{"id":593,"date":"2021-03-22T23:13:41","date_gmt":"2021-03-22T22:13:41","guid":{"rendered":"http:\/\/ibiworld.eu\/en\/?page_id=593"},"modified":"2023-07-03T16:07:48","modified_gmt":"2023-07-03T14:07:48","slug":"names-directory-k","status":"publish","type":"page","link":"https:\/\/ibiworld.eu\/en\/names-directory-k\/","title":{"rendered":"NAMES\u2019 DIRECTORY | K"},"content":{"rendered":"[vc_row][vc_column][vc_column_text]\n

A<\/a> B<\/a> C<\/a> D<\/a> E<\/a> F<\/a> G<\/a> H<\/a> I<\/a> J<\/a> K<\/a> L<\/a> M<\/a> N<\/a> O<\/a> P<\/a> Q<\/a> R<\/a> S<\/a> T<\/a> U<\/a> V<\/a> W<\/a> X<\/a> Y<\/a> Z<\/a><\/strong><\/h3>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_column][\/vc_column][vc_empty_space height=”50px”][vc_column_text]\n\n\n\n
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\n

French\"\"<\/strong><\/p>\n<\/td>\n

English\"\"<\/strong><\/td>\nItalian\"\"<\/strong><\/td>\nRussian\"\"<\/strong><\/td>\nGerman\"\"<\/strong><\/td>\nSpanish\"\"<\/strong><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n[\/vc_column_text][vc_tta_section title=”K” tab_id=”1606257472227-69ffe55b-4918″][vc_column_text]\n
\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
 <\/p>\n

\"\"Kabanda Rukemba<\/strong>, Gilbert<\/p>\n

Militar officer and politician,
\n\"\"<\/td>\n

RWANDA, CONGO ET OUGANDA: LA FRONTIERE MAUDITE<\/a><\/td>\nRWANDA, CONGO AND UGANDA: THE CURSED BORDER<\/a><\/td>\nRUANDA, CONGO E UGANDA: IL CONFINE MALEDETTO<\/a><\/td>\n\u0420\u0423\u0410\u041d\u0414\u0410, \u041a\u041e\u041d\u0413\u041e \u0418 \u0423\u0413\u0410\u041d\u0414\u0410: \u041f\u0420\u041e\u041a\u041b\u042f\u0422\u0410\u042f \u0413\u0420\u0410\u041d\u0418\u0426\u0410<\/a><\/td>\nRUANDA, KONGO UND UGANDA: DIE VERFLUCHTE GRENZE<\/a><\/td>\nRUANDA, CONGO Y UGANDA: LA FRONTERA MALDITA<\/a><\/td>\n<\/tr>\n
<\/td>\n <\/p>\n

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 <\/p>\n

\"\"Kabarebe<\/strong>, James<\/p>\n

Militar officer, 1959
\n\"\"<\/td>\n

RWANDA, CONGO ET OUGANDA: LA FRONTIERE MAUDITE<\/a><\/td>\nRWANDA, CONGO AND UGANDA: THE CURSED BORDER<\/a><\/td>\nRUANDA, CONGO E UGANDA: IL CONFINE MALEDETTO<\/a><\/td>\n\u0420\u0423\u0410\u041d\u0414\u0410, \u041a\u041e\u041d\u0413\u041e \u0418 \u0423\u0413\u0410\u041d\u0414\u0410: \u041f\u0420\u041e\u041a\u041b\u042f\u0422\u0410\u042f \u0413\u0420\u0410\u041d\u0418\u0426\u0410<\/a><\/td>\nRUANDA, KONGO UND UGANDA: DIE VERFLUCHTE GRENZE<\/a><\/td>\nRUANDA, CONGO Y UGANDA: LA FRONTERA MALDITA<\/a><\/td>\n<\/tr>\n
<\/td>\n <\/p>\n

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 <\/p>\n

 <\/td>\n<\/tr>\n

 <\/p>\n

\"\"Kabey<\/strong>, Patrick Muland<\/p>\n

Entrepreneur, 1966-
\n\"\"<\/td>\n

ERIC MONGA MUMBA ET LE KATANGA: LE VRAI VISAGE DU POUVOIR<\/a><\/td>\nERIC MONGA MUMBA AND KATANGA: THE TRUE FACE OF THE POWER<\/a><\/td>\nERIC MONGA MUMBA E IL KATANGA: IL VERO VOLTO DEL POTERE<\/a><\/td>\n\u042d\u0420\u0418\u041a \u041c\u041e\u041d\u0413\u0410 \u041c\u0423\u041c\u0411\u0410 \u0418 \u041a\u0410\u0422\u0410\u041d\u0413\u0410: \u0418\u0421\u0422\u0418\u041d\u041d\u041e\u0415 \u041b\u0418\u0426\u041e \u0421\u0418\u041b\u042b<\/a><\/td>\nERIC MONGA MUMBA UND KATANGA: DAS WAHRE GESICHT DER MACHT<\/a><\/td>\nERIC MONGA MUMBA Y KATANGA: LA VERDADERA CARA DEL PODER<\/a><\/td>\n<\/tr>\n
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 <\/p>\n

\"\"Kabila Kabange<\/strong>, Joseph<\/p>\n

Politician, 1971-<\/p>\n

\"\"<\/td>\n

60 ANS DE DICTATURE ET 200 ANS DE GUERRES, D\u2019ESCLAVAGE ET DE CONTREBANDE: BIENVENUE AU CONGO<\/a><\/p>\n

ERIC MONGA MUMBA ET LE KATANGA: LE VRAI VISAGE DU POUVOIR<\/a><\/p>\n

L\u2019AVENIR DE L\u2019AFRIQUE DEPEND DU CONGO<\/a><\/p>\n

L\u2019ENFER REGNE AU PARADIS DE L\u2019OUGANDA<\/a><\/p>\n

RWANDA, CONGO ET OUGANDA: LA FRONTIERE MAUDITE<\/a><\/p>\n

LES OMBRES RUSSES SUR LE SCANDALE AFRILAND<\/a><\/td>\n

60 YEARS OF DICTATORSHIP AND 200 YEARS OF WARS, SLAVERY AND SMUGGLING: WELCOME TO THE CONGO<\/a><\/p>\n

ERIC MONGA MUMBA AND KATANGA: THE TRUE FACE OF THE POWER<\/a><\/p>\n

AFRICA\u2019S FUTURE DEPENDS ON CONGO<\/a><\/p>\n

THE HELL REIGNS IN UGANDA\u2019S PARADISE<\/a><\/p>\n

RWANDA, CONGO AND UGANDA: THE CURSED BORDER<\/a><\/p>\n

RUSSIAN SHADOWS ON THE AFRILAND SCANDAL<\/a><\/td>\n

IL CONGO DRC DOPO 60 ANNI DI DITTATURA E DUE SECOLI DI GUERRE, SCHIAVISMO E CONTRABBANDO<\/a><\/p>\n

ERIC MONGA MUMBA E IL KATANGA: IL VERO VOLTO DEL POTERE<\/a><\/p>\n

IL FUTURO DELL\u2019AFRICA DIPENDE DAL CONGO<\/a><\/p>\n

L\u2019INFERNO CHE REGNA NEL PARADISO DELL\u2019UGANDA<\/a><\/p>\n

RUANDA, CONGO E UGANDA: IL CONFINE MALEDETTO<\/a><\/p>\n

OMBRE RUSSE SULLO SCANDALO AFRILAND<\/a><\/td>\n

\u0414\u0420\u041a \u041a\u041e\u041d\u0413\u041e \u041f\u041e\u0421\u041b\u0415 60 \u041b\u0415\u0422 \u0414\u0418\u041a\u0422\u0410\u0422\u0423\u0420\u042b \u0418 \u0414\u0412\u0423\u0425 \u0412\u0415\u041a\u041e\u0412 \u0412\u041e\u0419\u041d, \u0420\u0410\u0411\u0421\u0422\u0412\u0410 \u0418 \u041a\u041e\u041d\u0422\u0420\u0410\u0411\u0410\u041d\u0414\u042b<\/a><\/p>\n

\u042d\u0420\u0418\u041a \u041c\u041e\u041d\u0413\u0410 \u041c\u0423\u041c\u0411\u0410 \u0418 \u041a\u0410\u0422\u0410\u041d\u0413\u0410: \u0418\u0421\u0422\u0418\u041d\u041d\u041e\u0415 \u041b\u0418\u0426\u041e \u0421\u0418\u041b\u042b<\/a><\/p>\n

\u0411\u0423\u0414\u0423\u0429\u0415\u0415 \u0410\u0424\u0420\u0418\u041a\u0418 \u0417\u0410\u0412\u0418\u0421\u0418\u0422 \u041e\u0422 \u041a\u041e\u041d\u0413\u041e<\/a><\/p>\n

\u0410\u0414, \u041a\u041e\u0422\u041e\u0420\u042b\u0419 \u041f\u0420\u0410\u0412\u0418\u0422 \u0420\u0410\u0415\u041c \u0412 \u0423\u0413\u0410\u041d\u0414\u0415<\/a><\/p>\n

\u0420\u0423\u0410\u041d\u0414\u0410, \u041a\u041e\u041d\u0413\u041e \u0418 \u0423\u0413\u0410\u041d\u0414\u0410: \u041f\u0420\u041e\u041a\u041b\u042f\u0422\u0410\u042f \u0413\u0420\u0410\u041d\u0418\u0426\u0410<\/a><\/p>\n

\u0420\u0423\u0421\u0421\u041a\u0418\u0415 \u0422\u0415\u041d\u0418 \u0412 \u0421\u041a\u0410\u041d\u0414\u0410\u041b\u0415 AFRILAND<\/a><\/td>\n

60 JAHREN DIKTATUR UND 200 JAHREN KRIEGEN, SKLAVEREI UND SCHMUGGEL: WILLKOMMEN IN KONGO<\/a><\/p>\n

ERIC MONGA MUMBA UND KATANGA: DAS WAHRE GESICHT DER MACHT<\/a><\/p>\n

AFRIKAS ZUKUNFT H\u00c4NGT VOM KONGO AB<\/a><\/p>\n

IN UGANDAS PARADIES REGIERT DIE H\u00d6LLE<\/a><\/p>\n

RUANDA, KONGO UND UGANDA: DIE VERFLUCHTE GRENZE<\/a><\/p>\n

RUSSISCHE SCHATTEN AUF DEM AFRILAND-SKANDAL<\/a><\/td>\n

ERIC MONGA MUMBA Y KATANGA: LA VERDADERA CARA DEL PODER<\/a><\/p>\n

CONGO RDC TRAS 60 A\u00d1OS DE DICTADURA Y DOS SIGLOS DE GUERRA, ESCLAVITUD Y CONTRABANDO<\/a><\/p>\n

EL FUTURO DE \u00c1FRICA DEPENDE DEL CONGO<\/a><\/p>\n

EL INFIERNO REINA EN EL PARA\u00cdSO DE UGANDA<\/a><\/p>\n

RUANDA, CONGO Y UGANDA: LA FRONTERA MALDITA<\/a><\/p>\n

SOMBRAS RUSAS SOBRE EL ESC\u00c1NDALO AFRILAND<\/a><\/td>\n<\/tr>\n

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\"\"Kabila Kyungu<\/strong>, Jaynet D\u00e9sir\u00e9e<\/p>\n

Entrepreneur, 1971-
\n\"\"<\/td>\n

ERIC MONGA MUMBA ET LE KATANGA: LE VRAI VISAGE DU POUVOIR<\/a><\/td>\nERIC MONGA MUMBA AND KATANGA: THE TRUE FACE OF THE POWER<\/a><\/td>\nERIC MONGA MUMBA E IL KATANGA: IL VERO VOLTO DEL POTERE<\/a><\/td>\n\u042d\u0420\u0418\u041a \u041c\u041e\u041d\u0413\u0410 \u041c\u0423\u041c\u0411\u0410 \u0418 \u041a\u0410\u0422\u0410\u041d\u0413\u0410: \u0418\u0421\u0422\u0418\u041d\u041d\u041e\u0415 \u041b\u0418\u0426\u041e \u0421\u0418\u041b\u042b<\/a><\/td>\nERIC MONGA MUMBA UND KATANGA: DAS WAHRE GESICHT DER MACHT<\/a><\/td>\nERIC MONGA MUMBA Y KATANGA: LA VERDADERA CARA DEL PODER<\/a><\/td>\n<\/tr>\n
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\"\"Kabila<\/strong>, Eric<\/p>\n

Entrepreneur, 1972-
\n\"\"<\/td>\n

ERIC MONGA MUMBA ET LE KATANGA: LE VRAI VISAGE DU POUVOIR<\/a><\/td>\nERIC MONGA MUMBA AND KATANGA: THE TRUE FACE OF THE POWER<\/a><\/td>\nERIC MONGA MUMBA E IL KATANGA: IL VERO VOLTO DEL POTERE<\/a><\/td>\n\u042d\u0420\u0418\u041a \u041c\u041e\u041d\u0413\u0410 \u041c\u0423\u041c\u0411\u0410 \u0418 \u041a\u0410\u0422\u0410\u041d\u0413\u0410: \u0418\u0421\u0422\u0418\u041d\u041d\u041e\u0415 \u041b\u0418\u0426\u041e \u0421\u0418\u041b\u042b<\/a><\/td>\nERIC MONGA MUMBA UND KATANGA: DAS WAHRE GESICHT DER MACHT<\/a><\/td>\nERIC MONGA MUMBA Y KATANGA: LA VERDADERA CARA DEL PODER<\/a><\/td>\n<\/tr>\n
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\"\"Kabila<\/strong>, Laurent-D\u00e9sir\u00e9<\/p>\n

Politician, 1939-2001<\/p>\n

\"\"<\/td>\n

60 ANS DE DICTATURE ET 200 ANS DE GUERRES, D\u2019ESCLAVAGE ET DE CONTREBANDE: BIENVENUE AU CONGO<\/a><\/p>\n

MERCENAIRES ET EMIRATS: LE PERIL MONDIAL DE L\u2019INDUSTRIE PRIVEE DE LA MORT<\/a><\/p>\n

ERIC MONGA MUMBA ET LE KATANGA: LE VRAI VISAGE DU POUVOIR<\/a><\/p>\n

L\u2019AVENIR DE L\u2019AFRIQUE DEPEND DU CONGO<\/a><\/p>\n

L\u2019ENFER REGNE AU PARADIS DE L\u2019OUGANDA<\/a><\/p>\n

RWANDA, CONGO ET OUGANDA: LA FRONTIERE MAUDITE<\/a><\/p>\n

LES OMBRES RUSSES SUR LE SCANDALE AFRILAND<\/a><\/td>\n

60 YEARS OF DICTATORSHIP AND 200 YEARS OF WARS, SLAVERY AND SMUGGLING: WELCOME TO THE CONGO<\/a><\/p>\n

SOLDIERS OF FORTUNE AND EMIRATES: THE GLOBAL DANGER OF THE PRIVATE DEATH\u2019S INDUSTRY<\/a><\/p>\n

ERIC MONGA MUMBA AND KATANGA: THE TRUE FACE OF THE POWER<\/a><\/p>\n

AFRICA\u2019S FUTURE DEPENDS ON CONGO<\/a><\/p>\n

THE HELL REIGNS IN UGANDA\u2019S PARADISE<\/a><\/p>\n

RWANDA, CONGO AND UGANDA: THE CURSED BORDER<\/a><\/p>\n

RUSSIAN SHADOWS ON THE AFRILAND SCANDAL<\/a><\/td>\n

IL CONGO DRC DOPO 60 ANNI DI DITTATURA E DUE SECOLI DI GUERRE, SCHIAVISMO E CONTRABBANDO<\/a><\/p>\n

SOLDATI DI SVENTURA: LA MINACCIA GLOBALE DELL\u2019INDUSTRIA PRIVATA DELLA MORTE<\/a><\/p>\n

ERIC MONGA MUMBA E IL KATANGA: IL VERO VOLTO DEL POTERE<\/a><\/p>\n

IL FUTURO DELL\u2019AFRICA DIPENDE DAL CONGO<\/a><\/p>\n

L\u2019INFERNO CHE REGNA NEL PARADISO DELL\u2019UGANDA<\/a><\/p>\n

RUANDA, CONGO E UGANDA: IL CONFINE MALEDETTO<\/a><\/p>\n

OMBRE RUSSE SULLO SCANDALO AFRILAND<\/a><\/td>\n

\u0414\u0420\u041a \u041a\u041e\u041d\u0413\u041e \u041f\u041e\u0421\u041b\u0415 60 \u041b\u0415\u0422 \u0414\u0418\u041a\u0422\u0410\u0422\u0423\u0420\u042b \u0418 \u0414\u0412\u0423\u0425 \u0412\u0415\u041a\u041e\u0412 \u0412\u041e\u0419\u041d, \u0420\u0410\u0411\u0421\u0422\u0412\u0410 \u0418 \u041a\u041e\u041d\u0422\u0420\u0410\u0411\u0410\u041d\u0414\u042b<\/a><\/p>\n

\u0421\u041e\u041b\u0414\u0410\u0422\u042b DOOM: \u0413\u041b\u041e\u0411\u0410\u041b\u042c\u041d\u0410\u042f \u0423\u0413\u0420\u041e\u0417\u0410 \u0427\u0410\u0421\u0422\u041d\u041e\u0419 \u0418\u041d\u0414\u0423\u0421\u0422\u0420\u0418\u0418 \u0421\u041c\u0415\u0420\u0422\u0418<\/a><\/p>\n

\u042d\u0420\u0418\u041a \u041c\u041e\u041d\u0413\u0410 \u041c\u0423\u041c\u0411\u0410 \u0418 \u041a\u0410\u0422\u0410\u041d\u0413\u0410: \u0418\u0421\u0422\u0418\u041d\u041d\u041e\u0415 \u041b\u0418\u0426\u041e \u0421\u0418\u041b\u042b<\/a><\/p>\n

\u0411\u0423\u0414\u0423\u0429\u0415\u0415 \u0410\u0424\u0420\u0418\u041a\u0418 \u0417\u0410\u0412\u0418\u0421\u0418\u0422 \u041e\u0422 \u041a\u041e\u041d\u0413\u041e<\/a><\/p>\n

\u0410\u0414, \u041a\u041e\u0422\u041e\u0420\u042b\u0419 \u041f\u0420\u0410\u0412\u0418\u0422 \u0420\u0410\u0415\u041c \u0412 \u0423\u0413\u0410\u041d\u0414\u0415<\/a><\/p>\n

\u0420\u0423\u0410\u041d\u0414\u0410, \u041a\u041e\u041d\u0413\u041e \u0418 \u0423\u0413\u0410\u041d\u0414\u0410: \u041f\u0420\u041e\u041a\u041b\u042f\u0422\u0410\u042f \u0413\u0420\u0410\u041d\u0418\u0426\u0410<\/a><\/p>\n

\u0420\u0423\u0421\u0421\u041a\u0418\u0415 \u0422\u0415\u041d\u0418 \u0412 \u0421\u041a\u0410\u041d\u0414\u0410\u041b\u0415 AFRILAND<\/a><\/td>\n

60 JAHREN DIKTATUR UND 200 JAHREN KRIEGEN, SKLAVEREI UND SCHMUGGEL: WILLKOMMEN IN KONGO<\/a><\/p>\n

S\u00d6LDNER UND EMIRATEN: DIE GLOBALE GEFAHR DER PRIVATEN TODESINDUSTRIE<\/a><\/p>\n

ERIC MONGA MUMBA UND KATANGA: DAS WAHRE GESICHT DER MACHT<\/a><\/p>\n

AFRIKAS ZUKUNFT H\u00c4NGT VOM KONGO AB<\/a><\/p>\n

IN UGANDAS PARADIES REGIERT DIE H\u00d6LLE<\/a><\/p>\n

RUANDA, KONGO UND UGANDA: DIE VERFLUCHTE GRENZE<\/a><\/p>\n

RUSSISCHE SCHATTEN AUF DEM AFRILAND-SKANDAL<\/a><\/td>\n

ERIC MONGA MUMBA Y KATANGA: LA VERDADERA CARA DEL PODER<\/a><\/p>\n

CONGO RDC TRAS 60 A\u00d1OS DE DICTADURA Y DOS SIGLOS DE GUERRA, ESCLAVITUD Y CONTRABANDO<\/a><\/p>\n

SOLDADOS DE LA PERDICI\u00d3N: LA AMENAZA GLOBAL DE LA INDUSTRIA PRIVADA DE LA MUERTE<\/a><\/p>\n

EL FUTURO DE \u00c1FRICA DEPENDE DEL CONGO<\/a><\/p>\n

EL INFIERNO REINA EN EL PARA\u00cdSO DE UGANDA<\/a><\/p>\n

RUANDA, CONGO Y UGANDA: LA FRONTERA MALDITA<\/a><\/p>\n

SOMBRAS RUSAS SOBRE EL ESC\u00c1NDALO AFRILAND<\/a><\/td>\n<\/tr>\n

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\"\"Kabimba<\/strong>, Wynter<\/p>\n

Politician, 1958-
\n\"\"<\/td>\n

LES POMMES POURRIES DU JARDIN D\u2018EDEN<\/a><\/p>\n

TRAFIGURA: POURQUOI NOUS DEVRIONS EN AVOIR PEUR<\/a><\/td>\n

ROTTEN APPLES IN THE GARDEN OF EDEN<\/a><\/p>\n

TRAFIGURA: WHY WE SHOULD BE AFRAID OF IT<\/a><\/td>\n

LE MELE MARCE DEL PARADISO TERRESTRE<\/a><\/p>\n

TRAFIGURA: PERCH\u00c9 DOBBIAMO AVERNE PAURA<\/a><\/td>\n

\u0413\u041d\u0418\u041b\u042b\u0415 \u042f\u0411\u041b\u041e\u041a\u0418 \u0417\u0415\u041c\u041d\u041e\u0413\u041e \u0420\u0410\u042f<\/a><\/p>\n

TRAFIGURA: \u041f\u041e\u0427\u0415\u041c\u0423 \u041d\u0410\u041c \u0421\u0422\u041e\u0418\u0422 \u0415\u0401 \u0411\u041e\u042f\u0422\u042c\u0421\u042f<\/a><\/td>\n

DIE FAULEN \u00c4PFEL DES GARTENS EDEN<\/a><\/p>\n

TRAFIGURA: WARUM WIR UNS DAVOR F\u00dcRCHTEN SOLLTEN<\/a><\/td>\n

LAS MANZANAS PODRIDAS DEL PARA\u00cdSO<\/a><\/p>\n

TRAFIGURA: POR QU\u00c9 DEBEMOS TEMERLA<\/a><\/td>\n<\/tr>\n

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\"\"Kablan<\/strong>, N\u2019zi<\/p>\n

Sea Captain, 1971-
\n\"\"<\/td>\n

TRAFIGURA: POURQUOI NOUS DEVRIONS EN AVOIR PEUR<\/a><\/td>\nTRAFIGURA: WHY WE SHOULD BE AFRAID OF IT<\/a><\/td>\nTRAFIGURA: PERCH\u00c9 DOBBIAMO AVERNE PAURA<\/a><\/td>\nTRAFIGURA: \u041f\u041e\u0427\u0415\u041c\u0423 \u041d\u0410\u041c \u0421\u0422\u041e\u0418\u0422 \u0415\u0401 \u0411\u041e\u042f\u0422\u042c\u0421\u042f<\/a><\/td>\nTRAFIGURA: WARUM WIR UNS DAVOR F\u00dcRCHTEN SOLLTEN<\/a><\/td>\nTRAFIGURA: POR QU\u00c9 DEBEMOS TEMERLA<\/a><\/td>\n<\/tr>\n
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\"\"Kabor\u00e8<\/strong>, Roch Marc<\/p>\n

Politician, 1957-
\n\"\"<\/td>\n

LES BURKINABE, UN PETIT ESPOIR POUR UNE AUTRE AFRIQUE<\/a><\/td>\nBURKINAB\u00c9 PEOPLE, A SMALL HOPE FOR A DIFFERENT AFRICA<\/a><\/td>\nIL POPOLO BURKINAB\u00c9, PICCOLA SPERANZA PER UN\u2019AFRICA DIVERSA<\/a><\/td>\n\u041d\u0410\u0420\u041e\u0414 \u0411\u0423\u0420\u041a\u0418\u041d\u0410\u0411\u0415, \u041c\u0410\u041b\u0415\u041d\u042c\u041a\u0410\u042f \u041d\u0410\u0414\u0415\u0416\u0414\u0410 \u0414\u041b\u042f \u0418\u041d\u041e\u0419 \u0410\u0424\u0420\u0418\u041a\u0418<\/a><\/td>\nDIE BURKINAB\u00c9, EINE KLEINE HOFFNUNG AUF EIN ANDERES AFRIKA<\/a><\/td>\nEL PUEBLO BURKIN\u00c9S, UNA PEQUE\u00d1A ESPERANZA PARA UN \u00c1FRICA DIFERENTE<\/a><\/td>\n<\/tr>\n
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\"\"Kabua, <\/strong>David<\/p>\n

Politician, 1951-
\n\"\"<\/td>\n

TUVALU, LA NOUVELLE ATLANTIS<\/a><\/td>\nTUVALU, THE NEW ATLANTIS<\/a><\/td>\nTUVALU, LA NUOVA ATLANTIDE<\/a><\/td>\n\u0422\u0423\u0412\u0410\u041b\u0423, \u041d\u041e\u0412\u0410\u042f \u0410\u0422\u041b\u0410\u041d\u0422\u0418\u0414\u0410<\/a><\/td>\nTUVALU, DAS NEUE ATLANTIS<\/a><\/td>\nTUVALU, LA NUEVA ATL\u00c1NTIDA<\/a><\/td>\n<\/tr>\n
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\"\"Kaczinsky<\/strong>, Jaroslaw<\/p>\n

Politician, 1949-
\n\"\"<\/td>\n

VATICAN ET FRERES MUSULMANS: 100 ANS DE RELATIONS POLITIQUES ET ECONOMIQUES<\/a><\/td>\nVATICAN AND MUSLIM BROTHERHOOD: 100 YEARS OF POLITICAL AND ECONOMIC RELATIONS<\/a><\/td>\nVATICANO E FRATELLI MUSULMANI: UN SECOLO DI RELAZIONI POLITICHE E FINANZIARIE<\/a><\/td>\n\u0412\u0410\u0422\u0418\u041a\u0410\u041d \u0418 \u041c\u0423\u0421\u0423\u041b\u042c\u041c\u0410\u041d\u0421\u041a\u0418\u0415 \u0411\u0420\u0410\u0422\u042c\u042f: \u0412\u0415\u041a \u041f\u041e\u041b\u0418\u0422\u0418\u0427\u0415\u0421\u041a\u0418\u0425 \u0418 \u0424\u0418\u041d\u0410\u041d\u0421\u041e\u0412\u042b\u0425 \u041e\u0422\u041d\u041e\u0428\u0415\u041d\u0418\u0419<\/a><\/td>\nVATIKAN UND MUSLIMBRUDERSCHAFT: 100 JAHRE POLITISCHEN UND WIRTSCHAFTLICHEN BEZIEHUNGEN<\/a><\/td>\nEL VATICANO Y LOS HERMANOS MUSULMANES: UN SIGLO DE RELACIONES POL\u00cdTICAS Y FINANCIERAS<\/a><\/td>\n<\/tr>\n
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\"\"Kadima,<\/strong> Denis Kazadi<\/p>\n

Politician, 1961-
\n\"\"<\/td>\n

L\u2019AVENIR DE L\u2019AFRIQUE DEPEND DU CONGO<\/a><\/td>\nAFRICA\u2019S FUTURE DEPENDS ON CONGO<\/a><\/td>\nIL FUTURO DELL\u2019AFRICA DIPENDE DAL CONGO<\/a><\/td>\n\u0411\u0423\u0414\u0423\u0429\u0415\u0415 \u0410\u0424\u0420\u0418\u041a\u0418 \u0417\u0410\u0412\u0418\u0421\u0418\u0422 \u041e\u0422 \u041a\u041e\u041d\u0413\u041e<\/a><\/td>\nAFRIKAS ZUKUNFT H\u00c4NGT VOM KONGO AB<\/a><\/td>\nEL FUTURO DE \u00c1FRICA DEPENDE DEL CONGO<\/a><\/td>\n<\/tr>\n
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\"\"kaDinuzulu<\/strong>, Solomon Nkayishana Maphumzana ‘Phumuzuzulu’<\/p>\n

King of Zulu, 1891-1933<\/p>\n

\"\"<\/td>\n

KWAZULU-NATAL, LA DERNIERE GRANDE MONARCHIE NOIRE<\/a><\/td>\nKWAZULU-NATAL, THE LAST GREAT BLACK MONARCHY<\/a><\/td>\nIL KWAZULU-NATAL, ULTIMA GRANDE MONARCHIA NERA<\/a><\/td>\n\u041a\u0412\u0410\u0417\u0423\u041b\u0423-\u041d\u0410\u0422\u0410\u041b, \u041f\u041e\u0421\u041b\u0415\u0414\u041d\u042f\u042f \u0412\u0415\u041b\u0418\u041a\u0410\u042f \u0427\u0415\u0420\u041d\u0410\u042f \u041c\u041e\u041d\u0410\u0420\u0425\u0418\u042f<\/a><\/td>\nKWAZULU-NATAL, DIE LETZTE GRO\u00dfE SCHWARZE MONARCHIE<\/a><\/td>\nKWAZULU-NATAL, LA \u00daLTIMA GRAN MONARQU\u00cdA NEGRA<\/a><\/td>\n<\/tr>\n
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\"\"Kadyrov<\/strong>, Ramzan<\/p>\n

Politician, 1976-
\n\"\"<\/td>\n

KAZAKHSTAN : L\u2019EPOQUE DU FAUX CHAOS<\/a><\/td>\nKAZAKHSTAN: THE DAYS OF FAKE CHAOS<\/a><\/td>\nKAZAKISTAN: I GIORNI DEL FINTO CAOS<\/a><\/td>\n\u041a\u0410\u0417\u0410\u0425\u0421\u0422\u0410\u041d: \u0414\u041d\u0418 \u0424\u0410\u041b\u042c\u0428\u0418\u0412\u041e\u0413\u041e \u0425\u0410\u041e\u0421\u0410<\/a><\/td>\nKASACHSTAN: DIE TAGE DES VORGET\u00c4USCHTEN CHAOS<\/a><\/td>\nKAZAJST\u00c1N: LOS D\u00cdAS DEL FALSO CAOS<\/a><\/td>\n<\/tr>\n
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\"\"Kagame<\/strong>, Paul<\/p>\n

Politician, 1957-<\/p>\n

\"\"<\/td>\n

60 ANS DE DICTATURE ET 200 ANS DE GUERRES, D\u2019ESCLAVAGE ET DE CONTREBANDE: BIENVENUE AU CONGO<\/a><\/p>\n

RWANDA, CONGO ET OUGANDA: LA FRONTIERE MAUDITE<\/a><\/td>\n

60 YEARS OF DICTATORSHIP AND 200 YEARS OF WARS, SLAVERY AND SMUGGLING: WELCOME TO THE CONGO<\/a><\/p>\n

RWANDA, CONGO AND UGANDA: THE CURSED BORDER<\/a><\/td>\n

IL CONGO DRC DOPO 60 ANNI DI DITTATURA E DUE SECOLI DI GUERRE, SCHIAVISMO E CONTRABBANDO<\/a><\/p>\n

RUANDA, CONGO E UGANDA: IL CONFINE MALEDETTO<\/a><\/td>\n

\u0414\u0420\u041a \u041a\u041e\u041d\u0413\u041e \u041f\u041e\u0421\u041b\u0415 60 \u041b\u0415\u0422 \u0414\u0418\u041a\u0422\u0410\u0422\u0423\u0420\u042b \u0418 \u0414\u0412\u0423\u0425 \u0412\u0415\u041a\u041e\u0412 \u0412\u041e\u0419\u041d, \u0420\u0410\u0411\u0421\u0422\u0412\u0410 \u0418 \u041a\u041e\u041d\u0422\u0420\u0410\u0411\u0410\u041d\u0414\u042b<\/a><\/p>\n

\u0420\u0423\u0410\u041d\u0414\u0410, \u041a\u041e\u041d\u0413\u041e \u0418 \u0423\u0413\u0410\u041d\u0414\u0410: \u041f\u0420\u041e\u041a\u041b\u042f\u0422\u0410\u042f \u0413\u0420\u0410\u041d\u0418\u0426\u0410<\/a><\/td>\n

60 JAHREN DIKTATUR UND 200 JAHREN KRIEGEN, SKLAVEREI UND SCHMUGGEL: WILLKOMMEN IN KONGO<\/a><\/p>\n

RUANDA, KONGO UND UGANDA: DIE VERFLUCHTE GRENZE<\/a><\/td>\n

CONGO RDC TRAS 60 A\u00d1OS DE DICTADURA Y DOS SIGLOS DE GUERRA, ESCLAVITUD Y CONTRABANDO<\/a><\/p>\n

RUANDA, CONGO Y UGANDA: LA FRONTERA MALDITA<\/a><\/td>\n<\/tr>\n

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\"\"Kahane<\/strong>, Meir<\/p>\n

Politician, 1932-1990
\n\"\"<\/td>\n

ISRA\u00cbL: LE CHANTAGE DE NETANYAHOU<\/a><\/td>\nISRAEL: NETANYAHU\u2019S BLACKMAIL<\/a><\/td>\nISRAELE: IL RICATTO DI NETANYAHU<\/a><\/td>\n\u0418\u0417\u0420\u0410\u0418\u041b\u042c: \u0428\u0410\u041d\u0422\u0410\u0416 \u041d\u0415\u0422\u0410\u041d\u042c\u042f\u0425\u0423<\/a><\/td>\nISRAEL: DIE ERPRESSUNG VON NETANJAHU<\/a><\/td>\nISRAEL: EL CHANTAJE DE NETANYAHU<\/a><\/td>\n<\/tr>\n
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\"\"Kahlo<\/strong>, Frida<\/p>\n

Painter, 1907-1954
\n\"\"<\/td>\n

VIOLETA PARRA, LA LIBERTE EST UNE DOULEUR ABSOLUE<\/a><\/td>\nVIOLETA PARRA, FREEDOM IS AN ABSOLUTE PAIN<\/a><\/td>\nVIOLETA PARRA, LA LIBERT\u00c0 \u00c8 UN DOLORE ASSOLUTO<\/a><\/td>\nVIOLETA PARRA, \u0421\u0412\u041e\u0411\u041e\u0414\u0410 \u2013 \u042d\u0422\u041e \u0410\u0411\u0421\u041e\u041b\u042e\u0422\u041d\u0410\u042f \u0411\u041e\u041b\u042c<\/a><\/td>\nVIOLETA PARRA, FREIHEIT IST EIN ABSOLUTER SCHMERZ<\/a><\/td>\nVIOLETA PARRA, LA LIBERTAD ES UN DOLOR ABSOLUTO<\/a><\/td>\n<\/tr>\n
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\"\"Kahraman<\/strong>, Metin<\/p>\n

Musician, 1965-
\n\"\"<\/td>\n

COMMENT LA TURQUIE TORTURE ET TUE LES INTELLECTUELS<\/a><\/td>\nHOW TURKEY TORTURES AND KILLS INTELLECTUALS<\/a><\/td>\nCOS\u00cc LA TURCHIA TORTURA E UCCIDE GLI INTELLETTUALI<\/a><\/td>\n\u041a\u0410\u041a \u0422\u0423\u0420\u0426\u0418\u042f \u041f\u042b\u0422\u0410\u0415\u0422 \u0418 \u0423\u0411\u0418\u0412\u0410\u0415\u0422 \u0418\u041d\u0422\u0415\u041b\u041b\u0415\u041a\u0422\u0423\u0410\u041b\u041e\u0412<\/a><\/td>\nWIE DIE T\u00dcRKEI INTELLEKTUELLE FOLTERT UND T\u00d6TET<\/a><\/td>\nC\u00d3MO TORTURA Y MATA TURQU\u00cdA A LOS INTELECTUALES<\/a><\/p>\n

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\"\"Kaijuka<\/strong>, Richard<\/p>\n

Banker, 1958-<\/p>\n

\"\"<\/td>\n

60 ANS DE DICTATURE ET 200 ANS DE GUERRES, D\u2019ESCLAVAGE ET DE CONTREBANDE: BIENVENUE AU CONGO<\/a><\/td>\n60 YEARS OF DICTATORSHIP AND 200 YEARS OF WARS, SLAVERY AND SMUGGLING: WELCOME TO THE CONGO<\/a><\/td>\nIL CONGO DRC DOPO 60 ANNI DI DITTATURA E DUE SECOLI DI GUERRE, SCHIAVISMO E CONTRABBANDO<\/a><\/td>\n\u0414\u0420\u041a \u041a\u041e\u041d\u0413\u041e \u041f\u041e\u0421\u041b\u0415 60 \u041b\u0415\u0422 \u0414\u0418\u041a\u0422\u0410\u0422\u0423\u0420\u042b \u0418 \u0414\u0412\u0423\u0425 \u0412\u0415\u041a\u041e\u0412 \u0412\u041e\u0419\u041d, \u0420\u0410\u0411\u0421\u0422\u0412\u0410 \u0418 \u041a\u041e\u041d\u0422\u0420\u0410\u0411\u0410\u041d\u0414\u042b<\/a><\/td>\n60 JAHREN DIKTATUR UND 200 JAHREN KRIEGEN, SKLAVEREI UND SCHMUGGEL: WILLKOMMEN IN KONGO<\/a><\/td>\nCONGO RDC TRAS 60 A\u00d1OS DE DICTADURA Y DOS SIGLOS DE GUERRA, ESCLAVITUD Y CONTRABANDO<\/a><\/td>\n<\/tr>\n
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\"\"Kaili<\/strong>, Eva<\/p>\n

Politician, 1978-
\n\"\"<\/td>\n

HANNAH NEUMANN, L\u2019AUTRE FACE DE LA CORRUPTION A BRUXELLES<\/a><\/p>\n

LA TRES LONGUE VAGUE DE CORRUPTION A BRUXELLES<\/a><\/p>\n

PANZERI ET CES AMIS DE L\u2019AUTRE RIVE<\/a><\/td>\n

HANNAH NEUMANN, THE OTHER SIDE OF CORRUPTION IN BRUSSELS<\/a><\/p>\n

THE LONG WAVE OF CORRUPTION IN BRUSSELS<\/a><\/p>\n

PANZERI AND THOSE FRIENDS FROM THE OTHER SIDE<\/a><\/td>\n

HANNAH NEUMANN, L\u2019ALTRA FACCIA DELLA CORRUZIONE A BRUXELLES<\/a><\/p>\n

L\u2019ONDA LUNGHISSIMA DELLA CORRUZIONE A BRUXELLES<\/a><\/p>\n

PANZERI E QUEGLI AMICI DELL\u2019ALTRA SPONDA<\/a><\/td>\n

\u0425\u0410\u041d\u041d\u0410 \u041d\u041e\u0419\u041c\u0410\u041d\u041d, \u0414\u0420\u0423\u0413\u0410\u042f \u0421\u0422\u041e\u0420\u041e\u041d\u0410 \u041a\u041e\u0420\u0420\u0423\u041f\u0426\u0418\u0418 \u0412 \u0411\u0420\u042e\u0421\u0421\u0415\u041b\u0415<\/a><\/p>\n

\u041e\u0427\u0415\u041d\u042c \u0414\u041b\u0418\u041d\u041d\u0410\u042f \u0412\u041e\u041b\u041d\u0410 \u041a\u041e\u0420\u0420\u0423\u041f\u0426\u0418\u0418 \u0412 \u0411\u0420\u042e\u0421\u0421\u0415\u041b\u0415<\/a><\/p>\n

\u041f\u0410\u041d\u0426\u0415\u0420\u0418 \u0418 \u0422\u0415 \u0414\u0420\u0423\u0417\u042c\u042f \u0421 \u0414\u0420\u0423\u0413\u041e\u0419 \u0421\u0422\u041e\u0420\u041e\u041d\u042b<\/a><\/td>\n

HANNAH NEUMANN, DIE ANDERE SEITE DER KORRUPTION IN BR\u00dcSSEL<\/a><\/p>\n

DIE SEHR LANGE WELLE DER KORRUPTION IN BR\u00dcSSEL<\/a><\/p>\n

PANZERI UND DIE FREUNDE VON DER ANDEREN SEITE<\/a><\/td>\n

HANNAH NEUMANN, LA OTRA CARA DE LA CORRUPCI\u00d3N EN BRUSELAS<\/a><\/p>\n

LA LARGU\u00cdSIMA OLA DE CORRUPCI\u00d3N EN BRUSELAS<\/a><\/p>\n

PANZERI Y ESOS AMIGOS DEL OTRO LADO<\/a><\/td>\n<\/tr>\n

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\"\"Kaiser<\/strong>, Brittany<\/p>\n

Former SCL Group manager, 1988-
\n\"\"<\/td>\n

TAL HANAN: LA MORT DE LA VERITE<\/a><\/td>\nTAL HANAN: THE DEATH OF TRUTH<\/a><\/td>\nTAL HANAN: LA MORTE DELLA VERIT\u00c0<\/a><\/td>\n\u0422\u0410\u041b\u042c\u0425\u0410\u041d\u0410\u041d: \u0421\u041c\u0415\u0420\u0422\u042c \u041f\u0420\u0410\u0412\u0414\u042b<\/a><\/td>\nTAL HANAN: DER TOD DER WAHRHEIT<\/a><\/td>\nTAL HANAN: LA MUERTE DE LA VERDAD<\/a><\/td>\n<\/tr>\n
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\"\"Kakabaveh<\/strong>, Amineh<\/p>\n

