{"id":579,"date":"2021-03-22T22:49:23","date_gmt":"2021-03-22T21:49:23","guid":{"rendered":"http:\/\/ibiworld.eu\/en\/?page_id=579"},"modified":"2023-06-27T15:36:27","modified_gmt":"2023-06-27T13:36:27","slug":"names-directory-e","status":"publish","type":"page","link":"https:\/\/ibiworld.eu\/en\/names-directory-e\/","title":{"rendered":"NAMES\u2019 DIRECTORY | E"},"content":{"rendered":"[vc_row][vc_column][vc_column_text]\n

A<\/a> B<\/a> C<\/a> D<\/a> E<\/a> F<\/a> G<\/a> H<\/a> I<\/a> J<\/a> K<\/a> L<\/a> M<\/a> N<\/a> O<\/a> P<\/a> Q<\/a> R<\/a> S<\/a> T<\/a> U<\/a> V<\/a> W<\/a> X<\/a> Y<\/a> Z<\/a><\/strong><\/h3>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_column][\/vc_column][vc_empty_space height=”50px”][vc_column_text]\n\n\n\n
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French\"\"<\/strong><\/p>\n<\/td>\n

English\"\"<\/strong><\/td>\nItalian\"\"<\/strong><\/td>\nRussian\"\"<\/strong><\/td>\nGerman\"\"<\/strong><\/td>\nSpanish\"\"<\/strong><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n[\/vc_column_text][vc_tta_section title=”E” tab_id=”1606253780074-128d576c-820e”][vc_column_text]\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
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\"\"Eastwood<\/strong>, Clinton jr. “Clint”<\/p>\n

Artist, 1930-
\n\"\"<\/td>\n

LABORATOIRE AFRIQUE DU SUD<\/a><\/td>\nLABORATORY SOUTH AFRICA<\/a><\/td>\nLABORATORIO SUDAFRICA<\/a><\/td>\n\u043b\u0430\u0431\u043e\u0440\u0430\u0442\u043e\u0440\u0438\u044f \u042e\u0436\u043d\u0430\u044f \u0410\u0444\u0440\u0438\u043a\u0430<\/a><\/td>\nLABORATORIUM S\u00dcDAFRIKA<\/a><\/td>\nLABORATORIO SUD\u00c1FRICA<\/a><\/td>\n<\/tr>\n
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\"\"Eberstadt<\/strong>, Mary<\/p>\n

Writer, 1965-
\n\"\"<\/td>\n

PETER THIEL: LE REVE D\u2019UNE TECHNOCRATIE MYSTIQUE<\/a><\/td>\nPETER THIEL: THE DREAM OF A MYSTICAL TECHNOCRACY<\/a><\/td>\nPETER THIEL: IL SOGNO DI UNA TECNOCRAZIA MISTICA<\/a><\/td>\n\u041f\u0418\u0422\u0415\u0420 \u0422\u0418\u041b\u042c: \u041c\u0415\u0427\u0422\u0410 \u041e \u041c\u0418\u0421\u0422\u0418\u0427\u0415\u0421\u041a\u041e\u0419 \u0422\u0415\u0425\u041d\u041e\u041a\u0420\u0410\u0422\u0418\u0418<\/a><\/td>\nPETER THIEL: DER TRAUM VON EINER MYSTISCHEN TECHNOKRATIE<\/a><\/td>\nPETER THIEL: EL SUE\u00d1O DE UNA TECNOCRACIA M\u00cdSTICA<\/a><\/td>\n<\/tr>\n
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\"\"Eco<\/strong>, Umberto<\/p>\n

Philosopher, Writer, 1932\u20132016
\n\"\"<\/td>\n

VIE ET MIRACLES D\u2019UN MERCENAIRE DANS LA GUERRE MEDIATIQUE<\/a><\/td>\nLIFE AND MIRACLES OF A MERCENARY IN THE MEDIA WAR<\/a><\/td>\nVITA E MIRACOLI DI UN MERCENARIO NELLA GUERRA DEI MEDIA<\/a><\/td>\n\u0416\u0418\u0417\u041d\u042c \u0418 \u0427\u0423\u0414\u0415\u0421\u0410 \u041d\u0410\u0415\u041c\u041d\u0418\u041a\u0410 \u0412 \u0412\u041e\u0419\u041d\u0415 \u0421\u041e \u0421\u041c\u0418<\/a><\/td>\nLEBEN UND WUNDER EINES S\u00d6LDNERS IM MEDIENKRIEG<\/a><\/td>\nVIDA Y MILAGROS DE UN MERCENARIO EN LA GUERRA MEDI\u00c1TICA<\/a><\/td>\n<\/tr>\n
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\"\"Edmonds<\/strong>, Phil<\/p>\n

Entrepreneur, 1951-
\n\"\"<\/td>\n

GUINEE, ENCORE UN CHANGEMENT DE LEOPARD<\/a><\/td>\nGUINEA, YET ANOTHER LEOPARD CHANGE<\/a><\/td>\nGUINEA, L\u2019ENNESIMO CAMBIAMENTO DEL GATTOPARDO<\/a><\/td>\n\u0413\u0412\u0418\u041d\u0415\u042f, \u0415\u0429\u0415 \u041e\u0414\u041d\u041e \u0418\u0417\u041c\u0415\u041d\u0415\u041d\u0418\u0415 GATTOPARDO<\/a><\/td>\nNOCH EIN LEOPARDENWECHSEL IN GUINEA<\/a><\/td>\nGUINEA, OTRO CAMBIO DE LEOPARDO<\/a><\/td>\n<\/tr>\n
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\"\"Edmondson<\/strong>, James Larry<\/p>\n

Judge, 1947-
\n\"\"<\/td>\n

PETER THIEL: LE REVE D\u2019UNE TECHNOCRATIE MYSTIQUE<\/a><\/td>\nPETER THIEL: THE DREAM OF A MYSTICAL TECHNOCRACY<\/a><\/td>\nPETER THIEL: IL SOGNO DI UNA TECNOCRAZIA MISTICA<\/a><\/td>\n\u041f\u0418\u0422\u0415\u0420 \u0422\u0418\u041b\u042c: \u041c\u0415\u0427\u0422\u0410 \u041e \u041c\u0418\u0421\u0422\u0418\u0427\u0415\u0421\u041a\u041e\u0419 \u0422\u0415\u0425\u041d\u041e\u041a\u0420\u0410\u0422\u0418\u0418<\/a><\/td>\nPETER THIEL: DER TRAUM VON EINER MYSTISCHEN TECHNOKRATIE<\/a><\/td>\nPETER THIEL: EL SUE\u00d1O DE UNA TECNOCRACIA M\u00cdSTICA<\/a><\/td>\n<\/tr>\n
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\"\"Efendiev<\/strong>, Murad Azerovich<\/p>\n

Businessman, 1980-
\n\"\"<\/td>\n

LES DESHONORANTS CHEVALIERS DE (ENE)MALTE<\/a><\/td>\nTHE DISHONOURABLE KNIGHTS OF (ENE)MALTA<\/a><\/td>\nI DISONOREVOLI CAVALIERI DI (ENE)MALTA<\/a><\/td>\n\u0411\u0415\u0421\u0427\u0415\u0421\u0422\u041d\u042b\u0415 \u0420\u042b\u0426\u0410\u0420\u0418 (\u042d\u041d\u0415)\u041c\u0410\u041b\u042c\u0422\u042b<\/a><\/td>\nDIE UNEHRENHAFTEN RITTER VON (ENE)MALTA<\/a><\/td>\nLOS DESHONROSOS CABALLEROS DE (ENE)MALTA<\/a><\/td>\n<\/tr>\n
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\"\"Egede<\/strong>, Hans Poulsson<\/p>\n

Missionary, 1686-1758
\n\"\"<\/td>\n

LE GROENLAND, NOUVELLE TERRE PROMISE DE L\u2019HUMANITE<\/a><\/td>\nGREENLAND, HUMANITY\u2019S NEW PROMISED LAND<\/a><\/td>\nGROENLANDIA, NUOVA TERRA PROMESSA DELL\u2019UMANIT\u00c0<\/a><\/td>\n\u0413\u0420\u0415\u041d\u041b\u0410\u041d\u0414\u0418\u042f, \u041d\u041e\u0412\u0410\u042f \u0417\u0415\u041c\u041b\u042f \u041e\u0411\u0415\u0422\u041e\u0412\u0410\u041d\u041d\u0410\u042f \u0414\u041b\u042f \u0427\u0415\u041b\u041e\u0412\u0415\u0427\u0415\u0421\u0422\u0412\u0410<\/a><\/td>\nGR\u00d6NLAND, DAS NEUE GELOBTE LAND DER MENSCHHEIT<\/a><\/td>\nGROENLANDIA, LA NUEVA TIERRA PROMETIDA DE LA HUMANIDAD<\/a><\/td>\n<\/tr>\n
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\"\"Egede<\/strong>, M\u00fate Bourup<\/p>\n

Politician, 1987-
\n\"\"<\/td>\n

LE GROENLAND, NOUVELLE TERRE PROMISE DE L\u2019HUMANITE<\/a><\/td>\nGREENLAND, HUMANITY\u2019S NEW PROMISED LAND<\/a><\/td>\nGROENLANDIA, NUOVA TERRA PROMESSA DELL\u2019UMANIT\u00c0<\/a><\/td>\n\u0413\u0420\u0415\u041d\u041b\u0410\u041d\u0414\u0418\u042f, \u041d\u041e\u0412\u0410\u042f \u0417\u0415\u041c\u041b\u042f \u041e\u0411\u0415\u0422\u041e\u0412\u0410\u041d\u041d\u0410\u042f \u0414\u041b\u042f \u0427\u0415\u041b\u041e\u0412\u0415\u0427\u0415\u0421\u0422\u0412\u0410<\/a><\/td>\nGR\u00d6NLAND, DAS NEUE GELOBTE LAND DER MENSCHHEIT<\/a><\/td>\nGROENLANDIA, LA NUEVA TIERRA PROMETIDA DE LA HUMANIDAD<\/a><\/td>\n<\/tr>\n
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\"\"Egeland,<\/strong> Jan<\/p>\n

Diplomat, 1957-<\/p>\n

\"\"<\/td>\n

L\u2019ENFER REGNE AU PARADIS DE L\u2019OUGANDA<\/a><\/td>\nTHE HELL REIGNS IN UGANDA\u2019S PARADISE<\/a><\/td>\nL\u2019INFERNO CHE REGNA NEL PARADISO DELL\u2019UGANDA<\/a><\/td>\n\u0410\u0414, \u041a\u041e\u0422\u041e\u0420\u042b\u0419 \u041f\u0420\u0410\u0412\u0418\u0422 \u0420\u0410\u0415\u041c \u0412 \u0423\u0413\u0410\u041d\u0414\u0415<\/a><\/td>\nIN UGANDAS PARADIES REGIERT DIE H\u00d6LLE<\/a><\/td>\nEL INFIERNO REINA EN EL PARA\u00cdSO DE UGANDA<\/a><\/td>\n<\/tr>\n
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\"\"<\/strong>Eger<\/strong>, Chris<\/p>\n

