES SOSA, \u0413\u041e\u041b\u041e\u0421 \u0411\u0415\u0417\u0413\u041e\u041b\u041e\u0421\u042b\u0425<\/a><\/td>\nMERCEDES SOSA, DIE STIMME DER STUMMEN<\/a><\/td>\nMERCEDES SOSA, LA VOZ DE LOS SIN VOZ<\/a><\/td>\n<\/tr>\n
<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

 <\/p>\n

\"\"Tekdal<\/strong>, Ahmet<\/p>\n

Politician, 1931-
\n\"\"<\/td>\n

PARC GEZI: LE SYMBOLE DE L\u2019EFFONDREMENT DE LA TURQUIE<\/a><\/td>\nGEZI PARK: THE SYMBOL OF TURKEY\u2019S COLLAPSE<\/a><\/td>\nGEZI PARK: IL SIMBOLO DELLA TURCHIA AL COLLASSO<\/a><\/td>\nGEZI \u041f\u0410\u0420\u041a: \u0421\u0418\u041c\u0412\u041e\u041b \u0422\u0423\u0420\u0426\u0418\u0418, \u041a\u041e\u0422\u041e\u0420\u0410\u042f \u0420\u0410\u0417\u0420\u0423\u0428\u0410\u0415\u0422\u0421\u042f<\/a><\/td>\nGEZI PARK: DAS SYMBOL DES ZUSAMMENBRUCHS DER T\u00dcRKEI<\/a><\/td>\nPARQUE GEZI: EL S\u00cdMBOLO DEL COLAPSO DE TURQU\u00cdA<\/a><\/td>\n<\/tr>\n
<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

 <\/p>\n

\"\"Tekeli Kayasu<\/strong>, Gonca<\/p>\n

Lawyer, 1980-<\/p>\n

\"\"<\/td>\n

QUAND LE CRIME DEVIENT UN \u00c9TAT: LA TURQUIE DE KAMER ET ERDOGAN<\/a><\/td>\nWHEN THE MOB BECOMES THE STATE: THE TURKEY OF KAMER AND ERDO\u011eAN<\/a><\/td>\nQUANDO IL CRIMINE SI FA STATO: LA TURCHIA DI KAMER E ERDO\u011eAN<\/a><\/td>\n\u041a\u041e\u0413\u0414\u0410 \u041f\u0420\u0415\u0421\u0422\u0423\u041f\u041b\u0415\u041d\u0418\u0415 \u0417\u041d\u0410\u0427\u0418\u0422 \u0413\u041e\u0421\u0423\u0414\u0410\u0420\u0421\u0422\u0412\u041e: \u0422\u0423\u0420\u0426\u0418\u042f \u041a\u0410\u041c\u0415\u0420\u0410 \u0418 \u042d\u0420\u0414\u041e\u0413\u0410\u041d\u0410<\/a><\/td>\nWENN KRIMINALIT\u00c4T ZUM STAAT WIRD: KAMER UND ERDO\u011eANS T\u00dcRKEI<\/a><\/td>\nCUANDO EL CRIMEN SE CONVIERTE EN ESTADO: LA TURQU\u00cdA DE KAMER Y ERDO\u011eAN<\/a><\/td>\n<\/tr>\n
<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

 <\/p>\n

\"\"Tenet<\/strong>, George<\/p>\n

Spy, 1953-
\n\"\"<\/td>\n

COMMENT MEME LA FOURMI MAURITANIENNE PEUT CHANGER L\u2019EQUILIBRE DU MONDE<\/a><\/td>\nMOHAMMED DAHLAN, ASSASSIN FOR THE KING<\/a><\/td>\nMOHAMMED DAHLAN, SICARIO DEL RE<\/a><\/td>\n\u041c\u041e\u0425\u0410\u041c\u041c\u0415\u0414 \u0414\u0410\u0425\u041b\u0410\u041d, \u0423\u0411\u0418\u0419\u0426\u0410 \u041a\u041e\u0420\u041e\u041b\u042f<\/a><\/td>\nMOHAMMED DAHLAN, AUFTRAGSM\u00d6RDER F\u00dcR DEN K\u00d6NIG<\/a><\/td>\nMOHAMMED DAHLAN, ASESINO A SUELDO DEL REY<\/a><\/td>\n<\/tr>\n
<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

\"\"Terras<\/strong>, Evelyne<\/p>\n

Tennis player, 1944-2012
\n\"\"<\/td>\n

LE ROI SECRET DE TAORMINE<\/a><\/td>\nTHE SECRET KING OF TAORMINA<\/a><\/td>\nIL RE SEGRETO DI TAORMINA<\/a><\/td>\n\u0422\u0410\u0419\u041d\u042b\u0419 \u041a\u041e\u0420\u041e\u041b\u042c \u0422\u0410\u041e\u0420\u041c\u0418\u041d\u042b<\/a><\/td>\nDER GEHEIME K\u00d6NIG VON TAORMINA<\/a><\/td>\nEL REY SECRETO DE TAORMINA<\/a><\/td>\n<\/tr>\n
<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

 <\/p>\n

\"\"<\/strong>Te\u0161i\u0107<\/strong>, Slobodan<\/p>\n

Arms dealer, 1959-
\n\"\"<\/td>\n

TANT QU\u2019IL Y A UNE GUERRE, IL Y A UN LOBBYISTE<\/a><\/td>\nAS LONG AS THERE IS WAR THERE IS A LOBBYIST<\/a><\/td>\nFINCH\u00c9 C\u2019\u00c8 GUERRA C\u2019\u00c8 UN LOBBYSTA<\/a><\/td>\n\u041f\u041e\u041a\u0410 \u0415\u0421\u0422\u042c \u0412\u041e\u0419\u041d\u0410, \u0415\u0421\u0422\u042c \u041b\u041e\u0411\u0411\u0418\u0421\u0422<\/a><\/td>\nSOLANGE ES KRIEG GIBT, GIBT ES AUCH LOBBYISTEN<\/a><\/td>\nMIENTRAS HAYA GUERRA HABR\u00c1 UN LOBBYISTA<\/a><\/td>\n<\/tr>\n
<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

\"\"Teterin<\/strong>, Sergei<\/p>\n

Politician, 1962-
\n\"\"<\/td>\n

BELARUS: LE SILENCE DU DESESPOIR<\/a><\/td>\nBELARUS: THE SILENCE OF DESPAIR<\/a><\/td>\nBIELORUSSIA: IL SILENZIO DELLA DISPERAZIONE<\/a><\/td>\n\u0411\u0415\u041b\u0410\u0420\u0423\u0421\u042c: \u041c\u041e\u041b\u0427\u0410\u041d\u0418\u0415 \u041e\u0422\u0427\u0410\u042f\u041d\u0418\u042f<\/a><\/td>\nBELARUS: DAS SCHWEIGEN DER VERZWEIFLUNG<\/a><\/td>\nBIELORRUSIA: EL SILENCIO DE LA DESESPERACI\u00d3N<\/a><\/td>\n<\/tr>\n
<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

\"\"Tettamanti,<\/strong> Tito<\/p>\n

Financier, 1930-
\n\"\"<\/td>\n

MOUVEMENT 5 ETOILES ET LEGANORD: REPETITIONS GENERALES POUR UNE INTERNATIONALE POSTFASCISTE<\/a><\/p>\n

LES V\u00c9RITABLES PUISSANTS<\/a><\/p>\n

HENRY KISSINGER, L\u2019AME NOIRE DU 20EME SIECLE<\/a><\/p>\n

LA DERNIERE VICTIME DU BANCO AMBROSIANO<\/a><\/td>\n

5-STAR MOVEMENT AND LEGANORD: DRESS REHEARSALS FOR A POST-FASCIST INTERNATIONAL<\/a><\/p>\n

THE TRULY POWERFUL<\/a><\/p>\n

HENRY KISSINGER, THE DARK SOUL OF THE 20TH CENTURY<\/a><\/p>\n

THE LAST VICTIM OF BANCO AMBROSIANO<\/a><\/td>\n

MOVIMENTO 5 STELLE E LEGA NORD: PROVE GENERALI PER UN\u2019INTERNAZIONALE POST-FASCISTA<\/a><\/p>\n

I VERI POTENTI<\/a><\/p>\n

HENRY KISSINGER, L\u2019ANIMA NERA DEL XX SECOLO<\/a><\/p>\n

L\u2019ULTIMA VITTIMA DEL BANCO AMBROSIANO<\/a><\/td>\n

\u0414\u0412\u0418\u0416\u0415\u041d\u0418\u0415 5 \u0417\u0412\u0415\u0417\u0414 \u0418 \u0421\u0415\u0412\u0415\u0420\u041d\u0410\u042f \u041b\u0418\u0413\u0410: \u0418\u0421\u041f\u042b\u0422\u0410\u041d\u0418\u042f \u0414\u041b\u042f \u041f\u041e\u0421\u0422\u0424\u0410\u0428\u0418\u0421\u0422\u0421\u041a\u041e\u0413\u041e \u0418\u041d\u0422\u0415\u0420\u041d\u0410\u0426\u0418\u041e\u041d\u0410\u041b\u0410<\/a><\/p>\n

\u0438\u0441\u0442\u0438\u043d\u043d\u043e \u043c\u043e\u0433\u0443\u0449\u0435\u0441\u0442\u0432\u0435\u043d\u043d\u044b\u0439<\/a><\/p>\n

\u0413\u0415\u041d\u0420\u0418 \u041a\u0418\u0421\u0421\u0418\u041d\u0414\u0416\u0415\u0420, \u0427\u0415\u0420\u041d\u0410\u042f \u0414\u0423\u0428\u0410 20 \u0412\u0415\u041a\u0410<\/a><\/p>\n

\u041f\u041e\u0421\u041b\u0415\u0414\u041d\u042f\u042f \u0416\u0415\u0420\u0422\u0412\u0410\u0411\u0410\u041d\u041a\u0410 \u0410\u041c\u0411\u0420\u041e\u0417\u0418\u0410\u041d\u041e<\/a><\/td>\n

5-STERNE-BEWEGUNG UND LEGANORD: GENERALPROBEN F\u00dcR EINE POSTFASCHISTISCHE INTERNATIONALE<\/a><\/p>\n

DIE WIRKLICH M\u00c4CHTIGEN<\/a><\/p>\n

HENRY KISSINGER, DIE SCHWARZE SEELE DES 20. JAHRHUNDERTS<\/a><\/p>\n

DAS LETZTE OPFER DER BANCO AMBROSIANO<\/a><\/td>\n

EL MOVIMIENTO 5 ESTRELLAS Y LA LIGA NORTE: ENSAYO GENERAL DE UNA INTERNACIONAL POST-FASCISTA<\/a><\/p>\n

EL VERDADERO PODER<\/a><\/p>\n

HENRY KISSINGER, EL ALMA NEGRA DEL SIGLO XX<\/a><\/p>\n

LA \u00daLTIMA V\u00cdCTIMA DEL BANCO AMBROSIANO<\/a><\/td>\n<\/tr>\n

<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

\"\"Oo<\/strong>, Thida<\/p>\n

Magistrate, 1982-
\n\"\"<\/td>\n

STUPIDITE ET SAUVAGERIE AU POUVOIR: SCENES DU MYANMAR EN PLEIN CHAOS<\/a><\/td>\nSTUPIDITY AND SAVAGERY IN POWER: SCENES FROM MYANMAR IN CHAOS<\/a><\/td>\nLA STUPIDIT\u00c0 E LA FEROCIA AL POTERE: SCENE DA UN MYANMAR NEL CAOS<\/a><\/td>\n\u0413\u041b\u0423\u041f\u041e\u0421\u0422\u042c\u0418\u0414\u0418\u041a\u041e\u0421\u0422\u042c\u0423\u0412\u041b\u0410\u0421\u0422\u0418: \u0421\u0426\u0415\u041d\u042b \u0425\u0410\u041e\u0421\u0410 \u0412\u041c\u042c\u042f\u041d\u041c\u0415<\/a><\/td>\nDUMMHEIT UND GRAUSAMKEIT AN DER MACHT: SZENEN AUS DEM CHAOTISCHEN MYANMAR<\/a><\/td>\nLA ESTUPIDEZ Y EL SALVAJISMO EN EL PODER: ESCENAS DEL CAOS EN MYANMAR<\/a><\/td>\n<\/tr>\n
<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

\"\"Than<\/strong>, Mahn Win Khaing<\/p>\n

Politician, 1952-
\n\"\"<\/td>\n

STUPIDITE ET SAUVAGERIE AU POUVOIR: SCENES DU MYANMAR EN PLEIN CHAOS<\/a><\/td>\nSTUPIDITY AND SAVAGERY IN POWER: SCENES FROM MYANMAR IN CHAOS<\/a><\/td>\nLA STUPIDIT\u00c0 E LA FEROCIA AL POTERE: SCENE DA UN MYANMAR NEL CAOS<\/a><\/td>\n\u0413\u041b\u0423\u041f\u041e\u0421\u0422\u042c\u0418\u0414\u0418\u041a\u041e\u0421\u0422\u042c\u0423\u0412\u041b\u0410\u0421\u0422\u0418: \u0421\u0426\u0415\u041d\u042b \u0425\u0410\u041e\u0421\u0410 \u0412\u041c\u042c\u042f\u041d\u041c\u0415<\/a><\/td>\nDUMMHEIT UND GRAUSAMKEIT AN DER MACHT: SZENEN AUS DEM CHAOTISCHEN MYANMAR<\/a><\/td>\nLA ESTUPIDEZ Y EL SALVAJISMO EN EL PODER: ESCENAS DEL CAOS EN MYANMAR<\/a><\/td>\n<\/tr>\n
<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

\"\"Thatcher<\/strong>, Margaret Hilda<\/p>\n

Politician, 1925-2013
\n\"\"<\/td>\n

CAMBRIDGE ANALYTICA: LES CRIMINELS QUI NOUS PERSUADENT DE VOTER POUR TRUMP<\/a><\/p>\n

LE DESASTRE DU BREXIT ET LA CHUTE DE BORIS JOHNSON<\/a><\/td>\n

CAMBRIDGE ANALYTICA: THE CRIMINALS WHO PERSUADE US TO VOTE FOR TRUMP<\/a><\/p>\n

THE BREXIT DISASTER AND THE FALL OF BORIS JOHNSON<\/a><\/td>\n

CAMBRIDGE ANALYTICA: I CRIMINALI CHE CI CONVINCONO A VOTARE TRUMP<\/a><\/p>\n

IL DISASTRO BREXIT E LA CADUTA DI BORIS JOHNSON<\/a><\/td>\n

CAMBRIDGE ANALYTICA: \u041f\u0420\u0415\u0421\u0422\u0423\u041f\u041d\u0418\u041a\u0418, \u041a\u041e\u0422\u041e\u0420\u042b\u0415 \u0423\u0411\u0415\u0414\u0418\u041b\u0418 \u041d\u0410\u0421 \u0413\u041e\u041b\u041e\u0421\u041e\u0412\u0410\u0422\u042c \u0417\u0410 \u0422\u0420\u0410\u041c\u041f\u0410<\/a><\/p>\n

\u041a\u0410\u0422\u0410\u0421\u0422\u0420\u041e\u0424\u0410 BREXIT \u0418 \u041f\u0410\u0414\u0415\u041d\u0418\u0415 \u0411\u041e\u0420\u0418\u0421\u0410 \u0414\u0416\u041e\u041d\u0421\u041e\u041d\u0410<\/a><\/td>\n

CAMBRIDGE ANALYTICA: DIE KRIMINELLEN, DIE UNS \u00dcBERREDEN, F\u00dcR TRUMP ZU STIMMEN<\/a><\/p>\n

DAS BREXIT-DESASTER UND DER STURZ VON BORIS JOHNSON<\/a><\/td>\n

 <\/p>\n

CAMBRIDGE ANALYTICA: LOS CRIMINALES QUE NOS CONVENCEN DE VOTAR A TRUMP<\/a><\/p>\n

EL DESASTRE DEL BREXIT Y LA CA\u00cdDA DE BORIS JOHNSON<\/a><\/td>\n<\/tr>\n

<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

\"\"Theuma<\/strong>, Melvin<\/p>\n

Businessman, 1968-
\n\"\"<\/td>\n

LES DESHONORANTS CHEVALIERS DE (ENE)MALTE<\/a><\/td>\nTHE DISHONOURABLE KNIGHTS OF (ENE)MALTA<\/a><\/td>\nI DISONOREVOLI CAVALIERI DI (ENE)MALTA<\/a><\/td>\n\u0411\u0415\u0421\u0427\u0415\u0421\u0422\u041d\u042b\u0415 \u0420\u042b\u0426\u0410\u0420\u0418 (\u042d\u041d\u0415)\u041c\u0410\u041b\u042c\u0422\u042b<\/a><\/td>\nDIE UNEHRENHAFTEN RITTER VON (ENE)MALTA<\/a><\/td>\nLOS DESHONROSOS CABALLEROS DE (ENE)MALTA<\/a><\/td>\n<\/tr>\n
<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

\"\"Thiebaut Lovelave,<\/strong> Blanca<\/p>\n

NGO Operator, 1981-
\n\"\"<\/td>\n

AL-SHABAAB: L\u2019EPEE DE DAMOCLES SUR LA SOMALIE<\/a><\/td>\nAL-SHABAAB: THE SWORD OF DAMOCLES OVER SOMALIA<\/a><\/td>\nAL-SHABAAB: LA SPADA DI DAMOCLE SULLA SOMALIA<\/a><\/td>\n\u0410\u0428-\u0428\u0410\u0411\u0410\u0411: \u0414\u0410\u041c\u041e\u041a\u041b\u041e\u0412 \u041c\u0415\u0427 \u041d\u0410\u0414 \u0421\u041e\u041c\u0410\u041b\u0418<\/a><\/td>\nAL-SHABAAB: DAS DAMOKLESSCHWERT \u00dcBER SOMALIA<\/a><\/td>\nAL-SHABAAB: LA ESPADA DE DAMOCLES SOBRE SOMALIA<\/a><\/td>\n<\/tr>\n
<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

\"\"Thiel<\/strong>, Klaus Frederich<\/p>\n

Chemist, 1942-
\n\"\"<\/td>\n

PETER THIEL: LE REVE D\u2019UNE TECHNOCRATIE MYSTIQUE<\/a><\/td>\nPETER THIEL: THE DREAM OF A MYSTICAL TECHNOCRACY<\/a><\/td>\nPETER THIEL: IL SOGNO DI UNA TECNOCRAZIA MISTICA<\/a><\/td>\n\u041f\u0418\u0422\u0415\u0420 \u0422\u0418\u041b\u042c: \u041c\u0415\u0427\u0422\u0410 \u041e \u041c\u0418\u0421\u0422\u0418\u0427\u0415\u0421\u041a\u041e\u0419 \u0422\u0415\u0425\u041d\u041e\u041a\u0420\u0410\u0422\u0418\u0418<\/a><\/td>\nPETER THIEL: DER TRAUM VON EINER MYSTISCHEN TECHNOKRATIE<\/a><\/td>\nPETER THIEL: EL SUE\u00d1O DE UNA TECNOCRACIA M\u00cdSTICA<\/a><\/td>\n<\/tr>\n
<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

\"\"Thiel<\/strong>, Peter<\/p>\n

Entrepreneur, 1967-
\n\"\"<\/td>\n

ELON MUSK: LE VANTARD LE PLUS DANGEREUX DU MONDE<\/a><\/p>\n

PETER THIEL: LE REVE D\u2019UNE TECHNOCRATIE MYSTIQUE<\/a><\/p>\n

LE STYLO QUI TUE PLUS QUE L\u2019EPEE<\/a><\/p>\n

CHATGPT: ENTRE FASCINATION ET CRAINTE<\/a><\/td>\n

ELON MUSK: THE WORLD\u2019S MOST DANGEROUS BLOWHARD<\/a><\/p>\n

PETER THIEL: THE DREAM OF A MYSTICAL TECHNOCRACY<\/a><\/p>\n

THE PEN THAT KILLS MORE THAN THE SWORD<\/a><\/p>\n

CHATGPT: BETWEEN FASCINATION AND FEAR<\/a><\/td>\n

ELON MUSK: LO SBRUFFONE PI\u00d9 PERICOLOSO DEL MONDO<\/a><\/p>\n

PETER THIEL: IL SOGNO DI UNA TECNOCRAZIA MISTICA<\/a><\/p>\n

LA PENNA CHE UCCIDE PI\u00d9 DELLA SPADA<\/a><\/p>\n

CHATGPT: TRA FASCINO E PAURA<\/a><\/td>\n

\u042d\u041b\u041e\u041d \u041c\u0410\u0421\u041a: \u0421\u0410\u041c\u042b\u0419 \u041e\u041f\u0410\u0421\u041d\u042b\u0419 \u0412 \u041c\u0418\u0420\u0415 \u041d\u0410\u0413\u041b\u0415\u0426<\/a><\/p>\n

\u041f\u0418\u0422\u0415\u0420 \u0422\u0418\u041b\u042c: \u041c\u0415\u0427\u0422\u0410 \u041e \u041c\u0418\u0421\u0422\u0418\u0427\u0415\u0421\u041a\u041e\u0419 \u0422\u0415\u0425\u041d\u041e\u041a\u0420\u0410\u0422\u0418\u0418<\/a><\/p>\n

\u041f\u0415\u0420\u041e \u0423\u0411\u0418\u0412\u0410\u0415\u0422 \u0421\u0418\u041b\u042c\u041d\u0415\u0415 \u041c\u0415\u0427\u0410<\/a><\/p>\n

CHATGPT: \u041c\u0415\u0416\u0414\u0423 \u041e\u0427\u0410\u0420\u041e\u0412\u0410\u041d\u0418\u0415\u041c \u0418 \u0421\u0422\u0420\u0410\u0425\u041e\u041c<\/a><\/td>\n

ELON MUSK: DER GEF\u00c4HRLICHSTE ANGEBER DER WELT<\/a><\/p>\n

PETER THIEL: DER TRAUM VON EINER MYSTISCHEN TECHNOKRATIE<\/a><\/p>\n

DIE FEDER, DIE MEHR T\u00d6TET ALS DAS SCHWERT<\/a><\/p>\n

CHATGPT: ZWISCHEN FASZINATION UND ANGST<\/a><\/td>\n

ELON MUSK: EL FANFARR\u00d3N M\u00c1S PELIGROSO DEL MUNDO<\/a><\/p>\n

PETER THIEL: EL SUE\u00d1O DE UNA TECNOCRACIA M\u00cdSTICA<\/a><\/p>\n

LA PLUMA QUE MATA M\u00c1S QUE LA ESPADA<\/a><\/p>\n

CHATGPT: ENTRE LA FASCINACI\u00d3N Y EL MIEDO<\/a><\/td>\n<\/tr>\n

<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

\"\"Thomas-Greenfield<\/strong>, Linda<\/p>\n

Politician, 1952-
\n\"\"<\/td>\n

LAVROV, L\u2019AFRIQUE ET LE NOUVEL ORDRE MONDIAL<\/a><\/td>\nLAVROV, AFRICA AND THE NEW GLOBAL ORDER<\/a><\/td>\nLAVROV, L\u2019AFRICA E IL NUOVO ORDINE GLOBALE<\/a><\/td>\n\u041b\u0410\u0412\u0420\u041e\u0412, \u0410\u0424\u0420\u0418\u041a\u0410 \u0418 \u041d\u041e\u0412\u042b\u0419 \u041c\u0418\u0420\u041e\u0412\u041e\u0419 \u041f\u041e\u0420\u042f\u0414\u041e\u041a<\/a><\/td>\nLAWROW, AFRIKA UND DIE NEUE GLOBALE ORDNUNG<\/a><\/td>\nLAVROV, \u00c1FRICA Y EL NUEVO ORDEN GLOBAL<\/a><\/td>\n<\/tr>\n
<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

\"\"Thomsen<\/strong>, Poul Mathias<\/p>\n

Economist, 1955-
\n\"\"<\/td>\n

LA MER \u00c9GEE, LA FRONTIERE LA PLUS CHAUDE D\u2019EUROPE<\/a><\/td>\nAEGEAN, THE HOTTEST BORDER IN EUROPE<\/a><\/td>\nEGEO, LA FRONTIERA PI\u00d9 CALDA D\u2019EUROPA<\/a><\/td>\n\u042d\u0413\u0415\u0419\u0421\u041a\u041e\u0415 \u041c\u041e\u0420\u0415 \u2013 \u0421\u0410\u041c\u042b\u0419 \u0413\u041e\u0420\u042f\u0427\u0418\u0419 \u0420\u0423\u0411\u0415\u0416 \u0415\u0412\u0420\u041e\u041f\u042b<\/a><\/td>\nDIE \u00c4G\u00c4IS, DIE HEI\u00dfESTE GRENZE IN EUROPA<\/a><\/td>\nEL EGEO, LA FRONTERA M\u00c1S CALIENTE DE EUROPA<\/a><\/td>\n<\/tr>\n
<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

\"\"Thomson<\/strong>, William Curtis<\/p>\n

Philip Morris owner, 1854-1918
\n\"\"<\/td>\n

PHILIP MORRIS ENTRE EN GUERRE \u2013 AVEC LES POPULISTES, LES EXTREMISTES DE DROITE ET LES CHEIKHS ARABES<\/a><\/td>\nPHILIP MORRIS GOES TO WAR \u2013 WITH POPULISTS, SUPREMACISTS AND ARAB SHEIKHS<\/a><\/td>\nLA PHILIP MORRIS VA ALLA GUERRA \u2013 ALLEATA A SUPREMATISTI, POPULISTI E SCEICCHI ARABI<\/a><\/td>\n\u0424\u0418\u041b\u0418\u041f \u041c\u041e\u0420\u0420\u0418\u0421 \u0418\u0414\u0415\u0422 \u041d\u0410 \u0412\u041e\u0419\u041d\u0423 \u2013 \u041d\u0410 \u0421\u0422\u041e\u0420\u041e\u041d\u0415 \u0410\u0420\u0410\u0411\u0421\u041a\u0418\u0425 \u0421\u0423\u041f\u0420\u0415\u041c\u0410\u0422\u0418\u0421\u0422\u041e\u0412, \u041f\u041e\u041f\u0423\u041b\u0418\u0421\u0422\u041e\u0412 \u0418 \u0428\u0415\u0419\u041a\u041e\u0412<\/a><\/td>\nPHILIP MORRIS ZIEHT IN DEN KRIEG \u2013 MIT POPULISTEN, RECHTSEXTREMISTEN UND ARABISCHEN SCHEICHS<\/a><\/td>\nPHILIP MORRIS VA A LA GUERRA \u2013 ALIADO CON SUPREMACISTAS, POPULISTAS Y JEQUES \u00c1RABES<\/a><\/td>\n<\/tr>\n
<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