Politician, 1970-
\n\"\"<\/td>\n

SEULS, COMME LES KURDES<\/a><\/td>\nLONELY AS THE KURDS<\/a><\/td>\nSOLI COME CURDI<\/a><\/td>\n\u041e\u0414\u0418\u041d\u041e\u041a\u0418 \u041a\u0410\u041a \u041a\u0423\u0420\u0414\u042b<\/a><\/td>\nEINSAM WIE DIE KURDEN<\/a><\/td>\nTAN SOLO COMO LOS KURDOS<\/a><\/td>\n<\/tr>\n
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\"\"Kakolowicz<\/strong>, Karol<\/p>\n

Businessman, 1981-<\/p>\n

\"\"<\/td>\n

60 ANS DE DICTATURE ET 200 ANS DE GUERRES, D\u2019ESCLAVAGE ET DE CONTREBANDE: BIENVENUE AU CONGO<\/a><\/td>\n60 YEARS OF DICTATORSHIP AND 200 YEARS OF WARS, SLAVERY AND SMUGGLING: WELCOME TO THE CONGO<\/a><\/td>\nIL CONGO DRC DOPO 60 ANNI DI DITTATURA E DUE SECOLI DI GUERRE, SCHIAVISMO E CONTRABBANDO<\/a><\/td>\n\u0414\u0420\u041a \u041a\u041e\u041d\u0413\u041e \u041f\u041e\u0421\u041b\u0415 60 \u041b\u0415\u0422 \u0414\u0418\u041a\u0422\u0410\u0422\u0423\u0420\u042b \u0418 \u0414\u0412\u0423\u0425 \u0412\u0415\u041a\u041e\u0412 \u0412\u041e\u0419\u041d, \u0420\u0410\u0411\u0421\u0422\u0412\u0410 \u0418 \u041a\u041e\u041d\u0422\u0420\u0410\u0411\u0410\u041d\u0414\u042b<\/a><\/td>\n60 JAHREN DIKTATUR UND 200 JAHREN KRIEGEN, SKLAVEREI UND SCHMUGGEL: WILLKOMMEN IN KONGO<\/a><\/td>\nCONGO RDC TRAS 60 A\u00d1OS DE DICTADURA Y DOS SIGLOS DE GUERRA, ESCLAVITUD Y CONTRABANDO<\/a><\/td>\n<\/tr>\n
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\"\"Kakwavu Bukande<\/strong>, J\u00e9r\u00f4me<\/p>\n

Soldier, 1973-<\/p>\n

\"\"<\/td>\n

60 ANS DE DICTATURE ET 200 ANS DE GUERRES, D\u2019ESCLAVAGE ET DE CONTREBANDE: BIENVENUE AU CONGO<\/a><\/td>\n60 YEARS OF DICTATORSHIP AND 200 YEARS OF WARS, SLAVERY AND SMUGGLING: WELCOME TO THE CONGO<\/a><\/td>\nIL CONGO DRC DOPO 60 ANNI DI DITTATURA E DUE SECOLI DI GUERRE, SCHIAVISMO E CONTRABBANDO<\/a><\/td>\n\u0414\u0420\u041a \u041a\u041e\u041d\u0413\u041e \u041f\u041e\u0421\u041b\u0415 60 \u041b\u0415\u0422 \u0414\u0418\u041a\u0422\u0410\u0422\u0423\u0420\u042b \u0418 \u0414\u0412\u0423\u0425 \u0412\u0415\u041a\u041e\u0412 \u0412\u041e\u0419\u041d, \u0420\u0410\u0411\u0421\u0422\u0412\u0410 \u0418 \u041a\u041e\u041d\u0422\u0420\u0410\u0411\u0410\u041d\u0414\u042b<\/a><\/td>\n60 JAHREN DIKTATUR UND 200 JAHREN KRIEGEN, SKLAVEREI UND SCHMUGGEL: WILLKOMMEN IN KONGO<\/a><\/td>\nCONGO RDC TRAS 60 A\u00d1OS DE DICTADURA Y DOS SIGLOS DE GUERRA, ESCLAVITUD Y CONTRABANDO<\/a><\/td>\n<\/tr>\n
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\"\"Kalashnikov<\/strong>, Leonid<\/p>\n

Politician, 1960-
\n\"\"<\/td>\n

KAZAKHSTAN : L\u2019EPOQUE DU FAUX CHAOS<\/a><\/td>\nKAZAKHSTAN: THE DAYS OF FAKE CHAOS<\/a><\/td>\nKAZAKISTAN: I GIORNI DEL FINTO CAOS<\/a><\/td>\n\u041a\u0410\u0417\u0410\u0425\u0421\u0422\u0410\u041d: \u0414\u041d\u0418 \u0424\u0410\u041b\u042c\u0428\u0418\u0412\u041e\u0413\u041e \u0425\u0410\u041e\u0421\u0410<\/a><\/td>\nKASACHSTAN: DIE TAGE DES VORGET\u00c4USCHTEN CHAOS<\/a><\/td>\nKAZAJST\u00c1N: LOS D\u00cdAS DEL FALSO CAOS<\/a><\/td>\n<\/tr>\n
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\"\"Kale<\/strong>, Ocan<\/p>\n

Gangster, 1990-
\n\"\"<\/td>\n

SEULS, COMME LES KURDES<\/a><\/td>\nLONELY AS THE KURDS<\/a><\/td>\nSOLI COME CURDI<\/a><\/td>\n\u041e\u0414\u0418\u041d\u041e\u041a\u0418 \u041a\u0410\u041a \u041a\u0423\u0420\u0414\u042b<\/a><\/td>\nEINSAM WIE DIE KURDEN<\/a><\/td>\nTAN SOLO COMO LOS KURDOS<\/a><\/td>\n<\/tr>\n
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\"\"Kalema Muguluma,<\/strong> Rashid<\/p>\n

King, 1823-1891
\n\"\"<\/td>\n

L\u2019ENFER REGNE AU PARADIS DE L\u2019OUGANDA<\/a><\/td>\nTHE HELL REIGNS IN UGANDA\u2019S PARADISE<\/a><\/td>\nL\u2019INFERNO CHE REGNA NEL PARADISO DELL\u2019UGANDA<\/a><\/td>\n\u0410\u0414, \u041a\u041e\u0422\u041e\u0420\u042b\u0419 \u041f\u0420\u0410\u0412\u0418\u0422 \u0420\u0410\u0415\u041c \u0412 \u0423\u0413\u0410\u041d\u0414\u0415<\/a><\/td>\nIN UGANDAS PARADIES REGIERT DIE H\u00d6LLE<\/a><\/td>\nEL INFIERNO REINA EN EL PARA\u00cdSO DE UGANDA<\/a><\/td>\n<\/tr>\n
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\"\"Kamel<\/strong>, Abbas<\/p>\n

Spy, 1957-
\n\"\"<\/td>\n

COMMENT MEME LA FOURMI MAURITANIENNE PEUT CHANGER L\u2019EQUILIBRE DU MONDE<\/a><\/td>\nMOHAMMED DAHLAN, ASSASSIN FOR THE KING<\/a><\/td>\nMOHAMMED DAHLAN, SICARIO DEL RE<\/a><\/td>\n\u041c\u041e\u0425\u0410\u041c\u041c\u0415\u0414 \u0414\u0410\u0425\u041b\u0410\u041d, \u0423\u0411\u0418\u0419\u0426\u0410 \u041a\u041e\u0420\u041e\u041b\u042f<\/a><\/td>\nMOHAMMED DAHLAN, AUFTRAGSM\u00d6RDER F\u00dcR DEN K\u00d6NIG<\/a><\/td>\nMOHAMMED DAHLAN, ASESINO A SUELDO DEL REY<\/a><\/td>\n<\/tr>\n
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\"\"Kamel<\/strong>, Jawad<\/p>\n

Businessman, 1945-
\n\"\"<\/td>\n

DERRIERE LES RIDEAUX, DANS LES CAPITALES EUROPEENS, LE DESIR POUR L\u2019IRAN GRANDIT<\/a><\/td>\nBEHIND THE CURTAINS, IN THE EUROPEAN CAPITALS, THE DESIRE FOR IRAN GROWS<\/a><\/td>\nDIETRO LE QUINTE DELLE CAPITALI EUROPEE CRESCE LA VOGLIA DI IRAN<\/a><\/td>\n\u0417\u0410 \u041a\u0423\u041b\u0418\u0421\u0410\u041c\u0418 \u0415\u0412\u0420\u041e\u041f\u0415\u0419\u0421\u041a\u0418\u0425 \u0421\u0422\u041e\u041b\u0418\u0426 \u0420\u0410\u0421\u0422\u0415\u0422 \u0416\u0415\u041b\u0410\u041d\u0418\u0415 \u0418\u0420\u0410\u041d\u0410<\/a><\/td>\nHINTER DEN KULISSEN DER EUROP\u00c4ISCHEN HAUPTST\u00c4DTE W\u00c4CHST DER WUNSCH NACH IRAN<\/a><\/td>\nENTRE BASTIDORES, EN LAS CAPITALES EUROPEAS, CRECE EL DESEO DE IR\u00c1N<\/a><\/td>\n<\/tr>\n
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\"\"Kamer<\/strong>, Atasay<\/p>\n

Businessman, 1941-<\/p>\n

\"\"<\/td>\n

QUAND LE CRIME DEVIENT UN \u00c9TAT: LA TURQUIE DE KAMER ET ERDOGAN<\/a><\/td>\nWHEN THE MOB BECOMES THE STATE: THE TURKEY OF KAMER AND ERDO\u011eAN<\/a><\/td>\nQUANDO IL CRIMINE SI FA STATO: LA TURCHIA DI KAMER E ERDO\u011eAN<\/a><\/td>\n\u041a\u041e\u0413\u0414\u0410 \u041f\u0420\u0415\u0421\u0422\u0423\u041f\u041b\u0415\u041d\u0418\u0415 \u0417\u041d\u0410\u0427\u0418\u0422 \u0413\u041e\u0421\u0423\u0414\u0410\u0420\u0421\u0422\u0412\u041e: \u0422\u0423\u0420\u0426\u0418\u042f \u041a\u0410\u041c\u0415\u0420\u0410 \u0418 \u042d\u0420\u0414\u041e\u0413\u0410\u041d\u0410<\/a><\/td>\nWENN KRIMINALIT\u00c4T ZUM STAAT WIRD: KAMER UND ERDO\u011eANS T\u00dcRKEI<\/a><\/td>\nCUANDO EL CRIMEN SE CONVIERTE EN ESTADO: LA TURQU\u00cdA DE KAMER Y ERDO\u011eAN<\/a><\/td>\n<\/tr>\n
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\"\"Kamer<\/strong>, Cigdem<\/p>\n

Businessman, 1986-<\/p>\n

\"\"<\/td>\n

QUAND LE CRIME DEVIENT UN \u00c9TAT: LA TURQUIE DE KAMER ET ERDOGAN<\/a><\/td>\nWHEN THE MOB BECOMES THE STATE: THE TURKEY OF KAMER AND ERDO\u011eAN<\/a><\/td>\nQUANDO IL CRIMINE SI FA STATO: LA TURCHIA DI KAMER E ERDO\u011eAN<\/a><\/td>\n\u041a\u041e\u0413\u0414\u0410 \u041f\u0420\u0415\u0421\u0422\u0423\u041f\u041b\u0415\u041d\u0418\u0415 \u0417\u041d\u0410\u0427\u0418\u0422 \u0413\u041e\u0421\u0423\u0414\u0410\u0420\u0421\u0422\u0412\u041e: \u0422\u0423\u0420\u0426\u0418\u042f \u041a\u0410\u041c\u0415\u0420\u0410 \u0418 \u042d\u0420\u0414\u041e\u0413\u0410\u041d\u0410<\/a><\/td>\nWENN KRIMINALIT\u00c4T ZUM STAAT WIRD: KAMER UND ERDO\u011eANS T\u00dcRKEI<\/a><\/td>\nCUANDO EL CRIMEN SE CONVIERTE EN ESTADO: LA TURQU\u00cdA DE KAMER Y ERDO\u011eAN<\/a><\/td>\n<\/tr>\n
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\"\"Kamer<\/strong>, Cihan<\/p>\n

Businessman, 1965-<\/p>\n

\"\"<\/td>\n

QUAND LE CRIME DEVIENT UN \u00c9TAT: LA TURQUIE DE KAMER ET ERDOGAN<\/a><\/td>\nWHEN THE MOB BECOMES THE STATE: THE TURKEY OF KAMER AND ERDO\u011eAN<\/a><\/td>\nQUANDO IL CRIMINE SI FA STATO: LA TURCHIA DI KAMER E ERDO\u011eAN<\/a><\/td>\n\u041a\u041e\u0413\u0414\u0410 \u041f\u0420\u0415\u0421\u0422\u0423\u041f\u041b\u0415\u041d\u0418\u0415 \u0417\u041d\u0410\u0427\u0418\u0422 \u0413\u041e\u0421\u0423\u0414\u0410\u0420\u0421\u0422\u0412\u041e: \u0422\u0423\u0420\u0426\u0418\u042f \u041a\u0410\u041c\u0415\u0420\u0410 \u0418 \u042d\u0420\u0414\u041e\u0413\u0410\u041d\u0410<\/a><\/td>\nWENN KRIMINALIT\u00c4T ZUM STAAT WIRD: KAMER UND ERDO\u011eANS T\u00dcRKEI<\/a><\/td>\nCUANDO EL CRIMEN SE CONVIERTE EN ESTADO: LA TURQU\u00cdA DE KAMER Y ERDO\u011eAN<\/a><\/td>\n<\/tr>\n
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\"\"Kamer<\/strong>, Haci Mustafa<\/p>\n

Businessman, 1918-1969<\/p>\n

\"\"<\/td>\n

QUAND LE CRIME DEVIENT UN \u00c9TAT: LA TURQUIE DE KAMER ET ERDOGAN<\/a><\/td>\nWHEN THE MOB BECOMES THE STATE: THE TURKEY OF KAMER AND ERDO\u011eAN<\/a><\/td>\nQUANDO IL CRIMINE SI FA STATO: LA TURCHIA DI KAMER E ERDO\u011eAN<\/a><\/td>\n\u041a\u041e\u0413\u0414\u0410 \u041f\u0420\u0415\u0421\u0422\u0423\u041f\u041b\u0415\u041d\u0418\u0415 \u0417\u041d\u0410\u0427\u0418\u0422 \u0413\u041e\u0421\u0423\u0414\u0410\u0420\u0421\u0422\u0412\u041e: \u0422\u0423\u0420\u0426\u0418\u042f \u041a\u0410\u041c\u0415\u0420\u0410 \u0418 \u042d\u0420\u0414\u041e\u0413\u0410\u041d\u0410<\/a><\/td>\nWENN KRIMINALIT\u00c4T ZUM STAAT WIRD: KAMER UND ERDO\u011eANS T\u00dcRKEI<\/a><\/td>\nCUANDO EL CRIMEN SE CONVIERTE EN ESTADO: LA TURQU\u00cdA DE KAMER Y ERDO\u011eAN<\/a><\/td>\n<\/tr>\n
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\"\"Kamer<\/strong>, Judy<\/p>\n

Businesswoman,<\/p>\n

\"\"<\/td>\n

QUAND LE CRIME DEVIENT UN \u00c9TAT: LA TURQUIE DE KAMER ET ERDOGAN<\/a><\/td>\nWHEN THE MOB BECOMES THE STATE: THE TURKEY OF KAMER AND ERDO\u011eAN<\/a><\/td>\nQUANDO IL CRIMINE SI FA STATO: LA TURCHIA DI KAMER E ERDO\u011eAN<\/a><\/td>\n\u041a\u041e\u0413\u0414\u0410 \u041f\u0420\u0415\u0421\u0422\u0423\u041f\u041b\u0415\u041d\u0418\u0415 \u0417\u041d\u0410\u0427\u0418\u0422 \u0413\u041e\u0421\u0423\u0414\u0410\u0420\u0421\u0422\u0412\u041e: \u0422\u0423\u0420\u0426\u0418\u042f \u041a\u0410\u041c\u0415\u0420\u0410 \u0418 \u042d\u0420\u0414\u041e\u0413\u0410\u041d\u0410<\/a><\/td>\nWENN KRIMINALIT\u00c4T ZUM STAAT WIRD: KAMER UND ERDO\u011eANS T\u00dcRKEI<\/a><\/td>\nCUANDO EL CRIMEN SE CONVIERTE EN ESTADO: LA TURQU\u00cdA DE KAMER Y ERDO\u011eAN<\/a><\/td>\n<\/tr>\n
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\"\"Kamer<\/strong>, Simar<\/p>\n

Businesswoman,<\/p>\n

\"\"<\/td>\n

QUAND LE CRIME DEVIENT UN \u00c9TAT: LA TURQUIE DE KAMER ET ERDOGAN<\/a><\/td>\nWHEN THE MOB BECOMES THE STATE: THE TURKEY OF KAMER AND ERDO\u011eAN<\/a><\/td>\nQUANDO IL CRIMINE SI FA STATO: LA TURCHIA DI KAMER E ERDO\u011eAN<\/a><\/td>\n\u041a\u041e\u0413\u0414\u0410 \u041f\u0420\u0415\u0421\u0422\u0423\u041f\u041b\u0415\u041d\u0418\u0415 \u0417\u041d\u0410\u0427\u0418\u0422 \u0413\u041e\u0421\u0423\u0414\u0410\u0420\u0421\u0422\u0412\u041e: \u0422\u0423\u0420\u0426\u0418\u042f \u041a\u0410\u041c\u0415\u0420\u0410 \u0418 \u042d\u0420\u0414\u041e\u0413\u0410\u041d\u0410<\/a><\/td>\nWENN KRIMINALIT\u00c4T ZUM STAAT WIRD: KAMER UND ERDO\u011eANS T\u00dcRKEI<\/a><\/td>\nCUANDO EL CRIMEN SE CONVIERTE EN ESTADO: LA TURQU\u00cdA DE KAMER Y ERDO\u011eAN<\/a><\/td>\n<\/tr>\n
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\"\"Kamer<\/strong>, Simay<\/p>\n

Businesswoman,<\/p>\n

\"\"<\/td>\n

QUAND LE CRIME DEVIENT UN \u00c9TAT: LA TURQUIE DE KAMER ET ERDOGAN<\/a><\/td>\nWHEN THE MOB BECOMES THE STATE: THE TURKEY OF KAMER AND ERDO\u011eAN<\/a><\/td>\nQUANDO IL CRIMINE SI FA STATO: LA TURCHIA DI KAMER E ERDO\u011eAN<\/a><\/td>\n\u041a\u041e\u0413\u0414\u0410 \u041f\u0420\u0415\u0421\u0422\u0423\u041f\u041b\u0415\u041d\u0418\u0415 \u0417\u041d\u0410\u0427\u0418\u0422 \u0413\u041e\u0421\u0423\u0414\u0410\u0420\u0421\u0422\u0412\u041e: \u0422\u0423\u0420\u0426\u0418\u042f \u041a\u0410\u041c\u0415\u0420\u0410 \u0418 \u042d\u0420\u0414\u041e\u0413\u0410\u041d\u0410<\/a><\/td>\nWENN KRIMINALIT\u00c4T ZUM STAAT WIRD: KAMER UND ERDO\u011eANS T\u00dcRKEI<\/a><\/td>\nCUANDO EL CRIMEN SE CONVIERTE EN ESTADO: LA TURQU\u00cdA DE KAMER Y ERDO\u011eAN<\/a><\/td>\n<\/tr>\n
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\"\"Kamerhe,<\/strong> Vital<\/p>\n

Politician, 1959-
\n\"\"<\/td>\n

L\u2019AVENIR DE L\u2019AFRIQUE DEPEND DU CONGO<\/a><\/p>\n

LES OMBRES RUSSES SUR LE SCANDALE AFRILAND<\/a><\/td>\n

AFRICA\u2019S FUTURE DEPENDS ON CONGO<\/a><\/p>\n

RUSSIAN SHADOWS ON THE AFRILAND SCANDAL<\/a><\/td>\n

IL FUTURO DELL\u2019AFRICA DIPENDE DAL CONGO<\/a><\/p>\n

OMBRE RUSSE SULLO SCANDALO AFRILAND<\/a><\/td>\n

\u0411\u0423\u0414\u0423\u0429\u0415\u0415 \u0410\u0424\u0420\u0418\u041a\u0418 \u0417\u0410\u0412\u0418\u0421\u0418\u0422 \u041e\u0422 \u041a\u041e\u041d\u0413\u041e<\/a>
\n\u0420\u0423\u0421\u0421\u041a\u0418\u0415 \u0422\u0415\u041d\u0418 \u0412 \u0421\u041a\u0410\u041d\u0414\u0410\u041b\u0415 AFRILAND<\/a><\/td>\n		AFRIKAS ZUKUNFT H\u00c4NGT VOM KONGO AB<\/a><\/p>\n

RUSSISCHE SCHATTEN AUF DEM AFRILAND-SKANDAL<\/a><\/td>\n

EL FUTURO DE \u00c1FRICA DEPENDE DEL CONGO<\/a><\/p>\n

SOMBRAS RUSAS SOBRE EL ESC\u00c1NDALO AFRILAND<\/a><\/td>\n<\/tr>\n

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\"\"Kamole,<\/strong> Anthony Nkinzo<\/p>\n

Entrepreneur, 1978-
\n\"\"<\/td>\n

L\u2019AVENIR DE L\u2019AFRIQUE DEPEND DU CONGO<\/a><\/td>\nAFRICA\u2019S FUTURE DEPENDS ON CONGO<\/a><\/td>\nIL FUTURO DELL\u2019AFRICA DIPENDE DAL CONGO<\/a><\/td>\n\u0411\u0423\u0414\u0423\u0429\u0415\u0415 \u0410\u0424\u0420\u0418\u041a\u0418 \u0417\u0410\u0412\u0418\u0421\u0418\u0422 \u041e\u0422 \u041a\u041e\u041d\u0413\u041e<\/a><\/td>\nAFRIKAS ZUKUNFT H\u00c4NGT VOM KONGO AB<\/a><\/td>\nEL FUTURO DE \u00c1FRICA DEPENDE DEL CONGO<\/a><\/td>\n<\/tr>\n
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\"\"Kappes<\/strong>, Stephan<\/p>\n

Spy, 1951-
\n\"\"<\/td>\n

VOYAGER LABS: L\u2019ARME CONTONDANTE DE L\u2019INTELLIGENCE ARTIFICIELLE<\/a><\/td>\nVOYAGER LABS: THE BLUNT WEAPON OF ARTIFICIAL INTELLIGENCE<\/a><\/td>\nVOYAGER LABS: L\u2019ARMA SPUNTATA DELL\u2019INTELLIGENZA ARTIFICIALE<\/a><\/td>\nVOYAGERLABS: \u0422\u0423\u041f\u041e\u0415 \u041e\u0420\u0423\u0416\u0418\u0415 \u0418\u0421\u041a\u0423\u0421\u0421\u0422\u0412\u0415\u041d\u041d\u041e\u0413\u041e \u0418\u041d\u0422\u0415\u041b\u041b\u0415\u041a\u0422\u0410<\/a><\/td>\nVOYAGER LABS: DIE STUMPFE WAFFE DER K\u00dcNSTLICHEN INTELLIGENZ<\/a><\/td>\nVOYAGER LABS: EL ARMA CONTUNDENTE DE LA INTELIGENCIA ARTIFICIAL<\/a><\/td>\n<\/tr>\n
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\"\"Kappler<\/strong>, Herbert<\/p>\n

Nazi official, 1907-1978
\n\"\"<\/td>\n

HENRY KISSINGER, L\u2019AME NOIRE DU 20EME SIECLE<\/a><\/td>\nHENRY KISSINGER, THE DARK SOUL OF THE 20TH CENTURY<\/a><\/td>\nHENRY KISSINGER, L\u2019ANIMA NERA DEL XX SECOLO<\/a><\/td>\n\u0413\u0415\u041d\u0420\u0418 \u041a\u0418\u0421\u0421\u0418\u041d\u0414\u0416\u0415\u0420, \u0427\u0415\u0420\u041d\u0410\u042f \u0414\u0423\u0428\u0410 20 \u0412\u0415\u041a\u0410<\/a><\/td>\nHENRY KISSINGER, DIE SCHWARZE SEELE DES 20. JAHRHUNDERTS<\/a><\/td>\nHENRY KISSINGER, EL ALMA NEGRA DEL SIGLO XX<\/a><\/td>\n<\/tr>\n
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\"\"Karach<\/strong>, Olga<\/p>\n

Journalist, 1979-
\n\"\"<\/td>\n

LA SOUFFRANCE DES ABANDONN\u00c9S: LA BI\u00c9LORUSSIE NE SE REND PAS AU TYRAN<\/a><\/td>\nTHE SUFFERING OF THE ABANDONED: BELARUS DOES NOT SURRENDER TO THE TYRANT<\/a><\/td>\nLO STRAZIO DEGLI ABBANDONATI: LA BIELORUSSIA NON SI ARRENDE AL TIRANNO<\/a><\/td>\n\u0421\u0422\u0420\u0410\u0422\u0415\u0413\u0418\u042f \u0417\u0410\u0411\u0420\u041e\u0428\u0415\u041d\u041d\u042b\u0425: \u0411\u0415\u041b\u0410\u0420\u0423\u0421\u042c \u041d\u0415 \u0421\u0414\u0410\u0415\u0422\u0421\u042f \u0422\u0418\u0420\u0410\u041d\u0423<\/a><\/td>\nDAS LEIDEN DER VERLASSENEN: WEI\u00dfRUSSLAND ERGIBT SICH NICHT DEM TYRANNEN<\/a><\/td>\nLA ANGUSTIA DE LOS ABANDONADOS: BIELORRUSIA NO SE RINDE ANTE EL TIRANO<\/a><\/td>\n<\/tr>\n
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\"\"Karamehmet<\/strong>, Mehmet Emin<\/p>\n

Businessman, 1944-<\/p>\n

\"\"<\/td>\n

QUAND LE CRIME DEVIENT UN \u00c9TAT: LA TURQUIE DE KAMER ET ERDOGAN<\/a><\/td>\nWHEN THE MOB BECOMES THE STATE: THE TURKEY OF KAMER AND ERDO\u011eAN<\/a><\/td>\nQUANDO IL CRIMINE SI FA STATO: LA TURCHIA DI KAMER E ERDO\u011eAN<\/a><\/td>\n\u041a\u041e\u0413\u0414\u0410 \u041f\u0420\u0415\u0421\u0422\u0423\u041f\u041b\u0415\u041d\u0418\u0415 \u0417\u041d\u0410\u0427\u0418\u0422 \u0413\u041e\u0421\u0423\u0414\u0410\u0420\u0421\u0422\u0412\u041e: \u0422\u0423\u0420\u0426\u0418\u042f \u041a\u0410\u041c\u0415\u0420\u0410 \u0418 \u042d\u0420\u0414\u041e\u0413\u0410\u041d\u0410<\/a><\/td>\nWENN KRIMINALIT\u00c4T ZUM STAAT WIRD: KAMER UND ERDO\u011eANS T\u00dcRKEI<\/a><\/td>\nCUANDO EL CRIMEN SE CONVIERTE EN ESTADO: LA TURQU\u00cdA DE KAMER Y ERDO\u011eAN<\/a><\/td>\n<\/tr>\n
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\"\"Karamus<\/strong>, Ahmed<\/p>\n

Politician, 1959-
\n\"\"<\/td>\n

SEULS, COMME LES KURDES<\/a><\/td>\nLONELY AS THE KURDS<\/a><\/td>\nSOLI COME CURDI<\/a><\/td>\n\u041e\u0414\u0418\u041d\u041e\u041a\u0418 \u041a\u0410\u041a \u041a\u0423\u0420\u0414\u042b<\/a><\/td>\nEINSAM WIE DIE KURDEN<\/a><\/td>\nTAN SOLO COMO LOS KURDOS<\/a><\/td>\n<\/tr>\n
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\"\"Karate,<\/strong> Mahad Warsame Qaley<\/p>\n

Terrorist, 1967-
\n\"\"\"\"<\/td>\n

AL-SHABAAB : L\u2019EPEE DE DAMOCLES SUR LA SOMALIE<\/a><\/td>\nAL-SHABAAB: THE SWORD OF DAMOCLES OVER SOMALIA<\/a><\/td>\nAL-SHABAAB: LA SPADA DI DAMOCLE SULLA SOMALIA<\/a><\/td>\n\u0410\u0428-\u0428\u0410\u0411\u0410\u0411: \u0414\u0410\u041c\u041e\u041a\u041b\u041e\u0412 \u041c\u0415\u0427 \u041d\u0410\u0414 \u0421\u041e\u041c\u0410\u041b\u0418<\/a><\/td>\nAL-SHABAAB: DAS DAMOKLESSCHWERT \u00dcBER SOMALIA<\/a><\/td>\nAL-SHABAAB: LA ESPADA DE DAMOCLES SOBRE SOMALIA<\/a><\/td>\n<\/tr>\n
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\"\"Karaziwan<\/strong>, Alexandre<\/p>\n

Businessman, 1985-
\n\"\"
\n\"\"<\/td>\n

60 ANS DE DICTATURE ET 200 ANS DE GUERRES, D\u2019ESCLAVAGE ET DE CONTREBANDE: BIENVENUE AU CONGO<\/a><\/td>\n60 YEARS OF DICTATORSHIP AND 200 YEARS OF WARS, SLAVERY AND SMUGGLING: WELCOME TO THE CONGO<\/a><\/td>\nIL CONGO DRC DOPO 60 ANNI DI DITTATURA E DUE SECOLI DI GUERRE, SCHIAVISMO E CONTRABBANDO<\/a><\/td>\n\u0414\u0420\u041a \u041a\u041e\u041d\u0413\u041e \u041f\u041e\u0421\u041b\u0415 60 \u041b\u0415\u0422 \u0414\u0418\u041a\u0422\u0410\u0422\u0423\u0420\u042b \u0418 \u0414\u0412\u0423\u0425 \u0412\u0415\u041a\u041e\u0412 \u0412\u041e\u0419\u041d, \u0420\u0410\u0411\u0421\u0422\u0412\u0410 \u0418 \u041a\u041e\u041d\u0422\u0420\u0410\u0411\u0410\u041d\u0414\u042b<\/a><\/td>\n60 JAHREN DIKTATUR UND 200 JAHREN KRIEGEN, SKLAVEREI UND SCHMUGGEL: WILLKOMMEN IN KONGO<\/a><\/td>\nCONGO RDC TRAS 60 A\u00d1OS DE DICTADURA Y DOS SIGLOS DE GUERRA, ESCLAVITUD Y CONTRABANDO<\/a><\/td>\n<\/tr>\n
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\"\"Kareem<\/strong>, Sajida<\/p>\n

Politician, 1989-
\n\"\"<\/td>\n

SUEDE: QUAND LE REVE DES REFUGIES DEVIENT UN CAUCHEMAR<\/a><\/td>\nSWEDEN: WHEN THE REFUGEE DREAM BECOMES A NIGHTMARE<\/a><\/td>\nSVEZIA: SE IL SOGNO DEI RIFUGIATI DIVENTA INCUBO<\/a><\/td>\n\u0428\u0412\u0415\u0426\u0418\u042f: \u0415\u0421\u041b\u0418 \u041c\u0415\u0427\u0422\u0410 \u0411\u0415\u0416\u0415\u041d\u0426\u0415\u0412 \u0421\u0422\u0410\u041d\u0415\u0422 \u041a\u041e\u0428\u041c\u0410\u0420\u041e\u041c<\/a><\/td>\nSCHWEDEN: WENN DER TRAUM DER FL\u00dcCHTLINGE ZUM ALBTRAUM WIRD<\/a><\/td>\nSUECIA: CUANDO EL SUE\u00d1O DE LOS REFUGIADOS SE CONVIERTE EN PESADILLA<\/a><\/td>\n<\/tr>\n
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\"\"Karim<\/strong> Jawed<\/p>\n

Entrepreneur, 1979-
\n\"\"<\/td>\n

ELON MUSK : LE VANTARD LE PLUS DANGEREUX DU MONDE<\/a><\/td>\nELON MUSK: THE WORLD\u2019S MOST DANGEROUS BLOWHARD<\/a><\/td>\nELON MUSK: LO SBRUFFONE PI\u00d9 PERICOLOSO DEL MONDO<\/a><\/td>\n\u042d\u041b\u041e\u041d \u041c\u0410\u0421\u041a: \u0421\u0410\u041c\u042b\u0419 \u041e\u041f\u0410\u0421\u041d\u042b\u0419 \u0412 \u041c\u0418\u0420\u0415 \u041d\u0410\u0413\u041b\u0415\u0426<\/a><\/td>\nELON MUSK: DER GEF\u00c4HRLICHSTE ANGEBER DER WELT<\/a><\/td>\nELON MUSK: EL FANFARR\u00d3N M\u00c1S PELIGROSO DEL MUNDO<\/a><\/td>\n<\/tr>\n
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\"\"<\/strong>Karimov<\/strong>, Islam<\/p>\n

Politician, 1938-2016<\/p>\n

\"\"<\/td>\n

ALISER USMANOV: LES YEUX INDISCRETS D\u2019UN OLIGARQUE SUR LE MONDE<\/a><\/td>\nALI\u0160ER USMANOV: AN OLIGARCH\u2019S PRYING EYES ON THE WORLD<\/a><\/td>\nALI\u0160ER USMANOV: GLI SGUARDI INDISCRETI DI UN OLIGARCA SUL MONDO<\/a><\/td>\n\u0410\u041b\u0418\u0428\u0415\u0420 \u0423\u0421\u041c\u0410\u041d\u041e\u0412: \u041d\u0410\u0417\u041e\u0419\u041b\u0418\u0412\u042b\u0419 \u0412\u0417\u0413\u041b\u042f\u0414 \u041e\u041b\u0418\u0413\u0410\u0420\u0425\u0410 \u041d\u0410 \u041c\u0418\u0420<\/a><\/td>\nALI\u0160ER USMANOV: DIE INDISKRETE BLICKE EINES OLIGARCHEN AUF DIE WELT<\/a><\/td>\nALI\u0160ER USMANOV: LA MIRADA INDISCRETA DE UN OLIGARCA SOBRE EL MUNDO<\/a><\/td>\n<\/tr>\n
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\"\"<\/strong>Karimova<\/strong>, Gulnara Islamovna<\/p>\n

Businesswoman, 1972-<\/p>\n

\"\"<\/td>\n

ALISER USMANOV: LES YEUX INDISCRETS D\u2019UN OLIGARQUE SUR LE MONDE<\/a><\/td>\nALI\u0160ER USMANOV: AN OLIGARCH\u2019S PRYING EYES ON THE WORLD<\/a><\/td>\nALI\u0160ER USMANOV: GLI SGUARDI INDISCRETI DI UN OLIGARCA SUL MONDO<\/a><\/td>\n\u0410\u041b\u0418\u0428\u0415\u0420 \u0423\u0421\u041c\u0410\u041d\u041e\u0412: \u041d\u0410\u0417\u041e\u0419\u041b\u0418\u0412\u042b\u0419 \u0412\u0417\u0413\u041b\u042f\u0414 \u041e\u041b\u0418\u0413\u0410\u0420\u0425\u0410 \u041d\u0410 \u041c\u0418\u0420<\/a><\/td>\nALI\u0160ER USMANOV: DIE INDISKRETE BLICKE EINES OLIGARCHEN AUF DIE WELT<\/a><\/td>\nALI\u0160ER USMANOV: LA MIRADA INDISCRETA DE UN OLIGARCA SOBRE EL MUNDO<\/a><\/td>\n<\/tr>\n
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\"\"Karl der Kahle<\/strong><\/p>\n

Empereur, 823-877
\n\"\"<\/td>\n

LA MONTAGNA INCANTATA E GLI GNOMI DELLA FINANZA<\/a><\/td>\nTHE ENCHANTED MOUNTAIN AND THE FINANCIAL GNOMES<\/a><\/td>\nLA MONTAGNE ENCHANTEE ET LES GNOMES DE LA FINANCE<\/a><\/td>\n\u0417\u0410\u0427\u0410\u0420\u041e\u0412\u0410\u041d\u041d\u042b\u0415 \u0413\u041e\u0420\u042b \u0418 \u0424\u0418\u041d\u0410\u041d\u0421\u041e\u0412\u042b\u0415 \u0413\u041d\u041e\u041c\u042b<\/a><\/td>\nDER VERZAUBERTE BERG UND DIE GNOME DER FINANZ<\/a><\/td>\nLA MONTA\u00d1A ENCANTADA Y LOS GNOMOS DE LAS FINANZAS<\/a><\/td>\n<\/tr>\n
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\"\"Karlov<\/strong>, Andrey<\/p>\n

Diplomat, 1954-2016
\n\"\"<\/td>\n

ERDO\u011eAN ET POUTINE: L\u2019ALLIANCE SECRETE DANS LE CAUCASE<\/a><\/td>\nERDO\u011eAN AND PUTIN: A SECRET ALLIANCE IN THE CAUCASUS<\/a><\/td>\nERDO\u011eAN E PUTIN: L\u2019ALLEANZA SEGRETA NEL CAUCASO<\/a><\/td>\n\u042d\u0420\u0414\u041e\u0413\u0410\u041d \u0418 \u041f\u0423\u0422\u0418\u041d: \u0422\u0410\u0419\u041d\u042b\u0419 \u0421\u041e\u042e\u0417 \u041d\u0410 \u041a\u0410\u0412\u041a\u0410\u0417\u0415<\/a><\/td>\nERDO\u011eAN UND PUTIN: DIE GEHEIME ALLIANZ IM KAUKASUS<\/a><\/td>\nERDOGAN Y PUTIN: LA ALIANZA SECRETA EN EL C\u00c1UCASO<\/a><\/td>\n<\/tr>\n
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\"\"Karmitz<\/strong>, Marin<\/p>\n

Movie director, 1938-<\/p>\n

\"\"<\/td>\n

GREGOIRE VERDEAUX: L\u2019AMI QUI GERE LE TRESOR<\/a><\/td>\nGR\u00c9GOIRE VERDEAUX: THE FRIEND WHO MANAGES THE TREASURE<\/a><\/td>\nGR\u00c9GOIRE VERDEAUX: L\u2019AMICO CHE GESTISCE IL TESORO<\/a><\/td>\n\u0413\u0420\u0415\u0413\u041e\u0420\u0418 \u0412\u0415\u0420\u0414\u041e: \u0414\u0420\u0423\u0413, \u0423\u041f\u0420\u0410\u0412\u041b\u042f\u042e\u0429\u0418\u0419 \u041a\u0410\u0417\u041d\u0410\u0427\u0415\u0419\u0421\u0422\u0412\u041e\u041c<\/a><\/td>\nGR\u00c9GOIRE VERDEAUX: DER FREUND, DER DEN SCHATZ VERWALTET<\/a><\/td>\nGR\u00c9GOIRE VERDEAUX: EL AMIGO QUE GESTIONA LA TESORER\u00cdA<\/a><\/td>\n<\/tr>\n
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\"\"Karobka<\/strong>, Vladimir<\/p>\n

Composer, 1922-1997
\n\"\"<\/td>\n

RIM BANNA, LA VOIX DU C\u0152UR BLESSE DE LA PALESTINE<\/a><\/td>\nRIM BANNA, VOICE OF THE WOUNDED HEART OF PALESTINE<\/a><\/td>\nRIM BANNA, VOCE DEL CUORE FERITO DELLA PALESTINA<\/a><\/td>\n\u0420\u0418\u041c \u0411\u0410\u041d\u041d\u0410, \u0413\u041e\u041b\u041e\u0421 \u0418\u0417\u0420\u0410\u041d\u0415\u041d\u041d\u041e\u0413\u041e \u0421\u0415\u0420\u0414\u0426\u0410 \u041f\u0410\u041b\u0415\u0421\u0422\u0418\u041d\u042b<\/a><\/td>\nRIM BANNA, DIE STIMME DES VERWUNDETEN HERZENS VON PAL\u00c4STINA<\/a><\/td>\nRIM BANNA, VOZ DEL CORAZ\u00d3N HERIDO DE PALESTINA<\/a><\/td>\n<\/tr>\n
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\"\"Karp<\/strong>, Alex<\/p>\n

Businessman, 1967-
\n\"\"<\/td>\n

PETER THIEL: LE REVE D\u2019UNE TECHNOCRATIE MYSTIQUE<\/a><\/td>\nPETER THIEL: THE DREAM OF A MYSTICAL TECHNOCRACY<\/a><\/td>\nPETER THIEL: IL SOGNO DI UNA TECNOCRAZIA MISTICA<\/a><\/td>\n\u041f\u0418\u0422\u0415\u0420 \u0422\u0418\u041b\u042c: \u041c\u0415\u0427\u0422\u0410 \u041e \u041c\u0418\u0421\u0422\u0418\u0427\u0415\u0421\u041a\u041e\u0419 \u0422\u0415\u0425\u041d\u041e\u041a\u0420\u0410\u0422\u0418\u0418<\/a><\/td>\nPETER THIEL: DER TRAUM VON EINER MYSTISCHEN TECHNOKRATIE<\/a><\/td>\nPETER THIEL: EL SUE\u00d1O DE UNA TECNOCRACIA M\u00cdSTICA<\/a><\/td>\n<\/tr>\n
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\"\"Karpathy<\/strong>, Andrej<\/p>\n

