{"id":577,"date":"2021-03-22T22:47:10","date_gmt":"2021-03-22T21:47:10","guid":{"rendered":"http:\/\/ibiworld.eu\/en\/?page_id=577"},"modified":"2023-07-03T13:12:08","modified_gmt":"2023-07-03T11:12:08","slug":"names-directory-d","status":"publish","type":"page","link":"https:\/\/ibiworld.eu\/en\/names-directory-d\/","title":{"rendered":"NAMES\u2019 DIRECTORY | D"},"content":{"rendered":"[vc_row][vc_column][vc_column_text]\n

A<\/a> B<\/a> C<\/a> D<\/a> E<\/a> F<\/a> G<\/a> H<\/a> I<\/a> J<\/a> K<\/a> L<\/a> M<\/a> N<\/a> O<\/a> P<\/a> Q<\/a> R<\/a> S<\/a> T<\/a> U<\/a> V<\/a> W<\/a> X<\/a> Y<\/a> Z<\/a><\/strong><\/h3>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_column][\/vc_column][vc_empty_space height=”50px”][vc_column_text]\n\n\n\n
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French\"\"<\/strong><\/p>\n<\/td>\n

English\"\"<\/strong><\/td>\nItalian\"\"<\/strong><\/td>\nRussian\"\"<\/strong><\/td>\nGerman\"\"<\/strong><\/td>\nSpanish\"\"<\/strong><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n[\/vc_column_text][vc_tta_section title=”D” tab_id=”1606167310297-71af7f0b-ceab”][vc_column_text]\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
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\"\"Daddah<\/strong>, Moktar Ould<\/p>\n

Politician, 1924-2003
\n\"\"<\/td>\n

COMMENT MEME LA FOURMI MAURITANIENNE PEUT CHANGER L\u2019EQUILIBRE DU MONDE<\/a><\/td>\nHOW EVEN THE MAURITANIAN ANT CAN CHANGE THE BALANCE OF THE WORLD<\/a><\/td>\nCOME PERSINO LA FORMICA MAURITANIA CAMBIA GLI EQUILIBRI DEL MONDO<\/a><\/td>\n\u041a\u0410\u041a \u0414\u0410\u0416\u0415 \u041c\u0410\u0412\u0420\u0418\u0422\u0410\u041d\u0421\u041a\u0418\u0419 \u041c\u0423\u0420\u0410\u0412\u0415\u0419 \u041c\u0415\u041d\u042f\u0415\u0422 \u0411\u0410\u041b\u0410\u041d\u0421 \u041c\u0418\u0420\u0410<\/a><\/td>\nWIE SELBST DIE MAURETANISCHE AMEISE DAS GLEICHGEWICHT DER WELT VER\u00c4NDERN KANN<\/a><\/td>\nC\u00d3MO INCLUSO LA HORMIGA MAURITANIA CAMBIA EL EQUILIBRIO DEL MUNDO<\/a><\/td>\n<\/tr>\n
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\"\"Dadgostar<\/strong>, Nooshi<\/p>\n

Politician, 1985-
\n\"\"<\/td>\n

SEULS, COMME LES KURDES<\/a><\/td>\nLONELY AS THE KURDS<\/a><\/td>\nSOLI COME CURDI<\/a><\/td>\n\u041e\u0414\u0418\u041d\u041e\u041a\u0418 \u041a\u0410\u041a \u041a\u0423\u0420\u0414\u042b<\/a><\/td>\nEINSAM WIE DIE KURDEN<\/a><\/td>\nTAN SOLO COMO LOS KURDOS<\/a><\/td>\n<\/tr>\n
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\"\"Dahl<\/strong>, Hans<\/p>\n

Painter, 1849-1937
\n\"\"<\/td>\n

LE GROENLAND, NOUVELLE TERRE PROMISE DE L\u2019HUMANITE<\/a><\/td>\nGREENLAND, HUMANITY\u2019S NEW PROMISED LAND<\/a><\/td>\nGROENLANDIA, NUOVA TERRA PROMESSA DELL\u2019UMANIT\u00c0<\/a><\/td>\n\u0413\u0420\u0415\u041d\u041b\u0410\u041d\u0414\u0418\u042f, \u041d\u041e\u0412\u0410\u042f \u0417\u0415\u041c\u041b\u042f \u041e\u0411\u0415\u0422\u041e\u0412\u0410\u041d\u041d\u0410\u042f \u0414\u041b\u042f \u0427\u0415\u041b\u041e\u0412\u0415\u0427\u0415\u0421\u0422\u0412\u0410<\/a><\/td>\nGR\u00d6NLAND, DAS NEUE GELOBTE LAND DER MENSCHHEIT<\/a><\/td>\nGROENLANDIA, LA NUEVA TIERRA PROMETIDA DE LA HUMANIDAD<\/a><\/td>\n<\/tr>\n
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\"\"Dahlan<\/strong>, Mohammed Yusuf<\/p>\n

Military, 1961-<\/p>\n

\"\"<\/td>\n

BON FRERE ET MAUVAIS FRERE : COMMENT LA DYNASTIE AL-NAHYAN CACHE SON VRAI VISAGE<\/a><\/p>\n

MOHAMMED DAHLAN, ASSASSIN A LA SOLDE DU ROI<\/a><\/p>\n

EMIRATS: LE PLUS GRAND PARADIS DU CRIME AU MONDE<\/a><\/p>\n

LA TRES LONGUE VAGUE DE CORRUPTION A BRUXELLES<\/a><\/p>\n

ENTRE LES FUSILS ET LE FOOTBALL, LE METTEUR EN SCENE D\u2019ABU DHABI<\/a><\/td>\n

GOOD BROTHER AND BAD BROTHER: HOW THE AL-NAHYAN DYNASTY HIDES ITS TRUE FACE<\/a><\/p>\n

MOHAMMED DAHLAN, ASSASSIN FOR THE KING<\/a><\/p>\n

EMIRATES: THE WORLD\u2019S BIGGEST CRIMINAL PARADISE<\/a><\/p>\n

THE LONG WAVE OF CORRUPTION IN BRUSSELS<\/a><\/p>\n

BETWEEN GUNS AND FOOTBALL, THE DIRECTOR FROM ABU DHABI<\/a><\/td>\n

FRATELLO BUONO E FRATELLO CATTIVO: COME LA DINASTIA AL-NAHYAN NASCONDE IL PROPRIO VERO VOLTO<\/a><\/p>\n

MOHAMMED DAHLAN, SICARIO DEL RE<\/a><\/p>\n

EMIRATI: IL GRANDE PARADISO DEI CRIMINALI<\/a><\/p>\n

L\u2019ONDA LUNGHISSIMA DELLA CORRUZIONE A BRUXELLES<\/a><\/p>\n

TRA ARMI E CALCIO, IL REGISTA CHE VIENE DA ABU DHABI<\/a><\/td>\n

\u0414\u041e\u0411\u0420\u042b\u0419 \u0411\u0420\u0410\u0422 \u0418 \u041f\u041b\u041e\u0425\u041e\u0419 \u0411\u0420\u0410\u0422: \u041a\u0410\u041a \u0414\u0418\u041d\u0410\u0421\u0422\u0418\u042f \u0410\u041b\u042c-\u041d\u0410\u0425\u0410\u042f\u041d \u0421\u041a\u0420\u042b\u0412\u0410\u0415\u0422 \u0421\u041e\u0411\u0421\u0422\u0412\u0415\u041d\u041d\u041e\u0415 \u041b\u0418\u0426\u041e<\/a><\/p>\n

\u041c\u041e\u0425\u0410\u041c\u041c\u0415\u0414 \u0414\u0410\u0425\u041b\u0410\u041d, \u0423\u0411\u0418\u0419\u0426\u0410 \u041a\u041e\u0420\u041e\u041b\u042f<\/a><\/p>\n

\u042d\u041c\u0418\u0420\u0410\u0422\u042b: \u0412\u0415\u041b\u0418\u041a\u0418\u0419 \u0420\u0410\u0419 \u0414\u041b\u042f \u041f\u0420\u0415\u0421\u0422\u0423\u041f\u041d\u0418\u041a\u041e\u0412<\/a><\/p>\n

\u041e\u0427\u0415\u041d\u042c \u0414\u041b\u0418\u041d\u041d\u0410\u042f \u0412\u041e\u041b\u041d\u0410 \u041a\u041e\u0420\u0420\u0423\u041f\u0426\u0418\u0418 \u0412 \u0411\u0420\u042e\u0421\u0421\u0415\u041b\u0415<\/a><\/p>\n

\u041c\u0415\u0416\u0414\u0423 \u041e\u0420\u0423\u0416\u0418\u0415\u041c \u0418 \u0424\u0423\u0422\u0411\u041e\u041b\u041e\u041c: \u0420\u0415\u0416\u0418\u0421\u0421\u0415\u0420 \u0418\u0417 \u0410\u0411\u0423-\u0414\u0410\u0411\u0418<\/a><\/td>\n

LIEBER BRUDER UND B\u00d6SER BRUDER: WIE DIE AL-NAHYAN-DYNASTIE IHR WAHRES GESICHT VERBIRGT<\/a><\/p>\n

MOHAMMED DAHLAN, AUFTRAGSM\u00d6RDER F\u00dcR DEN K\u00d6NIG<\/a><\/p>\n

EMIRATE: DAS GR\u00d6\u00dfTE VERBRECHERPARADIES DER WELT<\/a><\/p>\n

DIE SEHR LANGE WELLE DER KORRUPTION IN BR\u00dcSSEL<\/a><\/p>\n

ZWISCHEN WAFFEN UND FU\u00dfBALL, DER REGISSEUR AUS ABU DHABI<\/a><\/td>\n

MOHAMMED DAHLAN, ASESINO A SUELDO DEL REY<\/a><\/p>\n

HERMANO BUENO Y HERMANO MALO: C\u00d3MO LA DINAST\u00cdA AL-NAHYAN OCULTA SU VERDADERO ROSTRO<\/a><\/p>\n

EMIRATOS: EL GRAN PARA\u00cdSO DE LOS DELINCUENTES<\/a><\/p>\n

LA LARGU\u00cdSIMA OLA DE CORRUPCI\u00d3N EN BRUSELAS<\/a><\/p>\n

ENTRE ARMAS Y F\u00daTBOL, EL DIRECTOR DE ABU DHABI<\/a><\/td>\n<\/tr>\n

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\"\"D’Alema<\/strong>, Massimo<\/p>\n

Politician, 1949-
\n\"\"<\/td>\n

MOUVEMENT 5 ETOILES ET LEGANORD : REPETITIONS GENERALES POUR UNE INTERNATIONALE POSTFASCISTE<\/a><\/td>\n5-STAR MOVEMENT AND LEGANORD: DRESS REHEARSALS FOR A POST-FASCIST INTERNATIONAL<\/a><\/td>\nMOVIMENTO 5 STELLE E LEGA NORD: PROVE GENERALI PER UN\u2019INTERNAZIONALE POST-FASCISTA<\/a><\/td>\n\u0414\u0412\u0418\u0416\u0415\u041d\u0418\u0415 5 \u0417\u0412\u0415\u0417\u0414 \u0418 \u0421\u0415\u0412\u0415\u0420\u041d\u0410\u042f \u041b\u0418\u0413\u0410: \u0418\u0421\u041f\u042b\u0422\u0410\u041d\u0418\u042f \u0414\u041b\u042f \u041f\u041e\u0421\u0422\u0424\u0410\u0428\u0418\u0421\u0422\u0421\u041a\u041e\u0413\u041e \u0418\u041d\u0422\u0415\u0420\u041d\u0410\u0426\u0418\u041e\u041d\u0410\u041b\u0410<\/a><\/td>\n5-STERNE-BEWEGUNG UND LEGANORD: GENERALPROBEN F\u00dcR EINE POSTFASCHISTISCHE INTERNATIONALE<\/a><\/td>\nEL MOVIMIENTO 5 ESTRELLAS Y LA LIGA NORTE: ENSAYO GENERAL DE UNA INTERNACIONAL POST-FASCISTA<\/a><\/td>\n<\/tr>\n
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\"\"Dal\u00ec<\/strong>, Salvador<\/p>\n

Painter, 1904-1989
\n\"\"<\/td>\n

SI TON ORDINATEUR TOMBE SOUDAINEMENT AMOUREUX<\/a><\/td>\nSUDDENLY, IF YOUR COMPUTER FALLS IN LOVE<\/a><\/td>\nSE IL TUO COMPUTER DI COLPO SI INNAMORA<\/a><\/td>\n\u0415\u0421\u041b\u0418 \u0412\u0410\u0428 \u041a\u041e\u041c\u041f\u042c\u042e\u0422\u0415\u0420 \u0412\u0414\u0420\u0423\u0413 \u0412\u041b\u042e\u0411\u0418\u0422\u0421\u042f<\/a><\/td>\nWENN DEIN COMPUTER SICH PL\u00d6TZLICH VERLIEBT<\/a><\/td>\nSI UN ORDENADOR DE REPENTE SE ENAMORA<\/a><\/td>\n<\/tr>\n
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\"\"Dalida,<\/strong> (Iolanda Cristina Gigliotti)<\/p>\n