 <\/p>\n

\"\"Thorpe<\/strong>, Ian<\/p>\n

Athlete, 1982-
\n\"\"<\/td>\n

SYDNEY 2000 : LES JEUX OLYMPIQUES DE LA CORRUPTION<\/a><\/td>\nSYDNEY 2000: THE OLYMPICS OF CORRUPTION<\/a><\/td>\nSYDNEY 2000: LE OLIMPIADI DELLA CORRUZIONE<\/a><\/td>\n\u0421\u0418\u0414\u041d\u0415\u0419 2000: \u041e\u041b\u0418\u041c\u041f\u0418\u0410\u0414\u0410\u041a\u041e\u0420\u0420\u0423\u041f\u0426\u0418\u0418<\/a><\/td>\nSYDNEY 2000: DIE OLYMPISCHEN SPIELE DER KORRUPTION<\/a><\/td>\nSYDNEY 2000: LAS OLIMPIADAS DE LA CORRUPCI\u00d3N<\/a><\/td>\n<\/tr>\n
<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

\"\"Thors<\/strong>, \u00d3lafur Tryggvason<\/p>\n

Politician, 1892-1964
\n\"\"<\/td>\n

SUPERCIUK D\u2019ISLANDE, LE DERNIER HEROS DES VIKINGS<\/a><\/td>\nSUPERCIUK OF ICELAND, THE LAST VIKING HERO<\/a><\/td>\nSUPERCIUK D\u2019ISLANDA, L\u2019ULTIMO EROE DEI VICHINGHI<\/a><\/td>\n\u0421\u0423\u041f\u0415\u0420\u0427\u0423\u041a \u0418\u0417 \u0418\u0421\u041b\u0410\u041d\u0414\u0418\u0418, \u041f\u041e\u0421\u041b\u0415\u0414\u041d\u0418\u0419 \u0413\u0415\u0420\u041e\u0419 \u0412\u0418\u041a\u0418\u041d\u0413\u041e\u0412<\/a><\/td>\nSUPERCIUK VON ISLAND, DER LETZTE HELD DER WIKINGER<\/a><\/td>\nSUPERCHUK DE ISLANDIA, EL \u00daLTIMO H\u00c9ROE VIKINGO<\/a><\/td>\n<\/tr>\n
<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

\"\"Thorsteinsson<\/strong>, Magnus<\/p>\n

Manager, 1970-
\n\"\"<\/td>\n

SUPERCIUK D\u2019ISLANDE, LE DERNIER HEROS DES VIKINGS<\/a><\/td>\nSUPERCIUK OF ICELAND, THE LAST VIKING HERO<\/a><\/td>\nSUPERCIUK D\u2019ISLANDA, L\u2019ULTIMO EROE DEI VICHINGHI<\/a><\/td>\n\u0421\u0423\u041f\u0415\u0420\u0427\u0423\u041a \u0418\u0417 \u0418\u0421\u041b\u0410\u041d\u0414\u0418\u0418, \u041f\u041e\u0421\u041b\u0415\u0414\u041d\u0418\u0419 \u0413\u0415\u0420\u041e\u0419 \u0412\u0418\u041a\u0418\u041d\u0413\u041e\u0412<\/a><\/td>\nSUPERCIUK VON ISLAND, DER LETZTE HELD DER WIKINGER<\/a><\/td>\nSUPERCHUK DE ISLANDIA, EL \u00daLTIMO H\u00c9ROE VIKINGO<\/a><\/td>\n<\/tr>\n
<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

\"\"Thorsteinsson<\/strong>, P\u00e9tur J.<\/p>\n

Entrepreneur, 1917-1995
\n\"\"<\/td>\n

SUPERCIUK D\u2019ISLANDE, LE DERNIER HEROS DES VIKINGS<\/a><\/td>\nSUPERCIUK OF ICELAND, THE LAST VIKING HERO<\/a><\/td>\nSUPERCIUK D\u2019ISLANDA, L\u2019ULTIMO EROE DEI VICHINGHI<\/a><\/td>\n\u0421\u0423\u041f\u0415\u0420\u0427\u0423\u041a \u0418\u0417 \u0418\u0421\u041b\u0410\u041d\u0414\u0418\u0418, \u041f\u041e\u0421\u041b\u0415\u0414\u041d\u0418\u0419 \u0413\u0415\u0420\u041e\u0419 \u0412\u0418\u041a\u0418\u041d\u0413\u041e\u0412<\/a><\/td>\nSUPERCIUK VON ISLAND, DER LETZTE HELD DER WIKINGER<\/a><\/td>\nSUPERCHUK DE ISLANDIA, EL \u00daLTIMO H\u00c9ROE VIKINGO<\/a><\/td>\n<\/tr>\n
<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

\"\"Thunberg<\/strong>, Greta<\/p>\n

Ecologist, 2003-
\n\"\"<\/td>\n

GRETA THUNBERG, L\u2019EUROPE ET LA REVANCHE DU NUCLEAIRE<\/a><\/p>\n

LE GROUPE WAGNER: LES FANTOMES DE LA MORT LACHES PAR LE KREMLIN<\/a><\/p>\n

ELON MUSK : LE VANTARD LE PLUS DANGEREUX DU MONDE<\/a><\/td>\n

GRETA THUNBERG, EUROPE AND THE REVENGE OF NUCLEAR POWER\u2019S LOBBY<\/a><\/p>\n

THE WAGNER GROUP: THE GHOSTS OF DEATH UNLEASHED BY THE KREMLIN<\/a><\/p>\n

ELON MUSK: THE WORLD\u2019S MOST DANGEROUS BLOWHARD<\/a><\/td>\n

GRETA THUNBERG, L\u2019EUROPA E LA RIVINCITA DEL NUCLEARE<\/a><\/p>\n

WAGNER GROUP: I FANTASMI DI MORTE SCATENATI DAL CREMLINO<\/a><\/p>\n

ELON MUSK: LO SBRUFFONE PI\u00d9 PERICOLOSO DEL MONDO<\/a><\/td>\n

\u0413\u0420\u0415\u0422\u0410 \u0422\u0423\u041d\u0411\u0415\u0420\u0413, \u0415\u0412\u0420\u041e\u041f\u0410 \u0418 \u0420\u0415\u0412\u0410\u041d\u0428 \u042f\u0414\u0415\u0420\u041d\u041e\u0419 \u042d\u041d\u0415\u0420\u0413\u0415\u0422\u0418\u041a\u0418<\/a><\/p>\n

\u0413\u0420\u0423\u041f\u041f\u0410 \u0412\u0410\u0413\u041d\u0415\u0420\u0410: \u041f\u0420\u0418\u0417\u0420\u0410\u041a\u0418 \u0421\u041c\u0415\u0420\u0422\u0418, \u0412\u041e\u0421\u041a\u0420\u0415\u0428\u0415\u041d\u041d\u042b\u0415 \u041a\u0420\u0415\u041c\u041b\u0415\u041c<\/a><\/p>\n

\u042d\u041b\u041e\u041d \u041c\u0410\u0421\u041a: \u0421\u0410\u041c\u042b\u0419 \u041e\u041f\u0410\u0421\u041d\u042b\u0419 \u0412 \u041c\u0418\u0420\u0415 \u041d\u0410\u0413\u041b\u0415\u0426<\/a><\/td>\n

GRETA THUNBERG, EUROPA UND DIE RACHE DER ATOMKRAFTLOBBY<\/a><\/p>\n

DIE WAGNER-GRUPPE: DIE VOM KREML ENTFESSELTEN GEISTER DES TODES<\/a><\/p>\n

ELON MUSK: DER GEF\u00c4HRLICHSTE ANGEBER DER WELT<\/a><\/td>\n

GRETA THUNBERG, EUROPA Y LA VENGANZA DE LA ENERG\u00cdA NUCLEAR<\/a><\/p>\n

EL GRUPO WAGNER: LOS FANTASMAS DE LA MUERTE DESATADOS POR EL KREMLIN<\/a><\/p>\n

ELON MUSK: EL FANFARR\u00d3N M\u00c1S PELIGROSO DEL MUNDO<\/a><\/td>\n<\/tr>\n

<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

\"\"Tienhaara<\/strong>, Kyla<\/p>\n

Research, 1984-
\n\"\"<\/td>\n

LE VRAI PARI DE LA VOITURE ELECTRIQUE<\/a><\/td>\nTHE REAL BET BEHIND THE ELECTRIC CAR<\/a><\/td>\nLA VERA SCOMMESSA DIETRO L\u2019AUTO ELETTRICA<\/a><\/td>\n\u0427\u0422\u041e \u0420\u0415\u0410\u041b\u042c\u041d\u041e \u0421\u0422\u041e\u0418\u0422 \u0417\u0410 \u042d\u041b\u0415\u041a\u0422\u0420\u041e\u041c\u041e\u0411\u0418\u041b\u0415\u041c<\/a><\/td>\nDIE WIRKLICHE WETTE HINTER DEM ELEKTROAUTO<\/a><\/td>\nLA VERDADERA APUESTA DETR\u00c1S DEL COCHE EL\u00c9CTRICO<\/a><\/td>\n<\/tr>\n
<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

Tierney<\/strong>, Brian<\/p>\n

Neo-Nazi supremacist, 1994-
\n\"\"<\/td>\n

DU PLASTIQUE ET DU SANG POUR LES ANUS N\u00c9O-NAZIS<\/a><\/td>\nPLASTIC AND BLOOD FOR NEO-NAZI ANUSES<\/a><\/td>\nPLASTICA E SANGUE PER GLI ANI NEONAZISTI<\/a><\/td>\n\u041f\u041b\u0410\u0421\u0422\u0418\u041a \u0418 \u041a\u0420\u041e\u0412\u042c \u0414\u041b\u042f \u0410\u041d\u0423\u0421\u041e\u0412 \u041d\u0415\u041e\u041d\u0410\u0426\u0418\u0421\u0422\u041e\u0412<\/a><\/td>\nPLASTIK UND BLUT F\u00dcR NEONAZI-ANUS<\/a><\/td>\nPL\u00c1STICO Y SANGRE PARA ANOS NEONAZIS<\/a><\/td>\n<\/tr>\n
<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

\"\"Tikhanovskaya<\/strong>, Svetlana<\/p>\n

Politician, 1982-
\n\"\"<\/td>\n

COMMENT TROIS \u00ab FILLES \u00bb POURRAIENT SAUVER LA BIELORUSSIE<\/a><\/p>\n

LA SOUFFRANCE DES ABANDONN\u00c9S: LA BI\u00c9LORUSSIE NE SE REND PAS AU TYRAN<\/a><\/p>\n

BELARUS: LE SILENCE DU DESESPOIR<\/a><\/p>\n

MINSK, DEUX ANS APRES : UN DEUIL SANS ESPOIR<\/a><\/td>\n

HOW THREE \u201cGIRLS\u201d COULD SAVE BELARUS<\/a><\/p>\n

THE SUFFERING OF THE ABANDONED: BELARUS DOES NOT SURRENDER TO THE TYRANT<\/a><\/p>\n

BELARUS: THE SILENCE OF DESPAIR<\/a><\/p>\n

MINSK, TWO YEARS LATER: MOURNING WITHOUT HOPE<\/a><\/td>\n

ECCO LE TRE \u201cRAGAZZE\u201d CHE POTREBBERO SALVARE LA BIELORUSSIA<\/a><\/p>\n

LO STRAZIO DEGLI ABBANDONATI: LA BIELORUSSIA NON SI ARRENDE AL TIRANNO<\/a><\/p>\n

BIELORUSSIA: IL SILENZIO DELLA DISPERAZIONE<\/a><\/p>\n

MINSK, DUE ANNI DOPO: IL LUTTO SENZA SPERANZA<\/a><\/td>\n

\u041a\u0410\u041a \u0422\u0420\u0418 \u00ab\u0414\u0415\u0412\u0423\u0428\u041a\u0418\u00bb \u041c\u041e\u0413\u0423\u0422 \u0421\u041f\u0410\u0421\u0422\u0418 \u0411\u0415\u041b\u0410\u0420\u0423\u0421\u042c<\/a><\/p>\n

\u0421\u0422\u0420\u0410\u0422\u0415\u0413\u0418\u042f \u0417\u0410\u0411\u0420\u041e\u0428\u0415\u041d\u041d\u042b\u0425: \u0411\u0415\u041b\u0410\u0420\u0423\u0421\u042c \u041d\u0415 \u0421\u0414\u0410\u0415\u0422\u0421\u042f \u0422\u0418\u0420\u0410\u041d\u0423<\/a><\/p>\n

\u0411\u0415\u041b\u0410\u0420\u0423\u0421\u042c: \u041c\u041e\u041b\u0427\u0410\u041d\u0418\u0415 \u041e\u0422\u0427\u0410\u042f\u041d\u0418\u042f<\/a><\/p>\n

\u041c\u0418\u041d\u0421\u041a \u0414\u0412\u0410 \u0413\u041e\u0414\u0410 \u0421\u041f\u0423\u0421\u0422\u042f: \u0422\u0420\u0410\u0423\u0420 \u0411\u0415\u0417 \u041d\u0410\u0414\u0415\u0416\u0414\u042b<\/a><\/td>\n

WIE DREI \u201cM\u00c4DCHEN\u201d BELARUS RETTEN K\u00d6NNTEN<\/a><\/p>\n

DAS LEIDEN DER VERLASSENEN: WEI\u00dfRUSSLAND ERGIBT SICH NICHT DEM TYRANNEN<\/a><\/p>\n

BELARUS: DAS SCHWEIGEN DER VERZWEIFLUNG<\/a><\/p>\n

MINSK, ZWEI JAHRE DANACH: TRAUER OHNE HOFFNUNG<\/a><\/td>\n

ESTAS SON LAS TRES \u00abCHICAS\u00bb QUE PODR\u00cdAN SALVAR A BIELORRUSIA<\/a><\/p>\n

LA ANGUSTIA DE LOS ABANDONADOS: BIELORRUSIA NO SE RINDE ANTE EL TIRANO<\/a><\/p>\n

BIELORRUSIA: EL SILENCIO DE LA DESESPERACI\u00d3N<\/a><\/p>\n

MINSK, DOS A\u00d1OS DESPU\u00c9S: LUTO SIN ESPERANZA<\/a><\/td>\n<\/tr>\n

<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

\"\"Tikhanovskiy<\/strong>, Sergey<\/p>\n

Politician, activist, 1978
\n\"\"<\/td>\n

LA SOUFFRANCE DES ABANDONN\u00c9S: LA BI\u00c9LORUSSIE NE SE REND PAS AU TYRAN<\/a><\/p>\n

BELARUS: LE SILENCE DU DESESPOIR<\/a><\/td>\n

THE SUFFERING OF THE ABANDONED: BELARUS DOES NOT SURRENDER TO THE TYRANT<\/a><\/p>\n

BELARUS: THE SILENCE OF DESPAIR<\/a><\/td>\n

LO STRAZIO DEGLI ABBANDONATI: LA BIELORUSSIA NON SI ARRENDE AL TIRANNO<\/a><\/p>\n

BIELORUSSIA: IL SILENZIO DELLA DISPERAZIONE<\/a><\/td>\n

\u0421\u0422\u0420\u0410\u0422\u0415\u0413\u0418\u042f \u0417\u0410\u0411\u0420\u041e\u0428\u0415\u041d\u041d\u042b\u0425: \u0411\u0415\u041b\u0410\u0420\u0423\u0421\u042c \u041d\u0415 \u0421\u0414\u0410\u0415\u0422\u0421\u042f \u0422\u0418\u0420\u0410\u041d\u0423<\/a><\/p>\n

\u0411\u0415\u041b\u0410\u0420\u0423\u0421\u042c: \u041c\u041e\u041b\u0427\u0410\u041d\u0418\u0415 \u041e\u0422\u0427\u0410\u042f\u041d\u0418\u042f<\/a><\/td>\n

DAS LEIDEN DER VERLASSENEN: WEI\u00dfRUSSLAND ERGIBT SICH NICHT DEM TYRANNEN<\/a><\/p>\n

BELARUS: DAS SCHWEIGEN DER VERZWEIFLUNG<\/a><\/td>\n

LA ANGUSTIA DE LOS ABANDONADOS: BIELORRUSIA NO SE RINDE ANTE EL TIRANO<\/a><\/p>\n

BIELORRUSIA: EL SILENCIO DE LA DESESPERACI\u00d3N<\/a><\/td>\n<\/tr>\n

<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

 <\/p>\n

\"\"Tilahun<\/strong>, Haddis<\/p>\n

Businessman, 1972-
\n\"\"<\/td>\n

ERIC MONGA MUMBA ET LE KATANGA: LE VRAI VISAGE DU POUVOIR<\/a><\/td>\nERIC MONGA MUMBA AND KATANGA: THE TRUE FACE OF THE POWER<\/a><\/td>\nERIC MONGA MUMBA E IL KATANGA: IL VERO VOLTO DEL POTERE<\/a><\/td>\n\u042d\u0420\u0418\u041a \u041c\u041e\u041d\u0413\u0410 \u041c\u0423\u041c\u0411\u0410 \u0418 \u041a\u0410\u0422\u0410\u041d\u0413\u0410: \u0418\u0421\u0422\u0418\u041d\u041d\u041e\u0415 \u041b\u0418\u0426\u041e \u0421\u0418\u041b\u042b<\/a><\/td>\nERIC MONGA MUMBA UND KATANGA: DAS WAHRE GESICHT DER MACHT<\/a><\/td>\nERIC MONGA MUMBA Y KATANGA: LA VERDADERA CARA DEL PODER<\/a><\/td>\n<\/tr>\n
<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

\"\"Timanovskaja<\/strong>, Kristina<\/p>\n

Athlet, 1997-
\n\"\"<\/td>\n

BELARUS: LE SILENCE DU DESESPOIR<\/a><\/td>\nBELARUS: THE SILENCE OF DESPAIR<\/a><\/td>\nBIELORUSSIA: IL SILENZIO DELLA DISPERAZIONE<\/a><\/td>\n\u0411\u0415\u041b\u0410\u0420\u0423\u0421\u042c: \u041c\u041e\u041b\u0427\u0410\u041d\u0418\u0415 \u041e\u0422\u0427\u0410\u042f\u041d\u0418\u042f<\/a><\/td>\nBELARUS: DAS SCHWEIGEN DER VERZWEIFLUNG<\/a><\/td>\nDAS NICHT SO GEHEIME MILLION\u00c4RSGESCH\u00c4FT DER HISBOLLAH IN GAMBIA<\/a><\/p>\n

BIELORRUSIA: EL SILENCIO DE LA DESESPERACI\u00d3N<\/a><\/td>\n<\/tr>\n

<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

 <\/p>\n

\"\"<\/strong>Timchenko<\/strong>, Gennadiy<\/p>\n

Oligarch, 1952-
\n\"\"<\/td>\n

IL EST TEMPS POUR POUTINE DE REGLER SES COMPTES<\/a><\/p>\n

TORTOLA, ETERNELLE ILE DES PIRATES<\/a><\/p>\n

VIE ET MIRACLES D\u2019UN MERCENAIRE DANS LA GUERRE MEDIATIQUE<\/a><\/td>\n

TIME FOR PUTIN TO SETTLE THE SCORE<\/a><\/p>\n

TORTOLA, ETERNAL PIRATE ISLAND<\/a><\/p>\n

LIFE AND MIRACLES OF A MERCENARY IN THE MEDIA WAR<\/a><\/td>\n

PER PUTIN \u00c8 L\u2019ORA DEL REGOLAMENTO DEI CONTI<\/a><\/p>\n

TORTOLA, ETERNA ISOLA DEI PIRATI<\/a><\/p>\n

VITA E MIRACOLI DI UN MERCENARIO NELLA GUERRA DEI MEDIA<\/a><\/td>\n

\u0414\u041b\u042f \u041f\u0423\u0422\u0418\u041d\u0410 \u041f\u0420\u0418\u0428\u041b\u041e \u0412\u0420\u0415\u041c\u042f \u0421\u0412\u0415\u0422\u0418 \u0421\u0427\u0415\u0422\u042b<\/a><\/p>\n

\u0422\u041e\u0420\u0422\u041e\u041b\u0410, \u0412\u0415\u0427\u041d\u042b\u0419 \u041e\u0421\u0422\u0420\u041e\u0412 \u041f\u0418\u0420\u0410\u0422\u041e\u0412<\/a><\/p>\n

\u0416\u0418\u0417\u041d\u042c \u0418 \u0427\u0423\u0414\u0415\u0421\u0410 \u041d\u0410\u0415\u041c\u041d\u0418\u041a\u0410 \u0412 \u0412\u041e\u0419\u041d\u0415 \u0421\u041e \u0421\u041c\u0418<\/a><\/td>\n

PUTIN: DIE ZEIT DER ABRECHNUNG<\/a><\/p>\n

TORTOLA, DIE EWIGE PIRATENINSEL<\/a><\/p>\n

LEBEN UND WUNDER EINES S\u00d6LDNERS IM MEDIENKRIEG<\/a><\/td>\n

PUTIN: ES HORA DE AJUSTAR CUENTAS<\/a><\/p>\n

T\u00d3RTOLA, ETERNA ISLA PIRATA<\/a><\/p>\n

VIDA Y MILAGROS DE UN MERCENARIO EN LA GUERRA MEDI\u00c1TICA<\/a><\/td>\n<\/tr>\n

<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

 <\/p>\n

\"\"Timmermanns<\/strong>, Frans<\/p>\n

Politician, 1961-
\n\"\"<\/td>\n

GLASGOW CONCERNE L\u2019ENVIRONNEMENT MONDIAL, MAIS AUSSI LE POUVOIR MONDIAL<\/a><\/td>\nGLASGOW IS ABOUT THE GLOBAL ENVIRONMENT, BUT ALSO ABOUT GLOBAL POWER<\/a><\/td>\nGLASGOW RIGUARDA L\u2019AMBIENTE GLOBALE, MA ANCHE IL POTERE GLOBALE<\/a><\/td>\n\u0413\u041b\u0410\u0417\u0413\u041e \u2013 \u041e \u0413\u041b\u041e\u0411\u0410\u041b\u042c\u041d\u041e\u0419 \u041e\u041a\u0420\u0423\u0416\u0410\u042e\u0429\u0415\u0419 \u0421\u0420\u0415\u0414\u0415, \u041d\u041e \u0422\u0410\u041a\u0416\u0415 \u0418 \u041e \u0413\u041b\u041e\u0411\u0410\u041b\u042c\u041d\u041e\u0419 \u0412\u041b\u0410\u0421\u0422\u0418<\/a><\/td>\nIN GLASGOW GEHT ES UM DIE GLOBALE UMWELT, ABER AUCH UM DIE GLOBALE MACHT<\/a><\/td>\nGLASGOW TIENE QUE VER CON EL MEDIO AMBIENTE GLOBAL, PERO TAMBI\u00c9N CON EL PODER GLOBAL<\/a><\/td>\n<\/tr>\n
<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

 <\/p>\n

\"\"Timofti<\/strong>, Nicolae<\/p>\n

Politician, 1948-
\n\"\"<\/td>\n

LA MOLDAVIE DES OLIGARQUES, OU LE MOYEN \u00c2GE EST PLUS VIVANT QUE JAMAIS<\/a><\/td>\nTHE MOLDOVA OF THE OLIGARCHS, WHERE THE MIDDLE AGES ARE MORE ALIVE THAN EVER<\/a><\/td>\nLA MOLDAVIA DEGLI OLIGARCHI, DOVE IL MEDIOEVO \u00c8 PI\u00d9 VIVO CHE MAI<\/a><\/td>\n\u041c\u041e\u041b\u0414\u0410\u0412\u0418\u042f \u041e\u041b\u0418\u0413\u0410\u0420\u0425\u041e\u0412, \u0413\u0414\u0415 \u0421\u0420\u0415\u0414\u041d\u0415\u0412\u0415\u041a\u041e\u0412\u042c\u0415 \u0416\u0418\u0412\u041e, \u041a\u0410\u041a \u041d\u0418\u041a\u041e\u0413\u0414\u0410<\/a><\/td>\nMOLDAWIEN DER OLIGARCHEN, WO DAS MITTELALTER LEBENDIGER IST ALS JE ZUVOR<\/a><\/td>\nLA MOLDAVIA DE LOS OLIGARCAS, DONDE LA EDAD MEDIA EST\u00c1 M\u00c1S VIVA QUE NUNCA<\/a><\/td>\n<\/tr>\n
<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

\"\"Timtik<\/strong>, Barkin<\/p>\n

Lawyer, 1983-
\n\"\"<\/td>\n

COMMENT LA TURQUIE TORTURE ET TUE LES INTELLECTUELS<\/a><\/td>\nHOW TURKEY TORTURES AND KILLS INTELLECTUALS<\/a><\/td>\nCOS\u00cc LA TURCHIA TORTURA E UCCIDE GLI INTELLETTUALI<\/a><\/td>\n\u041a\u0410\u041a \u0422\u0423\u0420\u0426\u0418\u042f \u041f\u042b\u0422\u0410\u0415\u0422 \u0418 \u0423\u0411\u0418\u0412\u0410\u0415\u0422 \u0418\u041d\u0422\u0415\u041b\u041b\u0415\u041a\u0422\u0423\u0410\u041b\u041e\u0412<\/a><\/td>\nWIE DIE T\u00dcRKEI INTELLEKTUELLE FOLTERT UND T\u00d6TET<\/a><\/td>\nC\u00d3MO TORTURA Y MATA TURQU\u00cdA A LOS INTELECTUALES<\/a><\/p>\n

 <\/td>\n<\/tr>\n

<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

\"\"Timtik<\/strong>, Ebru<\/p>\n

Lawyer, 1978-2020
\n\"\"<\/td>\n

COMMENT LA TURQUIE TORTURE ET TUE LES INTELLECTUELS<\/a><\/td>\nHOW TURKEY TORTURES AND KILLS INTELLECTUALS<\/a><\/td>\nCOS\u00cc LA TURCHIA TORTURA E UCCIDE GLI INTELLETTUALI<\/a><\/td>\n\u041a\u0410\u041a \u0422\u0423\u0420\u0426\u0418\u042f \u041f\u042b\u0422\u0410\u0415\u0422 \u0418 \u0423\u0411\u0418\u0412\u0410\u0415\u0422 \u0418\u041d\u0422\u0415\u041b\u041b\u0415\u041a\u0422\u0423\u0410\u041b\u041e\u0412<\/a><\/td>\nWIE DIE T\u00dcRKEI INTELLEKTUELLE FOLTERT UND T\u00d6TET<\/a><\/td>\nC\u00d3MO TORTURA Y MATA TURQU\u00cdA A LOS INTELECTUALES<\/a><\/p>\n

 <\/td>\n<\/tr>\n

<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

 <\/p>\n

\"\"Titman<\/strong>, David John<\/p>\n

Manager, 1934-
\n\"\"<\/td>\n

LA DERNIERE VICTIME DU BANCO AMBROSIANO<\/a><\/td>\nTHE LAST VICTIM OF BANCO AMBROSIANO<\/a><\/td>\nL\u2019ULTIMA VITTIMA DEL BANCO AMBROSIANO<\/a><\/td>\n\u041f\u041e\u0421\u041b\u0415\u0414\u041d\u042f\u042f \u0416\u0415\u0420\u0422\u0412\u0410\u0411\u0410\u041d\u041a\u0410 \u0410\u041c\u0411\u0420\u041e\u0417\u0418\u0410\u041d\u041e<\/a><\/td>\nDAS LETZTE OPFER DER BANCO AMBROSIANO<\/a><\/td>\nLA \u00daLTIMA V\u00cdCTIMA DEL BANCO AMBROSIANO<\/a><\/td>\n<\/tr>\n
<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