Computer Engineer, 1986-
\n\"\"<\/td>\n

CHATGPT: ENTRE FASCINATION ET CRAINTE<\/a><\/td>\nCHATGPT: BETWEEN FASCINATION AND FEAR<\/a><\/td>\nCHATGPT: TRA FASCINO E PAURA<\/a><\/td>\nCHATGPT: \u041c\u0415\u0416\u0414\u0423 \u041e\u0427\u0410\u0420\u041e\u0412\u0410\u041d\u0418\u0415\u041c \u0418 \u0421\u0422\u0420\u0410\u0425\u041e\u041c<\/a><\/td>\nCHATGPT: ZWISCHEN FASZINATION UND ANGST<\/a><\/td>\nCHATGPT: ENTRE LA FASCINACI\u00d3N Y EL MIEDO<\/a><\/td>\n<\/tr>\n
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\"\"Karuturi<\/strong>, Anitha<\/p>\n

Businesswoman,
\n\"\"<\/td>\n

LA CHUTE DE KARUTURI: COMMENT LA CRISE DU MARCHE DES ROSES COUPE LES ESPOIRS DE MILLIONS DE PERSONNES<\/a><\/td>\nTHE FALL OF KARUTURI: HOW THE CRISIS IN THE ROSE MARKET IS CUTTING THE HOPES OF MILLIONS<\/a><\/td>\nIL CASO KARUTURI: COS\u00cc LA CRISI DELLE ROSE RECIDE LE SPERANZE DI MILIONI DI PERSONE<\/a><\/td>\n\u0414\u0415\u041b\u041e \u041a\u0410\u0420\u0423\u0422\u0423\u0420\u0418: \u041a\u0410\u041a \u041a\u0420\u0418\u0417\u0418\u0421 \u0420\u041e\u0417 \u0420\u0410\u0417\u0411\u0418\u0412\u0410\u0415\u0422 \u041d\u0410\u0414\u0415\u0416\u0414\u042b \u041c\u0418\u041b\u041b\u0418\u041e\u041d\u041e\u0412 \u041b\u042e\u0414\u0415\u0419<\/a><\/td>\nDER FALL VON KARUTURI: WIE DIE KRISE DES ROSENMARKTES DIE HOFFNUNGEN VON MILLIONEN VON MENSCHEN ZERST\u00d6RT<\/a><\/td>\nEL CASO KARUTURI: C\u00d3MO LA CRISIS DE LAS ROSAS EST\u00c1 CORTANDO LAS ESPERANZAS DE MILLONES DE PERSONAS<\/a><\/td>\n<\/tr>\n
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\"\"Karuturi<\/strong>, Ramakrishna<\/p>\n

Businessman,\"\"<\/td>\n

LA CHUTE DE KARUTURI: COMMENT LA CRISE DU MARCHE DES ROSES COUPE LES ESPOIRS DE MILLIONS DE PERSONNES<\/a><\/td>\nTHE FALL OF KARUTURI: HOW THE CRISIS IN THE ROSE MARKET IS CUTTING THE HOPES OF MILLIONS<\/a><\/td>\nIL CASO KARUTURI: COS\u00cc LA CRISI DELLE ROSE RECIDE LE SPERANZE DI MILIONI DI PERSONE<\/a><\/td>\n\u0414\u0415\u041b\u041e \u041a\u0410\u0420\u0423\u0422\u0423\u0420\u0418: \u041a\u0410\u041a \u041a\u0420\u0418\u0417\u0418\u0421 \u0420\u041e\u0417 \u0420\u0410\u0417\u0411\u0418\u0412\u0410\u0415\u0422 \u041d\u0410\u0414\u0415\u0416\u0414\u042b \u041c\u0418\u041b\u041b\u0418\u041e\u041d\u041e\u0412 \u041b\u042e\u0414\u0415\u0419<\/a><\/td>\nDER FALL VON KARUTURI: WIE DIE KRISE DES ROSENMARKTES DIE HOFFNUNGEN VON MILLIONEN VON MENSCHEN ZERST\u00d6RT<\/a><\/td>\nEL CASO KARUTURI: C\u00d3MO LA CRISIS DE LAS ROSAS EST\u00c1 CORTANDO LAS ESPERANZAS DE MILLONES DE PERSONAS<\/a><\/td>\n<\/tr>\n
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\"\"Kasaila<\/strong>, Francis<\/p>\n

Politician, 1975-
\n\"\"<\/td>\n

UNE HERO\u00cfNE POUR LE MALAWI<\/a><\/td>\nA HEROINE FOR MALAWI<\/a><\/td>\nUN\u2019EROINA PER IL MALAWI<\/a><\/td>\n\u0413\u0415\u0420\u041e\u0418\u041d\u042f \u0414\u041b\u042f \u041c\u0410\u041b\u0410\u0412\u0418<\/a><\/td>\nEINE HELDIN F\u00dcR MALAWI<\/a><\/td>\nUNA HERO\u00cdNA PARA MALAWI<\/a><\/td>\n<\/tr>\n
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\"\"Kasambara<\/strong>, Ralph<\/p>\n

Politician, 1968-
\n\"\"<\/td>\n

UNE HERO\u00cfNE POUR LE MALAWI<\/a><\/td>\nA HEROINE FOR MALAWI<\/a><\/td>\nUN\u2019EROINA PER IL MALAWI<\/a><\/td>\n\u0413\u0415\u0420\u041e\u0418\u041d\u042f \u0414\u041b\u042f \u041c\u0410\u041b\u0410\u0412\u0418<\/a><\/td>\nEINE HELDIN F\u00dcR MALAWI<\/a><\/td>\nUNA HERO\u00cdNA PARA MALAWI<\/a><\/td>\n<\/tr>\n
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\"\"Kasavubu<\/strong>, Joseph<\/p>\n

Politician, 1915-1969
\n\"\"<\/td>\n

60 ANS DE DICTATURE ET 200 ANS DE GUERRES, D\u2019ESCLAVAGE ET DE CONTREBANDE: BIENVENUE AU CONGO<\/a><\/td>\n60 YEARS OF DICTATORSHIP AND 200 YEARS OF WARS, SLAVERY AND SMUGGLING: WELCOME TO THE CONGO<\/a><\/td>\nIL CONGO DRC DOPO 60 ANNI DI DITTATURA E DUE SECOLI DI GUERRE, SCHIAVISMO E CONTRABBANDO<\/a><\/td>\n\u0414\u0420\u041a \u041a\u041e\u041d\u0413\u041e \u041f\u041e\u0421\u041b\u0415 60 \u041b\u0415\u0422 \u0414\u0418\u041a\u0422\u0410\u0422\u0423\u0420\u042b \u0418 \u0414\u0412\u0423\u0425 \u0412\u0415\u041a\u041e\u0412 \u0412\u041e\u0419\u041d, \u0420\u0410\u0411\u0421\u0422\u0412\u0410 \u0418 \u041a\u041e\u041d\u0422\u0420\u0410\u0411\u0410\u041d\u0414\u042b<\/a><\/td>\n60 JAHREN DIKTATUR UND 200 JAHREN KRIEGEN, SKLAVEREI UND SCHMUGGEL: WILLKOMMEN IN KONGO<\/a><\/td>\nCONGO RDC TRAS 60 A\u00d1OS DE DICTADURA Y DOS SIGLOS DE GUERRA, ESCLAVITUD Y CONTRABANDO<\/a><\/td>\n<\/tr>\n
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\"\"Kasereka<\/strong>, Rashidi<\/p>\n

Soldier, 1963-2001<\/p>\n

\"\"<\/td>\n

60 ANS DE DICTATURE ET 200 ANS DE GUERRES, D\u2019ESCLAVAGE ET DE CONTREBANDE: BIENVENUE AU CONGO<\/a><\/td>\n60 YEARS OF DICTATORSHIP AND 200 YEARS OF WARS, SLAVERY AND SMUGGLING: WELCOME TO THE CONGO<\/a><\/td>\nIL CONGO DRC DOPO 60 ANNI DI DITTATURA E DUE SECOLI DI GUERRE, SCHIAVISMO E CONTRABBANDO<\/a><\/td>\n\u0414\u0420\u041a \u041a\u041e\u041d\u0413\u041e \u041f\u041e\u0421\u041b\u0415 60 \u041b\u0415\u0422 \u0414\u0418\u041a\u0422\u0410\u0422\u0423\u0420\u042b \u0418 \u0414\u0412\u0423\u0425 \u0412\u0415\u041a\u041e\u0412 \u0412\u041e\u0419\u041d, \u0420\u0410\u0411\u0421\u0422\u0412\u0410 \u0418 \u041a\u041e\u041d\u0422\u0420\u0410\u0411\u0410\u041d\u0414\u042b<\/a><\/td>\n60 JAHREN DIKTATUR UND 200 JAHREN KRIEGEN, SKLAVEREI UND SCHMUGGEL: WILLKOMMEN IN KONGO<\/a><\/td>\nCONGO RDC TRAS 60 A\u00d1OS DE DICTADURA Y DOS SIGLOS DE GUERRA, ESCLAVITUD Y CONTRABANDO<\/a><\/td>\n<\/tr>\n
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\"\"Ka-Shing<\/strong>, Li<\/p>\n

Entrepreneur, 1928-
\n\"\"<\/td>\n

VOYAGER LABS: L\u2019ARME CONTONDANTE DE L\u2019INTELLIGENCE ARTIFICIELLE<\/a><\/td>\nVOYAGER LABS: THE BLUNT WEAPON OF ARTIFICIAL INTELLIGENCE<\/a><\/td>\nVOYAGER LABS: L\u2019ARMA SPUNTATA DELL\u2019INTELLIGENZA ARTIFICIALE<\/a><\/td>\nVOYAGERLABS: \u0422\u0423\u041f\u041e\u0415 \u041e\u0420\u0423\u0416\u0418\u0415 \u0418\u0421\u041a\u0423\u0421\u0421\u0422\u0412\u0415\u041d\u041d\u041e\u0413\u041e \u0418\u041d\u0422\u0415\u041b\u041b\u0415\u041a\u0422\u0410<\/a><\/td>\nVOYAGER LABS: DIE STUMPFE WAFFE DER K\u00dcNSTLICHEN INTELLIGENZ<\/a><\/td>\nVOYAGER LABS: EL ARMA CONTUNDENTE DE LA INTELIGENCIA ARTIFICIAL<\/a><\/td>\n<\/tr>\n
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\"\"Kaskas<\/strong>, Marius<\/p>\n

Manager, 1956-
\n\"\"<\/td>\n

LA MOLDAVIE DES OLIGARQUES, OU LE MOYEN \u00c2GE EST PLUS VIVANT QUE JAMAIS<\/a><\/td>\nTHE MOLDOVA OF THE OLIGARCHS, WHERE THE MIDDLE AGES ARE MORE ALIVE THAN EVER<\/a><\/td>\nLA MOLDAVIA DEGLI OLIGARCHI, DOVE IL MEDIOEVO \u00c8 PI\u00d9 VIVO CHE MAI<\/a><\/td>\n\u041c\u041e\u041b\u0414\u0410\u0412\u0418\u042f \u041e\u041b\u0418\u0413\u0410\u0420\u0425\u041e\u0412, \u0413\u0414\u0415 \u0421\u0420\u0415\u0414\u041d\u0415\u0412\u0415\u041a\u041e\u0412\u042c\u0415 \u0416\u0418\u0412\u041e, \u041a\u0410\u041a \u041d\u0418\u041a\u041e\u0413\u0414\u0410<\/a><\/td>\nMOLDAWIEN DER OLIGARCHEN, WO DAS MITTELALTER LEBENDIGER IST ALS JE ZUVOR<\/a><\/td>\nLA MOLDAVIA DE LOS OLIGARCAS, DONDE LA EDAD MEDIA EST\u00c1 M\u00c1S VIVA QUE NUNCA<\/a><\/td>\n<\/tr>\n
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\"\"Kasparov<\/strong>, Garry<\/p>\n

Chess Grandmaster, 1963-
\n\"\"<\/td>\n

CHATGPT: ENTRE FASCINATION ET CRAINTE<\/a><\/td>\nCHATGPT: BETWEEN FASCINATION AND FEAR<\/a><\/td>\nCHATGPT: TRA FASCINO E PAURA<\/a><\/td>\nCHATGPT: \u041c\u0415\u0416\u0414\u0423 \u041e\u0427\u0410\u0420\u041e\u0412\u0410\u041d\u0418\u0415\u041c \u0418 \u0421\u0422\u0420\u0410\u0425\u041e\u041c<\/a><\/td>\nCHATGPT: ZWISCHEN FASZINATION UND ANGST<\/a><\/td>\nCHATGPT: ENTRE LA FASCINACI\u00d3N Y EL MIEDO<\/a><\/td>\n<\/tr>\n
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\"\"Kast<\/strong>, Jos\u00e9 Antonio<\/p>\n

Politician, 1966-
\n\"\"<\/td>\n

LE CHILI DE GABRIEL BORIC: LE RETOUR DE L\u2019ESPOIR<\/a><\/td>\nGABRIEL BORIC\u2019S CHILE: THE RETURN OF HOPE<\/a><\/td>\nIL CILE DI GABRIEL BORIC: IL RITORNO DELLA SPERANZA<\/a><\/td>\n\u0427\u0418\u041b\u0418 \u0413\u0410\u0411\u0420\u0418\u042d\u041b\u042f \u0411\u041e\u0420\u0418\u0427: \u0412\u041e\u0417\u0412\u0420\u0410\u0429\u0415\u041d\u0418\u0415 \u041d\u0410\u0414\u0415\u0416\u0414\u042b<\/a><\/td>\nGABRIEL BORIC\u2019S CHILE: DIE R\u00dcCKKEHR DER HOFFNUNG<\/a><\/td>\nEL CHILE DE GABRIEL BORIC: EL RETORNO DE LA ESPERANZA<\/a><\/td>\n<\/tr>\n
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Katabalo<\/strong>, Stan<\/p>\n

Journalist, died in 1993
\n\"\"<\/td>\n

NGORONGORO: LE CAPITALISME ANEANTIT LES MASSA\u00cfS<\/a><\/td>\nNGORONGORO: CAPITALISM ANNIHILATES THE MAASAI<\/a><\/td>\nNGORONGORO: IL CAPITALISMO ANNIENTA I MASAI<\/a><\/td>\n\u041d\u0413\u041e\u0420\u041e\u041d\u0413\u041e\u0420\u041e: \u041a\u0410\u041f\u0418\u0422\u0410\u041b\u0418\u0417\u041c \u0423\u041d\u0418\u0427\u0422\u041e\u0416\u0410\u0415\u0422 \u041c\u0410\u0421\u0410\u0415\u0412<\/a><\/td>\nNGORONGORO: DER KAPITALISMUS VERNICHTET DIE MAASAI<\/a><\/td>\nNGORONGORO: EL CAPITALISMO ACABA CON LOS MAASAI<\/a><\/td>\n<\/tr>\n
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\"\"Katase<\/strong>, Hirofumi<\/p>\n

Politician, 1959-
\n\"\"<\/td>\n

TRAFIGURA, POUTINE ET CES SANCTIONS INUTILES<\/a><\/td>\nTRAFIGURA, PUTIN AND THOSE USELESS SANCTIONS<\/a><\/td>\nTRAFIGURA, PUTIN E QUELLE INUTILI SANZIONI<\/a><\/td>\nTRAFIGURA, \u041f\u0423\u0422\u0418\u041d \u0418 \u042d\u0422\u0418 \u0411\u0415\u0421\u041f\u041e\u041b\u0415\u0417\u041d\u042b\u0415 \u0421\u0410\u041d\u041a\u0426\u0418\u0418<\/a><\/td>\nTRAFIGURA, PUTIN UND DIE NUTZLOSEN SANKTIONEN<\/a><\/td>\nTRAFIGURA, PUTIN Y ESAS SANCIONES IN\u00daTILES<\/a><\/td>\n<\/tr>\n
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\"\"Katsobashvili<\/strong>, Ruben<\/p>\n

Oligarch, 1933-
\n\"\"<\/td>\n

LES OMBRES RUSSES SUR LE SCANDALE AFRILAND<\/a><\/td>\nRUSSIAN SHADOWS ON THE AFRILAND SCANDAL<\/a><\/td>\nOMBRE RUSSE SULLO SCANDALO AFRILAND<\/a><\/td>\n\u0420\u0423\u0421\u0421\u041a\u0418\u0415 \u0422\u0415\u041d\u0418 \u0412 \u0421\u041a\u0410\u041d\u0414\u0410\u041b\u0415 AFRILAND<\/a><\/td>\nRUSSISCHE SCHATTEN AUF DEM AFRILAND-SKANDAL<\/a><\/td>\nSOMBRAS RUSAS SOBRE EL ESC\u00c1NDALO AFRILAND<\/a><\/td>\n<\/tr>\n
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\"\"Katumba Mwanke<\/strong>, Augustin<\/p>\n

Politician, 1963-2012
\n\"\"<\/td>\n

ERIC MONGA MUMBA ET LE KATANGA: LE VRAI VISAGE DU POUVOIR<\/a><\/td>\nERIC MONGA MUMBA AND KATANGA: THE TRUE FACE OF THE POWER<\/a><\/td>\nERIC MONGA MUMBA E IL KATANGA: IL VERO VOLTO DEL POTERE<\/a><\/td>\n\u042d\u0420\u0418\u041a \u041c\u041e\u041d\u0413\u0410 \u041c\u0423\u041c\u0411\u0410 \u0418 \u041a\u0410\u0422\u0410\u041d\u0413\u0410: \u0418\u0421\u0422\u0418\u041d\u041d\u041e\u0415 \u041b\u0418\u0426\u041e \u0421\u0418\u041b\u042b<\/a><\/td>\nERIC MONGA MUMBA UND KATANGA: DAS WAHRE GESICHT DER MACHT<\/a><\/td>\nERIC MONGA MUMBA Y KATANGA: LA VERDADERA CARA DEL PODER<\/a><\/td>\n<\/tr>\n
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\"\"Kaukonde<\/strong>, Martha<\/p>\n

Lawyer, 1992-
\n\"\"<\/td>\n

UNE HERO\u00cfNE POUR LE MALAWI<\/a><\/td>\nA HEROINE FOR MALAWI<\/a><\/td>\nUN\u2019EROINA PER IL MALAWI<\/a><\/td>\n\u0413\u0415\u0420\u041e\u0418\u041d\u042f \u0414\u041b\u042f \u041c\u0410\u041b\u0410\u0412\u0418<\/a><\/td>\nEINE HELDIN F\u00dcR MALAWI<\/a><\/td>\nUNA HERO\u00cdNA PARA MALAWI<\/a><\/td>\n<\/tr>\n
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\"\"Kavc\u0131o\u011flu<\/strong>, \u015eahap<\/p>\n

Politician, 1967-
\n\"\"<\/td>\n

PARC GEZI: LE SYMBOLE DE L\u2019EFFONDREMENT DE LA TURQUIE<\/a><\/td>\nGEZI PARK: THE SYMBOL OF TURKEY\u2019S COLLAPSE<\/a><\/td>\nGEZI PARK: IL SIMBOLO DELLA TURCHIA AL COLLASSO<\/a><\/td>\nGEZI \u041f\u0410\u0420\u041a: \u0421\u0418\u041c\u0412\u041e\u041b \u0422\u0423\u0420\u0426\u0418\u0418, \u041a\u041e\u0422\u041e\u0420\u0410\u042f \u0420\u0410\u0417\u0420\u0423\u0428\u0410\u0415\u0422\u0421\u042f<\/a><\/td>\nGEZI PARK: DAS SYMBOL DES ZUSAMMENBRUCHS DER T\u00dcRKEI<\/a><\/td>\nPARQUE GEZI: EL S\u00cdMBOLO DEL COLAPSO DE TURQU\u00cdA<\/a><\/td>\n<\/tr>\n
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\"\"Kayani<\/strong> Muhammad Adeel<\/p>\n

Manager, 1986-
\n\"\"<\/td>\n

JONATHAN GRAY : PARIS A SON NOUVEAU RICHELIEU<\/a><\/td>\nJONATHAN GRAY: PARIS HAS ITS NEW RICHELIEU<\/a><\/td>\nJONATHAN GRAY: PARIGI HA IL SUO NUOVO RICHELIEU<\/a><\/td>\nJONATHAN GRAY: \u0412 \u041f\u0410\u0420\u0418\u0416\u0415 \u041d\u041e\u0412\u042b\u0419 \u0420\u0418\u0428\u0415\u041b\u042c\u0415<\/a><\/td>\nJONATHAN GRAY: PARIS HAT SEINEN NEUEN RICHELIEU<\/a><\/td>\nJONATHAN GRAY: PAR\u00cdS TIENE SU NUEVO RICHELIEU<\/a><\/td>\n<\/tr>\n
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\"\"Kayiran<\/strong>, Timur<\/p>\n

Businessman, 1976-
\n\"\"<\/td>\n

LE PETIT QATAR, GRAND PARTENAIRE DU GEANT RUSSE<\/a><\/td>\nSMALL QATAR AS BIG PARTNER OF THE RUSSIAN GIANT<\/a><\/td>\nIL PICCOLO QATAR, GRANDE PARTNER DEL GIGANTE RUSSO<\/a><\/td>\n\u041c\u0410\u041b\u0415\u041d\u042c\u041a\u0418\u0419 \u041a\u0410\u0422\u0410\u0420 \u042f\u0412\u041b\u042f\u0415\u0422\u0421\u042f \u0412\u0410\u0416\u041d\u042b\u041c \u041f\u0410\u0420\u0422\u041d\u0415\u0420\u041e\u041c \u0413\u0418\u0413\u0410\u041d\u0422\u0421\u041a\u041e\u0419 \u0420\u041e\u0421\u0421\u0418\u0418<\/a><\/td>\nDER KLEINE KATAR, GRO\u00dfPARTNER DES RIESENS RUSSLAND<\/a><\/td>\nEL PEQUE\u00d1O QATAR, GRAN SOCIO DEL GIGANTE RUSO<\/a><\/td>\n<\/tr>\n
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\"\"Kayuni<\/strong>, Steven<\/p>\n

Judge, 1991-
\n\"\"<\/td>\n

UNE HERO\u00cfNE POUR LE MALAWI<\/a><\/td>\nA HEROINE FOR MALAWI<\/a><\/td>\nUN\u2019EROINA PER IL MALAWI<\/a><\/td>\n\u0413\u0415\u0420\u041e\u0418\u041d\u042f \u0414\u041b\u042f \u041c\u0410\u041b\u0410\u0412\u0418<\/a><\/td>\nEINE HELDIN F\u00dcR MALAWI<\/a><\/td>\nUNA HERO\u00cdNA PARA MALAWI<\/a><\/td>\n<\/tr>\n
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\"\"Kazbegi<\/strong>, Alexandre<\/p>\n

Novelist, 1848-1890
\n\"\"<\/td>\n

GEORGIE: DES ROSES CONTRE LA PEUR DES RUSSES<\/a><\/td>\nGEORGIA: ROSES AGAINST THE FEAR OF THE RUSSIANS<\/a><\/td>\nGEORGIA: ROSE IN PIAZZA CONTRO LA PAURA DEI RUSSI<\/a><\/td>\n\u0413\u0420\u0423\u0417\u0418\u042f: \u0420\u041e\u0417\u042b \u041d\u0410 \u0423\u041b\u0418\u0426\u0410\u0425 \u041f\u0420\u041e\u0422\u0418\u0412 \u0421\u0422\u0420\u0410\u0425\u0410 \u0420\u0423\u0421\u0421\u041a\u0418\u0425<\/a><\/td>\nGEORGIEN: AUF DEN STRA\u00dfEN, ROSEN GEGEN DIE RUSSEN<\/a><\/td>\nGEORGIA: ROSAS CONTRA EL MIEDO A LOS RUSOS<\/a><\/td>\n<\/tr>\n
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\"\"Kazmaly<\/strong>, Ilya<\/p>\n

Entrepreneur, 1962-
\n\"\"<\/td>\n

LA MOLDAVIE DES OLIGARQUES, OU LE MOYEN \u00c2GE EST PLUS VIVANT QUE JAMAIS<\/a><\/td>\nTHE MOLDOVA OF THE OLIGARCHS, WHERE THE MIDDLE AGES ARE MORE ALIVE THAN EVER<\/a><\/td>\nLA MOLDAVIA DEGLI OLIGARCHI, DOVE IL MEDIOEVO \u00c8 PI\u00d9 VIVO CHE MAI<\/a><\/td>\n\u041c\u041e\u041b\u0414\u0410\u0412\u0418\u042f \u041e\u041b\u0418\u0413\u0410\u0420\u0425\u041e\u0412, \u0413\u0414\u0415 \u0421\u0420\u0415\u0414\u041d\u0415\u0412\u0415\u041a\u041e\u0412\u042c\u0415 \u0416\u0418\u0412\u041e, \u041a\u0410\u041a \u041d\u0418\u041a\u041e\u0413\u0414\u0410<\/a><\/td>\nMOLDAWIEN DER OLIGARCHEN, WO DAS MITTELALTER LEBENDIGER IST ALS JE ZUVOR<\/a><\/td>\nLA MOLDAVIA DE LOS OLIGARCAS, DONDE LA EDAD MEDIA EST\u00c1 M\u00c1S VIVA QUE NUNCA<\/a><\/td>\n<\/tr>\n
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\"\"Ka\u017amierski<\/strong>, Mariusz<\/p>\n

Businessman, 1980-
\n\"\"<\/td>\n

PANZERI ET CES AMIS DE L\u2019AUTRE RIVE<\/a><\/td>\nPANZERI AND THOSE FRIENDS FROM THE OTHER SIDE<\/a><\/td>\nPANZERI E QUEGLI AMICI DELL\u2019ALTRA SPONDA<\/a><\/td>\n\u041f\u0410\u041d\u0426\u0415\u0420\u0418 \u0418 \u0422\u0415 \u0414\u0420\u0423\u0417\u042c\u042f \u0421 \u0414\u0420\u0423\u0413\u041e\u0419 \u0421\u0422\u041e\u0420\u041e\u041d\u042b<\/a><\/td>\nPANZERI UND DIE FREUNDE VON DER ANDEREN SEITE<\/a><\/td>\nPANZERI Y ESOS AMIGOS DEL OTRO LADO<\/a><\/td>\n<\/tr>\n
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\"\"Kazmin<\/strong>, Yuri<\/p>\n

Geologist, 1986-
\n\"\"<\/td>\n

BASES MILITAIRES ET MINES: LE NOUVEAU VISAGE DES FONDS MARINS<\/a><\/td>\nMILITARY BASES AND MINES: THE NEW FACE OF THE SEABED<\/a><\/td>\nBASI MILITARI E MINIERE: IL VOLTO NUOVO DEL FONDO DELL\u2019OCEANO<\/a><\/td>\n\u0412\u041e\u0415\u041d\u041d\u042b\u0415 \u0411\u0410\u0417\u042b \u0418 \u0420\u0423\u0414\u041d\u0418\u041a\u0418: \u041d\u041e\u0412\u042b\u0415 \u041b\u0418\u0426\u0410 \u041e\u041a\u0415\u0410\u041d\u0421\u041a\u041e\u0413\u041e \u0414\u041d\u0410<\/a><\/td>\nMILIT\u00c4RST\u00dcTZPUNKTE UND MINEN: DAS NEUE GESICHT DES MEERESBODENS<\/a><\/td>\nBASES MILITARES Y MINAS: LA NUEVA CARA DE LOS FONDOS MARINOS<\/a><\/td>\n<\/tr>\n
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\"\"Kebede<\/strong>, Kassahun<\/p>\n

Businessman,
\n\"\"<\/td>\n

AFFAIRES SALES, CORRUPTION, ESCLAVAGE: CE QUI SE CACHE DERRIERE LE MARTYRE DU PEUPLE OROMO<\/a><\/td>\nDODGY BUSINESS, CORRUPTION, SLAVERY: WHAT\u2019S BEHIND THE MARTYR OF THE OROMO PEOPLE<\/a><\/td>\nAFFARI SPORCHI, CORRUZIONE, SCHIAVISMO: IL MARTIRIO DEL POPOLO OROMO<\/a><\/td>\n\u0413\u0420\u042f\u0417\u041d\u042b\u0415 \u0414\u0415\u041b\u0410, \u041a\u041e\u0420\u0420\u0423\u041f\u0426\u0418\u042f, \u0420\u0410\u0411\u0421\u0422\u0412\u041e: \u0427\u0422\u041e \u0421\u041a\u0420\u042b\u0412\u0410\u0415\u0422\u0421\u042f \u0417\u0410 \u041c\u0423\u0427\u0415\u041d\u0418\u041a\u0410\u041c\u0418 \u041d\u0410\u0420\u041e\u0414\u0410 \u041e\u0420\u041e\u041c\u041e<\/a><\/td>\nSCHMUTZIGE GESCH\u00c4FTE, KORRUPTION, SKLAVEREI: WAS HINTER DEM MARTYRIUM DES VOLKES OROMO STECKT<\/a><\/td>\nNEGOCIOS SUCIOS, CORRUPCI\u00d3N, ESCLAVITUD: EL MARTIRIO DEL PUEBLO OROMO<\/a><\/td>\n<\/tr>\n
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 <\/p>\n

\"\"Keicher<\/strong>, Werner<\/p>\n

Fiduciary trustee, 1944-
\n\"\"<\/td>\n

LA DERNIERE VICTIME DU BANCO AMBROSIANO<\/a><\/td>\nTHE LAST VICTIM OF BANCO AMBROSIANO<\/a><\/td>\nL\u2019ULTIMA VITTIMA DEL BANCO AMBROSIANO<\/a><\/td>\n\u041f\u041e\u0421\u041b\u0415\u0414\u041d\u042f\u042f \u0416\u0415\u0420\u0422\u0412\u0410\u0411\u0410\u041d\u041a\u0410 \u0410\u041c\u0411\u0420\u041e\u0417\u0418\u0410\u041d\u041e<\/a><\/td>\nDAS LETZTE OPFER DER BANCO AMBROSIANO<\/a><\/td>\nLA \u00daLTIMA V\u00cdCTIMA DEL BANCO AMBROSIANO<\/a><\/td>\n<\/tr>\n
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 <\/p>\n

\"\"Ke\u00efta<\/strong>, Ibrahim Boubacar<\/p>\n

Politician, 1945-
\n\"\"<\/td>\n

GUERRES ETHNIQUES, RELIGIEUSES ET COLONIALES: LE MALI COMME METAPHORE DE UN DESASTRE MONDIAL<\/a><\/td>\nETHNIC, RELIGIOUS, COLONIAL WARS AND TRIBAL REVENGE: MALI AS A METAPHOR FOR A GLOBAL DISASTER<\/a><\/td>\nGUERRE ETNICHE, RELIGIOSE, COLONIALI E VENDETTE TRIBALI: IL MALI COME METAFORA DEL DISASTRO GLOBALE<\/a><\/td>\n\u042d\u0422\u041d\u0418\u0427\u0415\u0421\u041a\u0418\u0415, \u0420\u0415\u041b\u0418\u0413\u0418\u041e\u0417\u041d\u042b\u0415, \u041a\u041e\u041b\u041e\u041d\u0418\u0410\u041b\u042c\u041d\u042b\u0415 \u0412\u041e\u0419\u041d\u042b \u0418 \u041f\u041b\u0415\u041c\u0415\u041d\u041d\u0410\u042f \u041c\u0415\u0421\u0422\u042c: \u041c\u0410\u041b\u0418 \u041a\u0410\u041a \u041c\u0415\u0422\u0410\u0424\u041e\u0420\u0410 \u0413\u041b\u041e\u0411\u0410\u041b\u042c\u041d\u041e\u0413\u041e \u0411\u0415\u0414\u0421\u0422\u0412\u0418\u042f<\/a><\/td>\nKOLONIALKRIEGE UND STAMMESRACHE: MALI ALS METAPHER F\u00dcR DIE GLOBALE KATASTROPHE<\/a><\/td>\nGUERRAS \u00c9TNICAS, RELIGIOSAS, COLONIALES Y VENGANZAS TRIBALES: MAL\u00cd COMO MET\u00c1FORA DEL DESASTRE GLOBAL<\/a><\/td>\n<\/tr>\n
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 <\/p>\n

\"\"Keita<\/strong>, Modibo<\/p>\n

Politician, 1915-1977
\n\"\"<\/td>\n

GUERRES ETHNIQUES, RELIGIEUSES ET COLONIALES: LE MALI COMME METAPHORE DE UN DESASTRE MONDIAL<\/a><\/td>\nETHNIC, RELIGIOUS, COLONIAL WARS AND TRIBAL REVENGE: MALI AS A METAPHOR FOR A GLOBAL DISASTER<\/a><\/td>\nGUERRE ETNICHE, RELIGIOSE, COLONIALI E VENDETTE TRIBALI: IL MALI COME METAFORA DEL DISASTRO GLOBALE<\/a><\/td>\n\u042d\u0422\u041d\u0418\u0427\u0415\u0421\u041a\u0418\u0415, \u0420\u0415\u041b\u0418\u0413\u0418\u041e\u0417\u041d\u042b\u0415, \u041a\u041e\u041b\u041e\u041d\u0418\u0410\u041b\u042c\u041d\u042b\u0415 \u0412\u041e\u0419\u041d\u042b \u0418 \u041f\u041b\u0415\u041c\u0415\u041d\u041d\u0410\u042f \u041c\u0415\u0421\u0422\u042c: \u041c\u0410\u041b\u0418 \u041a\u0410\u041a \u041c\u0415\u0422\u0410\u0424\u041e\u0420\u0410 \u0413\u041b\u041e\u0411\u0410\u041b\u042c\u041d\u041e\u0413\u041e \u0411\u0415\u0414\u0421\u0422\u0412\u0418\u042f<\/a><\/td>\nKOLONIALKRIEGE UND STAMMESRACHE: MALI ALS METAPHER F\u00dcR DIE GLOBALE KATASTROPHE<\/a><\/td>\nGUERRAS \u00c9TNICAS, RELIGIOSAS, COLONIALES Y VENGANZAS TRIBALES: MAL\u00cd COMO MET\u00c1FORA DEL DESASTRE GLOBAL<\/a><\/td>\n<\/tr>\n
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\"\"Ke\u00efta<\/strong>, Sundjata<\/p>\n

Emperor, 1190-1255
\n\"\"<\/td>\n

DESTINATION SAHEL<\/a><\/td>\nDESTINATION SAHEL<\/a><\/td>\nDESTINAZIONE SAHEL<\/a><\/td>\n\u041d\u0430\u043f\u0440\u0430\u0432\u043b\u0435\u043d\u0438\u0435 \u0421\u0430\u0445\u0435\u043b\u044c<\/a><\/td>\nZIELORT SAHEL<\/a><\/td>\nDESTINO SAHEL<\/a><\/td>\n<\/tr>\n
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\"\"Kelani<\/strong>, Reem<\/p>\n

Singer, 1964-
\n\"\"<\/td>\n

RIM BANNA, LA VOIX DU C\u0152UR BLESSE DE LA PALESTINE<\/a><\/td>\nRIM BANNA, VOICE OF THE WOUNDED HEART OF PALESTINE<\/a><\/td>\nRIM BANNA, VOCE DEL CUORE FERITO DELLA PALESTINA<\/a><\/td>\n\u0420\u0418\u041c \u0411\u0410\u041d\u041d\u0410, \u0413\u041e\u041b\u041e\u0421 \u0418\u0417\u0420\u0410\u041d\u0415\u041d\u041d\u041e\u0413\u041e \u0421\u0415\u0420\u0414\u0426\u0410 \u041f\u0410\u041b\u0415\u0421\u0422\u0418\u041d\u042b<\/a><\/td>\nRIM BANNA, DIE STIMME DES VERWUNDETEN HERZENS VON PAL\u00c4STINA<\/a><\/td>\nRIM BANNA, VOZ DEL CORAZ\u00d3N HERIDO DE PALESTINA<\/a><\/td>\n<\/tr>\n
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\"\"Kelly<\/strong>, Makenna<\/p>\n

Influencer, 2005-
\n\"\"<\/td>\n

SHEIN: L\u2019OGRE CHINOIS QUI GRANDIT DANS L\u2019OMBRE<\/a><\/td>\nSHEIN: THE CHINESE OGRE GROWING IN THE SHADOWS<\/a><\/td>\nSHEIN: L\u2019ORCO CINESE CHE CRESCE NELL\u2019OMBRA<\/a><\/td>\nSHEIN: \u041a\u0418\u0422\u0410\u0419\u0421\u041a\u0418\u0419 \u041b\u042e\u0414\u041e\u0415\u0414, \u0420\u0410\u0421\u0422\u0423\u0429\u0418\u0419 \u0412 \u0422\u0415\u041d\u0418<\/a><\/td>\nSHEIN: DAS CHINESISCHE UNGEHEUER, DAS IM VERBORGENEN W\u00c4CHST<\/a><\/td>\nSHEIN: EL OGRO CHINO QUE CRECE EN LA SOMBRA<\/a><\/td>\n<\/tr>\n
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\"\"Kench<\/strong>, Paul<\/p>\n

Professor,
\n\"\"<\/td>\n

TUVALU, LA NOUVELLE ATLANTIS<\/a><\/td>\nTUVALU, THE NEW ATLANTIS<\/a><\/td>\nTUVALU, LA NUOVA ATLANTIDE<\/a><\/td>\n\u0422\u0423\u0412\u0410\u041b\u0423, \u041d\u041e\u0412\u0410\u042f \u0410\u0422\u041b\u0410\u041d\u0422\u0418\u0414\u0410<\/a><\/td>\nTUVALU, DAS NEUE ATLANTIS<\/a><\/td>\nTUVALU, LA NUEVA ATL\u00c1NTIDA<\/a><\/td>\n<\/tr>\n
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\"\"Kennedy<\/strong>, David Matthew<\/p>\n

Banker, Politician, 1905-1996
\n\"\"<\/td>\n

HENRY KISSINGER, L\u2019AME NOIRE DU 20EME SIECLE<\/a><\/p>\n

LA DERNIERE VICTIME DU BANCO AMBROSIANO<\/a><\/td>\n

HENRY KISSINGER, THE DARK SOUL OF THE 20TH CENTURY<\/a><\/p>\n

THE LAST VICTIM OF BANCO AMBROSIANO<\/a><\/td>\n

HENRY KISSINGER, L\u2019ANIMA NERA DEL XX SECOLO<\/a><\/p>\n

L\u2019ULTIMA VITTIMA DEL BANCO AMBROSIANO<\/a><\/td>\n

\u0413\u0415\u041d\u0420\u0418 \u041a\u0418\u0421\u0421\u0418\u041d\u0414\u0416\u0415\u0420, \u0427\u0415\u0420\u041d\u0410\u042f \u0414\u0423\u0428\u0410 20 \u0412\u0415\u041a\u0410<\/a><\/p>\n

\u041f\u041e\u0421\u041b\u0415\u0414\u041d\u042f\u042f \u0416\u0415\u0420\u0422\u0412\u0410\u0411\u0410\u041d\u041a\u0410 \u0410\u041c\u0411\u0420\u041e\u0417\u0418\u0410\u041d\u041e<\/a><\/td>\n

HENRY KISSINGER, DIE SCHWARZE SEELE DES 20. JAHRHUNDERTS<\/a><\/p>\n

DAS LETZTE OPFER DER BANCO AMBROSIANO<\/a><\/td>\n

HENRY KISSINGER, EL ALMA NEGRA DEL SIGLO XX<\/a><\/p>\n

LA \u00daLTIMA V\u00cdCTIMA DEL BANCO AMBROSIANO<\/a><\/td>\n<\/tr>\n

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\"\"Kennedy<\/strong>, Edward \u201cTed\u201d Moore<\/p>\n

Politician, 1932-2009
\n\"\"<\/td>\n

HENRY KISSINGER, L\u2019AME NOIRE DU 20EME SIECLE<\/a><\/td>\nHENRY KISSINGER, THE DARK SOUL OF THE 20TH CENTURY<\/a><\/td>\nHENRY KISSINGER, L\u2019ANIMA NERA DEL XX SECOLO<\/a><\/td>\n\u0413\u0415\u041d\u0420\u0418 \u041a\u0418\u0421\u0421\u0418\u041d\u0414\u0416\u0415\u0420, \u0427\u0415\u0420\u041d\u0410\u042f \u0414\u0423\u0428\u0410 20 \u0412\u0415\u041a\u0410<\/a><\/td>\nHENRY KISSINGER, DIE SCHWARZE SEELE DES 20. JAHRHUNDERTS<\/a><\/td>\nHENRY KISSINGER, EL ALMA NEGRA DEL SIGLO XX<\/a><\/td>\n<\/tr>\n
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\"\"Kennedy<\/strong>, John Fitzgerald<\/p>\n

Politician, 1917-1963
\n\"\"<\/td>\n

CUBA AUJOURD\u2019HUI: CE QUI RESTE DU REVE \u2013 ET DU CAUCHEMAR<\/a><\/p>\n

HENRY KISSINGER, L\u2019AME NOIRE DU 20EME SIECLE<\/a><\/p>\n

MIRIAM MAKEBA, LA VOIX DE L\u2019AFRIQUE<\/a><\/td>\n

CUBA TODAY: WHAT REMAINS OF THE DREAM \u2013 AND THE NIGHTMARE<\/a><\/p>\n

HENRY KISSINGER, THE DARK SOUL OF THE 20TH CENTURY<\/a><\/p>\n

MIRIAM MAKEBA, THE VOICE OF AFRICA<\/a><\/td>\n

CUBA, OGGI: CI\u00d2 CHE RESTA DEL SOGNO \u2013 E DELL\u2019INCUBO<\/a><\/p>\n

HENRY KISSINGER, L\u2019ANIMA NERA DEL XX SECOLO<\/a><\/p>\n

MIRIAM MAKEBA, LA VOCE DELL\u2019AFRICA<\/a><\/td>\n

\u041a\u0423\u0411\u0410 \u0421\u0415\u0413\u041e\u0414\u041d\u042f: \u0427\u0422\u041e \u041e\u0421\u0422\u0410\u041b\u041e\u0421\u042c \u041e\u0422 \u041c\u0415\u0427\u0422\u042b \u2013 \u0418 \u041e\u0422 \u041a\u041e\u0428\u041c\u0410\u0420\u0410<\/a><\/p>\n