Singer, 1933-1987
\n\"\"<\/td>\n

VOIX DE FEMMES<\/a><\/td>\nVOICES OF WOMEN<\/a><\/td>\nVOCI DI DONNA<\/a><\/td>\n\u0436\u0435\u043d\u0441\u043a\u0438\u0435 \u0433\u043e\u043b\u043e\u0441\u0430<\/a><\/td>\nFRAUENSTIMMEN<\/a><\/td>\nVOCES DE MUJERES<\/a><\/td>\n<\/tr>\n
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\"\"Damberg<\/strong>, Mikael<\/p>\n

Politician, 1971-
\n\"\"<\/td>\n

G\u00d8TLAND, OU COMMENCE LA NOUVELLE GUERRE MONDIALE<\/a><\/td>\nG\u00d8TLAND, WHERE THE NEW WORLD WAR BEGINS<\/a><\/td>\nG\u00d8TLAND, DOVE COMINCIA LA NUOVA GUERRA MONDIALE<\/a><\/td>\n\u0413\u0401\u0422\u041b\u0410\u041d\u0414, \u0413\u0414\u0415 \u041d\u0410\u0427\u0418\u041d\u0410\u0415\u0422\u0421\u042f \u041d\u041e\u0412\u0410\u042f \u041c\u0418\u0420\u041e\u0412\u0410\u042f \u0412\u041e\u0419\u041d\u0410<\/a><\/td>\nG\u00d8TLAND, WO DER NEUE WELTKRIEG BEGINNT<\/a><\/td>\nG\u00d8TLAND, DONDE COMIENZA LA NUEVA GUERRA MUNDIAL<\/a><\/td>\n<\/tr>\n
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\"\"Damon<\/strong> Bertrand<\/p>\n

Lawyer, 1980-
\n\"\"<\/td>\n

JONATHAN GRAY : PARIS A SON NOUVEAU RICHELIEU<\/a><\/td>\nJONATHAN GRAY: PARIS HAS ITS NEW RICHELIEU<\/a><\/td>\nJONATHAN GRAY: PARIGI HA IL SUO NUOVO RICHELIEU<\/a><\/td>\nJONATHAN GRAY: \u0412 \u041f\u0410\u0420\u0418\u0416\u0415 \u041d\u041e\u0412\u042b\u0419 \u0420\u0418\u0428\u0415\u041b\u042c\u0415<\/a><\/td>\nJONATHAN GRAY: PARIS HAT SEINEN NEUEN RICHELIEU<\/a><\/td>\nJONATHAN GRAY: PAR\u00cdS TIENE SU NUEVO RICHELIEU<\/a><\/td>\n<\/tr>\n
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\"\"Danilowitsch<\/strong>, Samuel<\/p>\n

Spy, 1979-
\n\"\"<\/td>\n

GOLFE PERSIQUE : LA GUERRE APRES L\u2019ARMISTICE<\/a><\/td>\nPERSIAN GULF: THE WAR AFTER THE ARMISTICE<\/a><\/td>\nGOLFO PERSICO: LA GUERRA DOPO L\u2019ARMISTIZIO<\/a><\/td>\n\u041f\u0415\u0420\u0421\u0418\u0414\u0421\u041a\u0418\u0419 \u0417\u0410\u041b\u0418\u0412: \u0412\u041e\u0419\u041d\u0410 \u041f\u041e\u0421\u041b\u0415 \u041f\u0415\u0420\u0415\u041c\u0418\u0420\u0418\u042f<\/a><\/td>\nPERSISCHER GOLF: DER KRIEG NACH DEM WAFFENSTILLSTAND<\/a><\/td>\nGOLFO P\u00c9RSICO: LA GUERRA DESPU\u00c9S DEL ARMISTICIO<\/a><\/td>\n<\/tr>\n
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\"\"Danzeisen<\/strong>, Matt<\/p>\n

Manager, 1967-
\n\"\"<\/td>\n

PETER THIEL: LE REVE D\u2019UNE TECHNOCRATIE MYSTIQUE<\/a><\/td>\nPETER THIEL: THE DREAM OF A MYSTICAL TECHNOCRACY<\/a><\/td>\nPETER THIEL: IL SOGNO DI UNA TECNOCRAZIA MISTICA<\/a><\/td>\n\u041f\u0418\u0422\u0415\u0420 \u0422\u0418\u041b\u042c: \u041c\u0415\u0427\u0422\u0410 \u041e \u041c\u0418\u0421\u0422\u0418\u0427\u0415\u0421\u041a\u041e\u0419 \u0422\u0415\u0425\u041d\u041e\u041a\u0420\u0410\u0422\u0418\u0418<\/a><\/td>\nPETER THIEL: DER TRAUM VON EINER MYSTISCHEN TECHNOKRATIE<\/a><\/td>\nPETER THIEL: EL SUE\u00d1O DE UNA TECNOCRACIA M\u00cdSTICA<\/a><\/td>\n<\/tr>\n
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\"\"Darkwah<\/strong>, Angela Agyeiwaa<\/p>\n

Lawyer, 2001-
\n\"\"<\/td>\n

UNE HERO\u00cfNE POUR LE MALAWI<\/a><\/td>\nA HEROINE FOR MALAWI<\/a><\/td>\nUN\u2019EROINA PER IL MALAWI<\/a><\/td>\n\u0413\u0415\u0420\u041e\u0418\u041d\u042f \u0414\u041b\u042f \u041c\u0410\u041b\u0410\u0412\u0418<\/a><\/td>\nEINE HELDIN F\u00dcR MALAWI<\/a><\/td>\nUNA HERO\u00cdNA PARA MALAWI<\/a><\/td>\n<\/tr>\n
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\"\"Darmanin,<\/strong> G\u00e9rard<\/p>\n

Politician, 1982-
\n\"\"<\/td>\n

YVAN COLONNA : ILS ONT TUE LE DERNIER GRAND HEROS<\/a><\/td>\nYVAN COLONNA: DEATH OF A LAST LOCAL HERO<\/a><\/td>\nYVAN COLONNA: HANNO UCCISO L\u2019UOMO RAMBO<\/a><\/td>\n\u0418\u0412\u0410\u041d \u041a\u041e\u041b\u041e\u041d\u041d\u0410: \u041e\u041d \u0423\u0411\u0418\u041b\u0418 \u0427\u0415\u041b\u041e\u0412\u0415\u041a\u0410 \u0420\u042d\u041c\u0411\u041e<\/a><\/td>\nYVAN COLONNA: TOD EINES NATIONALEN HELDEN<\/a><\/td>\nYVAN COLONNA: MATARON AL \u00daLTIMO H\u00c9ROE<\/a><\/td>\n<\/tr>\n
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\"\"Dartiguenave<\/strong>, Philippe Sudr\u00e9<\/p>\n

Politician, 1863-1926
\n\"\"<\/td>\n

HA\u00cfTI, L\u2019ENFER DES CARA\u00cfBES<\/a><\/td>\nHAITI, THE HELL OF THE CARIBBEAN<\/a><\/td>\nHAITI, L\u2019INFERNO DEI CARAIBI<\/a><\/td>\n\u0413\u0410\u0418\u0422\u0418, \u0410\u0414 \u041a\u0410\u0420\u0418\u0411\u0421\u041a\u041e\u0413\u041e \u041c\u041e\u0420\u042f<\/a><\/td>\nHAITI, DIE H\u00d6LLE DER KARIBIK<\/a><\/td>\nHAIT\u00cd, EL INFIERNO DEL CARIBE<\/a><\/td>\n<\/tr>\n
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\"\"Darwish<\/strong>, Mahmoud<\/p>\n

Poet, 1941-2008
\n\"\"<\/td>\n

RIM BANNA, LA VOIX DU C\u0152UR BLESSE DE LA PALESTINE<\/a><\/td>\nRIM BANNA, VOICE OF THE WOUNDED HEART OF PALESTINE<\/a><\/td>\nRIM BANNA, VOCE DEL CUORE FERITO DELLA PALESTINA<\/a><\/td>\n\u0420\u0418\u041c \u0411\u0410\u041d\u041d\u0410, \u0413\u041e\u041b\u041e\u0421 \u0418\u0417\u0420\u0410\u041d\u0415\u041d\u041d\u041e\u0413\u041e \u0421\u0415\u0420\u0414\u0426\u0410 \u041f\u0410\u041b\u0415\u0421\u0422\u0418\u041d\u042b<\/a><\/td>\nRIM BANNA, DIE STIMME DES VERWUNDETEN HERZENS VON PAL\u00c4STINA<\/a><\/td>\nRIM BANNA, VOZ DEL CORAZ\u00d3N HERIDO DE PALESTINA<\/a><\/td>\n<\/tr>\n
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\"\"Da Silva<\/strong>, Jos\u00e8<\/p>\n

Music producer,
\n\"\"<\/td>\n

CESARIA \u00c9VORA: LA MELANCOLIE DE LA DIVA AUX PIEDS NUS<\/a><\/td>\nCES\u00c1RIA \u00c9VORA: THE MELANCHOLY OF THE BAREFOOT DIVA<\/a><\/td>\nCES\u00c1RIA \u00c9VORA: LA MALINCONIA DELLA DIVA SCALZA<\/a><\/td>\n\u0421\u0415\u0417\u0410\u0420\u0418\u042f \u042d\u0412\u041e\u0420\u0410: \u041c\u0415\u041b\u0410\u041d\u0425\u041e\u041b\u0418\u042f \u0411\u041e\u0421\u041e\u041d\u041e\u0413\u041e\u0419 \u0414\u0418\u0412\u042b<\/a><\/td>\nCES\u00c1RIA \u00c9VORA: DIE MELANCHOLIE DER BARF\u00dc\u00dfIGEN DIVA<\/a><\/td>\nCES\u00c1RIA \u00c9VORA: LA MELANCOL\u00cdA DE LA DIVA DESCALZA<\/a><\/td>\n<\/tr>\n
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\"\"Da Silva Ferreira<\/strong>, Eusebio<\/p>\n

Soccer player, 1942-2014
\n\"\"<\/td>\n

AM\u00c1LIA RODRIGUEZ ET LA M\u00c9LANCOLIE INFINIE<\/a><\/td>\nAM\u00c1LIA RODRIGUEZ AND ENDLESS MELANCHOLY<\/a><\/td>\nAM\u00c1LIA RODRIGUEZ E LA MALINCONIA INFINITA<\/a><\/td>\nAM\u00c1LIA RODRIGUES \u0418 \u0411\u0415\u0421\u041a\u041e\u041d\u0415\u0427\u041d\u0410\u042f \u041c\u0415\u041b\u0410\u041d\u0425\u041e\u041b\u0418\u042f<\/a><\/td>\nAM\u00c1LIA RODRIGUES UND DIE UNENDLICHE MELANCHOLIE<\/a><\/td>\nAM\u00c1LIA RODRIGUEZ Y LA MELANCOL\u00cdA INFINITA<\/a><\/td>\n<\/tr>\n
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\"\"Dassault<\/strong>, Olivier<\/p>\n

Entrepreneur, 1951-2021<\/p>\n

\"\"<\/td>\n

GREGOIRE VERDEAUX : L\u2019AMI QUI GERE LE TRESOR<\/a><\/td>\nGR\u00c9GOIRE VERDEAUX: THE FRIEND WHO MANAGES THE TREASURE<\/a><\/td>\nGR\u00c9GOIRE VERDEAUX: L\u2019AMICO CHE GESTISCE IL TESORO<\/a><\/td>\n\u0413\u0420\u0415\u0413\u041e\u0420\u0418 \u0412\u0415\u0420\u0414\u041e: \u0414\u0420\u0423\u0413, \u0423\u041f\u0420\u0410\u0412\u041b\u042f\u042e\u0429\u0418\u0419 \u041a\u0410\u0417\u041d\u0410\u0427\u0415\u0419\u0421\u0422\u0412\u041e\u041c<\/a><\/td>\nGR\u00c9GOIRE VERDEAUX: DER FREUND, DER DEN SCHATZ VERWALTET<\/a><\/td>\nGR\u00c9GOIRE VERDEAUX: EL AMIGO QUE GESTIONA LA TESORER\u00cdA<\/a><\/td>\n<\/tr>\n
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\"\"Dattels<\/strong>, Stephen Rolan<\/p>\n

Affairman, 1947\u2013
\n\"\"<\/td>\n

VIE ET MIRACLES D\u2019UN MERCENAIRE DANS LA GUERRE MEDIATIQUE<\/a><\/td>\nLIFE AND MIRACLES OF A MERCENARY IN THE MEDIA WAR<\/a><\/td>\nVITA E MIRACOLI DI UN MERCENARIO NELLA GUERRA DEI MEDIA<\/a><\/td>\n\u0416\u0418\u0417\u041d\u042c \u0418 \u0427\u0423\u0414\u0415\u0421\u0410 \u041d\u0410\u0415\u041c\u041d\u0418\u041a\u0410 \u0412 \u0412\u041e\u0419\u041d\u0415 \u0421\u041e \u0421\u041c\u0418<\/a><\/td>\nLEBEN UND WUNDER EINES S\u00d6LDNERS IM MEDIENKRIEG<\/a><\/td>\nVIDA Y MILAGROS DE UN MERCENARIO EN LA GUERRA MEDI\u00c1TICA<\/a><\/td>\n<\/tr>\n
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\"\"Dauphin<\/strong>, Claude<\/p>\n