 <\/p>\n

\"\"Tito<\/strong>, Josip Broz<\/p>\n

Politician, 1892-1980
\n\"\"<\/td>\n

COMMENT MEME LA FOURMI MAURITANIENNE PEUT CHANGER L\u2019EQUILIBRE DU MONDE<\/a><\/p>\n

CENT ANS APRES: SARAJEVO BRULE TOUJOURS<\/a><\/td>\n

MOHAMMED DAHLAN, ASSASSIN FOR THE KING<\/a><\/p>\n

ONE HUNDRED YEARS LATER: SARAJEVO BURNS AGAIN<\/a><\/td>\n

MOHAMMED DAHLAN, SICARIO DEL RE<\/a><\/p>\n

CENTO ANNI DOPO: SARAJEVO BRUCIA ANCORA<\/a><\/td>\n

\u041c\u041e\u0425\u0410\u041c\u041c\u0415\u0414 \u0414\u0410\u0425\u041b\u0410\u041d, \u0423\u0411\u0418\u0419\u0426\u0410 \u041a\u041e\u0420\u041e\u041b\u042f<\/a><\/p>\n

\u0421\u0422\u041e \u041b\u0415\u0422 \u0421\u041f\u0423\u0421\u0422\u042f: \u0421\u0410\u0420\u0410\u0415\u0412\u041e \u0412\u0421\u0415 \u0415\u0429\u0415 \u0413\u041e\u0420\u0418\u0422<\/a><\/td>\n

MOHAMMED DAHLAN, AUFTRAGSM\u00d6RDER F\u00dcR DEN K\u00d6NIG<\/a><\/p>\n

HUNDERT JAHRE SP\u00c4TER: SARAJEVO BRENNT WEITER<\/a><\/td>\n

MOHAMMED DAHLAN, ASESINO A SUELDO DEL REY<\/a><\/p>\n

CIEN A\u00d1OS DESPU\u00c9S: SARAJEVO SIGUE ARDIENDO<\/a><\/td>\n<\/tr>\n

<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

 <\/p>\n

\"\"Tlaib<\/strong>, Rashida<\/p>\n

Politician, 1976-
\n\"\"<\/td>\n

PALESTINE, OU CHAQUE JOUR CAIN REVIENT<\/a><\/td>\nPALESTINE, WHERE EVERY DAY CAIN RETURNS<\/a><\/td>\nPALESTINA, DOVE OGNI GIORNO RITORNA CAINO<\/a><\/td>\n\u041f\u0410\u041b\u0415\u0421\u0422\u0418\u041d\u0410, \u041a\u0423\u0414\u0410 \u041a\u0410\u0416\u0414\u042b\u0419 \u0414\u0415\u041d\u042c \u0412\u041e\u0417\u0412\u0420\u0410\u0429\u0410\u0415\u0422\u0421\u042f \u041a\u0410\u0418\u041d<\/a><\/td>\nPAL\u00c4STINA, WO KAIN JEDEN TAG ZUR\u00dcCKKEHRT<\/a><\/td>\nPALESTINA, DONDE CADA D\u00cdA VUELVE CA\u00cdN<\/a><\/td>\n<\/tr>\n
<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

 <\/p>\n

\"\"Tobiasen<\/strong>, Niels J\u00f8<\/em>rgen<\/p>\n

Arms dealer, 1943-
\n\"\"<\/td>\n

DE LA SCIENCE-FICTION AU CAUCHEMAR: LES LOGICIELS ESPIONS UTILISENT POUR TRAQUER LES ADVERSAIRES<\/a><\/td>\nFROM SCI-FI TO NIGHTMARE: HOW SPYWARE ARE USED TO TRACK DOWN OPPONENTS<\/a><\/td>\nDALLA FANTASCIENZA ALL\u2019INCUBO: LO SPYWARE DI REGIME PER IL CONTROLLO TOTALE<\/a><\/td>\n\u041e\u0422 \u041d\u0410\u0423\u0427\u041d\u041e\u0419 \u0424\u0410\u041d\u0422\u0410\u0421\u0422\u0418\u041a\u0418 \u0414\u041e \u041a\u041e\u0428\u041c\u0410\u0420\u0410: \u0428\u041f\u0418\u041e\u041d\u0421\u041a\u041e\u0415 \u041f\u041e, \u0421 \u041f\u041e\u041c\u041e\u0429\u042c\u042e \u041a\u041e\u0422\u041e\u0420\u041e\u0413\u041e \u0420\u0415\u0416\u0418\u041c \u041f\u0420\u0415\u0421\u041b\u0415\u0414\u0423\u0415\u0422 \u041e\u041f\u041f\u041e\u041d\u0415\u041d\u0422\u041e\u0412<\/a><\/td>\nVON SCIENCE FICTION ZUM ALBTRAUM: DIE SPYWARE, MIT DER REGIME GEGNER VERFOLGEN<\/a><\/td>\nDE LA CIENCIA FICCI\u00d3N A LA PESADILLA: PROGRAMAS ESP\u00cdA DEL R\u00c9GIMEN PARA EL CONTROL TOTAL<\/a><\/td>\n<\/tr>\n
<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

\"\"Tockuss<\/strong>, Michael<\/p>\n

Lobbyst
\n\"\"<\/td>\n

DERRIERE LES RIDEAUX, DANS LES CAPITALES EUROPEENS, LE DESIR POUR L\u2019IRAN GRANDIT<\/a><\/td>\nBEHIND THE CURTAINS, IN THE EUROPEAN CAPITALS, THE DESIRE FOR IRAN GROWS<\/a><\/td>\nDIETRO LE QUINTE DELLE CAPITALI EUROPEE CRESCE LA VOGLIA DI IRAN<\/a><\/td>\n\u0417\u0410 \u041a\u0423\u041b\u0418\u0421\u0410\u041c\u0418 \u0415\u0412\u0420\u041e\u041f\u0415\u0419\u0421\u041a\u0418\u0425 \u0421\u0422\u041e\u041b\u0418\u0426 \u0420\u0410\u0421\u0422\u0415\u0422 \u0416\u0415\u041b\u0410\u041d\u0418\u0415 \u0418\u0420\u0410\u041d\u0410<\/a><\/td>\nHINTER DEN KULISSEN DER EUROP\u00c4ISCHEN HAUPTST\u00c4DTE W\u00c4CHST DER WUNSCH NACH IRAN<\/a><\/td>\nENTRE BASTIDORES, EN LAS CAPITALES EUROPEAS, CRECE EL DESEO DE IR\u00c1N<\/a><\/td>\n<\/tr>\n
<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

 <\/p>\n

\"\"Toe<\/strong>, Nay<\/p>\n

Actor, 1981-<\/p>\n

\"\"<\/td>\n

LES INTRIGUES FINANCIERES DERRIERE LE COUP D\u2019\u00c9TAT SANGLANT AU MYANMAR<\/a><\/td>\nTHE FINANCIAL INTRIGUES BEHIND THE BLOODY COUP IN MYANMAR<\/a><\/td>\nGLI INTRIGHI FINANZIARI DIETRO IL SANGUINOSO COLPO DI STATO DEL MYANMAR<\/a><\/td>\n\u0424\u0418\u041d\u0410\u041d\u0421\u041e\u0412\u042b\u0415 \u0418\u041d\u0422\u0420\u0418\u0413\u0418 \u041a\u0420\u041e\u0412\u0410\u0412\u041e\u0413\u041e \u0413\u041e\u0421\u0423\u0414\u0410\u0420\u0421\u0422\u0412\u0415\u041d\u041d\u041e\u0413\u041e \u041f\u0415\u0420\u0415\u0412\u041e\u0420\u041e\u0422\u0410 \u0412 \u041c\u042c\u042f\u041d\u041c\u0415<\/a><\/td>\nDIE FINANZIELLEN INTRIGEN HINTER MYANMARS BLUTIGEM PUTSCH<\/a><\/td>\nLAS INTRIGAS FINANCIERAS DETR\u00c1S DEL SANGRIENTO GOLPE DE ESTADO DE MYANMAR<\/a><\/td>\n<\/tr>\n
<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

\"\"Toffolo<\/strong>, Georgia Valerie<\/p>\n

Actress, 1994-
\n\"\"<\/td>\n

SHEIN: L\u2019OGRE CHINOIS QUI GRANDIT DANS L\u2019OMBRE<\/a><\/td>\nSHEIN: THE CHINESE OGRE GROWING IN THE SHADOWS<\/a><\/td>\nSHEIN: L\u2019ORCO CINESE CHE CRESCE NELL\u2019OMBRA<\/a><\/td>\nSHEIN: \u041a\u0418\u0422\u0410\u0419\u0421\u041a\u0418\u0419 \u041b\u042e\u0414\u041e\u0415\u0414, \u0420\u0410\u0421\u0422\u0423\u0429\u0418\u0419 \u0412 \u0422\u0415\u041d\u0418<\/a><\/td>\nSHEIN: DAS CHINESISCHE UNGEHEUER, DAS IM VERBORGENEN W\u00c4CHST<\/a><\/td>\nSHEIN: EL OGRO CHINO QUE CRECE EN LA SOMBRA<\/a><\/td>\n<\/tr>\n
<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

 <\/p>\n

\"\"Tognoli<\/strong>, Oliviero<\/p>\n

Entrepreneur-mobster, 1949-
\n\"\"<\/td>\n

L\u2019ETERNEL TRESORIER DE COSA NOSTRA<\/a><\/td>\nTHE ETERNAL TREASURER OF COSA NOSTRA<\/a><\/td>\nL\u2019ETERNO TESORIERE DI COSA NOSTRA<\/a><\/td>\n\u0412\u0415\u0427\u041d\u042b\u0419 \u041a\u0410\u0417\u041d\u0410\u0427\u0415\u0419 COSA NOSTRA<\/a><\/td>\nDER EWIGE SCHATZMEISTER DER COSA NOSTRA<\/a><\/td>\nEL ETERNO TESORERO DE LA COSA NOSTRA<\/a><\/td>\n<\/tr>\n
<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

 <\/p>\n

\"\"Toha<\/strong>, Carolina<\/p>\n

Politician, 1965-
\n\"\"<\/td>\n

LE CHILI APRES LE NON: LA COHESION SOCIALE EST DESORMAIS EN DANGER<\/a><\/td>\nCHILE AFTER THE NO: NOW SOCIAL COHESION IS IN DANGER<\/a><\/td>\nIL CILE DOPO IL NO: ORA LA COESIONE SOCIALE \u00c8 IN PERICOLO<\/a><\/td>\n\u0427\u0418\u041b\u0418 \u041f\u041e\u0421\u041b\u0415 \u041d\u0415\u0422: \u0422\u0415\u041f\u0415\u0420\u042c \u0421\u041e\u0426\u0418\u0410\u041b\u042c\u041d\u0410\u042f \u0421\u041f\u041b\u041e\u0427\u0415\u041d\u041d\u041e\u0421\u0422\u042c \u041f\u041e\u0414 \u0423\u0413\u0420\u041e\u0417\u041e\u0419<\/a><\/td>\nCHILE NACH DEM NEIN: NUN IST DER SOZIALE ZUSAMMENHALT IN GEFAHR<\/a><\/td>\nCHILE DESPU\u00c9S DEL NO: AHORA LA COHESI\u00d3N SOCIAL EST\u00c1 EN PELIGRO<\/a><\/td>\n<\/tr>\n
<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

\"\"Tokayev<\/strong>, Kassym-Zhomart<\/p>\n

Politician, 1953-
\n\"\"<\/td>\n

KAZAKHSTAN: L\u2019EPOQUE DU FAUX CHAOS<\/a><\/p>\n

JONATHAN GRAY : PARIS A SON NOUVEAU RICHELIEU<\/a><\/td>\n

KAZAKHSTAN: THE DAYS OF FAKE CHAOS<\/a><\/p>\n

JONATHAN GRAY: PARIS HAS ITS NEW RICHELIEU<\/a><\/td>\n

KAZAKISTAN: I GIORNI DEL FINTO CAOS<\/a><\/p>\n

JONATHAN GRAY: PARIGI HA IL SUO NUOVO RICHELIEU<\/a><\/td>\n

\u041a\u0410\u0417\u0410\u0425\u0421\u0422\u0410\u041d: \u0414\u041d\u0418 \u0424\u0410\u041b\u042c\u0428\u0418\u0412\u041e\u0413\u041e \u0425\u0410\u041e\u0421\u0410<\/a><\/p>\n

JONATHAN GRAY: \u0412 \u041f\u0410\u0420\u0418\u0416\u0415 \u041d\u041e\u0412\u042b\u0419 \u0420\u0418\u0428\u0415\u041b\u042c\u0415<\/a><\/td>\n

KASACHSTAN: DIE TAGE DES VORGET\u00c4USCHTEN CHAOS<\/a><\/p>\n

JONATHAN GRAY: PARIS HAT SEINEN NEUEN RICHELIEU<\/a><\/td>\n

KAZAJST\u00c1N: LOS D\u00cdAS DEL FALSO CAOS<\/a><\/p>\n

JONATHAN GRAY: PAR\u00cdS TIENE SU NUEVO RICHELIEU<\/a><\/td>\n<\/tr>\n

<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

\"\"Tolkien<\/strong>, John Ronald Reuel<\/p>\n

Writer, 1892-1973
\n\"\"<\/td>\n

PETER THIEL: LE REVE D\u2019UNE TECHNOCRATIE MYSTIQUE<\/a><\/td>\nPETER THIEL: THE DREAM OF A MYSTICAL TECHNOCRACY<\/a><\/td>\nPETER THIEL: IL SOGNO DI UNA TECNOCRAZIA MISTICA<\/a><\/td>\n\u041f\u0418\u0422\u0415\u0420 \u0422\u0418\u041b\u042c: \u041c\u0415\u0427\u0422\u0410 \u041e \u041c\u0418\u0421\u0422\u0418\u0427\u0415\u0421\u041a\u041e\u0419 \u0422\u0415\u0425\u041d\u041e\u041a\u0420\u0410\u0422\u0418\u0418<\/a><\/td>\nPETER THIEL: DER TRAUM VON EINER MYSTISCHEN TECHNOKRATIE<\/a><\/td>\nPETER THIEL: EL SUE\u00d1O DE UNA TECNOCRACIA M\u00cdSTICA<\/a><\/td>\n<\/tr>\n
<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

 <\/p>\n

\"\"Tolmatchiova<\/strong>, Tatiana Aleksandrovna<\/p>\n

Entrepreneur, 1969-
\n\"\"<\/td>\n

BASES MILITAIRES ET MINES: LE NOUVEAU VISAGE DES FONDS MARINS<\/a><\/td>\nMILITARY BASES AND MINES: THE NEW FACE OF THE SEABED<\/a><\/td>\nBASI MILITARI E MINIERE: IL VOLTO NUOVO DEL FONDO DELL\u2019OCEANO<\/a><\/td>\n\u0412\u041e\u0415\u041d\u041d\u042b\u0415 \u0411\u0410\u0417\u042b \u0418 \u0420\u0423\u0414\u041d\u0418\u041a\u0418: \u041d\u041e\u0412\u042b\u0415 \u041b\u0418\u0426\u0410 \u041e\u041a\u0415\u0410\u041d\u0421\u041a\u041e\u0413\u041e \u0414\u041d\u0410<\/a><\/td>\nMILIT\u00c4RST\u00dcTZPUNKTE UND MINEN: DAS NEUE GESICHT DES MEERESBODENS<\/a><\/td>\nBASES MILITARES Y MINAS: LA NUEVA CARA DE LOS FONDOS MARINOS<\/a><\/td>\n<\/tr>\n
<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

\"\"Tomasi di Lampedusa<\/strong>, Giuseppe<\/p>\n

Novelist, 1856-1957
\n\"\"<\/td>\n

GUINEE, ENCORE UN CHANGEMENT DE LEOPARD<\/a><\/p>\n

CRACK TOSHIBA : LA FIN DU MYTHE JAPONAIS<\/a><\/td>\n

GUINEA, YET ANOTHER LEOPARD CHANGE<\/a><\/p>\n

CRACK TOSHIBA: THE END OF THE JAPANESE MYTH<\/a><\/td>\n

GUINEA, L\u2019ENNESIMO CAMBIAMENTO DEL GATTOPARDO<\/a><\/p>\n

CRACK TOSHIBA: LA FINE DEL MITO NIPPONICO<\/a><\/td>\n

\u0413\u0412\u0418\u041d\u0415\u042f, \u0415\u0429\u0415 \u041e\u0414\u041d\u041e \u0418\u0417\u041c\u0415\u041d\u0415\u041d\u0418\u0415 GATTOPARDO<\/a><\/p>\n

\u0420\u0410\u0417\u041b\u041e\u041c TOSHIBA: \u041a\u041e\u041d\u0415\u0426 \u042f\u041f\u041e\u041d\u0421\u041a\u041e\u0413\u041e \u041c\u0418\u0424\u0410<\/a><\/td>\n

NOCH EIN LEOPARDENWECHSEL IN GUINEA<\/a><\/p>\n

TOSHIBA ZERBRICHT: DAS ENDE DES JAPANISCHEN MYTHOS<\/a><\/td>\n

GUINEA, OTRO CAMBIO DE LEOPARDO<\/a><\/p>\n

CRACK TOSHIBA: EL FIN DEL MITO JAPON\u00c9S<\/a><\/td>\n<\/tr>\n

<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

\"\"Tomei<\/strong>, Maximilian<\/p>\n

Manager, 1974-
\n\"\"<\/td>\n

LES MAINS SALES DE LA FINLANDE<\/a><\/td>\nFINLAND\u2019S DIRTY HANDS<\/a><\/td>\nLE MANI SPORCHE DELLA FINLANDIA<\/a><\/td>\n\u0413\u0420\u042f\u0417\u041d\u042b\u0415 \u0420\u0423\u041a\u0418 \u0424\u0418\u041d\u041b\u042f\u041d\u0414\u0418\u0418<\/a><\/td>\nINNLANDS SCHMUTZIGE H\u00c4NDE<\/a><\/td>\nLAS MANOS SUCIAS DE FINLANDIA<\/a><\/td>\n<\/tr>\n
<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

\"\"Tononi<\/strong>, Massimo<\/p>\n

Banker, 1964-
\n\"\"<\/td>\n

L\u2019AXE SECRET ENTRE GOLDMAN SACHS ET LES OLIGARQUES<\/a><\/td>\nTHE SECRET AXIS BETWEEN GOLDMAN SACHS AND THE OLIGARCHS<\/a><\/td>\nL\u2019ASSE SEGRETO TRA GOLDMAN SACHS E GLI OLIGARCHI<\/a><\/td>\n\u0422\u0410\u0419\u041d\u0410\u042f \u041e\u0421\u042c \u041c\u0415\u0416\u0414\u0423 \u00ab\u0413\u041e\u041b\u0414\u041c\u0410\u041d\u0421\u0410\u041a\u0421\u00bb \u0418 \u041e\u041b\u0418\u0413\u0410\u0420\u0425\u0410\u041c\u0418<\/a><\/td>\nDIE GEHEIME ACHSE ZWISCHEN GOLDMAN SACHS UND DEN OLIGARCHEN<\/a><\/td>\nEL EJE SECRETO ENTRE GOLDMAN SACHS Y LOS OLIGARCAS<\/a><\/p>\n

 <\/td>\n<\/tr>\n

<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

 <\/p>\n

\"\"Topba\u015f<\/strong>, Kadir<\/p>\n

Architect, Politician, 1945-<\/p>\n

\"\"<\/td>\n

QUAND LE CRIME DEVIENT UN \u00c9TAT: LA TURQUIE DE KAMER ET ERDOGAN<\/a><\/td>\nWHEN THE MOB BECOMES THE STATE: THE TURKEY OF KAMER AND ERDO\u011eAN<\/a><\/td>\nQUANDO IL CRIMINE SI FA STATO: LA TURCHIA DI KAMER E ERDO\u011eAN<\/a><\/td>\n\u041a\u041e\u0413\u0414\u0410 \u041f\u0420\u0415\u0421\u0422\u0423\u041f\u041b\u0415\u041d\u0418\u0415 \u0417\u041d\u0410\u0427\u0418\u0422 \u0413\u041e\u0421\u0423\u0414\u0410\u0420\u0421\u0422\u0412\u041e: \u0422\u0423\u0420\u0426\u0418\u042f \u041a\u0410\u041c\u0415\u0420\u0410 \u0418 \u042d\u0420\u0414\u041e\u0413\u0410\u041d\u0410<\/a><\/td>\nWENN KRIMINALIT\u00c4T ZUM STAAT WIRD: KAMER UND ERDO\u011eANS T\u00dcRKEI<\/a><\/td>\nCUANDO EL CRIMEN SE CONVIERTE EN ESTADO: LA TURQU\u00cdA DE KAMER Y ERDO\u011eAN<\/a><\/td>\n<\/tr>\n
<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

\"\"Torchiaro,<\/strong> Aldo<\/p>\n

Journalist, 1978-
\n\"\"<\/td>\n

MOUVEMENT 5 ETOILES ET LEGANORD: REPETITIONS GENERALES POUR UNE INTERNATIONALE POSTFASCISTE<\/a><\/p>\n

APRES L\u2019ARTICLE D\u2019ALDO TORCHIARO: GENNARO VECCHIONE N\u2019EST QUE LA POINTE DE L\u2019ICEBERG<\/a><\/td>\n

5-STAR MOVEMENT AND LEGANORD: DRESS REHEARSALS FOR A POST-FASCIST INTERNATIONAL<\/a><\/p>\n

AFTER ALDO TORCHIARO\u2019S ARTICLE: GENNARO VECCHIONE IS ONLY THE TIP OF THE ICEBERG<\/a><\/td>\n

MOVIMENTO 5 STELLE E LEGA NORD: PROVE GENERALI PER UN\u2019INTERNAZIONALE POST-FASCISTA<\/a><\/p>\n

DOPO L\u2019ARTICOLO DI ALDO TORCHIARO: GENNARO VECCHIONE \u00c8 SOLO LA PUNTA DELL\u2019ICEBERG<\/a><\/td>\n

\u0414\u0412\u0418\u0416\u0415\u041d\u0418\u0415 5 \u0417\u0412\u0415\u0417\u0414 \u0418 \u0421\u0415\u0412\u0415\u0420\u041d\u0410\u042f \u041b\u0418\u0413\u0410: \u0418\u0421\u041f\u042b\u0422\u0410\u041d\u0418\u042f \u0414\u041b\u042f \u041f\u041e\u0421\u0422\u0424\u0410\u0428\u0418\u0421\u0422\u0421\u041a\u041e\u0413\u041e \u0418\u041d\u0422\u0415\u0420\u041d\u0410\u0426\u0418\u041e\u041d\u0410\u041b\u0410<\/a><\/p>\n

\u041f\u041e\u0421\u041b\u0415 \u0421\u0422\u0410\u0422\u042c\u0418 \u0410\u041b\u042c\u0414\u041e \u0422\u041e\u0420\u041a\u042c\u042f\u0420\u041e (ALDO TORCHIARO): GENNARO VECCHIONE \u2013 \u0422\u041e\u041b\u042c\u041a\u041e \u0412\u0415\u0420\u0428\u0418\u041d\u0410 \u0410\u0419\u0421\u0411\u0415\u0420\u0413\u0410<\/a><\/td>\n

5-STERNE-BEWEGUNG UND LEGANORD: GENERALPROBEN F\u00dcR EINE POSTFASCHISTISCHE INTERNATIONALE<\/a><\/p>\n

NACH DEM ARTIKEL VON ALDO TORCHIARO: GENNARO VECCHIONE IST NUR DIE SPITZE DES EISBERGS<\/a><\/td>\n

EL MOVIMIENTO 5 ESTRELLAS Y LA LIGA NORTE: ENSAYO GENERAL DE UNA INTERNACIONAL POST-FASCISTA<\/a><\/p>\n

TRAS EL ART\u00cdCULO DE ALDO TORCHIARO: GENNARO VECCHIONE ES S\u00d3LO LA PUNTA DEL ICEBERG<\/a><\/td>\n<\/tr>\n

<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

 <\/p>\n


\n\"\"Torre Nilsson<\/strong>, Leopoldo<\/p>\n

Film director, 1924-1978
\n\"\"<\/td>\n

MERCEDES SOSA, LA VOIX DES SANS-VOIX<\/a><\/td>\nMERCEDES SOSA, THE VOICE OF THE VOICELESS<\/a><\/td>\nMERCEDES SOSA, LA VOCE DEI SENZA VOCE<\/a><\/td>\nMERCEDES SOSA, \u0413\u041e\u041b\u041e\u0421 \u0411\u0415\u0417\u0413\u041e\u041b\u041e\u0421\u042b\u0425<\/a><\/td>\nMERCEDES SOSA, DIE STIMME DER STUMMEN<\/a><\/td>\nMERCEDES SOSA, LA VOZ DE LOS SIN VOZ<\/a><\/td>\n<\/tr>\n
<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

Torregrossa<\/strong>, Gioacchino<\/p>\n

\"\"<\/td>\n

ROSA BALISTRERI, LES CRIS DE DOULEUR DE LA SICILE<\/a><\/td>\nROSA BALISTRERI, SICILY\u2019S CRIES OF PAIN<\/a><\/td>\nROSA BALISTRERI, LE URLA DI DOLORE DELLA SICILIA<\/a><\/td>\nROSA BALISTRERI, \u041a\u0420\u0418\u041a\u0418 \u0411\u041e\u041b\u0418 \u0421\u0418\u0426\u0418\u041b\u0418\u0418<\/a><\/td>\nROSA BALISTRERI, SIZILIENS SCHMERZENSSCHREIE<\/a><\/td>\nROSA BALISTRERI, LOS GRITOS DE DOLOR DE SICILIA<\/a><\/td>\n<\/tr>\n
<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

\"\"Torregrossa<\/strong>, Luca<\/p>\n

Writer
\n\"\"<\/td>\n

ROSA BALISTRERI, LES CRIS DE DOULEUR DE LA SICILE<\/a><\/td>\nROSA BALISTRERI, SICILY\u2019S CRIES OF PAIN<\/a><\/td>\nROSA BALISTRERI, LE URLA DI DOLORE DELLA SICILIA<\/a><\/td>\nROSA BALISTRERI, \u041a\u0420\u0418\u041a\u0418 \u0411\u041e\u041b\u0418 \u0421\u0418\u0426\u0418\u041b\u0418\u0418<\/a><\/td>\nROSA BALISTRERI, SIZILIENS SCHMERZENSSCHREIE<\/a><\/td>\nROSA BALISTRERI, LOS GRITOS DE DOLOR DE SICILIA<\/a><\/td>\n<\/tr>\n
<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

\"\"Torrisi<\/strong>, Giovanni<\/p>\n

Italian Navy Admiral, 1917-1992
\n\"\"<\/td>\n

HENRY KISSINGER, L\u2019AME NOIRE DU 20EME SIECLE<\/a><\/td>\nHENRY KISSINGER, THE DARK SOUL OF THE 20TH CENTURY<\/a><\/td>\nHENRY KISSINGER, L\u2019ANIMA NERA DEL XX SECOLO<\/a><\/td>\n\u0413\u0415\u041d\u0420\u0418 \u041a\u0418\u0421\u0421\u0418\u041d\u0414\u0416\u0415\u0420, \u0427\u0415\u0420\u041d\u0410\u042f \u0414\u0423\u0428\u0410 20 \u0412\u0415\u041a\u0410<\/a><\/td>\nHENRY KISSINGER, DIE SCHWARZE SEELE DES 20. JAHRHUNDERTS<\/a><\/td>\nHENRY KISSINGER, EL ALMA NEGRA DEL SIGLO XX<\/a><\/td>\n<\/tr>\n
<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