\u0413\u0415\u041d\u0420\u0418 \u041a\u0418\u0421\u0421\u0418\u041d\u0414\u0416\u0415\u0420, \u0427\u0415\u0420\u041d\u0410\u042f \u0414\u0423\u0428\u0410 20 \u0412\u0415\u041a\u0410<\/a><\/p>\n

\u041c\u0418\u0420\u0418\u0410\u041c \u041c\u0410\u041a\u0415\u0411\u0410, \u0413\u041e\u041b\u041e\u0421 \u0410\u0424\u0420\u0418\u041a\u0418<\/a><\/td>\n

KUBA HEUTE: WAS BLEIBT VOM TRAUM \u2013 UND VOM ALBTRAUM<\/a><\/p>\n

HENRY KISSINGER, DIE SCHWARZE SEELE DES 20. JAHRHUNDERTS<\/a><\/p>\n

MIRIAM MAKEBA, DIE STIMME AFRIKAS<\/a><\/td>\n

CUBA, HOY: LO QUE QUEDA DEL SUE\u00d1O \u2013 Y DE LA PESADILLA<\/a><\/p>\n

HENRY KISSINGER, EL ALMA NEGRA DEL SIGLO XX<\/a><\/p>\n

MIRIAM MAKEBA, LA VOZ DE \u00c1FRICA<\/a><\/td>\n<\/tr>\n

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\"\"Kennedy<\/strong>, Robert Francis \u201cBob\u201d<\/p>\n

Politician, 1925-1968
\n\"\"<\/td>\n

HENRY KISSINGER, L\u2019AME NOIRE DU 20EME SIECLE<\/a><\/td>\nHENRY KISSINGER, THE DARK SOUL OF THE 20TH CENTURY<\/a><\/td>\nHENRY KISSINGER, L\u2019ANIMA NERA DEL XX SECOLO<\/a><\/td>\n\u0413\u0415\u041d\u0420\u0418 \u041a\u0418\u0421\u0421\u0418\u041d\u0414\u0416\u0415\u0420, \u0427\u0415\u0420\u041d\u0410\u042f \u0414\u0423\u0428\u0410 20 \u0412\u0415\u041a\u0410<\/a><\/td>\nHENRY KISSINGER, DIE SCHWARZE SEELE DES 20. JAHRHUNDERTS<\/a><\/td>\nHENRY KISSINGER, EL ALMA NEGRA DEL SIGLO XX<\/a><\/td>\n<\/tr>\n
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\"\"Kenyatta<\/strong>, Jomo<\/p>\n

Politician, 1893-1978
\n\"\"<\/td>\n

PHILIP MORRIS ENTRE EN GUERRE \u2013 AVEC LES POPULISTES, LES EXTREMISTES DE DROITE ET LES CHEIKHS ARABES<\/a><\/p>\n

MIRIAM MAKEBA, LA VOIX DE L\u2019AFRIQUE<\/a><\/td>\n

PHILIP MORRIS GOES TO WAR \u2013 WITH POPULISTS, SUPREMACISTS AND ARAB SHEIKHS<\/a><\/p>\n

MIRIAM MAKEBA, THE VOICE OF AFRICA<\/a><\/td>\n

LA PHILIP MORRIS VA ALLA GUERRA \u2013 ALLEATA A SUPREMATISTI, POPULISTI E SCEICCHI ARABI<\/a><\/p>\n

MIRIAM MAKEBA, LA VOCE DELL\u2019AFRICA<\/a><\/td>\n

\u0424\u0418\u041b\u0418\u041f \u041c\u041e\u0420\u0420\u0418\u0421 \u0418\u0414\u0415\u0422 \u041d\u0410 \u0412\u041e\u0419\u041d\u0423 \u2013 \u041d\u0410 \u0421\u0422\u041e\u0420\u041e\u041d\u0415 \u0410\u0420\u0410\u0411\u0421\u041a\u0418\u0425 \u0421\u0423\u041f\u0420\u0415\u041c\u0410\u0422\u0418\u0421\u0422\u041e\u0412, \u041f\u041e\u041f\u0423\u041b\u0418\u0421\u0422\u041e\u0412 \u0418 \u0428\u0415\u0419\u041a\u041e\u0412<\/a><\/p>\n

\u041c\u0418\u0420\u0418\u0410\u041c \u041c\u0410\u041a\u0415\u0411\u0410, \u0413\u041e\u041b\u041e\u0421 \u0410\u0424\u0420\u0418\u041a\u0418<\/a><\/td>\n

PHILIP MORRIS ZIEHT IN DEN KRIEG \u2013 MIT POPULISTEN, RECHTSEXTREMISTEN UND ARABISCHEN SCHEICHS<\/a><\/p>\n

MIRIAM MAKEBA, DIE STIMME AFRIKAS<\/a><\/td>\n

PHILIP MORRIS VA A LA GUERRA \u2013 ALIADO CON SUPREMACISTAS, POPULISTAS Y JEQUES \u00c1RABES<\/a><\/p>\n

MIRIAM MAKEBA, LA VOZ DE \u00c1FRICA<\/a><\/td>\n<\/tr>\n

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\"\"Kenyatta<\/strong>, Uhuru<\/p>\n

Politician, 1961-
\n\"\"<\/td>\n

PHILIP MORRIS ENTRE EN GUERRE \u2013 AVEC LES POPULISTES, LES EXTREMISTES DE DROITE ET LES CHEIKHS ARABES<\/a><\/p>\n

TAL HANAN: LA MORT DE LA VERITE<\/a><\/td>\n

PHILIP MORRIS GOES TO WAR \u2013 WITH POPULISTS, SUPREMACISTS AND ARAB SHEIKHS<\/a><\/p>\n

TAL HANAN: THE DEATH OF TRUTH<\/a><\/td>\n

LA PHILIP MORRIS VA ALLA GUERRA \u2013 ALLEATA A SUPREMATISTI, POPULISTI E SCEICCHI ARABI<\/a><\/p>\n

TAL HANAN: LA MORTE DELLA VERIT\u00c0<\/a><\/td>\n

\u0424\u0418\u041b\u0418\u041f \u041c\u041e\u0420\u0420\u0418\u0421 \u0418\u0414\u0415\u0422 \u041d\u0410 \u0412\u041e\u0419\u041d\u0423 \u2013 \u041d\u0410 \u0421\u0422\u041e\u0420\u041e\u041d\u0415 \u0410\u0420\u0410\u0411\u0421\u041a\u0418\u0425 \u0421\u0423\u041f\u0420\u0415\u041c\u0410\u0422\u0418\u0421\u0422\u041e\u0412, \u041f\u041e\u041f\u0423\u041b\u0418\u0421\u0422\u041e\u0412 \u0418 \u0428\u0415\u0419\u041a\u041e\u0412<\/a><\/p>\n

\u0422\u0410\u041b\u042c\u0425\u0410\u041d\u0410\u041d: \u0421\u041c\u0415\u0420\u0422\u042c \u041f\u0420\u0410\u0412\u0414\u042b<\/a><\/td>\n

PHILIP MORRIS ZIEHT IN DEN KRIEG \u2013 MIT POPULISTEN, RECHTSEXTREMISTEN UND ARABISCHEN SCHEICHS<\/a><\/p>\n

TAL HANAN: DER TOD DER WAHRHEIT<\/a><\/td>\n

PHILIP MORRIS VA A LA GUERRA \u2013 ALIADO CON SUPREMACISTAS, POPULISTAS Y JEQUES \u00c1RABES<\/a><\/p>\n

TAL HANAN: LA MUERTE DE LA VERDAD<\/a><\/td>\n<\/tr>\n

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\"\"Kerimov<\/strong>, Suleyman Abusaidovich<\/p>\n

Politician, 1966-
\n\"\"<\/td>\n

DMITRYI MAZEPIN, LE PREMIER OLIGARQUE DE LONDONGRAD<\/a><\/p>\n

L\u2019\u0152UVRE D\u2019ART: LA DEVISE DE LE RECEL MONDIALE<\/a><\/p>\n

QUAND LES OLIGARQUES PRENNENT LEUR ENVOL<\/a><\/td>\n

DMITRIJ MAZEPIN, THE FIRST OLIGARCH OF LONDONGRAD<\/a><\/p>\n

ART: THE CURRENCY OF THE GLOBAL COMMERCE OF STOLEN GOODS<\/a><\/p>\n

WHEN THE OLIGARCHS SAIL AWAY<\/a><\/td>\n

DMITRIJ MAZEPIN, IL PRIMO OLIGARCA DI LONDONGRAD<\/a><\/p>\n

L\u2019OPERA D\u2019ARTE: LA VALUTA DELLA RICETTAZIONE GLOBALE<\/a><\/p>\n

QUANDO GLI OLIGARCHI PRENDONO IL LARGO<\/a><\/td>\n

\u0414\u041c\u0418\u0422\u0420\u0418\u0419 \u041c\u0410\u0417\u0415\u041f\u0418\u041d, \u041f\u0415\u0420\u0412\u042b\u0419 \u041e\u041b\u0418\u0413\u0410\u0420\u0425 \u041b\u041e\u041d\u0414\u041e\u041d\u0413\u0420\u0410\u0414\u0410<\/a><\/p>\n

\u041f\u0420\u041e\u0418\u0417\u0412\u0415\u0414\u0415\u041d\u0418\u042f \u0418\u0421\u041a\u0423\u0421\u0421\u0422\u0412\u0410: \u0412\u0410\u041b\u042e\u0422\u0410 \u041c\u0418\u0420\u041e\u0412\u041e\u0413\u041e \u0424\u0415\u0425\u0422\u041e\u0412\u0410\u041d\u0418\u042f<\/a><\/p>\n

\u041a\u041e\u0413\u0414\u0410 \u041e\u041b\u0418\u0413\u0410\u0420\u0425\u0418 \u0423\u0414\u0410\u041b\u042f\u042e\u0422\u0421\u042f<\/a><\/td>\n

DMITRIJ MAZEPIN, DER ERSTE OLIGARCH VON LONDONGRAD<\/a><\/p>\n

DAS KUNSTWERK: DIE W\u00c4HRUNG DER GLOBALEN HEHLEREI<\/a><\/p>\n

WENN DIE OLIGARCHEN DIE FLUCHT ERGREIFEN<\/a><\/td>\n

DMITRIJ MAZEPIN, EL PRIMER OLIGARCA DE LONDONGRAD<\/a><\/p>\n

LA OBRA DE ARTE: LA DIVISA DE LA RECEPTACI\u00d3N MUNDIAL<\/a><\/p>\n

CUANDO LOS OLIGARCAS SE LARGAN<\/a><\/td>\n<\/tr>\n

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\"\"Kerr<\/strong>, Jim<\/p>\n

Musician, 1959-
\n\"\"<\/td>\n

LE ROI SECRET DE TAORMINE<\/a><\/td>\nTHE SECRET KING OF TAORMINA<\/a><\/td>\nIL RE SEGRETO DI TAORMINA<\/a><\/td>\n\u0422\u0410\u0419\u041d\u042b\u0419 \u041a\u041e\u0420\u041e\u041b\u042c \u0422\u0410\u041e\u0420\u041c\u0418\u041d\u042b<\/a><\/td>\nDER GEHEIME K\u00d6NIG VON TAORMINA<\/a><\/td>\nEL REY SECRETO DE TAORMINA<\/a><\/td>\n<\/tr>\n
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\"\"Kerry<\/strong>, John<\/p>\n

Politician, 1943-
\n\"\"<\/td>\n

GLASGOW CONCERNE L\u2019ENVIRONNEMENT MONDIAL, MAIS AUSSI LE POUVOIR MONDIAL<\/a><\/td>\nGLASGOW IS ABOUT THE GLOBAL ENVIRONMENT, BUT ALSO ABOUT GLOBAL POWER<\/a><\/td>\nGLASGOW RIGUARDA L\u2019AMBIENTE GLOBALE, MA ANCHE IL POTERE GLOBALE<\/a><\/td>\n\u0413\u041b\u0410\u0417\u0413\u041e \u2013 \u041e \u0413\u041b\u041e\u0411\u0410\u041b\u042c\u041d\u041e\u0419 \u041e\u041a\u0420\u0423\u0416\u0410\u042e\u0429\u0415\u0419 \u0421\u0420\u0415\u0414\u0415, \u041d\u041e \u0422\u0410\u041a\u0416\u0415 \u0418 \u041e \u0413\u041b\u041e\u0411\u0410\u041b\u042c\u041d\u041e\u0419 \u0412\u041b\u0410\u0421\u0422\u0418<\/a><\/td>\nIN GLASGOW GEHT ES UM DIE GLOBALE UMWELT, ABER AUCH UM DIE GLOBALE MACHT<\/a><\/td>\nGLASGOW TIENE QUE VER CON EL MEDIO AMBIENTE GLOBAL, PERO TAMBI\u00c9N CON EL PODER GLOBAL<\/a><\/td>\n<\/tr>\n
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\"\"Kessler<\/strong>, Gladys<\/p>\n

Magistrato, 1938-
\n\"\"<\/td>\n

PHILIP MORRIS ENTRE EN GUERRE \u2013 AVEC LES POPULISTES, LES EXTREMISTES DE DROITE ET LES CHEIKHS ARABES<\/a><\/td>\nPHILIP MORRIS GOES TO WAR \u2013 WITH POPULISTS, SUPREMACISTS AND ARAB SHEIKHS<\/a><\/td>\nLA PHILIP MORRIS VA ALLA GUERRA \u2013 ALLEATA A SUPREMATISTI, POPULISTI E SCEICCHI ARABI<\/a><\/td>\n\u0424\u0418\u041b\u0418\u041f \u041c\u041e\u0420\u0420\u0418\u0421 \u0418\u0414\u0415\u0422 \u041d\u0410 \u0412\u041e\u0419\u041d\u0423 \u2013 \u041d\u0410 \u0421\u0422\u041e\u0420\u041e\u041d\u0415 \u0410\u0420\u0410\u0411\u0421\u041a\u0418\u0425 \u0421\u0423\u041f\u0420\u0415\u041c\u0410\u0422\u0418\u0421\u0422\u041e\u0412, \u041f\u041e\u041f\u0423\u041b\u0418\u0421\u0422\u041e\u0412 \u0418 \u0428\u0415\u0419\u041a\u041e\u0412<\/a><\/td>\nPHILIP MORRIS ZIEHT IN DEN KRIEG \u2013 MIT POPULISTEN, RECHTSEXTREMISTEN UND ARABISCHEN SCHEICHS<\/a><\/td>\nPHILIP MORRIS VA A LA GUERRA \u2013 ALIADO CON SUPREMACISTAS, POPULISTAS Y JEQUES \u00c1RABES<\/a><\/td>\n<\/tr>\n
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\"\"<\/strong><\/strong>Kessler, <\/strong>Reto<\/p>\n

Manager, 1921-1998
\n\"\"<\/td>\n

HENRY KISSINGER, L\u2019AME NOIRE DU 20EME SIECLE<\/a><\/td>\nHENRY KISSINGER, THE DARK SOUL OF THE 20TH CENTURY<\/a><\/td>\nHENRY KISSINGER, L\u2019ANIMA NERA DEL XX SECOLO<\/a><\/td>\n\u0413\u0415\u041d\u0420\u0418 \u041a\u0418\u0421\u0421\u0418\u041d\u0414\u0416\u0415\u0420, \u0427\u0415\u0420\u041d\u0410\u042f \u0414\u0423\u0428\u0410 20 \u0412\u0415\u041a\u0410<\/a><\/td>\nHENRY KISSINGER, DIE SCHWARZE SEELE DES 20. JAHRHUNDERTS<\/a><\/td>\nHENRY KISSINGER, EL ALMA NEGRA DEL SIGLO XX<\/a><\/td>\n<\/tr>\n
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\"\"Ketenci Erdo\u011fan<\/strong>, Sema<\/p>\n

Businesswoman, 1980-<\/p>\n

\"\"<\/td>\n

QUAND LE CRIME DEVIENT UN \u00c9TAT: LA TURQUIE DE KAMER ET ERDOGAN<\/a><\/td>\nWHEN THE MOB BECOMES THE STATE: THE TURKEY OF KAMER AND ERDO\u011eAN<\/a><\/td>\nQUANDO IL CRIMINE SI FA STATO: LA TURCHIA DI KAMER E ERDO\u011eAN<\/a><\/td>\n\u041a\u041e\u0413\u0414\u0410 \u041f\u0420\u0415\u0421\u0422\u0423\u041f\u041b\u0415\u041d\u0418\u0415 \u0417\u041d\u0410\u0427\u0418\u0422 \u0413\u041e\u0421\u0423\u0414\u0410\u0420\u0421\u0422\u0412\u041e: \u0422\u0423\u0420\u0426\u0418\u042f \u041a\u0410\u041c\u0415\u0420\u0410 \u0418 \u042d\u0420\u0414\u041e\u0413\u0410\u041d\u0410<\/a><\/td>\nWENN KRIMINALIT\u00c4T ZUM STAAT WIRD: KAMER UND ERDO\u011eANS T\u00dcRKEI<\/a><\/td>\nCUANDO EL CRIMEN SE CONVIERTE EN ESTADO: LA TURQU\u00cdA DE KAMER Y ERDO\u011eAN<\/a><\/td>\n<\/tr>\n
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\"\"Keynes<\/strong>, John Maynard<\/p>\n

Economist, 1883-1946
\n\"\"<\/td>\n

LE CHILI DE GABRIEL BORIC: LE RETOUR DE L\u2019ESPOIR<\/a><\/td>\nGABRIEL BORIC\u2019S CHILE: THE RETURN OF HOPE<\/a><\/td>\nIL CILE DI GABRIEL BORIC: IL RITORNO DELLA SPERANZA<\/a><\/td>\n\u0427\u0418\u041b\u0418 \u0413\u0410\u0411\u0420\u0418\u042d\u041b\u042f \u0411\u041e\u0420\u0418\u0427: \u0412\u041e\u0417\u0412\u0420\u0410\u0429\u0415\u041d\u0418\u0415 \u041d\u0410\u0414\u0415\u0416\u0414\u042b<\/a><\/td>\nGABRIEL BORIC\u2019S CHILE: DIE R\u00dcCKKEHR DER HOFFNUNG<\/a><\/td>\nEL CHILE DE GABRIEL BORIC: EL RETORNO DE LA ESPERANZA<\/a><\/td>\n<\/tr>\n
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\"\"Khald\u016bn Khal\u012bfa<\/strong>, A\u1e25mad al-Mub\u0101rak<\/p>\n

Politician, 1975-
\n\"\"<\/td>\n

ENTRE LES FUSILS ET LE FOOTBALL, LE METTEUR EN SCENE D\u2019ABU DHABI<\/a><\/td>\nBETWEEN GUNS AND FOOTBALL, THE DIRECTOR FROM ABU DHABI<\/a><\/td>\nTRA ARMI E CALCIO, IL REGISTA CHE VIENE DA ABU DHABI<\/a><\/td>\n\u041c\u0415\u0416\u0414\u0423 \u041e\u0420\u0423\u0416\u0418\u0415\u041c \u0418 \u0424\u0423\u0422\u0411\u041e\u041b\u041e\u041c: \u0420\u0415\u0416\u0418\u0421\u0421\u0415\u0420 \u0418\u0417 \u0410\u0411\u0423-\u0414\u0410\u0411\u0418<\/a><\/td>\nZWISCHEN WAFFEN UND FU\u00dfBALL, DER REGISSEUR AUS ABU DHABI<\/a><\/td>\nENTRE ARMAS Y F\u00daTBOL, EL DIRECTOR DE ABU DHABI<\/a><\/td>\n<\/tr>\n
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\"\"Khalezin<\/strong>, Nikolai<\/p>\n

Journalist, 1964-
\n\"\"<\/td>\n

LA SOUFFRANCE DES ABANDONN\u00c9S: LA BI\u00c9LORUSSIE NE SE REND PAS AU TYRAN<\/a><\/td>\nTHE SUFFERING OF THE ABANDONED: BELARUS DOES NOT SURRENDER TO THE TYRANT<\/a><\/td>\nLO STRAZIO DEGLI ABBANDONATI: LA BIELORUSSIA NON SI ARRENDE AL TIRANNO<\/a><\/td>\n\u0421\u0422\u0420\u0410\u0422\u0415\u0413\u0418\u042f \u0417\u0410\u0411\u0420\u041e\u0428\u0415\u041d\u041d\u042b\u0425: \u0411\u0415\u041b\u0410\u0420\u0423\u0421\u042c \u041d\u0415 \u0421\u0414\u0410\u0415\u0422\u0421\u042f \u0422\u0418\u0420\u0410\u041d\u0423<\/a><\/td>\nDAS LEIDEN DER VERLASSENEN: WEI\u00dfRUSSLAND ERGIBT SICH NICHT DEM TYRANNEN<\/a><\/td>\nLA ANGUSTIA DE LOS ABANDONADOS: BIELORRUSIA NO SE RINDE ANTE EL TIRANO<\/a><\/td>\n<\/tr>\n
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\"\"Khalifa<\/strong>, Heshmat<\/p>\n

Former Director of Islamic Relief Worldwide, 1953-
\n\"\"<\/td>\n

VIE ET MIRACLES D\u2019UN MERCENAIRE DANS LA GUERRE MEDIATIQUE<\/a><\/td>\nLIFE AND MIRACLES OF A MERCENARY IN THE MEDIA WAR<\/a><\/td>\nVITA E MIRACOLI DI UN MERCENARIO NELLA GUERRA DEI MEDIA<\/a><\/td>\n\u0416\u0418\u0417\u041d\u042c \u0418 \u0427\u0423\u0414\u0415\u0421\u0410 \u041d\u0410\u0415\u041c\u041d\u0418\u041a\u0410 \u0412 \u0412\u041e\u0419\u041d\u0415 \u0421\u041e \u0421\u041c\u0418<\/a><\/td>\nLEBEN UND WUNDER EINES S\u00d6LDNERS IM MEDIENKRIEG<\/a><\/td>\nVIDA Y MILAGROS DE UN MERCENARIO EN LA GUERRA MEDI\u00c1TICA<\/a><\/td>\n<\/tr>\n
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\"\"Khalifa Ahmed<\/strong>, Abdulaziz Al-Mubarak<\/p>\n

Diplomat, ? \u2013 1984
\n\"\"<\/td>\n

ENTRE LES FUSILS ET LE FOOTBALL, LE METTEUR EN SCENE D\u2019ABU DHABI<\/a><\/td>\nBETWEEN GUNS AND FOOTBALL, THE DIRECTOR FROM ABU DHABI<\/a><\/td>\nTRA ARMI E CALCIO, IL REGISTA CHE VIENE DA ABU DHABI<\/a><\/td>\n\u041c\u0415\u0416\u0414\u0423 \u041e\u0420\u0423\u0416\u0418\u0415\u041c \u0418 \u0424\u0423\u0422\u0411\u041e\u041b\u041e\u041c: \u0420\u0415\u0416\u0418\u0421\u0421\u0415\u0420 \u0418\u0417 \u0410\u0411\u0423-\u0414\u0410\u0411\u0418<\/a><\/td>\nZWISCHEN WAFFEN UND FU\u00dfBALL, DER REGISSEUR AUS ABU DHABI<\/a><\/td>\nENTRE ARMAS Y F\u00daTBOL, EL DIRECTOR DE ABU DHABI<\/a><\/td>\n<\/tr>\n
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\"\"Khalilov<\/strong>, Roman<\/p>\n

Politician, 1985-
\n\"\"<\/td>\n

MINSK, DEUX ANS APRES : UN DEUIL SANS ESPOIR<\/a><\/td>\nMINSK, TWO YEARS LATER: MOURNING WITHOUT HOPE<\/a><\/td>\nMINSK, DUE ANNI DOPO: IL LUTTO SENZA SPERANZA<\/a><\/td>\n\u041c\u0418\u041d\u0421\u041a \u0414\u0412\u0410 \u0413\u041e\u0414\u0410 \u0421\u041f\u0423\u0421\u0422\u042f: \u0422\u0420\u0410\u0423\u0420 \u0411\u0415\u0417 \u041d\u0410\u0414\u0415\u0416\u0414\u042b<\/a><\/td>\nMINSK, ZWEI JAHRE DANACH: TRAUER OHNE HOFFNUNG<\/a><\/td>\nMINSK, DOS A\u00d1OS DESPU\u00c9S: LUTO SIN ESPERANZA<\/a><\/td>\n<\/tr>\n
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\"\"Khalip<\/strong>, Iryna<\/p>\n

Journalist, 1967-
\n\"\"<\/td>\n

BELARUS : LE SILENCE DU DESESPOIR<\/a><\/td>\nBELARUS: THE SILENCE OF DESPAIR<\/a><\/td>\nBIELORUSSIA: IL SILENZIO DELLA DISPERAZIONE<\/a><\/td>\n\u0411\u0415\u041b\u0410\u0420\u0423\u0421\u042c: \u041c\u041e\u041b\u0427\u0410\u041d\u0418\u0415 \u041e\u0422\u0427\u0410\u042f\u041d\u0418\u042f<\/a><\/td>\nBELARUS: DAS SCHWEIGEN DER VERZWEIFLUNG<\/a><\/td>\nBIELORRUSIA: EL SILENCIO DE LA DESESPERACI\u00d3N<\/a><\/td>\n<\/tr>\n
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\"\"Khamatkoev<\/strong>, Nikolay<\/p>\n

Military, 1971-
\n\"\"<\/td>\n

LE GROUPE WAGNER : LES FANTOMES DE LA MORT LACHES PAR LE KREMLIN<\/a><\/td>\nTHE WAGNER GROUP: THE GHOSTS OF DEATH UNLEASHED BY THE KREMLIN<\/a><\/td>\nWAGNER GROUP: I FANTASMI DI MORTE SCATENATI DAL CREMLINO<\/a><\/td>\n\u0413\u0420\u0423\u041f\u041f\u0410 \u0412\u0410\u0413\u041d\u0415\u0420\u0410: \u041f\u0420\u0418\u0417\u0420\u0410\u041a\u0418 \u0421\u041c\u0415\u0420\u0422\u0418, \u0412\u041e\u0421\u041a\u0420\u0415\u0428\u0415\u041d\u041d\u042b\u0415 \u041a\u0420\u0415\u041c\u041b\u0415\u041c<\/a><\/td>\nDIE WAGNER-GRUPPE: DIE VOM KREML ENTFESSELTEN GEISTER DES TODES<\/a><\/td>\nEL GRUPO WAGNER: LOS FANTASMAS DE LA MUERTE DESATADOS POR EL KREMLIN<\/a><\/td>\n<\/tr>\n
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 <\/p>\n

\"\"Khampepe<\/strong>, Sisi<\/p>\n

Barrister, 1957-
\n\"\"<\/td>\n

LE CLAN GUPTA ET LE SACCAGE DE L\u2019AFRIQUE DU SUD<\/a><\/td>\nTHE GUPTA CLAN AND THE SACKING OF SOUTH AFRICA<\/a><\/td>\nIL CLAN GUPTA ED IL SACCO DEL SUDAFRICA<\/a><\/td>\n\u041a\u041b\u0410\u041d \u0413\u0423\u041f\u0422\u0410 \u0418 \u041c\u0415\u0428\u041e\u041a \u042e\u0410\u0420<\/a><\/td>\nDER GUPTA-KLAN UND DIE PL\u00dcNDERUNG S\u00dcDAFRIKAS<\/a><\/td>\nEL CLAN GUPTA Y EL SAQUEO DE SUD\u00c1FRICA<\/a><\/td>\n<\/tr>\n
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\"\"Khanafer<\/strong>, Hicham Nmer<\/p>\n

Hezbollah Leader,
\n\"\"<\/td>\n

L\u2019ENTREPRISE MILLIONNAIRE PAS SI SECRETE DU HEZBOLLAH EN GAMBIE<\/a><\/td>\nHEZBOLLAH\u2019S NOT-SO-SECRET MILLIONAIRE BUSINESS WITH GAMBIA<\/a><\/td>\nIL BUSINESS MILIONARIO, NEMMENO TANTO SEGRETO, DI HEZBOLLAH IN GAMBIA<\/a><\/td>\n\u041c\u0418\u041b\u041b\u0418\u041e\u041d\u0415\u0420\u041d\u042b\u0419 \u0411\u0418\u0417\u041d\u0415\u0421, \u0414\u0410\u0416\u0415 \u041e\u0427\u0415\u041d\u042c \u0421\u0415\u041a\u0420\u0415\u0422\u041d\u042b\u0419, \u0425\u0415\u0417\u0411\u041e\u041b\u041b\u0410 \u0412 \u0413\u0410\u041c\u0411\u0418\u0418<\/a><\/td>\nDAS NICHT SO GEHEIME MILLION\u00c4RSGESCH\u00c4FT DER HISBOLLAH IN GAMBIA<\/a><\/td>\nEL NO TAN SECRETO NEGOCIO DE HEZBOL\u00c1 EN GAMBIA<\/a><\/td>\n<\/tr>\n
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\"\"Khankishiev<\/strong>, Vakhid Aslan \u201cOgly\u201d<\/p>\n

Entrepreneur, 1965-
\n\"\"<\/td>\n

BASES MILITAIRES ET MINES: LE NOUVEAU VISAGE DES FONDS MARINS<\/a><\/td>\nMILITARY BASES AND MINES: THE NEW FACE OF THE SEABED<\/a><\/td>\nBASI MILITARI E MINIERE: IL VOLTO NUOVO DEL FONDO DELL\u2019OCEANO<\/a><\/td>\n\u0412\u041e\u0415\u041d\u041d\u042b\u0415 \u0411\u0410\u0417\u042b \u0418 \u0420\u0423\u0414\u041d\u0418\u041a\u0418: \u041d\u041e\u0412\u042b\u0415 \u041b\u0418\u0426\u0410 \u041e\u041a\u0415\u0410\u041d\u0421\u041a\u041e\u0413\u041e \u0414\u041d\u0410<\/a><\/td>\nMILIT\u00c4RST\u00dcTZPUNKTE UND MINEN: DAS NEUE GESICHT DES MEERESBODENS<\/a><\/td>\nBASES MILITARES Y MINAS: LA NUEVA CARA DE LOS FONDOS MARINOS<\/a><\/td>\n<\/tr>\n
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\"\"Khashoggi<\/strong>, Jamal<\/p>\n

Journalist, 1958-2018
\n\"\"<\/td>\n

LE GEANT SUR LE HACKER MILITAIRE ACHETE AVIRA<\/a><\/p>\n

HUSSAIN AL NOWAIS: LE MOYEN \u00c2GE DU CAPITALISME ARABE AVANT L\u2019EPREUVE DU TROISIEME MILLENAIRE<\/a><\/p>\n

ENFER YEMEN: ARMES ALLEMANDES POUR L\u2019ARABIE, POUR AL-QAIDA ET POUR LES MERCENAIRES AMERICAINS<\/a><\/p>\n

BON FRERE ET MAUVAIS FRERE : COMMENT LA DYNASTIE AL-NAHYAN CACHE SON VRAI VISAGE<\/a><\/p>\n

MOHAMMED DAHLAN, ASSASSIN A LA SOLDE DU ROI<\/a><\/p>\n

COMMENT LA TURQUIE TORTURE ET TUE LES INTELLECTUELS<\/a><\/p>\n

EMIRATS: LE PLUS GRAND PARADIS DU CRIME AU MONDE<\/a><\/p>\n

LE REVE SAOUDIEN D\u2019UNE VILLE DANS LE DESERT<\/a><\/p>\n

LA TRES LONGUE VAGUE DE CORRUPTION A BRUXELLES<\/a><\/p>\n

ENTRE LES FUSILS ET LE FOOTBALL, LE METTEUR EN SCENE D\u2019ABU DHABI<\/a><\/td>\n

THE GIANT OF THE MILITARY HACKERS BUYS OUT AVIRA<\/a><\/p>\n

HUSSAIN AL NOWAIS: THE MEDIEVALISM OF THE ARAB CAPITALISM FACING THE TEST OF THE THIRD MILLENNIUM<\/a><\/p>\n

YEMEN\u2019S HELL: GERMAN WEAPONS FOR ARABIA, FOR AL-QAIDA AND FOR AMERICAN MERCENARIES<\/a><\/p>\n

GOOD BROTHER AND BAD BROTHER: HOW THE AL-NAHYAN DYNASTY HIDES ITS TRUE FACE<\/a><\/p>\n

MOHAMMED DAHLAN, ASSASSIN FOR THE KING<\/a><\/p>\n

HOW TURKEY TORTURES AND KILLS INTELLECTUALS<\/a><\/p>\n

EMIRATES: THE WORLD\u2019S BIGGEST CRIMINAL PARADISE<\/a><\/p>\n

THE SAUDI DREAM OF A CITY IN THE DESERT<\/a><\/p>\n

THE LONG WAVE OF CORRUPTION IN BRUSSELS<\/a><\/p>\n

BETWEEN GUNS AND FOOTBALL, THE DIRECTOR FROM ABU DHABI<\/a><\/td>\n

IL GIGANTE TRA GLI HACKER MILITARI COMPRA AVIRA<\/a><\/p>\n

HUSSAIN AL NOWAIS: IL MEDIEVALISMO ECONOMICO ARABO ALLA PROVA DEL TERZO MILLENNIO<\/a><\/p>\n

INFERNO YEMEN: ARMI TEDESCHE PER L\u2019ARABIA, PER AL-QAEDA E PER I MERCENARI AMERICANI<\/a><\/p>\n

FRATELLO BUONO E FRATELLO CATTIVO: COME LA DINASTIA AL-NAHYAN NASCONDE IL PROPRIO VERO VOLTO<\/a><\/p>\n

MOHAMMED DAHLAN, SICARIO DEL RE<\/a><\/p>\n

COS\u00cc LA TURCHIA TORTURA E UCCIDE GLI INTELLETTUALI<\/a><\/p>\n

EMIRATI: IL GRANDE PARADISO DEI CRIMINALI<\/a><\/p>\n

IL SOGNO SAUDITA DI UNA CITT\u00c0 NEL DESERTO<\/a><\/p>\n

L\u2019ONDA LUNGHISSIMA DELLA CORRUZIONE A BRUXELLES<\/a><\/p>\n

TRA ARMI E CALCIO, IL REGISTA CHE VIENE DA ABU DHABI<\/a><\/td>\n

\u0413\u0418\u0413\u0410\u041d\u0422 \u0421\u0420\u0415\u0414\u0418 \u0412\u041e\u0415\u041d\u041d\u042b\u0425 \u0425\u0410\u041a\u0415\u0420\u041e\u0412 \u041f\u041e\u041a\u0423\u041f\u0410\u0415\u0422 AVIRA<\/a><\/p>\n

\u0425\u0423\u0421\u0421\u0415\u0419\u041d \u0410\u041b\u042c-\u041d\u041e\u0412\u0410\u0418\u0421: \u0410\u0420\u0410\u0411\u0421\u041a\u041e\u0415 \u042d\u041a\u041e\u041d\u041e\u041c\u0418\u0427\u0415\u0421\u041a\u041e\u0415 \u0421\u0420\u0415\u0414\u041d\u0415\u0412\u0415\u041a\u041e\u0412\u042c\u0415, \u041f\u0420\u041e\u0412\u0415\u0420\u0415\u041d\u041d\u041e\u0415 \u0422\u0420\u0415\u0422\u042c\u0418\u041c \u0422\u042b\u0421\u042f\u0427\u0415\u041b\u0415\u0422\u0418\u0415\u041c<\/a><\/p>\n

\u0410\u0414 \u0412 \u0419\u0415\u041c\u0415\u041d\u0415: \u041d\u0415\u041c\u0415\u0426\u041a\u041e\u0415 \u041e\u0420\u0423\u0416\u0418\u0415 \u0414\u041b\u042f \u0421\u0410\u0423\u0414\u041e\u0412\u0421\u041a\u041e\u0419 \u0410\u0420\u0410\u0412\u0418\u0418, \u0410\u041b\u042c-\u041a\u0410\u0418\u0414\u042b \u0418 \u0410\u041c\u0415\u0420\u0418\u041a\u0410\u041d\u0421\u041a\u0418\u0425 \u0413\u041e\u041b\u041e\u0412\u041e\u0420\u0415\u0417\u041e\u0412<\/a><\/p>\n

\u0414\u041e\u0411\u0420\u042b\u0419 \u0411\u0420\u0410\u0422 \u0418 \u041f\u041b\u041e\u0425\u041e\u0419 \u0411\u0420\u0410\u0422: \u041a\u0410\u041a \u0414\u0418\u041d\u0410\u0421\u0422\u0418\u042f \u0410\u041b\u042c-\u041d\u0410\u0425\u0410\u042f\u041d \u0421\u041a\u0420\u042b\u0412\u0410\u0415\u0422 \u0421\u041e\u0411\u0421\u0422\u0412\u0415\u041d\u041d\u041e\u0415 \u041b\u0418\u0426\u041e<\/a><\/p>\n

\u041c\u041e\u0425\u0410\u041c\u041c\u0415\u0414 \u0414\u0410\u0425\u041b\u0410\u041d, \u0423\u0411\u0418\u0419\u0426\u0410 \u041a\u041e\u0420\u041e\u041b\u042f<\/a><\/p>\n

\u041a\u0410\u041a \u0422\u0423\u0420\u0426\u0418\u042f \u041f\u042b\u0422\u0410\u0415\u0422 \u0418 \u0423\u0411\u0418\u0412\u0410\u0415\u0422 \u0418\u041d\u0422\u0415\u041b\u041b\u0415\u041a\u0422\u0423\u0410\u041b\u041e\u0412<\/a><\/p>\n

\u042d\u041c\u0418\u0420\u0410\u0422\u042b: \u0412\u0415\u041b\u0418\u041a\u0418\u0419 \u0420\u0410\u0419 \u0414\u041b\u042f \u041f\u0420\u0415\u0421\u0422\u0423\u041f\u041d\u0418\u041a\u041e\u0412<\/a><\/p>\n

\u0421\u0410\u0423\u0414\u041e\u0412\u0421\u041a\u0410\u042f \u041c\u0415\u0427\u0422\u0410 \u041e \u0413\u041e\u0420\u041e\u0414\u0415 \u0412 \u041f\u0423\u0421\u0422\u042b\u041d\u0415<\/a><\/p>\n

\u041e\u0427\u0415\u041d\u042c \u0414\u041b\u0418\u041d\u041d\u0410\u042f \u0412\u041e\u041b\u041d\u0410 \u041a\u041e\u0420\u0420\u0423\u041f\u0426\u0418\u0418 \u0412 \u0411\u0420\u042e\u0421\u0421\u0415\u041b\u0415<\/a><\/p>\n

\u041c\u0415\u0416\u0414\u0423 \u041e\u0420\u0423\u0416\u0418\u0415\u041c \u0418 \u0424\u0423\u0422\u0411\u041e\u041b\u041e\u041c: \u0420\u0415\u0416\u0418\u0421\u0421\u0415\u0420 \u0418\u0417 \u0410\u0411\u0423-\u0414\u0410\u0411\u0418<\/a><\/td>\n

DER RIESE UNTER DEN MILIT\u00c4RHACKERN KAUFT AVIRA AUS<\/a><\/p>\n

HUSSAIN AL NOWAIS: ARABISCHE WIRTSCHAFTSMITTELALTER VOR DEM TEST DES DRITTEN JAHRTAUSENDS<\/a><\/p>\n

H\u00d6LLENJEMEN: DEUTSCHE WAFFEN F\u00dcR ARABIEN, F\u00dcR AL-QAIDA UND F\u00dcR AMERIKANISCHE S\u00d6LDNER<\/a><\/p>\n

LIEBER BRUDER UND B\u00d6SER BRUDER: WIE DIE AL-NAHYAN-DYNASTIE IHR WAHRES GESICHT VERBIRGT<\/a><\/p>\n

MOHAMMED DAHLAN, AUFTRAGSM\u00d6RDER F\u00dcR DEN K\u00d6NIG<\/a><\/p>\n

WIE DIE T\u00dcRKEI INTELLEKTUELLE FOLTERT UND T\u00d6TET<\/a><\/p>\n

EMIRATE: DAS GR\u00d6\u00dfTE VERBRECHERPARADIES DER WELT<\/a><\/p>\n

DER SAUDISCHE TRAUM VON EINER STADT IN DER W\u00dcSTE<\/a><\/p>\n

DIE SEHR LANGE WELLE DER KORRUPTION IN BR\u00dcSSEL<\/a><\/p>\n

ZWISCHEN WAFFEN UND FU\u00dfBALL, DER REGISSEUR AUS ABU DHABI<\/a><\/td>\n

EL INFIERNO DE YEMEN: ARMAS ALEMANAS PARA ARABIA, AL QAEDA Y MERCENARIOS ESTADOUNIDENSES<\/a><\/p>\n

MOHAMMED DAHLAN, ASESINO A SUELDO DEL REY<\/a><\/p>\n

EL GIGANTE MILITAR DE LOS HACKERS COMPRA AVIRA<\/a><\/p>\n

HUSSAIN AL NOWAIS: EL MEDIEVALISMO ECON\u00d3MICO \u00c1RABE A PRUEBA DEL TERCER MILENIO<\/a><\/p>\n

HERMANO BUENO Y HERMANO MALO: C\u00d3MO LA DINAST\u00cdA AL-NAHYAN OCULTA SU VERDADERO ROSTRO<\/a><\/p>\n

C\u00d3MO TORTURA Y MATA TURQU\u00cdA A LOS INTELECTUALES<\/a><\/p>\n

EMIRATOS: EL GRAN PARA\u00cdSO DE LOS DELINCUENTES<\/a><\/p>\n

EL SUE\u00d1O SAUD\u00cd DE UNA CIUDAD EN EL DESIERTO<\/a><\/p>\n

LA LARGU\u00cdSIMA OLA DE CORRUPCI\u00d3N EN BRUSELAS<\/a><\/p>\n

ENTRE ARMAS Y F\u00daTBOL, EL DIRECTOR DE ABU DHABI<\/a><\/td>\n<\/tr>\n

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\"\"Khashoggi<\/strong>, Adnan<\/p>\n