Businessman, 1951-2015
\n\"\"<\/td>\n

LES POMMES POURRIES DU JARDIN D\u2018EDEN<\/a><\/p>\n

TRAFIGURA: POURQUOI NOUS DEVRIONS EN AVOIR PEUR<\/a><\/p>\n

TRAFIGURA, POUTINE ET CES SANCTIONS INUTILES<\/a><\/td>\n

ROTTEN APPLES IN THE GARDEN OF EDEN<\/a><\/p>\n

TRAFIGURA: WHY WE SHOULD BE AFRAID OF IT<\/a><\/p>\n

TRAFIGURA, PUTIN AND THOSE USELESS SANCTIONS<\/a><\/td>\n

LE MELE MARCE DEL PARADISO TERRESTRE<\/a><\/p>\n

TRAFIGURA: PERCH\u00c9 DOBBIAMO AVERNE PAURA<\/a><\/p>\n

TRAFIGURA, PUTIN E QUELLE INUTILI SANZIONI<\/a><\/td>\n

\u0413\u041d\u0418\u041b\u042b\u0415 \u042f\u0411\u041b\u041e\u041a\u0418 \u0417\u0415\u041c\u041d\u041e\u0413\u041e \u0420\u0410\u042f<\/a><\/p>\n

TRAFIGURA: \u041f\u041e\u0427\u0415\u041c\u0423 \u041d\u0410\u041c \u0421\u0422\u041e\u0418\u0422 \u0415\u0401 \u0411\u041e\u042f\u0422\u042c\u0421\u042f<\/a><\/p>\n

TRAFIGURA, \u041f\u0423\u0422\u0418\u041d \u0418 \u042d\u0422\u0418 \u0411\u0415\u0421\u041f\u041e\u041b\u0415\u0417\u041d\u042b\u0415 \u0421\u0410\u041d\u041a\u0426\u0418\u0418<\/a><\/td>\n

DIE FAULEN \u00c4PFEL DES GARTENS EDEN<\/a><\/p>\n

TRAFIGURA: WARUM WIR UNS DAVOR F\u00dcRCHTEN SOLLTEN<\/a><\/p>\n

TRAFIGURA, PUTIN UND DIE NUTZLOSEN SANKTIONEN<\/a><\/td>\n

LAS MANZANAS PODRIDAS DEL PARA\u00cdSO<\/a><\/p>\n

TRAFIGURA: POR QU\u00c9 DEBEMOS TEMERLA<\/a><\/p>\n

TRAFIGURA, PUTIN Y ESAS SANCIONES IN\u00daTILES<\/a><\/td>\n<\/tr>\n

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\"\"D’Austria-Este<\/strong>, Francesco Ferdinando<\/p>\n

Politician, 1863\u20131914
\n\"\"<\/td>\n

CENT ANS APRES: SARAJEVO BRULE TOUJOURS<\/a><\/td>\nONE HUNDRED YEARS LATER: SARAJEVO BURNS AGAIN<\/a><\/td>\nCENTO ANNI DOPO: SARAJEVO BRUCIA ANCORA<\/a><\/td>\n\u0421\u0422\u041e \u041b\u0415\u0422 \u0421\u041f\u0423\u0421\u0422\u042f: \u0421\u0410\u0420\u0410\u0415\u0412\u041e \u0412\u0421\u0415 \u0415\u0429\u0415 \u0413\u041e\u0420\u0418\u0422<\/a><\/td>\nHUNDERT JAHRE SP\u00c4TER: SARAJEVO BRENNT WEITER<\/a><\/td>\nCIEN A\u00d1OS DESPU\u00c9S: SARAJEVO SIGUE ARDIENDO<\/a><\/td>\n<\/tr>\n
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\"\"Da Vinci<\/strong>, Leonardo<\/p>\n

Scientist, 1452-1519<\/p>\n

\"\"<\/td>\n

L\u2019\u0152UVRE D\u2019ART : LA DEVISE DE LE RECEL MONDIALE<\/a><\/td>\nART: THE CURRENCY OF THE GLOBAL COMMERCE OF STOLEN GOODS<\/a><\/td>\nL\u2019OPERA D\u2019ARTE: LA VALUTA DELLA RICETTAZIONE GLOBALE<\/a><\/td>\n\u041f\u0420\u041e\u0418\u0417\u0412\u0415\u0414\u0415\u041d\u0418\u042f \u0418\u0421\u041a\u0423\u0421\u0421\u0422\u0412\u0410: \u0412\u0410\u041b\u042e\u0422\u0410 \u041c\u0418\u0420\u041e\u0412\u041e\u0413\u041e \u0424\u0415\u0425\u0422\u041e\u0412\u0410\u041d\u0418\u042f<\/a><\/td>\nDAS KUNSTWERK: DIE W\u00c4HRUNG DER GLOBALEN HEHLEREI<\/a><\/td>\nLA OBRA DE ARTE: LA DIVISA DE LA RECEPTACI\u00d3N MUNDIAL<\/a><\/td>\n<\/tr>\n
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\"\"Davis<\/strong>, Brandie<\/p>\n

Manager Philip Morris, leader ALEC, 1974-
\n\"\"<\/td>\n

MOUVEMENT 5 ETOILES ET LEGANORD : REPETITIONS GENERALES POUR UNE INTERNATIONALE POSTFASCISTE<\/a><\/p>\n

PHILIP MORRIS ENTRE EN GUERRE \u2013 AVEC LES POPULISTES, LES EXTREMISTES DE DROITE ET LES CHEIKHS ARABES<\/a><\/td>\n

5-STAR MOVEMENT AND LEGANORD: DRESS REHEARSALS FOR A POST-FASCIST INTERNATIONAL<\/a><\/p>\n

PHILIP MORRIS GOES TO WAR \u2013 WITH POPULISTS, SUPREMACISTS AND ARAB SHEIKHS<\/a><\/td>\n

MOVIMENTO 5 STELLE E LEGA NORD: PROVE GENERALI PER UN\u2019INTERNAZIONALE POST-FASCISTA<\/a><\/p>\n

LA PHILIP MORRIS VA ALLA GUERRA \u2013 ALLEATA A SUPREMATISTI, POPULISTI E SCEICCHI ARABI<\/a><\/td>\n

\u0414\u0412\u0418\u0416\u0415\u041d\u0418\u0415 5 \u0417\u0412\u0415\u0417\u0414 \u0418 \u0421\u0415\u0412\u0415\u0420\u041d\u0410\u042f \u041b\u0418\u0413\u0410: \u0418\u0421\u041f\u042b\u0422\u0410\u041d\u0418\u042f \u0414\u041b\u042f \u041f\u041e\u0421\u0422\u0424\u0410\u0428\u0418\u0421\u0422\u0421\u041a\u041e\u0413\u041e \u0418\u041d\u0422\u0415\u0420\u041d\u0410\u0426\u0418\u041e\u041d\u0410\u041b\u0410<\/a><\/p>\n

\u0424\u0418\u041b\u0418\u041f \u041c\u041e\u0420\u0420\u0418\u0421 \u0418\u0414\u0415\u0422 \u041d\u0410 \u0412\u041e\u0419\u041d\u0423 \u2013 \u041d\u0410 \u0421\u0422\u041e\u0420\u041e\u041d\u0415 \u0410\u0420\u0410\u0411\u0421\u041a\u0418\u0425 \u0421\u0423\u041f\u0420\u0415\u041c\u0410\u0422\u0418\u0421\u0422\u041e\u0412, \u041f\u041e\u041f\u0423\u041b\u0418\u0421\u0422\u041e\u0412 \u0418 \u0428\u0415\u0419\u041a\u041e\u0412<\/a><\/td>\n

5-STERNE-BEWEGUNG UND LEGANORD: GENERALPROBEN F\u00dcR EINE POSTFASCHISTISCHE INTERNATIONALE<\/a><\/p>\n

PHILIP MORRIS ZIEHT IN DEN KRIEG \u2013 MIT POPULISTEN, RECHTSEXTREMISTEN UND ARABISCHEN SCHEICHS<\/a><\/td>\n

EL MOVIMIENTO 5 ESTRELLAS Y LA LIGA NORTE: ENSAYO GENERAL DE UNA INTERNACIONAL POST-FASCISTA<\/a><\/p>\n

PHILIP MORRIS VA A LA GUERRA \u2013 ALIADO CON SUPREMACISTAS, POPULISTAS Y JEQUES \u00c1RABES<\/a><\/td>\n<\/tr>\n

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\"\"Davis<\/strong>, David<\/p>\n

Politician, 1948-
\n\"\"<\/td>\n

LE DESASTRE DU BREXIT ET LA CHUTE DE BORIS JOHNSON<\/a><\/td>\nTHE BREXIT DISASTER AND THE FALL OF BORIS JOHNSON<\/a><\/td>\nIL DISASTRO BREXIT E LA CADUTA DI BORIS JOHNSON<\/a><\/td>\n\u041a\u0410\u0422\u0410\u0421\u0422\u0420\u041e\u0424\u0410 BREXIT \u0418 \u041f\u0410\u0414\u0415\u041d\u0418\u0415 \u0411\u041e\u0420\u0418\u0421\u0410 \u0414\u0416\u041e\u041d\u0421\u041e\u041d\u0410<\/a><\/td>\nDAS BREXIT-DESASTER UND DER STURZ VON BORIS JOHNSON<\/a><\/td>\nEL DESASTRE DEL BREXIT Y LA CA\u00cdDA DE BORIS JOHNSON<\/a><\/td>\n<\/tr>\n
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\"\"Davis<\/strong>, Ernest<\/p>\n

Scientist, 1962-
\n\"\"<\/td>\n

SI TON ORDINATEUR TOMBE SOUDAINEMENT AMOUREUX<\/a><\/td>\nSUDDENLY, IF YOUR COMPUTER FALLS IN LOVE<\/a><\/td>\nSE IL TUO COMPUTER DI COLPO SI INNAMORA<\/a><\/td>\n\u0415\u0421\u041b\u0418 \u0412\u0410\u0428 \u041a\u041e\u041c\u041f\u042c\u042e\u0422\u0415\u0420 \u0412\u0414\u0420\u0423\u0413 \u0412\u041b\u042e\u0411\u0418\u0422\u0421\u042f<\/a><\/td>\nWENN DEIN COMPUTER SICH PL\u00d6TZLICH VERLIEBT<\/a><\/td>\nSI UN ORDENADOR DE REPENTE SE ENAMORA<\/a><\/td>\n<\/tr>\n
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\"\"Davis<\/strong>, Mick<\/p>\n

Politician, 1958-<\/p>\n

\"\"<\/td>\n

NYRSTAR: L\u2019AGONIE DU GEANT DANS LES GRIFFES DE TRAFIGURA<\/a><\/td>\nNYRSTAR: THE AGONY OF THE GIANT IN THE CLAWS OF TRAFIGURA<\/a><\/td>\nNYRSTAR: L\u2019AGONIA DEL GIGANTE NEGLI ARTIGLI DI TRAFIGURA<\/a><\/td>\nNYRSTAR: \u0410\u0413\u041e\u041d\u0418\u042f \u0413\u0418\u0413\u0410\u041d\u0422\u0410 \u0412 \u041a\u041e\u0413\u0422\u042f\u0425 TRAFIGURA<\/a><\/td>\nNYRSTAR: DIE QUALEN DES RIESEN IN DEN KLAUEN VON TRAFIGURA<\/a><\/td>\nNYRSTAR: LA AGON\u00cdA DEL GIGANTE EN LAS GARRAS DE TRAFIGURA<\/a><\/td>\n<\/tr>\n
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\"\"Davuto\u011flu<\/strong>, Ahmet<\/p>\n

Politician, 1959-<\/p>\n

\"\"<\/td>\n

QUAND LE CRIME DEVIENT UN \u00c9TAT: LA TURQUIE DE KAMER ET ERDOGAN<\/a><\/td>\nWHEN THE MOB BECOMES THE STATE: THE TURKEY OF KAMER AND ERDO\u011eAN<\/a><\/td>\nQUANDO IL CRIMINE SI FA STATO: LA TURCHIA DI KAMER E ERDO\u011eAN<\/a><\/td>\n\u041a\u041e\u0413\u0414\u0410 \u041f\u0420\u0415\u0421\u0422\u0423\u041f\u041b\u0415\u041d\u0418\u0415 \u0417\u041d\u0410\u0427\u0418\u0422 \u0413\u041e\u0421\u0423\u0414\u0410\u0420\u0421\u0422\u0412\u041e: \u0422\u0423\u0420\u0426\u0418\u042f \u041a\u0410\u041c\u0415\u0420\u0410 \u0418 \u042d\u0420\u0414\u041e\u0413\u0410\u041d\u0410<\/a><\/td>\nWENN KRIMINALIT\u00c4T ZUM STAAT WIRD: KAMER UND ERDO\u011eANS T\u00dcRKEI<\/a><\/td>\nCUANDO EL CRIMEN SE CONVIERTE EN ESTADO: LA TURQU\u00cdA DE KAMER Y ERDO\u011eAN<\/a><\/td>\n<\/tr>\n
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\"\"Davydovich<\/strong>, Yevgeniy<\/p>\n