\"\"Torvaldson<\/strong>, Erik \u201cden R\u00f8de\u201d<\/p>\n

Military, 950-1003
\n\"\"<\/td>\n

LE GROENLAND, NOUVELLE TERRE PROMISE DE L\u2019HUMANITE<\/a><\/td>\nGREENLAND, HUMANITY\u2019S NEW PROMISED LAND<\/a><\/td>\nGROENLANDIA, NUOVA TERRA PROMESSA DELL\u2019UMANIT\u00c0<\/a><\/td>\n\u0413\u0420\u0415\u041d\u041b\u0410\u041d\u0414\u0418\u042f, \u041d\u041e\u0412\u0410\u042f \u0417\u0415\u041c\u041b\u042f \u041e\u0411\u0415\u0422\u041e\u0412\u0410\u041d\u041d\u0410\u042f \u0414\u041b\u042f \u0427\u0415\u041b\u041e\u0412\u0415\u0427\u0415\u0421\u0422\u0412\u0410<\/a><\/td>\nGR\u00d6NLAND, DAS NEUE GELOBTE LAND DER MENSCHHEIT<\/a><\/td>\nGROENLANDIA, LA NUEVA TIERRA PROMETIDA DE LA HUMANIDAD<\/a><\/td>\n<\/tr>\n
<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

 <\/p>\n

\"\"<\/strong>Totti<\/strong>, Francesco<\/p>\n

Soccer player, 1976-<\/p>\n

\"\"<\/td>\n

LES TAXES SUR L\u2019ENERGIE ET LA CRISE DE LA DEMOCRATIE<\/a><\/p>\n

LA TRES LONGUE VAGUE DE CORRUPTION A BRUXELLES<\/a><\/td>\n

ENERGY TAXES AND THE CRISIS OF DEMOCRACY<\/a><\/p>\n

THE LONG WAVE OF CORRUPTION IN BRUSSELS<\/a><\/td>\n

LE TASSE SULL\u2019ENERGIA E LA CRISI DELLA DEMOCRAZIA<\/a><\/p>\n

L\u2019ONDA LUNGHISSIMA DELLA CORRUZIONE A BRUXELLES<\/a><\/td>\n

\u041d\u0410\u041b\u041e\u0413\u0418 \u041d\u0410 \u042d\u041d\u0415\u0420\u0413\u0418\u042e \u0418 \u041a\u0420\u0418\u0417\u0418\u0421 \u0414\u0415\u041c\u041e\u041a\u0420\u0410\u0422\u0418\u0418<\/a><\/p>\n

\u041e\u0427\u0415\u041d\u042c \u0414\u041b\u0418\u041d\u041d\u0410\u042f \u0412\u041e\u041b\u041d\u0410 \u041a\u041e\u0420\u0420\u0423\u041f\u0426\u0418\u0418 \u0412 \u0411\u0420\u042e\u0421\u0421\u0415\u041b\u0415<\/a><\/td>\n

DIE GASUMLAGE UND DIE KRISE DER DEMOKRATIE<\/a><\/p>\n

DIE SEHR LANGE WELLE DER KORRUPTION IN BR\u00dcSSEL<\/a><\/td>\n

LOS IMPUESTOS SOBRE LA ENERG\u00cdA Y LA CRISIS DE LA DEMOCRACIA<\/a><\/p>\n

LA LARGU\u00cdSIMA OLA DE CORRUPCI\u00d3N EN BRUSELAS<\/a><\/td>\n<\/tr>\n

<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

 <\/p>\n

\"\"Touma-Sliman<\/strong>, Aida<\/p>\n

Politician, 1964-
\n\"\"<\/td>\n

ISRA\u00cbL: LE CHANTAGE DE NETANYAHOU<\/a><\/td>\nISRAEL: NETANYAHU\u2019S BLACKMAIL<\/a><\/td>\nISRAELE: IL RICATTO DI NETANYAHU<\/a><\/td>\n\u0418\u0417\u0420\u0410\u0418\u041b\u042c: \u0428\u0410\u041d\u0422\u0410\u0416 \u041d\u0415\u0422\u0410\u041d\u042c\u042f\u0425\u0423<\/a><\/td>\nISRAEL: DIE ERPRESSUNG VON NETANJAHU<\/a><\/td>\nISRAEL: EL CHANTAJE DE NETANYAHU<\/a><\/td>\n<\/tr>\n
<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

 <\/p>\n

\"\"Tour\u00e9<\/strong>, Amadou Toumani<\/p>\n

Politician, 1948-2020
\n\"\"<\/td>\n

GUERRES ETHNIQUES, RELIGIEUSES ET COLONIALES: LE MALI COMME METAPHORE DE UN DESASTRE MONDIAL<\/a><\/td>\nETHNIC, RELIGIOUS, COLONIAL WARS AND TRIBAL REVENGE: MALI AS A METAPHOR FOR A GLOBAL DISASTER<\/a><\/td>\nGUERRE ETNICHE, RELIGIOSE, COLONIALI E VENDETTE TRIBALI: IL MALI COME METAFORA DEL DISASTRO GLOBALE<\/a><\/td>\n\u042d\u0422\u041d\u0418\u0427\u0415\u0421\u041a\u0418\u0415, \u0420\u0415\u041b\u0418\u0413\u0418\u041e\u0417\u041d\u042b\u0415, \u041a\u041e\u041b\u041e\u041d\u0418\u0410\u041b\u042c\u041d\u042b\u0415 \u0412\u041e\u0419\u041d\u042b \u0418 \u041f\u041b\u0415\u041c\u0415\u041d\u041d\u0410\u042f \u041c\u0415\u0421\u0422\u042c: \u041c\u0410\u041b\u0418 \u041a\u0410\u041a \u041c\u0415\u0422\u0410\u0424\u041e\u0420\u0410 \u0413\u041b\u041e\u0411\u0410\u041b\u042c\u041d\u041e\u0413\u041e \u0411\u0415\u0414\u0421\u0422\u0412\u0418\u042f<\/a><\/td>\nKOLONIALKRIEGE UND STAMMESRACHE: MALI ALS METAPHER F\u00dcR DIE GLOBALE KATASTROPHE<\/a><\/td>\nGUINEA, OTRO CAMBIO DE LEOPARDO<\/a><\/p>\n

GUERRAS \u00c9TNICAS, RELIGIOSAS, COLONIALES Y VENGANZAS TRIBALES: MAL\u00cd COMO MET\u00c1FORA DEL DESASTRE GLOBAL<\/a><\/td>\n<\/tr>\n

<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

\"\"Tour\u00e9<\/strong>, Mamadie<\/p>\n

Wife of Lansana Cont\u00e9, 1980-
\n\"\"<\/td>\n

GUINEE, ENCORE UN CHANGEMENT DE LEOPARD<\/a><\/td>\nGUINEA, YET ANOTHER LEOPARD CHANGE<\/a><\/td>\nGUINEA, L\u2019ENNESIMO CAMBIAMENTO DEL GATTOPARDO<\/a><\/td>\n\u0413\u0412\u0418\u041d\u0415\u042f, \u0415\u0429\u0415 \u041e\u0414\u041d\u041e \u0418\u0417\u041c\u0415\u041d\u0415\u041d\u0418\u0415 GATTOPARDO<\/a><\/td>\nNOCH EIN LEOPARDENWECHSEL IN GUINEA<\/a><\/td>\nDAS NICHT SO GEHEIME MILLION\u00c4RSGESCH\u00c4FT DER HISBOLLAH IN GAMBIA<\/a><\/td>\n<\/tr>\n
<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

\"\"Touschek<\/strong>, Bruno<\/p>\n

Physicist, 1921-1978
\n\"\"<\/td>\n

UN MONSTRE QUI CALCULE CE QUE L\u2019HOMME NE COMPREND PAS<\/a><\/td>\nA MONSTER THAT CALCULATES WHAT MAN DOES NOT UNDERSTAND<\/a><\/td>\nUN MOSTRO CHE CALCOLA CI\u00d2 CHE L\u2019UOMO NON CAPISCE<\/a><\/td>\n\u041c\u041e\u041d\u0421\u0422\u0420, \u041a\u041e\u0422\u041e\u0420\u042b\u0419 \u0412\u042b\u0427\u0418\u0421\u041b\u042f\u0415\u0422 \u0422\u041e, \u0427\u0422\u041e \u0427\u0415\u041b\u041e\u0412\u0415\u041a \u041d\u0415 \u041f\u041e\u041d\u0418\u041c\u0410\u0415\u0422<\/a><\/td>\nEIN UNGEHEUER, DAS BERECHNET, WAS DER MENSCH NICHT VERSTEHT<\/a><\/td>\nUN MONSTRUO QUE CALCULA LO QUE EL HOMBRE NO COMPRENDE<\/a><\/td>\n<\/tr>\n
<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

\"\"Toussaint Louverture<\/strong>, Fran\u00e7ois-Dominique<\/p>\n

Military, 1743-1803
\n\"\"<\/td>\n

HA\u00cfTI, L\u2019ENFER DES CARA\u00cfBES<\/a><\/td>\nHAITI, THE HELL OF THE CARIBBEAN<\/a><\/td>\nHAITI, L\u2019INFERNO DEI CARAIBI<\/a><\/td>\n\u0413\u0410\u0418\u0422\u0418, \u0410\u0414 \u041a\u0410\u0420\u0418\u0411\u0421\u041a\u041e\u0413\u041e \u041c\u041e\u0420\u042f<\/a><\/td>\nHAITI, DIE H\u00d6LLE DER KARIBIK<\/a><\/td>\nHAIT\u00cd, EL INFIERNO DEL CARIBE<\/a><\/td>\n<\/tr>\n
<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

 <\/p>\n

\"\"Tovini<\/strong>, Giuseppe<\/p>\n

Banker, 1814-1897
\n\"\"<\/td>\n

LA MISERE OPULENTE DE LA THEOCRATIE ROMAINE<\/a><\/td>\nTHE OPULENT MISERY OF THE ROMAN THEOCRACY<\/a><\/td>\nL\u2019OPULENTA MISERIA DELLA TEOCRAZIA ROMANA<\/a><\/td>\n\u0420\u041e\u0421\u041a\u041e\u0428\u041d\u041e\u0415 \u041d\u0415\u0421\u0427\u0410\u0421\u0422\u042c\u0415 \u0420\u0418\u041c\u0421\u041a\u041e\u0419 \u0422\u0415\u041e\u041a\u0420\u0410\u0422\u0418\u0418<\/a><\/td>\nDAS \u00dcPPIGE ELEND DER R\u00d6MISCHEN THEOKRATIE<\/a><\/td>\nLA OPULENTA MISERIA DE LA TEOCRACIA ROMANA<\/a><\/td>\n<\/tr>\n
<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

 <\/p>\n

\"\"Trabaldo Togna<\/strong>, Umberto<\/p>\n

Banker, 1961-
\n\"\"<\/td>\n

LA DERNIERE VICTIME DU BANCO AMBROSIANO<\/a><\/td>\nTHE LAST VICTIM OF BANCO AMBROSIANO<\/a><\/td>\nL\u2019ULTIMA VITTIMA DEL BANCO AMBROSIANO<\/a><\/td>\n\u041f\u041e\u0421\u041b\u0415\u0414\u041d\u042f\u042f \u0416\u0415\u0420\u0422\u0412\u0410\u0411\u0410\u041d\u041a\u0410 \u0410\u041c\u0411\u0420\u041e\u0417\u0418\u0410\u041d\u041e<\/a><\/td>\nDAS LETZTE OPFER DER BANCO AMBROSIANO<\/a><\/td>\nLA \u00daLTIMA V\u00cdCTIMA DEL BANCO AMBROSIANO<\/a><\/td>\n<\/tr>\n
<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

\"\"Tramontin<\/strong>, Francesco<\/p>\n

Manager Mondelez International, 1972-
\n\"\"<\/td>\n

PHILIP MORRIS ENTRE EN GUERRE \u2013 AVEC LES POPULISTES, LES EXTREMISTES DE DROITE ET LES CHEIKHS ARABES<\/a><\/td>\nPHILIP MORRIS GOES TO WAR \u2013 WITH POPULISTS, SUPREMACISTS AND ARAB SHEIKHS<\/a><\/td>\nLA PHILIP MORRIS VA ALLA GUERRA \u2013 ALLEATA A SUPREMATISTI, POPULISTI E SCEICCHI ARABI<\/a><\/td>\n\u0424\u0418\u041b\u0418\u041f \u041c\u041e\u0420\u0420\u0418\u0421 \u0418\u0414\u0415\u0422 \u041d\u0410 \u0412\u041e\u0419\u041d\u0423 \u2013 \u041d\u0410 \u0421\u0422\u041e\u0420\u041e\u041d\u0415 \u0410\u0420\u0410\u0411\u0421\u041a\u0418\u0425 \u0421\u0423\u041f\u0420\u0415\u041c\u0410\u0422\u0418\u0421\u0422\u041e\u0412, \u041f\u041e\u041f\u0423\u041b\u0418\u0421\u0422\u041e\u0412 \u0418 \u0428\u0415\u0419\u041a\u041e\u0412<\/a><\/td>\nPHILIP MORRIS ZIEHT IN DEN KRIEG \u2013 MIT POPULISTEN, RECHTSEXTREMISTEN UND ARABISCHEN SCHEICHS<\/a><\/td>\nPHILIP MORRIS VA A LA GUERRA \u2013 ALIADO CON SUPREMACISTAS, POPULISTAS Y JEQUES \u00c1RABES<\/a><\/td>\n<\/tr>\n
<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

\"\"Tranquada Gomes<\/strong>, Jos\u00e9 Lino<\/p>\n

Politician, 1958-
\n\"\"<\/td>\n

MADERE, L\u2019ILE DE CRISTIANO RONALDO<\/a><\/td>\nMADEIRA, THE ISLAND OF CRISTIANO RONALDO<\/a><\/td>\nMADEIRA, L\u2019ISOLA DI CRISTIANO RONALDO<\/a><\/td>\n\u041c\u0410\u0414\u0415\u0419\u0420\u0410, \u041e\u0421\u0422\u0420\u041e\u0412 \u041a\u0420\u0418\u0421\u0422\u0418\u0410\u041d\u041e\u0420\u041e\u041d\u0410\u041b\u0414\u041e<\/a><\/td>\nMADEIRA, DIE INSEL VON CRISTIANO RONALDO<\/a><\/td>\nMADEIRA, LA ISLA DE CRISTIANO RONALDO<\/a><\/td>\n<\/tr>\n
<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

 <\/p>\n

\"\"Traor\u00e9<\/strong>, Dioncouda<\/p>\n

Politician, 1942-
\n\"\"<\/td>\n

GUERRES ETHNIQUES, RELIGIEUSES ET COLONIALES: LE MALI COMME METAPHORE DE UN DESASTRE MONDIAL<\/a><\/td>\nETHNIC, RELIGIOUS, COLONIAL WARS AND TRIBAL REVENGE: MALI AS A METAPHOR FOR A GLOBAL DISASTER<\/a><\/td>\nGUERRE ETNICHE, RELIGIOSE, COLONIALI E VENDETTE TRIBALI: IL MALI COME METAFORA DEL DISASTRO GLOBALE<\/a><\/td>\n\u042d\u0422\u041d\u0418\u0427\u0415\u0421\u041a\u0418\u0415, \u0420\u0415\u041b\u0418\u0413\u0418\u041e\u0417\u041d\u042b\u0415, \u041a\u041e\u041b\u041e\u041d\u0418\u0410\u041b\u042c\u041d\u042b\u0415 \u0412\u041e\u0419\u041d\u042b \u0418 \u041f\u041b\u0415\u041c\u0415\u041d\u041d\u0410\u042f \u041c\u0415\u0421\u0422\u042c: \u041c\u0410\u041b\u0418 \u041a\u0410\u041a \u041c\u0415\u0422\u0410\u0424\u041e\u0420\u0410 \u0413\u041b\u041e\u0411\u0410\u041b\u042c\u041d\u041e\u0413\u041e \u0411\u0415\u0414\u0421\u0422\u0412\u0418\u042f<\/a><\/td>\nKOLONIALKRIEGE UND STAMMESRACHE: MALI ALS METAPHER F\u00dcR DIE GLOBALE KATASTROPHE<\/a><\/td>\nGUERRAS \u00c9TNICAS, RELIGIOSAS, COLONIALES Y VENGANZAS TRIBALES: MAL\u00cd COMO MET\u00c1FORA DEL DESASTRE GLOBAL<\/a><\/td>\n<\/tr>\n
<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

\"\"Traor\u00e9<\/strong>, Moussa<\/p>\n

Politician, 1936-2000
\n\"\"<\/td>\n

GUERRES ETHNIQUES, RELIGIEUSES ET COLONIALES: LE MALI COMME METAPHORE DE UN DESASTRE MONDIAL<\/a><\/td>\nETHNIC, RELIGIOUS, COLONIAL WARS AND TRIBAL REVENGE: MALI AS A METAPHOR FOR A GLOBAL DISASTER<\/a><\/td>\nGUERRE ETNICHE, RELIGIOSE, COLONIALI E VENDETTE TRIBALI: IL MALI COME METAFORA DEL DISASTRO GLOBALE<\/a><\/td>\n\u042d\u0422\u041d\u0418\u0427\u0415\u0421\u041a\u0418\u0415, \u0420\u0415\u041b\u0418\u0413\u0418\u041e\u0417\u041d\u042b\u0415, \u041a\u041e\u041b\u041e\u041d\u0418\u0410\u041b\u042c\u041d\u042b\u0415 \u0412\u041e\u0419\u041d\u042b \u0418 \u041f\u041b\u0415\u041c\u0415\u041d\u041d\u0410\u042f \u041c\u0415\u0421\u0422\u042c: \u041c\u0410\u041b\u0418 \u041a\u0410\u041a \u041c\u0415\u0422\u0410\u0424\u041e\u0420\u0410 \u0413\u041b\u041e\u0411\u0410\u041b\u042c\u041d\u041e\u0413\u041e \u0411\u0415\u0414\u0421\u0422\u0412\u0418\u042f<\/a><\/td>\nKOLONIALKRIEGE UND STAMMESRACHE: MALI ALS METAPHER F\u00dcR DIE GLOBALE KATASTROPHE<\/a><\/td>\nGUERRAS \u00c9TNICAS, RELIGIOSAS, COLONIALES Y VENGANZAS TRIBALES: MAL\u00cd COMO MET\u00c1FORA DEL DESASTRE GLOBAL<\/a><\/td>\n<\/tr>\n
<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

 <\/p>\n

\"\"Trendafilov<\/strong>, Valery<\/p>\n

Politician, Geologist, 1953-
\n\"\"<\/td>\n

BASES MILITAIRES ET MINES: LE NOUVEAU VISAGE DES FONDS MARINS<\/a><\/td>\nMILITARY BASES AND MINES: THE NEW FACE OF THE SEABED<\/a><\/td>\nBASI MILITARI E MINIERE: IL VOLTO NUOVO DEL FONDO DELL\u2019OCEANO<\/a><\/td>\n\u0412\u041e\u0415\u041d\u041d\u042b\u0415 \u0411\u0410\u0417\u042b \u0418 \u0420\u0423\u0414\u041d\u0418\u041a\u0418: \u041d\u041e\u0412\u042b\u0415 \u041b\u0418\u0426\u0410 \u041e\u041a\u0415\u0410\u041d\u0421\u041a\u041e\u0413\u041e \u0414\u041d\u0410<\/a><\/td>\nMILIT\u00c4RST\u00dcTZPUNKTE UND MINEN: DAS NEUE GESICHT DES MEERESBODENS<\/a><\/td>\nBASES MILITARES Y MINAS: LA NUEVA CARA DE LOS FONDOS MARINOS<\/a><\/td>\n<\/tr>\n
<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

\"\"Trenta<\/strong>, Elisabetta<\/p>\n

Politician, 1967-
\n\"\"<\/td>\n

LES DESHONORANTS CHEVALIERS DE (ENE)MALTE<\/a><\/td>\nTHE DISHONOURABLE KNIGHTS OF (ENE)MALTA<\/a><\/td>\nI DISONOREVOLI CAVALIERI DI (ENE)MALTA<\/a><\/td>\n\u0411\u0415\u0421\u0427\u0415\u0421\u0422\u041d\u042b\u0415 \u0420\u042b\u0426\u0410\u0420\u0418 (\u042d\u041d\u0415)\u041c\u0410\u041b\u042c\u0422\u042b<\/a><\/td>\nDIE UNEHRENHAFTEN RITTER VON (ENE)MALTA<\/a><\/td>\nLOS DESHONROSOS CABALLEROS DE (ENE)MALTA<\/a><\/td>\n<\/tr>\n
<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

\"\"Trepp,<\/strong> Gian<\/p>\n

Economist, Journalist, 1947-
\n\"\"<\/td>\n

MOUVEMENT 5 ETOILES ET LEGANORD: REPETITIONS GENERALES POUR UNE INTERNATIONALE POSTFASCISTE<\/a><\/td>\n5-STAR MOVEMENT AND LEGANORD: DRESS REHEARSALS FOR A POST-FASCIST INTERNATIONAL<\/a><\/td>\nMOVIMENTO 5 STELLE E LEGA NORD: PROVE GENERALI PER UN\u2019INTERNAZIONALE POST-FASCISTA<\/a><\/td>\n\u0414\u0412\u0418\u0416\u0415\u041d\u0418\u0415 5 \u0417\u0412\u0415\u0417\u0414 \u0418 \u0421\u0415\u0412\u0415\u0420\u041d\u0410\u042f \u041b\u0418\u0413\u0410: \u0418\u0421\u041f\u042b\u0422\u0410\u041d\u0418\u042f \u0414\u041b\u042f \u041f\u041e\u0421\u0422\u0424\u0410\u0428\u0418\u0421\u0422\u0421\u041a\u041e\u0413\u041e \u0418\u041d\u0422\u0415\u0420\u041d\u0410\u0426\u0418\u041e\u041d\u0410\u041b\u0410<\/a><\/td>\n5-STERNE-BEWEGUNG UND LEGANORD: GENERALPROBEN F\u00dcR EINE POSTFASCHISTISCHE INTERNATIONALE<\/a><\/td>\nEL MOVIMIENTO 5 ESTRELLAS Y LA LIGA NORTE: ENSAYO GENERAL DE UNA INTERNACIONAL POST-FASCISTA<\/a><\/td>\n<\/tr>\n
<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

\"\"Trevelyan<\/strong>, Florence<\/p>\n

Environmentalist, 1852-1907
\n\"\"<\/td>\n

LE ROI SECRET DE TAORMINE<\/a><\/td>\nTHE SECRET KING OF TAORMINA<\/a><\/td>\nIL RE SEGRETO DI TAORMINA<\/a><\/td>\n\u0422\u0410\u0419\u041d\u042b\u0419 \u041a\u041e\u0420\u041e\u041b\u042c \u0422\u0410\u041e\u0420\u041c\u0418\u041d\u042b<\/a><\/td>\nDER GEHEIME K\u00d6NIG VON TAORMINA<\/a><\/td>\nEL REY SECRETO DE TAORMINA<\/a><\/td>\n<\/tr>\n
<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

\"\"Trivi\u0107<\/strong>, Jelena<\/p>\n

Politician, 1983\u2013
\n\"\"<\/td>\n

CENT ANS APRES: SARAJEVO BRULE TOUJOURS<\/a><\/td>\nONE HUNDRED YEARS LATER: SARAJEVO BURNS AGAIN<\/a><\/td>\nCENTO ANNI DOPO: SARAJEVO BRUCIA ANCORA<\/a><\/td>\n\u0421\u0422\u041e \u041b\u0415\u0422 \u0421\u041f\u0423\u0421\u0422\u042f: \u0421\u0410\u0420\u0410\u0415\u0412\u041e \u0412\u0421\u0415 \u0415\u0429\u0415 \u0413\u041e\u0420\u0418\u0422<\/a><\/td>\nHUNDERT JAHRE SP\u00c4TER: SARAJEVO BRENNT WEITER<\/a><\/td>\nCIEN A\u00d1OS DESPU\u00c9S: SARAJEVO SIGUE ARDIENDO<\/a><\/td>\n<\/tr>\n
<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

 <\/p>\n

\"\"Troia<\/strong>, Mariano Tullio<\/p>\n

Gangster, 1933-2010
\n\"\"<\/td>\n

L\u2019ETERNEL TRESORIER DE COSA NOSTRA<\/a><\/td>\nTHE ETERNAL TREASURER OF COSA NOSTRA<\/a><\/td>\nL\u2019ETERNO TESORIERE DI COSA NOSTRA<\/a><\/td>\n\u0412\u0415\u0427\u041d\u042b\u0419 \u041a\u0410\u0417\u041d\u0410\u0427\u0415\u0419 COSA NOSTRA<\/a><\/td>\nDER EWIGE SCHATZMEISTER DER COSA NOSTRA<\/a><\/td>\nEL ETERNO TESORERO DE LA COSA NOSTRA<\/a><\/td>\n<\/tr>\n
<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

 <\/p>\n

\"\"Troshev<\/strong>, Andrey<\/p>\n

Military, 1962-
\n\"\"<\/td>\n

LE GROUPE WAGNER: LES FANTOMES DE LA MORT LACHES PAR LE KREMLIN<\/a><\/td>\nTHE WAGNER GROUP: THE GHOSTS OF DEATH UNLEASHED BY THE KREMLIN<\/a><\/td>\nWAGNER GROUP: I FANTASMI DI MORTE SCATENATI DAL CREMLINO<\/a><\/td>\n\u0413\u0420\u0423\u041f\u041f\u0410 \u0412\u0410\u0413\u041d\u0415\u0420\u0410: \u041f\u0420\u0418\u0417\u0420\u0410\u041a\u0418 \u0421\u041c\u0415\u0420\u0422\u0418, \u0412\u041e\u0421\u041a\u0420\u0415\u0428\u0415\u041d\u041d\u042b\u0415 \u041a\u0420\u0415\u041c\u041b\u0415\u041c<\/a><\/td>\nDIE WAGNER-GRUPPE: DIE VOM KREML ENTFESSELTEN GEISTER DES TODES<\/a><\/td>\nEL GRUPO WAGNER: LOS FANTASMAS DE LA MUERTE DESATADOS POR EL KREMLIN<\/a><\/td>\n<\/tr>\n
<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