Businessman, 1935-2017
\n\"\"<\/td>\n

SEYCHELLES : LA TIRELIRE DES OLIGARQUES<\/a><\/td>\nSEYCHELLES: THE OLIGARCHS\u2019 PIGGY BANK<\/a><\/td>\nSEYCHELLES: IL SALVADANAIO DEGLI OLIGARCHI<\/a><\/td>\n\u0421\u0415\u0419\u0428\u0415\u041b\u042c\u0421\u041a\u0418\u0415 \u041e\u0421\u0422\u0420\u041e\u0412\u0410: \u041a\u041e\u041f\u0418\u041b\u041a\u0410 \u041e\u041b\u0418\u0413\u0410\u0420\u0425\u041e\u0412<\/a><\/td>\nSEYCHELLEN: DAS SPARSCHWEIN DER OLIGARCHEN<\/a><\/td>\nSEYCHELLES: LA HUCHA DE LOS OLIGARCAS<\/a><\/td>\n<\/tr>\n
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\"\"Khmarin<\/strong>, Viktor<\/p>\n

Manager, 1978-
\n\"\"<\/td>\n

DMITRYI MAZEPIN, LE PREMIER OLIGARQUE DE LONDONGRAD<\/a><\/td>\nDMITRIJ MAZEPIN, THE FIRST OLIGARCH OF LONDONGRAD<\/a><\/td>\nDMITRIJ MAZEPIN, IL PRIMO OLIGARCA DI LONDONGRAD<\/a><\/td>\n\u0414\u041c\u0418\u0422\u0420\u0418\u0419 \u041c\u0410\u0417\u0415\u041f\u0418\u041d, \u041f\u0415\u0420\u0412\u042b\u0419 \u041e\u041b\u0418\u0413\u0410\u0420\u0425 \u041b\u041e\u041d\u0414\u041e\u041d\u0413\u0420\u0410\u0414\u0410<\/a><\/td>\nDMITRIJ MAZEPIN, DER ERSTE OLIGARCH VON LONDONGRAD<\/a><\/td>\nDMITRIJ MAZEPIN, EL PRIMER OLIGARCA DE LONDONGRAD<\/a><\/td>\n<\/tr>\n
<\/td>\n <\/p>\n

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\"\"Khodorkovsky<\/strong>, Konstantin Vitalievich<\/p>\n

Businessman, 1979-
\n\"\"<\/td>\n

LES DESHONORANTS CHEVALIERS DE (ENE)MALTE<\/a><\/td>\nTHE DISHONOURABLE KNIGHTS OF (ENE)MALTA<\/a><\/td>\nI DISONOREVOLI CAVALIERI DI (ENE)MALTA<\/a><\/td>\n\u0411\u0415\u0421\u0427\u0415\u0421\u0422\u041d\u042b\u0415 \u0420\u042b\u0426\u0410\u0420\u0418 (\u042d\u041d\u0415)\u041c\u0410\u041b\u042c\u0422\u042b<\/a><\/td>\nDIE UNEHRENHAFTEN RITTER VON (ENE)MALTA<\/a><\/td>\nLOS DESHONROSOS CABALLEROS DE (ENE)MALTA<\/a><\/td>\n<\/tr>\n
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\"\"Khodorkovsky<\/strong>, Mikhail<\/p>\n

Oligarch, 1963-
\n\"\"<\/td>\n

DMITRYI MAZEPIN, LE PREMIER OLIGARQUE DE LONDONGRAD<\/a><\/td>\nDMITRIJ MAZEPIN, THE FIRST OLIGARCH OF LONDONGRAD<\/a><\/td>\nDMITRIJ MAZEPIN, IL PRIMO OLIGARCA DI LONDONGRAD<\/a><\/td>\n\u0414\u041c\u0418\u0422\u0420\u0418\u0419 \u041c\u0410\u0417\u0415\u041f\u0418\u041d, \u041f\u0415\u0420\u0412\u042b\u0419 \u041e\u041b\u0418\u0413\u0410\u0420\u0425 \u041b\u041e\u041d\u0414\u041e\u041d\u0413\u0420\u0410\u0414\u0410<\/a><\/td>\nDMITRIJ MAZEPIN, DER ERSTE OLIGARCH VON LONDONGRAD<\/a><\/td>\nDMITRIJ MAZEPIN, EL PRIMER OLIGARCA DE LONDONGRAD<\/a><\/td>\n<\/tr>\n
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\"\"Khomeini<\/strong>, Ruhollah<\/p>\n

Ayatollah, 1902-1989
\n\"\"<\/td>\n

ASSASSIN\u00c9. POUR UN VOILE DE TISSU<\/a><\/td>\nSHOT DEAD. FOR A VEIL OF CLOTH<\/a><\/td>\nMORTA AMMAZZATA. PER UN VELO DI STOFFA<\/a><\/td>\n\u0423\u0411\u0418\u0422\u0410. \u0417\u0410 \u041a\u041b\u041e\u0427\u041e\u041a \u0422\u041a\u0410\u041d\u0418<\/a><\/td>\nZU TODE GETRETEN. F\u00dcR EINEN SCHLEIER AUS STOFF<\/a><\/td>\nASESINADA. PARA UN VELO DE TELA<\/a><\/td>\n<\/tr>\n
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\"\"Khoza<\/strong>, Themba<\/p>\n

Politician, 1965-2000
\n\"\"<\/td>\n

KWAZULU-NATAL, LA DERNIERE GRANDE MONARCHIE NOIRE<\/a><\/td>\nKWAZULU-NATAL, THE LAST GREAT BLACK MONARCHY<\/a><\/td>\nIL KWAZULU-NATAL, ULTIMA GRANDE MONARCHIA NERA<\/a><\/td>\n\u041a\u0412\u0410\u0417\u0423\u041b\u0423-\u041d\u0410\u0422\u0410\u041b, \u041f\u041e\u0421\u041b\u0415\u0414\u041d\u042f\u042f \u0412\u0415\u041b\u0418\u041a\u0410\u042f \u0427\u0415\u0420\u041d\u0410\u042f \u041c\u041e\u041d\u0410\u0420\u0425\u0418\u042f<\/a><\/td>\nKWAZULU-NATAL, DIE LETZTE GRO\u00dfE SCHWARZE MONARCHIE<\/a><\/td>\nKWAZULU-NATAL, LA \u00daLTIMA GRAN MONARQU\u00cdA NEGRA<\/a><\/td>\n<\/tr>\n
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\"\"Kh\u00fcrels\u00fckh<\/strong>, Ukhnaagiin<\/p>\n

Politician, 1968-
\n\"\"<\/td>\n

COMMENT RIO TINTO MET EN DANGER LES INTERETS OCCIDENTAUX EN MONGOLIE<\/a><\/td>\nHOW RIO TINTO UNDERMINES WESTERN INTERESTS IN MONGOLIA<\/a><\/td>\nRIO TINTO METTE IN PERICOLO GLI INTERESSI OCCIDENTALI IN MONGOLIA<\/a><\/td>\n\u041a\u0410\u041a \u0420\u0418\u041e \u0422\u0418\u041d\u0422\u041e \u041f\u041e\u0414\u0420\u042b\u0412\u0410\u0415\u0422 \u0418\u041d\u0422\u0415\u0420\u0415\u0421\u042b \u0417\u0410\u041f\u0410\u0414\u0410 \u0412 \u041c\u041e\u041d\u0413\u041e\u041b\u0418\u0418<\/a><\/td>\nWIE RIO TINTO WESTLICHE INTERESSEN IN DER MONGOLEI GEF\u00c4HRDET<\/a><\/td>\nR\u00cdO TINTO PONE EN PELIGRO LOS INTERESES OCCIDENTALES EN MONGOLIA<\/a><\/td>\n<\/tr>\n
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\"\"Kibet<\/strong>, Farouk Teigut<\/p>\n

Politician, 196?
\n\"\"<\/td>\n

TAL HANAN: LA MORT DE LA VERITE<\/a><\/td>\nTAL HANAN: THE DEATH OF TRUTH<\/a><\/td>\nTAL HANAN: LA MORTE DELLA VERIT\u00c0<\/a><\/td>\n\u0422\u0410\u041b\u042c\u0425\u0410\u041d\u0410\u041d: \u0421\u041c\u0415\u0420\u0422\u042c \u041f\u0420\u0410\u0412\u0414\u042b<\/a><\/td>\nTAL HANAN: DER TOD DER WAHRHEIT<\/a><\/td>\nTAL HANAN: LA MUERTE DE LA VERDAD<\/a><\/td>\n<\/tr>\n
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\"\"Kidane<\/strong>, Awet<\/p>\n

Arms dealer
\n\"\"<\/td>\n

AFFAIRES SALES, CORRUPTION, ESCLAVAGE: CE QUI SE CACHE DERRIERE LE MARTYRE DU PEUPLE OROMO<\/a><\/td>\nDODGY BUSINESS, CORRUPTION, SLAVERY: WHAT\u2019S BEHIND THE MARTYR OF THE OROMO PEOPLE<\/a><\/td>\nAFFARI SPORCHI, CORRUZIONE, SCHIAVISMO: IL MARTIRIO DEL POPOLO OROMO<\/a><\/td>\n\u0413\u0420\u042f\u0417\u041d\u042b\u0415 \u0414\u0415\u041b\u0410, \u041a\u041e\u0420\u0420\u0423\u041f\u0426\u0418\u042f, \u0420\u0410\u0411\u0421\u0422\u0412\u041e: \u0427\u0422\u041e \u0421\u041a\u0420\u042b\u0412\u0410\u0415\u0422\u0421\u042f \u0417\u0410 \u041c\u0423\u0427\u0415\u041d\u0418\u041a\u0410\u041c\u0418 \u041d\u0410\u0420\u041e\u0414\u0410 \u041e\u0420\u041e\u041c\u041e<\/a><\/td>\nSCHMUTZIGE GESCH\u00c4FTE, KORRUPTION, SKLAVEREI: WAS HINTER DEM MARTYRIUM DES VOLKES OROMO STECKT<\/a><\/td>\nNEGOCIOS SUCIOS, CORRUPCI\u00d3N, ESCLAVITUD: EL MARTIRIO DEL PUEBLO OROMO<\/a><\/td>\n<\/tr>\n
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\"\"Kidjo<\/strong>, Benin Angelique<\/p>\n

Singer, 1960-
\n\"\"<\/td>\n

MIRIAM MAKEBA, LA VOIX DE L\u2019AFRIQUE<\/a><\/td>\nMIRIAM MAKEBA, THE VOICE OF AFRICA<\/a><\/td>\nMIRIAM MAKEBA, LA VOCE DELL\u2019AFRICA<\/a><\/td>\n\u041c\u0418\u0420\u0418\u0410\u041c \u041c\u0410\u041a\u0415\u0411\u0410, \u0413\u041e\u041b\u041e\u0421 \u0410\u0424\u0420\u0418\u041a\u0418<\/a><\/td>\nMIRIAM MAKEBA, DIE STIMME AFRIKAS<\/a><\/td>\nMIRIAM MAKEBA, LA VOZ DE \u00c1FRICA<\/a><\/td>\n<\/tr>\n
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\"\"Kielsen<\/strong>, Kim<\/p>\n

Politician, 1966-
\n\"\"<\/td>\n

LE GROENLAND, NOUVELLE TERRE PROMISE DE L\u2019HUMANITE<\/a><\/td>\nGREENLAND, HUMANITY\u2019S NEW PROMISED LAND<\/a><\/td>\nGROENLANDIA, NUOVA TERRA PROMESSA DELL\u2019UMANIT\u00c0<\/a><\/td>\n\u0413\u0420\u0415\u041d\u041b\u0410\u041d\u0414\u0418\u042f, \u041d\u041e\u0412\u0410\u042f \u0417\u0415\u041c\u041b\u042f \u041e\u0411\u0415\u0422\u041e\u0412\u0410\u041d\u041d\u0410\u042f \u0414\u041b\u042f \u0427\u0415\u041b\u041e\u0412\u0415\u0427\u0415\u0421\u0422\u0412\u0410<\/a><\/td>\nGR\u00d6NLAND, DAS NEUE GELOBTE LAND DER MENSCHHEIT<\/a><\/td>\nGROENLANDIA, LA NUEVA TIERRA PROMETIDA DE LA HUMANIDAD<\/a><\/td>\n<\/tr>\n
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\"\"Kieswetter<\/strong>, Edward<\/p>\n

Police officer, 1958-
\n\"\"<\/td>\n

COMMENT L\u2019AFRIQUE DU SUD CONSTRUIT SON AL CAPONE<\/a><\/td>\nHOW SOUTH AFRICA BUILDS ITS OWN AL CAPONE<\/a><\/td>\nCOS\u00cc IL SUDAFRICA COSTRUISCE IL SUO AL CAPONE<\/a><\/td>\n\u041a\u0410\u041a \u042e\u0416\u041d\u0410\u042f \u0410\u0424\u0420\u0418\u041a\u0410 \u0421\u041e\u0417\u0414\u0410\u041b\u0410 \u0421\u0412\u041e\u0415\u0413\u041e \u0410\u041b\u042c \u041a\u0410\u041f\u041e\u041d\u0415<\/a><\/td>\nWIE S\u00dcDAFRIKA SEINEN AL CAPONE AUFBAUT<\/a><\/td>\nC\u00d3MO SUD\u00c1FRICA CONSTRUYE SU AL CAPONE<\/a><\/td>\n<\/tr>\n
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\"\"Kihl<\/strong>, Johan<\/p>\n

Soldier, 1946-
\n\"\"<\/td>\n

LA TRISTE HISTOIRE DES INGENIEURS QUI VOULAIENT DEMINER LE MONDE<\/a><\/td>\nTHE VERY SAD STORY OF THE ENGINEERS WHO WANTED TO DEMINE THE WORLD<\/a><\/td>\nLA TRISTE STORIA DEGLI INGEGNERI CHE VOLEVANO SMINARE IL MONDO<\/a><\/td>\n\u041f\u0415\u0427\u0410\u041b\u042c\u041d\u0410\u042f \u0418\u0421\u0422\u041e\u0420\u0418\u042f \u0418\u041d\u0416\u0415\u041d\u0415\u0420\u041e\u0412, \u041a\u041e\u0422\u041e\u0420\u042b\u0415 \u0420\u0410\u0417\u041c\u0418\u041d\u0418\u0420\u041e\u0412\u0410\u041b\u0418 \u041c\u0418\u0420<\/a><\/td>\nDAS TRAUERM\u00c4RCHEN JENER INGENIEURE, DIE DIE WELT VON DEN LANDMINEN BEFREIEN WOLLTEN<\/a><\/td>\nLA TRISTE HISTORIA DE LOS INGENIEROS QUE QUER\u00cdAN LLEVAR EL MUNDO A LAS MINAS<\/a><\/td>\n<\/tr>\n
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\"\"Kiir Mayardit<\/strong>, Salva<\/p>\n

Politician, 1951-
\n\"\"<\/td>\n

TRAFIGURA: POURQUOI NOUS DEVRIONS EN AVOIR PEUR<\/a><\/td>\nTRAFIGURA: WHY WE SHOULD BE AFRAID OF IT<\/a><\/td>\nTRAFIGURA: PERCH\u00c9 DOBBIAMO AVERNE PAURA<\/a><\/td>\nTRAFIGURA: \u041f\u041e\u0427\u0415\u041c\u0423 \u041d\u0410\u041c \u0421\u0422\u041e\u0418\u0422 \u0415\u0401 \u0411\u041e\u042f\u0422\u042c\u0421\u042f<\/a><\/td>\nTRAFIGURA: WARUM WIR UNS DAVOR F\u00dcRCHTEN SOLLTEN<\/a><\/td>\nTRAFIGURA: POR QU\u00c9 DEBEMOS TEMERLA<\/a><\/td>\n<\/tr>\n
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\"\"Kilangi<\/strong>, Adelardus<\/p>\n

Magistrato, 1965-
\n\"\"<\/td>\n

OR, CYANURE ET SANG DANS L\u2019ENFER DE BARRICK GOLD<\/a><\/td>\nGOLD, CYANIDE AND BLOOD IN BARRICK\u2019S HELL<\/a><\/td>\nORO, CIANURO E SANGUE NELL\u2019INFERNO DELLA BARRICK GOLD<\/a><\/td>\n\u0417\u041e\u041b\u041e\u0422\u041e, \u042f\u0414 \u0418 \u041a\u0420\u041e\u0412\u042c \u0412 \u0423\u0416\u0410\u0421\u0415 BARRICK GOLD<\/a><\/td>\nGOLD, ZYANID UND BLUT IN DER H\u00d6LLE DER BARRICK GROUP<\/a><\/td>\nORO, CIANURO Y SANGRE EN EL INFIERNO DE BARRICK GOLD<\/a><\/td>\n<\/tr>\n
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\"\"Kilpel\u00e4inen<\/strong>, Mika<\/p>\n

Politician, 1984-
\n\"\"<\/td>\n

LES MAINS SALES DE LA FINLANDE<\/a><\/td>\nFINLAND\u2019S DIRTY HANDS<\/a><\/td>\nLE MANI SPORCHE DELLA FINLANDIA<\/a><\/td>\n\u0413\u0420\u042f\u0417\u041d\u042b\u0415 \u0420\u0423\u041a\u0418 \u0424\u0418\u041d\u041b\u042f\u041d\u0414\u0418\u0418<\/a><\/td>\nINNLANDS SCHMUTZIGE H\u00c4NDE<\/a><\/td>\nLAS MANOS SUCIAS DE FINLANDIA<\/a><\/td>\n<\/tr>\n
<\/td>\n <\/p>\n

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\"\"Kim<\/strong>, Vladimir<\/p>\n

Businessman, 1960-
\n\"\"<\/td>\n

ERIC MONGA MUMBA ET LE KATANGA: LE VRAI VISAGE DU POUVOIR<\/a><\/td>\nERIC MONGA MUMBA AND KATANGA: THE TRUE FACE OF THE POWER<\/a><\/td>\nERIC MONGA MUMBA E IL KATANGA: IL VERO VOLTO DEL POTERE<\/a><\/td>\n\u042d\u0420\u0418\u041a \u041c\u041e\u041d\u0413\u0410 \u041c\u0423\u041c\u0411\u0410 \u0418 \u041a\u0410\u0422\u0410\u041d\u0413\u0410: \u0418\u0421\u0422\u0418\u041d\u041d\u041e\u0415 \u041b\u0418\u0426\u041e \u0421\u0418\u041b\u042b<\/a><\/td>\nERIC MONGA MUMBA UND KATANGA: DAS WAHRE GESICHT DER MACHT<\/a><\/td>\nERIC MONGA MUMBA Y KATANGA: LA VERDADERA CARA DEL PODER<\/a><\/td>\n<\/tr>\n
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\"\"Kimenyembo<\/strong>, Guy<\/p>\n

Politician, 1968-
\n\"\"<\/td>\n

ERIC MONGA MUMBA ET LE KATANGA: LE VRAI VISAGE DU POUVOIR<\/a><\/td>\nERIC MONGA MUMBA AND KATANGA: THE TRUE FACE OF THE POWER<\/a><\/td>\nERIC MONGA MUMBA E IL KATANGA: IL VERO VOLTO DEL POTERE<\/a><\/td>\n\u042d\u0420\u0418\u041a \u041c\u041e\u041d\u0413\u0410 \u041c\u0423\u041c\u0411\u0410 \u0418 \u041a\u0410\u0422\u0410\u041d\u0413\u0410: \u0418\u0421\u0422\u0418\u041d\u041d\u041e\u0415 \u041b\u0418\u0426\u041e \u0421\u0418\u041b\u042b<\/a><\/td>\nERIC MONGA MUMBA UND KATANGA: DAS WAHRE GESICHT DER MACHT<\/a><\/td>\nERIC MONGA MUMBA Y KATANGA: LA VERDADERA CARA DEL PODER<\/a><\/td>\n<\/tr>\n
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\"\"Ki-Moon<\/strong>, Ban<\/p>\n

Politician, 1944-<\/p>\n

\"\"<\/td>\n

LES INTRIGUES FINANCIERES DERRIERE LE COUP D\u2019\u00c9TAT SANGLANT AU MYANMAR<\/a><\/p>\n

ANWAR GARGASH: L\u2019HOMME DES ALLIANCES MILITAIRES<\/a><\/td>\n

THE FINANCIAL INTRIGUES BEHIND THE BLOODY COUP IN MYANMAR<\/a><\/p>\n

ANWAR GARGASH: THE MAN OF MILITARY ALLIANCES<\/a><\/td>\n

GLI INTRIGHI FINANZIARI DIETRO IL SANGUINOSO COLPO DI STATO DEL MYANMAR<\/a><\/p>\n

ANWAR GARGASH: L\u2019UOMO DELLE ALLEANZE MILITARI<\/a><\/td>\n

\u0424\u0418\u041d\u0410\u041d\u0421\u041e\u0412\u042b\u0415 \u0418\u041d\u0422\u0420\u0418\u0413\u0418 \u041a\u0420\u041e\u0412\u0410\u0412\u041e\u0413\u041e \u0413\u041e\u0421\u0423\u0414\u0410\u0420\u0421\u0422\u0412\u0415\u041d\u041d\u041e\u0413\u041e \u041f\u0415\u0420\u0415\u0412\u041e\u0420\u041e\u0422\u0410 \u0412 \u041c\u042c\u042f\u041d\u041c\u0415<\/a><\/p>\n

\u0410\u041d\u0412\u0410\u0420 \u0413\u0410\u0420\u0413\u0410\u0428: \u0427\u0415\u041b\u041e\u0412\u0415\u041a \u0412\u041e\u0415\u041d\u041d\u042b\u0425 \u0421\u041e\u042e\u0417\u041e\u0412<\/a><\/td>\n

DIE FINANZIELLEN INTRIGEN HINTER MYANMARS BLUTIGEM PUTSCH<\/a><\/p>\n

ANWAR GARGASH: DER MANN DER MILIT\u00c4RB\u00dcNDNISSE<\/a><\/td>\n

LAS INTRIGAS FINANCIERAS DETR\u00c1S DEL SANGRIENTO GOLPE DE ESTADO DE MYANMAR<\/a><\/p>\n

ANWAR GARGASH: EL HOMBRE DE LAS ALIANZAS MILITARES<\/a><\/td>\n<\/tr>\n

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\"\"King<\/strong>, Russell<\/p>\n

Cheater, 1959-
\n\"\"<\/td>\n

LA TRISTE HISTOIRE DES INGENIEURS QUI VOULAIENT DEMINER LE MONDE<\/a><\/td>\nTHE VERY SAD STORY OF THE ENGINEERS WHO WANTED TO DEMINE THE WORLD<\/a><\/td>\nLA TRISTE STORIA DEGLI INGEGNERI CHE VOLEVANO SMINARE IL MONDO<\/a><\/td>\n\u041f\u0415\u0427\u0410\u041b\u042c\u041d\u0410\u042f \u0418\u0421\u0422\u041e\u0420\u0418\u042f \u0418\u041d\u0416\u0415\u041d\u0415\u0420\u041e\u0412, \u041a\u041e\u0422\u041e\u0420\u042b\u0415 \u0420\u0410\u0417\u041c\u0418\u041d\u0418\u0420\u041e\u0412\u0410\u041b\u0418 \u041c\u0418\u0420<\/a><\/td>\nDAS TRAUERM\u00c4RCHEN JENER INGENIEURE, DIE DIE WELT VON DEN LANDMINEN BEFREIEN WOLLTEN<\/a><\/td>\nLA TRISTE HISTORIA DE LOS INGENIEROS QUE QUER\u00cdAN LLEVAR EL MUNDO A LAS MINAS<\/a><\/td>\n<\/tr>\n
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\"\"Kingma<\/strong>, Durk<\/p>\n

Scientific Researcher, 1982-
\n\"\"<\/td>\n

CHATGPT: ENTRE FASCINATION ET CRAINTE<\/a><\/td>\nCHATGPT: BETWEEN FASCINATION AND FEAR<\/a><\/td>\nCHATGPT: TRA FASCINO E PAURA<\/a><\/td>\nCHATGPT: \u041c\u0415\u0416\u0414\u0423 \u041e\u0427\u0410\u0420\u041e\u0412\u0410\u041d\u0418\u0415\u041c \u0418 \u0421\u0422\u0420\u0410\u0425\u041e\u041c<\/a><\/td>\nCHATGPT: ZWISCHEN FASZINATION UND ANGST<\/a><\/td>\nCHATGPT: ENTRE LA FASCINACI\u00d3N Y EL MIEDO<\/a><\/td>\n<\/tr>\n
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\"\"Kipling<\/strong>, Rudyard<\/p>\n

Writer, 1865-1936
\n\"\"<\/td>\n

ERDO\u011eAN ET POUTINE: L\u2019ALLIANCE SECRETE DANS LE CAUCASE<\/a><\/td>\nERDO\u011eAN AND PUTIN: A SECRET ALLIANCE IN THE CAUCASUS<\/a><\/td>\nERDO\u011eAN E PUTIN: L\u2019ALLEANZA SEGRETA NEL CAUCASO<\/a><\/td>\n\u042d\u0420\u0414\u041e\u0413\u0410\u041d \u0418 \u041f\u0423\u0422\u0418\u041d: \u0422\u0410\u0419\u041d\u042b\u0419 \u0421\u041e\u042e\u0417 \u041d\u0410 \u041a\u0410\u0412\u041a\u0410\u0417\u0415<\/a><\/td>\nERDO\u011eAN UND PUTIN: DIE GEHEIME ALLIANZ IM KAUKASUS<\/a><\/td>\nERDOGAN Y PUTIN: LA ALIANZA SECRETA EN EL C\u00c1UCASO<\/a><\/td>\n<\/tr>\n
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\"\"Kiraz<\/strong>, Savci Mehmet Selim<\/p>\n

Magistrate, 1969-
\n\"\"<\/td>\n

COMMENT LA TURQUIE TORTURE ET TUE LES INTELLECTUELS<\/a><\/td>\nHOW TURKEY TORTURES AND KILLS INTELLECTUALS<\/a><\/td>\nCOS\u00cc LA TURCHIA TORTURA E UCCIDE GLI INTELLETTUALI<\/a><\/td>\n\u041a\u0410\u041a \u0422\u0423\u0420\u0426\u0418\u042f \u041f\u042b\u0422\u0410\u0415\u0422 \u0418 \u0423\u0411\u0418\u0412\u0410\u0415\u0422 \u0418\u041d\u0422\u0415\u041b\u041b\u0415\u041a\u0422\u0423\u0410\u041b\u041e\u0412<\/a><\/td>\nWIE DIE T\u00dcRKEI INTELLEKTUELLE FOLTERT UND T\u00d6TET<\/a><\/td>\nC\u00d3MO TORTURA Y MATA TURQU\u00cdA A LOS INTELECTUALES<\/a><\/p>\n

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\"\"<\/strong>Kirch<\/strong>, Leo<\/p>\n

Businessman, 1926-2011
\n\"\"<\/td>\n

LES DERNIERS TABOUS DES EMISSIONS DE TELE-REALITE<\/a><\/td>\nTHE LAST TABOOS OF REALITY SHOWS<\/a><\/td>\nL\u2019ULTIMO TAB\u00d9 DEI REALITY SHOWS<\/a><\/td>\n\u041f\u041e\u0421\u041b\u0415\u0414\u041d\u0415\u0415 \u0422\u0410\u0411\u0423 \u0420\u0415\u0410\u041b\u0418\u0422\u0418-\u0428\u041e\u0423<\/a><\/td>\nDIE LETZTEN TABUS DER REALITY-SHOWS<\/a><\/td>\nEL \u00daLTIMO TAB\u00da DE LOS REALITY SHOWS<\/a><\/td>\n<\/tr>\n
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\"\"Kirdar<\/strong>, Nemir A.<\/p>\n

Banker, 1936-2020
\n\"\"<\/td>\n

LE NOUVEAU MILAN DES MILITARISTES ARABES<\/a><\/td>\nTHE NEW MILAN OF THE ARAB MILITARISTS<\/a><\/td>\nIL NUOVO MILAN DEI MILITARISTI ARABI<\/a><\/td>\n\u041d\u041e\u0412\u042b\u0419 \u041c\u0418\u041b\u0410\u041d \u0410\u0420\u0410\u0411\u0421\u041a\u0418\u0425 \u041c\u0418\u041b\u0418\u0422\u0410\u0420\u0418\u0421\u0422\u041e\u0412<\/a><\/td>\nDAS NEUE AC MAILAND DER ARABISCHEN MILITARISTEN<\/a><\/td>\nEL NUEVO MIL\u00c1N DE LOS MILITARISTAS \u00c1RABES<\/a><\/td>\n<\/tr>\n
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\"\"Kis<\/strong>, J\u00e1nos<\/p>\n

Politician, 1943-
\n\"\"<\/td>\n

HONGRIE: LE REGIME TUE LA DERNIERE RADIO LIBRE<\/a><\/td>\nHUNGARY: THE REGIME KILLS THE LAST FREE RADIO<\/a><\/td>\nUNGHERIA: IL REGIME UCCIDE L\u2019ULTIMA RADIO LIBERA<\/a><\/td>\n\u0412\u0415\u041d\u0413\u0420\u0418\u042f: \u0420\u0415\u0416\u0418\u041c \u0423\u0411\u0418\u0412\u0410\u0415\u0422 \u041f\u041e\u0421\u041b\u0415\u0414\u041d\u0415\u0415 \u0421\u0412\u041e\u0411\u041e\u0414\u041d\u041e\u0415 \u0420\u0410\u0414\u0418\u041e<\/a><\/td>\nUNGARN: DAS REGIME T\u00d6TET DAS LETZTE FREIE RADIO<\/a><\/td>\nHUNGR\u00cdA: EL R\u00c9GIMEN MATA A LA \u00daLTIMA EMISORA DE RADIO LIBRE<\/a><\/td>\n<\/tr>\n
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\"\"Kisabo<\/strong>, Paul<\/p>\n

Manager, 1973-
\n\"\"<\/td>\n

NGORONGORO: LE CAPITALISME ANEANTIT LES MASSA\u00cfS<\/a><\/td>\nNGORONGORO: CAPITALISM ANNIHILATES THE MAASAI<\/a><\/td>\nNGORONGORO: IL CAPITALISMO ANNIENTA I MASAI<\/a><\/td>\n\u041d\u0413\u041e\u0420\u041e\u041d\u0413\u041e\u0420\u041e: \u041a\u0410\u041f\u0418\u0422\u0410\u041b\u0418\u0417\u041c \u0423\u041d\u0418\u0427\u0422\u041e\u0416\u0410\u0415\u0422 \u041c\u0410\u0421\u0410\u0415\u0412<\/a><\/td>\nNGORONGORO: DER KAPITALISMUS VERNICHTET DIE MAASAI<\/a><\/td>\nNGORONGORO: EL CAPITALISMO ACABA CON LOS MAASAI<\/a><\/td>\n<\/tr>\n
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\"\"Kishida<\/strong>, Fumio<\/p>\n

Politician, 1957-
\n\"\"<\/td>\n

CRACK TOSHIBA : LA FIN DU MYTHE JAPONAIS<\/a><\/td>\nCRACK TOSHIBA: THE END OF THE JAPANESE MYTH<\/a><\/td>\nCRACK TOSHIBA: LA FINE DEL MITO NIPPONICO<\/a><\/td>\n\u0420\u0410\u0417\u041b\u041e\u041c TOSHIBA: \u041a\u041e\u041d\u0415\u0426 \u042f\u041f\u041e\u041d\u0421\u041a\u041e\u0413\u041e \u041c\u0418\u0424\u0410<\/a><\/td>\nTOSHIBA ZERBRICHT: DAS ENDE DES JAPANISCHEN MYTHOS<\/a><\/td>\nCRACK TOSHIBA: EL FIN DEL MITO JAPON\u00c9S<\/a><\/td>\n<\/tr>\n
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\"\"Kisly<\/strong>, Viktor<\/p>\n

Manager, 1976-
\n\"\"<\/td>\n

COMMENT TROIS \u00ab FILLES \u00bb POURRAIENT SAUVER LA BIELORUSSIE<\/a><\/td>\nHOW THREE \u201cGIRLS\u201d COULD SAVE BELARUS<\/a><\/td>\nECCO LE TRE \u201cRAGAZZE\u201d CHE POTREBBERO SALVARE LA BIELORUSSIA<\/a><\/td>\n\u041a\u0410\u041a \u0422\u0420\u0418 \u00ab\u0414\u0415\u0412\u0423\u0428\u041a\u0418\u00bb \u041c\u041e\u0413\u0423\u0422 \u0421\u041f\u0410\u0421\u0422\u0418 \u0411\u0415\u041b\u0410\u0420\u0423\u0421\u042c<\/a><\/td>\nWIE DREI \u201cM\u00c4DCHEN\u201d BELARUS RETTEN K\u00d6NNTEN<\/a><\/td>\nESTAS SON LAS TRES \u00abCHICAS\u00bb QUE PODR\u00cdAN SALVAR A BIELORRUSIA<\/a><\/td>\n<\/tr>\n
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\"\"Kislyak<\/strong>, Sergey<\/p>\n

Diplomat, 1950-
\n\"\"<\/td>\n

CAMBRIDGE ANALYTICA: LES CRIMINELS QUI NOUS PERSUADENT DE VOTER POUR TRUMP<\/a><\/td>\nCAMBRIDGE ANALYTICA: THE CRIMINALS WHO PERSUADE US TO VOTE FOR TRUMP<\/a><\/td>\nCAMBRIDGE ANALYTICA: I CRIMINALI CHE CI CONVINCONO A VOTARE TRUMP<\/a><\/td>\nCAMBRIDGE ANALYTICA: \u041f\u0420\u0415\u0421\u0422\u0423\u041f\u041d\u0418\u041a\u0418, \u041a\u041e\u0422\u041e\u0420\u042b\u0415 \u0423\u0411\u0415\u0414\u0418\u041b\u0418 \u041d\u0410\u0421 \u0413\u041e\u041b\u041e\u0421\u041e\u0412\u0410\u0422\u042c \u0417\u0410 \u0422\u0420\u0410\u041c\u041f\u0410<\/a><\/td>\nCAMBRIDGE ANALYTICA: DIE KRIMINELLEN, DIE UNS \u00dcBERREDEN, F\u00dcR TRUMP ZU STIMMEN<\/a><\/td>\nERIC MONGA MUMBA UND KATANGA: DAS WAHRE GESICHT DER MACHT<\/a><\/td>\n<\/tr>\n
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\"\"Kisoni<\/strong>, Kambale<\/p>\n

Smuggler, 1961-2007<\/p>\n

\"\"<\/td>\n

60 ANS DE DICTATURE ET 200 ANS DE GUERRES, D\u2019ESCLAVAGE ET DE CONTREBANDE: BIENVENUE AU CONGO<\/a><\/td>\n60 YEARS OF DICTATORSHIP AND 200 YEARS OF WARS, SLAVERY AND SMUGGLING: WELCOME TO THE CONGO<\/a><\/td>\nIL CONGO DRC DOPO 60 ANNI DI DITTATURA E DUE SECOLI DI GUERRE, SCHIAVISMO E CONTRABBANDO<\/a><\/td>\n\u0414\u0420\u041a \u041a\u041e\u041d\u0413\u041e \u041f\u041e\u0421\u041b\u0415 60 \u041b\u0415\u0422 \u0414\u0418\u041a\u0422\u0410\u0422\u0423\u0420\u042b \u0418 \u0414\u0412\u0423\u0425 \u0412\u0415\u041a\u041e\u0412 \u0412\u041e\u0419\u041d, \u0420\u0410\u0411\u0421\u0422\u0412\u0410 \u0418 \u041a\u041e\u041d\u0422\u0420\u0410\u0411\u0410\u041d\u0414\u042b<\/a><\/td>\n60 JAHREN DIKTATUR UND 200 JAHREN KRIEGEN, SKLAVEREI UND SCHMUGGEL: WILLKOMMEN IN KONGO<\/a><\/td>\nCONGO RDC TRAS 60 A\u00d1OS DE DICTADURA Y DOS SIGLOS DE GUERRA, ESCLAVITUD Y CONTRABANDO<\/a><\/td>\n<\/tr>\n
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\"\"Kissinger<\/strong>, Henry<\/p>\n

Politician, 1923-
\n\"\"<\/td>\n

LE CHILI DE GABRIEL BORIC: LE RETOUR DE L\u2019ESPOIR<\/a><\/p>\n

LE DESASTRE DU BREXIT ET LA CHUTE DE BORIS JOHNSON<\/a><\/p>\n

NOAM CHOMSKY : LE MONDE A L\u2019HEURE DES COMPTES<\/a><\/p>\n

LES V\u00c9RITABLES PUISSANTS<\/a><\/p>\n

LIBYE: LA LUTTE POUR LE PETROLE<\/a><\/p>\n

HENRY KISSINGER, L\u2019AME NOIRE DU 20EME SIECLE<\/a><\/p>\n

LA DERNIERE VICTIME DU BANCO AMBROSIANO<\/a><\/td>\n

GABRIEL BORIC\u2019S CHILE: THE RETURN OF HOPE<\/a><\/p>\n

THE BREXIT DISASTER AND THE FALL OF BORIS JOHNSON<\/a><\/p>\n

NOAM CHOMSKY: THE WORLD AT RECKONING<\/a><\/p>\n

THE TRULY POWERFUL<\/a><\/p>\n

LIBYA: THE FIGHT FOR OIL<\/a><\/p>\n

HENRY KISSINGER, THE DARK SOUL OF THE 20TH CENTURY<\/a><\/p>\n

THE LAST VICTIM OF BANCO AMBROSIANO<\/a><\/td>\n

IL CILE DI GABRIEL BORIC: IL RITORNO DELLA SPERANZA<\/a><\/p>\n

IL DISASTRO BREXIT E LA CADUTA DI BORIS JOHNSON<\/a><\/p>\n

NOAM CHOMSKY: IL MONDO ALLA RESA DEI CONTI<\/a><\/p>\n

I VERI POTENTI<\/a><\/p>\n

LIBIA: LA LOTTA PER IL PETROLIO<\/a><\/p>\n

HENRY KISSINGER, L\u2019ANIMA NERA DEL XX SECOLO<\/a><\/p>\n

L\u2019ULTIMA VITTIMA DEL BANCO AMBROSIANO<\/a><\/td>\n

\u0427\u0418\u041b\u0418 \u0413\u0410\u0411\u0420\u0418\u042d\u041b\u042f \u0411\u041e\u0420\u0418\u0427: \u0412\u041e\u0417\u0412\u0420\u0410\u0429\u0415\u041d\u0418\u0415 \u041d\u0410\u0414\u0415\u0416\u0414\u042b<\/a><\/p>\n

\u041a\u0410\u0422\u0410\u0421\u0422\u0420\u041e\u0424\u0410 BREXIT \u0418 \u041f\u0410\u0414\u0415\u041d\u0418\u0415 \u0411\u041e\u0420\u0418\u0421\u0410 \u0414\u0416\u041e\u041d\u0421\u041e\u041d\u0410<\/a><\/p>\n

\u041d\u041e\u0410\u041c \u0425\u041e\u041c\u0421\u041a\u0418\u0419: \u041c\u0418\u0420 \u0412 \u0420\u0410\u0421\u041f\u041b\u0410\u0422\u0415<\/a><\/p>\n

\u0438\u0441\u0442\u0438\u043d\u043d\u043e \u043c\u043e\u0433\u0443\u0449\u0435\u0441\u0442\u0432\u0435\u043d\u043d\u044b\u0439<\/a><\/p>\n

\u041b\u0418\u0412\u0418\u042f: \u0411\u041e\u0420\u042c\u0411\u0410 \u0417\u0410 \u041d\u0415\u0424\u0422\u042c<\/a><\/p>\n

\u0413\u0415\u041d\u0420\u0418 \u041a\u0418\u0421\u0421\u0418\u041d\u0414\u0416\u0415\u0420, \u0427\u0415\u0420\u041d\u0410\u042f \u0414\u0423\u0428\u0410 20 \u0412\u0415\u041a\u0410<\/a><\/p>\n

\u041f\u041e\u0421\u041b\u0415\u0414\u041d\u042f\u042f \u0416\u0415\u0420\u0422\u0412\u0410\u0411\u0410\u041d\u041a\u0410 \u0410\u041c\u0411\u0420\u041e\u0417\u0418\u0410\u041d\u041e<\/a><\/td>\n

GABRIEL BORIC\u2019S CHILE: DIE R\u00dcCKKEHR DER HOFFNUNG<\/a><\/p>\n

DAS BREXIT-DESASTER UND DER STURZ VON BORIS JOHNSON<\/a><\/p>\n

NOAM CHOMSKY: DIE WELT IM UMBRUCH<\/a><\/p>\n

DIE WIRKLICH M\u00c4CHTIGEN<\/a><\/p>\n

LIBYEN: DER KAMPF UMS \u00d6L<\/a><\/p>\n

HENRY KISSINGER, DIE SCHWARZE SEELE DES 20. JAHRHUNDERTS<\/a><\/p>\n

DAS LETZTE OPFER DER BANCO AMBROSIANO<\/a><\/td>\n

EL CHILE DE GABRIEL BORIC: EL RETORNO DE LA ESPERANZA<\/a><\/p>\n

EL DESASTRE DEL BREXIT Y LA CA\u00cdDA DE BORIS JOHNSON<\/a><\/p>\n

NOAM CHOMSKY: EL MUNDO EN EL AJUSTE DE CUENTAS<\/a><\/p>\n

EL VERDADERO PODER<\/a><\/p>\n

LIBIA: LA LUCHA POR EL PETR\u00d3LEO<\/a><\/p>\n

HENRY KISSINGER, EL ALMA NEGRA DEL SIGLO XX<\/a><\/p>\n

LA \u00daLTIMA V\u00cdCTIMA DEL BANCO AMBROSIANO<\/a><\/td>\n<\/tr>\n

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\"\"Kissinger<\/strong>, Louis<\/p>\n