Manager, 1975-<\/p>\n

\"\"<\/td>\n

NYRSTAR: L\u2019AGONIE DU GEANT DANS LES GRIFFES DE TRAFIGURA<\/a><\/p>\n

LES MAINS SALES DE LA FINLANDE<\/a><\/td>\n

NYRSTAR: THE AGONY OF THE GIANT IN THE CLAWS OF TRAFIGURA<\/a><\/p>\n

FINLAND\u2019S DIRTY HANDS<\/a><\/td>\n

NYRSTAR: L\u2019AGONIA DEL GIGANTE NEGLI ARTIGLI DI TRAFIGURA<\/a><\/p>\n

LE MANI SPORCHE DELLA FINLANDIA<\/a><\/td>\n

NYRSTAR: \u0410\u0413\u041e\u041d\u0418\u042f \u0413\u0418\u0413\u0410\u041d\u0422\u0410 \u0412 \u041a\u041e\u0413\u0422\u042f\u0425 TRAFIGURA<\/a><\/p>\n

\u0413\u0420\u042f\u0417\u041d\u042b\u0415 \u0420\u0423\u041a\u0418 \u0424\u0418\u041d\u041b\u042f\u041d\u0414\u0418\u0418<\/a><\/td>\n

NYRSTAR: DIE QUALEN DES RIESEN IN DEN KLAUEN VON TRAFIGURA<\/a><\/p>\n

INNLANDS SCHMUTZIGE H\u00c4NDE<\/a><\/td>\n

NYRSTAR: LA AGON\u00cdA DEL GIGANTE EN LAS GARRAS DE TRAFIGURA<\/a><\/p>\n

LAS MANOS SUCIAS DE FINLANDIA<\/a><\/td>\n<\/tr>\n

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\"\"<\/strong>Eichmann<\/strong>, Adolf<\/p>\n

Nazi Official, 1906-1962<\/p>\n

\"\"<\/td>\n

L\u2019HORREUR QU\u2019ON EST DEVENU<\/a><\/p>\n

HENRY KISSINGER, L\u2019AME NOIRE DU 20EME SIECLE<\/a><\/td>\n

THE HORROR WE\u2019VE BECAME<\/a><\/p>\n

HENRY KISSINGER, THE DARK SOUL OF THE 20TH CENTURY<\/a><\/td>\n

L\u2019ORRORE CHE SIAMO DIVENTATI<\/a><\/p>\n

HENRY KISSINGER, L\u2019ANIMA NERA DEL XX SECOLO<\/a><\/td>\n

\u0423\u0416\u0410\u0421, \u0412 \u041a\u041e\u0422\u041e\u0420\u042b\u0419 \u041c\u042b \u041f\u0420\u0415\u0412\u0420\u0410\u0422\u0418\u041b\u0418\u0421\u042c<\/a><\/p>\n

\u0413\u0415\u041d\u0420\u0418 \u041a\u0418\u0421\u0421\u0418\u041d\u0414\u0416\u0415\u0420, \u0427\u0415\u0420\u041d\u0410\u042f \u0414\u0423\u0428\u0410 20 \u0412\u0415\u041a\u0410<\/a><\/td>\n

DAS GRAUEN, DAS WIR GEWORDEN SIND<\/a><\/p>\n

HENRY KISSINGER, DIE SCHWARZE SEELE DES 20. JAHRHUNDERTS<\/a><\/td>\n

EL HORROR EN QUE NOS HEMOS CONVERTIDO<\/a><\/p>\n

HENRY KISSINGER, EL ALMA NEGRA DEL SIGLO XX<\/a><\/td>\n<\/tr>\n

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\n\"\"Eigner<\/strong>, HeinzManager, 1964-
\n\"\"<\/td>\n		NYRSTAR: L\u2019AGONIE DU GEANT DANS LES GRIFFES DE TRAFIGURA<\/a><\/td>\nNYRSTAR: THE AGONY OF THE GIANT IN THE CLAWS OF TRAFIGURA<\/a><\/td>\nNYRSTAR: L\u2019AGONIA DEL GIGANTE NEGLI ARTIGLI DI TRAFIGURA<\/a><\/td>\nNYRSTAR: \u0410\u0413\u041e\u041d\u0418\u042f \u0413\u0418\u0413\u0410\u041d\u0422\u0410 \u0412 \u041a\u041e\u0413\u0422\u042f\u0425 TRAFIGURA<\/a><\/td>\nNYRSTAR: DIE QUALEN DES RIESEN IN DEN KLAUEN VON TRAFIGURA<\/a><\/td>\nNYRSTAR: LA AGON\u00cdA DEL GIGANTE EN LAS GARRAS DE TRAFIGURA<\/a><\/td>\n<\/tr>\n
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\"\"Einarsson<\/strong>, Sigur\u00f0ur<\/p>\n

Economist, 1960-
\n\"\"<\/td>\n

SUPERCIUK D\u2019ISLANDE, LE DERNIER HEROS DES VIKINGS<\/a><\/p>\n

UN NOUVEL ICEBERG MENACE L\u2019ISLANDE<\/a><\/td>\n

SUPERCIUK OF ICELAND, THE LAST VIKING HERO<\/a><\/p>\n

A NEW ICEBERG THREATENS ICELAND<\/a><\/td>\n

SUPERCIUK D\u2019ISLANDA, L\u2019ULTIMO EROE DEI VICHINGHI<\/a><\/p>\n

UN NUOVO ICEBERG MINACCIA L\u2019ISLANDA<\/a><\/td>\n

\u0421\u0423\u041f\u0415\u0420\u0427\u0423\u041a \u0418\u0417 \u0418\u0421\u041b\u0410\u041d\u0414\u0418\u0418, \u041f\u041e\u0421\u041b\u0415\u0414\u041d\u0418\u0419 \u0413\u0415\u0420\u041e\u0419 \u0412\u0418\u041a\u0418\u041d\u0413\u041e\u0412<\/a><\/p>\n

\u041d\u041e\u0412\u042b\u0419 \u0410\u0419\u0421\u0411\u0415\u0420\u0413 \u0423\u0413\u0420\u041e\u0416\u0410\u0415\u0422 \u0418\u0421\u041b\u0410\u041d\u0414\u0418\u0418<\/a><\/td>\n

SUPERCIUK VON ISLAND, DER LETZTE HELD DER WIKINGER<\/a><\/p>\n

EIN NEUER EISBERG BEDROHT ISLAND<\/a><\/td>\n

SUPERCHUK DE ISLANDIA, EL \u00daLTIMO H\u00c9ROE VIKINGO<\/a><\/p>\n

UN NUEVO ICEBERG AMENAZA ISLANDIA<\/a><\/td>\n<\/tr>\n

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\"\"Einstein<\/strong>, Albert<\/p>\n

Theoretical physicist, 1879-1955
\n\"\"<\/td>\n

LE MICROCOSME: PLUS IL EST PETIT, MIEUX IL FONCTIONNE<\/a><\/p>\n

UN MONSTRE QUI CALCULE CE QUE L\u2019HOMME NE COMPREND PAS<\/a><\/td>\n

THE MICROCOSM: THE SMALLER IT IS, THE BETTER IT WORKS<\/a><\/p>\n

A MONSTER THAT CALCULATES WHAT MAN DOES NOT UNDERSTAND<\/a><\/td>\n

IL MICROCOSMO: PI\u00d9 \u00c8 MINUSCOLO, MEGLIO FUNZIONA<\/a><\/p>\n

UN MOSTRO CHE CALCOLA CI\u00d2 CHE L\u2019UOMO NON CAPISCE<\/a><\/td>\n

\u041c\u0418\u041a\u0420\u041e\u041c\u0418\u0420: \u0427\u0415\u041c \u041e\u041d \u041c\u0415\u041d\u042c\u0428\u0415, \u0422\u0415\u041c \u041b\u0423\u0427\u0428\u0415 \u0420\u0410\u0411\u041e\u0422\u0410\u0415\u0422<\/a><\/p>\n

\u041c\u041e\u041d\u0421\u0422\u0420, \u041a\u041e\u0422\u041e\u0420\u042b\u0419 \u0412\u042b\u0427\u0418\u0421\u041b\u042f\u0415\u0422 \u0422\u041e, \u0427\u0422\u041e \u0427\u0415\u041b\u041e\u0412\u0415\u041a \u041d\u0415 \u041f\u041e\u041d\u0418\u041c\u0410\u0415\u0422<\/a><\/td>\n

DER MIKROKOSMOS: JE KLEINER ER IST, DESTO BESSER FUNKTIONIERT ER<\/a><\/p>\n

EIN UNGEHEUER, DAS BERECHNET, WAS DER MENSCH NICHT VERSTEHT<\/a><\/td>\n

EL MICROCOSMOS: CUANTO M\u00c1S PEQUE\u00d1O, MEJOR FUNCIONA<\/a><\/p>\n

UN MONSTRUO QUE CALCULA LO QUE EL HOMBRE NO COMPRENDE<\/a><\/td>\n<\/tr>\n

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\"\"Eisenhower<\/strong>, Dwight David \u201cIke\u201d<\/p>\n

US Army General \/ Politician, 1890-1969
\n\"\"<\/td>\n

HENRY KISSINGER, L\u2019AME NOIRE DU 20EME SIECLE<\/a><\/td>\nHENRY KISSINGER, THE DARK SOUL OF THE 20TH CENTURY<\/a><\/td>\nHENRY KISSINGER, L\u2019ANIMA NERA DEL XX SECOLO<\/a><\/td>\n\u0413\u0415\u041d\u0420\u0418 \u041a\u0418\u0421\u0421\u0418\u041d\u0414\u0416\u0415\u0420, \u0427\u0415\u0420\u041d\u0410\u042f \u0414\u0423\u0428\u0410 20 \u0412\u0415\u041a\u0410<\/a><\/td>\nHENRY KISSINGER, DIE SCHWARZE SEELE DES 20. JAHRHUNDERTS<\/a><\/td>\nHENRY KISSINGER, EL ALMA NEGRA DEL SIGLO XX<\/a><\/td>\n<\/tr>\n
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\"\"<\/strong>\u00c9l\u2019cin<\/strong>, Bor\u00eds Nikol\u00e1evi\u010d \u201cEltsin\u201d<\/p>\n

Politician, 1931-2007<\/p>\n

\"\"<\/td>\n

ALISER USMANOV : LES YEUX INDISCRETS D\u2019UN OLIGARQUE SUR LE MONDE<\/a><\/p>\n

DMITRYI MAZEPIN, LE PREMIER OLIGARQUE DE LONDONGRAD<\/a><\/p>\n

GEORGIE : DES ROSES CONTRE LA PEUR DES RUSSES<\/a><\/p>\n

G\u00d8TLAND, OU COMMENCE LA NOUVELLE GUERRE MONDIALE<\/a><\/p>\n

MINSK, DEUX ANS APRES : UN DEUIL SANS ESPOIR<\/a><\/td>\n

ALI\u0160ER USMANOV: AN OLIGARCH\u2019S PRYING EYES ON THE WORLD<\/a><\/p>\n

DMITRIJ MAZEPIN, THE FIRST OLIGARCH OF LONDONGRAD<\/a><\/p>\n

GEORGIA: ROSES AGAINST THE FEAR OF THE RUSSIANS<\/a><\/p>\n

G\u00d8TLAND, WHERE THE NEW WORLD WAR BEGINS<\/a><\/p>\n

MINSK, TWO YEARS LATER: MOURNING WITHOUT HOPE<\/a><\/td>\n

ALI\u0160ER USMANOV: GLI SGUARDI INDISCRETI DI UN OLIGARCA SUL MONDO<\/a><\/p>\n

DMITRIJ MAZEPIN, IL PRIMO OLIGARCA DI LONDONGRAD<\/a><\/p>\n

GEORGIA: ROSE IN PIAZZA CONTRO LA PAURA DEI RUSSI<\/a><\/p>\n

G\u00d8TLAND, DOVE COMINCIA LA NUOVA GUERRA MONDIALE<\/a><\/p>\n

MINSK, DUE ANNI DOPO: IL LUTTO SENZA SPERANZA<\/a><\/td>\n

\u0410\u041b\u0418\u0428\u0415\u0420 \u0423\u0421\u041c\u0410\u041d\u041e\u0412: \u041d\u0410\u0417\u041e\u0419\u041b\u0418\u0412\u042b\u0419 \u0412\u0417\u0413\u041b\u042f\u0414 \u041e\u041b\u0418\u0413\u0410\u0420\u0425\u0410 \u041d\u0410 \u041c\u0418\u0420<\/a><\/p>\n