 <\/p>\n

\"\"Trujillo<\/strong>, Carlos Holmes<\/p>\n

Military, 1951-2021
\n\"\"<\/td>\n

VOYAGER LABS: L\u2019ARME CONTONDANTE DE L\u2019INTELLIGENCE ARTIFICIELLE<\/a><\/td>\nVOYAGER LABS: THE BLUNT WEAPON OF ARTIFICIAL INTELLIGENCE<\/a><\/td>\nVOYAGER LABS: L\u2019ARMA SPUNTATA DELL\u2019INTELLIGENZA ARTIFICIALE<\/a><\/td>\nVOYAGERLABS: \u0422\u0423\u041f\u041e\u0415 \u041e\u0420\u0423\u0416\u0418\u0415 \u0418\u0421\u041a\u0423\u0421\u0421\u0422\u0412\u0415\u041d\u041d\u041e\u0413\u041e \u0418\u041d\u0422\u0415\u041b\u041b\u0415\u041a\u0422\u0410<\/a><\/td>\nVOYAGER LABS: DIE STUMPFE WAFFE DER K\u00dcNSTLICHEN INTELLIGENZ<\/a><\/td>\nVOYAGER LABS: EL ARMA CONTUNDENTE DE LA INTELIGENCIA ARTIFICIAL<\/a><\/td>\n<\/tr>\n
<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

\"\"Trudeau<\/strong>, Justin Pierre James<\/p>\n

Politician, 1971-
\n\"\"<\/td>\n

HENRY KISSINGER, L\u2019AME NOIRE DU 20EME SIECLE<\/a><\/td>\nHENRY KISSINGER, THE DARK SOUL OF THE 20TH CENTURY<\/a><\/td>\nHENRY KISSINGER, L\u2019ANIMA NERA DEL XX SECOLO<\/a><\/td>\n\u0413\u0415\u041d\u0420\u0418 \u041a\u0418\u0421\u0421\u0418\u041d\u0414\u0416\u0415\u0420, \u0427\u0415\u0420\u041d\u0410\u042f \u0414\u0423\u0428\u0410 20 \u0412\u0415\u041a\u0410<\/a><\/td>\nHENRY KISSINGER, DIE SCHWARZE SEELE DES 20. JAHRHUNDERTS<\/a><\/td>\nHENRY KISSINGER, EL ALMA NEGRA DEL SIGLO XX<\/a><\/td>\n<\/tr>\n
<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

\"\"Trudeau<\/strong>, Pierre Elliott<\/p>\n

Politician, 1919-2000
\n\"\"<\/td>\n

HENRY KISSINGER, L\u2019AME NOIRE DU 20EME SIECLE<\/a><\/td>\nHENRY KISSINGER, THE DARK SOUL OF THE 20TH CENTURY<\/a><\/td>\nHENRY KISSINGER, L\u2019ANIMA NERA DEL XX SECOLO<\/a><\/td>\n\u0413\u0415\u041d\u0420\u0418 \u041a\u0418\u0421\u0421\u0418\u041d\u0414\u0416\u0415\u0420, \u0427\u0415\u0420\u041d\u0410\u042f \u0414\u0423\u0428\u0410 20 \u0412\u0415\u041a\u0410<\/a><\/td>\nHENRY KISSINGER, DIE SCHWARZE SEELE DES 20. JAHRHUNDERTS<\/a><\/td>\nHENRY KISSINGER, EL ALMA NEGRA DEL SIGLO XX<\/a><\/td>\n<\/tr>\n
<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

\"\"Truman<\/strong>, Harry Spencer<\/p>\n

Politician, 1884-1972
\n\"\"<\/td>\n

HENRY KISSINGER, L\u2019AME NOIRE DU 20EME SIECLE<\/a><\/td>\nHENRY KISSINGER, THE DARK SOUL OF THE 20TH CENTURY<\/a><\/td>\nHENRY KISSINGER, L\u2019ANIMA NERA DEL XX SECOLO<\/a><\/td>\n\u0413\u0415\u041d\u0420\u0418 \u041a\u0418\u0421\u0421\u0418\u041d\u0414\u0416\u0415\u0420, \u0427\u0415\u0420\u041d\u0410\u042f \u0414\u0423\u0428\u0410 20 \u0412\u0415\u041a\u0410<\/a><\/td>\nHENRY KISSINGER, DIE SCHWARZE SEELE DES 20. JAHRHUNDERTS<\/a><\/td>\nHENRY KISSINGER, EL ALMA NEGRA DEL SIGLO XX<\/a><\/td>\n<\/tr>\n
<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

\"\"Trump<\/strong>, Donald<\/p>\n

Financier, Politician, 1946-
\n\"\"<\/td>\n

SI ABU DHABI CROIT DE CONTROLER DONALD TRUMP<\/a><\/p>\n

 <\/p>\n

LE ROI SECRET DE TAORMINE<\/a><\/p>\n

 <\/p>\n

VATICAN ET FRERES MUSULMANS: 100 ANS DE RELATIONS POLITIQUES ET ECONOMIQUES<\/a><\/p>\n

 <\/p>\n

DERRIERE LES RIDEAUX, DANS LES CAPITALES EUROPEENS, LE DESIR POUR L\u2019IRAN GRANDIT<\/a><\/p>\n

 <\/p>\n

FAUX ONG ET AGENTS MAROCAINS DANS LA GUERRE DE LIBYE<\/a><\/p>\n

 <\/p>\n

ERDO\u011eAN ET POUTINE: L\u2019ALLIANCE SECRETE DANS LE CAUCASE<\/a><\/p>\n

PHILIP MORRIS ENTRE EN GUERRE \u2013 AVEC LES POPULISTES, LES EXTREMISTES DE DROITE ET LES CHEIKHS ARABES<\/a><\/p>\n

MOUVEMENT 5 ETOILES ET LEGANORD: REPETITIONS GENERALES POUR UNE INTERNATIONALE POSTFASCISTE<\/a><\/p>\n

LA MONTAGNE ENCHANTEE ET LES GNOMES DE LA FINANCE<\/a><\/p>\n

CUBA AUJOURD\u2019HUI: CE QUI RESTE DU REVE \u2013 ET DU CAUCHEMAR<\/a><\/p>\n

AMERICAN LOBBYING<\/a><\/p>\n

NETANYAHU COMME ERDOGAN: LES POPULISTES LUTTENT POUR UN CONFLIT MONDIAL<\/a><\/p>\n

PARC GEZI: LE SYMBOLE DE L\u2019EFFONDREMENT DE LA TURQUIE<\/a><\/p>\n

HEEREMA: LE LONG VOYAGE DU NATIONAL-SOCIALISME A L\u2019EXPLOITATION DES FONDS MARINS<\/a><\/p>\n

APRES L\u2019ARTICLE D\u2019ALDO TORCHIARO: GENNARO VECCHIONE N\u2019EST QUE LA POINTE DE L\u2019ICEBERG<\/a><\/p>\n

CAMBRIDGE ANALYTICA: LES CRIMINELS QUI NOUS PERSUADENT DE VOTER POUR TRUMP<\/a><\/p>\n

BON FRERE ET MAUVAIS FRERE: COMMENT LA DYNASTIE AL-NAHYAN CACHE SON VRAI VISAGE<\/a><\/p>\n

AL-SHABAAB: L\u2019EPEE DE DAMOCLES SUR LA SOMALIE<\/a><\/p>\n

SOCOTRA, LA DERNIERE ILE ENCHANTEE ET MERVEILLEUSE<\/a><\/p>\n

MOHAMMED DAHLAN, ASSASSIN A LA SOLDE DU ROI<\/a><\/p>\n

CURA\u00c7AO: NAISSANCE ET MORT D\u2019UN PARADIS FISCAL<\/a><\/p>\n

LE CHILI DE GABRIEL BORIC: LE RETOUR DE L\u2019ESPOIR<\/a><\/p>\n

LES DESHONORANTS CHEVALIERS DE (ENE)MALTE<\/a><\/p>\n

LA MER \u00c9GEE, LA FRONTIERE LA PLUS CHAUDE D\u2019EUROPE<\/a><\/p>\n

COMMENT LA TURQUIE TORTURE ET TUE LES INTELLECTUELS<\/a><\/p>\n

SEYCHELLES: LA TIRELIRE DES OLIGARQUES<\/a><\/p>\n

EMIRATS: LE PLUS GRAND PARADIS DU CRIME AU MONDE<\/a><\/p>\n

CELUI QUI CONTROLE TWITTER PEUT DIRIGER LE MONDE<\/a><\/p>\n

LE NOUVEAU MILAN DES MILITARISTES ARABES<\/a><\/p>\n

L\u2019AVENIR DE L\u2019AFRIQUE DEPEND DU CONGO<\/a><\/p>\n

TRAFIGURA, POUTINE ET CES SANCTIONS INUTILES<\/a><\/p>\n

PALESTINE, OU CHAQUE JOUR CAIN REVIENT<\/a><\/p>\n

LE SOMMET DE LOS ANGELES, UN NOUVEL ECHEC DE LA POLITIQUE ETRANGERE AMERICAINE<\/a><\/p>\n

LE DESASTRE DU BREXIT ET LA CHUTE DE BORIS JOHNSON<\/a><\/p>\n

ELON MUSK : LE VANTARD LE PLUS DANGEREUX DU MONDE<\/a><\/p>\n

\u00c9TATS-UNIS D\u2019AMERIQUE : LE NOUVEAU TIERS MONDE<\/a><\/p>\n

SEULS, COMME LES KURDES<\/a><\/p>\n

SI TU ES L\u2019AMI D\u2019ERDOGAN, TU N\u2019AS PLUS BESOIN D\u2019ENNEMIS<\/a><\/p>\n

PETER THIEL: LE REVE D\u2019UNE TECHNOCRATIE MYSTIQUE<\/a><\/p>\n

MORT DE LA PRESSE: UN ECHAFAUDAGE ANNONCE<\/a><\/p>\n

MARTA KUBI\u0160OV\u00c1, CETTE VOIX CONTRE LES TANKS<\/a><\/p>\n

TAIWAN, L\u2019ENERGIE VERTE ET LA PEUR DE LA CHINE<\/a><\/p>\n

LE STYLO QUI TUE PLUS QUE L\u2019EPEE<\/a><\/p>\n

SHEIN: L\u2019OGRE CHINOIS QUI GRANDIT DANS L\u2019OMBRE<\/a><\/p>\n

ANWAR GARGASH: L\u2019HOMME DES ALLIANCES MILITAIRES<\/a><\/p>\n

TAL HANAN: LA MORT DE LA VERITE<\/a><\/p>\n

LES OMBRES RUSSES SUR LE SCANDALE AFRILAND<\/a><\/p>\n

VIE ET MIRACLES D\u2019UN MERCENAIRE DANS LA GUERRE MEDIATIQUE<\/a><\/p>\n

DU PLASTIQUE ET DU SANG POUR LES ANUS N\u00c9O-NAZIS<\/a><\/td>\n

IF ABU DHABI BELIEVES TO \u201cGUIDE\u201d DONALD TRUMP<\/a><\/p>\n

 <\/p>\n

THE SECRET KING OF TAORMINA<\/a><\/p>\n

 <\/p>\n

BEHIND THE CURTAINS, IN THE EUROPEAN CAPITALS, THE DESIRE FOR IRAN GROWS<\/a><\/p>\n

 <\/p>\n

VATICAN AND MUSLIM BROTHERHOOD: 100 YEARS OF POLITICAL AND ECONOMIC RELATIONS<\/a><\/p>\n

 <\/p>\n

FALSE NGOS AND MOROCCAN AGENTS IN THE LIBYAN WAR<\/a><\/p>\n

 <\/p>\n

ERDO\u011eAN AND PUTIN: A SECRET ALLIANCE IN THE CAUCASUS<\/a><\/p>\n

PHILIP MORRIS GOES TO WAR \u2013 WITH POPULISTS, SUPREMACISTS AND ARAB SHEIKHS<\/a><\/p>\n

5-STAR MOVEMENT AND LEGANORD: DRESS REHEARSALS FOR A POST-FASCIST INTERNATIONAL<\/a><\/p>\n

THE ENCHANTED MOUNTAIN AND THE FINANCIAL GNOMES<\/a><\/p>\n

CUBA TODAY: WHAT REMAINS OF THE DREAM \u2013 AND THE NIGHTMARE<\/a><\/p>\n

AMERICAN LOBBYING<\/a><\/p>\n

NETANYAHU AS ERDO\u011eAN: POPULISTS STRUGGLE FOR A GLOBAL CONFLICT<\/a><\/p>\n

GEZI PARK: THE SYMBOL OF TURKEY\u2019S COLLAPSE<\/a><\/p>\n

HEEREMA: THE LONG JOURNEY FROM NATIONAL SOCIALISM TO THE EXPLOITATION OF THE SEABED<\/a><\/p>\n

AFTER ALDO TORCHIARO\u2019S ARTICLE: GENNARO VECCHIONE IS ONLY THE TIP OF THE ICEBERG<\/a><\/p>\n

CAMBRIDGE ANALYTICA: THE CRIMINALS WHO PERSUADE US TO VOTE FOR TRUMP<\/a><\/p>\n

GOOD BROTHER AND BAD BROTHER: HOW THE AL-NAHYAN DYNASTY HIDES ITS TRUE FACE<\/a><\/p>\n

AL-SHABAAB: THE SWORD OF DAMOCLES OVER SOMALIA<\/a><\/p>\n

SOCOTRA, THE LAST WONDERFUL ENCHANTED ISLAND<\/a><\/p>\n

MOHAMMED DAHLAN, ASSASSIN FOR THE KING<\/a><\/p>\n

CURA\u00c7AO: THE BIRTH AND DEATH OF A TAX HAVEN<\/a><\/p>\n

GABRIEL BORIC\u2019S CHILE: THE RETURN OF HOPE<\/a><\/p>\n

THE DISHONOURABLE KNIGHTS OF (ENE)MALTA<\/a><\/p>\n

AEGEAN, THE HOTTEST BORDER IN EUROPE<\/a><\/p>\n

HOW TURKEY TORTURES AND KILLS INTELLECTUALS<\/a><\/p>\n

SEYCHELLES: THE OLIGARCHS\u2019 PIGGY BANK<\/a><\/p>\n

EMIRATES: THE WORLD\u2019S BIGGEST CRIMINAL PARADISE<\/a><\/p>\n

WHOEVER CONTROLS TWITTER CAN RULE THE WORLD<\/a><\/p>\n

THE NEW MILAN OF THE ARAB MILITARISTS<\/a><\/p>\n

AFRICA\u2019S FUTURE DEPENDS ON CONGO<\/a><\/p>\n

TRAFIGURA, PUTIN AND THOSE USELESS SANCTIONS<\/a><\/p>\n

PALESTINE, WHERE EVERY DAY CAIN RETURNS<\/a><\/p>\n

THE LOS ANGELES SUMMIT, ANOTHER FAILURE OF US FOREIGN POLICY<\/a><\/p>\n

THE BREXIT DISASTER AND THE FALL OF BORIS JOHNSON<\/a><\/p>\n

ELON MUSK: THE WORLD\u2019S MOST DANGEROUS BLOWHARD<\/a><\/p>\n

UNITED STATES OF AMERICA: THE NEW THIRD WORLD<\/a><\/p>\n

LONELY AS THE KURDS<\/a><\/p>\n

IF YOU ARE ERDOGAN\u2019S FRIEND, YOU DON\u2019T NEED ENEMIES<\/a><\/p>\n

PETER THIEL: THE DREAM OF A MYSTICAL TECHNOCRACY<\/a><\/p>\n

DEATH OF THE PRESS: AN ANNOUNCED STILLICIDE<\/a><\/p>\n

MARTA KUBI\u0160OV\u00c1, THE VOICE AGAINST THE TANKS<\/a><\/p>\n

TAIWAN, GREEN ENERGY AND THE FEAR OF CHINA<\/a><\/p>\n

THE PEN THAT KILLS MORE THAN THE SWORD<\/a><\/p>\n

SHEIN: THE CHINESE OGRE GROWING IN THE SHADOWS<\/a><\/p>\n

ANWAR GARGASH: THE MAN OF MILITARY ALLIANCES<\/a><\/p>\n

TAL HANAN: THE DEATH OF TRUTH<\/a><\/p>\n

RUSSIAN SHADOWS ON THE AFRILAND SCANDAL<\/a><\/p>\n

LIFE AND MIRACLES OF A MERCENARY IN THE MEDIA WAR<\/a><\/p>\n

PLASTIC AND BLOOD FOR NEO-NAZI ANUSES<\/a><\/td>\n

SE ABU DHABI PENSA DI \u201cPILOTARE\u201d DONALD TRUMP<\/a><\/p>\n

 <\/p>\n

IL RE SEGRETO DI TAORMINA<\/a><\/p>\n

 <\/p>\n

VATICANO E FRATELLI MUSULMANI: UN SECOLO DI RELAZIONI POLITICHE E FINANZIARIE<\/a><\/p>\n

 <\/p>\n

DIETRO LE QUINTE DELLE CAPITALI EUROPEE CRESCE LA VOGLIA DI IRAN<\/a><\/p>\n

 <\/p>\n

FINTE ONG ED AGENTI MAROCCHINI ALLA GUERRA DI LIBIA<\/a><\/p>\n

 <\/p>\n

ERDO\u011eAN E PUTIN: L\u2019ALLEANZA SEGRETA NEL CAUCASO<\/a><\/p>\n

PHILIP MORRIS GOES TO WAR \u2013 WITH POPULISTS, SUPREMACISTS AND ARAB SHEIKHS<\/a><\/p>\n

MOVIMENTO 5 STELLE E LEGA NORD: PROVE GENERALI PER UN\u2019INTERNAZIONALE POST-FASCISTA<\/a><\/p>\n

LA MONTAGNA INCANTATA E GLI GNOMI DELLA FINANZA<\/a><\/p>\n

CUBA, OGGI: CI\u00d2 CHE RESTA DEL SOGNO \u2013 E DELL\u2019INCUBO<\/a><\/p>\n

AMERICAN LOBBYING<\/a><\/p>\n

NETANYAHU COME ERDO\u011eAN: IL SOVRANISMO SPERA IN UN CONFLITTO MONDIALE<\/a><\/p>\n

GEZI PARK: IL SIMBOLO DELLA TURCHIA AL COLLASSO<\/a><\/p>\n

HEEREMA: IL LUNGO VIAGGIO DAL NAZISMO ALLO SFRUTTAMENTO DEI FONDALI OCEANICI<\/a><\/p>\n

DOPO L\u2019ARTICOLO DI ALDO TORCHIARO: GENNARO VECCHIONE \u00c8 SOLO LA PUNTA DELL\u2019ICEBERG<\/a><\/p>\n

CAMBRIDGE ANALYTICA: I CRIMINALI CHE CI CONVINCONO A VOTARE TRUMP<\/a><\/p>\n

FRATELLO BUONO E FRATELLO CATTIVO: COME LA DINASTIA AL-NAHYAN NASCONDE IL PROPRIO VERO VOLTO<\/a><\/p>\n

AL-SHABAAB: LA SPADA DI DAMOCLE SULLA SOMALIA<\/a><\/p>\n

SOCOTRA, L\u2019ULTIMA MERAVIGLIOSA ISOLA INCANTATA<\/a><\/p>\n

MOHAMMED DAHLAN, SICARIO DEL RE<\/a><\/p>\n

CURA\u00c7AO: NASCITA E MORTE DI UN PARADISO FISCALE<\/a><\/p>\n

IL CILE DI GABRIEL BORIC: IL RITORNO DELLA SPERANZA<\/a><\/p>\n

I DISONOREVOLI CAVALIERI DI (ENE)MALTA<\/a><\/p>\n

EGEO, LA FRONTIERA PI\u00d9 CALDA D\u2019EUROPA<\/a><\/p>\n

COS\u00cc LA TURCHIA TORTURA E UCCIDE GLI INTELLETTUALI<\/a><\/p>\n

SEYCHELLES: IL SALVADANAIO DEGLI OLIGARCHI<\/a><\/p>\n

EMIRATI: IL GRANDE PARADISO DEI CRIMINALI<\/a><\/p>\n

CHI CONTROLLA TWITTER PU\u00d2 DOMINARE IL MONDO<\/a><\/p>\n

IL NUOVO MILAN DEI MILITARISTI ARABI<\/a><\/p>\n

IL FUTURO DELL\u2019AFRICA DIPENDE DAL CONGO<\/a><\/p>\n

TRAFIGURA, PUTIN E QUELLE INUTILI SANZIONI<\/a><\/p>\n

PALESTINA, DOVE OGNI GIORNO RITORNA CAINO<\/a><\/p>\n

IL SUMMIT DI LOS ANGELES, ENNESIMO FALLIMENTO DELLA POLITICA ESTERA AMERICANA<\/a><\/p>\n

IL DISASTRO BREXIT E LA CADUTA DI BORIS JOHNSON<\/a><\/p>\n

ELON MUSK: LO SBRUFFONE PI\u00d9 PERICOLOSO DEL MONDO<\/a><\/p>\n

STATI UNITI D\u2019AMERICA: IL NUOVO TERZO MONDO<\/a><\/p>\n

SOLI COME CURDI<\/a><\/p>\n

SE SEI AMICO DI ERDOGAN, NON HAI BISOGNO DI NEMICI<\/a><\/p>\n

PETER THIEL: IL SOGNO DI UNA TECNOCRAZIA MISTICA<\/a><\/p>\n

MORTE DELLA STAMPA: UNO STILLICIDIO ANNUNCIATO<\/a><\/p>\n

MARTA KUBI\u0160OV\u00c1, LA VOCE CONTRO I CARRI ARMATI<\/a><\/p>\n

TAIWAN, L\u2019ENERGIA VERDE E LA PAURA DELLA CINA<\/a><\/p>\n

LA PENNA CHE UCCIDE PI\u00d9 DELLA SPADA<\/a><\/p>\n

SHEIN: L\u2019ORCO CINESE CHE CRESCE NELL\u2019OMBRA<\/a><\/p>\n

ANWAR GARGASH: L\u2019UOMO DELLE ALLEANZE MILITARI<\/a><\/p>\n

TAL HANAN: LA MORTE DELLA VERIT\u00c0<\/a><\/p>\n

OMBRE RUSSE SULLO SCANDALO AFRILAND<\/a><\/p>\n

VITA E MIRACOLI DI UN MERCENARIO NELLA GUERRA DEI MEDIA<\/a><\/p>\n

PLASTICA E SANGUE PER GLI ANI NEONAZISTI<\/a><\/td>\n

\u0415\u0421\u041b\u0418 \u0410\u0411\u0423-\u0414\u0410\u0411\u0418 \u0414\u0423\u041c\u0410\u0415\u0422, \u0427\u0422\u041e \u0421\u041c\u041e\u0416\u0415\u0422 \u00ab\u041f\u0418\u041b\u041e\u0422\u0418\u0420\u041e\u0412\u0410\u0422\u042c\u00bb \u0414\u041e\u041d\u0410\u041b\u042c\u0414\u0410 \u0422\u0420\u0410\u041c\u041f\u0410<\/a><\/p>\n

 <\/p>\n

\u0422\u0410\u0419\u041d\u042b\u0419 \u041a\u041e\u0420\u041e\u041b\u042c \u0422\u0410\u041e\u0420\u041c\u0418\u041d\u042b<\/a><\/p>\n

 <\/p>\n

\u0412\u0410\u0422\u0418\u041a\u0410\u041d \u0418 \u041c\u0423\u0421\u0423\u041b\u042c\u041c\u0410\u041d\u0421\u041a\u0418\u0415 \u0411\u0420\u0410\u0422\u042c\u042f: \u0412\u0415\u041a \u041f\u041e\u041b\u0418\u0422\u0418\u0427\u0415\u0421\u041a\u0418\u0425 \u0418 \u0424\u0418\u041d\u0410\u041d\u0421\u041e\u0412\u042b\u0425 \u041e\u0422\u041d\u041e\u0428\u0415\u041d\u0418\u0419<\/a><\/p>\n

 <\/p>\n

\u0417\u0410 \u041a\u0423\u041b\u0418\u0421\u0410\u041c\u0418 \u0415\u0412\u0420\u041e\u041f\u0415\u0419\u0421\u041a\u0418\u0425 \u0421\u0422\u041e\u041b\u0418\u0426 \u0420\u0410\u0421\u0422\u0415\u0422 \u0416\u0415\u041b\u0410\u041d\u0418\u0415 \u0418\u0420\u0410\u041d\u0410<\/a><\/p>\n

 <\/p>\n

\u041f\u041e\u0414\u0414\u0415\u041b\u042c\u041d\u042b\u0415 \u041e\u0411\u0429\u0415\u0421\u0422\u0412\u0415\u041d\u041d\u042b\u0415 \u041e\u0420\u0413\u0410\u041d\u0418\u0417\u0410\u0426\u0418\u0418 \u0418 \u041c\u0410\u0420\u041e\u041a\u041a\u0410\u041d\u0421\u041a\u0418\u0415 \u0410\u0413\u0415\u041d\u0422\u042b \u0412 \u041b\u0418\u0412\u0418\u0419\u0421\u041a\u041e\u0419 \u0412\u041e\u0419\u041d\u0415<\/a><\/p>\n

 <\/p>\n

\u042d\u0420\u0414\u041e\u0413\u0410\u041d \u0418 \u041f\u0423\u0422\u0418\u041d: \u0422\u0410\u0419\u041d\u042b\u0419 \u0421\u041e\u042e\u0417 \u041d\u0410 \u041a\u0410\u0412\u041a\u0410\u0417\u0415<\/a><\/p>\n

\u0424\u0418\u041b\u0418\u041f \u041c\u041e\u0420\u0420\u0418\u0421 \u0418\u0414\u0415\u0422 \u041d\u0410 \u0412\u041e\u0419\u041d\u0423 \u2013 \u041d\u0410 \u0421\u0422\u041e\u0420\u041e\u041d\u0415 \u0410\u0420\u0410\u0411\u0421\u041a\u0418\u0425 \u0421\u0423\u041f\u0420\u0415\u041c\u0410\u0422\u0418\u0421\u0422\u041e\u0412, \u041f\u041e\u041f\u0423\u041b\u0418\u0421\u0422\u041e\u0412 \u0418 \u0428\u0415\u0419\u041a\u041e\u0412<\/a><\/p>\n

\u0414\u0412\u0418\u0416\u0415\u041d\u0418\u0415 5 \u0417\u0412\u0415\u0417\u0414 \u0418 \u0421\u0415\u0412\u0415\u0420\u041d\u0410\u042f \u041b\u0418\u0413\u0410: \u0418\u0421\u041f\u042b\u0422\u0410\u041d\u0418\u042f \u0414\u041b\u042f \u041f\u041e\u0421\u0422\u0424\u0410\u0428\u0418\u0421\u0422\u0421\u041a\u041e\u0413\u041e \u0418\u041d\u0422\u0415\u0420\u041d\u0410\u0426\u0418\u041e\u041d\u0410\u041b\u0410<\/a><\/p>\n

\u0417\u0410\u0427\u0410\u0420\u041e\u0412\u0410\u041d\u041d\u042b\u0415 \u0413\u041e\u0420\u042b \u0418 \u0424\u0418\u041d\u0410\u041d\u0421\u041e\u0412\u042b\u0415 \u0413\u041d\u041e\u041c\u042b<\/a><\/p>\n

\u041a\u0423\u0411\u0410 \u0421\u0415\u0413\u041e\u0414\u041d\u042f: \u0427\u0422\u041e \u041e\u0421\u0422\u0410\u041b\u041e\u0421\u042c \u041e\u0422 \u041c\u0415\u0427\u0422\u042b \u2013 \u0418 \u041e\u0422 \u041a\u041e\u0428\u041c\u0410\u0420\u0410<\/a><\/p>\n