Teacher \/ Henry Kissinger’s father, 1887-1982
\n\"\"<\/td>\n

HENRY KISSINGER, L\u2019AME NOIRE DU 20EME SIECLE<\/a><\/td>\nHENRY KISSINGER, THE DARK SOUL OF THE 20TH CENTURY<\/a><\/td>\nHENRY KISSINGER, L\u2019ANIMA NERA DEL XX SECOLO<\/a><\/td>\n\u0413\u0415\u041d\u0420\u0418 \u041a\u0418\u0421\u0421\u0418\u041d\u0414\u0416\u0415\u0420, \u0427\u0415\u0420\u041d\u0410\u042f \u0414\u0423\u0428\u0410 20 \u0412\u0415\u041a\u0410<\/a><\/td>\nHENRY KISSINGER, DIE SCHWARZE SEELE DES 20. JAHRHUNDERTS<\/a><\/td>\nHENRY KISSINGER, EL ALMA NEGRA DEL SIGLO XX<\/a><\/td>\n<\/tr>\n
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\"\"Stern-Kissinger<\/strong>, Paula<\/p>\n

Henry Kissinger’s mother, 1901-1998
\n\"\"<\/td>\n

HENRY KISSINGER, L\u2019AME NOIRE DU 20EME SIECLE<\/a><\/td>\nHENRY KISSINGER, THE DARK SOUL OF THE 20TH CENTURY<\/a><\/td>\nHENRY KISSINGER, L\u2019ANIMA NERA DEL XX SECOLO<\/a><\/td>\n\u0413\u0415\u041d\u0420\u0418 \u041a\u0418\u0421\u0421\u0418\u041d\u0414\u0416\u0415\u0420, \u0427\u0415\u0420\u041d\u0410\u042f \u0414\u0423\u0428\u0410 20 \u0412\u0415\u041a\u0410<\/a><\/td>\nHENRY KISSINGER, DIE SCHWARZE SEELE DES 20. JAHRHUNDERTS<\/a><\/td>\nHENRY KISSINGER, EL ALMA NEGRA DEL SIGLO XX<\/a><\/td>\n<\/tr>\n
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\"\"Kiweewa Nnyonyintono,<\/strong> Mutebi<\/p>\n

King, 1846-1889
\n\"\"<\/td>\n

L\u2019ENFER REGNE AU PARADIS DE L\u2019OUGANDA<\/a><\/td>\nTHE HELL REIGNS IN UGANDA\u2019S PARADISE<\/a><\/td>\nL\u2019INFERNO CHE REGNA NEL PARADISO DELL\u2019UGANDA<\/a><\/td>\n\u0410\u0414, \u041a\u041e\u0422\u041e\u0420\u042b\u0419 \u041f\u0420\u0410\u0412\u0418\u0422 \u0420\u0410\u0415\u041c \u0412 \u0423\u0413\u0410\u041d\u0414\u0415<\/a><\/td>\nIN UGANDAS PARADIES REGIERT DIE H\u00d6LLE<\/a><\/td>\nEL INFIERNO REINA EN EL PARA\u00cdSO DE UGANDA<\/a><\/td>\n<\/tr>\n
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\"\"Klasskovski<\/strong>, Aleksandr<\/p>\n

Political consultant, 1970-
\n\"\"<\/td>\n

MINSK, DEUX ANS APRES : UN DEUIL SANS ESPOIR<\/a><\/td>\nMINSK, TWO YEARS LATER: MOURNING WITHOUT HOPE<\/a><\/td>\nMINSK, DUE ANNI DOPO: IL LUTTO SENZA SPERANZA<\/a><\/td>\n\u041c\u0418\u041d\u0421\u041a \u0414\u0412\u0410 \u0413\u041e\u0414\u0410 \u0421\u041f\u0423\u0421\u0422\u042f: \u0422\u0420\u0410\u0423\u0420 \u0411\u0415\u0417 \u041d\u0410\u0414\u0415\u0416\u0414\u042b<\/a><\/td>\nMINSK, ZWEI JAHRE DANACH: TRAUER OHNE HOFFNUNG<\/a><\/td>\nMINSK, DOS A\u00d1OS DESPU\u00c9S: LUTO SIN ESPERANZA<\/a><\/td>\n<\/tr>\n
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\"\"Klayman<\/strong>, Alison<\/p>\n

Journalist, 1984-
\n\"\"<\/td>\n

MOUVEMENT 5 ETOILES ET LEGANORD: REPETITIONS GENERALES POUR UNE INTERNATIONALE POSTFASCISTE<\/a><\/td>\n5-STAR MOVEMENT AND LEGANORD: DRESS REHEARSALS FOR A POST-FASCIST INTERNATIONAL<\/a><\/td>\nMOVIMENTO 5 STELLE E LEGA NORD: PROVE GENERALI PER UN\u2019INTERNAZIONALE POST-FASCISTA<\/a><\/td>\n\u0414\u0412\u0418\u0416\u0415\u041d\u0418\u0415 5 \u0417\u0412\u0415\u0417\u0414 \u0418 \u0421\u0415\u0412\u0415\u0420\u041d\u0410\u042f \u041b\u0418\u0413\u0410: \u0418\u0421\u041f\u042b\u0422\u0410\u041d\u0418\u042f \u0414\u041b\u042f \u041f\u041e\u0421\u0422\u0424\u0410\u0428\u0418\u0421\u0422\u0421\u041a\u041e\u0413\u041e \u0418\u041d\u0422\u0415\u0420\u041d\u0410\u0426\u0418\u041e\u041d\u0410\u041b\u0410<\/a><\/td>\n5-STERNE-BEWEGUNG UND LEGANORD: GENERALPROBEN F\u00dcR EINE POSTFASCHISTISCHE INTERNATIONALE<\/a><\/td>\nEL MOVIMIENTO 5 ESTRELLAS Y LA LIGA NORTE: ENSAYO GENERAL DE UNA INTERNACIONAL POST-FASCISTA<\/a><\/td>\n<\/tr>\n
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\"\"Klimkin<\/strong>, Pavlo<\/p>\n

Politician, 1967-
\n\"\"<\/td>\n

TRAFIGURA, POUTINE ET CES SANCTIONS INUTILES<\/a><\/td>\nTRAFIGURA, PUTIN AND THOSE USELESS SANCTIONS<\/a><\/td>\nTRAFIGURA, PUTIN E QUELLE INUTILI SANZIONI<\/a><\/td>\nTRAFIGURA, \u041f\u0423\u0422\u0418\u041d \u0418 \u042d\u0422\u0418 \u0411\u0415\u0421\u041f\u041e\u041b\u0415\u0417\u041d\u042b\u0415 \u0421\u0410\u041d\u041a\u0426\u0418\u0418<\/a><\/td>\nTRAFIGURA, PUTIN UND DIE NUTZLOSEN SANKTIONEN<\/a><\/td>\nTRAFIGURA, PUTIN Y ESAS SANCIONES IN\u00daTILES<\/a><\/td>\n<\/tr>\n
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\"\"Klimt<\/strong>, Gustav<\/p>\n

Painter, 1862-1918
\n\"\"<\/td>\n

L\u2019\u0152UVRE D\u2019ART: LA DEVISE DE LE RECEL MONDIALE<\/a><\/p>\n

VIE ET MIRACLES D\u2019UN MERCENAIRE DANS LA GUERRE MEDIATIQUE<\/a><\/td>\n

ART: THE CURRENCY OF THE GLOBAL COMMERCE OF STOLEN GOODS<\/a><\/p>\n

LIFE AND MIRACLES OF A MERCENARY IN THE MEDIA WAR<\/a><\/td>\n

L\u2019OPERA D\u2019ARTE: LA VALUTA DELLA RICETTAZIONE GLOBALE<\/a><\/p>\n

VITA E MIRACOLI DI UN MERCENARIO NELLA GUERRA DEI MEDIA<\/a><\/td>\n

\u041f\u0420\u041e\u0418\u0417\u0412\u0415\u0414\u0415\u041d\u0418\u042f \u0418\u0421\u041a\u0423\u0421\u0421\u0422\u0412\u0410: \u0412\u0410\u041b\u042e\u0422\u0410 \u041c\u0418\u0420\u041e\u0412\u041e\u0413\u041e \u0424\u0415\u0425\u0422\u041e\u0412\u0410\u041d\u0418\u042f<\/a><\/p>\n

\u0416\u0418\u0417\u041d\u042c \u0418 \u0427\u0423\u0414\u0415\u0421\u0410 \u041d\u0410\u0415\u041c\u041d\u0418\u041a\u0410 \u0412 \u0412\u041e\u0419\u041d\u0415 \u0421\u041e \u0421\u041c\u0418<\/a><\/td>\n

DAS KUNSTWERK: DIE W\u00c4HRUNG DER GLOBALEN HEHLEREI<\/a><\/p>\n

LEBEN UND WUNDER EINES S\u00d6LDNERS IM MEDIENKRIEG<\/a><\/td>\n

LA OBRA DE ARTE: LA DIVISA DE LA RECEPTACI\u00d3N MUNDIAL<\/a><\/p>\n

VIDA Y MILAGROS DE UN MERCENARIO EN LA GUERRA MEDI\u00c1TICA<\/a><\/td>\n<\/tr>\n

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\"\"Klink<\/strong>, Ramzi<\/p>\n

Manager Dar Al-Handasah,
\n\"\"<\/td>\n

DAR AL-HANDASAH: LE C\u00d4T\u00c9 OBSCUR DU COLOSSE<\/a><\/td>\nDAR AL-HANDASAH: THE DARK SIDE OF THE GIANT<\/a><\/td>\nIL LATO OSCURO DEL COLOSSO DAR AL-HANDASAH<\/a><\/td>\n\u0422\u0415\u041c\u041d\u0410\u042f \u0421\u0422\u041e\u0420\u041e\u041d\u0410 \u041a\u041e\u041b\u041e\u0421\u0421\u0410 \u0414\u0410\u0420 \u0410\u041b\u042c-\u0425\u0410\u041d\u0414\u0410\u0421\u0410<\/a><\/td>\nDIE DUNKLE SEITE DES KOLOSSES DAR AL-HANDASAH<\/a><\/td>\nEL LADO OSCURO DEL COLOSO DAR AL-HANDASAH<\/a><\/td>\n<\/tr>\n
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\"\"Kluever<\/strong>, Peter<\/p>\n

Arms dealer, 1932-
\n\"\"<\/td>\n

DE LA SCIENCE-FICTION AU CAUCHEMAR: LES LOGICIELS ESPIONS UTILISENT POUR TRAQUER LES ADVERSAIRES<\/a><\/td>\nFROM SCI-FI TO NIGHTMARE: HOW SPYWARE ARE USED TO TRACK DOWN OPPONENTS<\/a><\/td>\nDALLA FANTASCIENZA ALL\u2019INCUBO: LO SPYWARE DI REGIME PER IL CONTROLLO TOTALE<\/a><\/td>\n\u041e\u0422 \u041d\u0410\u0423\u0427\u041d\u041e\u0419 \u0424\u0410\u041d\u0422\u0410\u0421\u0422\u0418\u041a\u0418 \u0414\u041e \u041a\u041e\u0428\u041c\u0410\u0420\u0410: \u0428\u041f\u0418\u041e\u041d\u0421\u041a\u041e\u0415 \u041f\u041e, \u0421 \u041f\u041e\u041c\u041e\u0429\u042c\u042e \u041a\u041e\u0422\u041e\u0420\u041e\u0413\u041e \u0420\u0415\u0416\u0418\u041c \u041f\u0420\u0415\u0421\u041b\u0415\u0414\u0423\u0415\u0422 \u041e\u041f\u041f\u041e\u041d\u0415\u041d\u0422\u041e\u0412<\/a><\/td>\nVON SCIENCE FICTION ZUM ALBTRAUM: DIE SPYWARE, MIT DER REGIME GEGNER VERFOLGEN<\/a><\/td>\nDE LA CIENCIA FICCI\u00d3N A LA PESADILLA: PROGRAMAS ESP\u00cdA DEL R\u00c9GIMEN PARA EL CONTROL TOTAL<\/a><\/td>\n<\/tr>\n
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\"\"Klump<\/strong>, Amanda<\/p>\n

Lobbyst, 1978-
\n\"\"<\/td>\n

PHILIP MORRIS ENTRE EN GUERRE \u2013 AVEC LES POPULISTES, LES EXTREMISTES DE DROITE ET LES CHEIKHS ARABES<\/a><\/td>\nPHILIP MORRIS GOES TO WAR \u2013 WITH POPULISTS, SUPREMACISTS AND ARAB SHEIKHS<\/a><\/td>\nLA PHILIP MORRIS VA ALLA GUERRA \u2013 ALLEATA A SUPREMATISTI, POPULISTI E SCEICCHI ARABI<\/a><\/td>\n\u0424\u0418\u041b\u0418\u041f \u041c\u041e\u0420\u0420\u0418\u0421 \u0418\u0414\u0415\u0422 \u041d\u0410 \u0412\u041e\u0419\u041d\u0423 \u2013 \u041d\u0410 \u0421\u0422\u041e\u0420\u041e\u041d\u0415 \u0410\u0420\u0410\u0411\u0421\u041a\u0418\u0425 \u0421\u0423\u041f\u0420\u0415\u041c\u0410\u0422\u0418\u0421\u0422\u041e\u0412, \u041f\u041e\u041f\u0423\u041b\u0418\u0421\u0422\u041e\u0412 \u0418 \u0428\u0415\u0419\u041a\u041e\u0412<\/a><\/td>\nPHILIP MORRIS ZIEHT IN DEN KRIEG \u2013 MIT POPULISTEN, RECHTSEXTREMISTEN UND ARABISCHEN SCHEICHS<\/a><\/td>\nPHILIP MORRIS VA A LA GUERRA \u2013 ALIADO CON SUPREMACISTAS, POPULISTAS Y JEQUES \u00c1RABES<\/a><\/td>\n<\/tr>\n
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\"\"Knef<\/strong>, Hildegard<\/p>\n

Musician, 1925-2002<\/p>\n

\"\"<\/td>\n

LA DERNIERE NUIT GLACIALE D\u2019ANGELA MERKEL<\/a><\/td>\nANGELA MERKEL\u2019S LAST ICE-COLD NIGHT<\/a><\/td>\nL\u2019ULTIMA GELIDA NOTTE DI ANGELA MERKEL<\/a><\/td>\n\u041f\u041e\u0421\u041b\u0415\u0414\u041d\u042f\u042f \u041c\u041e\u0420\u041e\u0417\u041d\u0410\u042f \u041d\u041e\u0427\u042c \u0410\u041d\u0413\u0415\u041b\u042b \u041c\u0415\u0420\u041a\u0415\u041b\u042c<\/a><\/td>\nDIE LETZTE EISKALTE NACHT DER ANGELA MERKEL<\/a><\/td>\nLA \u00daLTIMA NOCHE FR\u00cdA DE ANGELA MERKEL<\/a><\/td>\n<\/tr>\n
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\"\"Knight<\/strong>, Michael<\/p>\n

Politician, 1952-
\n\"\"<\/td>\n

SYDNEY 2000 : LES JEUX OLYMPIQUES DE LA CORRUPTION<\/a><\/td>\nSYDNEY 2000: THE OLYMPICS OF CORRUPTION<\/a><\/td>\nSYDNEY 2000: LE OLIMPIADI DELLA CORRUZIONE<\/a><\/td>\n\u0421\u0418\u0414\u041d\u0415\u0419 2000: \u041e\u041b\u0418\u041c\u041f\u0418\u0410\u0414\u0410\u041a\u041e\u0420\u0420\u0423\u041f\u0426\u0418\u0418<\/a><\/td>\nSYDNEY 2000: DIE OLYMPISCHEN SPIELE DER KORRUPTION<\/a><\/td>\nSYDNEY 2000: LAS OLIMPIADAS DE LA CORRUPCI\u00d3N<\/a><\/td>\n<\/tr>\n
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\"\"Knoops<\/strong>, Raymond<\/p>\n

Politician, 1971-
\n\"\"<\/td>\n

CURA\u00c7AO: NAISSANCE ET MORT D\u2019UN PARADIS FISCAL<\/a><\/td>\nCURA\u00c7AO: THE BIRTH AND DEATH OF A TAX HAVEN<\/a><\/td>\nCURA\u00c7AO: NASCITA E MORTE DI UN PARADISO FISCALE<\/a><\/td>\n\u041a\u042e\u0420\u0410\u0421\u0410\u041e: \u0420\u041e\u0416\u0414\u0415\u041d\u0418\u0415 \u0418 \u0421\u041c\u0415\u0420\u0422\u042c \u041d\u0410\u041b\u041e\u0413\u041e\u0412\u041e\u0419 \u0413\u0410\u0412\u0410\u041d\u0418<\/a><\/td>\nCURA\u00c7AO: GEBURT UND TOD EINES STEUERPARADIESES<\/a><\/td>\nCURA\u00c7AO: NACIMIENTO Y MUERTE DE UN PARA\u00cdSO FISCAL<\/a><\/td>\n<\/tr>\n
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\"\"Knyazeva<\/strong>, Marina<\/p>\n

Artist
\n\"\"<\/td>\n

LE ROI SECRET DE TAORMINE<\/a><\/td>\nTHE SECRET KING OF TAORMINA<\/a><\/td>\nIL RE SEGRETO DI TAORMINA<\/a><\/td>\n\u0422\u0410\u0419\u041d\u042b\u0419 \u041a\u041e\u0420\u041e\u041b\u042c \u0422\u0410\u041e\u0420\u041c\u0418\u041d\u042b<\/a><\/td>\nDER GEHEIME K\u00d6NIG VON TAORMINA<\/a><\/td>\nEL REY SECRETO DE TAORMINA<\/a><\/td>\n<\/tr>\n
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\"\"Kobach<\/strong>, Kris<\/p>\n

Politician, 1966-
\n\"\"<\/td>\n

PETER THIEL: LE REVE D\u2019UNE TECHNOCRATIE MYSTIQUE<\/a><\/td>\nPETER THIEL: THE DREAM OF A MYSTICAL TECHNOCRACY<\/a><\/td>\nPETER THIEL: IL SOGNO DI UNA TECNOCRAZIA MISTICA<\/a><\/td>\n\u041f\u0418\u0422\u0415\u0420 \u0422\u0418\u041b\u042c: \u041c\u0415\u0427\u0422\u0410 \u041e \u041c\u0418\u0421\u0422\u0418\u0427\u0415\u0421\u041a\u041e\u0419 \u0422\u0415\u0425\u041d\u041e\u041a\u0420\u0410\u0422\u0418\u0418<\/a><\/td>\nPETER THIEL: DER TRAUM VON EINER MYSTISCHEN TECHNOKRATIE<\/a><\/td>\nPETER THIEL: EL SUE\u00d1O DE UNA TECNOCRACIA M\u00cdSTICA<\/a><\/td>\n<\/tr>\n
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\"\"Kobakhidze<\/strong>, Irakli<\/p>\n

Politician,1978-
\n\"\"<\/td>\n

GEORGIE: DES ROSES CONTRE LA PEUR DES RUSSES<\/a><\/td>\nGEORGIA: ROSES AGAINST THE FEAR OF THE RUSSIANS<\/a><\/td>\nGEORGIA: ROSE IN PIAZZA CONTRO LA PAURA DEI RUSSI<\/a><\/td>\n\u0413\u0420\u0423\u0417\u0418\u042f: \u0420\u041e\u0417\u042b \u041d\u0410 \u0423\u041b\u0418\u0426\u0410\u0425 \u041f\u0420\u041e\u0422\u0418\u0412 \u0421\u0422\u0420\u0410\u0425\u0410 \u0420\u0423\u0421\u0421\u041a\u0418\u0425<\/a><\/td>\nGEORGIEN: AUF DEN STRA\u00dfEN, ROSEN GEGEN DIE RUSSEN<\/a><\/td>\nGEORGIA: ROSAS CONTRA EL MIEDO A LOS RUSOS<\/a><\/td>\n<\/tr>\n
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\"\"Ko\u00e7ak<\/strong>, Mustafa<\/p>\n

Musician, 1991-2020
\n\"\"<\/td>\n

COMMENT LA TURQUIE TORTURE ET TUE LES INTELLECTUELS<\/a><\/td>\nHOW TURKEY TORTURES AND KILLS INTELLECTUALS<\/a><\/td>\nCOS\u00cc LA TURCHIA TORTURA E UCCIDE GLI INTELLETTUALI<\/a><\/td>\n\u041a\u0410\u041a \u0422\u0423\u0420\u0426\u0418\u042f \u041f\u042b\u0422\u0410\u0415\u0422 \u0418 \u0423\u0411\u0418\u0412\u0410\u0415\u0422 \u0418\u041d\u0422\u0415\u041b\u041b\u0415\u041a\u0422\u0423\u0410\u041b\u041e\u0412<\/a><\/td>\nWIE DIE T\u00dcRKEI INTELLEKTUELLE FOLTERT UND T\u00d6TET<\/a><\/td>\nC\u00d3MO TORTURA Y MATA TURQU\u00cdA A LOS INTELECTUALES<\/a><\/p>\n

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\"\"Koch<\/strong>, Charles<\/p>\n

Fondatore ALEC, 1935-
\n\"\"<\/td>\n

MOUVEMENT 5 ETOILES ET LEGANORD: REPETITIONS GENERALES POUR UNE INTERNATIONALE POSTFASCISTE<\/a><\/td>\n5-STAR MOVEMENT AND LEGANORD: DRESS REHEARSALS FOR A POST-FASCIST INTERNATIONAL<\/a><\/td>\nMOVIMENTO 5 STELLE E LEGA NORD: PROVE GENERALI PER UN\u2019INTERNAZIONALE POST-FASCISTA<\/a><\/td>\n\u0414\u0412\u0418\u0416\u0415\u041d\u0418\u0415 5 \u0417\u0412\u0415\u0417\u0414 \u0418 \u0421\u0415\u0412\u0415\u0420\u041d\u0410\u042f \u041b\u0418\u0413\u0410: \u0418\u0421\u041f\u042b\u0422\u0410\u041d\u0418\u042f \u0414\u041b\u042f \u041f\u041e\u0421\u0422\u0424\u0410\u0428\u0418\u0421\u0422\u0421\u041a\u041e\u0413\u041e \u0418\u041d\u0422\u0415\u0420\u041d\u0410\u0426\u0418\u041e\u041d\u0410\u041b\u0410<\/a><\/td>\n5-STERNE-BEWEGUNG UND LEGANORD: GENERALPROBEN F\u00dcR EINE POSTFASCHISTISCHE INTERNATIONALE<\/a><\/td>\nEL MOVIMIENTO 5 ESTRELLAS Y LA LIGA NORTE: ENSAYO GENERAL DE UNA INTERNACIONAL POST-FASCISTA<\/a><\/td>\n<\/tr>\n
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\"\"<\/strong>Koch<\/strong>, Christian<\/p>\n

Research analyst, 1974-
\n\"\"<\/td>\n

LA TRES LONGUE VAGUE DE CORRUPTION A BRUXELLES<\/a><\/td>\nTHE LONG WAVE OF CORRUPTION IN BRUSSELS<\/a><\/td>\nL\u2019ONDA LUNGHISSIMA DELLA CORRUZIONE A BRUXELLES<\/a><\/td>\n\u041e\u0427\u0415\u041d\u042c \u0414\u041b\u0418\u041d\u041d\u0410\u042f \u0412\u041e\u041b\u041d\u0410 \u041a\u041e\u0420\u0420\u0423\u041f\u0426\u0418\u0418 \u0412 \u0411\u0420\u042e\u0421\u0421\u0415\u041b\u0415<\/a><\/td>\nDIE SEHR LANGE WELLE DER KORRUPTION IN BR\u00dcSSEL<\/a><\/td>\nLA LARGU\u00cdSIMA OLA DE CORRUPCI\u00d3N EN BRUSELAS<\/a><\/td>\n<\/tr>\n
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\"\"Koch<\/strong>, Fred C.<\/p>\n

Entrepreneur, 1900-1967
\n\"\"<\/td>\n

HEEREMA : LE LONG VOYAGE DU NATIONAL-SOCIALISME A L\u2019EXPLOITATION DES FONDS MARINS<\/a><\/td>\nHEEREMA: THE LONG JOURNEY FROM NATIONAL SOCIALISM TO THE EXPLOITATION OF THE SEABED<\/a><\/td>\nHEEREMA: IL LUNGO VIAGGIO DAL NAZISMO ALLO SFRUTTAMENTO DEI FONDALI OCEANICI<\/a><\/td>\nHEEREMA: \u0414\u041e\u041b\u0413\u041e\u0415 \u041f\u0423\u0422\u0415\u0428\u0415\u0421\u0422\u0412\u0418\u0415 \u041e\u0422 \u041d\u0410\u0426\u0418\u0417\u041c\u0410 \u041a \u042d\u041a\u0421\u041f\u041b\u0423\u0410\u0422\u0410\u0426\u0418\u0418 \u041e\u041a\u0415\u0410\u041d\u0421\u041a\u041e\u0413\u041e \u0414\u041d\u0410<\/a><\/td>\nHEEREMA: DIE LANGE REISE VOM NATIONALSOZIALISMUS ZUR AUSBEUTUNG DES MEERESBODENS<\/a><\/td>\nHEEREMA: EL LARGO VIAJE DEL NAZISMO A LA EXPLOTACI\u00d3N DE LOS FONDOS MARINOS<\/a><\/p>\n

LA EXPLOTACI\u00d3N DE LOS FONDOS MARINOS, LA NUEVA FRONTERA DE LA AUTODESTRUCCI\u00d3N DE LA HUMANIDAD<\/a><\/td>\n<\/tr>\n

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\"\"Kochav<\/strong>, Rav-Aluf Aviv<\/p>\n

Military, 1964-
\n\"\"<\/td>\n

PALESTINE, OU CHAQUE JOUR CAIN REVIENT<\/a><\/td>\nPALESTINE, WHERE EVERY DAY CAIN RETURNS<\/a><\/td>\nPALESTINA, DOVE OGNI GIORNO RITORNA CAINO<\/a><\/td>\n\u041f\u0410\u041b\u0415\u0421\u0422\u0418\u041d\u0410, \u041a\u0423\u0414\u0410 \u041a\u0410\u0416\u0414\u042b\u0419 \u0414\u0415\u041d\u042c \u0412\u041e\u0417\u0412\u0420\u0410\u0429\u0410\u0415\u0422\u0421\u042f \u041a\u0410\u0418\u041d<\/a><\/td>\nPAL\u00c4STINA, WO KAIN JEDEN TAG ZUR\u00dcCKKEHRT<\/a><\/td>\nPALESTINA, DONDE CADA D\u00cdA VUELVE CA\u00cdN<\/a><\/td>\n<\/tr>\n
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\"\"Kochetkov<\/strong>, Artemiy Andreevich<\/p>\n

Manager, 1965-
\n\"\"<\/td>\n

DMITRYI MAZEPIN, LE PREMIER OLIGARQUE DE LONDONGRAD<\/a><\/td>\nDMITRIJ MAZEPIN, THE FIRST OLIGARCH OF LONDONGRAD<\/a><\/td>\nDMITRIJ MAZEPIN, IL PRIMO OLIGARCA DI LONDONGRAD<\/a><\/td>\n\u0414\u041c\u0418\u0422\u0420\u0418\u0419 \u041c\u0410\u0417\u0415\u041f\u0418\u041d, \u041f\u0415\u0420\u0412\u042b\u0419 \u041e\u041b\u0418\u0413\u0410\u0420\u0425 \u041b\u041e\u041d\u0414\u041e\u041d\u0413\u0420\u0410\u0414\u0410<\/a><\/td>\nDMITRIJ MAZEPIN, DER ERSTE OLIGARCH VON LONDONGRAD<\/a><\/td>\nDMITRIJ MAZEPIN, EL PRIMER OLIGARCA DE LONDONGRAD<\/a><\/td>\n<\/tr>\n
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\"\"Koechlin<\/strong> Andr\u00e9<\/p>\n

Businessman, 1789-1875
\n\"\"<\/td>\n

HUSSAIN AL NOWAIS: LE MOYEN \u00c2GE DU CAPITALISME ARABE AVANT L\u2019EPREUVE DU TROISIEME MILLENAIRE<\/a><\/td>\nHUSSAIN AL NOWAIS: THE MEDIEVALISM OF THE ARAB CAPITALISM FACING THE TEST OF THE THIRD MILLENNIUM<\/a><\/td>\nHUSSAIN AL NOWAIS: IL MEDIEVALISMO ECONOMICO ARABO ALLA PROVA DEL TERZO MILLENNIO<\/a><\/td>\n\u0425\u0423\u0421\u0421\u0415\u0419\u041d \u0410\u041b\u042c-\u041d\u041e\u0412\u0410\u0418\u0421: \u0410\u0420\u0410\u0411\u0421\u041a\u041e\u0415 \u042d\u041a\u041e\u041d\u041e\u041c\u0418\u0427\u0415\u0421\u041a\u041e\u0415 \u0421\u0420\u0415\u0414\u041d\u0415\u0412\u0415\u041a\u041e\u0412\u042c\u0415, \u041f\u0420\u041e\u0412\u0415\u0420\u0415\u041d\u041d\u041e\u0415 \u0422\u0420\u0415\u0422\u042c\u0418\u041c \u0422\u042b\u0421\u042f\u0427\u0415\u041b\u0415\u0422\u0418\u0415\u041c<\/a><\/td>\nHUSSAIN AL NOWAIS: ARABISCHE WIRTSCHAFTSMITTELALTER VOR DEM TEST DES DRITTEN JAHRTAUSENDS<\/a><\/td>\nHUSSAIN AL NOWAIS: EL MEDIEVALISMO ECON\u00d3MICO \u00c1RABE A PRUEBA DEL TERCER MILENIO<\/a><\/td>\n<\/tr>\n
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\"\"Kofe<\/strong>, Simon<\/p>\n

Politician, 1984-
\n\"\"<\/td>\n

GLASGOW CONCERNE L\u2019ENVIRONNEMENT MONDIAL, MAIS AUSSI LE POUVOIR MONDIAL<\/a><\/p>\n

TUVALU, LA NOUVELLE ATLANTIS<\/a><\/td>\n

GLASGOW IS ABOUT THE GLOBAL ENVIRONMENT, BUT ALSO ABOUT GLOBAL POWER<\/a><\/p>\n

TUVALU, THE NEW ATLANTIS<\/a><\/td>\n

GLASGOW RIGUARDA L\u2019AMBIENTE GLOBALE, MA ANCHE IL POTERE GLOBALE<\/a><\/p>\n

TUVALU, LA NUOVA ATLANTIDE<\/a><\/td>\n

\u0413\u041b\u0410\u0417\u0413\u041e \u2013 \u041e \u0413\u041b\u041e\u0411\u0410\u041b\u042c\u041d\u041e\u0419 \u041e\u041a\u0420\u0423\u0416\u0410\u042e\u0429\u0415\u0419 \u0421\u0420\u0415\u0414\u0415, \u041d\u041e \u0422\u0410\u041a\u0416\u0415 \u0418 \u041e \u0413\u041b\u041e\u0411\u0410\u041b\u042c\u041d\u041e\u0419 \u0412\u041b\u0410\u0421\u0422\u0418<\/a><\/p>\n

\u0422\u0423\u0412\u0410\u041b\u0423, \u041d\u041e\u0412\u0410\u042f \u0410\u0422\u041b\u0410\u041d\u0422\u0418\u0414\u0410<\/a><\/td>\n

IN GLASGOW GEHT ES UM DIE GLOBALE UMWELT, ABER AUCH UM DIE GLOBALE MACHT<\/a><\/p>\n

TUVALU, DAS NEUE ATLANTIS<\/a><\/td>\n

GLASGOW TIENE QUE VER CON EL MEDIO AMBIENTE GLOBAL, PERO TAMBI\u00c9N CON EL PODER GLOBAL<\/a><\/p>\n

TUVALU, LA NUEVA ATL\u00c1NTIDA<\/a><\/td>\n<\/tr>\n

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\"\"Kogan<\/strong>, Alexander<\/p>\n

Spy, 1985-
\n\"\"<\/td>\n

CAMBRIDGE ANALYTICA: LES CRIMINELS QUI NOUS PERSUADENT DE VOTER POUR TRUMP<\/a><\/td>\nCAMBRIDGE ANALYTICA: THE CRIMINALS WHO PERSUADE US TO VOTE FOR TRUMP<\/a><\/td>\nCAMBRIDGE ANALYTICA: I CRIMINALI CHE CI CONVINCONO A VOTARE TRUMP<\/a><\/td>\nCAMBRIDGE ANALYTICA: \u041f\u0420\u0415\u0421\u0422\u0423\u041f\u041d\u0418\u041a\u0418, \u041a\u041e\u0422\u041e\u0420\u042b\u0415 \u0423\u0411\u0415\u0414\u0418\u041b\u0418 \u041d\u0410\u0421 \u0413\u041e\u041b\u041e\u0421\u041e\u0412\u0410\u0422\u042c \u0417\u0410 \u0422\u0420\u0410\u041c\u041f\u0410<\/a><\/td>\nCAMBRIDGE ANALYTICA: DIE KRIMINELLEN, DIE UNS \u00dcBERREDEN, F\u00dcR TRUMP ZU STIMMEN<\/a><\/td>\nERIC MONGA MUMBA UND KATANGA: DAS WAHRE GESICHT DER MACHT<\/a><\/td>\n<\/tr>\n
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\"\"Kohl<\/strong>, Helmut<\/p>\n

Politician, 1930-2017<\/p>\n

\"\"<\/td>\n

ENFER YEMEN: ARMES ALLEMANDES POUR L\u2019ARABIE, POUR AL-QAIDA ET POUR LES MERCENAIRES AMERICAINS<\/a><\/p>\n

LA DERNIERE NUIT GLACIALE D\u2019ANGELA MERKEL<\/a><\/p>\n

NOAM CHOMSKY: LE MONDE A L\u2019HEURE DES COMPTES<\/a><\/p>\n

LA DERNIERE VICTIME DU BANCO AMBROSIANO<\/a><\/td>\n

YEMEN\u2019S HELL: GERMAN WEAPONS FOR ARABIA, FOR AL-QAIDA AND FOR AMERICAN MERCENARIES<\/a><\/p>\n

ANGELA MERKEL\u2019S LAST ICE-COLD NIGHT<\/a><\/p>\n

NOAM CHOMSKY: THE WORLD AT RECKONING<\/a><\/p>\n

THE LAST VICTIM OF BANCO AMBROSIANO<\/a><\/td>\n

INFERNO YEMEN: ARMI TEDESCHE PER L\u2019ARABIA, PER AL-QAEDA E PER I MERCENARI AMERICANI<\/a><\/p>\n

L\u2019ULTIMA GELIDA NOTTE DI ANGELA MERKEL<\/a><\/p>\n

NOAM CHOMSKY: IL MONDO ALLA RESA DEI CONTI<\/a><\/p>\n

L\u2019ULTIMA VITTIMA DEL BANCO AMBROSIANO<\/a><\/td>\n

\u0410\u0414 \u0412 \u0419\u0415\u041c\u0415\u041d\u0415: \u041d\u0415\u041c\u0415\u0426\u041a\u041e\u0415 \u041e\u0420\u0423\u0416\u0418\u0415 \u0414\u041b\u042f \u0421\u0410\u0423\u0414\u041e\u0412\u0421\u041a\u041e\u0419 \u0410\u0420\u0410\u0412\u0418\u0418, \u0410\u041b\u042c-\u041a\u0410\u0418\u0414\u042b \u0418 \u0410\u041c\u0415\u0420\u0418\u041a\u0410\u041d\u0421\u041a\u0418\u0425 \u0413\u041e\u041b\u041e\u0412\u041e\u0420\u0415\u0417\u041e\u0412<\/a><\/p>\n

\u041f\u041e\u0421\u041b\u0415\u0414\u041d\u042f\u042f \u041c\u041e\u0420\u041e\u0417\u041d\u0410\u042f \u041d\u041e\u0427\u042c \u0410\u041d\u0413\u0415\u041b\u042b \u041c\u0415\u0420\u041a\u0415\u041b\u042c<\/a><\/p>\n

\u041d\u041e\u0410\u041c \u0425\u041e\u041c\u0421\u041a\u0418\u0419: \u041c\u0418\u0420 \u0412 \u0420\u0410\u0421\u041f\u041b\u0410\u0422\u0415<\/a><\/p>\n

\u041f\u041e\u0421\u041b\u0415\u0414\u041d\u042f\u042f \u0416\u0415\u0420\u0422\u0412\u0410\u0411\u0410\u041d\u041a\u0410 \u0410\u041c\u0411\u0420\u041e\u0417\u0418\u0410\u041d\u041e<\/a><\/td>\n

H\u00d6LLENJEMEN: DEUTSCHE WAFFEN F\u00dcR ARABIEN, F\u00dcR AL-QAIDA UND F\u00dcR AMERIKANISCHE S\u00d6LDNER<\/a><\/p>\n

DIE LETZTE EISKALTE NACHT DER ANGELA MERKEL<\/a><\/p>\n

NOAM CHOMSKY: DIE WELT IM UMBRUCH<\/a><\/p>\n

DAS LETZTE OPFER DER BANCO AMBROSIANO<\/a><\/td>\n

LA \u00daLTIMA NOCHE FR\u00cdA DE ANGELA MERKEL<\/a><\/p>\n

EL INFIERNO DE YEMEN: ARMAS ALEMANAS PARA ARABIA, AL QAEDA Y MERCENARIOS ESTADOUNIDENSES<\/a><\/p>\n

NOAM CHOMSKY: EL MUNDO EN EL AJUSTE DE CUENTAS<\/a><\/p>\n

LA \u00daLTIMA V\u00cdCTIMA DEL BANCO AMBROSIANO<\/a><\/td>\n<\/tr>\n

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\"\"Koishybaeva<\/strong>, Galymzhana<\/p>\n

Politician, 1981-
\n\"\"<\/td>\n

KAZAKHSTAN : L\u2019EPOQUE DU FAUX CHAOS<\/a><\/td>\nKAZAKHSTAN: THE DAYS OF FAKE CHAOS<\/a><\/td>\nKAZAKISTAN: I GIORNI DEL FINTO CAOS<\/a><\/td>\n\u041a\u0410\u0417\u0410\u0425\u0421\u0422\u0410\u041d: \u0414\u041d\u0418 \u0424\u0410\u041b\u042c\u0428\u0418\u0412\u041e\u0413\u041e \u0425\u0410\u041e\u0421\u0410<\/a><\/td>\nKASACHSTAN: DIE TAGE DES VORGET\u00c4USCHTEN CHAOS<\/a><\/td>\nKAZAJST\u00c1N: LOS D\u00cdAS DEL FALSO CAOS<\/a><\/td>\n<\/tr>\n
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\"\"Koit\u00e8<\/strong>, Habib<\/p>\n

Musician, 1958-
\n\"\"<\/td>\n

SONA JOBARTEH : LA KORA QUI GU\u00c9RIT LE MAL D\u2019AFRIQUE<\/a><\/td>\nSONA JOBARTEH: THE KORA THAT HEALS THE AFRICAN BLUES<\/a><\/td>\nSONA JOBARTEH: LA KORA CHE GUARISCE IL MAL D\u2019AFRICA<\/a><\/td>\nSONA JOBARTEH: \u041a\u041e\u0420\u0410, \u0418\u0421\u0426\u0415\u041b\u042f\u042e\u0429\u0410\u042f \u0411\u041e\u041b\u042c \u0410\u0424\u0420\u0418\u041a\u0418<\/a><\/td>\nSONA JOBARTEH: DIE KORA, DIE DIE AFRIKANISCHE SEHNSUCHT HEILT<\/a><\/td>\nSONA JOBARTEH: LA KORA QUE CURA LA NOSTALGIA AFRICANA<\/a><\/td>\n<\/tr>\n
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\"\"<\/strong>Kolbin<\/strong>, Pyotr<\/p>\n

Oligarch, 1952-
\n\"\"<\/td>\n

IL EST TEMPS POUR POUTINE DE REGLER SES COMPTES<\/a><\/td>\nTIME FOR PUTIN TO SETTLE THE SCORE<\/a><\/td>\nPER PUTIN \u00c8 L\u2019ORA DEL REGOLAMENTO DEI CONTI<\/a><\/td>\n\u0414\u041b\u042f \u041f\u0423\u0422\u0418\u041d\u0410 \u041f\u0420\u0418\u0428\u041b\u041e \u0412\u0420\u0415\u041c\u042f \u0421\u0412\u0415\u0422\u0418 \u0421\u0427\u0415\u0422\u042b<\/a><\/td>\nPUTIN: DIE ZEIT DER ABRECHNUNG<\/a><\/td>\nPUTIN: ES HORA DE AJUSTAR CUENTAS<\/a><\/td>\n<\/tr>\n
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\"\"Kolesnikova<\/strong>, Maria<\/p>\n