\u0414\u041c\u0418\u0422\u0420\u0418\u0419 \u041c\u0410\u0417\u0415\u041f\u0418\u041d, \u041f\u0415\u0420\u0412\u042b\u0419 \u041e\u041b\u0418\u0413\u0410\u0420\u0425 \u041b\u041e\u041d\u0414\u041e\u041d\u0413\u0420\u0410\u0414\u0410<\/a><\/p>\n

\u0413\u0420\u0423\u0417\u0418\u042f: \u0420\u041e\u0417\u042b \u041d\u0410 \u0423\u041b\u0418\u0426\u0410\u0425 \u041f\u0420\u041e\u0422\u0418\u0412 \u0421\u0422\u0420\u0410\u0425\u0410 \u0420\u0423\u0421\u0421\u041a\u0418\u0425<\/a><\/p>\n

\u0413\u0401\u0422\u041b\u0410\u041d\u0414, \u0413\u0414\u0415 \u041d\u0410\u0427\u0418\u041d\u0410\u0415\u0422\u0421\u042f \u041d\u041e\u0412\u0410\u042f \u041c\u0418\u0420\u041e\u0412\u0410\u042f \u0412\u041e\u0419\u041d\u0410<\/a><\/p>\n

\u041c\u0418\u041d\u0421\u041a \u0414\u0412\u0410 \u0413\u041e\u0414\u0410 \u0421\u041f\u0423\u0421\u0422\u042f: \u0422\u0420\u0410\u0423\u0420 \u0411\u0415\u0417 \u041d\u0410\u0414\u0415\u0416\u0414\u042b<\/a><\/td>\n

ALI\u0160ER USMANOV: DIE INDISKRETE BLICKE EINES OLIGARCHEN AUF DIE WELT<\/a><\/p>\n

DMITRIJ MAZEPIN, DER ERSTE OLIGARCH VON LONDONGRAD<\/a><\/p>\n

GEORGIEN: AUF DEN STRA\u00dfEN, ROSEN GEGEN DIE RUSSEN<\/a><\/p>\n

G\u00d8TLAND, WO DER NEUE WELTKRIEG BEGINNT<\/a><\/p>\n

MINSK, ZWEI JAHRE DANACH: TRAUER OHNE HOFFNUNG<\/a><\/td>\n

DMITRIJ MAZEPIN, EL PRIMER OLIGARCA DE LONDONGRAD<\/a><\/p>\n

ALI\u0160ER USMANOV: LA MIRADA INDISCRETA DE UN OLIGARCA SOBRE EL MUNDO<\/a><\/p>\n

GEORGIA: ROSAS CONTRA EL MIEDO A LOS RUSOS<\/a><\/p>\n

G\u00d8TLAND, DONDE COMIENZA LA NUEVA GUERRA MUNDIAL<\/a><\/p>\n

MINSK, DOS A\u00d1OS DESPU\u00c9S: LUTO SIN ESPERANZA<\/a><\/td>\n<\/tr>\n

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\"\"Eldon<\/strong>, David Gordon<\/p>\n

Banker, Former Chairman, 1945-
\n\"\"<\/td>\n

QUI FAIT PLEURER LA CITE DU LION<\/a><\/td>\nWHO MAKES THE LION CITY CRY<\/a><\/td>\nCHI \u00c8 CHE FA PIANGERE LA CITT\u00c0 DEL LEONE<\/a><\/td>\n\u041a\u0422\u041e \u0417\u0410\u0421\u0422\u0410\u0412\u041b\u042f\u0415\u0422 \u041f\u041b\u0410\u041a\u0410\u0422\u042c \u0413\u041e\u0420\u041e\u0414 \u041b\u042c\u0412\u0410<\/a><\/td>\nWER BRINGT DIE L\u00d6WENSTADT ZUM WEINEN<\/a><\/td>\nQUI\u00c9N HACE LLORAR A LA CIUDAD DE LE\u00d3N<\/a><\/td>\n<\/tr>\n
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\"\"Elman<\/strong>, Richard Samuel<\/p>\n

Businessman, 1940-
\n\"\"<\/td>\n

QUI FAIT PLEURER LA CITE DU LION<\/a><\/td>\nWHO MAKES THE LION CITY CRY<\/a><\/td>\nCHI \u00c8 CHE FA PIANGERE LA CITT\u00c0 DEL LEONE<\/a><\/td>\n\u041a\u0422\u041e \u0417\u0410\u0421\u0422\u0410\u0412\u041b\u042f\u0415\u0422 \u041f\u041b\u0410\u041a\u0410\u0422\u042c \u0413\u041e\u0420\u041e\u0414 \u041b\u042c\u0412\u0410<\/a><\/td>\nWER BRINGT DIE L\u00d6WENSTADT ZUM WEINEN<\/a><\/td>\nQUI\u00c9N HACE LLORAR A LA CIUDAD DE LE\u00d3N<\/a><\/td>\n<\/tr>\n
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\"\"Elizabeth II<\/strong><\/p>\n

Queen, 1926-2022
\n\"\"<\/td>\n

LE DESASTRE DU BREXIT ET LA CHUTE DE BORIS JOHNSON<\/a><\/p>\n

CETTE TENDRE PETITE FIDUCIAIRE DE JERSEY<\/a><\/td>\n

THE BREXIT DISASTER AND THE FALL OF BORIS JOHNSON<\/a><\/p>\n

THAT TENDER LITTLE TRUST IN JERSEY<\/a><\/td>\n

IL DISASTRO BREXIT E LA CADUTA DI BORIS JOHNSON<\/a><\/p>\n

QUELLA PICCOLA E TENERA FIDUCIARIA NEL JERSEY<\/a><\/td>\n

\u041a\u0410\u0422\u0410\u0421\u0422\u0420\u041e\u0424\u0410 BREXIT \u0418 \u041f\u0410\u0414\u0415\u041d\u0418\u0415 \u0411\u041e\u0420\u0418\u0421\u0410 \u0414\u0416\u041e\u041d\u0421\u041e\u041d\u0410<\/a><\/p>\n

\u042d\u0422\u041e \u041c\u0410\u041b\u0415\u041d\u042c\u041a\u041e\u0415 \u0418 \u041d\u0415\u0416\u041d\u041e\u0415 \u0414\u041e\u0412\u0415\u0420\u0415\u041d\u041d\u041e\u0415 \u041b\u0418\u0426\u041e \u0418\u0417 \u0414\u0416\u0415\u0420\u0421\u0418<\/a><\/td>\n

DAS BREXIT-DESASTER UND DER STURZ VON BORIS JOHNSON<\/a><\/p>\n

DIE ZARTE KLEINE TREUHAND IN JERSEY<\/a><\/td>\n

EL DESASTRE DEL BREXIT Y LA CA\u00cdDA DE BORIS JOHNSON<\/a><\/p>\n

ESE DELICADO FIDEICOMISO DE JERSEY<\/a><\/td>\n<\/tr>\n

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\"\"El Farnawany<\/strong>, Mahmoud<\/p>\n

Lobbyist, 1933-2022
\n\"\"<\/td>\n

SYDNEY 2000 : LES JEUX OLYMPIQUES DE LA CORRUPTION<\/a><\/td>\nSYDNEY 2000: THE OLYMPICS OF CORRUPTION<\/a><\/td>\nSYDNEY 2000: LE OLIMPIADI DELLA CORRUZIONE<\/a><\/td>\n\u0421\u0418\u0414\u041d\u0415\u0419 2000: \u041e\u041b\u0418\u041c\u041f\u0418\u0410\u0414\u0410\u041a\u041e\u0420\u0420\u0423\u041f\u0426\u0418\u0418<\/a><\/td>\nSYDNEY 2000: DIE OLYMPISCHEN SPIELE DER KORRUPTION<\/a><\/td>\nSYDNEY 2000: LAS OLIMPIADAS DE LA CORRUPCI\u00d3N<\/a><\/td>\n<\/tr>\n
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\"\"El-Kheng<\/strong>, Rachid<\/p>\n

Manager, 1981-
\n\"\"<\/td>\n

LA HAINE INDOMPTABLE DU CONVERTI<\/a><\/td>\nTHE INDOMITABLE HATRED OF THE CONVERT<\/a><\/td>\nL\u2019ASTIO IMMARCESCIBILE DEL CONVERTITO<\/a><\/td>\n\u0411\u0415\u0421\u0421\u041c\u0415\u0420\u0422\u041d\u0410\u042f \u041d\u0415\u041d\u0410\u0412\u0418\u0421\u0422\u042c \u041a \u041e\u0411\u0420\u0410\u0429\u0415\u041d\u041d\u041e\u041c\u0423<\/a><\/td>\nDER UNSTILLBARE HASS DES KONVERTITEN<\/a><\/td>\nEL RENCOR IMPLACABLE DEL CONVERSO<\/a><\/td>\n<\/tr>\n
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\"\"Elkin<\/strong>, Sergei<\/p>\n

Cartoonist, 1964-
\n\"\"<\/td>\n

MINSK, DEUX ANS APRES : UN DEUIL SANS ESPOIR<\/a><\/td>\nMINSK, TWO YEARS LATER: MOURNING WITHOUT HOPE<\/a><\/td>\nMINSK, DUE ANNI DOPO: IL LUTTO SENZA SPERANZA<\/a><\/td>\n\u041c\u0418\u041d\u0421\u041a \u0414\u0412\u0410 \u0413\u041e\u0414\u0410 \u0421\u041f\u0423\u0421\u0422\u042f: \u0422\u0420\u0410\u0423\u0420 \u0411\u0415\u0417 \u041d\u0410\u0414\u0415\u0416\u0414\u042b<\/a><\/td>\nMINSK, ZWEI JAHRE DANACH: TRAUER OHNE HOFFNUNG<\/a><\/td>\nMINSK, DOS A\u00d1OS DESPU\u00c9S: LUTO SIN ESPERANZA<\/a><\/td>\n<\/tr>\n
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\"\"Elger<\/strong>, Max<\/p>\n

Politician, 1973-
\n\"\"<\/td>\n

G\u00d8TLAND, OU COMMENCE LA NOUVELLE GUERRE MONDIALE<\/a><\/td>\nG\u00d8TLAND, WHERE THE NEW WORLD WAR BEGINS<\/a><\/td>\nG\u00d8TLAND, DOVE COMINCIA LA NUOVA GUERRA MONDIALE<\/a><\/td>\n\u0413\u0401\u0422\u041b\u0410\u041d\u0414, \u0413\u0414\u0415 \u041d\u0410\u0427\u0418\u041d\u0410\u0415\u0422\u0421\u042f \u041d\u041e\u0412\u0410\u042f \u041c\u0418\u0420\u041e\u0412\u0410\u042f \u0412\u041e\u0419\u041d\u0410<\/a><\/td>\nG\u00d8TLAND, WO DER NEUE WELTKRIEG BEGINNT<\/a><\/td>\nG\u00d8TLAND, DONDE COMIENZA LA NUEVA GUERRA MUNDIAL<\/a><\/td>\n<\/tr>\n
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\"\"Elliott<\/strong>, William Yandell<\/p>\n