Banker, 1974-
\n\"\"<\/td>\n

LE PETIT QATAR, GRAND PARTENAIRE DU GEANT RUSSE<\/a><\/td>\nSMALL QATAR AS BIG PARTNER OF THE RUSSIAN GIANT<\/a><\/td>\nIL PICCOLO QATAR, GRANDE PARTNER DEL GIGANTE RUSSO<\/a><\/td>\n\u041c\u0410\u041b\u0415\u041d\u042c\u041a\u0418\u0419 \u041a\u0410\u0422\u0410\u0420 \u042f\u0412\u041b\u042f\u0415\u0422\u0421\u042f \u0412\u0410\u0416\u041d\u042b\u041c \u041f\u0410\u0420\u0422\u041d\u0415\u0420\u041e\u041c \u0413\u0418\u0413\u0410\u041d\u0422\u0421\u041a\u041e\u0419 \u0420\u041e\u0421\u0421\u0418\u0418<\/a><\/td>\nDER KLEINE KATAR, GRO\u00dfPARTNER DES RIESENS RUSSLAND<\/a><\/td>\nEL PEQUE\u00d1O QATAR, GRAN SOCIO DEL GIGANTE RUSO<\/a><\/td>\n<\/tr>\n
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\"\"<\/strong>De Andr\u00e9<\/strong>, Fabrizio<\/p>\n

Songwriter, 1940-1999
\n\"\"<\/td>\n

LES DERNIERS TABOUS DES EMISSIONS DE TELE-REALITE<\/a><\/td>\nTHE LAST TABOOS OF REALITY SHOWS<\/a><\/td>\nL\u2019ULTIMO TAB\u00d9 DEI REALITY SHOWS<\/a><\/td>\n\u041f\u041e\u0421\u041b\u0415\u0414\u041d\u0415\u0415 \u0422\u0410\u0411\u0423 \u0420\u0415\u0410\u041b\u0418\u0422\u0418-\u0428\u041e\u0423<\/a><\/td>\nDIE LETZTEN TABUS DER REALITY-SHOWS<\/a><\/td>\nEL \u00daLTIMO TAB\u00da DE LOS REALITY SHOWS<\/a><\/td>\n<\/tr>\n
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\"\"De Bernardi<\/strong>, Angelo<\/p>\n

Banker, 1942-
\n\"\"<\/td>\n

LA DERNIERE VICTIME DU BANCO AMBROSIANO<\/a><\/td>\nTHE LAST VICTIM OF BANCO AMBROSIANO<\/a><\/td>\nL\u2019ULTIMA VITTIMA DEL BANCO AMBROSIANO<\/a><\/td>\n\u041f\u041e\u0421\u041b\u0415\u0414\u041d\u042f\u042f \u0416\u0415\u0420\u0422\u0412\u0410\u0411\u0410\u041d\u041a\u0410 \u0410\u041c\u0411\u0420\u041e\u0417\u0418\u0410\u041d\u041e<\/a><\/td>\nDAS LETZTE OPFER DER BANCO AMBROSIANO<\/a><\/td>\nLA \u00daLTIMA V\u00cdCTIMA DEL BANCO AMBROSIANO<\/a><\/td>\n<\/tr>\n
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\"\"De Bruin<\/strong>, Cees<\/p>\n

Banker, 1946-2020
\n\"\"<\/td>\n

HEEREMA: LE LONG VOYAGE DU NATIONAL-SOCIALISME A L\u2019EXPLOITATION DES FONDS MARINS<\/a><\/td>\nHEEREMA: THE LONG JOURNEY FROM NATIONAL SOCIALISM TO THE EXPLOITATION OF THE SEABED<\/a><\/td>\nHEEREMA: IL LUNGO VIAGGIO DAL NAZISMO ALLO SFRUTTAMENTO DEI FONDALI OCEANICI<\/a><\/td>\nHEEREMA: \u0414\u041e\u041b\u0413\u041e\u0415 \u041f\u0423\u0422\u0415\u0428\u0415\u0421\u0422\u0412\u0418\u0415 \u041e\u0422 \u041d\u0410\u0426\u0418\u0417\u041c\u0410 \u041a \u042d\u041a\u0421\u041f\u041b\u0423\u0410\u0422\u0410\u0426\u0418\u0418 \u041e\u041a\u0415\u0410\u041d\u0421\u041a\u041e\u0413\u041e \u0414\u041d\u0410<\/a><\/td>\nHEEREMA: DIE LANGE REISE VOM NATIONALSOZIALISMUS ZUR AUSBEUTUNG DES MEERESBODENS<\/a><\/td>\nHEEREMA: EL LARGO VIAJE DEL NAZISMO A LA EXPLOTACI\u00d3N DE LOS FONDOS MARINOS<\/a><\/p>\n

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\"\"De Castro<\/strong>, Paolo<\/p>\n

Politician, 1958-
\n\"\"<\/td>\n

MOUVEMENT 5 ETOILES ET LEGANORD : REPETITIONS GENERALES POUR UNE INTERNATIONALE POSTFASCISTE<\/a><\/td>\n5-STAR MOVEMENT AND LEGANORD: DRESS REHEARSALS FOR A POST-FASCIST INTERNATIONAL<\/a><\/td>\nMOVIMENTO 5 STELLE E LEGA NORD: PROVE GENERALI PER UN\u2019INTERNAZIONALE POST-FASCISTA<\/a><\/td>\n\u0414\u0412\u0418\u0416\u0415\u041d\u0418\u0415 5 \u0417\u0412\u0415\u0417\u0414 \u0418 \u0421\u0415\u0412\u0415\u0420\u041d\u0410\u042f \u041b\u0418\u0413\u0410: \u0418\u0421\u041f\u042b\u0422\u0410\u041d\u0418\u042f \u0414\u041b\u042f \u041f\u041e\u0421\u0422\u0424\u0410\u0428\u0418\u0421\u0422\u0421\u041a\u041e\u0413\u041e \u0418\u041d\u0422\u0415\u0420\u041d\u0410\u0426\u0418\u041e\u041d\u0410\u041b\u0410<\/a><\/td>\n5-STERNE-BEWEGUNG UND LEGANORD: GENERALPROBEN F\u00dcR EINE POSTFASCHISTISCHE INTERNATIONALE<\/a><\/td>\nEL MOVIMIENTO 5 ESTRELLAS Y LA LIGA NORTE: ENSAYO GENERAL DE UNA INTERNACIONAL POST-FASCISTA<\/a><\/td>\n<\/tr>\n
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\"\"De Castro Spikula<\/strong>, Sergio<\/p>\n

Economist and politician, 1930-
\n\"\"<\/td>\n

LE CHILI DE GABRIEL BORIC : LE RETOUR DE L\u2019ESPOIR<\/a><\/td>\nGABRIEL BORIC\u2019S CHILE: THE RETURN OF HOPE<\/a><\/td>\nIL CILE DI GABRIEL BORIC: IL RITORNO DELLA SPERANZA<\/a><\/td>\n\u0427\u0418\u041b\u0418 \u0413\u0410\u0411\u0420\u0418\u042d\u041b\u042f \u0411\u041e\u0420\u0418\u0427: \u0412\u041e\u0417\u0412\u0420\u0410\u0429\u0415\u041d\u0418\u0415 \u041d\u0410\u0414\u0415\u0416\u0414\u042b<\/a><\/td>\nGABRIEL BORIC\u2019S CHILE: DIE R\u00dcCKKEHR DER HOFFNUNG<\/a><\/td>\nEL CHILE DE GABRIEL BORIC: EL RETORNO DE LA ESPERANZA<\/a><\/td>\n<\/tr>\n
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\"\"De Combret<\/strong>, Fran\u00e7ois<\/p>\n

Banker, 1941-
\n\"\"<\/td>\n

GUINEE, ENCORE UN CHANGEMENT DE LEOPARD<\/a><\/td>\nGUINEA, YET ANOTHER LEOPARD CHANGE<\/a><\/td>\nGUINEA, L\u2019ENNESIMO CAMBIAMENTO DEL GATTOPARDO<\/a><\/td>\n\u0413\u0412\u0418\u041d\u0415\u042f, \u0415\u0429\u0415 \u041e\u0414\u041d\u041e \u0418\u0417\u041c\u0415\u041d\u0415\u041d\u0418\u0415 GATTOPARDO<\/a><\/td>\nNOCH EIN LEOPARDENWECHSEL IN GUINEA<\/a><\/td>\nGUINEA, OTRO CAMBIO DE LEOPARDO<\/a><\/td>\n<\/tr>\n
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\"\"De Coubertin<\/strong>, Pierre<\/p>\n

Diplomat, 1863-1937
\n\"\"<\/td>\n

SYDNEY 2000 : LES JEUX OLYMPIQUES DE LA CORRUPTION<\/a><\/td>\nSYDNEY 2000: THE OLYMPICS OF CORRUPTION<\/a><\/td>\nSYDNEY 2000: LE OLIMPIADI DELLA CORRUZIONE<\/a><\/td>\n\u0421\u0418\u0414\u041d\u0415\u0419 2000: \u041e\u041b\u0418\u041c\u041f\u0418\u0410\u0414\u0410\u041a\u041e\u0420\u0420\u0423\u041f\u0426\u0418\u0418<\/a><\/td>\nSYDNEY 2000: DIE OLYMPISCHEN SPIELE DER KORRUPTION<\/a><\/td>\nSYDNEY 2000: LAS OLIMPIADAS DE LA CORRUPCI\u00d3N<\/a><\/td>\n<\/tr>\n
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\"\"Deforche,<\/strong> Robrecht<\/p>\n

University Professor, 1992-
\n\"\"<\/td>\n

AL-SHABAAB : L\u2019EPEE DE DAMOCLES SUR LA SOMALIE<\/a><\/td>\nAL-SHABAAB: THE SWORD OF DAMOCLES OVER SOMALIA<\/a><\/td>\nAL-SHABAAB: LA SPADA DI DAMOCLE SULLA SOMALIA<\/a><\/td>\n\u0410\u0428-\u0428\u0410\u0411\u0410\u0411: \u0414\u0410\u041c\u041e\u041a\u041b\u041e\u0412 \u041c\u0415\u0427 \u041d\u0410\u0414 \u0421\u041e\u041c\u0410\u041b\u0418<\/a><\/td>\nAL-SHABAAB: DAS DAMOKLESSCHWERT \u00dcBER SOMALIA<\/a><\/td>\nAL-SHABAAB: LA ESPADA DE DAMOCLES SOBRE SOMALIA<\/a><\/td>\n<\/tr>\n
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\"\"Da Gama<\/strong>, Vasco<\/p>\n

Explorer, 1469-1524
\n\"\"<\/td>\n

MADERE, L\u2019ILE DE CRISTIANO RONALDO<\/a><\/td>\nMADEIRA, THE ISLAND OF CRISTIANO RONALDO<\/a><\/td>\nMADEIRA, L\u2019ISOLA DI CRISTIANO RONALDO<\/a><\/td>\n\u041c\u0410\u0414\u0415\u0419\u0420\u0410, \u041e\u0421\u0422\u0420\u041e\u0412 \u041a\u0420\u0418\u0421\u0422\u0418\u0410\u041d\u041e\u0420\u041e\u041d\u0410\u041b\u0414\u041e<\/a><\/td>\nMADEIRA, DIE INSEL VON CRISTIANO RONALDO<\/a><\/td>\nMADEIRA, LA ISLA DE CRISTIANO RONALDO<\/a><\/td>\n<\/tr>\n
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\"\"Da Silva<\/strong>, M\u00e1rio Leite<\/p>\n

Fiduciary trustee, 1975-
\n\"\"<\/td>\n

MADERE, L\u2019ILE DE CRISTIANO RONALDO<\/a><\/td>\nMADEIRA, THE ISLAND OF CRISTIANO RONALDO<\/a><\/td>\nMADEIRA, L\u2019ISOLA DI CRISTIANO RONALDO<\/a><\/td>\n\u041c\u0410\u0414\u0415\u0419\u0420\u0410, \u041e\u0421\u0422\u0420\u041e\u0412 \u041a\u0420\u0418\u0421\u0422\u0418\u0410\u041d\u041e\u0420\u041e\u041d\u0410\u041b\u0414\u041e<\/a><\/td>\nMADEIRA, DIE INSEL VON CRISTIANO RONALDO<\/a><\/td>\nMADEIRA, LA ISLA DE CRISTIANO RONALDO<\/a><\/td>\n<\/tr>\n
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\"\"De Gaulle<\/strong>, Charles<\/p>\n

Politician, 1890-1970
\n\"\"<\/td>\n

GUINEE, ENCORE UN CHANGEMENT DE LEOPARD<\/a><\/td>\nGUINEA, YET ANOTHER LEOPARD CHANGE<\/a><\/td>\nGUINEA, L\u2019ENNESIMO CAMBIAMENTO DEL GATTOPARDO<\/a><\/td>\n\u0413\u0412\u0418\u041d\u0415\u042f, \u0415\u0429\u0415 \u041e\u0414\u041d\u041e \u0418\u0417\u041c\u0415\u041d\u0415\u041d\u0418\u0415 GATTOPARDO<\/a><\/td>\nNOCH EIN LEOPARDENWECHSEL IN GUINEA<\/a><\/td>\nGUINEA, OTRO CAMBIO DE LEOPARDO<\/a><\/td>\n<\/tr>\n
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\"\"De Grey<\/strong>, Aubrey<\/p>\n

Scientist, 1967-
\n\"\"<\/td>\n

PETER THIEL: LE REVE D\u2019UNE TECHNOCRATIE MYSTIQUE<\/a><\/td>\nPETER THIEL: THE DREAM OF A MYSTICAL TECHNOCRACY<\/a><\/td>\nPETER THIEL: IL SOGNO DI UNA TECNOCRAZIA MISTICA<\/a><\/td>\n\u041f\u0418\u0422\u0415\u0420 \u0422\u0418\u041b\u042c: \u041c\u0415\u0427\u0422\u0410 \u041e \u041c\u0418\u0421\u0422\u0418\u0427\u0415\u0421\u041a\u041e\u0419 \u0422\u0415\u0425\u041d\u041e\u041a\u0420\u0410\u0422\u0418\u0418<\/a><\/td>\nPETER THIEL: DER TRAUM VON EINER MYSTISCHEN TECHNOKRATIE<\/a><\/td>\nPETER THIEL: EL SUE\u00d1O DE UNA TECNOCRACIA M\u00cdSTICA<\/a><\/td>\n<\/tr>\n
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\"\"De Jorio<\/strong>, Filippo<\/p>\n