Politician, 1982-
\n\"\"<\/td>\n

COMMENT TROIS \u00ab FILLES \u00bb POURRAIENT SAUVER LA BIELORUSSIE<\/a><\/p>\n

BELARUS : LE SILENCE DU DESESPOIR<\/a><\/p>\n

MINSK, DEUX ANS APRES : UN DEUIL SANS ESPOIR<\/a><\/td>\n

HOW THREE \u201cGIRLS\u201d COULD SAVE BELARUS<\/a><\/p>\n

BELARUS: THE SILENCE OF DESPAIR<\/a><\/p>\n

MINSK, TWO YEARS LATER: MOURNING WITHOUT HOPE<\/a><\/td>\n

ECCO LE TRE \u201cRAGAZZE\u201d CHE POTREBBERO SALVARE LA BIELORUSSIA<\/a><\/p>\n

BIELORUSSIA: IL SILENZIO DELLA DISPERAZIONE<\/a><\/p>\n

MINSK, DUE ANNI DOPO: IL LUTTO SENZA SPERANZA<\/a><\/td>\n

\u041a\u0410\u041a \u0422\u0420\u0418 \u00ab\u0414\u0415\u0412\u0423\u0428\u041a\u0418\u00bb \u041c\u041e\u0413\u0423\u0422 \u0421\u041f\u0410\u0421\u0422\u0418 \u0411\u0415\u041b\u0410\u0420\u0423\u0421\u042c<\/a><\/p>\n

\u0411\u0415\u041b\u0410\u0420\u0423\u0421\u042c: \u041c\u041e\u041b\u0427\u0410\u041d\u0418\u0415 \u041e\u0422\u0427\u0410\u042f\u041d\u0418\u042f<\/a><\/p>\n

\u041c\u0418\u041d\u0421\u041a \u0414\u0412\u0410 \u0413\u041e\u0414\u0410 \u0421\u041f\u0423\u0421\u0422\u042f: \u0422\u0420\u0410\u0423\u0420 \u0411\u0415\u0417 \u041d\u0410\u0414\u0415\u0416\u0414\u042b<\/a><\/td>\n

WIE DREI \u201cM\u00c4DCHEN\u201d BELARUS RETTEN K\u00d6NNTEN<\/a><\/p>\n

BELARUS: DAS SCHWEIGEN DER VERZWEIFLUNG<\/a><\/p>\n

MINSK, ZWEI JAHRE DANACH: TRAUER OHNE HOFFNUNG<\/a><\/td>\n

ESTAS SON LAS TRES \u00abCHICAS\u00bb QUE PODR\u00cdAN SALVAR A BIELORRUSIA<\/a><\/p>\n

BIELORRUSIA: EL SILENCIO DE LA DESESPERACI\u00d3N<\/a><\/p>\n

MINSK, DOS A\u00d1OS DESPU\u00c9S: LUTO SIN ESPERANZA<\/a><\/td>\n<\/tr>\n

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\"\"Koliada<\/strong>, Natalia<\/p>\n

Film director, 1976-
\n\"\"<\/td>\n

BELARUS : LE SILENCE DU DESESPOIR<\/a><\/td>\nBELARUS: THE SILENCE OF DESPAIR<\/a><\/td>\nBIELORUSSIA: IL SILENZIO DELLA DISPERAZIONE<\/a><\/td>\n\u0411\u0415\u041b\u0410\u0420\u0423\u0421\u042c: \u041c\u041e\u041b\u0427\u0410\u041d\u0418\u0415 \u041e\u0422\u0427\u0410\u042f\u041d\u0418\u042f<\/a><\/td>\nBELARUS: DAS SCHWEIGEN DER VERZWEIFLUNG<\/a><\/td>\nBIELORRUSIA: EL SILENCIO DE LA DESESPERACI\u00d3N<\/a><\/td>\n<\/tr>\n
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\"\"Kolomoisky<\/strong>, Ihor<\/p>\n

Businessman, 1963-
\n\"\"<\/td>\n

TORTOLA, ETERNELLE ILE DES PIRATES<\/a><\/td>\nTORTOLA, ETERNAL PIRATE ISLAND<\/a><\/td>\nTORTOLA, ETERNA ISOLA DEI PIRATI<\/a><\/td>\n\u0422\u041e\u0420\u0422\u041e\u041b\u0410, \u0412\u0415\u0427\u041d\u042b\u0419 \u041e\u0421\u0422\u0420\u041e\u0412 \u041f\u0418\u0420\u0410\u0422\u041e\u0412<\/a><\/td>\nTORTOLA, DIE EWIGE PIRATENINSEL<\/a><\/td>\nT\u00d3RTOLA, ETERNA ISLA PIRATA<\/a><\/td>\n<\/tr>\n
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\"\"Kolycev<\/strong>, Vladimir Vladimirovich<\/p>\n

Politician, 1983-
\n\"\"<\/td>\n

TRAFIGURA, POUTINE ET CES SANCTIONS INUTILES<\/a><\/td>\nTRAFIGURA, PUTIN AND THOSE USELESS SANCTIONS<\/a><\/td>\nTRAFIGURA, PUTIN E QUELLE INUTILI SANZIONI<\/a><\/td>\nTRAFIGURA, \u041f\u0423\u0422\u0418\u041d \u0418 \u042d\u0422\u0418 \u0411\u0415\u0421\u041f\u041e\u041b\u0415\u0417\u041d\u042b\u0415 \u0421\u0410\u041d\u041a\u0426\u0418\u0418<\/a><\/td>\nTRAFIGURA, PUTIN UND DIE NUTZLOSEN SANKTIONEN<\/a><\/td>\nTRAFIGURA, PUTIN Y ESAS SANCIONES IN\u00daTILES<\/a><\/td>\n<\/tr>\n
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\"\"Kom\u0161i\u0107<\/strong>, \u017deljko<\/p>\n

Politician, 1964\u2013
\n\"\"<\/td>\n

CENT ANS APRES: SARAJEVO BRULE TOUJOURS<\/a><\/td>\nONE HUNDRED YEARS LATER: SARAJEVO BURNS AGAIN<\/a><\/td>\nCENTO ANNI DOPO: SARAJEVO BRUCIA ANCORA<\/a><\/td>\n\u0421\u0422\u041e \u041b\u0415\u0422 \u0421\u041f\u0423\u0421\u0422\u042f: \u0421\u0410\u0420\u0410\u0415\u0412\u041e \u0412\u0421\u0415 \u0415\u0429\u0415 \u0413\u041e\u0420\u0418\u0422<\/a><\/td>\nHUNDERT JAHRE SP\u00c4TER: SARAJEVO BRENNT WEITER<\/a><\/td>\nCIEN A\u00d1OS DESPU\u00c9S: SARAJEVO SIGUE ARDIENDO<\/a><\/td>\n<\/tr>\n
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\"\"Komyathy<\/strong>, Gabor<\/p>\n

Diplomat, 1945-
\n\"\"<\/td>\n

SYDNEY 2000 : LES JEUX OLYMPIQUES DE LA CORRUPTION<\/a><\/td>\nSYDNEY 2000: THE OLYMPICS OF CORRUPTION<\/a><\/td>\nSYDNEY 2000: LE OLIMPIADI DELLA CORRUZIONE<\/a><\/td>\n\u0421\u0418\u0414\u041d\u0415\u0419 2000: \u041e\u041b\u0418\u041c\u041f\u0418\u0410\u0414\u0410\u041a\u041e\u0420\u0420\u0423\u041f\u0426\u0418\u0418<\/a><\/td>\nSYDNEY 2000: DIE OLYMPISCHEN SPIELE DER KORRUPTION<\/a><\/td>\nSYDNEY 2000: LAS OLIMPIADAS DE LA CORRUPCI\u00d3N<\/a><\/td>\n<\/tr>\n
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\"\"Konar\u00e9<\/strong>, Alpha Oumar<\/p>\n

Politician, 1946-
\n\"\"<\/td>\n

GUERRES ETHNIQUES, RELIGIEUSES ET COLONIALES: LE MALI COMME METAPHORE DE UN DESASTRE MONDIAL<\/a><\/td>\nETHNIC, RELIGIOUS, COLONIAL WARS AND TRIBAL REVENGE: MALI AS A METAPHOR FOR A GLOBAL DISASTER<\/a><\/td>\nGUERRE ETNICHE, RELIGIOSE, COLONIALI E VENDETTE TRIBALI: IL MALI COME METAFORA DEL DISASTRO GLOBALE<\/a><\/td>\n\u042d\u0422\u041d\u0418\u0427\u0415\u0421\u041a\u0418\u0415, \u0420\u0415\u041b\u0418\u0413\u0418\u041e\u0417\u041d\u042b\u0415, \u041a\u041e\u041b\u041e\u041d\u0418\u0410\u041b\u042c\u041d\u042b\u0415 \u0412\u041e\u0419\u041d\u042b \u0418 \u041f\u041b\u0415\u041c\u0415\u041d\u041d\u0410\u042f \u041c\u0415\u0421\u0422\u042c: \u041c\u0410\u041b\u0418 \u041a\u0410\u041a \u041c\u0415\u0422\u0410\u0424\u041e\u0420\u0410 \u0413\u041b\u041e\u0411\u0410\u041b\u042c\u041d\u041e\u0413\u041e \u0411\u0415\u0414\u0421\u0422\u0412\u0418\u042f<\/a><\/td>\nKOLONIALKRIEGE UND STAMMESRACHE: MALI ALS METAPHER F\u00dcR DIE GLOBALE KATASTROPHE<\/a><\/td>\nGUERRAS \u00c9TNICAS, RELIGIOSAS, COLONIALES Y VENGANZAS TRIBALES: MAL\u00cd COMO MET\u00c1FORA DEL DESASTRE GLOBAL<\/a><\/td>\n<\/tr>\n
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\"\"Konat\u00e9<\/strong>, S\u00e9kouba<\/p>\n

Military, 1964-
\n\"\"<\/td>\n

GUINEE, ENCORE UN CHANGEMENT DE LEOPARD<\/a><\/td>\nGUINEA, YET ANOTHER LEOPARD CHANGE<\/a><\/td>\nGUINEA, L\u2019ENNESIMO CAMBIAMENTO DEL GATTOPARDO<\/a><\/td>\n\u0413\u0412\u0418\u041d\u0415\u042f, \u0415\u0429\u0415 \u041e\u0414\u041d\u041e \u0418\u0417\u041c\u0415\u041d\u0415\u041d\u0418\u0415 GATTOPARDO<\/a><\/td>\nNOCH EIN LEOPARDENWECHSEL IN GUINEA<\/a><\/td>\nGUINEA, OTRO CAMBIO DE LEOPARDO<\/a><\/td>\n<\/tr>\n
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\"\"Kondi\u0107<\/strong>, Novak<\/p>\n

Politician, 1952\u2013
\n\"\"<\/td>\n

CENT ANS APRES: SARAJEVO BRULE TOUJOURS<\/a><\/td>\nONE HUNDRED YEARS LATER: SARAJEVO BURNS AGAIN<\/a><\/td>\nCENTO ANNI DOPO: SARAJEVO BRUCIA ANCORA<\/a><\/td>\n\u0421\u0422\u041e \u041b\u0415\u0422 \u0421\u041f\u0423\u0421\u0422\u042f: \u0421\u0410\u0420\u0410\u0415\u0412\u041e \u0412\u0421\u0415 \u0415\u0429\u0415 \u0413\u041e\u0420\u0418\u0422<\/a><\/td>\nHUNDERT JAHRE SP\u00c4TER: SARAJEVO BRENNT WEITER<\/a><\/td>\nCIEN A\u00d1OS DESPU\u00c9S: SARAJEVO SIGUE ARDIENDO<\/a><\/td>\n<\/tr>\n
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\"\"Kone<\/strong>, Modibo<\/p>\n

Politician, 1959-
\n\"\"<\/td>\n

GUERRES ETHNIQUES, RELIGIEUSES ET COLONIALES: LE MALI COMME METAPHORE DE UN DESASTRE MONDIAL<\/a><\/td>\nETHNIC, RELIGIOUS, COLONIAL WARS AND TRIBAL REVENGE: MALI AS A METAPHOR FOR A GLOBAL DISASTER<\/a><\/td>\nGUERRE ETNICHE, RELIGIOSE, COLONIALI E VENDETTE TRIBALI: IL MALI COME METAFORA DEL DISASTRO GLOBALE<\/a><\/td>\n\u042d\u0422\u041d\u0418\u0427\u0415\u0421\u041a\u0418\u0415, \u0420\u0415\u041b\u0418\u0413\u0418\u041e\u0417\u041d\u042b\u0415, \u041a\u041e\u041b\u041e\u041d\u0418\u0410\u041b\u042c\u041d\u042b\u0415 \u0412\u041e\u0419\u041d\u042b \u0418 \u041f\u041b\u0415\u041c\u0415\u041d\u041d\u0410\u042f \u041c\u0415\u0421\u0422\u042c: \u041c\u0410\u041b\u0418 \u041a\u0410\u041a \u041c\u0415\u0422\u0410\u0424\u041e\u0420\u0410 \u0413\u041b\u041e\u0411\u0410\u041b\u042c\u041d\u041e\u0413\u041e \u0411\u0415\u0414\u0421\u0422\u0412\u0418\u042f<\/a><\/td>\nKOLONIALKRIEGE UND STAMMESRACHE: MALI ALS METAPHER F\u00dcR DIE GLOBALE KATASTROPHE<\/a><\/td>\nGUERRAS \u00c9TNICAS, RELIGIOSAS, COLONIALES Y VENGANZAS TRIBALES: MAL\u00cd COMO MET\u00c1FORA DEL DESASTRE GLOBAL<\/a><\/td>\n<\/tr>\n
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\"\"Konig<\/strong>, Martyn<\/p>\n

Manager, 1960-
\n\"\"<\/td>\n

NYRSTAR: L\u2019AGONIE DU GEANT DANS LES GRIFFES DE TRAFIGURA<\/a><\/td>\nNYRSTAR: THE AGONY OF THE GIANT IN THE CLAWS OF TRAFIGURA<\/a><\/td>\nNYRSTAR: L\u2019AGONIA DEL GIGANTE NEGLI ARTIGLI DI TRAFIGURA<\/a><\/td>\nNYRSTAR: \u0410\u0413\u041e\u041d\u0418\u042f \u0413\u0418\u0413\u0410\u041d\u0422\u0410 \u0412 \u041a\u041e\u0413\u0422\u042f\u0425 TRAFIGURA<\/a><\/td>\nNYRSTAR: DIE QUALEN DES RIESEN IN DEN KLAUEN VON TRAFIGURA<\/a><\/td>\nNYRSTAR: LA AGON\u00cdA DEL GIGANTE EN LAS GARRAS DE TRAFIGURA<\/a><\/td>\n<\/tr>\n
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\"\"<\/strong>Konov<\/strong>, Dmitriy<\/p>\n

Oligarch, 1970\u2013
\n\"\"<\/td>\n

IL EST TEMPS POUR POUTINE DE REGLER SES COMPTES<\/a><\/td>\nTIME FOR PUTIN TO SETTLE THE SCORE<\/a><\/td>\nPER PUTIN \u00c8 L\u2019ORA DEL REGOLAMENTO DEI CONTI<\/a><\/td>\n\u0414\u041b\u042f \u041f\u0423\u0422\u0418\u041d\u0410 \u041f\u0420\u0418\u0428\u041b\u041e \u0412\u0420\u0415\u041c\u042f \u0421\u0412\u0415\u0422\u0418 \u0421\u0427\u0415\u0422\u042b<\/a><\/td>\nPUTIN: DIE ZEIT DER ABRECHNUNG<\/a><\/td>\nPUTIN: ES HORA DE AJUSTAR CUENTAS<\/a><\/td>\n<\/tr>\n
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\"\"Kony,<\/strong> Joseph<\/p>\n

Military, 1961-
\n\"\"<\/td>\n

L\u2019ENFER REGNE AU PARADIS DE L\u2019OUGANDA<\/a><\/td>\nTHE HELL REIGNS IN UGANDA\u2019S PARADISE<\/a><\/td>\nL\u2019INFERNO CHE REGNA NEL PARADISO DELL\u2019UGANDA<\/a><\/td>\n\u0410\u0414, \u041a\u041e\u0422\u041e\u0420\u042b\u0419 \u041f\u0420\u0410\u0412\u0418\u0422 \u0420\u0410\u0415\u041c \u0412 \u0423\u0413\u0410\u041d\u0414\u0415<\/a><\/td>\nIN UGANDAS PARADIES REGIERT DIE H\u00d6LLE<\/a><\/td>\nEL INFIERNO REINA EN EL PARA\u00cdSO DE UGANDA<\/a><\/td>\n<\/tr>\n
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\"\"Konzi<\/strong>, Montfort SendeNgomba<\/p>\n

Politician and businessman, 1959\u2013
\n\"\"<\/td>\n

RWANDA, CONGO ET OUGANDA: LA FRONTIERE MAUDITE<\/a><\/td>\nRWANDA, CONGO AND UGANDA: THE CURSED BORDER<\/a><\/td>\nRUANDA, CONGO E UGANDA: IL CONFINE MALEDETTO<\/a><\/td>\n\u0420\u0423\u0410\u041d\u0414\u0410, \u041a\u041e\u041d\u0413\u041e \u0418 \u0423\u0413\u0410\u041d\u0414\u0410: \u041f\u0420\u041e\u041a\u041b\u042f\u0422\u0410\u042f \u0413\u0420\u0410\u041d\u0418\u0426\u0410<\/a><\/td>\nRUANDA, KONGO UND UGANDA: DIE VERFLUCHTE GRENZE<\/a><\/td>\nRUANDA, CONGO Y UGANDA: LA FRONTERA MALDITA<\/a><\/td>\n<\/tr>\n
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\"\"Koor Kuc<\/strong>, Akol<\/p>\n

Military, 1971-2021
\n\"\"<\/td>\n

TRAFIGURA: POURQUOI NOUS DEVRIONS EN AVOIR PEUR<\/a><\/td>\nTRAFIGURA: WHY WE SHOULD BE AFRAID OF IT<\/a><\/td>\nTRAFIGURA: PERCH\u00c9 DOBBIAMO AVERNE PAURA<\/a><\/td>\nTRAFIGURA: \u041f\u041e\u0427\u0415\u041c\u0423 \u041d\u0410\u041c \u0421\u0422\u041e\u0418\u0422 \u0415\u0401 \u0411\u041e\u042f\u0422\u042c\u0421\u042f<\/a><\/td>\nTRAFIGURA: WARUM WIR UNS DAVOR F\u00dcRCHTEN SOLLTEN<\/a><\/td>\nTRAFIGURA: POR QU\u00c9 DEBEMOS TEMERLA<\/a><\/td>\n<\/tr>\n
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\"\"Kopp<\/strong>, Hans W.<\/p>\n

Politician, 1936-
\n\"\"<\/td>\n

EMIRATS: LE PLUS GRAND PARADIS DU CRIME AU MONDE<\/a><\/td>\nEMIRATES: THE WORLD\u2019S BIGGEST CRIMINAL PARADISE<\/a><\/td>\nEMIRATI: IL GRANDE PARADISO DEI CRIMINALI<\/a><\/td>\n\u042d\u041c\u0418\u0420\u0410\u0422\u042b: \u0412\u0415\u041b\u0418\u041a\u0418\u0419 \u0420\u0410\u0419 \u0414\u041b\u042f \u041f\u0420\u0415\u0421\u0422\u0423\u041f\u041d\u0418\u041a\u041e\u0412<\/a><\/td>\nEMIRATE: DAS GR\u00d6\u00dfTE VERBRECHERPARADIES DER WELT<\/a><\/td>\nEMIRATOS: EL GRAN PARA\u00cdSO DE LOS DELINCUENTES<\/a><\/td>\n<\/tr>\n
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\"\"Kopp Ikl\u00e9<\/strong>, Elizabeth<\/p>\n

Politician, 1936-
\n\"\"<\/td>\n

EMIRATS: LE PLUS GRAND PARADIS DU CRIME AU MONDE<\/a><\/td>\nEMIRATES: THE WORLD\u2019S BIGGEST CRIMINAL PARADISE<\/a><\/td>\nEMIRATI: IL GRANDE PARADISO DEI CRIMINALI<\/a><\/td>\n\u042d\u041c\u0418\u0420\u0410\u0422\u042b: \u0412\u0415\u041b\u0418\u041a\u0418\u0419 \u0420\u0410\u0419 \u0414\u041b\u042f \u041f\u0420\u0415\u0421\u0422\u0423\u041f\u041d\u0418\u041a\u041e\u0412<\/a><\/td>\nEMIRATE: DAS GR\u00d6\u00dfTE VERBRECHERPARADIES DER WELT<\/a><\/td>\nEMIRATOS: EL GRAN PARA\u00cdSO DE LOS DELINCUENTES<\/a><\/td>\n<\/tr>\n
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\"\"K\u00f6ppel<\/strong>, Roger<\/p>\n

Journalist, 1965-
\n\"\"<\/td>\n

MOUVEMENT 5 ETOILES ET LEGANORD: REPETITIONS GENERALES POUR UNE INTERNATIONALE POSTFASCISTE<\/a><\/td>\n5-STAR MOVEMENT AND LEGANORD: DRESS REHEARSALS FOR A POST-FASCIST INTERNATIONAL<\/a><\/td>\nMOVIMENTO 5 STELLE E LEGA NORD: PROVE GENERALI PER UN\u2019INTERNAZIONALE POST-FASCISTA<\/a><\/td>\n\u0414\u0412\u0418\u0416\u0415\u041d\u0418\u0415 5 \u0417\u0412\u0415\u0417\u0414 \u0418 \u0421\u0415\u0412\u0415\u0420\u041d\u0410\u042f \u041b\u0418\u0413\u0410: \u0418\u0421\u041f\u042b\u0422\u0410\u041d\u0418\u042f \u0414\u041b\u042f \u041f\u041e\u0421\u0422\u0424\u0410\u0428\u0418\u0421\u0422\u0421\u041a\u041e\u0413\u041e \u0418\u041d\u0422\u0415\u0420\u041d\u0410\u0426\u0418\u041e\u041d\u0410\u041b\u0410<\/a><\/td>\n5-STERNE-BEWEGUNG UND LEGANORD: GENERALPROBEN F\u00dcR EINE POSTFASCHISTISCHE INTERNATIONALE<\/a><\/td>\nEL MOVIMIENTO 5 ESTRELLAS Y LA LIGA NORTE: ENSAYO GENERAL DE UNA INTERNACIONAL POST-FASCISTA<\/a><\/td>\n<\/tr>\n
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\"\"Kornblum<\/strong>, Avi<\/p>\n

Spy, 1976-
\n\"\"<\/td>\n

VOYAGER LABS: L\u2019ARME CONTONDANTE DE L\u2019INTELLIGENCE ARTIFICIELLE<\/a><\/td>\nVOYAGER LABS: THE BLUNT WEAPON OF ARTIFICIAL INTELLIGENCE<\/a><\/td>\nVOYAGER LABS: L\u2019ARMA SPUNTATA DELL\u2019INTELLIGENZA ARTIFICIALE<\/a><\/td>\nVOYAGERLABS: \u0422\u0423\u041f\u041e\u0415 \u041e\u0420\u0423\u0416\u0418\u0415 \u0418\u0421\u041a\u0423\u0421\u0421\u0422\u0412\u0415\u041d\u041d\u041e\u0413\u041e \u0418\u041d\u0422\u0415\u041b\u041b\u0415\u041a\u0422\u0410<\/a><\/td>\nVOYAGER LABS: DIE STUMPFE WAFFE DER K\u00dcNSTLICHEN INTELLIGENZ<\/a><\/td>\nVOYAGER LABS: EL ARMA CONTUNDENTE DE LA INTELIGENCIA ARTIFICIAL<\/a><\/td>\n<\/tr>\n
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\"\"Korotkov<\/strong>, Valdimir<\/p>\n

Politician,
\n\"\"<\/td>\n

LE ROI SECRET DE TAORMINE<\/a><\/td>\nTHE SECRET KING OF TAORMINA<\/a><\/td>\nIL RE SEGRETO DI TAORMINA<\/a><\/td>\n\u0422\u0410\u0419\u041d\u042b\u0419 \u041a\u041e\u0420\u041e\u041b\u042c \u0422\u0410\u041e\u0420\u041c\u0418\u041d\u042b<\/a><\/td>\nDER GEHEIME K\u00d6NIG VON TAORMINA<\/a><\/td>\nEL REY SECRETO DE TAORMINA<\/a><\/td>\n<\/tr>\n
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\"\"Korry<\/strong>, Edward Malcolm<\/p>\n

Diplomat, 1922-2003
\n\"\"<\/td>\n

HENRY KISSINGER, L\u2019AME NOIRE DU 20EME SIECLE<\/a><\/td>\nHENRY KISSINGER, THE DARK SOUL OF THE 20TH CENTURY<\/a><\/td>\nHENRY KISSINGER, L\u2019ANIMA NERA DEL XX SECOLO<\/a><\/td>\n\u0413\u0415\u041d\u0420\u0418 \u041a\u0418\u0421\u0421\u0418\u041d\u0414\u0416\u0415\u0420, \u0427\u0415\u0420\u041d\u0410\u042f \u0414\u0423\u0428\u0410 20 \u0412\u0415\u041a\u0410<\/a><\/td>\nHENRY KISSINGER, DIE SCHWARZE SEELE DES 20. JAHRHUNDERTS<\/a><\/td>\nHENRY KISSINGER, EL ALMA NEGRA DEL SIGLO XX<\/a><\/td>\n<\/tr>\n
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\"\"Koschinsky-Fritsche<\/strong>, Andrea<\/p>\n

Scientist, 1965-
\n\"\"<\/td>\n

L\u2019EXPLOITATION DES FONDS MARINS, NOUVELLE LIMITE AUTODESTRUCTRICE DE L\u2019HUMANITE<\/a><\/td>\nTHE EXPLOITATION OF THE SEABED, A NEW SELF-DESTRUCTIVE LIMIT FOR HUMANITY<\/a><\/td>\nLO SFRUTTAMENTO DEI FONDALI OCEANICI, NUOVA FRONTIERA DELL\u2019AUTODISTRUZIONE DELL\u2019UMANIT\u00c0<\/a><\/td>\n\u042d\u041a\u0421\u041f\u041b\u0423\u0410\u0422\u0410\u0426\u0418\u042f \u0414\u041d\u0410 \u041e\u041a\u0415\u0410\u041d\u0410, \u041d\u041e\u0412\u042b\u0419 \u0424\u0420\u0410\u0413\u041c\u0415\u041d\u0422 \u0421\u0410\u041c\u041e\u0423\u041d\u0418\u0427\u0422\u041e\u0416\u0415\u041d\u0418\u042f \u0427\u0415\u041b\u041e\u0412\u0415\u0427\u0415\u0421\u0422\u0412\u0410<\/a><\/td>\nDIE AUSBEUTUNG DES MEERESBODENS, NEUE SELBSTZERST\u00d6RUNGSGRENZE DER MENSCHHEIT<\/a><\/td>\nLA EXPLOTACI\u00d3N DE LOS FONDOS MARINOS, LA NUEVA FRONTERA DE LA AUTODESTRUCCI\u00d3N DE LA HUMANIDAD<\/a><\/td>\n<\/tr>\n
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\"\"Kosinski<\/strong>, Michal<\/p>\n

Scientist, 1996-
\n\"\"<\/td>\n

CAMBRIDGE ANALYTICA: LES CRIMINELS QUI NOUS PERSUADENT DE VOTER POUR TRUMP<\/a><\/td>\nCAMBRIDGE ANALYTICA: THE CRIMINALS WHO PERSUADE US TO VOTE FOR TRUMP<\/a><\/td>\nCAMBRIDGE ANALYTICA: I CRIMINALI CHE CI CONVINCONO A VOTARE TRUMP<\/a><\/td>\nCAMBRIDGE ANALYTICA: \u041f\u0420\u0415\u0421\u0422\u0423\u041f\u041d\u0418\u041a\u0418, \u041a\u041e\u0422\u041e\u0420\u042b\u0415 \u0423\u0411\u0415\u0414\u0418\u041b\u0418 \u041d\u0410\u0421 \u0413\u041e\u041b\u041e\u0421\u041e\u0412\u0410\u0422\u042c \u0417\u0410 \u0422\u0420\u0410\u041c\u041f\u0410<\/a><\/td>\nCAMBRIDGE ANALYTICA: DIE KRIMINELLEN, DIE UNS \u00dcBERREDEN, F\u00dcR TRUMP ZU STIMMEN<\/a><\/td>\nERIC MONGA MUMBA UND KATANGA: DAS WAHRE GESICHT DER MACHT<\/a><\/td>\n<\/tr>\n
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\"\"<\/strong>Kosor<\/strong>, Jadranka<\/p>\n

Politician, 1953-
\n\"\"<\/td>\n

LA TRES LONGUE VAGUE DE CORRUPTION A BRUXELLES<\/a><\/td>\nTHE LONG WAVE OF CORRUPTION IN BRUSSELS<\/a><\/td>\nL\u2019ONDA LUNGHISSIMA DELLA CORRUZIONE A BRUXELLES<\/a><\/td>\n\u041e\u0427\u0415\u041d\u042c \u0414\u041b\u0418\u041d\u041d\u0410\u042f \u0412\u041e\u041b\u041d\u0410 \u041a\u041e\u0420\u0420\u0423\u041f\u0426\u0418\u0418 \u0412 \u0411\u0420\u042e\u0421\u0421\u0415\u041b\u0415<\/a><\/td>\nDIE SEHR LANGE WELLE DER KORRUPTION IN BR\u00dcSSEL<\/a><\/td>\nLA LARGU\u00cdSIMA OLA DE CORRUPCI\u00d3N EN BRUSELAS<\/a><\/td>\n<\/tr>\n
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\"\"Kostin<\/strong>, Andrey<\/p>\n

Banker, 1956-
\n\"\"<\/td>\n

BELARUS : LE SILENCE DU DESESPOIR<\/a><\/td>\nBELARUS: THE SILENCE OF DESPAIR<\/a><\/td>\nBIELORUSSIA: IL SILENZIO DELLA DISPERAZIONE<\/a><\/td>\n\u0411\u0415\u041b\u0410\u0420\u0423\u0421\u042c: \u041c\u041e\u041b\u0427\u0410\u041d\u0418\u0415 \u041e\u0422\u0427\u0410\u042f\u041d\u0418\u042f<\/a><\/td>\nBELARUS: DAS SCHWEIGEN DER VERZWEIFLUNG<\/a><\/td>\nBIELORRUSIA: EL SILENCIO DE LA DESESPERACI\u00d3N<\/a><\/td>\n<\/tr>\n
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\"\"Kotov<\/strong>, Oleg Petrovich<\/p>\n

Entrepreneur, 1966-
\n\"\"<\/td>\n

BASES MILITAIRES ET MINES: LE NOUVEAU VISAGE DES FONDS MARINS<\/a><\/td>\nMILITARY BASES AND MINES: THE NEW FACE OF THE SEABED<\/a><\/td>\nBASI MILITARI E MINIERE: IL VOLTO NUOVO DEL FONDO DELL\u2019OCEANO<\/a><\/td>\n\u0412\u041e\u0415\u041d\u041d\u042b\u0415 \u0411\u0410\u0417\u042b \u0418 \u0420\u0423\u0414\u041d\u0418\u041a\u0418: \u041d\u041e\u0412\u042b\u0415 \u041b\u0418\u0426\u0410 \u041e\u041a\u0415\u0410\u041d\u0421\u041a\u041e\u0413\u041e \u0414\u041d\u0410<\/a><\/td>\nMILIT\u00c4RST\u00dcTZPUNKTE UND MINEN: DAS NEUE GESICHT DES MEERESBODENS<\/a><\/td>\nBASES MILITARES Y MINAS: LA NUEVA CARA DE LOS FONDOS MARINOS<\/a><\/td>\n<\/tr>\n
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\"\"Kots<\/strong>, Alexander<\/p>\n

Journalist, 1978-
\n\"\"<\/td>\n

LE GROUPE WAGNER : LES FANTOMES DE LA MORT LACHES PAR LE KREMLIN<\/a><\/td>\nTHE WAGNER GROUP: THE GHOSTS OF DEATH UNLEASHED BY THE KREMLIN<\/a><\/td>\nWAGNER GROUP: I FANTASMI DI MORTE SCATENATI DAL CREMLINO<\/a><\/td>\n\u0413\u0420\u0423\u041f\u041f\u0410 \u0412\u0410\u0413\u041d\u0415\u0420\u0410: \u041f\u0420\u0418\u0417\u0420\u0410\u041a\u0418 \u0421\u041c\u0415\u0420\u0422\u0418, \u0412\u041e\u0421\u041a\u0420\u0415\u0428\u0415\u041d\u041d\u042b\u0415 \u041a\u0420\u0415\u041c\u041b\u0415\u041c<\/a><\/td>\nDIE WAGNER-GRUPPE: DIE VOM KREML ENTFESSELTEN GEISTER DES TODES<\/a><\/td>\nEL GRUPO WAGNER: LOS FANTASMAS DE LA MUERTE DESATADOS POR EL KREMLIN<\/a><\/td>\n<\/tr>\n
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\"\"Kotze Van Niekerk<\/strong>, Jacobus<\/p>\n

Manager, 1960-
\n\"\"<\/td>\n

AFRIQUE DU SUD: L\u2019OMBRE DES GANGS DERRIERE UN NOUVEAU SCANDALE<\/a><\/td>\nSOUTH AFRICA: THE GANGS\u2019 SHADOW OVER THE LAST SCANDAL<\/a><\/td>\nSUDAFRICA: L\u2019OMBRA DELLE GANG DIETRO L\u2019ENNESIMO SCANDALO<\/a><\/td>\n\u042e\u0416\u041d\u0410\u042f \u0410\u0424\u0420\u0418\u041a\u0410: \u0417\u0410 \u041e\u0427\u0415\u0420\u0415\u0414\u041d\u042b\u041c \u0421\u041a\u0410\u041d\u0414\u0410\u041b\u041e\u041c \u0421\u041d\u041e\u0412\u0410 \u0422\u0415\u041d\u042c \u0411\u0410\u041d\u0414\u042b<\/a><\/td>\nS\u00dcDAFRIKA: DER SCHATTEN DES VERBRECHENS HINTER DEM PR\u00c4SIDENTENSKANDAL<\/a><\/td>\nSUD\u00c1FRICA: LA SOMBRA DE LAS BANDAS EN OTRO ESC\u00c1NDALO<\/a><\/td>\n<\/tr>\n
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\"\"Kouadio-Ahoussou<\/strong> Jeannot<\/p>\n

Politician, 1951-
\n\"\"<\/td>\n

JONATHAN GRAY : PARIS A SON NOUVEAU RICHELIEU<\/a><\/td>\nJONATHAN GRAY: PARIS HAS ITS NEW RICHELIEU<\/a><\/td>\nJONATHAN GRAY: PARIGI HA IL SUO NUOVO RICHELIEU<\/a><\/td>\nJONATHAN GRAY: \u0412 \u041f\u0410\u0420\u0418\u0416\u0415 \u041d\u041e\u0412\u042b\u0419 \u0420\u0418\u0428\u0415\u041b\u042c\u0415<\/a><\/td>\nJONATHAN GRAY: PARIS HAT SEINEN NEUEN RICHELIEU<\/a><\/td>\nJONATHAN GRAY: PAR\u00cdS TIENE SU NUEVO RICHELIEU<\/a><\/td>\n<\/tr>\n
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\"\"Kovalevskyi<\/strong>, Valeriy<\/p>\n

Politician, 1971-
\n\"\"<\/td>\n

MINSK, DEUX ANS APRES : UN DEUIL SANS ESPOIR<\/a><\/td>\nMINSK, TWO YEARS LATER: MOURNING WITHOUT HOPE<\/a><\/td>\nMINSK, DUE ANNI DOPO: IL LUTTO SENZA SPERANZA<\/a><\/td>\n\u041c\u0418\u041d\u0421\u041a \u0414\u0412\u0410 \u0413\u041e\u0414\u0410 \u0421\u041f\u0423\u0421\u0422\u042f: \u0422\u0420\u0410\u0423\u0420 \u0411\u0415\u0417 \u041d\u0410\u0414\u0415\u0416\u0414\u042b<\/a><\/td>\nMINSK, ZWEI JAHRE DANACH: TRAUER OHNE HOFFNUNG<\/a><\/td>\nMINSK, DOS A\u00d1OS DESPU\u00c9S: LUTO SIN ESPERANZA<\/a><\/td>\n<\/tr>\n
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\"\"Kovalkova<\/strong>, Volha<\/p>\n

Politician, 1984-
\n\"\"<\/td>\n

MINSK, DEUX ANS APRES : UN DEUIL SANS ESPOIR<\/a><\/td>\nMINSK, TWO YEARS LATER: MOURNING WITHOUT HOPE<\/a><\/td>\nMINSK, DUE ANNI DOPO: IL LUTTO SENZA SPERANZA<\/a><\/td>\n\u041c\u0418\u041d\u0421\u041a \u0414\u0412\u0410 \u0413\u041e\u0414\u0410 \u0421\u041f\u0423\u0421\u0422\u042f: \u0422\u0420\u0410\u0423\u0420 \u0411\u0415\u0417 \u041d\u0410\u0414\u0415\u0416\u0414\u042b<\/a><\/td>\nMINSK, ZWEI JAHRE DANACH: TRAUER OHNE HOFFNUNG<\/a><\/td>\nMINSK, DOS A\u00d1OS DESPU\u00c9S: LUTO SIN ESPERANZA<\/a><\/td>\n<\/tr>\n
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\"\"Kovzanadze<\/strong>, Irakli<\/p>\n

Politician, 1962-
\n\"\"<\/td>\n

GEORGIE: DES ROSES CONTRE LA PEUR DES RUSSES<\/a><\/td>\nGEORGIA: ROSES AGAINST THE FEAR OF THE RUSSIANS<\/a><\/td>\nGEORGIA: ROSE IN PIAZZA CONTRO LA PAURA DEI RUSSI<\/a><\/td>\n\u0413\u0420\u0423\u0417\u0418\u042f: \u0420\u041e\u0417\u042b \u041d\u0410 \u0423\u041b\u0418\u0426\u0410\u0425 \u041f\u0420\u041e\u0422\u0418\u0412 \u0421\u0422\u0420\u0410\u0425\u0410 \u0420\u0423\u0421\u0421\u041a\u0418\u0425<\/a><\/td>\nGEORGIEN: AUF DEN STRA\u00dfEN, ROSEN GEGEN DIE RUSSEN<\/a><\/td>\nGEORGIA: ROSAS CONTRA EL MIEDO A LOS RUSOS<\/a><\/td>\n<\/tr>\n
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\"\"<\/strong>Kowalski<\/strong>, Maxim Ilyich<\/p>\n

Journalist, 1964\u20132019<\/p>\n

\"\"<\/td>\n

ALISER USMANOV: LES YEUX INDISCRETS D\u2019UN OLIGARQUE SUR LE MONDE<\/a><\/td>\nALI\u0160ER USMANOV: AN OLIGARCH\u2019S PRYING EYES ON THE WORLD<\/a><\/td>\nALI\u0160ER USMANOV: GLI SGUARDI INDISCRETI DI UN OLIGARCA SUL MONDO<\/a><\/td>\n\u0410\u041b\u0418\u0428\u0415\u0420 \u0423\u0421\u041c\u0410\u041d\u041e\u0412: \u041d\u0410\u0417\u041e\u0419\u041b\u0418\u0412\u042b\u0419 \u0412\u0417\u0413\u041b\u042f\u0414 \u041e\u041b\u0418\u0413\u0410\u0420\u0425\u0410 \u041d\u0410 \u041c\u0418\u0420<\/a><\/td>\nALI\u0160ER USMANOV: DIE INDISKRETE BLICKE EINES OLIGARCHEN AUF DIE WELT<\/a><\/td>\nALI\u0160ER USMANOV: LA MIRADA INDISCRETA DE UN OLIGARCA SOBRE EL MUNDO<\/a><\/td>\n<\/tr>\n
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\"\"Koza\u011fa\u00e7l\u0131<\/strong>, Sel\u00e7uk<\/p>\n

Lawyer, 1974-
\n\"\"<\/td>\n

COMMENT LA TURQUIE TORTURE ET TUE LES INTELLECTUELS<\/a><\/td>\nHOW TURKEY TORTURES AND KILLS INTELLECTUALS<\/a><\/td>\nCOS\u00cc LA TURCHIA TORTURA E UCCIDE GLI INTELLETTUALI<\/a><\/td>\n\u041a\u0410\u041a \u0422\u0423\u0420\u0426\u0418\u042f \u041f\u042b\u0422\u0410\u0415\u0422 \u0418 \u0423\u0411\u0418\u0412\u0410\u0415\u0422 \u0418\u041d\u0422\u0415\u041b\u041b\u0415\u041a\u0422\u0423\u0410\u041b\u041e\u0412<\/a><\/td>\nWIE DIE T\u00dcRKEI INTELLEKTUELLE FOLTERT UND T\u00d6TET<\/a><\/td>\nC\u00d3MO TORTURA Y MATA TURQU\u00cdA A LOS INTELECTUALES<\/a><\/p>\n

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\"\"Kraemer<\/strong>, Fritz Gustav Anton<\/p>\n

Military educator and advisor, 1908-2003
\n\"\"<\/td>\n

HENRY KISSINGER, L\u2019AME NOIRE DU 20EME SIECLE<\/a><\/td>\nHENRY KISSINGER, THE DARK SOUL OF THE 20TH CENTURY<\/a><\/td>\nHENRY KISSINGER, L\u2019ANIMA NERA DEL XX SECOLO<\/a><\/td>\n\u0413\u0415\u041d\u0420\u0418 \u041a\u0418\u0421\u0421\u0418\u041d\u0414\u0416\u0415\u0420, \u0427\u0415\u0420\u041d\u0410\u042f \u0414\u0423\u0428\u0410 20 \u0412\u0415\u041a\u0410<\/a><\/td>\nHENRY KISSINGER, DIE SCHWARZE SEELE DES 20. JAHRHUNDERTS<\/a><\/td>\nHENRY KISSINGER, EL ALMA NEGRA DEL SIGLO XX<\/a><\/td>\n<\/tr>\n
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\"\"Krasinskiy<\/strong>, Egor Mikhailovich<\/p>\n