Historian \/ Politician, 1896-1979
\n\"\"<\/td>\n

HENRY KISSINGER, L\u2019AME NOIRE DU 20EME SIECLE<\/a><\/td>\nHENRY KISSINGER, THE DARK SOUL OF THE 20TH CENTURY<\/a><\/td>\nHENRY KISSINGER, L\u2019ANIMA NERA DEL XX SECOLO<\/a><\/td>\n\u0413\u0415\u041d\u0420\u0418 \u041a\u0418\u0421\u0421\u0418\u041d\u0414\u0416\u0415\u0420, \u0427\u0415\u0420\u041d\u0410\u042f \u0414\u0423\u0428\u0410 20 \u0412\u0415\u041a\u0410<\/a><\/td>\nHENRY KISSINGER, DIE SCHWARZE SEELE DES 20. JAHRHUNDERTS<\/a><\/td>\nHENRY KISSINGER, EL ALMA NEGRA DEL SIGLO XX<\/a><\/td>\n<\/tr>\n
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\"\"El-Othmani<\/strong>, Saad Eddine<\/p>\n

Politician, 1956-
\n\"\"<\/td>\n

FAUX ONG ET AGENTS MAROCAINS DANS LA GUERRE DE LIBYE<\/a><\/td>\nFALSE NGOS AND MOROCCAN AGENTS IN THE LIBYAN WAR<\/a><\/td>\nFINTE ONG ED AGENTI MAROCCHINI ALLA GUERRA DI LIBIA<\/a><\/td>\n\u041f\u041e\u0414\u0414\u0415\u041b\u042c\u041d\u042b\u0415 \u041e\u0411\u0429\u0415\u0421\u0422\u0412\u0415\u041d\u041d\u042b\u0415 \u041e\u0420\u0413\u0410\u041d\u0418\u0417\u0410\u0426\u0418\u0418 \u0418 \u041c\u0410\u0420\u041e\u041a\u041a\u0410\u041d\u0421\u041a\u0418\u0415 \u0410\u0413\u0415\u041d\u0422\u042b \u0412 \u041b\u0418\u0412\u0418\u0419\u0421\u041a\u041e\u0419 \u0412\u041e\u0419\u041d\u0415<\/a><\/td>\nFALSCHE NGOS UND MAROKKANISCHE AGENTEN IM LIBYENKRIEG<\/a><\/td>\nFALSAS ONG Y AGENTES MARROQU\u00cdES EN GUERRA EN LIBIA<\/a><\/td>\n<\/tr>\n
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\"\"Elovich<\/strong>, Shaul<\/p>\n

Businessman, 1948-
\n\"\"<\/td>\n

ISRA\u00cbL: LE CHANTAGE DE NETANYAHOU<\/a><\/td>\nISRAEL: NETANYAHU\u2019S BLACKMAIL<\/a><\/td>\nISRAELE: IL RICATTO DI NETANYAHU<\/a><\/td>\n\u0418\u0417\u0420\u0410\u0418\u041b\u042c: \u0428\u0410\u041d\u0422\u0410\u0416 \u041d\u0415\u0422\u0410\u041d\u042c\u042f\u0425\u0423<\/a><\/td>\nISRAEL: DIE ERPRESSUNG VON NETANJAHU<\/a><\/td>\nISRAEL: EL CHANTAJE DE NETANYAHU<\/a><\/td>\n<\/tr>\n
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\"\"El-Sisi<\/strong>, Abdel Fattah Saeed Hussein Khalil<\/p>\n

Politician, 1957-
\n\"\"<\/td>\n

LAVROV, L\u2019AFRIQUE ET LE NOUVEL ORDRE MONDIAL<\/a><\/td>\nLAVROV, AFRICA AND THE NEW GLOBAL ORDER<\/a><\/td>\nLAVROV, L\u2019AFRICA E IL NUOVO ORDINE GLOBALE<\/a><\/td>\n\u041b\u0410\u0412\u0420\u041e\u0412, \u0410\u0424\u0420\u0418\u041a\u0410 \u0418 \u041d\u041e\u0412\u042b\u0419 \u041c\u0418\u0420\u041e\u0412\u041e\u0419 \u041f\u041e\u0420\u042f\u0414\u041e\u041a<\/a><\/td>\nLAWROW, AFRIKA UND DIE NEUE GLOBALE ORDNUNG<\/a><\/td>\nLAVROV, \u00c1FRICA Y EL NUEVO ORDEN GLOBAL<\/a><\/td>\n<\/tr>\n
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\"\"Elvan<\/strong>, Berkin<\/p>\n

Victim, 1998-2014
\n\"\"<\/td>\n

COMMENT LA TURQUIE TORTURE ET TUE LES INTELLECTUELS<\/a><\/td>\nHOW TURKEY TORTURES AND KILLS INTELLECTUALS<\/a><\/td>\nCOS\u00cc LA TURCHIA TORTURA E UCCIDE GLI INTELLETTUALI<\/a><\/td>\n\u041a\u0410\u041a \u0422\u0423\u0420\u0426\u0418\u042f \u041f\u042b\u0422\u0410\u0415\u0422 \u0418 \u0423\u0411\u0418\u0412\u0410\u0415\u0422 \u0418\u041d\u0422\u0415\u041b\u041b\u0415\u041a\u0422\u0423\u0410\u041b\u041e\u0412<\/a><\/td>\nWIE DIE T\u00dcRKEI INTELLEKTUELLE FOLTERT UND T\u00d6TET<\/a><\/td>\nC\u00d3MO TORTURA Y MATA TURQU\u00cdA A LOS INTELECTUALES<\/a><\/p>\n

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\"\"Elvan<\/strong>, L\u00fctfi<\/p>\n

Politician, 1962-
\n\"\"<\/td>\n

LA MER \u00c9GEE, LA FRONTIERE LA PLUS CHAUDE D\u2019EUROPE<\/a><\/td>\nAEGEAN, THE HOTTEST BORDER IN EUROPE<\/a><\/td>\nEGEO, LA FRONTIERA PI\u00d9 CALDA D\u2019EUROPA<\/a><\/td>\n\u042d\u0413\u0415\u0419\u0421\u041a\u041e\u0415 \u041c\u041e\u0420\u0415 \u2013 \u0421\u0410\u041c\u042b\u0419 \u0413\u041e\u0420\u042f\u0427\u0418\u0419 \u0420\u0423\u0411\u0415\u0416 \u0415\u0412\u0420\u041e\u041f\u042b<\/a><\/td>\nDIE \u00c4G\u00c4IS, DIE HEI\u00dfESTE GRENZE IN EUROPA<\/a><\/td>\nEL EGEO, LA FRONTERA M\u00c1S CALIENTE DE EUROPA<\/a><\/td>\n<\/tr>\n
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\"\"El-Waghef<\/strong>, Yahya Ould Ahmed<\/p>\n

Politician, 1960-
\n\"\"<\/td>\n

COMMENT MEME LA FOURMI MAURITANIENNE PEUT CHANGER L\u2019EQUILIBRE DU MONDE<\/a><\/td>\nHOW EVEN THE MAURITANIAN ANT CAN CHANGE THE BALANCE OF THE WORLD<\/a><\/td>\nCOME PERSINO LA FORMICA MAURITANIA CAMBIA GLI EQUILIBRI DEL MONDO<\/a><\/td>\n\u041a\u0410\u041a \u0414\u0410\u0416\u0415 \u041c\u0410\u0412\u0420\u0418\u0422\u0410\u041d\u0421\u041a\u0418\u0419 \u041c\u0423\u0420\u0410\u0412\u0415\u0419 \u041c\u0415\u041d\u042f\u0415\u0422 \u0411\u0410\u041b\u0410\u041d\u0421 \u041c\u0418\u0420\u0410<\/a><\/td>\nWIE SELBST DIE MAURETANISCHE AMEISE DAS GLEICHGEWICHT DER WELT VER\u00c4NDERN KANN<\/a><\/td>\nC\u00d3MO INCLUSO LA HORMIGA MAURITANIA CAMBIA EL EQUILIBRIO DEL MUNDO<\/a><\/td>\n<\/tr>\n
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\"\"Emblem<\/strong>, Trond<\/p>\n

Shipowner, 1975-
\n\"\"<\/td>\n

TRAFIGURA: POURQUOI NOUS DEVRIONS EN AVOIR PEUR<\/a><\/td>\nTRAFIGURA: WHY WE SHOULD BE AFRAID OF IT<\/a><\/td>\nTRAFIGURA: PERCH\u00c9 DOBBIAMO AVERNE PAURA<\/a><\/td>\nTRAFIGURA: \u041f\u041e\u0427\u0415\u041c\u0423 \u041d\u0410\u041c \u0421\u0422\u041e\u0418\u0422 \u0415\u0401 \u0411\u041e\u042f\u0422\u042c\u0421\u042f<\/a><\/td>\nTRAFIGURA: WARUM WIR UNS DAVOR F\u00dcRCHTEN SOLLTEN<\/a><\/td>\nTRAFIGURA: POR QU\u00c9 DEBEMOS TEMERLA<\/a><\/td>\n<\/tr>\n
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\"\"Emmanuel<\/strong>, Henry<\/p>\n

Manager, 1973-
\n\"\"<\/td>\n

LES MAINS SALES DE LA FINLANDE<\/a><\/td>\nFINLAND\u2019S DIRTY HANDS<\/a><\/td>\nLE MANI SPORCHE DELLA FINLANDIA<\/a><\/td>\n\u0413\u0420\u042f\u0417\u041d\u042b\u0415 \u0420\u0423\u041a\u0418 \u0424\u0418\u041d\u041b\u042f\u041d\u0414\u0418\u0418<\/a><\/td>\nINNLANDS SCHMUTZIGE H\u00c4NDE<\/a><\/td>\nLAS MANOS SUCIAS DE FINLANDIA<\/a><\/td>\n<\/tr>\n
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\"\"Endrigo<\/strong>, Sergio<\/p>\n

Songwriter, 1933-2005
\n\"\"<\/td>\n

AM\u00c1LIA RODRIGUEZ ET LA M\u00c9LANCOLIE INFINIE<\/a><\/td>\nAM\u00c1LIA RODRIGUEZ AND ENDLESS MELANCHOLY<\/a><\/td>\nAM\u00c1LIA RODRIGUEZ E LA MALINCONIA INFINITA<\/a><\/td>\nAM\u00c1LIA RODRIGUES \u0418 \u0411\u0415\u0421\u041a\u041e\u041d\u0415\u0427\u041d\u0410\u042f \u041c\u0415\u041b\u0410\u041d\u0425\u041e\u041b\u0418\u042f<\/a><\/td>\nAM\u00c1LIA RODRIGUES UND DIE UNENDLICHE MELANCHOLIE<\/a><\/td>\nAM\u00c1LIA RODRIGUEZ Y LA MELANCOL\u00cdA INFINITA<\/a><\/td>\n<\/tr>\n
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\"\"Engel<\/strong>, Willem<\/p>\n