Lawyer, 1933-
\n\"\"<\/td>\n

HENRY KISSINGER, L\u2019AME NOIRE DU 20EME SIECLE<\/a><\/td>\nHENRY KISSINGER, THE DARK SOUL OF THE 20TH CENTURY<\/a><\/td>\nHENRY KISSINGER, L\u2019ANIMA NERA DEL XX SECOLO<\/a><\/td>\n\u0413\u0415\u041d\u0420\u0418 \u041a\u0418\u0421\u0421\u0418\u041d\u0414\u0416\u0415\u0420, \u0427\u0415\u0420\u041d\u0410\u042f \u0414\u0423\u0428\u0410 20 \u0412\u0415\u041a\u0410<\/a><\/td>\nHENRY KISSINGER, DIE SCHWARZE SEELE DES 20. JAHRHUNDERTS<\/a><\/td>\nHENRY KISSINGER, EL ALMA NEGRA DEL SIGLO XX<\/a><\/td>\n<\/tr>\n
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\"\"De Lorenzo<\/strong>, Giovanni<\/p>\n

Chief of Staff of the Italian Army \/ Politician \/ Gladio member, 1907-1973
\n\"\"<\/td>\n

HENRY KISSINGER, L\u2019AME NOIRE DU 20EME SIECLE<\/a><\/td>\nHENRY KISSINGER, THE DARK SOUL OF THE 20TH CENTURY<\/a><\/td>\nHENRY KISSINGER, L\u2019ANIMA NERA DEL XX SECOLO<\/a><\/td>\n\u0413\u0415\u041d\u0420\u0418 \u041a\u0418\u0421\u0421\u0418\u041d\u0414\u0416\u0415\u0420, \u0427\u0415\u0420\u041d\u0410\u042f \u0414\u0423\u0428\u0410 20 \u0412\u0415\u041a\u0410<\/a><\/td>\nHENRY KISSINGER, DIE SCHWARZE SEELE DES 20. JAHRHUNDERTS<\/a><\/td>\nHENRY KISSINGER, EL ALMA NEGRA DEL SIGLO XX<\/a><\/td>\n<\/tr>\n
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\"\"De Marchi<\/strong>, Giancarlo<\/p>\n

Lawyer \/ Right-wing extremist, 1928-1994
\n\"\"<\/td>\n

HENRY KISSINGER, L\u2019AME NOIRE DU 20EME SIECLE<\/a><\/td>\nHENRY KISSINGER, THE DARK SOUL OF THE 20TH CENTURY<\/a><\/td>\nHENRY KISSINGER, L\u2019ANIMA NERA DEL XX SECOLO<\/a><\/td>\n\u0413\u0415\u041d\u0420\u0418 \u041a\u0418\u0421\u0421\u0418\u041d\u0414\u0416\u0415\u0420, \u0427\u0415\u0420\u041d\u0410\u042f \u0414\u0423\u0428\u0410 20 \u0412\u0415\u041a\u0410<\/a><\/td>\nHENRY KISSINGER, DIE SCHWARZE SEELE DES 20. JAHRHUNDERTS<\/a><\/td>\nHENRY KISSINGER, EL ALMA NEGRA DEL SIGLO XX<\/a><\/td>\n<\/tr>\n
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\"\"De Montessus<\/strong>, Sebastien<\/p>\n

Affairman, 1974\u2013
\n\"\"<\/td>\n

VIE ET MIRACLES D\u2019UN MERCENAIRE DANS LA GUERRE MEDIATIQUE<\/a><\/td>\nLIFE AND MIRACLES OF A MERCENARY IN THE MEDIA WAR<\/a><\/td>\nVITA E MIRACOLI DI UN MERCENARIO NELLA GUERRA DEI MEDIA<\/a><\/td>\n\u0416\u0418\u0417\u041d\u042c \u0418 \u0427\u0423\u0414\u0415\u0421\u0410 \u041d\u0410\u0415\u041c\u041d\u0418\u041a\u0410 \u0412 \u0412\u041e\u0419\u041d\u0415 \u0421\u041e \u0421\u041c\u0418<\/a><\/td>\nLEBEN UND WUNDER EINES S\u00d6LDNERS IM MEDIENKRIEG<\/a><\/td>\nVIDA Y MILAGROS DE UN MERCENARIO EN LA GUERRA MEDI\u00c1TICA<\/a><\/td>\n<\/tr>\n
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\"\"Delle Chiaie<\/strong>, Stefano<\/p>\n

Terrorist, 1936-2019
\n\"\"<\/td>\n

HENRY KISSINGER, L\u2019AME NOIRE DU 20EME SIECLE<\/a><\/td>\nHENRY KISSINGER, THE DARK SOUL OF THE 20TH CENTURY<\/a><\/td>\nHENRY KISSINGER, L\u2019ANIMA NERA DEL XX SECOLO<\/a><\/td>\n\u0413\u0415\u041d\u0420\u0418 \u041a\u0418\u0421\u0421\u0418\u041d\u0414\u0416\u0415\u0420, \u0427\u0415\u0420\u041d\u0410\u042f \u0414\u0423\u0428\u0410 20 \u0412\u0415\u041a\u0410<\/a><\/td>\nHENRY KISSINGER, DIE SCHWARZE SEELE DES 20. JAHRHUNDERTS<\/a><\/td>\nHENRY KISSINGER, EL ALMA NEGRA DEL SIGLO XX<\/a><\/td>\n<\/tr>\n
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\"\"Dell’Utri<\/strong>, Marcello<\/p>\n

Politician, 1941-
\n\"\"<\/td>\n

L\u2019ETERNEL TRESORIER DE COSA NOSTRA<\/a><\/td>\nTHE ETERNAL TREASURER OF COSA NOSTRA<\/a><\/td>\nL\u2019ETERNO TESORIERE DI COSA NOSTRA<\/a><\/td>\n\u0412\u0415\u0427\u041d\u042b\u0419 \u041a\u0410\u0417\u041d\u0410\u0427\u0415\u0419 COSA NOSTRA<\/a><\/td>\nDER EWIGE SCHATZMEISTER DER COSA NOSTRA<\/a><\/td>\nEL ETERNO TESORERO DE LA COSA NOSTRA<\/a><\/td>\n<\/tr>\n
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\"\"Del Santo<\/strong>, Lory<\/p>\n

Actress, 1958-
\n\"\"<\/td>\n

SEYCHELLES : LA TIRELIRE DES OLIGARQUES<\/a><\/td>\nSEYCHELLES: THE OLIGARCHS\u2019 PIGGY BANK<\/a><\/td>\nSEYCHELLES: IL SALVADANAIO DEGLI OLIGARCHI<\/a><\/td>\n\u0421\u0415\u0419\u0428\u0415\u041b\u042c\u0421\u041a\u0418\u0415 \u041e\u0421\u0422\u0420\u041e\u0412\u0410: \u041a\u041e\u041f\u0418\u041b\u041a\u0410 \u041e\u041b\u0418\u0413\u0410\u0420\u0425\u041e\u0412<\/a><\/td>\nSEYCHELLEN: DAS SPARSCHWEIN DER OLIGARCHEN<\/a><\/td>\nSEYCHELLES: LA HUCHA DE LOS OLIGARCAS<\/a><\/td>\n<\/tr>\n
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\"\"Del Valle<\/strong>, Alexandre<\/p>\n

Journalist, 1968-
\n\"\"<\/td>\n

GOLFE PERSIQUE : LA GUERRE APRES L\u2019ARMISTICE<\/a><\/td>\nPERSIAN GULF: THE WAR AFTER THE ARMISTICE<\/a><\/td>\nGOLFO PERSICO: LA GUERRA DOPO L\u2019ARMISTIZIO<\/a><\/td>\n\u041f\u0415\u0420\u0421\u0418\u0414\u0421\u041a\u0418\u0419 \u0417\u0410\u041b\u0418\u0412: \u0412\u041e\u0419\u041d\u0410 \u041f\u041e\u0421\u041b\u0415 \u041f\u0415\u0420\u0415\u041c\u0418\u0420\u0418\u042f<\/a><\/td>\nPERSISCHER GOLF: DER KRIEG NACH DEM WAFFENSTILLSTAND<\/a><\/td>\nGOLFO P\u00c9RSICO: LA GUERRA DESPU\u00c9S DEL ARMISTICIO<\/a><\/td>\n<\/tr>\n
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\"\"Demarchi<\/strong>, Juan<\/p>\n

Politician, 1866-1943
\n\"\"<\/td>\n

LE CHILI DE GABRIEL BORIC : LE RETOUR DE L\u2019ESPOIR<\/a><\/td>\nGABRIEL BORIC\u2019S CHILE: THE RETURN OF HOPE<\/a><\/td>\nIL CILE DI GABRIEL BORIC: IL RITORNO DELLA SPERANZA<\/a><\/td>\n\u0427\u0418\u041b\u0418 \u0413\u0410\u0411\u0420\u0418\u042d\u041b\u042f \u0411\u041e\u0420\u0418\u0427: \u0412\u041e\u0417\u0412\u0420\u0410\u0429\u0415\u041d\u0418\u0415 \u041d\u0410\u0414\u0415\u0416\u0414\u042b<\/a><\/td>\nGABRIEL BORIC\u2019S CHILE: DIE R\u00dcCKKEHR DER HOFFNUNG<\/a><\/td>\nEL CHILE DE GABRIEL BORIC: EL RETORNO DE LA ESPERANZA<\/a><\/td>\n<\/tr>\n
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\"\"De Margerie<\/strong>, Arnold<\/p>\n

Manager, 1892-1954
\n\"\"<\/td>\n

HEEREMA : LE LONG VOYAGE DU NATIONAL-SOCIALISME A L\u2019EXPLOITATION DES FONDS MARINS<\/a><\/td>\nHEEREMA: THE LONG JOURNEY FROM NATIONAL SOCIALISM TO THE EXPLOITATION OF THE SEABED<\/a><\/td>\nHEEREMA: IL LUNGO VIAGGIO DAL NAZISMO ALLO SFRUTTAMENTO DEI FONDALI OCEANICI<\/a><\/td>\nHEEREMA: \u0414\u041e\u041b\u0413\u041e\u0415 \u041f\u0423\u0422\u0415\u0428\u0415\u0421\u0422\u0412\u0418\u0415 \u041e\u0422 \u041d\u0410\u0426\u0418\u0417\u041c\u0410 \u041a \u042d\u041a\u0421\u041f\u041b\u0423\u0410\u0422\u0410\u0426\u0418\u0418 \u041e\u041a\u0415\u0410\u041d\u0421\u041a\u041e\u0413\u041e \u0414\u041d\u0410<\/a><\/td>\nHEEREMA: DIE LANGE REISE VOM NATIONALSOZIALISMUS ZUR AUSBEUTUNG DES MEERESBODENS<\/a><\/td>\nHEEREMA: EL LARGO VIAJE DEL NAZISMO A LA EXPLOTACI\u00d3N DE LOS FONDOS MARINOS<\/a><\/p>\n

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\"\"De Micheli<\/strong>, Mario<\/p>\n

Historian, art critic, 1914-2004
\n\"\"<\/td>\n

ROSA BALISTRERI, LES CRIS DE DOULEUR DE LA SICILE<\/a><\/td>\nROSA BALISTRERI, SICILY\u2019S CRIES OF PAIN<\/a><\/td>\nROSA BALISTRERI, LE URLA DI DOLORE DELLA SICILIA<\/a><\/td>\nROSA BALISTRERI, \u041a\u0420\u0418\u041a\u0418 \u0411\u041e\u041b\u0418 \u0421\u0418\u0426\u0418\u041b\u0418\u0418<\/a><\/td>\nROSA BALISTRERI, SIZILIENS SCHMERZENSSCHREIE<\/a><\/td>\nROSA BALISTRERI, LOS GRITOS DE DOLOR DE SICILIA<\/a><\/td>\n<\/tr>\n
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\"\"Demokrit<\/strong>,<\/p>\n

Greek philosopher, c.\u2009460 BC – c.\u2009370 BC<\/td>\n

LE MICROCOSME: PLUS IL EST PETIT, MIEUX IL FONCTIONNE<\/a><\/td>\nTHE MICROCOSM: THE SMALLER IT IS, THE BETTER IT WORKS<\/a><\/td>\nIL MICROCOSMO: PI\u00d9 \u00c8 MINUSCOLO, MEGLIO FUNZIONA<\/a><\/td>\n\u041c\u0418\u041a\u0420\u041e\u041c\u0418\u0420: \u0427\u0415\u041c \u041e\u041d \u041c\u0415\u041d\u042c\u0428\u0415, \u0422\u0415\u041c \u041b\u0423\u0427\u0428\u0415 \u0420\u0410\u0411\u041e\u0422\u0410\u0415\u0422<\/a><\/td>\nDER MIKROKOSMOS: JE KLEINER ER IST, DESTO BESSER FUNKTIONIERT ER<\/a><\/td>\nEL MICROCOSMOS: CUANTO M\u00c1S PEQUE\u00d1O, MEJOR FUNCIONA<\/a><\/td>\n<\/tr>\n
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\"\"De Molina<\/strong>, Miguel<\/p>\n