Geologist, 1982-
\n\"\"<\/td>\n

BASES MILITAIRES ET MINES: LE NOUVEAU VISAGE DES FONDS MARINS<\/a><\/p>\n

CURA\u00c7AO: NAISSANCE ET MORT D\u2019UN PARADIS FISCAL<\/a><\/td>\n

MILITARY BASES AND MINES: THE NEW FACE OF THE SEABED<\/a><\/p>\n

CURA\u00c7AO: THE BIRTH AND DEATH OF A TAX HAVEN<\/a><\/td>\n

BASI MILITARI E MINIERE: IL VOLTO NUOVO DEL FONDO DELL\u2019OCEANO<\/a><\/p>\n

CURA\u00c7AO: NASCITA E MORTE DI UN PARADISO FISCALE<\/a><\/td>\n

\u0412\u041e\u0415\u041d\u041d\u042b\u0415 \u0411\u0410\u0417\u042b \u0418 \u0420\u0423\u0414\u041d\u0418\u041a\u0418: \u041d\u041e\u0412\u042b\u0415 \u041b\u0418\u0426\u0410 \u041e\u041a\u0415\u0410\u041d\u0421\u041a\u041e\u0413\u041e \u0414\u041d\u0410<\/a><\/p>\n

\u041a\u042e\u0420\u0410\u0421\u0410\u041e: \u0420\u041e\u0416\u0414\u0415\u041d\u0418\u0415 \u0418 \u0421\u041c\u0415\u0420\u0422\u042c \u041d\u0410\u041b\u041e\u0413\u041e\u0412\u041e\u0419 \u0413\u0410\u0412\u0410\u041d\u0418<\/a><\/td>\n

MILIT\u00c4RST\u00dcTZPUNKTE UND MINEN: DAS NEUE GESICHT DES MEERESBODENS<\/a><\/p>\n

CURA\u00c7AO: GEBURT UND TOD EINES STEUERPARADIESES<\/a><\/td>\n

BASES MILITARES Y MINAS: LA NUEVA CARA DE LOS FONDOS MARINOS<\/a><\/p>\n

CURA\u00c7AO: NACIMIENTO Y MUERTE DE UN PARA\u00cdSO FISCAL<\/a><\/td>\n<\/tr>\n

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\"\"Kratsios<\/strong>, Michael<\/p>\n

Manager, 1986-
\n\"\"<\/td>\n

PETER THIEL: LE REVE D\u2019UNE TECHNOCRATIE MYSTIQUE<\/a><\/td>\nPETER THIEL: THE DREAM OF A MYSTICAL TECHNOCRACY<\/a><\/td>\nPETER THIEL: IL SOGNO DI UNA TECNOCRAZIA MISTICA<\/a><\/td>\n\u041f\u0418\u0422\u0415\u0420 \u0422\u0418\u041b\u042c: \u041c\u0415\u0427\u0422\u0410 \u041e \u041c\u0418\u0421\u0422\u0418\u0427\u0415\u0421\u041a\u041e\u0419 \u0422\u0415\u0425\u041d\u041e\u041a\u0420\u0410\u0422\u0418\u0418<\/a><\/td>\nPETER THIEL: DER TRAUM VON EINER MYSTISCHEN TECHNOKRATIE<\/a><\/td>\nPETER THIEL: EL SUE\u00d1O DE UNA TECNOCRACIA M\u00cdSTICA<\/a><\/td>\n<\/tr>\n
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\"\"Kretschmer<\/strong>, Michael<\/p>\n

Politician, 1975-
\n\"\"<\/td>\n

TRAFIGURA, POUTINE ET CES SANCTIONS INUTILES<\/a><\/td>\nTRAFIGURA, PUTIN AND THOSE USELESS SANCTIONS<\/a><\/td>\nTRAFIGURA, PUTIN E QUELLE INUTILI SANZIONI<\/a><\/td>\nTRAFIGURA, \u041f\u0423\u0422\u0418\u041d \u0418 \u042d\u0422\u0418 \u0411\u0415\u0421\u041f\u041e\u041b\u0415\u0417\u041d\u042b\u0415 \u0421\u0410\u041d\u041a\u0426\u0418\u0418<\/a><\/td>\nTRAFIGURA, PUTIN UND DIE NUTZLOSEN SANKTIONEN<\/a><\/td>\nTRAFIGURA, PUTIN Y ESAS SANCIONES IN\u00daTILES<\/a><\/td>\n<\/tr>\n
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\"\"Krimi<\/strong>, Sonia<\/p>\n

Politician, 1982-<\/p>\n

\"\"<\/td>\n

GREGOIRE VERDEAUX: L\u2019AMI QUI GERE LE TRESOR<\/a><\/td>\nGR\u00c9GOIRE VERDEAUX: THE FRIEND WHO MANAGES THE TREASURE<\/a><\/td>\nGR\u00c9GOIRE VERDEAUX: L\u2019AMICO CHE GESTISCE IL TESORO<\/a><\/td>\n\u0413\u0420\u0415\u0413\u041e\u0420\u0418 \u0412\u0415\u0420\u0414\u041e: \u0414\u0420\u0423\u0413, \u0423\u041f\u0420\u0410\u0412\u041b\u042f\u042e\u0429\u0418\u0419 \u041a\u0410\u0417\u041d\u0410\u0427\u0415\u0419\u0421\u0422\u0412\u041e\u041c<\/a><\/td>\nGR\u00c9GOIRE VERDEAUX: DER FREUND, DER DEN SCHATZ VERWALTET<\/a><\/td>\nGR\u00c9GOIRE VERDEAUX: EL AMIGO QUE GESTIONA LA TESORER\u00cdA<\/a><\/td>\n<\/tr>\n
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\"\"Krivine<\/strong> Alexandre<\/p>\n

Manager, 1973-
\n\"\"<\/td>\n

JONATHAN GRAY : PARIS A SON NOUVEAU RICHELIEU<\/a><\/p>\n

GOLFE PERSIQUE : LA GUERRE APRES L\u2019ARMISTICE<\/a><\/td>\n

JONATHAN GRAY: PARIS HAS ITS NEW RICHELIEU<\/a><\/p>\n

PERSIAN GULF: THE WAR AFTER THE ARMISTICE<\/a><\/td>\n

JONATHAN GRAY: PARIGI HA IL SUO NUOVO RICHELIEU<\/a><\/p>\n

GOLFO PERSICO: LA GUERRA DOPO L\u2019ARMISTIZIO<\/a><\/td>\n

JONATHAN GRAY: \u0412 \u041f\u0410\u0420\u0418\u0416\u0415 \u041d\u041e\u0412\u042b\u0419 \u0420\u0418\u0428\u0415\u041b\u042c\u0415<\/a><\/p>\n

\u041f\u0415\u0420\u0421\u0418\u0414\u0421\u041a\u0418\u0419 \u0417\u0410\u041b\u0418\u0412: \u0412\u041e\u0419\u041d\u0410 \u041f\u041e\u0421\u041b\u0415 \u041f\u0415\u0420\u0415\u041c\u0418\u0420\u0418\u042f<\/a><\/td>\n

JONATHAN GRAY: PARIS HAT SEINEN NEUEN RICHELIEU<\/a><\/p>\n

PERSISCHER GOLF: DER KRIEG NACH DEM WAFFENSTILLSTAND<\/a><\/td>\n

JONATHAN GRAY: PAR\u00cdS TIENE SU NUEVO RICHELIEU<\/a><\/p>\n

GOLFO P\u00c9RSICO: LA GUERRA DESPU\u00c9S DEL ARMISTICIO<\/a><\/td>\n<\/tr>\n

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\"\"Krizhevsky<\/strong>, Alex<\/p>\n

Engineer, 1978-
\n\"\"<\/td>\n

CHATGPT: ENTRE FASCINATION ET CRAINTE<\/a><\/td>\nCHATGPT: BETWEEN FASCINATION AND FEAR<\/a><\/td>\nCHATGPT: TRA FASCINO E PAURA<\/a><\/td>\nCHATGPT: \u041c\u0415\u0416\u0414\u0423 \u041e\u0427\u0410\u0420\u041e\u0412\u0410\u041d\u0418\u0415\u041c \u0418 \u0421\u0422\u0420\u0410\u0425\u041e\u041c<\/a><\/td>\nCHATGPT: ZWISCHEN FASZINATION UND ANGST<\/a><\/td>\nCHATGPT: ENTRE LA FASCINACI\u00d3N Y EL MIEDO<\/a><\/td>\n<\/tr>\n
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\"\"Kroll<\/strong>, Jules<\/p>\n

Affairman, Private Investigator, 1941\u2013
\n\"\"<\/td>\n

VIE ET MIRACLES D\u2019UN MERCENAIRE DANS LA GUERRE MEDIATIQUE<\/a><\/td>\nLIFE AND MIRACLES OF A MERCENARY IN THE MEDIA WAR<\/a><\/td>\nVITA E MIRACOLI DI UN MERCENARIO NELLA GUERRA DEI MEDIA<\/a><\/td>\n\u0416\u0418\u0417\u041d\u042c \u0418 \u0427\u0423\u0414\u0415\u0421\u0410 \u041d\u0410\u0415\u041c\u041d\u0418\u041a\u0410 \u0412 \u0412\u041e\u0419\u041d\u0415 \u0421\u041e \u0421\u041c\u0418<\/a><\/td>\nLEBEN UND WUNDER EINES S\u00d6LDNERS IM MEDIENKRIEG<\/a><\/td>\nVIDA Y MILAGROS DE UN MERCENARIO EN LA GUERRA MEDI\u00c1TICA<\/a><\/td>\n<\/tr>\n
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\"\"Kubi\u0161ov\u00e1,<\/strong> Marta<\/p>\n

Singer, 1942-
\n\"\"<\/td>\n

VOIX DE FEMMES<\/a><\/p>\n

MARTA KUBI\u0160OV\u00c1, CETTE VOIX CONTRE LES TANKS<\/a><\/td>\n

VOICES OF WOMEN<\/a><\/p>\n

MARTA KUBI\u0160OV\u00c1, THE VOICE AGAINST THE TANKS<\/a><\/td>\n

VOCI DI DONNA<\/a><\/p>\n

MARTA KUBI\u0160OV\u00c1, LA VOCE CONTRO I CARRI ARMATI<\/a><\/td>\n

\u0436\u0435\u043d\u0441\u043a\u0438\u0435 \u0433\u043e\u043b\u043e\u0441\u0430<\/a><\/p>\n

\u041c\u0410\u0420\u0422\u0410 \u041a\u0423\u0411\u0418\u0428\u041e\u0412\u0410, \u0413\u041e\u041b\u041e\u0421 \u041f\u0420\u041e\u0422\u0418\u0412 \u0422\u0410\u041d\u041a\u041e\u0412<\/a><\/td>\n

FRAUENSTIMMEN<\/a><\/p>\n

MARTA KUBI\u0160OV\u00c1, JENE STIMME GEGEN DIE PANZER<\/a><\/td>\n

VOCES DE MUJERES<\/a><\/p>\n

MARTA KUBI\u0160OV\u00c1, LA VOZ CONTRA LOS TANQUES<\/a><\/td>\n<\/tr>\n

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\"\"<\/strong>K\u00fcbler<\/strong>, Andreas<\/p>\n

Politician, 1966-
\n\"\"<\/td>\n

ODER : CATASTROPHE ENVIRONNEMENTALE OU CLIMATIQUE?<\/a><\/td>\nRIVER ODER: ENVIRONMENTAL OR CLIMATIC DISASTER?<\/a><\/td>\nODER: DISASTRO AMBIENTALE O CLIMATICO?<\/a><\/td>\n\u041e\u0434\u0435\u0440: \u044d\u043a\u043e\u043b\u043e\u0433\u0438\u0447\u0435\u0441\u043a\u0430\u044f \u0438\u043b\u0438 \u043a\u043b\u0438\u043c\u0430\u0442\u0438\u0447\u0435\u0441\u043a\u0430\u044f \u043a\u0430\u0442\u0430\u0441\u0442\u0440\u043e\u0444\u0430?<\/a><\/td>\nFLUSS ODER: UMWELT- ODER KLIMAKATASTROPHE?<\/a><\/td>\nR\u00cdO ODER: \u00bfDESASTRE MEDIOAMBIENTAL O CLIM\u00c1TICO?<\/a><\/td>\n<\/tr>\n
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\"\"Kubrick<\/strong>, Stanley<\/p>\n

Film director, 1928-1999
\n\"\"<\/td>\n

LA GUERRE CONTRE LA SLA DEPEND DES COUTS DE RECHERCHE<\/a><\/p>\n

CHATGPT: ENTRE FASCINATION ET CRAINTE<\/a><\/td>\n

THE WAR ON ALS DEPENDS ON RESEARCH COSTS<\/a><\/p>\n

CHATGPT: BETWEEN FASCINATION AND FEAR<\/a><\/td>\n

LA GUERRA CONTRO LA SLA APPESA AL FILO DEI COSTI DELLA RICERCA<\/a><\/p>\n

CHATGPT: TRA FASCINO E PAURA<\/a><\/td>\n

\u0411\u041e\u0420\u042c\u0411\u0410 \u041f\u0420\u041e\u0422\u0418\u0412 \u0411\u0410\u0421 \u0412\u0418\u0421\u0418\u0422 \u041d\u0410 \u0412\u041e\u041b\u041e\u0421\u041a\u0415 \u0421\u0422\u041e\u0418\u041c\u041e\u0421\u0422\u0418 \u0418\u0421\u0421\u041b\u0415\u0414\u041e\u0412\u0410\u041d\u0418\u0419<\/a><\/p>\n

CHATGPT: \u041c\u0415\u0416\u0414\u0423 \u041e\u0427\u0410\u0420\u041e\u0412\u0410\u041d\u0418\u0415\u041c \u0418 \u0421\u0422\u0420\u0410\u0425\u041e\u041c<\/a><\/td>\n

DER KRIEG GEGEN ALS H\u00c4NGT VON DEN FORSCHUNGSKOSTEN AB<\/a><\/p>\n

CHATGPT: ZWISCHEN FASZINATION UND ANGST<\/a><\/td>\n

LA GUERRA CONTRA LA ELA PENDE DEL HILO DE LOS COSTES DE INVESTIGACI\u00d3N<\/a><\/p>\n

CHATGPT: ENTRE LA FASCINACI\u00d3N Y EL MIEDO<\/a><\/td>\n<\/tr>\n

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\"\"Kuhn<\/strong>, Thomas<\/p>\n

Scientist, 1922-1976
\n\"\"<\/td>\n

L\u2019EXPLOITATION DES FONDS MARINS, NOUVELLE LIMITE AUTODESTRUCTRICE DE L\u2019HUMANITE<\/a><\/td>\nTHE EXPLOITATION OF THE SEABED, A NEW SELF-DESTRUCTIVE LIMIT FOR HUMANITY<\/a><\/td>\nLO SFRUTTAMENTO DEI FONDALI OCEANICI, NUOVA FRONTIERA DELL\u2019AUTODISTRUZIONE DELL\u2019UMANIT\u00c0<\/a><\/td>\n\u042d\u041a\u0421\u041f\u041b\u0423\u0410\u0422\u0410\u0426\u0418\u042f \u0414\u041d\u0410 \u041e\u041a\u0415\u0410\u041d\u0410, \u041d\u041e\u0412\u042b\u0419 \u0424\u0420\u0410\u0413\u041c\u0415\u041d\u0422 \u0421\u0410\u041c\u041e\u0423\u041d\u0418\u0427\u0422\u041e\u0416\u0415\u041d\u0418\u042f \u0427\u0415\u041b\u041e\u0412\u0415\u0427\u0415\u0421\u0422\u0412\u0410<\/a><\/td>\nDIE AUSBEUTUNG DES MEERESBODENS, NEUE SELBSTZERST\u00d6RUNGSGRENZE DER MENSCHHEIT<\/a><\/td>\nLA EXPLOTACI\u00d3N DE LOS FONDOS MARINOS, LA NUEVA FRONTERA DE LA AUTODESTRUCCI\u00d3N DE LA HUMANIDAD<\/a><\/td>\n<\/tr>\n
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\"\"K\u00fchn von Burgsdorff<\/strong>, Sven<\/p>\n

Politician, 1958-
\n\"\"<\/td>\n

COMMENT L\u2019EGYPTE ET ISRA\u00cbL DETRUISENT LA PALESTINE<\/a><\/td>\nHOW EGYPT AND ISRAEL ARE DESTROYING PALESTINE<\/a><\/td>\nCOME EGITTO ED ISRAELE STANNO ANNIENTANDO LA PALESTINA<\/a><\/td>\n\u041a\u0410\u041a \u0415\u0413\u0418\u041f\u0415\u0422 \u0418 \u0418\u0417\u0420\u0410\u0418\u041b\u042c \u0423\u041d\u0418\u0427\u0422\u041e\u0416\u0410\u042e\u0422 \u041f\u0410\u041b\u0415\u0421\u0422\u0418\u041d\u0423<\/a><\/td>\nWIE \u00c4GYPTEN UND ISRAEL PAL\u00c4STINA GEMEINSAM VERNICHTEN<\/a><\/td>\nC\u00d3MO EGIPTO E ISRAEL EST\u00c1N ANIQUILANDO A PALESTINA<\/a><\/td>\n<\/tr>\n
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\"\"Kulibayev<\/strong>, Timur<\/p>\n

Businessman, 1966-
\n\"\"<\/td>\n

KAZAKHSTAN : L\u2019EPOQUE DU FAUX CHAOS<\/a><\/td>\nKAZAKHSTAN: THE DAYS OF FAKE CHAOS<\/a><\/td>\nKAZAKISTAN: I GIORNI DEL FINTO CAOS<\/a><\/td>\n\u041a\u0410\u0417\u0410\u0425\u0421\u0422\u0410\u041d: \u0414\u041d\u0418 \u0424\u0410\u041b\u042c\u0428\u0418\u0412\u041e\u0413\u041e \u0425\u0410\u041e\u0421\u0410<\/a><\/td>\nKASACHSTAN: DIE TAGE DES VORGET\u00c4USCHTEN CHAOS<\/a><\/td>\nKAZAJST\u00c1N: LOS D\u00cdAS DEL FALSO CAOS<\/a><\/td>\n<\/tr>\n
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\"\"Kumaratunga<\/strong> Chandrika<\/p>\n

Politician, 1945-
\n\"\"<\/td>\n

SRI LANKA: GALOPER VERS LE DESASTRE<\/a><\/td>\nSRI LANKA: GALLOPING TOWARDS DISASTER<\/a><\/td>\nSRI LANKA: AL GALOPPO VERSO IL DISASTRO<\/a><\/td>\n\u0428\u0420\u0418-\u041b\u0410\u041d\u041a\u0410: \u0413\u0410\u041b\u041e\u041f\u041e\u041c \u041a \u041a\u0410\u0422\u0410\u0421\u0422\u0420\u041e\u0424\u0415<\/a><\/td>\nSRI LANKA: IM GALOPP IN DIE KATASTROPHE<\/a><\/td>\nSRI LANKA: AL GALOPE HACIA EL DESASTRE<\/a><\/td>\n<\/tr>\n
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\"\"<\/strong>Kupriyanov<\/strong>, Sergey<\/p>\n

Oligarch, 1974-
\n\"\"<\/td>\n

IL EST TEMPS POUR POUTINE DE REGLER SES COMPTES<\/a><\/td>\nTIME FOR PUTIN TO SETTLE THE SCORE<\/a><\/td>\nPER PUTIN \u00c8 L\u2019ORA DEL REGOLAMENTO DEI CONTI<\/a><\/td>\n\u0414\u041b\u042f \u041f\u0423\u0422\u0418\u041d\u0410 \u041f\u0420\u0418\u0428\u041b\u041e \u0412\u0420\u0415\u041c\u042f \u0421\u0412\u0415\u0422\u0418 \u0421\u0427\u0415\u0422\u042b<\/a><\/td>\nPUTIN: DIE ZEIT DER ABRECHNUNG<\/a><\/td>\nPUTIN: ES HORA DE AJUSTAR CUENTAS<\/a><\/td>\n<\/tr>\n
<\/td>\n <\/p>\n

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\"\"Kureichik<\/strong>, Andrei<\/p>\n

Writer, 1980-
\n\"\"<\/td>\n

LA SOUFFRANCE DES ABANDONN\u00c9S: LA BI\u00c9LORUSSIE NE SE REND PAS AU TYRAN<\/a><\/td>\nTHE SUFFERING OF THE ABANDONED: BELARUS DOES NOT SURRENDER TO THE TYRANT<\/a><\/td>\nLO STRAZIO DEGLI ABBANDONATI: LA BIELORUSSIA NON SI ARRENDE AL TIRANNO<\/a><\/td>\n\u0421\u0422\u0420\u0410\u0422\u0415\u0413\u0418\u042f \u0417\u0410\u0411\u0420\u041e\u0428\u0415\u041d\u041d\u042b\u0425: \u0411\u0415\u041b\u0410\u0420\u0423\u0421\u042c \u041d\u0415 \u0421\u0414\u0410\u0415\u0422\u0421\u042f \u0422\u0418\u0420\u0410\u041d\u0423<\/a><\/td>\nDAS LEIDEN DER VERLASSENEN: WEI\u00dfRUSSLAND ERGIBT SICH NICHT DEM TYRANNEN<\/a><\/td>\nLA ANGUSTIA DE LOS ABANDONADOS: BIELORRUSIA NO SE RINDE ANTE EL TIRANO<\/a><\/td>\n<\/tr>\n
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\"\"Kurmanbayeva<\/strong>, Assel<\/p>\n

Top model, 1983-
\n\"\"<\/td>\n

KAZAKHSTAN : L\u2019EPOQUE DU FAUX CHAOS<\/a><\/td>\nKAZAKHSTAN: THE DAYS OF FAKE CHAOS<\/a><\/td>\nKAZAKISTAN: I GIORNI DEL FINTO CAOS<\/a><\/td>\n\u041a\u0410\u0417\u0410\u0425\u0421\u0422\u0410\u041d: \u0414\u041d\u0418 \u0424\u0410\u041b\u042c\u0428\u0418\u0412\u041e\u0413\u041e \u0425\u0410\u041e\u0421\u0410<\/a><\/td>\nKASACHSTAN: DIE TAGE DES VORGET\u00c4USCHTEN CHAOS<\/a><\/td>\nKAZAJST\u00c1N: LOS D\u00cdAS DEL FALSO CAOS<\/a><\/td>\n<\/tr>\n
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\"\"Kurtser<\/strong>, Mark<\/p>\n

Medical entrepreneur, 1957-
\n\"\"<\/td>\n

LES DESHONORANTS CHEVALIERS DE (ENE)MALTE<\/a><\/td>\nTHE DISHONOURABLE KNIGHTS OF (ENE)MALTA<\/a><\/td>\nI DISONOREVOLI CAVALIERI DI (ENE)MALTA<\/a><\/td>\n\u0411\u0415\u0421\u0427\u0415\u0421\u0422\u041d\u042b\u0415 \u0420\u042b\u0426\u0410\u0420\u0418 (\u042d\u041d\u0415)\u041c\u0410\u041b\u042c\u0422\u042b<\/a><\/td>\nDIE UNEHRENHAFTEN RITTER VON (ENE)MALTA<\/a><\/td>\nLOS DESHONROSOS CABALLEROS DE (ENE)MALTA<\/a><\/td>\n<\/tr>\n
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\"\"Kurumatani<\/strong>, Nobuaki<\/p>\n

Manager, 1957-
\n\"\"<\/td>\n

CRACK TOSHIBA : LA FIN DU MYTHE JAPONAIS<\/a><\/td>\nCRACK TOSHIBA: THE END OF THE JAPANESE MYTH<\/a><\/td>\nCRACK TOSHIBA: LA FINE DEL MITO NIPPONICO<\/a><\/td>\n\u0420\u0410\u0417\u041b\u041e\u041c TOSHIBA: \u041a\u041e\u041d\u0415\u0426 \u042f\u041f\u041e\u041d\u0421\u041a\u041e\u0413\u041e \u041c\u0418\u0424\u0410<\/a><\/td>\nTOSHIBA ZERBRICHT: DAS ENDE DES JAPANISCHEN MYTHOS<\/a><\/td>\nCRACK TOSHIBA: EL FIN DEL MITO JAPON\u00c9S<\/a><\/td>\n<\/tr>\n
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 <\/p>\n

\"\"Kurzweil<\/strong>, Ray<\/p>\n

Scientist, 1948-
\n\"\"<\/td>\n

SI TON ORDINATEUR TOMBE SOUDAINEMENT AMOUREUX<\/a><\/td>\nSUDDENLY, IF YOUR COMPUTER FALLS IN LOVE<\/a><\/td>\nSE IL TUO COMPUTER DI COLPO SI INNAMORA<\/a><\/td>\n\u0415\u0421\u041b\u0418 \u0412\u0410\u0428 \u041a\u041e\u041c\u041f\u042c\u042e\u0422\u0415\u0420 \u0412\u0414\u0420\u0423\u0413 \u0412\u041b\u042e\u0411\u0418\u0422\u0421\u042f<\/a><\/td>\nWENN DEIN COMPUTER SICH PL\u00d6TZLICH VERLIEBT<\/a><\/td>\nSI UN ORDENADOR DE REPENTE SE ENAMORA<\/a><\/td>\n<\/tr>\n
<\/td>\n <\/p>\n

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 <\/td>\n<\/tr>\n

 <\/p>\n

\"\"Kushner<\/strong>, Jared<\/p>\n

Entgrepreneur, 1981-
\n\"\"<\/td>\n

CAMBRIDGE ANALYTICA: LES CRIMINELS QUI NOUS PERSUADENT DE VOTER POUR TRUMP<\/a><\/p>\n

BON FRERE ET MAUVAIS FRERE : COMMENT LA DYNASTIE AL-NAHYAN CACHE SON VRAI VISAGE<\/a><\/p>\n

MOHAMMED DAHLAN, ASSASSIN A LA SOLDE DU ROI<\/a><\/td>\n

CAMBRIDGE ANALYTICA: THE CRIMINALS WHO PERSUADE US TO VOTE FOR TRUMP<\/a><\/p>\n

GOOD BROTHER AND BAD BROTHER: HOW THE AL-NAHYAN DYNASTY HIDES ITS TRUE FACE<\/a><\/p>\n

MOHAMMED DAHLAN, ASSASSIN FOR THE KING<\/a><\/td>\n

CAMBRIDGE ANALYTICA: I CRIMINALI CHE CI CONVINCONO A VOTARE TRUMP<\/a><\/p>\n

FRATELLO BUONO E FRATELLO CATTIVO: COME LA DINASTIA AL-NAHYAN NASCONDE IL PROPRIO VERO VOLTO<\/a><\/p>\n

MOHAMMED DAHLAN, SICARIO DEL RE<\/a><\/td>\n

CAMBRIDGE ANALYTICA: \u041f\u0420\u0415\u0421\u0422\u0423\u041f\u041d\u0418\u041a\u0418, \u041a\u041e\u0422\u041e\u0420\u042b\u0415 \u0423\u0411\u0415\u0414\u0418\u041b\u0418 \u041d\u0410\u0421 \u0413\u041e\u041b\u041e\u0421\u041e\u0412\u0410\u0422\u042c \u0417\u0410 \u0422\u0420\u0410\u041c\u041f\u0410<\/a><\/p>\n

\u0414\u041e\u0411\u0420\u042b\u0419 \u0411\u0420\u0410\u0422 \u0418 \u041f\u041b\u041e\u0425\u041e\u0419 \u0411\u0420\u0410\u0422: \u041a\u0410\u041a \u0414\u0418\u041d\u0410\u0421\u0422\u0418\u042f \u0410\u041b\u042c-\u041d\u0410\u0425\u0410\u042f\u041d \u0421\u041a\u0420\u042b\u0412\u0410\u0415\u0422 \u0421\u041e\u0411\u0421\u0422\u0412\u0415\u041d\u041d\u041e\u0415 \u041b\u0418\u0426\u041e<\/a><\/p>\n

\u041c\u041e\u0425\u0410\u041c\u041c\u0415\u0414 \u0414\u0410\u0425\u041b\u0410\u041d, \u0423\u0411\u0418\u0419\u0426\u0410 \u041a\u041e\u0420\u041e\u041b\u042f<\/a><\/td>\n

CAMBRIDGE ANALYTICA: DIE KRIMINELLEN, DIE UNS \u00dcBERREDEN, F\u00dcR TRUMP ZU STIMMEN<\/a><\/p>\n

LIEBER BRUDER UND B\u00d6SER BRUDER: WIE DIE AL-NAHYAN-DYNASTIE IHR WAHRES GESICHT VERBIRGT<\/a><\/p>\n

MOHAMMED DAHLAN, AUFTRAGSM\u00d6RDER F\u00dcR DEN K\u00d6NIG<\/a><\/td>\n

CAMBRIDGE ANALYTICA: LOS CRIMINALES QUE NOS CONVENCEN DE VOTAR A TRUMP<\/a><\/p>\n

HERMANO BUENO Y HERMANO MALO: C\u00d3MO LA DINAST\u00cdA AL-NAHYAN OCULTA SU VERDADERO ROSTRO<\/a><\/p>\n

MOHAMMED DAHLAN, ASESINO A SUELDO DEL REY<\/a><\/td>\n<\/tr>\n

<\/td>\n <\/p>\n

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 <\/p>\n

\"\"Kutcher<\/strong>, Ashton<\/p>\n

Actor & Film Producer, 1978-
\n\"\"<\/td>\n

CHATGPT: ENTRE FASCINATION ET CRAINTE<\/a><\/td>\nCHATGPT: BETWEEN FASCINATION AND FEAR<\/a><\/td>\nCHATGPT: TRA FASCINO E PAURA<\/a><\/td>\nCHATGPT: \u041c\u0415\u0416\u0414\u0423 \u041e\u0427\u0410\u0420\u041e\u0412\u0410\u041d\u0418\u0415\u041c \u0418 \u0421\u0422\u0420\u0410\u0425\u041e\u041c<\/a><\/td>\nCHATGPT: ZWISCHEN FASZINATION UND ANGST<\/a><\/td>\nCHATGPT: ENTRE LA FASCINACI\u00d3N Y EL MIEDO<\/a><\/td>\n<\/tr>\n
<\/td>\n <\/p>\n

 <\/p>\n

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 <\/td>\n<\/tr>\n

\"\"Kuvshinov<\/strong>, Viktor<\/p>\n

Manager,
\n\"\"<\/td>\n

LA SOUFFRANCE DES ABANDONN\u00c9S: LA BI\u00c9LORUSSIE NE SE REND PAS AU TYRAN<\/a><\/td>\nTHE SUFFERING OF THE ABANDONED: BELARUS DOES NOT SURRENDER TO THE TYRANT<\/a><\/td>\nLO STRAZIO DEGLI ABBANDONATI: LA BIELORUSSIA NON SI ARRENDE AL TIRANNO<\/a><\/td>\n\u0421\u0422\u0420\u0410\u0422\u0415\u0413\u0418\u042f \u0417\u0410\u0411\u0420\u041e\u0428\u0415\u041d\u041d\u042b\u0425: \u0411\u0415\u041b\u0410\u0420\u0423\u0421\u042c \u041d\u0415 \u0421\u0414\u0410\u0415\u0422\u0421\u042f \u0422\u0418\u0420\u0410\u041d\u0423<\/a><\/td>\nDAS LEIDEN DER VERLASSENEN: WEI\u00dfRUSSLAND ERGIBT SICH NICHT DEM TYRANNEN<\/a><\/td>\nLA ANGUSTIA DE LOS ABANDONADOS: BIELORRUSIA NO SE RINDE ANTE EL TIRANO<\/a><\/td>\n<\/tr>\n
<\/td>\n <\/p>\n

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 <\/p>\n

\"\"Kuwas<\/strong>, Elvis \u201cMonster\u201d<\/p>\n

Killer, 1986-
\n\"\"<\/td>\n

CURA\u00c7AO: NAISSANCE ET MORT D\u2019UN PARADIS FISCAL<\/a><\/td>\nCURA\u00c7AO: THE BIRTH AND DEATH OF A TAX HAVEN<\/a><\/td>\nCURA\u00c7AO: NASCITA E MORTE DI UN PARADISO FISCALE<\/a><\/td>\n\u041a\u042e\u0420\u0410\u0421\u0410\u041e: \u0420\u041e\u0416\u0414\u0415\u041d\u0418\u0415 \u0418 \u0421\u041c\u0415\u0420\u0422\u042c \u041d\u0410\u041b\u041e\u0413\u041e\u0412\u041e\u0419 \u0413\u0410\u0412\u0410\u041d\u0418<\/a><\/td>\nCURA\u00c7AO: GEBURT UND TOD EINES STEUERPARADIESES<\/a><\/td>\nCURA\u00c7AO: NACIMIENTO Y MUERTE DE UN PARA\u00cdSO FISCAL<\/a><\/td>\n<\/tr>\n
<\/td>\n <\/p>\n

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 <\/p>\n

 <\/td>\n<\/tr>\n

\"\"Kuzmenkov<\/strong>, Alexey<\/p>\n

Manager, 1993-
\n\"\"<\/td>\n

LA SOUFFRANCE DES ABANDONN\u00c9S: LA BI\u00c9LORUSSIE NE SE REND PAS AU TYRAN<\/a><\/td>\nTHE SUFFERING OF THE ABANDONED: BELARUS DOES NOT SURRENDER TO THE TYRANT<\/a><\/td>\nLO STRAZIO DEGLI ABBANDONATI: LA BIELORUSSIA NON SI ARRENDE AL TIRANNO<\/a><\/td>\n\u0421\u0422\u0420\u0410\u0422\u0415\u0413\u0418\u042f \u0417\u0410\u0411\u0420\u041e\u0428\u0415\u041d\u041d\u042b\u0425: \u0411\u0415\u041b\u0410\u0420\u0423\u0421\u042c \u041d\u0415 \u0421\u0414\u0410\u0415\u0422\u0421\u042f \u0422\u0418\u0420\u0410\u041d\u0423<\/a><\/td>\nDAS LEIDEN DER VERLASSENEN: WEI\u00dfRUSSLAND ERGIBT SICH NICHT DEM TYRANNEN<\/a><\/td>\nLA ANGUSTIA DE LOS ABANDONADOS: BIELORRUSIA NO SE RINDE ANTE EL TIRANO<\/a><\/td>\n<\/tr>\n
<\/td>\n <\/p>\n

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 <\/p>\n

\"\"Kyaw<\/strong>, Htin<\/p>\n

Politician, 1946-<\/p>\n

\"\"<\/td>\n

LES INTRIGUES FINANCIERES DERRIERE LE COUP D\u2019\u00c9TAT SANGLANT AU MYANMAR<\/a><\/p>\n

STUPIDITE ET SAUVAGERIE AU POUVOIR: SCENES DU MYANMAR EN PLEIN CHAOS<\/a><\/td>\n

THE FINANCIAL INTRIGUES BEHIND THE BLOODY COUP IN MYANMAR<\/a><\/p>\n

STUPIDITY AND SAVAGERY IN POWER: SCENES FROM MYANMAR IN CHAOS<\/a><\/td>\n

GLI INTRIGHI FINANZIARI DIETRO IL SANGUINOSO COLPO DI STATO DEL MYANMAR<\/a><\/p>\n

LA STUPIDIT\u00c0 E LA FEROCIA AL POTERE: SCENE DA UN MYANMAR NEL CAOS<\/a><\/td>\n

\u0424\u0418\u041d\u0410\u041d\u0421\u041e\u0412\u042b\u0415 \u0418\u041d\u0422\u0420\u0418\u0413\u0418 \u041a\u0420\u041e\u0412\u0410\u0412\u041e\u0413\u041e \u0413\u041e\u0421\u0423\u0414\u0410\u0420\u0421\u0422\u0412\u0415\u041d\u041d\u041e\u0413\u041e \u041f\u0415\u0420\u0415\u0412\u041e\u0420\u041e\u0422\u0410 \u0412 \u041c\u042c\u042f\u041d\u041c\u0415<\/a><\/p>\n

\u0413\u041b\u0423\u041f\u041e\u0421\u0422\u042c\u0418\u0414\u0418\u041a\u041e\u0421\u0422\u042c\u0423\u0412\u041b\u0410\u0421\u0422\u0418: \u0421\u0426\u0415\u041d\u042b \u0425\u0410\u041e\u0421\u0410 \u0412\u041c\u042c\u042f\u041d\u041c\u0415<\/a><\/p>\n

 <\/td>\n

DIE FINANZIELLEN INTRIGEN HINTER MYANMARS BLUTIGEM PUTSCH<\/a><\/p>\n

DUMMHEIT UND GRAUSAMKEIT AN DER MACHT: SZENEN AUS DEM CHAOTISCHEN MYANMAR<\/a><\/td>\n

LAS INTRIGAS FINANCIERAS DETR\u00c1S DEL SANGRIENTO GOLPE DE ESTADO DE MYANMAR<\/a><\/p>\n

LA ESTUPIDEZ Y EL SALVAJISMO EN EL PODER: ESCENAS DEL CAOS EN MYANMAR<\/a><\/td>\n<\/tr>\n

<\/td>\n <\/p>\n

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 <\/td>\n

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 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

 <\/p>\n

\"\"Kyi<\/strong>, Aung San Suu<\/p>\n

Politician, 1945-<\/p>\n

\"\"<\/td>\n

LES INTRIGUES FINANCIERES DERRIERE LE COUP D\u2019\u00c9TAT SANGLANT AU MYANMAR<\/a><\/p>\n

STUPIDITE ET SAUVAGERIE AU POUVOIR: SCENES DU MYANMAR EN PLEIN CHAOS<\/a><\/td>\n

THE FINANCIAL INTRIGUES BEHIND THE BLOODY COUP IN MYANMAR<\/a><\/p>\n

STUPIDITY AND SAVAGERY IN POWER: SCENES FROM MYANMAR IN CHAOS<\/a><\/td>\n

GLI INTRIGHI FINANZIARI DIETRO IL SANGUINOSO COLPO DI STATO DEL MYANMAR<\/a><\/p>\n

LA STUPIDIT\u00c0 E LA FEROCIA AL POTERE: SCENE DA UN MYANMAR NEL CAOS<\/a><\/td>\n

\u0424\u0418\u041d\u0410\u041d\u0421\u041e\u0412\u042b\u0415 \u0418\u041d\u0422\u0420\u0418\u0413\u0418 \u041a\u0420\u041e\u0412\u0410\u0412\u041e\u0413\u041e \u0413\u041e\u0421\u0423\u0414\u0410\u0420\u0421\u0422\u0412\u0415\u041d\u041d\u041e\u0413\u041e \u041f\u0415\u0420\u0415\u0412\u041e\u0420\u041e\u0422\u0410 \u0412 \u041c\u042c\u042f\u041d\u041c\u0415<\/a><\/p>\n

\u0413\u041b\u0423\u041f\u041e\u0421\u0422\u042c\u0418\u0414\u0418\u041a\u041e\u0421\u0422\u042c\u0423\u0412\u041b\u0410\u0421\u0422\u0418: \u0421\u0426\u0415\u041d\u042b \u0425\u0410\u041e\u0421\u0410 \u0412\u041c\u042c\u042f\u041d\u041c\u0415<\/a><\/td>\n

DIE FINANZIELLEN INTRIGEN HINTER MYANMARS BLUTIGEM PUTSCH<\/a><\/p>\n

DUMMHEIT UND GRAUSAMKEIT AN DER MACHT: SZENEN AUS DEM CHAOTISCHEN MYANMAR<\/a><\/td>\n

LAS INTRIGAS FINANCIERAS DETR\u00c1S DEL SANGRIENTO GOLPE DE ESTADO DE MYANMAR<\/a><\/p>\n

LA ESTUPIDEZ Y EL SALVAJISMO EN EL PODER: ESCENAS DEL CAOS EN MYANMAR<\/a><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/div>\n[\/vc_column_text][\/vc_tta_section]\n","protected":false},"excerpt":{"rendered":"

[vc_row][vc_column][vc_column_text] A B C D E F G H I J K L M N O P Q R S T U V W X Y Z [\/vc_column_text][\/vc_column][\/vc_row][vc_column][\/vc_column][vc_empty_space height=”50px”][vc_column_text]     French English Italian Russian German Spanish [\/vc_column_text][vc_tta_section title=”K” tab_id=”1606257472227-69ffe55b-4918″][vc_column_text]   Kabanda Rukemba, Gilbert Militar officer and<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"page-FullWidth.php","meta":{"footnotes":""},"class_list":["post-593","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/ibiworld.eu\/en\/wp-json\/wp\/v2\/pages\/593"}],"collection":[{"href":"https:\/\/ibiworld.eu\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/ibiworld.eu\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/ibiworld.eu\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/ibiworld.eu\/en\/wp-json\/wp\/v2\/comments?post=593"}],"version-history":[{"count":88,"href":"https:\/\/ibiworld.eu\/en\/wp-json\/wp\/v2\/pages\/593\/revisions"}],"predecessor-version":[{"id":4458,"href":"https:\/\/ibiworld.eu\/en\/wp-json\/wp\/v2\/pages\/593\/revisions\/4458"}],"wp:attachment":[{"href":"https:\/\/ibiworld.eu\/en\/wp-json\/wp\/v2\/media?parent=593"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}