Politician, 1977-
\n\"\"<\/td>\n

HEEREMA : LE LONG VOYAGE DU NATIONAL-SOCIALISME A L\u2019EXPLOITATION DES FONDS MARINS<\/a><\/td>\nHEEREMA: THE LONG JOURNEY FROM NATIONAL SOCIALISM TO THE EXPLOITATION OF THE SEABED<\/a><\/td>\nHEEREMA: IL LUNGO VIAGGIO DAL NAZISMO ALLO SFRUTTAMENTO DEI FONDALI OCEANICI<\/a><\/td>\nHEEREMA: \u0414\u041e\u041b\u0413\u041e\u0415 \u041f\u0423\u0422\u0415\u0428\u0415\u0421\u0422\u0412\u0418\u0415 \u041e\u0422 \u041d\u0410\u0426\u0418\u0417\u041c\u0410 \u041a \u042d\u041a\u0421\u041f\u041b\u0423\u0410\u0422\u0410\u0426\u0418\u0418 \u041e\u041a\u0415\u0410\u041d\u0421\u041a\u041e\u0413\u041e \u0414\u041d\u0410<\/a><\/td>\nHEEREMA: DIE LANGE REISE VOM NATIONALSOZIALISMUS ZUR AUSBEUTUNG DES MEERESBODENS<\/a><\/td>\nHEEREMA: EL LARGO VIAJE DEL NAZISMO A LA EXPLOTACI\u00d3N DE LOS FONDOS MARINOS<\/a><\/p>\n

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\"\"Engdahl<\/strong>, Per<\/p>\n

Politician, 1909-1994
\n\"\"<\/td>\n

LA SUEDE MULTICULTURELLE \u2013 LA FIN D\u2019UN MYTHE<\/a><\/td>\nMULTICULTURAL SWEDEN \u2013 THE END OF A MYTH<\/a><\/td>\nLA SVEZIA MULTICULTURALE \u2013 LA FINE DI UN MITO<\/a><\/td>\n\u041c\u0423\u041b\u042c\u0422\u0418\u041a\u0423\u041b\u042c\u0422\u0423\u0420\u041d\u0410\u042f \u0428\u0412\u0415\u0426\u0418\u042f \u2013 \u041a\u041e\u041d\u0415\u0426 \u041c\u0418\u0424\u0410<\/a><\/td>\nMULTIKULTURELLES SCHWEDEN \u2013 DAS ENDE EINES MYTHOS<\/a><\/td>\nSUECIA MULTICULTURAL: EL FIN DE UN MITO<\/a><\/td>\n<\/tr>\n
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\"\"Enoksen<\/strong>, Hans<\/p>\n

Politician, 1956-
\n\"\"<\/td>\n

LE GROENLAND, NOUVELLE TERRE PROMISE DE L\u2019HUMANITE<\/a><\/td>\nGREENLAND, HUMANITY\u2019S NEW PROMISED LAND<\/a><\/td>\nGROENLANDIA, NUOVA TERRA PROMESSA DELL\u2019UMANIT\u00c0<\/a><\/td>\n\u0413\u0420\u0415\u041d\u041b\u0410\u041d\u0414\u0418\u042f, \u041d\u041e\u0412\u0410\u042f \u0417\u0415\u041c\u041b\u042f \u041e\u0411\u0415\u0422\u041e\u0412\u0410\u041d\u041d\u0410\u042f \u0414\u041b\u042f \u0427\u0415\u041b\u041e\u0412\u0415\u0427\u0415\u0421\u0422\u0412\u0410<\/a><\/td>\nGR\u00d6NLAND, DAS NEUE GELOBTE LAND DER MENSCHHEIT<\/a><\/td>\nGROENLANDIA, LA NUEVA TIERRA PROMETIDA DE LA HUMANIDAD<\/a><\/td>\n<\/tr>\n
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\"\"Eraclito<\/strong> di Efeso<\/p>\n

Filosofo, 535 a.C.-475 a.C.<\/p>\n

\"\"<\/td>\n

QUAND LE CRIME DEVIENT UN \u00c9TAT: LA TURQUIE DE KAMER ET ERDOGAN<\/a><\/td>\nWHEN THE MOB BECOMES THE STATE: THE TURKEY OF KAMER AND ERDO\u011eAN<\/a><\/td>\nQUANDO IL CRIMINE SI FA STATO: LA TURCHIA DI KAMER E ERDO\u011eAN<\/a><\/td>\n\u041a\u041e\u0413\u0414\u0410 \u041f\u0420\u0415\u0421\u0422\u0423\u041f\u041b\u0415\u041d\u0418\u0415 \u0417\u041d\u0410\u0427\u0418\u0422 \u0413\u041e\u0421\u0423\u0414\u0410\u0420\u0421\u0422\u0412\u041e: \u0422\u0423\u0420\u0426\u0418\u042f \u041a\u0410\u041c\u0415\u0420\u0410 \u0418 \u042d\u0420\u0414\u041e\u0413\u0410\u041d\u0410<\/a><\/td>\nWENN KRIMINALIT\u00c4T ZUM STAAT WIRD: KAMER UND ERDO\u011eANS T\u00dcRKEI<\/a><\/td>\nCUANDO EL CRIMEN SE CONVIERTE EN ESTADO: LA TURQU\u00cdA DE KAMER Y ERDO\u011eAN<\/a><\/td>\n<\/tr>\n
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\"\"Erbakan<\/strong>, Necmettin<\/p>\n

Politician, 1926-2011
\n\"\"<\/td>\n

PARC GEZI: LE SYMBOLE DE L\u2019EFFONDREMENT DE LA TURQUIE<\/a><\/td>\nGEZI PARK: THE SYMBOL OF TURKEY\u2019S COLLAPSE<\/a><\/td>\nGEZI PARK: IL SIMBOLO DELLA TURCHIA AL COLLASSO<\/a><\/td>\nGEZI \u041f\u0410\u0420\u041a: \u0421\u0418\u041c\u0412\u041e\u041b \u0422\u0423\u0420\u0426\u0418\u0418, \u041a\u041e\u0422\u041e\u0420\u0410\u042f \u0420\u0410\u0417\u0420\u0423\u0428\u0410\u0415\u0422\u0421\u042f<\/a><\/td>\nGEZI PARK: DAS SYMBOL DES ZUSAMMENBRUCHS DER T\u00dcRKEI<\/a><\/td>\nPARQUE GEZI: EL S\u00cdMBOLO DEL COLAPSO DE TURQU\u00cdA<\/a><\/td>\n<\/tr>\n
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\"\"Erba\u015f<\/strong>, Ali<\/p>\n

Theologist, 1961-
\n\"\"<\/td>\n

PARC GEZI: LE SYMBOLE DE L\u2019EFFONDREMENT DE LA TURQUIE<\/a><\/td>\nGEZI PARK: THE SYMBOL OF TURKEY\u2019S COLLAPSE<\/a><\/td>\nGEZI PARK: IL SIMBOLO DELLA TURCHIA AL COLLASSO<\/a><\/td>\nGEZI \u041f\u0410\u0420\u041a: \u0421\u0418\u041c\u0412\u041e\u041b \u0422\u0423\u0420\u0426\u0418\u0418, \u041a\u041e\u0422\u041e\u0420\u0410\u042f \u0420\u0410\u0417\u0420\u0423\u0428\u0410\u0415\u0422\u0421\u042f<\/a><\/td>\nGEZI PARK: DAS SYMBOL DES ZUSAMMENBRUCHS DER T\u00dcRKEI<\/a><\/td>\nPARQUE GEZI: EL S\u00cdMBOLO DEL COLAPSO DE TURQU\u00cdA<\/a><\/td>\n<\/tr>\n
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\"\"Erdo\u011fan Albayrak<\/strong>, Esra<\/p>\n

Sociologist, 1983-<\/p>\n

\"\"<\/td>\n

QUAND LE CRIME DEVIENT UN \u00c9TAT: LA TURQUIE DE KAMER ET ERDOGAN<\/a><\/td>\nWHEN THE MOB BECOMES THE STATE: THE TURKEY OF KAMER AND ERDO\u011eAN<\/a><\/td>\nQUANDO IL CRIMINE SI FA STATO: LA TURCHIA DI KAMER E ERDO\u011eAN<\/a><\/td>\n\u041a\u041e\u0413\u0414\u0410 \u041f\u0420\u0415\u0421\u0422\u0423\u041f\u041b\u0415\u041d\u0418\u0415 \u0417\u041d\u0410\u0427\u0418\u0422 \u0413\u041e\u0421\u0423\u0414\u0410\u0420\u0421\u0422\u0412\u041e: \u0422\u0423\u0420\u0426\u0418\u042f \u041a\u0410\u041c\u0415\u0420\u0410 \u0418 \u042d\u0420\u0414\u041e\u0413\u0410\u041d\u0410<\/a><\/td>\nWENN KRIMINALIT\u00c4T ZUM STAAT WIRD: KAMER UND ERDO\u011eANS T\u00dcRKEI<\/a><\/td>\nCUANDO EL CRIMEN SE CONVIERTE EN ESTADO: LA TURQU\u00cdA DE KAMER Y ERDO\u011eAN<\/a><\/td>\n<\/tr>\n
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\"\"Erden<\/strong>, \u015e\u00fckriye<\/p>\n

Politician, 1975-
\n\"\"<\/td>\n

COMMENT LA TURQUIE TORTURE ET TUE LES INTELLECTUELS<\/a><\/td>\nHOW TURKEY TORTURES AND KILLS INTELLECTUALS<\/a><\/td>\nCOS\u00cc LA TURCHIA TORTURA E UCCIDE GLI INTELLETTUALI<\/a><\/td>\n\u041a\u0410\u041a \u0422\u0423\u0420\u0426\u0418\u042f \u041f\u042b\u0422\u0410\u0415\u0422 \u0418 \u0423\u0411\u0418\u0412\u0410\u0415\u0422 \u0418\u041d\u0422\u0415\u041b\u041b\u0415\u041a\u0422\u0423\u0410\u041b\u041e\u0412<\/a><\/td>\nWIE DIE T\u00dcRKEI INTELLEKTUELLE FOLTERT UND T\u00d6TET<\/a><\/td>\nC\u00d3MO TORTURA Y MATA TURQU\u00cdA A LOS INTELECTUALES<\/a><\/p>\n

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\"\"Erdo\u011fan Bayraktar<\/strong>, Sumeyye<\/p>\n

Politician, 1985-<\/p>\n

\"\"<\/td>\n

QUAND LE CRIME DEVIENT UN \u00c9TAT: LA TURQUIE DE KAMER ET ERDOGAN<\/a><\/td>\nWHEN THE MOB BECOMES THE STATE: THE TURKEY OF KAMER AND ERDO\u011eAN<\/a><\/td>\nQUANDO IL CRIMINE SI FA STATO: LA TURCHIA DI KAMER E ERDO\u011eAN<\/a><\/td>\n\u041a\u041e\u0413\u0414\u0410 \u041f\u0420\u0415\u0421\u0422\u0423\u041f\u041b\u0415\u041d\u0418\u0415 \u0417\u041d\u0410\u0427\u0418\u0422 \u0413\u041e\u0421\u0423\u0414\u0410\u0420\u0421\u0422\u0412\u041e: \u0422\u0423\u0420\u0426\u0418\u042f \u041a\u0410\u041c\u0415\u0420\u0410 \u0418 \u042d\u0420\u0414\u041e\u0413\u0410\u041d\u0410<\/a><\/td>\nWENN KRIMINALIT\u00c4T ZUM STAAT WIRD: KAMER UND ERDO\u011eANS T\u00dcRKEI<\/a><\/td>\nCUANDO EL CRIMEN SE CONVIERTE EN ESTADO: LA TURQU\u00cdA DE KAMER Y ERDO\u011eAN<\/a><\/td>\n<\/tr>\n
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\"\"Erdo\u011fan G\u00fclbaran<\/strong>, Emine<\/p>\n