Singer, 1908-1993
\n\"\"<\/td>\n

MERCEDES SOSA, LA VOIX DES SANS-VOIX<\/a><\/td>\nMERCEDES SOSA, THE VOICE OF THE VOICELESS<\/a><\/td>\nMERCEDES SOSA, LA VOCE DEI SENZA VOCE<\/a><\/td>\nMERCEDES SOSA, \u0413\u041e\u041b\u041e\u0421 \u0411\u0415\u0417\u0413\u041e\u041b\u041e\u0421\u042b\u0425<\/a><\/td>\nMERCEDES SOSA, DIE STIMME DER STUMMEN<\/a><\/td>\nMERCEDES SOSA, LA VOZ DE LOS SIN VOZ<\/a><\/td>\n<\/tr>\n
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\"\"De Monderik<\/strong>, Alexey<\/p>\n

Businessman, 1991-
\n\"\"<\/td>\n

LES DESHONORANTS CHEVALIERS DE (ENE)MALTE<\/a><\/td>\nTHE DISHONOURABLE KNIGHTS OF (ENE)MALTA<\/a><\/td>\nI DISONOREVOLI CAVALIERI DI (ENE)MALTA<\/a><\/td>\n\u0411\u0415\u0421\u0427\u0415\u0421\u0422\u041d\u042b\u0415 \u0420\u042b\u0426\u0410\u0420\u0418 (\u042d\u041d\u0415)\u041c\u0410\u041b\u042c\u0422\u042b<\/a><\/td>\nDIE UNEHRENHAFTEN RITTER VON (ENE)MALTA<\/a><\/td>\nLOS DESHONROSOS CABALLEROS DE (ENE)MALTA<\/a><\/td>\n<\/tr>\n
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\"\"Demeester<\/strong>, Demeester<\/p>\n

Banker, 1981-
\n\"\"<\/td>\n

NYRSTAR: L\u2019AGONIE DU GEANT DANS LES GRIFFES DE TRAFIGURA<\/a><\/td>\nNYRSTAR: THE AGONY OF THE GIANT IN THE CLAWS OF TRAFIGURA<\/a><\/td>\nNYRSTAR: L\u2019AGONIA DEL GIGANTE NEGLI ARTIGLI DI TRAFIGURA<\/a><\/td>\nNYRSTAR: \u0410\u0413\u041e\u041d\u0418\u042f \u0413\u0418\u0413\u0410\u041d\u0422\u0410 \u0412 \u041a\u041e\u0413\u0422\u042f\u0425 TRAFIGURA<\/a><\/td>\nNYRSTAR: DIE QUALEN DES RIESEN IN DEN KLAUEN VON TRAFIGURA<\/a><\/td>\nNYRSTAR: LA AGON\u00cdA DEL GIGANTE EN LAS GARRAS DE TRAFIGURA<\/a><\/td>\n<\/tr>\n
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\"\"D\u0113mosth\u00e9n\u0113s<\/strong><\/p>\n

Politician, 384 a.C. \u2013 322 a.C.<\/p>\n

\"\"<\/td>\n

GREGOIRE VERDEAUX: L\u2019AMI QUI GERE LE TRESOR<\/a><\/td>\nGR\u00c9GOIRE VERDEAUX: THE FRIEND WHO MANAGES THE TREASURE<\/a><\/td>\nGR\u00c9GOIRE VERDEAUX: L\u2019AMICO CHE GESTISCE IL TESORO<\/a><\/td>\n\u0413\u0420\u0415\u0413\u041e\u0420\u0418 \u0412\u0415\u0420\u0414\u041e: \u0414\u0420\u0423\u0413, \u0423\u041f\u0420\u0410\u0412\u041b\u042f\u042e\u0429\u0418\u0419 \u041a\u0410\u0417\u041d\u0410\u0427\u0415\u0419\u0421\u0422\u0412\u041e\u041c<\/a><\/td>\nGR\u00c9GOIRE VERDEAUX: DER FREUND, DER DEN SCHATZ VERWALTET<\/a><\/td>\nGR\u00c9GOIRE VERDEAUX: EL AMIGO QUE GESTIONA LA TESORER\u00cdA<\/a><\/td>\n<\/tr>\n
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\"\"<\/strong>Dennehy<\/strong>, John<\/p>\n

Politician. 1940-
\n\"\"<\/td>\n

LA TRES LONGUE VAGUE DE CORRUPTION A BRUXELLES<\/a><\/td>\nTHE LONG WAVE OF CORRUPTION IN BRUSSELS<\/a><\/td>\nL\u2019ONDA LUNGHISSIMA DELLA CORRUZIONE A BRUXELLES<\/a><\/td>\n\u041e\u0427\u0415\u041d\u042c \u0414\u041b\u0418\u041d\u041d\u0410\u042f \u0412\u041e\u041b\u041d\u0410 \u041a\u041e\u0420\u0420\u0423\u041f\u0426\u0418\u0418 \u0412 \u0411\u0420\u042e\u0421\u0421\u0415\u041b\u0415<\/a><\/td>\nDIE SEHR LANGE WELLE DER KORRUPTION IN BR\u00dcSSEL<\/a><\/td>\nLA LARGU\u00cdSIMA OLA DE CORRUPCI\u00d3N EN BRUSELAS<\/a><\/td>\n<\/tr>\n
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\"\"De Pedis<\/strong>, Enrico<\/p>\n

Mobster, 1954-1990
\n\"\"<\/td>\n

LA MISERE OPULENTE DE LA THEOCRATIE ROMAINE<\/a><\/td>\nTHE OPULENT MISERY OF THE ROMAN THEOCRACY<\/a><\/td>\nL\u2019OPULENTA MISERIA DELLA TEOCRAZIA ROMANA<\/a><\/td>\n\u0420\u041e\u0421\u041a\u041e\u0428\u041d\u041e\u0415 \u041d\u0415\u0421\u0427\u0410\u0421\u0422\u042c\u0415 \u0420\u0418\u041c\u0421\u041a\u041e\u0419 \u0422\u0415\u041e\u041a\u0420\u0410\u0422\u0418\u0418<\/a><\/td>\nDAS \u00dcPPIGE ELEND DER R\u00d6MISCHEN THEOKRATIE<\/a><\/td>\nLA OPULENTA MISERIA DE LA TEOCRACIA ROMANA<\/a><\/td>\n<\/tr>\n
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\"\"De Roeck<\/strong>, Vincent<\/p>\n

Military, 1979-
\n\"\"<\/td>\n

APRES L\u2019ARTICLE D\u2019ALDO TORCHIARO : GENNARO VECCHIONE N\u2019EST QUE LA POINTE DE L\u2019ICEBERG<\/a><\/td>\nAFTER ALDO TORCHIARO\u2019S ARTICLE: GENNARO VECCHIONE IS ONLY THE TIP OF THE ICEBERG<\/a><\/td>\nDOPO L\u2019ARTICOLO DI ALDO TORCHIARO: GENNARO VECCHIONE \u00c8 SOLO LA PUNTA DELL\u2019ICEBERG<\/a><\/td>\n\u041f\u041e\u0421\u041b\u0415 \u0421\u0422\u0410\u0422\u042c\u0418 \u0410\u041b\u042c\u0414\u041e \u0422\u041e\u0420\u041a\u042c\u042f\u0420\u041e (ALDO TORCHIARO): GENNARO VECCHIONE \u2013 \u0422\u041e\u041b\u042c\u041a\u041e \u0412\u0415\u0420\u0428\u0418\u041d\u0410 \u0410\u0419\u0421\u0411\u0415\u0420\u0413\u0410<\/a><\/td>\nNACH DEM ARTIKEL VON ALDO TORCHIARO: GENNARO VECCHIONE IST NUR DIE SPITZE DES EISBERGS<\/a><\/td>\nTRAS EL ART\u00cdCULO DE ALDO TORCHIARO: GENNARO VECCHIONE ES S\u00d3LO LA PUNTA DEL ICEBERG<\/a><\/td>\n<\/tr>\n
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\"\"De Rokha<\/strong>, Pablo<\/p>\n

Poet, 1894-1968
\n\"\"<\/td>\n

VIOLETA PARRA, LA LIBERTE EST UNE DOULEUR ABSOLUE<\/a><\/td>\nVIOLETA PARRA, FREEDOM IS AN ABSOLUTE PAIN<\/a><\/td>\nVIOLETA PARRA, LA LIBERT\u00c0 \u00c8 UN DOLORE ASSOLUTO<\/a><\/td>\nVIOLETA PARRA, \u0421\u0412\u041e\u0411\u041e\u0414\u0410 \u2013 \u042d\u0422\u041e \u0410\u0411\u0421\u041e\u041b\u042e\u0422\u041d\u0410\u042f \u0411\u041e\u041b\u042c<\/a><\/td>\nVIOLETA PARRA, FREIHEIT IST EIN ABSOLUTER SCHMERZ<\/a><\/td>\nVIOLETA PARRA, LA LIBERTAD ES UN DOLOR ABSOLUTO<\/a><\/td>\n<\/tr>\n
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\"\"de Rothschild<\/strong>, Edmond Benjamin James<\/p>\n

Banker, 1845-1934
\n\"\"<\/td>\n

BOLLORE: LE VERITABLE ROI DE L\u2019AFRIQUE<\/a><\/td>\nBOLLOR\u00c9: THE TRUE KING OF AFRICA<\/a><\/td>\nBOLLOR\u00c9: IL VERO RE D\u2019AFRICA<\/a><\/td>\n\u0411\u041e\u041b\u041b\u041e\u0420\u0415: \u0418\u0421\u0422\u0418\u041d\u041d\u042b\u0419 \u041a\u041e\u0420\u041e\u041b\u042c \u0410\u0424\u0420\u0418\u041a\u0418<\/a><\/td>\nBOLLOR\u00c9: DER WAHRE K\u00d6NIG VON AFRIKA<\/a><\/td>\nBOLLOR\u00c9: EL VERDADERO REY DE \u00c1FRICA<\/a><\/td>\n<\/tr>\n
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\"\"Derpanopoulos<\/strong>, George<\/p>\n

University professor, 1989-
\n\"\"<\/td>\n

GUINEE, ENCORE UN CHANGEMENT DE LEOPARD<\/a><\/td>\nGUINEA, YET ANOTHER LEOPARD CHANGE<\/a><\/td>\nGUINEA, L\u2019ENNESIMO CAMBIAMENTO DEL GATTOPARDO<\/a><\/td>\n\u0413\u0412\u0418\u041d\u0415\u042f, \u0415\u0429\u0415 \u041e\u0414\u041d\u041e \u0418\u0417\u041c\u0415\u041d\u0415\u041d\u0418\u0415 GATTOPARDO<\/a><\/td>\nNOCH EIN LEOPARDENWECHSEL IN GUINEA<\/a><\/td>\nGUINEA, OTRO CAMBIO DE LEOPARDO<\/a><\/td>\n<\/tr>\n
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\"\"De Santis<\/strong>, Ron<\/p>\n

Politician and former military, 1978-
\n\"\"<\/td>\n

DU PLASTIQUE ET DU SANG POUR LES ANUS N\u00c9O-NAZIS<\/a><\/td>\nPLASTIC AND BLOOD FOR NEO-NAZI ANUSES<\/a><\/td>\nPLASTICA E SANGUE PER GLI ANI NEONAZISTI<\/a><\/td>\n\u041f\u041b\u0410\u0421\u0422\u0418\u041a \u0418 \u041a\u0420\u041e\u0412\u042c \u0414\u041b\u042f \u0410\u041d\u0423\u0421\u041e\u0412 \u041d\u0415\u041e\u041d\u0410\u0426\u0418\u0421\u0422\u041e\u0412<\/a><\/td>\nPLASTIK UND BLUT F\u00dcR NEONAZI-ANUS<\/a><\/td>\nPL\u00c1STICO Y SANGRE PARA ANOS NEONAZIS<\/a><\/td>\n<\/tr>\n
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\"\"De Silguy<\/strong>, Yves-Thibault<\/p>\n

Politician, 1948-
\n\"\"<\/td>\n

DERRIERE LES RIDEAUX, DANS LES CAPITALES EUROPEENS, LE DESIR POUR L\u2019IRAN GRANDIT<\/a><\/td>\nBEHIND THE CURTAINS, IN THE EUROPEAN CAPITALS, THE DESIRE FOR IRAN GROWS<\/a><\/td>\nDIETRO LE QUINTE DELLE CAPITALI EUROPEE CRESCE LA VOGLIA DI IRAN<\/a><\/td>\n\u0417\u0410 \u041a\u0423\u041b\u0418\u0421\u0410\u041c\u0418 \u0415\u0412\u0420\u041e\u041f\u0415\u0419\u0421\u041a\u0418\u0425 \u0421\u0422\u041e\u041b\u0418\u0426 \u0420\u0410\u0421\u0422\u0415\u0422 \u0416\u0415\u041b\u0410\u041d\u0418\u0415 \u0418\u0420\u0410\u041d\u0410<\/a><\/td>\nHINTER DEN KULISSEN DER EUROP\u00c4ISCHEN HAUPTST\u00c4DTE W\u00c4CHST DER WUNSCH NACH IRAN<\/a><\/td>\n<\/td>\n<\/tr>\n
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\"\"D\u00e8by<\/strong>, Idriss<\/p>\n