AMERICAN LOBBYING<\/a><\/p>\n

\u041d\u0415\u0422\u0410\u041d\u042c\u042f\u0425\u0423 \u041a\u0410\u041a \u042d\u0420\u0414\u041e\u0413\u0410\u041d: \u0421\u0423\u0412\u0415\u0420\u0415\u041d\u0418\u0417\u041c \u041d\u0410\u0414\u0415\u0415\u0422\u0421\u042f \u041d\u0410 \u041c\u0418\u0420\u041e\u0412\u041e\u0419 \u041a\u041e\u041d\u0424\u041b\u0418\u041a\u0422<\/a><\/p>\n

GEZI \u041f\u0410\u0420\u041a: \u0421\u0418\u041c\u0412\u041e\u041b \u0422\u0423\u0420\u0426\u0418\u0418, \u041a\u041e\u0422\u041e\u0420\u0410\u042f \u0420\u0410\u0417\u0420\u0423\u0428\u0410\u0415\u0422\u0421\u042f<\/a><\/p>\n

HEEREMA: \u0414\u041e\u041b\u0413\u041e\u0415 \u041f\u0423\u0422\u0415\u0428\u0415\u0421\u0422\u0412\u0418\u0415 \u041e\u0422 \u041d\u0410\u0426\u0418\u0417\u041c\u0410 \u041a \u042d\u041a\u0421\u041f\u041b\u0423\u0410\u0422\u0410\u0426\u0418\u0418 \u041e\u041a\u0415\u0410\u041d\u0421\u041a\u041e\u0413\u041e \u0414\u041d\u0410<\/a><\/p>\n

\u041f\u041e\u0421\u041b\u0415 \u0421\u0422\u0410\u0422\u042c\u0418 \u0410\u041b\u042c\u0414\u041e \u0422\u041e\u0420\u041a\u042c\u042f\u0420\u041e (ALDO TORCHIARO): GENNARO VECCHIONE \u2013 \u0422\u041e\u041b\u042c\u041a\u041e \u0412\u0415\u0420\u0428\u0418\u041d\u0410 \u0410\u0419\u0421\u0411\u0415\u0420\u0413\u0410<\/a><\/p>\n

CAMBRIDGE ANALYTICA: \u041f\u0420\u0415\u0421\u0422\u0423\u041f\u041d\u0418\u041a\u0418, \u041a\u041e\u0422\u041e\u0420\u042b\u0415 \u0423\u0411\u0415\u0414\u0418\u041b\u0418 \u041d\u0410\u0421 \u0413\u041e\u041b\u041e\u0421\u041e\u0412\u0410\u0422\u042c \u0417\u0410 \u0422\u0420\u0410\u041c\u041f\u0410<\/a><\/p>\n

\u0414\u041e\u0411\u0420\u042b\u0419 \u0411\u0420\u0410\u0422 \u0418 \u041f\u041b\u041e\u0425\u041e\u0419 \u0411\u0420\u0410\u0422: \u041a\u0410\u041a \u0414\u0418\u041d\u0410\u0421\u0422\u0418\u042f \u0410\u041b\u042c-\u041d\u0410\u0425\u0410\u042f\u041d \u0421\u041a\u0420\u042b\u0412\u0410\u0415\u0422 \u0421\u041e\u0411\u0421\u0422\u0412\u0415\u041d\u041d\u041e\u0415 \u041b\u0418\u0426\u041e<\/a><\/p>\n

\u0410\u0428-\u0428\u0410\u0411\u0410\u0411: \u0414\u0410\u041c\u041e\u041a\u041b\u041e\u0412 \u041c\u0415\u0427 \u041d\u0410\u0414 \u0421\u041e\u041c\u0410\u041b\u0418<\/a><\/p>\n

\u0421\u041e\u041a\u041e\u0422\u0420\u0410, \u041f\u041e\u0421\u041b\u0415\u0414\u041d\u0418\u0419 \u0427\u0423\u0414\u0415\u0421\u041d\u042b\u0419 \u0417\u0410\u0427\u0410\u0420\u041e\u0412\u0410\u041d\u041d\u042b\u0419 \u041e\u0421\u0422\u0420\u041e\u0412<\/a><\/p>\n

\u041c\u041e\u0425\u0410\u041c\u041c\u0415\u0414 \u0414\u0410\u0425\u041b\u0410\u041d, \u0423\u0411\u0418\u0419\u0426\u0410 \u041a\u041e\u0420\u041e\u041b\u042f<\/a><\/p>\n

\u041a\u042e\u0420\u0410\u0421\u0410\u041e: \u0420\u041e\u0416\u0414\u0415\u041d\u0418\u0415 \u0418 \u0421\u041c\u0415\u0420\u0422\u042c \u041d\u0410\u041b\u041e\u0413\u041e\u0412\u041e\u0419 \u0413\u0410\u0412\u0410\u041d\u0418<\/a><\/p>\n

\u0427\u0418\u041b\u0418 \u0413\u0410\u0411\u0420\u0418\u042d\u041b\u042f \u0411\u041e\u0420\u0418\u0427: \u0412\u041e\u0417\u0412\u0420\u0410\u0429\u0415\u041d\u0418\u0415 \u041d\u0410\u0414\u0415\u0416\u0414\u042b<\/a><\/p>\n

\u0411\u0415\u0421\u0427\u0415\u0421\u0422\u041d\u042b\u0415 \u0420\u042b\u0426\u0410\u0420\u0418 (\u042d\u041d\u0415)\u041c\u0410\u041b\u042c\u0422\u042b<\/a><\/p>\n

\u042d\u0413\u0415\u0419\u0421\u041a\u041e\u0415 \u041c\u041e\u0420\u0415 \u2013 \u0421\u0410\u041c\u042b\u0419 \u0413\u041e\u0420\u042f\u0427\u0418\u0419 \u0420\u0423\u0411\u0415\u0416 \u0415\u0412\u0420\u041e\u041f\u042b<\/a><\/p>\n

\u041a\u0410\u041a \u0422\u0423\u0420\u0426\u0418\u042f \u041f\u042b\u0422\u0410\u0415\u0422 \u0418 \u0423\u0411\u0418\u0412\u0410\u0415\u0422 \u0418\u041d\u0422\u0415\u041b\u041b\u0415\u041a\u0422\u0423\u0410\u041b\u041e\u0412<\/a><\/p>\n

\u0421\u0415\u0419\u0428\u0415\u041b\u042c\u0421\u041a\u0418\u0415 \u041e\u0421\u0422\u0420\u041e\u0412\u0410: \u041a\u041e\u041f\u0418\u041b\u041a\u0410 \u041e\u041b\u0418\u0413\u0410\u0420\u0425\u041e\u0412<\/a><\/p>\n

\u042d\u041c\u0418\u0420\u0410\u0422\u042b: \u0412\u0415\u041b\u0418\u041a\u0418\u0419 \u0420\u0410\u0419 \u0414\u041b\u042f \u041f\u0420\u0415\u0421\u0422\u0423\u041f\u041d\u0418\u041a\u041e\u0412<\/a><\/p>\n

\u0422\u041e\u0422, \u041a\u0422\u041e \u041a\u041e\u041d\u0422\u0420\u041e\u041b\u0418\u0420\u0423\u0415\u0422 TWITTER, \u041c\u041e\u0416\u0415\u0422 \u0423\u041f\u0420\u0410\u0412\u041b\u042f\u0422\u042c \u041c\u0418\u0420\u041e\u041c<\/a><\/p>\n

\u041d\u041e\u0412\u042b\u0419 \u041c\u0418\u041b\u0410\u041d \u0410\u0420\u0410\u0411\u0421\u041a\u0418\u0425 \u041c\u0418\u041b\u0418\u0422\u0410\u0420\u0418\u0421\u0422\u041e\u0412<\/a><\/p>\n

\u0411\u0423\u0414\u0423\u0429\u0415\u0415 \u0410\u0424\u0420\u0418\u041a\u0418 \u0417\u0410\u0412\u0418\u0421\u0418\u0422 \u041e\u0422 \u041a\u041e\u041d\u0413\u041e<\/a><\/p>\n

TRAFIGURA, \u041f\u0423\u0422\u0418\u041d \u0418 \u042d\u0422\u0418 \u0411\u0415\u0421\u041f\u041e\u041b\u0415\u0417\u041d\u042b\u0415 \u0421\u0410\u041d\u041a\u0426\u0418\u0418<\/a><\/p>\n

\u041f\u0410\u041b\u0415\u0421\u0422\u0418\u041d\u0410, \u041a\u0423\u0414\u0410 \u041a\u0410\u0416\u0414\u042b\u0419 \u0414\u0415\u041d\u042c \u0412\u041e\u0417\u0412\u0420\u0410\u0429\u0410\u0415\u0422\u0421\u042f \u041a\u0410\u0418\u041d<\/a><\/p>\n

\u0421\u0410\u041c\u041c\u0418\u0422 \u0412 \u041b\u041e\u0421 \u0410\u041d\u0416\u0415\u041b\u0415\u0421\u0415, \u041e\u0427\u0415\u0420\u0415\u0414\u041d\u041e\u0419 \u041f\u0420\u041e\u0412\u0410\u041b \u0410\u041c\u0415\u0420\u0418\u041a\u0410\u041d\u0421\u041a\u041e\u0419 \u0412\u041d\u0415\u0428\u041d\u0415\u0419 \u041f\u041e\u041b\u0418\u0422\u0418\u041a\u0418<\/a><\/p>\n

\u041a\u0410\u0422\u0410\u0421\u0422\u0420\u041e\u0424\u0410 BREXIT \u0418 \u041f\u0410\u0414\u0415\u041d\u0418\u0415 \u0411\u041e\u0420\u0418\u0421\u0410 \u0414\u0416\u041e\u041d\u0421\u041e\u041d\u0410<\/a><\/p>\n

\u042d\u041b\u041e\u041d \u041c\u0410\u0421\u041a: \u0421\u0410\u041c\u042b\u0419 \u041e\u041f\u0410\u0421\u041d\u042b\u0419 \u0412 \u041c\u0418\u0420\u0415 \u041d\u0410\u0413\u041b\u0415\u0426<\/a><\/p>\n

\u0421\u041e\u0415\u0414\u0418\u041d\u0415\u041d\u041d\u042b\u0415 \u0428\u0422\u0410\u0422\u042b \u0410\u041c\u0415\u0420\u0418\u041a\u0418: \u041d\u041e\u0412\u042b\u0419 \u0422\u0420\u0415\u0422\u0418\u0419 \u041c\u0418\u0420<\/a><\/p>\n

\u041e\u0414\u0418\u041d\u041e\u041a\u0418 \u041a\u0410\u041a \u041a\u0423\u0420\u0414\u042b<\/a><\/p>\n

\u0415\u0421\u041b\u0418 \u0422\u042b \u0414\u0420\u0423\u0413 \u042d\u0420\u0414\u041e\u0413\u0410\u041d\u0410, \u0422\u0415\u0411\u0415 \u041d\u0415 \u041d\u0423\u0416\u041d\u042b \u0412\u0420\u0410\u0413\u0418<\/a><\/p>\n

\u041f\u0418\u0422\u0415\u0420 \u0422\u0418\u041b\u042c: \u041c\u0415\u0427\u0422\u0410 \u041e \u041c\u0418\u0421\u0422\u0418\u0427\u0415\u0421\u041a\u041e\u0419 \u0422\u0415\u0425\u041d\u041e\u041a\u0420\u0410\u0422\u0418\u0418<\/a><\/p>\n

\u0421\u041c\u0415\u0420\u0422\u042c \u041f\u0420\u0415\u0421\u0421\u042b: \u0410\u041d\u041e\u041d\u0421\u0418\u0420\u041e\u0412\u0410\u041d\u041d\u041e\u0415 \u041c\u0415\u0414\u041b\u0415\u041d\u041d\u041e\u0415 \u0421\u0410\u041c\u041e\u0423\u0411\u0418\u0419\u0421\u0422\u0412\u041e<\/a><\/p>\n

\u041c\u0410\u0420\u0422\u0410 \u041a\u0423\u0411\u0418\u0428\u041e\u0412\u0410, \u0413\u041e\u041b\u041e\u0421 \u041f\u0420\u041e\u0422\u0418\u0412 \u0422\u0410\u041d\u041a\u041e\u0412<\/a><\/p>\n

\u0422\u0410\u0419\u0412\u0410\u041d\u042c, \u0417\u0415\u041b\u0415\u041d\u0410\u042f \u042d\u041d\u0415\u0420\u0413\u0418\u042f \u0418 \u0421\u0422\u0420\u0410\u0425 \u041f\u0415\u0420\u0415\u0414 \u041a\u0418\u0422\u0410\u0415\u041c<\/a><\/p>\n

\u041f\u0415\u0420\u041e \u0423\u0411\u0418\u0412\u0410\u0415\u0422 \u0421\u0418\u041b\u042c\u041d\u0415\u0415 \u041c\u0415\u0427\u0410<\/a><\/p>\n

SHEIN: \u041a\u0418\u0422\u0410\u0419\u0421\u041a\u0418\u0419 \u041b\u042e\u0414\u041e\u0415\u0414, \u0420\u0410\u0421\u0422\u0423\u0429\u0418\u0419 \u0412 \u0422\u0415\u041d\u0418<\/a><\/p>\n

\u0410\u041d\u0412\u0410\u0420 \u0413\u0410\u0420\u0413\u0410\u0428: \u0427\u0415\u041b\u041e\u0412\u0415\u041a \u0412\u041e\u0415\u041d\u041d\u042b\u0425 \u0421\u041e\u042e\u0417\u041e\u0412<\/a><\/p>\n

\u0422\u0410\u041b\u042c\u0425\u0410\u041d\u0410\u041d: \u0421\u041c\u0415\u0420\u0422\u042c \u041f\u0420\u0410\u0412\u0414\u042b<\/a><\/p>\n

\u0420\u0423\u0421\u0421\u041a\u0418\u0415 \u0422\u0415\u041d\u0418 \u0412 \u0421\u041a\u0410\u041d\u0414\u0410\u041b\u0415 AFRILAND<\/a><\/p>\n

\u0416\u0418\u0417\u041d\u042c \u0418 \u0427\u0423\u0414\u0415\u0421\u0410 \u041d\u0410\u0415\u041c\u041d\u0418\u041a\u0410 \u0412 \u0412\u041e\u0419\u041d\u0415 \u0421\u041e \u0421\u041c\u0418<\/a><\/p>\n

\u041f\u041b\u0410\u0421\u0422\u0418\u041a \u0418 \u041a\u0420\u041e\u0412\u042c \u0414\u041b\u042f \u0410\u041d\u0423\u0421\u041e\u0412 \u041d\u0415\u041e\u041d\u0410\u0426\u0418\u0421\u0422\u041e\u0412<\/a><\/td>\n

SO GLAUBT ABU DHABI, DONALD TRUMP STEUERN ZU K\u00d6NNEN<\/a><\/p>\n

 <\/p>\n

DER GEHEIME K\u00d6NIG VON TAORMINA<\/a><\/p>\n

 <\/p>\n

VATIKAN UND MUSLIMBRUDERSCHAFT: 100 JAHRE POLITISCHEN UND WIRTSCHAFTLICHEN BEZIEHUNGEN<\/a><\/p>\n

 <\/p>\n

HINTER DEN KULISSEN DER EUROP\u00c4ISCHEN HAUPTST\u00c4DTE W\u00c4CHST DER WUNSCH NACH IRAN<\/a><\/p>\n

 <\/p>\n

FALSCHE NGOS UND MAROKKANISCHE AGENTEN IM LIBYENKRIEG<\/a><\/p>\n

 <\/p>\n

ERDO\u011eAN UND PUTIN: DIE GEHEIME ALLIANZ IM KAUKASUS<\/a><\/p>\n

PHILIP MORRIS ZIEHT IN DEN KRIEG \u2013 MIT POPULISTEN, RECHTSEXTREMISTEN UND ARABISCHEN SCHEICHS<\/a><\/p>\n

5-STERNE-BEWEGUNG UND LEGANORD: GENERALPROBEN F\u00dcR EINE POSTFASCHISTISCHE INTERNATIONALE<\/a><\/p>\n

DER VERZAUBERTE BERG UND DIE GNOME DER FINANZ<\/a><\/p>\n

KUBA HEUTE: WAS BLEIBT VOM TRAUM \u2013 UND VOM ALBTRAUM<\/a><\/p>\n

AMERICAN LOBBYING<\/a><\/p>\n

NETANJAHU WIE ERDO\u011eAN: DIE POPULISTEN STREBEN NACH EINEM WELTKONFLIKT<\/a><\/p>\n

GEZI PARK: DAS SYMBOL DES ZUSAMMENBRUCHS DER T\u00dcRKEI<\/a><\/p>\n

HEEREMA: DIE LANGE REISE VOM NATIONALSOZIALISMUS ZUR AUSBEUTUNG DES MEERESBODENS<\/a><\/p>\n

NACH DEM ARTIKEL VON ALDO TORCHIARO: GENNARO VECCHIONE IST NUR DIE SPITZE DES EISBERGS<\/a><\/p>\n

CAMBRIDGE ANALYTICA: DIE KRIMINELLEN, DIE UNS \u00dcBERREDEN, F\u00dcR TRUMP ZU STIMMEN<\/a><\/p>\n

LIEBER BRUDER UND B\u00d6SER BRUDER: WIE DIE AL-NAHYAN-DYNASTIE IHR WAHRES GESICHT VERBIRGT<\/a><\/p>\n

AL-SHABAAB: DAS DAMOKLESSCHWERT \u00dcBER SOMALIA<\/a><\/p>\n

SOKOTRA, DIE LETZTE WUNDERBARE, VERWUNSCHENE INSEL<\/a><\/p>\n

MOHAMMED DAHLAN, AUFTRAGSM\u00d6RDER F\u00dcR DEN K\u00d6NIG<\/a><\/p>\n

CURA\u00c7AO: GEBURT UND TOD EINES STEUERPARADIESES<\/a><\/p>\n

GABRIEL BORIC\u2019S CHILE: DIE R\u00dcCKKEHR DER HOFFNUNG<\/a><\/p>\n

DIE UNEHRENHAFTEN RITTER VON (ENE)MALTA<\/a><\/p>\n

DIE \u00c4G\u00c4IS, DIE HEI\u00dfESTE GRENZE IN EUROPA<\/a><\/p>\n

WIE DIE T\u00dcRKEI INTELLEKTUELLE FOLTERT UND T\u00d6TET<\/a><\/p>\n

SEYCHELLEN: DAS SPARSCHWEIN DER OLIGARCHEN<\/a><\/p>\n

EMIRATE: DAS GR\u00d6\u00dfTE VERBRECHERPARADIES DER WELT<\/a><\/p>\n

WER TWITTER KONTROLLIERT, KANN DIE WELT BEHERRSCHEN<\/a><\/p>\n

DAS NEUE AC MAILAND DER ARABISCHEN MILITARISTEN<\/a><\/p>\n

AFRIKAS ZUKUNFT H\u00c4NGT VOM KONGO AB<\/a><\/p>\n

TRAFIGURA, PUTIN UND DIE NUTZLOSEN SANKTIONEN<\/a><\/p>\n

PAL\u00c4STINA, WO KAIN JEDEN TAG ZUR\u00dcCKKEHRT<\/a><\/p>\n

DAS GIPFEL VON LOS ANGELES, EIN WEITERES SCHEITERN DER US-AU\u00dfENPOLITIK<\/a><\/p>\n

DAS BREXIT-DESASTER UND DER STURZ VON BORIS JOHNSON<\/a><\/p>\n

ELON MUSK: DER GEF\u00c4HRLICHSTE ANGEBER DER WELT<\/a><\/p>\n

VEREINIGTE STAATEN VON AMERIKA: DIE NEUE DRITTE WELT<\/a><\/p>\n

EINSAM WIE DIE KURDEN<\/a><\/p>\n

WENN DU ERDOGANS FREUND BIST, BRAUCHST DU KEINE FEINDE MEHR<\/a><\/p>\n

PETER THIEL: DER TRAUM VON EINER MYSTISCHEN TECHNOKRATIE<\/a><\/p>\n

TOD DER PRESSE: EIN ANGEK\u00dcNDIGTER STILLMORD<\/a><\/p>\n

MARTA KUBI\u0160OV\u00c1, JENE STIMME GEGEN DIE PANZER<\/a><\/p>\n

TAIWAN, GR\u00dcNE ENERGIE UND DIE ANGST VOR CHINA<\/a><\/p>\n

DIE FEDER, DIE MEHR T\u00d6TET ALS DAS SCHWERT<\/a><\/p>\n

SHEIN: DAS CHINESISCHE UNGEHEUER, DAS IM VERBORGENEN W\u00c4CHST<\/a><\/p>\n

ANWAR GARGASH: DER MANN DER MILIT\u00c4RB\u00dcNDNISSE<\/a><\/p>\n

TAL HANAN: DER TOD DER WAHRHEIT<\/a><\/p>\n

RUSSISCHE SCHATTEN AUF DEM AFRILAND-SKANDAL<\/a><\/p>\n

LEBEN UND WUNDER EINES S\u00d6LDNERS IM MEDIENKRIEG<\/a><\/p>\n

PLASTIK UND BLUT F\u00dcR NEONAZI-ANUS<\/a><\/td>\n

SOCOTRA, LA \u00daLTIMA Y MARAVILLOSA ISLA ENCANTADA<\/a><\/p>\n

MOHAMMED DAHLAN, ASESINO A SUELDO DEL REY<\/a><\/p>\n

FALSAS ONG Y AGENTES MARROQU\u00cdES EN GUERRA EN LIBIA<\/a><\/p>\n

HEEREMA: EL LARGO VIAJE DEL NAZISMO A LA EXPLOTACI\u00d3N DE LOS FONDOS MARINOS<\/a><\/p>\n

ERDOGAN Y PUTIN: LA ALIANZA SECRETA EN EL C\u00c1UCASO<\/a><\/p>\n

CUBA, HOY: LO QUE QUEDA DEL SUE\u00d1O \u2013 Y DE LA PESADILLA<\/a><\/p>\n

AMERICAN LOBBYING<\/a><\/p>\n

LA MONTA\u00d1A ENCANTADA Y LOS GNOMOS DE LAS FINANZAS<\/a><\/p>\n

LA EXPLOTACI\u00d3N DE LOS FONDOS MARINOS, LA NUEVA FRONTERA DE LA AUTODESTRUCCI\u00d3N DE LA HUMANIDAD<\/a><\/p>\n

EL VATICANO Y LOS HERMANOS MUSULMANES: UN SIGLO DE RELACIONES POL\u00cdTICAS Y FINANCIERAS<\/a><\/p>\n

EL REY SECRETO DE TAORMINA<\/a><\/p>\n

SI ABU DHABI CREE QUE EST\u00c1 \u00abPILOTANDO\u00bb A DONALD TRUMP<\/a><\/p>\n

EL MOVIMIENTO 5 ESTRELLAS Y LA LIGA NORTE: ENSAYO GENERAL DE UNA INTERNACIONAL POST-FASCISTA<\/a><\/p>\n

PARQUE GEZI: EL S\u00cdMBOLO DEL COLAPSO DE TURQU\u00cdA<\/a><\/p>\n

NETANYAHU COMO ERDO\u011eAN: EL SOBERANISMO ESPERA UN CONFLICTO MUNDIAL<\/a><\/p>\n

AL-SHABAAB: LA ESPADA DE DAMOCLES SOBRE SOMALIA<\/a><\/p>\n

TRAS EL ART\u00cdCULO DE ALDO TORCHIARO: GENNARO VECCHIONE ES S\u00d3LO LA PUNTA DEL ICEBERG<\/a><\/p>\n

ENTRE BASTIDORES, EN LAS CAPITALES EUROPEAS, CRECE EL DESEO DE IR\u00c1N<\/a><\/p>\n

HERMANO BUENO Y HERMANO MALO: C\u00d3MO LA DINAST\u00cdA AL-NAHYAN OCULTA SU VERDADERO ROSTRO<\/a><\/p>\n

CURA\u00c7AO: NACIMIENTO Y MUERTE DE UN PARA\u00cdSO FISCAL<\/a><\/p>\n

EL CHILE DE GABRIEL BORIC: EL RETORNO DE LA ESPERANZA<\/a><\/p>\n

LOS DESHONROSOS CABALLEROS DE (ENE)MALTA<\/a><\/p>\n

EL EGEO, LA FRONTERA M\u00c1S CALIENTE DE EUROPA<\/a><\/p>\n

C\u00d3MO TORTURA Y MATA TURQU\u00cdA A LOS INTELECTUALES<\/a><\/p>\n

SEYCHELLES: LA HUCHA DE LOS OLIGARCAS<\/a><\/p>\n

EMIRATOS: EL GRAN PARA\u00cdSO DE LOS DELINCUENTES<\/a><\/p>\n

QUIEN CONTROLA TWITTER PUEDE GOBERNAR EL MUNDO<\/a><\/p>\n

EL NUEVO MIL\u00c1N DE LOS MILITARISTAS \u00c1RABES<\/a><\/p>\n

EL FUTURO DE \u00c1FRICA DEPENDE DEL CONGO<\/a><\/p>\n

TRAFIGURA, PUTIN Y ESAS SANCIONES IN\u00daTILES<\/a><\/p>\n

PALESTINA, DONDE CADA D\u00cdA VUELVE CA\u00cdN<\/a><\/p>\n

LA CONFERENCIA DE LOS \u00c1NGELES, FRACASO DE LA POL\u00cdTICA EXTERIOR DE EE.UU.<\/a><\/p>\n

EL DESASTRE DEL BREXIT Y LA CA\u00cdDA DE BORIS JOHNSON<\/a><\/p>\n

ELON MUSK: EL FANFARR\u00d3N M\u00c1S PELIGROSO DEL MUNDO<\/a><\/p>\n

ESTADOS UNIDOS DE AM\u00c9RICA: EL NUEVO TERCER MUNDO<\/a><\/p>\n

TAN SOLO COMO LOS KURDOS<\/a><\/p>\n

SI ERES AMIGO DE ERDOGAN, NO NECESITAS M\u00c1S ENEMIGOS<\/a><\/p>\n

PETER THIEL: EL SUE\u00d1O DE UNA TECNOCRACIA M\u00cdSTICA<\/a><\/p>\n

LA MUERTE DE LA PRENSA: UN STILLICIDIO ANUNCIADO<\/a><\/p>\n

MARTA KUBI\u0160OV\u00c1, LA VOZ CONTRA LOS TANQUES<\/a><\/p>\n

TAIW\u00c1N, LA ENERG\u00cdA VERDE Y EL MIEDO A CHINA<\/a><\/p>\n

LA PLUMA QUE MATA M\u00c1S QUE LA ESPADA<\/a><\/p>\n

SHEIN: EL OGRO CHINO QUE CRECE EN LA SOMBRA<\/a><\/p>\n

ANWAR GARGASH: EL HOMBRE DE LAS ALIANZAS MILITARES<\/a><\/p>\n

TAL HANAN: LA MUERTE DE LA VERDAD<\/a><\/p>\n

SOMBRAS RUSAS SOBRE EL ESC\u00c1NDALO AFRILAND<\/a><\/p>\n

VIDA Y MILAGROS DE UN MERCENARIO EN LA GUERRA MEDI\u00c1TICA<\/a><\/p>\n

PL\u00c1STICO Y SANGRE PARA ANOS NEONAZIS<\/a><\/td>\n<\/tr>\n

<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

\"\"Tsepkalo<\/strong>, Valery<\/p>\n

Politician, 1965-
\n\"\"<\/td>\n

COMMENT TROIS \u00ab FILLES \u00bb POURRAIENT SAUVER LA BIELORUSSIE<\/a><\/p>\n

LA SOUFFRANCE DES ABANDONN\u00c9S: LA BI\u00c9LORUSSIE NE SE REND PAS AU TYRAN<\/a><\/p>\n

BELARUS: LE SILENCE DU DESESPOIR<\/a><\/p>\n

DMITRYI MAZEPIN, LE PREMIER OLIGARQUE DE LONDONGRAD<\/a><\/p>\n

MINSK, DEUX ANS APRES : UN DEUIL SANS ESPOIR<\/a><\/td>\n

HOW THREE \u201cGIRLS\u201d COULD SAVE BELARUS<\/a><\/p>\n

THE SUFFERING OF THE ABANDONED: BELARUS DOES NOT SURRENDER TO THE TYRANT<\/a><\/p>\n

BELARUS: THE SILENCE OF DESPAIR<\/a><\/p>\n

DMITRIJ MAZEPIN, THE FIRST OLIGARCH OF LONDONGRAD<\/a><\/p>\n

MINSK, TWO YEARS LATER: MOURNING WITHOUT HOPE<\/a><\/td>\n

ECCO LE TRE \u201cRAGAZZE\u201d CHE POTREBBERO SALVARE LA BIELORUSSIA<\/a><\/p>\n

LO STRAZIO DEGLI ABBANDONATI: LA BIELORUSSIA NON SI ARRENDE AL TIRANNO<\/a><\/p>\n

BIELORUSSIA: IL SILENZIO DELLA DISPERAZIONE<\/a><\/p>\n

DMITRIJ MAZEPIN, IL PRIMO OLIGARCA DI LONDONGRAD<\/a><\/p>\n

MINSK, DUE ANNI DOPO: IL LUTTO SENZA SPERANZA<\/a><\/td>\n

\u041a\u0410\u041a \u0422\u0420\u0418 \u00ab\u0414\u0415\u0412\u0423\u0428\u041a\u0418\u00bb \u041c\u041e\u0413\u0423\u0422 \u0421\u041f\u0410\u0421\u0422\u0418 \u0411\u0415\u041b\u0410\u0420\u0423\u0421\u042c<\/a><\/p>\n