President Erdo\u011fan’s wife, 1955-<\/p>\n

\"\"<\/td>\n

QUAND LE CRIME DEVIENT UN \u00c9TAT: LA TURQUIE DE KAMER ET ERDOGAN<\/a><\/td>\nWHEN THE MOB BECOMES THE STATE: THE TURKEY OF KAMER AND ERDO\u011eAN<\/a><\/td>\nQUANDO IL CRIMINE SI FA STATO: LA TURCHIA DI KAMER E ERDO\u011eAN<\/a><\/td>\n\u041a\u041e\u0413\u0414\u0410 \u041f\u0420\u0415\u0421\u0422\u0423\u041f\u041b\u0415\u041d\u0418\u0415 \u0417\u041d\u0410\u0427\u0418\u0422 \u0413\u041e\u0421\u0423\u0414\u0410\u0420\u0421\u0422\u0412\u041e: \u0422\u0423\u0420\u0426\u0418\u042f \u041a\u0410\u041c\u0415\u0420\u0410 \u0418 \u042d\u0420\u0414\u041e\u0413\u0410\u041d\u0410<\/a><\/td>\nWENN KRIMINALIT\u00c4T ZUM STAAT WIRD: KAMER UND ERDO\u011eANS T\u00dcRKEI<\/a><\/td>\nCUANDO EL CRIMEN SE CONVIERTE EN ESTADO: LA TURQU\u00cdA DE KAMER Y ERDO\u011eAN<\/a><\/td>\n<\/tr>\n
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\"\"Erdo\u011fan<\/strong>, Ahmet Burak<\/p>\n

Businessman, 1979-<\/p>\n

\"\"<\/td>\n

QUAND LE CRIME DEVIENT UN \u00c9TAT: LA TURQUIE DE KAMER ET ERDOGAN<\/a><\/td>\nWHEN THE MOB BECOMES THE STATE: THE TURKEY OF KAMER AND ERDO\u011eAN<\/a><\/td>\nQUANDO IL CRIMINE SI FA STATO: LA TURCHIA DI KAMER E ERDO\u011eAN<\/a><\/td>\n\u041a\u041e\u0413\u0414\u0410 \u041f\u0420\u0415\u0421\u0422\u0423\u041f\u041b\u0415\u041d\u0418\u0415 \u0417\u041d\u0410\u0427\u0418\u0422 \u0413\u041e\u0421\u0423\u0414\u0410\u0420\u0421\u0422\u0412\u041e: \u0422\u0423\u0420\u0426\u0418\u042f \u041a\u0410\u041c\u0415\u0420\u0410 \u0418 \u042d\u0420\u0414\u041e\u0413\u0410\u041d\u0410<\/a><\/td>\nWENN KRIMINALIT\u00c4T ZUM STAAT WIRD: KAMER UND ERDO\u011eANS T\u00dcRKEI<\/a><\/td>\nCUANDO EL CRIMEN SE CONVIERTE EN ESTADO: LA TURQU\u00cdA DE KAMER Y ERDO\u011eAN<\/a><\/td>\n<\/tr>\n
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\"\"<\/strong><\/p>\n

Erdo\u011fan<\/strong>, Necmettin Bilal<\/p>\n

Businessman, 1981-<\/p>\n

\"\"<\/td>\n

QUAND LE CRIME DEVIENT UN \u00c9TAT: LA TURQUIE DE KAMER ET ERDOGAN<\/a><\/td>\nWHEN THE MOB BECOMES THE STATE: THE TURKEY OF KAMER AND ERDO\u011eAN<\/a><\/td>\nQUANDO IL CRIMINE SI FA STATO: LA TURCHIA DI KAMER E ERDO\u011eAN<\/a><\/td>\n\u041a\u041e\u0413\u0414\u0410 \u041f\u0420\u0415\u0421\u0422\u0423\u041f\u041b\u0415\u041d\u0418\u0415 \u0417\u041d\u0410\u0427\u0418\u0422 \u0413\u041e\u0421\u0423\u0414\u0410\u0420\u0421\u0422\u0412\u041e: \u0422\u0423\u0420\u0426\u0418\u042f \u041a\u0410\u041c\u0415\u0420\u0410 \u0418 \u042d\u0420\u0414\u041e\u0413\u0410\u041d\u0410<\/a><\/td>\nWENN KRIMINALIT\u00c4T ZUM STAAT WIRD: KAMER UND ERDO\u011eANS T\u00dcRKEI<\/a><\/td>\nCUANDO EL CRIMEN SE CONVIERTE EN ESTADO: LA TURQU\u00cdA DE KAMER Y ERDO\u011eAN<\/a><\/td>\n<\/tr>\n
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\"\"Erdo\u011fan<\/strong>, Recep Tayyip<\/p>\n

Dictator, 1954-
\n\"\"<\/td>\n

ERDO\u011eAN ET POUTINE : L\u2019ALLIANCE SECRETE DANS LE CAUCASE<\/a><\/p>\n

QUAND LE CRIME DEVIENT UN \u00c9TAT: LA TURQUIE DE KAMER ET ERDOGAN<\/a><\/p>\n

DE LA SCIENCE-FICTION AU CAUCHEMAR: LES LOGICIELS ESPIONS UTILISENT POUR TRAQUER LES ADVERSAIRES<\/a><\/p>\n

GOLFE PERSIQUE: LA GUERRE APRES L\u2019ARMISTICE<\/a><\/p>\n

NETANYAHU COMME ERDOGAN: LES POPULISTES LUTTENT POUR UN CONFLIT MONDIAL<\/a><\/p>\n

PARC GEZI: LE SYMBOLE DE L\u2019EFFONDREMENT DE LA TURQUIE<\/a><\/p>\n

AL-SHABAAB : L\u2019EPEE DE DAMOCLES SUR LA SOMALIE<\/a><\/p>\n

SOCOTRA, LA DERNIERE ILE ENCHANTEE ET MERVEILLEUSE<\/a><\/p>\n

GRECE: LES NOUVEAUX CAMPS DE CONCENTRATION<\/a><\/p>\n

LA MER \u00c9GEE, LA FRONTIERE LA PLUS CHAUDE D\u2019EUROPE<\/a><\/p>\n

COMMENT LA TURQUIE TORTURE ET TUE LES INTELLECTUELS<\/a><\/p>\n

ARR\u00caTER LA TORTURE<\/a><\/p>\n

A LA MORT DE L\u2019ICONE DU NEO-FASCISME RUSSE<\/a><\/p>\n

SEULS, COMME LES KURDES<\/a><\/p>\n

SI TU ES L\u2019AMI D\u2019ERDOGAN, TU N\u2019AS PLUS BESOIN D\u2019ENNEMIS<\/a><\/p>\n

LIBYE: LA LUTTE POUR LE PETROLE<\/a><\/td>\n

ERDO\u011eAN AND PUTIN: A SECRET ALLIANCE IN THE CAUCASUS<\/a><\/p>\n

WHEN THE MOB BECOMES THE STATE: THE TURKEY OF KAMER AND ERDO\u011eAN<\/a><\/p>\n

FROM SCI-FI TO NIGHTMARE: HOW SPYWARE ARE USED TO TRACK DOWN OPPONENTS<\/a><\/p>\n

PERSIAN GULF: THE WAR AFTER THE ARMISTICE<\/a><\/p>\n

NETANYAHU AS ERDO\u011eAN: POPULISTS STRUGGLE FOR A GLOBAL CONFLICT<\/a><\/p>\n

GEZI PARK: THE SYMBOL OF TURKEY\u2019S COLLAPSE<\/a><\/p>\n

AL-SHABAAB: THE SWORD OF DAMOCLES OVER SOMALIA<\/a><\/p>\n

SOCOTRA, THE LAST WONDERFUL ENCHANTED ISLAND<\/a><\/p>\n

GREECE: NEW CONCENTRATION CAMPS EMERGE<\/a><\/p>\n

AEGEAN, THE HOTTEST BORDER IN EUROPE<\/a><\/p>\n

HOW TURKEY TORTURES AND KILLS INTELLECTUALS<\/a><\/p>\n

STOP TORTURE<\/a><\/p>\n

IN DEATH OF THE ICON OF RUSSIAN NEO-FASCISM<\/a><\/p>\n

LONELY AS THE KURDS<\/a><\/p>\n

IF YOU ARE ERDOGAN\u2019S FRIEND, YOU DON\u2019T NEED ENEMIES<\/a><\/p>\n

LIBYA: THE FIGHT FOR OIL<\/a><\/td>\n

ERDO\u011eAN E PUTIN: L\u2019ALLEANZA SEGRETA NEL CAUCASO<\/a><\/p>\n

QUANDO IL CRIMINE SI FA STATO: LA TURCHIA DI KAMER E ERDO\u011eAN<\/a><\/p>\n

DALLA FANTASCIENZA ALL\u2019INCUBO: LO SPYWARE DI REGIME PER IL CONTROLLO TOTALE<\/a><\/p>\n

GOLFO PERSICO: LA GUERRA DOPO L\u2019ARMISTIZIO<\/a><\/p>\n

NETANYAHU COME ERDO\u011eAN: IL SOVRANISMO SPERA IN UN CONFLITTO MONDIALE<\/a><\/p>\n

GEZI PARK: IL SIMBOLO DELLA TURCHIA AL COLLASSO<\/a><\/p>\n

AL-SHABAAB: LA SPADA DI DAMOCLE SULLA SOMALIA<\/a><\/p>\n

SOCOTRA, L\u2019ULTIMA MERAVIGLIOSA ISOLA INCANTATA<\/a><\/p>\n

GRECIA: NASCONO I NUOVI CAMPI DI CONCENTRAMENTO<\/a><\/p>\n

EGEO, LA FRONTIERA PI\u00d9 CALDA D\u2019EUROPA<\/a><\/p>\n

COS\u00cc LA TURCHIA TORTURA E UCCIDE GLI INTELLETTUALI<\/a><\/p>\n

STOP ALLA TORTURA<\/a><\/p>\n

IN MORTE DELL\u2019ICONA DEL NEOFASCISMO RUSSO<\/a><\/p>\n

SOLI COME CURDI<\/a><\/p>\n

SE SEI AMICO DI ERDOGAN, NON HAI BISOGNO DI NEMICI<\/a><\/p>\n

LIBIA: LA LOTTA PER IL PETROLIO<\/a><\/td>\n

\u042d\u0420\u0414\u041e\u0413\u0410\u041d \u0418 \u041f\u0423\u0422\u0418\u041d: \u0422\u0410\u0419\u041d\u042b\u0419 \u0421\u041e\u042e\u0417 \u041d\u0410 \u041a\u0410\u0412\u041a\u0410\u0417\u0415<\/a><\/p>\n

\u041a\u041e\u0413\u0414\u0410 \u041f\u0420\u0415\u0421\u0422\u0423\u041f\u041b\u0415\u041d\u0418\u0415 \u0417\u041d\u0410\u0427\u0418\u0422 \u0413\u041e\u0421\u0423\u0414\u0410\u0420\u0421\u0422\u0412\u041e: \u0422\u0423\u0420\u0426\u0418\u042f \u041a\u0410\u041c\u0415\u0420\u0410 \u0418 \u042d\u0420\u0414\u041e\u0413\u0410\u041d\u0410<\/a><\/p>\n