Politician, 1952-
\n\"\"<\/td>\n

LAC TCHAD, UN VOYAGE ENTRE ENCLUME ET MARTEAU<\/a><\/td>\nLAKE CHAD, A JOURNEY BETWEEN ANVIL AND HAMMER<\/a><\/td>\nLAGO CIAD, VIAGGIO TRA L\u2019INCUDINE E IL MARTELLO<\/a><\/td>\n\u041e\u0417\u0415\u0420\u041e \u0427\u0410\u0414, \u041f\u0423\u0422\u0415\u0428\u0415\u0421\u0422\u0412\u0418\u0415 \u041c\u0415\u0416\u0414\u0423 \u041d\u0410\u041a\u041e\u0412\u0410\u041b\u042c\u041d\u0415\u0419 \u0418 \u041c\u041e\u041b\u041e\u0422\u041e\u041c<\/a><\/td>\nTSCHADSEE, EINE REISE ZWISCHEN AMBOSS UND HAMMER<\/a><\/td>\nEL LAGO CHAD, UN VIAJE ENTRE EL YUNQUE Y EL MARTILLO<\/a><\/td>\n<\/tr>\n
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\"\"Degfa<\/strong>, Israel<\/p>\n

Farmer, 1991-
\n\"\"<\/td>\n

AFFAIRES SALES, CORRUPTION, ESCLAVAGE : CE QUI SE CACHE DERRIERE LE MARTYRE DU PEUPLE OROMO<\/a><\/td>\nDODGY BUSINESS, CORRUPTION, SLAVERY: WHAT\u2019S BEHIND THE MARTYR OF THE OROMO PEOPLE<\/a><\/td>\nAFFARI SPORCHI, CORRUZIONE, SCHIAVISMO: IL MARTIRIO DEL POPOLO OROMO<\/a><\/td>\n\u0413\u0420\u042f\u0417\u041d\u042b\u0415 \u0414\u0415\u041b\u0410, \u041a\u041e\u0420\u0420\u0423\u041f\u0426\u0418\u042f, \u0420\u0410\u0411\u0421\u0422\u0412\u041e: \u0427\u0422\u041e \u0421\u041a\u0420\u042b\u0412\u0410\u0415\u0422\u0421\u042f \u0417\u0410 \u041c\u0423\u0427\u0415\u041d\u0418\u041a\u0410\u041c\u0418 \u041d\u0410\u0420\u041e\u0414\u0410 \u041e\u0420\u041e\u041c\u041e<\/a><\/td>\nSCHMUTZIGE GESCH\u00c4FTE, KORRUPTION, SKLAVEREI: WAS HINTER DEM MARTYRIUM DES VOLKES OROMO STECKT<\/a><\/td>\nNEGOCIOS SUCIOS, CORRUPCI\u00d3N, ESCLAVITUD: EL MARTIRIO DEL PUEBLO OROMO<\/a><\/td>\n<\/tr>\n
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\"\"De Giorgi<\/strong>, Giuseppe<\/p>\n

Admiral, 1953-
\n\"\"<\/td>\n

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L\u2019EFFONDREMENT DE LA PECHE EN ITALIE<\/a><\/p>\n

 <\/td>\n

THE DISTRESSING DEMISE OF FISHING IN ITALY<\/a><\/td>\nL\u2019ANGOSCIOSO TRAMONTO DELLA PESCA IN ITALIA<\/a><\/td>\n\u041c\u0423\u0427\u0418\u0422\u0415\u041b\u042c\u041d\u042b\u0419 \u0417\u0410\u041a\u0410\u0422 \u0420\u042b\u0411\u0410\u041b\u041a\u0418 \u0412 \u0418\u0422\u0410\u041b\u0418\u0418<\/a><\/td>\nDER TRAURIGE NIEDERGANG DER FISCHEREI IN ITALIEN<\/a><\/td>\nLA ANGUSTIOSA DESAPARICI\u00d3N DE LA PESCA EN ITALIA<\/a><\/td>\n<\/tr>\n
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\"\"De Klerk<\/strong>, Frederik Willem<\/p>\n

Politician, 1936-2021
\n\"\"<\/td>\n

LABORATOIRE AFRIQUE DU SUD<\/a><\/p>\n

KWAZULU-NATAL, LA DERNIERE GRANDE MONARCHIE NOIRE<\/a><\/td>\n

LABORATORY SOUTH AFRICA<\/a><\/p>\n

KWAZULU-NATAL, THE LAST GREAT BLACK MONARCHY<\/a><\/td>\n

LABORATORIO SUDAFRICA<\/a><\/p>\n

IL KWAZULU-NATAL, ULTIMA GRANDE MONARCHIA NERA<\/a><\/td>\n

\u043b\u0430\u0431\u043e\u0440\u0430\u0442\u043e\u0440\u0438\u044f \u042e\u0436\u043d\u0430\u044f \u0410\u0444\u0440\u0438\u043a\u0430<\/a><\/p>\n

\u041a\u0412\u0410\u0417\u0423\u041b\u0423-\u041d\u0410\u0422\u0410\u041b, \u041f\u041e\u0421\u041b\u0415\u0414\u041d\u042f\u042f \u0412\u0415\u041b\u0418\u041a\u0410\u042f \u0427\u0415\u0420\u041d\u0410\u042f \u041c\u041e\u041d\u0410\u0420\u0425\u0418\u042f<\/a><\/td>\n

LABORATORIUM S\u00dcDAFRIKA<\/a><\/p>\n

KWAZULU-NATAL, DIE LETZTE GRO\u00dfE SCHWARZE MONARCHIE<\/a><\/td>\n

LABORATORIO SUD\u00c1FRICA<\/a><\/p>\n

KWAZULU-NATAL, LA \u00daLTIMA GRAN MONARQU\u00cdA NEGRA<\/a><\/td>\n<\/tr>\n

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\"\"De La Haye Jousselin<\/strong>, Thibauld<\/p>\n

EU-functionary, 1974-
\n\"\"<\/td>\n

GRECE : LES NOUVEAUX CAMPS DE CONCENTRATION<\/a><\/td>\nGREECE: NEW CONCENTRATION CAMPS EMERGE<\/a><\/td>\nGRECIA: NASCONO I NUOVI CAMPI DI CONCENTRAMENTO<\/a><\/td>\n\u0413\u0420\u0415\u0426\u0418\u042f: \u041f\u041e\u042f\u0412\u041b\u042f\u042e\u0422\u0421\u042f \u0412\u0421\u0415 \u041d\u041e\u0412\u042b\u0415 \u041a\u041e\u041d\u0426\u041b\u0410\u0413\u0415\u0420\u042f<\/a><\/td>\nGRIECHENLAND: DIE R\u00dcCKKEHR DES KONZENTRATIONSLAGERS<\/a><\/td>\nGRECIA: SURGEN NUEVOS CAMPOS DE CONCENTRACI\u00d3N<\/a><\/td>\n<\/tr>\n
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\"\"Del Giudice<\/strong>, Michele<\/p>\n

State Manager,
\n\"\"<\/td>\n

MOUVEMENT 5 ETOILES ET LEGANORD : REPETITIONS GENERALES POUR UNE INTERNATIONALE POSTFASCISTE<\/a><\/td>\n5-STAR MOVEMENT AND LEGANORD: DRESS REHEARSALS FOR A POST-FASCIST INTERNATIONAL<\/a><\/td>\nMOVIMENTO 5 STELLE E LEGA NORD: PROVE GENERALI PER UN\u2019INTERNAZIONALE POST-FASCISTA<\/a><\/td>\n\u0414\u0412\u0418\u0416\u0415\u041d\u0418\u0415 5 \u0417\u0412\u0415\u0417\u0414 \u0418 \u0421\u0415\u0412\u0415\u0420\u041d\u0410\u042f \u041b\u0418\u0413\u0410: \u0418\u0421\u041f\u042b\u0422\u0410\u041d\u0418\u042f \u0414\u041b\u042f \u041f\u041e\u0421\u0422\u0424\u0410\u0428\u0418\u0421\u0422\u0421\u041a\u041e\u0413\u041e \u0418\u041d\u0422\u0415\u0420\u041d\u0410\u0426\u0418\u041e\u041d\u0410\u041b\u0410<\/a><\/td>\n5-STERNE-BEWEGUNG UND LEGANORD: GENERALPROBEN F\u00dcR EINE POSTFASCHISTISCHE INTERNATIONALE<\/a><\/td>\nEL MOVIMIENTO 5 ESTRELLAS Y LA LIGA NORTE: ENSAYO GENERAL DE UNA INTERNACIONAL POST-FASCISTA<\/a><\/td>\n<\/tr>\n
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\"\"Del Gizzo<\/strong>, Ernesto<\/p>\n

State Manager,
\n\"\"<\/td>\n

MOUVEMENT 5 ETOILES ET LEGANORD : REPETITIONS GENERALES POUR UNE INTERNATIONALE POSTFASCISTE<\/a><\/td>\n5-STAR MOVEMENT AND LEGANORD: DRESS REHEARSALS FOR A POST-FASCIST INTERNATIONAL<\/a><\/td>\nMOVIMENTO 5 STELLE E LEGA NORD: PROVE GENERALI PER UN\u2019INTERNAZIONALE POST-FASCISTA<\/a><\/td>\n\u0414\u0412\u0418\u0416\u0415\u041d\u0418\u0415 5 \u0417\u0412\u0415\u0417\u0414 \u0418 \u0421\u0415\u0412\u0415\u0420\u041d\u0410\u042f \u041b\u0418\u0413\u0410: \u0418\u0421\u041f\u042b\u0422\u0410\u041d\u0418\u042f \u0414\u041b\u042f \u041f\u041e\u0421\u0422\u0424\u0410\u0428\u0418\u0421\u0422\u0421\u041a\u041e\u0413\u041e \u0418\u041d\u0422\u0415\u0420\u041d\u0410\u0426\u0418\u041e\u041d\u0410\u041b\u0410<\/a><\/td>\n5-STERNE-BEWEGUNG UND LEGANORD: GENERALPROBEN F\u00dcR EINE POSTFASCHISTISCHE INTERNATIONALE<\/a><\/td>\nEL MOVIMIENTO 5 ESTRELLAS Y LA LIGA NORTE: ENSAYO GENERAL DE UNA INTERNACIONAL POST-FASCISTA<\/a><\/td>\n<\/tr>\n
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\"\"Delano\u00eb<\/strong>, Bertrand<\/p>\n

Politician, 1950-
\n\"\"<\/td>\n

BOLLORE: LE VERITABLE ROI DE L\u2019AFRIQUE<\/a><\/td>\nBOLLOR\u00c9: THE TRUE KING OF AFRICA<\/a><\/td>\nBOLLOR\u00c9: IL VERO RE D\u2019AFRICA<\/a><\/td>\n\u0411\u041e\u041b\u041b\u041e\u0420\u0415: \u0418\u0421\u0422\u0418\u041d\u041d\u042b\u0419 \u041a\u041e\u0420\u041e\u041b\u042c \u0410\u0424\u0420\u0418\u041a\u0418<\/a><\/td>\nBOLLOR\u00c9: DER WAHRE K\u00d6NIG VON AFRIKA<\/a><\/td>\nBOLLOR\u00c9: EL VERDADERO REY DE \u00c1FRICA<\/a><\/td>\n<\/tr>\n
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\"\"Dembele<\/strong>, Cheick Fantamady<\/p>\n

Military, 1972-
\n\"\"<\/td>\n

GUERRES ETHNIQUES, RELIGIEUSES ET COLONIALES : LE MALI COMME METAPHORE DE UN DESASTRE MONDIAL<\/a><\/td>\nETHNIC, RELIGIOUS, COLONIAL WARS AND TRIBAL REVENGE: MALI AS A METAPHOR FOR A GLOBAL DISASTER<\/a><\/td>\nGUERRE ETNICHE, RELIGIOSE, COLONIALI E VENDETTE TRIBALI: IL MALI COME METAFORA DEL DISASTRO GLOBALE<\/a><\/td>\n\u042d\u0422\u041d\u0418\u0427\u0415\u0421\u041a\u0418\u0415, \u0420\u0415\u041b\u0418\u0413\u0418\u041e\u0417\u041d\u042b\u0415, \u041a\u041e\u041b\u041e\u041d\u0418\u0410\u041b\u042c\u041d\u042b\u0415 \u0412\u041e\u0419\u041d\u042b \u0418 \u041f\u041b\u0415\u041c\u0415\u041d\u041d\u0410\u042f \u041c\u0415\u0421\u0422\u042c: \u041c\u0410\u041b\u0418 \u041a\u0410\u041a \u041c\u0415\u0422\u0410\u0424\u041e\u0420\u0410 \u0413\u041b\u041e\u0411\u0410\u041b\u042c\u041d\u041e\u0413\u041e \u0411\u0415\u0414\u0421\u0422\u0412\u0418\u042f<\/a><\/td>\nKOLONIALKRIEGE UND STAMMESRACHE: MALI ALS METAPHER F\u00dcR DIE GLOBALE KATASTROPHE<\/a><\/td>\nGUERRAS \u00c9TNICAS, RELIGIOSAS, COLONIALES Y VENGANZAS TRIBALES: MAL\u00cd COMO MET\u00c1FORA DEL DESASTRE GLOBAL<\/a><\/td>\n<\/tr>\n
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\"\"Demir<\/strong>, Naciye<\/p>\n