\u0421\u0422\u0420\u0410\u0422\u0415\u0413\u0418\u042f \u0417\u0410\u0411\u0420\u041e\u0428\u0415\u041d\u041d\u042b\u0425: \u0411\u0415\u041b\u0410\u0420\u0423\u0421\u042c \u041d\u0415 \u0421\u0414\u0410\u0415\u0422\u0421\u042f \u0422\u0418\u0420\u0410\u041d\u0423<\/a><\/p>\n

\u0411\u0415\u041b\u0410\u0420\u0423\u0421\u042c: \u041c\u041e\u041b\u0427\u0410\u041d\u0418\u0415 \u041e\u0422\u0427\u0410\u042f\u041d\u0418\u042f<\/a><\/p>\n

\u0414\u041c\u0418\u0422\u0420\u0418\u0419 \u041c\u0410\u0417\u0415\u041f\u0418\u041d, \u041f\u0415\u0420\u0412\u042b\u0419 \u041e\u041b\u0418\u0413\u0410\u0420\u0425 \u041b\u041e\u041d\u0414\u041e\u041d\u0413\u0420\u0410\u0414\u0410<\/a><\/p>\n

\u041c\u0418\u041d\u0421\u041a \u0414\u0412\u0410 \u0413\u041e\u0414\u0410 \u0421\u041f\u0423\u0421\u0422\u042f: \u0422\u0420\u0410\u0423\u0420 \u0411\u0415\u0417 \u041d\u0410\u0414\u0415\u0416\u0414\u042b<\/a><\/td>\n

WIE DREI \u201cM\u00c4DCHEN\u201d BELARUS RETTEN K\u00d6NNTEN<\/a><\/p>\n

DAS LEIDEN DER VERLASSENEN: WEI\u00dfRUSSLAND ERGIBT SICH NICHT DEM TYRANNEN<\/a><\/p>\n

BELARUS: DAS SCHWEIGEN DER VERZWEIFLUNG<\/a><\/p>\n

DMITRIJ MAZEPIN, DER ERSTE OLIGARCH VON LONDONGRAD<\/a><\/p>\n

MINSK, ZWEI JAHRE DANACH: TRAUER OHNE HOFFNUNG<\/a><\/td>\n

DMITRIJ MAZEPIN, EL PRIMER OLIGARCA DE LONDONGRAD<\/a><\/p>\n

ESTAS SON LAS TRES \u00abCHICAS\u00bb QUE PODR\u00cdAN SALVAR A BIELORRUSIA<\/a><\/p>\n

LA ANGUSTIA DE LOS ABANDONADOS: BIELORRUSIA NO SE RINDE ANTE EL TIRANO<\/a><\/p>\n

BIELORRUSIA: EL SILENCIO DE LA DESESPERACI\u00d3N<\/a><\/p>\n

MINSK, DOS A\u00d1OS DESPU\u00c9S: LUTO SIN ESPERANZA<\/a><\/td>\n<\/tr>\n

<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

\"\"Tsepkalo<\/strong>, Veronika<\/p>\n

Politician, 1972-
\n\"\"<\/td>\n

COMMENT TROIS \u00ab FILLES \u00bb POURRAIENT SAUVER LA BIELORUSSIE<\/a><\/p>\n

LA SOUFFRANCE DES ABANDONN\u00c9S: LA BI\u00c9LORUSSIE NE SE REND PAS AU TYRAN<\/a><\/p>\n

BELARUS: LE SILENCE DU DESESPOIR<\/a><\/p>\n

MINSK, DEUX ANS APRES : UN DEUIL SANS ESPOIR<\/a><\/td>\n

HOW THREE \u201cGIRLS\u201d COULD SAVE BELARUS<\/a><\/p>\n

THE SUFFERING OF THE ABANDONED: BELARUS DOES NOT SURRENDER TO THE TYRANT<\/a><\/p>\n

BELARUS: THE SILENCE OF DESPAIR<\/a><\/p>\n

MINSK, TWO YEARS LATER: MOURNING WITHOUT HOPE<\/a><\/td>\n

ECCO LE TRE \u201cRAGAZZE\u201d CHE POTREBBERO SALVARE LA BIELORUSSIA<\/a><\/p>\n

LO STRAZIO DEGLI ABBANDONATI: LA BIELORUSSIA NON SI ARRENDE AL TIRANNO<\/a><\/p>\n

BIELORUSSIA: IL SILENZIO DELLA DISPERAZIONE<\/a><\/p>\n

MINSK, DUE ANNI DOPO: IL LUTTO SENZA SPERANZA<\/a><\/td>\n

\u041a\u0410\u041a \u0422\u0420\u0418 \u00ab\u0414\u0415\u0412\u0423\u0428\u041a\u0418\u00bb \u041c\u041e\u0413\u0423\u0422 \u0421\u041f\u0410\u0421\u0422\u0418 \u0411\u0415\u041b\u0410\u0420\u0423\u0421\u042c<\/a><\/p>\n

\u0421\u0422\u0420\u0410\u0422\u0415\u0413\u0418\u042f \u0417\u0410\u0411\u0420\u041e\u0428\u0415\u041d\u041d\u042b\u0425: \u0411\u0415\u041b\u0410\u0420\u0423\u0421\u042c \u041d\u0415 \u0421\u0414\u0410\u0415\u0422\u0421\u042f \u0422\u0418\u0420\u0410\u041d\u0423<\/a><\/p>\n

\u0411\u0415\u041b\u0410\u0420\u0423\u0421\u042c: \u041c\u041e\u041b\u0427\u0410\u041d\u0418\u0415 \u041e\u0422\u0427\u0410\u042f\u041d\u0418\u042f<\/a><\/p>\n

\u041c\u0418\u041d\u0421\u041a \u0414\u0412\u0410 \u0413\u041e\u0414\u0410 \u0421\u041f\u0423\u0421\u0422\u042f: \u0422\u0420\u0410\u0423\u0420 \u0411\u0415\u0417 \u041d\u0410\u0414\u0415\u0416\u0414\u042b<\/a><\/td>\n

WIE DREI \u201cM\u00c4DCHEN\u201d BELARUS RETTEN K\u00d6NNTEN<\/a><\/p>\n

DAS LEIDEN DER VERLASSENEN: WEI\u00dfRUSSLAND ERGIBT SICH NICHT DEM TYRANNEN<\/a><\/p>\n

BELARUS: DAS SCHWEIGEN DER VERZWEIFLUNG<\/a><\/p>\n

MINSK, ZWEI JAHRE DANACH: TRAUER OHNE HOFFNUNG<\/a><\/td>\n

ESTAS SON LAS TRES \u00abCHICAS\u00bb QUE PODR\u00cdAN SALVAR A BIELORRUSIA<\/a><\/p>\n

LA ANGUSTIA DE LOS ABANDONADOS: BIELORRUSIA NO SE RINDE ANTE EL TIRANO<\/a><\/p>\n

BIELORRUSIA: EL SILENCIO DE LA DESESPERACI\u00d3N<\/a><\/p>\n

MINSK, DOS A\u00d1OS DESPU\u00c9S: LUTO SIN ESPERANZA<\/a><\/td>\n<\/tr>\n

<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

 <\/p>\n

\"\"Tsereteli<\/strong>, Akaki<\/p>\n

Novelist, 1840-1915
\n\"\"<\/td>\n

GEORGIE: DES ROSES CONTRE LA PEUR DES RUSSES<\/a><\/td>\nGEORGIA: ROSES AGAINST THE FEAR OF THE RUSSIANS<\/a><\/td>\nGEORGIA: ROSE IN PIAZZA CONTRO LA PAURA DEI RUSSI<\/a><\/td>\n\u0413\u0420\u0423\u0417\u0418\u042f: \u0420\u041e\u0417\u042b \u041d\u0410 \u0423\u041b\u0418\u0426\u0410\u0425 \u041f\u0420\u041e\u0422\u0418\u0412 \u0421\u0422\u0420\u0410\u0425\u0410 \u0420\u0423\u0421\u0421\u041a\u0418\u0425<\/a><\/td>\nGEORGIEN: AUF DEN STRA\u00dfEN, ROSEN GEGEN DIE RUSSEN<\/a><\/td>\nGEORGIA: ROSAS CONTRA EL MIEDO A LOS RUSOS<\/a><\/td>\n<\/tr>\n
<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

\"\"Tshisekedi,<\/strong> Etienne<\/p>\n

Politician, 1932-2017
\n\"\"<\/td>\n

L\u2019AVENIR DE L\u2019AFRIQUE DEPEND DU CONGO<\/a><\/td>\nAFRICA\u2019S FUTURE DEPENDS ON CONGO<\/a><\/td>\nIL FUTURO DELL\u2019AFRICA DIPENDE DAL CONGO<\/a><\/td>\n\u0411\u0423\u0414\u0423\u0429\u0415\u0415 \u0410\u0424\u0420\u0418\u041a\u0418 \u0417\u0410\u0412\u0418\u0421\u0418\u0422 \u041e\u0422 \u041a\u041e\u041d\u0413\u041e<\/a><\/td>\nAFRIKAS ZUKUNFT H\u00c4NGT VOM KONGO AB<\/a><\/td>\nEL FUTURO DE \u00c1FRICA DEPENDE DEL CONGO<\/a><\/td>\n<\/tr>\n
<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

 <\/p>\n

\"\"Tshisekedi<\/strong>, F\u00e9lix<\/p>\n

Politician, 1963-<\/p>\n

\"\"<\/td>\n

60 ANS DE DICTATURE ET 200 ANS DE GUERRES, D\u2019ESCLAVAGE ET DE CONTREBANDE: BIENVENUE AU CONGO<\/a><\/p>\n

ERIC MONGA MUMBA ET LE KATANGA: LE VRAI VISAGE DU POUVOIR<\/a><\/p>\n

L\u2019AVENIR DE L\u2019AFRIQUE DEPEND DU CONGO<\/a><\/p>\n

RWANDA, CONGO ET OUGANDA: LA FRONTIERE MAUDITE<\/a><\/p>\n

LES OMBRES RUSSES SUR LE SCANDALE AFRILAND<\/a><\/td>\n

60 YEARS OF DICTATORSHIP AND 200 YEARS OF WARS, SLAVERY AND SMUGGLING: WELCOME TO THE CONGO<\/a><\/p>\n

ERIC MONGA MUMBA AND KATANGA: THE TRUE FACE OF THE POWER<\/a><\/p>\n

AFRICA\u2019S FUTURE DEPENDS ON CONGO<\/a><\/p>\n

RWANDA, CONGO AND UGANDA: THE CURSED BORDER<\/a><\/p>\n

RUSSIAN SHADOWS ON THE AFRILAND SCANDAL<\/a><\/td>\n

IL CONGO DRC DOPO 60 ANNI DI DITTATURA E DUE SECOLI DI GUERRE, SCHIAVISMO E CONTRABBANDO<\/a><\/p>\n

ERIC MONGA MUMBA E IL KATANGA: IL VERO VOLTO DEL POTERE<\/a><\/p>\n

IL FUTURO DELL\u2019AFRICA DIPENDE DAL CONGO<\/a><\/p>\n

RUANDA, CONGO E UGANDA: IL CONFINE MALEDETTO<\/a><\/p>\n

OMBRE RUSSE SULLO SCANDALO AFRILAND<\/a><\/td>\n

\u0414\u0420\u041a \u041a\u041e\u041d\u0413\u041e \u041f\u041e\u0421\u041b\u0415 60 \u041b\u0415\u0422 \u0414\u0418\u041a\u0422\u0410\u0422\u0423\u0420\u042b \u0418 \u0414\u0412\u0423\u0425 \u0412\u0415\u041a\u041e\u0412 \u0412\u041e\u0419\u041d, \u0420\u0410\u0411\u0421\u0422\u0412\u0410 \u0418 \u041a\u041e\u041d\u0422\u0420\u0410\u0411\u0410\u041d\u0414\u042b<\/a><\/p>\n

\u042d\u0420\u0418\u041a \u041c\u041e\u041d\u0413\u0410 \u041c\u0423\u041c\u0411\u0410 \u0418 \u041a\u0410\u0422\u0410\u041d\u0413\u0410: \u0418\u0421\u0422\u0418\u041d\u041d\u041e\u0415 \u041b\u0418\u0426\u041e \u0421\u0418\u041b\u042b<\/a><\/p>\n

\u0411\u0423\u0414\u0423\u0429\u0415\u0415 \u0410\u0424\u0420\u0418\u041a\u0418 \u0417\u0410\u0412\u0418\u0421\u0418\u0422 \u041e\u0422 \u041a\u041e\u041d\u0413\u041e<\/a><\/p>\n

\u0420\u0423\u0410\u041d\u0414\u0410, \u041a\u041e\u041d\u0413\u041e \u0418 \u0423\u0413\u0410\u041d\u0414\u0410: \u041f\u0420\u041e\u041a\u041b\u042f\u0422\u0410\u042f \u0413\u0420\u0410\u041d\u0418\u0426\u0410<\/a><\/p>\n

\u0420\u0423\u0421\u0421\u041a\u0418\u0415 \u0422\u0415\u041d\u0418 \u0412 \u0421\u041a\u0410\u041d\u0414\u0410\u041b\u0415 AFRILAND<\/a><\/td>\n

60 JAHREN DIKTATUR UND 200 JAHREN KRIEGEN, SKLAVEREI UND SCHMUGGEL: WILLKOMMEN IN KONGO<\/a><\/p>\n

ERIC MONGA MUMBA UND KATANGA: DAS WAHRE GESICHT DER MACHT<\/a><\/p>\n

AFRIKAS ZUKUNFT H\u00c4NGT VOM KONGO AB<\/a><\/p>\n

RUANDA, KONGO UND UGANDA: DIE VERFLUCHTE GRENZE<\/a><\/p>\n

RUSSISCHE SCHATTEN AUF DEM AFRILAND-SKANDAL<\/a><\/td>\n

ERIC MONGA MUMBA Y KATANGA: LA VERDADERA CARA DEL PODER<\/a><\/p>\n

CONGO RDC TRAS 60 A\u00d1OS DE DICTADURA Y DOS SIGLOS DE GUERRA, ESCLAVITUD Y CONTRABANDO<\/a><\/p>\n

EL FUTURO DE \u00c1FRICA DEPENDE DEL CONGO<\/a><\/p>\n

RUANDA, CONGO Y UGANDA: LA FRONTERA MALDITA<\/a><\/p>\n

SOMBRAS RUSAS SOBRE EL ESC\u00c1NDALO AFRILAND<\/a><\/td>\n<\/tr>\n

<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

 <\/p>\n

\"\"Tshombe<\/strong>, Moise<\/p>\n

Politician, 1919-1969<\/p>\n

\"\"<\/td>\n

60 ANS DE DICTATURE ET 200 ANS DE GUERRES, D\u2019ESCLAVAGE ET DE CONTREBANDE: BIENVENUE AU CONGO<\/a><\/td>\n60 YEARS OF DICTATORSHIP AND 200 YEARS OF WARS, SLAVERY AND SMUGGLING: WELCOME TO THE CONGO<\/a><\/td>\nIL CONGO DRC DOPO 60 ANNI DI DITTATURA E DUE SECOLI DI GUERRE, SCHIAVISMO E CONTRABBANDO<\/a><\/td>\n\u0414\u0420\u041a \u041a\u041e\u041d\u0413\u041e \u041f\u041e\u0421\u041b\u0415 60 \u041b\u0415\u0422 \u0414\u0418\u041a\u0422\u0410\u0422\u0423\u0420\u042b \u0418 \u0414\u0412\u0423\u0425 \u0412\u0415\u041a\u041e\u0412 \u0412\u041e\u0419\u041d, \u0420\u0410\u0411\u0421\u0422\u0412\u0410 \u0418 \u041a\u041e\u041d\u0422\u0420\u0410\u0411\u0410\u041d\u0414\u042b<\/a><\/td>\n60 JAHREN DIKTATUR UND 200 JAHREN KRIEGEN, SKLAVEREI UND SCHMUGGEL: WILLKOMMEN IN KONGO<\/a><\/td>\nCONGO RDC TRAS 60 A\u00d1OS DE DICTADURA Y DOS SIGLOS DE GUERRA, ESCLAVITUD Y CONTRABANDO<\/a><\/td>\n<\/tr>\n
<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

\"\"Tsipras<\/strong>, Alexis<\/p>\n

Politician, 1974-
\n\"\"<\/td>\n

LA MER \u00c9GEE, LA FRONTIERE LA PLUS CHAUDE D\u2019EUROPE<\/a><\/td>\nAEGEAN, THE HOTTEST BORDER IN EUROPE<\/a><\/td>\nEGEO, LA FRONTIERA PI\u00d9 CALDA D\u2019EUROPA<\/a><\/td>\n\u042d\u0413\u0415\u0419\u0421\u041a\u041e\u0415 \u041c\u041e\u0420\u0415 \u2013 \u0421\u0410\u041c\u042b\u0419 \u0413\u041e\u0420\u042f\u0427\u0418\u0419 \u0420\u0423\u0411\u0415\u0416 \u0415\u0412\u0420\u041e\u041f\u042b<\/a><\/td>\nDIE \u00c4G\u00c4IS, DIE HEI\u00dfESTE GRENZE IN EUROPA<\/a><\/td>\nEL EGEO, LA FRONTERA M\u00c1S CALIENTE DE EUROPA<\/a><\/td>\n<\/tr>\n
<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

 <\/p>\n

\"\"Tsiranana<\/strong>, Philibert<\/p>\n

Politician, 1912-1978
\n\"\"<\/td>\n

LE NOUVEAU MADAGASCAR NE A ANOSY<\/a><\/td>\nTHE NEW MADAGASCAR BORN IN ANOSY<\/a><\/td>\nIL NUOVO MADAGASCAR CHE NASCE AD ANOSY<\/a><\/td>\n\u041d\u041e\u0412\u042b\u0419 \u041c\u0410\u0414\u0410\u0413\u0410\u0421\u041a\u0410\u0420, \u0420\u041e\u0416\u0414\u0415\u041d\u041d\u042b\u0419 \u0412 \u0410\u041d\u041e\u0421\u0418<\/a><\/td>\nDAS NEUE MADAGASKAR, GEBOREN IN ANOSY<\/a><\/td>\nEL NUEVO MADAGASCAR NACE EN ANOSY<\/a><\/td>\n<\/tr>\n
<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

 <\/p>\n

\"\"Tsurtaveli<\/strong>, Iakob<\/p>\n

Novelist, 425-493
\n\"\"<\/td>\n

GEORGIE: DES ROSES CONTRE LA PEUR DES RUSSES<\/a><\/td>\nGEORGIA: ROSES AGAINST THE FEAR OF THE RUSSIANS<\/a><\/td>\nGEORGIA: ROSE IN PIAZZA CONTRO LA PAURA DEI RUSSI<\/a><\/td>\n\u0413\u0420\u0423\u0417\u0418\u042f: \u0420\u041e\u0417\u042b \u041d\u0410 \u0423\u041b\u0418\u0426\u0410\u0425 \u041f\u0420\u041e\u0422\u0418\u0412 \u0421\u0422\u0420\u0410\u0425\u0410 \u0420\u0423\u0421\u0421\u041a\u0418\u0425<\/a><\/td>\nGEORGIEN: AUF DEN STRA\u00dfEN, ROSEN GEGEN DIE RUSSEN<\/a><\/td>\nGEORGIA: ROSAS CONTRA EL MIEDO A LOS RUSOS<\/a><\/td>\n<\/tr>\n
<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

\"\"Tu\u0111man<\/strong>, Franjo<\/p>\n

Politician, 1922\u20131999
\n\"\"<\/td>\n

CENT ANS APRES: SARAJEVO BRULE TOUJOURS<\/a><\/td>\nONE HUNDRED YEARS LATER: SARAJEVO BURNS AGAIN<\/a><\/td>\nCENTO ANNI DOPO: SARAJEVO BRUCIA ANCORA<\/a><\/td>\n\u0421\u0422\u041e \u041b\u0415\u0422 \u0421\u041f\u0423\u0421\u0422\u042f: \u0421\u0410\u0420\u0410\u0415\u0412\u041e \u0412\u0421\u0415 \u0415\u0429\u0415 \u0413\u041e\u0420\u0418\u0422<\/a><\/td>\nHUNDERT JAHRE SP\u00c4TER: SARAJEVO BRENNT WEITER<\/a><\/td>\nCIEN A\u00d1OS DESPU\u00c9S: SARAJEVO SIGUE ARDIENDO<\/a><\/td>\n<\/tr>\n
<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

\"\"Tuli,<\/strong> Neville<\/p>\n

Art dealer, 1964-
\n\"\"<\/td>\n

HUSSAIN AL NOWAIS: LE MOYEN \u00c2GE DU CAPITALISME ARABE AVANT L\u2019EPREUVE DU TROISIEME MILLENAIRE<\/a><\/td>\nHUSSAIN AL NOWAIS: THE MEDIEVALISM OF THE ARAB CAPITALISM FACING THE TEST OF THE THIRD MILLENNIUM<\/a><\/td>\nHUSSAIN AL NOWAIS: IL MEDIEVALISMO ECONOMICO ARABO ALLA PROVA DEL TERZO MILLENNIO<\/a><\/td>\n\u0425\u0423\u0421\u0421\u0415\u0419\u041d \u0410\u041b\u042c-\u041d\u041e\u0412\u0410\u0418\u0421: \u0410\u0420\u0410\u0411\u0421\u041a\u041e\u0415 \u042d\u041a\u041e\u041d\u041e\u041c\u0418\u0427\u0415\u0421\u041a\u041e\u0415 \u0421\u0420\u0415\u0414\u041d\u0415\u0412\u0415\u041a\u041e\u0412\u042c\u0415, \u041f\u0420\u041e\u0412\u0415\u0420\u0415\u041d\u041d\u041e\u0415 \u0422\u0420\u0415\u0422\u042c\u0418\u041c \u0422\u042b\u0421\u042f\u0427\u0415\u041b\u0415\u0422\u0418\u0415\u041c<\/a><\/td>\nHUSSAIN AL NOWAIS: ARABISCHE WIRTSCHAFTSMITTELALTER VOR DEM TEST DES DRITTEN JAHRTAUSENDS<\/a><\/td>\nHUSSAIN AL NOWAIS: EL MEDIEVALISMO ECON\u00d3MICO \u00c1RABE A PRUEBA DEL TERCER MILENIO<\/a><\/td>\n<\/tr>\n
<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

 <\/p>\n

\"\"Tulliani<\/strong>, Elisabetta<\/p>\n

Wife of Gianfranco Fini, 1972-
\n\"\"<\/td>\n

CURA\u00c7AO: NAISSANCE ET MORT D\u2019UN PARADIS FISCAL<\/a><\/td>\nCURA\u00c7AO: THE BIRTH AND DEATH OF A TAX HAVEN<\/a><\/td>\nCURA\u00c7AO: NASCITA E MORTE DI UN PARADISO FISCALE<\/a><\/td>\n\u041a\u042e\u0420\u0410\u0421\u0410\u041e: \u0420\u041e\u0416\u0414\u0415\u041d\u0418\u0415 \u0418 \u0421\u041c\u0415\u0420\u0422\u042c \u041d\u0410\u041b\u041e\u0413\u041e\u0412\u041e\u0419 \u0413\u0410\u0412\u0410\u041d\u0418<\/a><\/td>\nCURA\u00c7AO: GEBURT UND TOD EINES STEUERPARADIESES<\/a><\/td>\nCURA\u00c7AO: NACIMIENTO Y MUERTE DE UN PARA\u00cdSO FISCAL<\/a><\/td>\n<\/tr>\n
<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

 <\/p>\n

\"\"Tulliani<\/strong>, Giancarlo<\/p>\n

Money launderer, 1974-
\n\"\"<\/td>\n

CURA\u00c7AO: NAISSANCE ET MORT D\u2019UN PARADIS FISCAL<\/a><\/td>\nCURA\u00c7AO: THE BIRTH AND DEATH OF A TAX HAVEN<\/a><\/td>\nCURA\u00c7AO: NASCITA E MORTE DI UN PARADISO FISCALE<\/a><\/td>\n\u041a\u042e\u0420\u0410\u0421\u0410\u041e: \u0420\u041e\u0416\u0414\u0415\u041d\u0418\u0415 \u0418 \u0421\u041c\u0415\u0420\u0422\u042c \u041d\u0410\u041b\u041e\u0413\u041e\u0412\u041e\u0419 \u0413\u0410\u0412\u0410\u041d\u0418<\/a><\/td>\nCURA\u00c7AO: GEBURT UND TOD EINES STEUERPARADIESES<\/a><\/td>\nCURA\u00c7AO: NACIMIENTO Y MUERTE DE UN PARA\u00cdSO FISCAL<\/a><\/td>\n<\/tr>\n
<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