\u041e\u0422 \u041d\u0410\u0423\u0427\u041d\u041e\u0419 \u0424\u0410\u041d\u0422\u0410\u0421\u0422\u0418\u041a\u0418 \u0414\u041e \u041a\u041e\u0428\u041c\u0410\u0420\u0410: \u0428\u041f\u0418\u041e\u041d\u0421\u041a\u041e\u0415 \u041f\u041e, \u0421 \u041f\u041e\u041c\u041e\u0429\u042c\u042e \u041a\u041e\u0422\u041e\u0420\u041e\u0413\u041e \u0420\u0415\u0416\u0418\u041c \u041f\u0420\u0415\u0421\u041b\u0415\u0414\u0423\u0415\u0422 \u041e\u041f\u041f\u041e\u041d\u0415\u041d\u0422\u041e\u0412<\/a><\/p>\n

\u041f\u0415\u0420\u0421\u0418\u0414\u0421\u041a\u0418\u0419 \u0417\u0410\u041b\u0418\u0412: \u0412\u041e\u0419\u041d\u0410 \u041f\u041e\u0421\u041b\u0415 \u041f\u0415\u0420\u0415\u041c\u0418\u0420\u0418\u042f<\/a><\/p>\n

\u041d\u0415\u0422\u0410\u041d\u042c\u042f\u0425\u0423 \u041a\u0410\u041a \u042d\u0420\u0414\u041e\u0413\u0410\u041d: \u0421\u0423\u0412\u0415\u0420\u0415\u041d\u0418\u0417\u041c \u041d\u0410\u0414\u0415\u0415\u0422\u0421\u042f \u041d\u0410 \u041c\u0418\u0420\u041e\u0412\u041e\u0419 \u041a\u041e\u041d\u0424\u041b\u0418\u041a\u0422<\/a><\/p>\n

GEZI \u041f\u0410\u0420\u041a: \u0421\u0418\u041c\u0412\u041e\u041b \u0422\u0423\u0420\u0426\u0418\u0418, \u041a\u041e\u0422\u041e\u0420\u0410\u042f \u0420\u0410\u0417\u0420\u0423\u0428\u0410\u0415\u0422\u0421\u042f<\/a><\/p>\n

\u0410\u0428-\u0428\u0410\u0411\u0410\u0411: \u0414\u0410\u041c\u041e\u041a\u041b\u041e\u0412 \u041c\u0415\u0427 \u041d\u0410\u0414 \u0421\u041e\u041c\u0410\u041b\u0418<\/a><\/p>\n

\u0421\u041e\u041a\u041e\u0422\u0420\u0410, \u041f\u041e\u0421\u041b\u0415\u0414\u041d\u0418\u0419 \u0427\u0423\u0414\u0415\u0421\u041d\u042b\u0419 \u0417\u0410\u0427\u0410\u0420\u041e\u0412\u0410\u041d\u041d\u042b\u0419 \u041e\u0421\u0422\u0420\u041e\u0412<\/a><\/p>\n

\u0413\u0420\u0415\u0426\u0418\u042f: \u041f\u041e\u042f\u0412\u041b\u042f\u042e\u0422\u0421\u042f \u0412\u0421\u0415 \u041d\u041e\u0412\u042b\u0415 \u041a\u041e\u041d\u0426\u041b\u0410\u0413\u0415\u0420\u042f<\/a><\/p>\n

\u042d\u0413\u0415\u0419\u0421\u041a\u041e\u0415 \u041c\u041e\u0420\u0415 \u2013 \u0421\u0410\u041c\u042b\u0419 \u0413\u041e\u0420\u042f\u0427\u0418\u0419 \u0420\u0423\u0411\u0415\u0416 \u0415\u0412\u0420\u041e\u041f\u042b<\/a><\/p>\n

\u041a\u0410\u041a \u0422\u0423\u0420\u0426\u0418\u042f \u041f\u042b\u0422\u0410\u0415\u0422 \u0418 \u0423\u0411\u0418\u0412\u0410\u0415\u0422 \u0418\u041d\u0422\u0415\u041b\u041b\u0415\u041a\u0422\u0423\u0410\u041b\u041e\u0412<\/a><\/p>\n

\u0411\u041e\u041b\u042c\u0428\u0415 \u041d\u0415\u041b\u042c\u0417\u042f \u0412\u0415\u0421\u0422\u0418 \u041f\u0415\u0420\u0415\u0413\u041e\u0412\u041e\u0420\u042b \u0421 \u0414\u0418\u041a\u0422\u0410\u0422\u041e\u0420\u0410\u041c\u0418<\/a><\/p>\n

\u0421\u041c\u0415\u0420\u0422\u042c \u0418\u041a\u041e\u041d\u042b \u0420\u041e\u0421\u0421\u0418\u0419\u0421\u041a\u041e\u0413\u041e \u041d\u0415\u041e\u0424\u0410\u0428\u0418\u0417\u041c\u0410<\/a><\/p>\n

\u041e\u0414\u0418\u041d\u041e\u041a\u0418 \u041a\u0410\u041a \u041a\u0423\u0420\u0414\u042b<\/a><\/p>\n

\u0415\u0421\u041b\u0418 \u0422\u042b \u0414\u0420\u0423\u0413 \u042d\u0420\u0414\u041e\u0413\u0410\u041d\u0410, \u0422\u0415\u0411\u0415 \u041d\u0415 \u041d\u0423\u0416\u041d\u042b \u0412\u0420\u0410\u0413\u0418<\/a><\/p>\n

\u041b\u0418\u0412\u0418\u042f: \u0411\u041e\u0420\u042c\u0411\u0410 \u0417\u0410 \u041d\u0415\u0424\u0422\u042c<\/a><\/td>\n

ERDO\u011eAN UND PUTIN: DIE GEHEIME ALLIANZ IM KAUKASUS<\/a><\/p>\n

WENN KRIMINALIT\u00c4T ZUM STAAT WIRD: KAMER UND ERDO\u011eANS T\u00dcRKEI<\/a><\/p>\n

VON SCIENCE FICTION ZUM ALBTRAUM: DIE SPYWARE, MIT DER REGIME GEGNER VERFOLGEN<\/a><\/p>\n

PERSISCHER GOLF: DER KRIEG NACH DEM WAFFENSTILLSTAND<\/a><\/p>\n

NETANJAHU WIE ERDO\u011eAN: DIE POPULISTEN STREBEN NACH EINEM WELTKONFLIKT<\/a><\/p>\n

GEZI PARK: DAS SYMBOL DES ZUSAMMENBRUCHS DER T\u00dcRKEI<\/a><\/p>\n

AL-SHABAAB: DAS DAMOKLESSCHWERT \u00dcBER SOMALIA<\/a><\/p>\n

SOKOTRA, DIE LETZTE WUNDERBARE, VERWUNSCHENE INSEL<\/a><\/p>\n

GRIECHENLAND: DIE R\u00dcCKKEHR DES KONZENTRATIONSLAGERS<\/a><\/p>\n

DIE \u00c4G\u00c4IS, DIE HEI\u00dfESTE GRENZE IN EUROPA<\/a><\/p>\n

WIE DIE T\u00dcRKEI INTELLEKTUELLE FOLTERT UND T\u00d6TET<\/a><\/p>\n

FOLTER BEENDEN<\/a><\/p>\n

ZUM TOD DER IKONE DES RUSSISCHEN NEOFASCHISMUS<\/a><\/p>\n

EINSAM WIE DIE KURDEN<\/a><\/p>\n

WENN DU ERDOGANS FREUND BIST, BRAUCHST DU KEINE FEINDE MEHR<\/a><\/p>\n

LIBYEN: DER KAMPF UMS \u00d6L<\/a><\/td>\n

SOCOTRA, LA \u00daLTIMA Y MARAVILLOSA ISLA ENCANTADA<\/a><\/p>\n

DE LA CIENCIA FICCI\u00d3N A LA PESADILLA: PROGRAMAS ESP\u00cdA DEL R\u00c9GIMEN PARA EL CONTROL TOTAL<\/a><\/p>\n

CUANDO EL CRIMEN SE CONVIERTE EN ESTADO: LA TURQU\u00cdA DE KAMER Y ERDO\u011eAN<\/a><\/p>\n

ERDOGAN Y PUTIN: LA ALIANZA SECRETA EN EL C\u00c1UCASO<\/a><\/p>\n

GRECIA: SURGEN NUEVOS CAMPOS DE CONCENTRACI\u00d3N<\/a><\/p>\n

PARQUE GEZI: EL S\u00cdMBOLO DEL COLAPSO DE TURQU\u00cdA<\/a><\/p>\n

NETANYAHU COMO ERDO\u011eAN: EL SOBERANISMO ESPERA UN CONFLICTO MUNDIAL<\/a><\/p>\n

AL-SHABAAB: LA ESPADA DE DAMOCLES SOBRE SOMALIA<\/a><\/p>\n

EL EGEO, LA FRONTERA M\u00c1S CALIENTE DE EUROPA<\/a><\/p>\n

C\u00d3MO TORTURA Y MATA TURQU\u00cdA A LOS INTELECTUALES<\/a><\/p>\n

DETENER LA TORTURA<\/a><\/p>\n

EN LA MUERTE DEL ICONO DEL NEOFASCISMO RUSO<\/a><\/p>\n

TAN SOLO COMO LOS KURDOS<\/a><\/p>\n

SI ERES AMIGO DE ERDOGAN, NO NECESITAS M\u00c1S ENEMIGOS<\/a><\/p>\n

LIBIA: LA LUCHA POR EL PETR\u00d3LEO<\/a><\/td>\n<\/tr>\n

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\"\"Ereren<\/strong>, Ya\u011fmur<\/p>\n

Lawyer, 1982-
\n\"\"<\/td>\n

COMMENT LA TURQUIE TORTURE ET TUE LES INTELLECTUELS<\/a><\/td>\nHOW TURKEY TORTURES AND KILLS INTELLECTUALS<\/a><\/td>\nCOS\u00cc LA TURCHIA TORTURA E UCCIDE GLI INTELLETTUALI<\/a><\/td>\n\u041a\u0410\u041a \u0422\u0423\u0420\u0426\u0418\u042f \u041f\u042b\u0422\u0410\u0415\u0422 \u0418 \u0423\u0411\u0418\u0412\u0410\u0415\u0422 \u0418\u041d\u0422\u0415\u041b\u041b\u0415\u041a\u0422\u0423\u0410\u041b\u041e\u0412<\/a><\/td>\nWIE DIE T\u00dcRKEI INTELLEKTUELLE FOLTERT UND T\u00d6TET<\/a><\/td>\nC\u00d3MO TORTURA Y MATA TURQU\u00cdA A LOS INTELECTUALES<\/a><\/p>\n

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\"\"\u00c9rignac,<\/strong> Claude<\/p>\n

Judge, 1937-1998
\n\"\"<\/td>\n

YVAN COLONNA: ILS ONT TUE LE DERNIER GRAND HEROS<\/a><\/td>\nYVAN COLONNA: DEATH OF A LAST LOCAL HERO<\/a><\/td>\nYVAN COLONNA: HANNO UCCISO L\u2019UOMO RAMBO<\/a><\/td>\n\u0418\u0412\u0410\u041d \u041a\u041e\u041b\u041e\u041d\u041d\u0410: \u041e\u041d \u0423\u0411\u0418\u041b\u0418 \u0427\u0415\u041b\u041e\u0412\u0415\u041a\u0410 \u0420\u042d\u041c\u0411\u041e<\/a><\/td>\nYVAN COLONNA: TOD EINES NATIONALEN HELDEN<\/a><\/td>\nYVAN COLONNA: MATARON AL \u00daLTIMO H\u00c9ROE<\/a><\/td>\n<\/tr>\n
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\"\"Eriksen S\u00f8reide<\/strong>, Ine Marie<\/p>\n