 <\/p>\n

\"\"Tulliani<\/strong>, Sergio<\/p>\n

Entrepreneur, 1951-
\n\"\"<\/td>\n

CURA\u00c7AO: NAISSANCE ET MORT D\u2019UN PARADIS FISCAL<\/a><\/td>\nCURA\u00c7AO: THE BIRTH AND DEATH OF A TAX HAVEN<\/a><\/td>\nCURA\u00c7AO: NASCITA E MORTE DI UN PARADISO FISCALE<\/a><\/td>\n\u041a\u042e\u0420\u0410\u0421\u0410\u041e: \u0420\u041e\u0416\u0414\u0415\u041d\u0418\u0415 \u0418 \u0421\u041c\u0415\u0420\u0422\u042c \u041d\u0410\u041b\u041e\u0413\u041e\u0412\u041e\u0419 \u0413\u0410\u0412\u0410\u041d\u0418<\/a><\/td>\nCURA\u00c7AO: GEBURT UND TOD EINES STEUERPARADIESES<\/a><\/td>\nCURA\u00c7AO: NACIMIENTO Y MUERTE DE UN PARA\u00cdSO FISCAL<\/a><\/td>\n<\/tr>\n
<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

 <\/p>\n

\"\"Tullius<\/strong>, Servius<\/p>\n

King, 602 b.Ch.-535 b.Ch.
\n\"\"<\/td>\n

LE LAPIN DANS LE CHAPEAU DE L\u2019ISTAT<\/a><\/td>\nTHE RABBIT IN THE ISTAT’S HAT<\/a><\/td>\nIL CONIGLIO NEL CAPPELLO DELL\u2019ISTAT<\/a><\/td>\n\u041a\u0420\u041e\u041b\u0418\u041a \u0412 \u0428\u041b\u042f\u041f\u0415 ISTAT<\/a><\/td>\nDAS KANINCHEN IM ISTAT-HUT<\/a><\/td>\nEL CONEJO EN EL CILINDRO DE LA ISTAT<\/a><\/td>\n<\/tr>\n
<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

 <\/p>\n

\"\"Tuma-Waku Bawanganiwo<\/strong>, Simon<\/p>\n

Politician, 1951-
\n\"\"<\/td>\n

ERIC MONGA MUMBA ET LE KATANGA: LE VRAI VISAGE DU POUVOIR<\/a><\/td>\nERIC MONGA MUMBA AND KATANGA: THE TRUE FACE OF THE POWER<\/a><\/td>\nERIC MONGA MUMBA E IL KATANGA: IL VERO VOLTO DEL POTERE<\/a><\/td>\n\u042d\u0420\u0418\u041a \u041c\u041e\u041d\u0413\u0410 \u041c\u0423\u041c\u0411\u0410 \u0418 \u041a\u0410\u0422\u0410\u041d\u0413\u0410: \u0418\u0421\u0422\u0418\u041d\u041d\u041e\u0415 \u041b\u0418\u0426\u041e \u0421\u0418\u041b\u042b<\/a><\/td>\nERIC MONGA MUMBA UND KATANGA: DAS WAHRE GESICHT DER MACHT<\/a><\/td>\nERIC MONGA MUMBA Y KATANGA: LA VERDADERA CARA DEL PODER<\/a><\/td>\n<\/tr>\n
<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

 <\/p>\n

\"\"Tumukunde<\/strong>, Ananias<\/p>\n

Politician, 1977-
\n\"\"<\/td>\n

DE LA SCIENCE-FICTION AU CAUCHEMAR: LES LOGICIELS ESPIONS UTILISENT POUR TRAQUER LES ADVERSAIRES<\/a><\/td>\nFROM SCI-FI TO NIGHTMARE: HOW SPYWARE ARE USED TO TRACK DOWN OPPONENTS<\/a><\/td>\nDALLA FANTASCIENZA ALL\u2019INCUBO: LO SPYWARE DI REGIME PER IL CONTROLLO TOTALE<\/a><\/td>\n\u041e\u0422 \u041d\u0410\u0423\u0427\u041d\u041e\u0419 \u0424\u0410\u041d\u0422\u0410\u0421\u0422\u0418\u041a\u0418 \u0414\u041e \u041a\u041e\u0428\u041c\u0410\u0420\u0410: \u0428\u041f\u0418\u041e\u041d\u0421\u041a\u041e\u0415 \u041f\u041e, \u0421 \u041f\u041e\u041c\u041e\u0429\u042c\u042e \u041a\u041e\u0422\u041e\u0420\u041e\u0413\u041e \u0420\u0415\u0416\u0418\u041c \u041f\u0420\u0415\u0421\u041b\u0415\u0414\u0423\u0415\u0422 \u041e\u041f\u041f\u041e\u041d\u0415\u041d\u0422\u041e\u0412<\/a><\/td>\nVON SCIENCE FICTION ZUM ALBTRAUM: DIE SPYWARE, MIT DER REGIME GEGNER VERFOLGEN<\/a><\/td>\nDE LA CIENCIA FICCI\u00d3N A LA PESADILLA: PROGRAMAS ESP\u00cdA DEL R\u00c9GIMEN PARA EL CONTROL TOTAL<\/a><\/td>\n<\/tr>\n
<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

 <\/p>\n

\"\"Tupini<\/strong>, Umberto<\/p>\n

Politician, 1889-1973
\n\"\"<\/td>\n

LA DERNIERE VICTIME DU BANCO AMBROSIANO<\/a><\/td>\nTHE LAST VICTIM OF BANCO AMBROSIANO<\/a><\/td>\nL\u2019ULTIMA VITTIMA DEL BANCO AMBROSIANO<\/a><\/td>\n\u041f\u041e\u0421\u041b\u0415\u0414\u041d\u042f\u042f \u0416\u0415\u0420\u0422\u0412\u0410\u0411\u0410\u041d\u041a\u0410 \u0410\u041c\u0411\u0420\u041e\u0417\u0418\u0410\u041d\u041e<\/a><\/td>\nDAS LETZTE OPFER DER BANCO AMBROSIANO<\/a><\/td>\nLA \u00daLTIMA V\u00cdCTIMA DEL BANCO AMBROSIANO<\/a><\/td>\n<\/tr>\n
<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

 <\/p>\n

\"\"Turatello<\/strong>, Francis<\/p>\n

Mobster, 1944-1981
\n\"\"<\/td>\n

LA DERNIERE VICTIME DU BANCO AMBROSIANO<\/a><\/td>\nTHE LAST VICTIM OF BANCO AMBROSIANO<\/a><\/td>\nL\u2019ULTIMA VITTIMA DEL BANCO AMBROSIANO<\/a><\/td>\n\u041f\u041e\u0421\u041b\u0415\u0414\u041d\u042f\u042f \u0416\u0415\u0420\u0422\u0412\u0410\u0411\u0410\u041d\u041a\u0410 \u0410\u041c\u0411\u0420\u041e\u0417\u0418\u0410\u041d\u041e<\/a><\/td>\nDAS LETZTE OPFER DER BANCO AMBROSIANO<\/a><\/td>\nLA \u00daLTIMA V\u00cdCTIMA DEL BANCO AMBROSIANO<\/a><\/td>\n<\/tr>\n
<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

\"\"Turba<\/strong>, Andrey Mikhaylovich<\/p>\n

Businessman, 1971-
\n\"\"<\/td>\n

LES DESHONORANTS CHEVALIERS DE (ENE)MALTE<\/a><\/td>\nTHE DISHONOURABLE KNIGHTS OF (ENE)MALTA<\/a><\/td>\nI DISONOREVOLI CAVALIERI DI (ENE)MALTA<\/a><\/td>\n\u0411\u0415\u0421\u0427\u0415\u0421\u0422\u041d\u042b\u0415 \u0420\u042b\u0426\u0410\u0420\u0418 (\u042d\u041d\u0415)\u041c\u0410\u041b\u042c\u0422\u042b<\/a><\/td>\nDIE UNEHRENHAFTEN RITTER VON (ENE)MALTA<\/a><\/td>\nLOS DESHONROSOS CABALLEROS DE (ENE)MALTA<\/a><\/td>\n<\/tr>\n
<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

\"\"Turco,<\/strong> Marco<\/p>\n

Politician, 1968-\"\"<\/td>\n

MOUVEMENT 5 ETOILES ET LEGANORD: REPETITIONS GENERALES POUR UNE INTERNATIONALE POSTFASCISTE<\/a><\/td>\n5-STAR MOVEMENT AND LEGANORD: DRESS REHEARSALS FOR A POST-FASCIST INTERNATIONAL<\/a><\/td>\nMOVIMENTO 5 STELLE E LEGA NORD: PROVE GENERALI PER UN\u2019INTERNAZIONALE POST-FASCISTA<\/a><\/td>\n\u0414\u0412\u0418\u0416\u0415\u041d\u0418\u0415 5 \u0417\u0412\u0415\u0417\u0414 \u0418 \u0421\u0415\u0412\u0415\u0420\u041d\u0410\u042f \u041b\u0418\u0413\u0410: \u0418\u0421\u041f\u042b\u0422\u0410\u041d\u0418\u042f \u0414\u041b\u042f \u041f\u041e\u0421\u0422\u0424\u0410\u0428\u0418\u0421\u0422\u0421\u041a\u041e\u0413\u041e \u0418\u041d\u0422\u0415\u0420\u041d\u0410\u0426\u0418\u041e\u041d\u0410\u041b\u0410<\/a><\/td>\n5-STERNE-BEWEGUNG UND LEGANORD: GENERALPROBEN F\u00dcR EINE POSTFASCHISTISCHE INTERNATIONALE<\/a><\/td>\nEL MOVIMIENTO 5 ESTRELLAS Y LA LIGA NORTE: ENSAYO GENERAL DE UNA INTERNACIONAL POST-FASCISTA<\/a><\/td>\n<\/tr>\n
<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

\"\"Tur\u00e9<\/strong>, Samoy<\/p>\n

Military, 1853-1898
\n\"\"<\/td>\n

GUINEE, ENCORE UN CHANGEMENT DE LEOPARD<\/a><\/td>\nGUINEA, YET ANOTHER LEOPARD CHANGE<\/a><\/td>\nGUINEA, L\u2019ENNESIMO CAMBIAMENTO DEL GATTOPARDO<\/a><\/td>\n\u0413\u0412\u0418\u041d\u0415\u042f, \u0415\u0429\u0415 \u041e\u0414\u041d\u041e \u0418\u0417\u041c\u0415\u041d\u0415\u041d\u0418\u0415 GATTOPARDO<\/a><\/td>\nNOCH EIN LEOPARDENWECHSEL IN GUINEA<\/a><\/td>\nGUINEA, OTRO CAMBIO DE LEOPARDO<\/a><\/td>\n<\/tr>\n
<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

 <\/p>\n

\"\"Turing<\/strong>, Alan<\/p>\n

Mathematician, 1912\u20131954
\n\"\"<\/td>\n

CHATGPT: ENTRE FASCINATION ET CRAINTE<\/a><\/td>\nCHATGPT: BETWEEN FASCINATION AND FEAR<\/a><\/td>\nCHATGPT: TRA FASCINO E PAURA<\/a><\/td>\nCHATGPT: \u041c\u0415\u0416\u0414\u0423 \u041e\u0427\u0410\u0420\u041e\u0412\u0410\u041d\u0418\u0415\u041c \u0418 \u0421\u0422\u0420\u0410\u0425\u041e\u041c<\/a><\/td>\nCHATGPT: ZWISCHEN FASZINATION UND ANGST<\/a><\/td>\nCHATGPT: ENTRE LA FASCINACI\u00d3N Y EL MIEDO<\/a><\/td>\n<\/tr>\n
<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

 <\/p>\n

\"\"<\/strong>Turki<\/strong>, Mustapha<\/p>\n

Imam of Luxembourg, 1960-
\n\"\"<\/td>\n

LE CROQUE-MITAINE INCULTE DU PACTE JUDEO-SUNNITE<\/a><\/td>\nTHE UNLEARNED BOGEYMAN OF THE JEWISH-SUNNITE PACT<\/a><\/td>\nL\u2019AZZIMATO UOMO NERO DEL PATTO EBREO-SUNNITA<\/a><\/td>\n\u041d\u0415\u041e\u0411\u0423\u0427\u0410\u0415\u041c\u042b\u0419 \u0413\u041e\u041f\u041d\u0418\u041a \u0415\u0412\u0420\u0415\u0419\u0421\u041a\u041e-\u0421\u0423\u041d\u041d\u0418\u0422\u0421\u041a\u041e\u0413\u041e \u041f\u0410\u041a\u0422\u0410<\/a><\/td>\nDAS UNGELEHRTE SCHRECKGESPENST DES J\u00dcDISCH-SUNNITISCHEN PAKTES<\/a><\/td>\nEL HOMBRE DEL SACO DEL PACTO JUDEO-SUNNITA<\/a><\/td>\n<\/tr>\n
<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

\"\"T\u00fcrkmen<\/strong>, Yaprak<\/p>\n

Lawyer, 1985-
\n\"\"<\/td>\n

COMMENT LA TURQUIE TORTURE ET TUE LES INTELLECTUELS<\/a><\/td>\nHOW TURKEY TORTURES AND KILLS INTELLECTUALS<\/a><\/td>\nCOS\u00cc LA TURCHIA TORTURA E UCCIDE GLI INTELLETTUALI<\/a><\/td>\n\u041a\u0410\u041a \u0422\u0423\u0420\u0426\u0418\u042f \u041f\u042b\u0422\u0410\u0415\u0422 \u0418 \u0423\u0411\u0418\u0412\u0410\u0415\u0422 \u0418\u041d\u0422\u0415\u041b\u041b\u0415\u041a\u0422\u0423\u0410\u041b\u041e\u0412<\/a><\/td>\nWIE DIE T\u00dcRKEI INTELLEKTUELLE FOLTERT UND T\u00d6TET<\/a><\/td>\nC\u00d3MO TORTURA Y MATA TURQU\u00cdA A LOS INTELECTUALES<\/a><\/p>\n

 <\/td>\n<\/tr>\n

<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

\"\"Turnbull<\/strong>, Mark<\/p>\n

Spy, 1962-
\n\"\"<\/td>\n

PHILIP MORRIS ENTRE EN GUERRE \u2013 AVEC LES POPULISTES, LES EXTREMISTES DE DROITE ET LES CHEIKHS ARABES<\/a><\/td>\nPHILIP MORRIS GOES TO WAR \u2013 WITH POPULISTS, SUPREMACISTS AND ARAB SHEIKHS<\/a><\/td>\nLA PHILIP MORRIS VA ALLA GUERRA \u2013 ALLEATA A SUPREMATISTI, POPULISTI E SCEICCHI ARABI<\/a><\/td>\n\u0424\u0418\u041b\u0418\u041f \u041c\u041e\u0420\u0420\u0418\u0421 \u0418\u0414\u0415\u0422 \u041d\u0410 \u0412\u041e\u0419\u041d\u0423 \u2013 \u041d\u0410 \u0421\u0422\u041e\u0420\u041e\u041d\u0415 \u0410\u0420\u0410\u0411\u0421\u041a\u0418\u0425 \u0421\u0423\u041f\u0420\u0415\u041c\u0410\u0422\u0418\u0421\u0422\u041e\u0412, \u041f\u041e\u041f\u0423\u041b\u0418\u0421\u0422\u041e\u0412 \u0418 \u0428\u0415\u0419\u041a\u041e\u0412<\/a><\/td>\nPHILIP MORRIS ZIEHT IN DEN KRIEG \u2013 MIT POPULISTEN, RECHTSEXTREMISTEN UND ARABISCHEN SCHEICHS<\/a><\/td>\nPHILIP MORRIS VA A LA GUERRA \u2013 ALIADO CON SUPREMACISTAS, POPULISTAS Y JEQUES \u00c1RABES<\/a><\/td>\n<\/tr>\n
<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

\"\"Tusk<\/strong>, Donald Franciszek<\/p>\n

Politician, 1957-
\n\"\"<\/td>\n

PANZERI ET CES AMIS DE L\u2019AUTRE RIVE<\/a><\/td>\nPANZERI AND THOSE FRIENDS FROM THE OTHER SIDE<\/a><\/td>\nPANZERI E QUEGLI AMICI DELL\u2019ALTRA SPONDA<\/a><\/td>\n\u041f\u0410\u041d\u0426\u0415\u0420\u0418 \u0418 \u0422\u0415 \u0414\u0420\u0423\u0417\u042c\u042f \u0421 \u0414\u0420\u0423\u0413\u041e\u0419 \u0421\u0422\u041e\u0420\u041e\u041d\u042b<\/a><\/td>\nPANZERI UND DIE FREUNDE VON DER ANDEREN SEITE<\/a><\/td>\nPANZERI Y ESOS AMIGOS DEL OTRO LADO<\/a><\/td>\n<\/tr>\n
<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

\"\"Tutu<\/strong>, Desmond Mpilo<\/p>\n

Theologian, 1931-2021
\n\"\"<\/td>\n

<COMMENT JACOB ZUMA SE PREPARE A UNE GUERRE CIVILE<\/a><\/td>\nHOW JACOB ZUMA PREPARES FOR CIVIL WAR<\/a><\/td>\nCOS\u00cc JACOB ZUMA PREPARA UNA GUERRA CIVILE<\/a><\/td>\n\u0422\u0410\u041a \u0414\u0416\u0415\u0419\u041a\u041e\u0411 \u0417\u0423\u041c\u0410 \u0413\u041e\u0422\u041e\u0412\u0418\u0422 \u0413\u0420\u0410\u0416\u0414\u0410\u041d\u0421\u041a\u0423\u042e \u0412\u041e\u0419\u041d\u0423<\/a><\/td>\nWIE JACOB ZUMA SICH AUF EINEN B\u00dcRGERKRIEG VORBEREITET<\/a><\/td>\nC\u00d3MO SE PREPARA JACOB ZUMA PARA LA GUERRA CIVIL<\/a><\/td>\n<\/tr>\n
<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

 <\/p>\n

\"\"Twain<\/strong>, Mark<\/p>\n

Novelist, 1835-1910<\/p>\n

\"\"<\/td>\n

GREGOIRE VERDEAUX: L\u2019AMI QUI GERE LE TRESOR<\/a><\/p>\n

ELON MUSK : LE VANTARD LE PLUS DANGEREUX DU MONDE<\/a><\/p>\n

JONATHAN GRAY : PARIS A SON NOUVEAU RICHELIEU<\/a><\/td>\n

GR\u00c9GOIRE VERDEAUX: THE FRIEND WHO MANAGES THE TREASURE<\/a><\/p>\n

ELON MUSK: THE WORLD\u2019S MOST DANGEROUS BLOWHARD<\/a><\/p>\n

JONATHAN GRAY: PARIS HAS ITS NEW RICHELIEU<\/a><\/td>\n

GR\u00c9GOIRE VERDEAUX: L\u2019AMICO CHE GESTISCE IL TESORO<\/a><\/p>\n

ELON MUSK: LO SBRUFFONE PI\u00d9 PERICOLOSO DEL MONDO<\/a><\/p>\n

JONATHAN GRAY: PARIGI HA IL SUO NUOVO RICHELIEU<\/a><\/td>\n

\u0413\u0420\u0415\u0413\u041e\u0420\u0418 \u0412\u0415\u0420\u0414\u041e: \u0414\u0420\u0423\u0413, \u0423\u041f\u0420\u0410\u0412\u041b\u042f\u042e\u0429\u0418\u0419 \u041a\u0410\u0417\u041d\u0410\u0427\u0415\u0419\u0421\u0422\u0412\u041e\u041c<\/a><\/p>\n

\u042d\u041b\u041e\u041d \u041c\u0410\u0421\u041a: \u0421\u0410\u041c\u042b\u0419 \u041e\u041f\u0410\u0421\u041d\u042b\u0419 \u0412 \u041c\u0418\u0420\u0415 \u041d\u0410\u0413\u041b\u0415\u0426<\/a><\/p>\n

JONATHAN GRAY: \u0412 \u041f\u0410\u0420\u0418\u0416\u0415 \u041d\u041e\u0412\u042b\u0419 \u0420\u0418\u0428\u0415\u041b\u042c\u0415<\/a><\/td>\n

GR\u00c9GOIRE VERDEAUX: DER FREUND, DER DEN SCHATZ VERWALTET<\/a><\/p>\n

ELON MUSK: DER GEF\u00c4HRLICHSTE ANGEBER DER WELT<\/a><\/p>\n

JONATHAN GRAY: PARIS HAT SEINEN NEUEN RICHELIEU<\/a><\/td>\n

GR\u00c9GOIRE VERDEAUX: EL AMIGO QUE GESTIONA LA TESORER\u00cdA<\/a><\/p>\n

ELON MUSK: EL FANFARR\u00d3N M\u00c1S PELIGROSO DEL MUNDO<\/a><\/p>\n

JONATHAN GRAY: PAR\u00cdS TIENE SU NUEVO RICHELIEU<\/a><\/td>\n<\/tr>\n

<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

\"\"Tymo\u0161enko<\/strong>, Julija<\/p>\n

Politician, 1960-
\n\"\"<\/td>\n

NOAM CHOMSKY : LE MONDE A L\u2019HEURE DES COMPTES<\/a><\/p>\n

TORTOLA, ETERNELLE ILE DES PIRATES<\/a><\/td>\n

NOAM CHOMSKY: THE WORLD AT RECKONING<\/a><\/p>\n

TORTOLA, ETERNAL PIRATE ISLAND<\/a><\/td>\n

NOAM CHOMSKY: IL MONDO ALLA RESA DEI CONTI<\/a><\/p>\n

TORTOLA, ETERNA ISOLA DEI PIRATI<\/a><\/td>\n

\u041d\u041e\u0410\u041c \u0425\u041e\u041c\u0421\u041a\u0418\u0419: \u041c\u0418\u0420 \u0412 \u0420\u0410\u0421\u041f\u041b\u0410\u0422\u0415<\/a><\/p>\n

\u0422\u041e\u0420\u0422\u041e\u041b\u0410, \u0412\u0415\u0427\u041d\u042b\u0419 \u041e\u0421\u0422\u0420\u041e\u0412 \u041f\u0418\u0420\u0410\u0422\u041e\u0412<\/a><\/td>\n

NOAM CHOMSKY: DIE WELT IM UMBRUCH<\/a><\/p>\n

TORTOLA, DIE EWIGE PIRATENINSEL<\/a><\/td>\n

NOAM CHOMSKY: EL MUNDO EN EL AJUSTE DE CUENTAS<\/a><\/p>\n

T\u00d3RTOLA, ETERNA ISLA PIRATA<\/a><\/td>\n<\/tr>\n

<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

 <\/p>\n

\"\"<\/strong>Tyulyakov<\/strong>, Alexander<\/p>\n

Oligarch, 1960-2022
\n\"\"<\/td>\n

IL EST TEMPS POUR POUTINE DE REGLER SES COMPTES<\/a><\/td>\nTIME FOR PUTIN TO SETTLE THE SCORE<\/a><\/td>\nPER PUTIN \u00c8 L\u2019ORA DEL REGOLAMENTO DEI CONTI<\/a><\/td>\n\u0414\u041b\u042f \u041f\u0423\u0422\u0418\u041d\u0410 \u041f\u0420\u0418\u0428\u041b\u041e \u0412\u0420\u0415\u041c\u042f \u0421\u0412\u0415\u0422\u0418 \u0421\u0427\u0415\u0422\u042b<\/a><\/td>\nPUTIN: DIE ZEIT DER ABRECHNUNG<\/a><\/td>\nPUTIN: ES HORA DE AJUSTAR CUENTAS<\/a><\/td>\n<\/tr>\n
<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

\"\"Tyurkina<\/strong>, Violetta<\/p>\n

Top Model, 1997-
\n\"\"<\/td>\n

DMITRYI MAZEPIN, LE PREMIER OLIGARQUE DE LONDONGRAD<\/a><\/td>\nDMITRIJ MAZEPIN, THE FIRST OLIGARCH OF LONDONGRAD<\/a><\/td>\nDMITRIJ MAZEPIN, IL PRIMO OLIGARCA DI LONDONGRAD<\/a><\/td>\n\u0414\u041c\u0418\u0422\u0420\u0418\u0419 \u041c\u0410\u0417\u0415\u041f\u0418\u041d, \u041f\u0415\u0420\u0412\u042b\u0419 \u041e\u041b\u0418\u0413\u0410\u0420\u0425 \u041b\u041e\u041d\u0414\u041e\u041d\u0413\u0420\u0410\u0414\u0410<\/a><\/td>\nDMITRIJ MAZEPIN, DER ERSTE OLIGARCH VON LONDONGRAD<\/a><\/td>\nDMITRIJ MAZEPIN, EL PRIMER OLIGARCA DE LONDONGRAD<\/a><\/td>\n<\/tr>\n
<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

 <\/p>\n

\"\"Tzedek<\/strong>, Yaakov<\/p>\n

Entrepreneur,
\n\"\"<\/td>\n

TAL HANAN: LA MORT DE LA VERITE<\/a><\/td>\nTAL HANAN: THE DEATH OF TRUTH<\/a><\/td>\nTAL HANAN: LA MORTE DELLA VERIT\u00c0<\/a><\/td>\n\u0422\u0410\u041b\u042c\u0425\u0410\u041d\u0410\u041d: \u0421\u041c\u0415\u0420\u0422\u042c \u041f\u0420\u0410\u0412\u0414\u042b<\/a><\/td>\nTAL HANAN: DER TOD DER WAHRHEIT<\/a><\/td>\nTAL HANAN: LA MUERTE DE LA VERDAD<\/a><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/div>\n[\/vc_column_text][\/vc_tta_section]\n","protected":false},"excerpt":{"rendered":"

[vc_row][vc_column][vc_column_text] A B C D E F G H I J K L M N O P Q R S T U V W X Y Z [\/vc_column_text][\/vc_column][\/vc_row][vc_column][\/vc_column][vc_empty_space height=”50px”][vc_column_text]     French English Italian Russian German Spanish [\/vc_column_text][vc_tta_section title=”T” tab_id=”1606258776108-4d17cd64-80a2″][vc_column_text] T.kenna, Luke White supremacist, 1979- DU PLASTIQUE<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"page-FullWidth.php","meta":{"footnotes":""},"class_list":["post-615","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/ibiworld.eu\/en\/wp-json\/wp\/v2\/pages\/615"}],"collection":[{"href":"https:\/\/ibiworld.eu\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/ibiworld.eu\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/ibiworld.eu\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/ibiworld.eu\/en\/wp-json\/wp\/v2\/comments?post=615"}],"version-history":[{"count":94,"href":"https:\/\/ibiworld.eu\/en\/wp-json\/wp\/v2\/pages\/615\/revisions"}],"predecessor-version":[{"id":4755,"href":"https:\/\/ibiworld.eu\/en\/wp-json\/wp\/v2\/pages\/615\/revisions\/4755"}],"wp:attachment":[{"href":"https:\/\/ibiworld.eu\/en\/wp-json\/wp\/v2\/media?parent=615"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}