Politician, 1976-
\n\"\"<\/td>\n

COMMENT L\u2019EGYPTE ET ISRA\u00cbL DETRUISENT LA PALESTINE<\/a><\/td>\nHOW EGYPT AND ISRAEL ARE DESTROYING PALESTINE<\/a><\/td>\nCOME EGITTO ED ISRAELE STANNO ANNIENTANDO LA PALESTINA<\/a><\/td>\n\u041a\u0410\u041a \u0415\u0413\u0418\u041f\u0415\u0422 \u0418 \u0418\u0417\u0420\u0410\u0418\u041b\u042c \u0423\u041d\u0418\u0427\u0422\u041e\u0416\u0410\u042e\u0422 \u041f\u0410\u041b\u0415\u0421\u0422\u0418\u041d\u0423<\/a><\/td>\nWIE \u00c4GYPTEN UND ISRAEL PAL\u00c4STINA GEMEINSAM VERNICHTEN<\/a><\/td>\nC\u00d3MO EGIPTO E ISRAEL EST\u00c1N ANIQUILANDO A PALESTINA<\/a><\/td>\n<\/tr>\n
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\"\"Esc\u00e1mez<\/strong>, Julio<\/p>\n

Painter, 1925-2015
\n\"\"<\/td>\n

VIOLETA PARRA, LA LIBERTE EST UNE DOULEUR ABSOLUE<\/a><\/td>\nVIOLETA PARRA, FREEDOM IS AN ABSOLUTE PAIN<\/a><\/td>\nVIOLETA PARRA, LA LIBERT\u00c0 \u00c8 UN DOLORE ASSOLUTO<\/a><\/td>\nVIOLETA PARRA, \u0421\u0412\u041e\u0411\u041e\u0414\u0410 \u2013 \u042d\u0422\u041e \u0410\u0411\u0421\u041e\u041b\u042e\u0422\u041d\u0410\u042f \u0411\u041e\u041b\u042c<\/a><\/td>\nVIOLETA PARRA, FREIHEIT IST EIN ABSOLUTER SCHMERZ<\/a><\/td>\nVIOLETA PARRA, LA LIBERTAD ES UN DOLOR ABSOLUTO<\/a><\/td>\n<\/tr>\n
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\"\"Escorcio<\/strong>, Herminio Joaquin<\/p>\n

Wheeler-dealer, Diplomat,
\n\"\"<\/td>\n

DAR AL-HANDASAH: LE C\u00d4T\u00c9 OBSCUR DU COLOSSE<\/a><\/td>\nDAR AL-HANDASAH: THE DARK SIDE OF THE GIANT<\/a><\/td>\nIL LATO OSCURO DEL COLOSSO DAR AL-HANDASAH<\/a><\/td>\n\u0422\u0415\u041c\u041d\u0410\u042f \u0421\u0422\u041e\u0420\u041e\u041d\u0410 \u041a\u041e\u041b\u041e\u0421\u0421\u0410 \u0414\u0410\u0420 \u0410\u041b\u042c-\u0425\u0410\u041d\u0414\u0410\u0421\u0410<\/a><\/td>\nDIE DUNKLE SEITE DES KOLOSSES DAR AL-HANDASAH<\/a><\/td>\nEL LADO OSCURO DEL COLOSO DAR AL-HANDASAH<\/a><\/td>\n<\/tr>\n
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\"\"Espirito Santo Salgado<\/strong>, Ricardo<\/p>\n

Banker, 1944-
\n\"\"<\/td>\n

MADERE, L\u2019ILE DE CRISTIANO RONALDO<\/a><\/td>\nMADEIRA, THE ISLAND OF CRISTIANO RONALDO<\/a><\/td>\nMADEIRA, L\u2019ISOLA DI CRISTIANO RONALDO<\/a><\/td>\n\u041c\u0410\u0414\u0415\u0419\u0420\u0410, \u041e\u0421\u0422\u0420\u041e\u0412 \u041a\u0420\u0418\u0421\u0422\u0418\u0410\u041d\u041e\u0420\u041e\u041d\u0410\u041b\u0414\u041e<\/a><\/td>\nMADEIRA, DIE INSEL VON CRISTIANO RONALDO<\/a><\/td>\nMADEIRA, LA ISLA DE CRISTIANO RONALDO<\/a><\/td>\n<\/tr>\n
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\"\"Espmark<\/strong>, Kjell<\/p>\n

Poet, Nobel prize winner, 1930-
\n\"\"<\/td>\n

LE ROI SECRET DE TAORMINE<\/a><\/td>\nTHE SECRET KING OF TAORMINA<\/a><\/td>\nIL RE SEGRETO DI TAORMINA<\/a><\/td>\n\u0422\u0410\u0419\u041d\u042b\u0419 \u041a\u041e\u0420\u041e\u041b\u042c \u0422\u0410\u041e\u0420\u041c\u0418\u041d\u042b<\/a><\/td>\nDER GEHEIME K\u00d6NIG VON TAORMINA<\/a><\/td>\nEL REY SECRETO DE TAORMINA<\/a><\/td>\n<\/tr>\n
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\"\"Estim\u00e9<\/strong>, Dumarsais<\/p>\n

Politician, 1900-1953
\n\"\"<\/td>\n

HA\u00cfTI, L\u2019ENFER DES CARA\u00cfBES<\/a><\/td>\nHAITI, THE HELL OF THE CARIBBEAN<\/a><\/td>\nHAITI, L\u2019INFERNO DEI CARAIBI<\/a><\/td>\n\u0413\u0410\u0418\u0422\u0418, \u0410\u0414 \u041a\u0410\u0420\u0418\u0411\u0421\u041a\u041e\u0413\u041e \u041c\u041e\u0420\u042f<\/a><\/td>\nHAITI, DIE H\u00d6LLE DER KARIBIK<\/a><\/td>\nHAIT\u00cd, EL INFIERNO DEL CARIBE<\/a><\/td>\n<\/tr>\n
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\"\"Etoka<\/strong>, Claude Wilfrid (Willy)<\/p>\n

Businessman, 1969-
\n\"\"<\/td>\n

RWANDA, CONGO ET OUGANDA: LA FRONTIERE MAUDITE<\/a><\/td>\nRWANDA, CONGO AND UGANDA: THE CURSED BORDER<\/a><\/td>\nRUANDA, CONGO E UGANDA: IL CONFINE MALEDETTO<\/a><\/td>\n\u0420\u0423\u0410\u041d\u0414\u0410, \u041a\u041e\u041d\u0413\u041e \u0418 \u0423\u0413\u0410\u041d\u0414\u0410: \u041f\u0420\u041e\u041a\u041b\u042f\u0422\u0410\u042f \u0413\u0420\u0410\u041d\u0418\u0426\u0410<\/a><\/td>\nRUANDA, KONGO UND UGANDA: DIE VERFLUCHTE GRENZE<\/a><\/td>\nRUANDA, CONGO Y UGANDA: LA FRONTERA MALDITA<\/a><\/td>\n<\/tr>\n
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\"\"Etzioni<\/strong>, Oren<\/p>\n

Computer Scientist, 1964-
\n\"\"<\/td>\n

CHATGPT: ENTRE FASCINATION ET CRAINTE<\/a><\/td>\nCHATGPT: BETWEEN FASCINATION AND FEAR<\/a><\/td>\nCHATGPT: TRA FASCINO E PAURA<\/a><\/td>\nCHATGPT: \u041c\u0415\u0416\u0414\u0423 \u041e\u0427\u0410\u0420\u041e\u0412\u0410\u041d\u0418\u0415\u041c \u0418 \u0421\u0422\u0420\u0410\u0425\u041e\u041c<\/a><\/td>\nCHATGPT: ZWISCHEN FASZINATION UND ANGST<\/a><\/td>\nCHATGPT: ENTRE LA FASCINACI\u00d3N Y EL MIEDO<\/a><\/td>\n<\/tr>\n
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\"\"\u00c9vora,<\/strong> Ces\u00e1ria<\/p>\n

Singer, 1941-2011
\n\"\"<\/td>\n

VOIX DE FEMMES<\/a><\/p>\n

CESARIA \u00c9VORA: LA MELANCOLIE DE LA DIVA AUX PIEDS NUS<\/a><\/td>\n

VOICES OF WOMEN<\/a><\/p>\n

CES\u00c1RIA \u00c9VORA: THE MELANCHOLY OF THE BAREFOOT DIVA<\/a><\/td>\n

VOCI DI DONNA<\/a><\/p>\n

CES\u00c1RIA \u00c9VORA: LA MALINCONIA DELLA DIVA SCALZA<\/a><\/td>\n

\u0436\u0435\u043d\u0441\u043a\u0438\u0435 \u0433\u043e\u043b\u043e\u0441\u0430<\/a><\/p>\n

\u0421\u0415\u0417\u0410\u0420\u0418\u042f \u042d\u0412\u041e\u0420\u0410: \u041c\u0415\u041b\u0410\u041d\u0425\u041e\u041b\u0418\u042f \u0411\u041e\u0421\u041e\u041d\u041e\u0413\u041e\u0419 \u0414\u0418\u0412\u042b<\/a><\/td>\n

FRAUENSTIMMEN<\/a><\/p>\n

CES\u00c1RIA \u00c9VORA: DIE MELANCHOLIE DER BARF\u00dc\u00dfIGEN DIVA<\/a><\/td>\n

VOCES DE MUJERES<\/a><\/p>\n

CES\u00c1RIA \u00c9VORA: LA MELANCOL\u00cdA DE LA DIVA DESCALZA<\/a><\/td>\n<\/tr>\n

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\"\"Evren<\/strong>, Kenan<\/p>\n

Politician, 1917-2015
\n\"\"<\/td>\n

SEULS, COMME LES KURDES<\/a><\/td>\nLONELY AS THE KURDS<\/a><\/td>\nSOLI COME CURDI<\/a><\/td>\n\u041e\u0414\u0418\u041d\u041e\u041a\u0418 \u041a\u0410\u041a \u041a\u0423\u0420\u0414\u042b<\/a><\/td>\nEINSAM WIE DIE KURDEN<\/a><\/td>\nTAN SOLO COMO LOS KURDOS<\/a><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n[\/vc_column_text][\/vc_tta_section]\n","protected":false},"excerpt":{"rendered":"

[vc_row][vc_column][vc_column_text] A B C D E F G H I J K L M N O P Q R S T U V W X Y Z [\/vc_column_text][\/vc_column][\/vc_row][vc_column][\/vc_column][vc_empty_space height=”50px”][vc_column_text]     French English Italian Russian German Spanish [\/vc_column_text][vc_tta_section title=”E” tab_id=”1606253780074-128d576c-820e”][vc_column_text]   Eastwood, Clinton jr. “Clint” Artist, 1930-<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"page-FullWidth.php","meta":{"footnotes":""},"class_list":["post-579","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/ibiworld.eu\/en\/wp-json\/wp\/v2\/pages\/579"}],"collection":[{"href":"https:\/\/ibiworld.eu\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/ibiworld.eu\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/ibiworld.eu\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/ibiworld.eu\/en\/wp-json\/wp\/v2\/comments?post=579"}],"version-history":[{"count":55,"href":"https:\/\/ibiworld.eu\/en\/wp-json\/wp\/v2\/pages\/579\/revisions"}],"predecessor-version":[{"id":4740,"href":"https:\/\/ibiworld.eu\/en\/wp-json\/wp\/v2\/pages\/579\/revisions\/4740"}],"wp:attachment":[{"href":"https:\/\/ibiworld.eu\/en\/wp-json\/wp\/v2\/media?parent=579"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}