Lawyer, 1978-
\n\"\"<\/td>\n

COMMENT LA TURQUIE TORTURE ET TUE LES INTELLECTUELS<\/a><\/td>\nHOW TURKEY TORTURES AND KILLS INTELLECTUALS<\/a><\/td>\nCOS\u00cc LA TURCHIA TORTURA E UCCIDE GLI INTELLETTUALI<\/a><\/td>\n\u041a\u0410\u041a \u0422\u0423\u0420\u0426\u0418\u042f \u041f\u042b\u0422\u0410\u0415\u0422 \u0418 \u0423\u0411\u0418\u0412\u0410\u0415\u0422 \u0418\u041d\u0422\u0415\u041b\u041b\u0415\u041a\u0422\u0423\u0410\u041b\u041e\u0412<\/a><\/td>\nWIE DIE T\u00dcRKEI INTELLEKTUELLE FOLTERT UND T\u00d6TET<\/a><\/td>\nC\u00d3MO TORTURA Y MATA TURQU\u00cdA A LOS INTELECTUALES<\/a><\/p>\n

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\"\"Demissie<\/strong>, Berhane<\/p>\n

Financier, 1988-
\n\"\"<\/td>\n

AFFAIRES SALES, CORRUPTION, ESCLAVAGE : CE QUI SE CACHE DERRIERE LE MARTYRE DU PEUPLE OROMO<\/a><\/td>\nDODGY BUSINESS, CORRUPTION, SLAVERY: WHAT\u2019S BEHIND THE MARTYR OF THE OROMO PEOPLE<\/a><\/td>\nAFFARI SPORCHI, CORRUZIONE, SCHIAVISMO: IL MARTIRIO DEL POPOLO OROMO<\/a><\/td>\n\u0413\u0420\u042f\u0417\u041d\u042b\u0415 \u0414\u0415\u041b\u0410, \u041a\u041e\u0420\u0420\u0423\u041f\u0426\u0418\u042f, \u0420\u0410\u0411\u0421\u0422\u0412\u041e: \u0427\u0422\u041e \u0421\u041a\u0420\u042b\u0412\u0410\u0415\u0422\u0421\u042f \u0417\u0410 \u041c\u0423\u0427\u0415\u041d\u0418\u041a\u0410\u041c\u0418 \u041d\u0410\u0420\u041e\u0414\u0410 \u041e\u0420\u041e\u041c\u041e<\/a><\/td>\nSCHMUTZIGE GESCH\u00c4FTE, KORRUPTION, SKLAVEREI: WAS HINTER DEM MARTYRIUM DES VOLKES OROMO STECKT<\/a><\/td>\nNEGOCIOS SUCIOS, CORRUPCI\u00d3N, ESCLAVITUD: EL MARTIRIO DEL PUEBLO OROMO<\/a><\/td>\n<\/tr>\n
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\"\"Dendias<\/strong>, Nikos<\/p>\n

Politician, 1959-
\n\"\"<\/td>\n

COMMENT LA TURQUIE TORTURE ET TUE LES INTELLECTUELS<\/a><\/td>\nHOW TURKEY TORTURES AND KILLS INTELLECTUALS<\/a><\/td>\nCOS\u00cc LA TURCHIA TORTURA E UCCIDE GLI INTELLETTUALI<\/a><\/td>\n\u041a\u0410\u041a \u0422\u0423\u0420\u0426\u0418\u042f \u041f\u042b\u0422\u0410\u0415\u0422 \u0418 \u0423\u0411\u0418\u0412\u0410\u0415\u0422 \u0418\u041d\u0422\u0415\u041b\u041b\u0415\u041a\u0422\u0423\u0410\u041b\u041e\u0412<\/a><\/td>\nWIE DIE T\u00dcRKEI INTELLEKTUELLE FOLTERT UND T\u00d6TET<\/a><\/td>\nC\u00d3MO TORTURA Y MATA TURQU\u00cdA A LOS INTELECTUALES<\/a><\/p>\n

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\"\"De Oliveira Salazar<\/strong>, Antonio<\/p>\n

Politician, 1889-1970
\n\"\"<\/td>\n

AM\u00c1LIA RODRIGUEZ ET LA M\u00c9LANCOLIE INFINIE<\/a><\/p>\n

CESARIA \u00c9VORA: LA MELANCOLIE DE LA DIVA AUX PIEDS NUS<\/a><\/td>\n

AM\u00c1LIA RODRIGUEZ AND ENDLESS MELANCHOLY<\/a><\/p>\n

CES\u00c1RIA \u00c9VORA: THE MELANCHOLY OF THE BAREFOOT DIVA<\/a><\/td>\n

AM\u00c1LIA RODRIGUEZ E LA MALINCONIA INFINITA<\/a><\/p>\n

CES\u00c1RIA \u00c9VORA: LA MALINCONIA DELLA DIVA SCALZA<\/a><\/td>\n

AM\u00c1LIA RODRIGUES \u0418 \u0411\u0415\u0421\u041a\u041e\u041d\u0415\u0427\u041d\u0410\u042f \u041c\u0415\u041b\u0410\u041d\u0425\u041e\u041b\u0418\u042f<\/a><\/p>\n

\u0421\u0415\u0417\u0410\u0420\u0418\u042f \u042d\u0412\u041e\u0420\u0410: \u041c\u0415\u041b\u0410\u041d\u0425\u041e\u041b\u0418\u042f \u0411\u041e\u0421\u041e\u041d\u041e\u0413\u041e\u0419 \u0414\u0418\u0412\u042b<\/a><\/td>\n

AM\u00c1LIA RODRIGUES UND DIE UNENDLICHE MELANCHOLIE<\/a><\/p>\n

CES\u00c1RIA \u00c9VORA: DIE MELANCHOLIE DER BARF\u00dc\u00dfIGEN DIVA<\/a><\/td>\n

AM\u00c1LIA RODRIGUEZ Y LA MELANCOL\u00cdA INFINITA<\/a><\/p>\n

CES\u00c1RIA \u00c9VORA: LA MELANCOL\u00cdA DE LA DIVA DESCALZA<\/a><\/td>\n<\/tr>\n

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\"\"Deri<\/strong>, Aryeh<\/p>\n

Politician, 1954-
\n\"\"<\/td>\n

ISRA\u00cbL: LE CHANTAGE DE NETANYAHOU<\/a><\/td>\nISRAEL: NETANYAHU\u2019S BLACKMAIL<\/a><\/td>\nISRAELE: IL RICATTO DI NETANYAHU<\/a><\/td>\n\u0418\u0417\u0420\u0410\u0418\u041b\u042c: \u0428\u0410\u041d\u0422\u0410\u0416 \u041d\u0415\u0422\u0410\u041d\u042c\u042f\u0425\u0423<\/a><\/td>\nISRAEL: DIE ERPRESSUNG VON NETANJAHU<\/a><\/td>\nISRAEL: EL CHANTAJE DE NETANYAHU<\/a><\/td>\n<\/tr>\n
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\"\"Deripaska<\/strong>, Oleg<\/p>\n

Oligarch, 1968-
\n\"\"<\/td>\n

DMITRYI MAZEPIN, LE PREMIER OLIGARQUE DE LONDONGRAD<\/a><\/p>\n

VIE ET MIRACLES D\u2019UN MERCENAIRE DANS LA GUERRE MEDIATIQUE<\/a><\/td>\n

DMITRIJ MAZEPIN, THE FIRST OLIGARCH OF LONDONGRAD<\/a><\/p>\n

LIFE AND MIRACLES OF A MERCENARY IN THE MEDIA WAR<\/a><\/td>\n

DMITRIJ MAZEPIN, IL PRIMO OLIGARCA DI LONDONGRAD<\/a><\/p>\n

VITA E MIRACOLI DI UN MERCENARIO NELLA GUERRA DEI MEDIA<\/a><\/td>\n

\u0414\u041c\u0418\u0422\u0420\u0418\u0419 \u041c\u0410\u0417\u0415\u041f\u0418\u041d, \u041f\u0415\u0420\u0412\u042b\u0419 \u041e\u041b\u0418\u0413\u0410\u0420\u0425 \u041b\u041e\u041d\u0414\u041e\u041d\u0413\u0420\u0410\u0414\u0410<\/a><\/p>\n

\u0416\u0418\u0417\u041d\u042c \u0418 \u0427\u0423\u0414\u0415\u0421\u0410 \u041d\u0410\u0415\u041c\u041d\u0418\u041a\u0410 \u0412 \u0412\u041e\u0419\u041d\u0415 \u0421\u041e \u0421\u041c\u0418<\/a><\/td>\n

DMITRIJ MAZEPIN, DER ERSTE OLIGARCH VON LONDONGRAD<\/a><\/p>\n

LEBEN UND WUNDER EINES S\u00d6LDNERS IM MEDIENKRIEG<\/a><\/td>\n

DMITRIJ MAZEPIN, EL PRIMER OLIGARCA DE LONDONGRAD<\/a><\/p>\n

VIDA Y MILAGROS DE UN MERCENARIO EN LA GUERRA MEDI\u00c1TICA<\/a><\/td>\n<\/tr>\n

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\"\"Dernegi<\/strong>, \u00c7agdas Hukukcular<\/p>\n

Lawyer, 1974-
\n\"\"<\/td>\n

COMMENT LA TURQUIE TORTURE ET TUE LES INTELLECTUELS<\/a><\/td>\nHOW TURKEY TORTURES AND KILLS INTELLECTUALS<\/a><\/td>\nCOS\u00cc LA TURCHIA TORTURA E UCCIDE GLI INTELLETTUALI<\/a><\/td>\n\u041a\u0410\u041a \u0422\u0423\u0420\u0426\u0418\u042f \u041f\u042b\u0422\u0410\u0415\u0422 \u0418 \u0423\u0411\u0418\u0412\u0410\u0415\u0422 \u0418\u041d\u0422\u0415\u041b\u041b\u0415\u041a\u0422\u0423\u0410\u041b\u041e\u0412<\/a><\/td>\nWIE DIE T\u00dcRKEI INTELLEKTUELLE FOLTERT UND T\u00d6TET<\/a><\/td>\nC\u00d3MO TORTURA Y MATA TURQU\u00cdA A LOS INTELECTUALES<\/a><\/p>\n

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\"\"Dervi\u015f<\/strong>, Kemal<\/p>\n

Economist, 1949-
\n\"\"<\/td>\n

PARC GEZI : LE SYMBOLE DE L\u2019EFFONDREMENT DE LA TURQUIE<\/a><\/td>\nGEZI PARK: THE SYMBOL OF TURKEY\u2019S COLLAPSE<\/a><\/td>\nGEZI PARK: IL SIMBOLO DELLA TURCHIA AL COLLASSO<\/a><\/td>\nGEZI \u041f\u0410\u0420\u041a: \u0421\u0418\u041c\u0412\u041e\u041b \u0422\u0423\u0420\u0426\u0418\u0418, \u041a\u041e\u0422\u041e\u0420\u0410\u042f \u0420\u0410\u0417\u0420\u0423\u0428\u0410\u0415\u0422\u0421\u042f<\/a><\/td>\nGEZI PARK: DAS SYMBOL DES ZUSAMMENBRUCHS DER T\u00dcRKEI<\/a><\/td>\nPARQUE GEZI: EL S\u00cdMBOLO DEL COLAPSO DE TURQU\u00cdA<\/a><\/td>\n<\/tr>\n
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\"\"De Sousa<\/strong>, Miguel<\/p>\n

Politician, 1954-
\n\"\"<\/td>\n

MADERE, L\u2019ILE DE CRISTIANO RONALDO<\/a><\/td>\nMADEIRA, THE ISLAND OF CRISTIANO RONALDO<\/a><\/td>\nMADEIRA, L\u2019ISOLA DI CRISTIANO RONALDO<\/a><\/td>\n\u041c\u0410\u0414\u0415\u0419\u0420\u0410, \u041e\u0421\u0422\u0420\u041e\u0412 \u041a\u0420\u0418\u0421\u0422\u0418\u0410\u041d\u041e\u0420\u041e\u041d\u0410\u041b\u0414\u041e<\/a><\/td>\nMADEIRA, DIE INSEL VON CRISTIANO RONALDO<\/a><\/td>\nMADEIRA, LA ISLA DE CRISTIANO RONALDO<\/a><\/td>\n<\/tr>\n
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\"\"Dessalines<\/strong>, Jean-Jacques<\/p>\n

Politician, 1758-1806
\n\"\"<\/td>\n

HA\u00cfTI, L\u2019ENFER DES CARA\u00cfBES<\/a><\/td>\nHAITI, THE HELL OF THE CARIBBEAN<\/a><\/td>\nHAITI, L\u2019INFERNO DEI CARAIBI<\/a><\/td>\n\u0413\u0410\u0418\u0422\u0418, \u0410\u0414 \u041a\u0410\u0420\u0418\u0411\u0421\u041a\u041e\u0413\u041e \u041c\u041e\u0420\u042f<\/a><\/td>\nHAITI, DIE H\u00d6LLE DER KARIBIK<\/a><\/td>\nHAIT\u00cd, EL INFIERNO DEL CARIBE<\/a><\/td>\n<\/tr>\n
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\"\"Detering<\/strong>, Henri Willem August<\/p>\n

Entrepreneur, 1866-1939<\/p>\n

\"\"<\/td>\n

CURA\u00c7AO : NAISSANCE ET MORT D\u2019UN PARADIS FISCAL<\/a><\/td>\nCURA\u00c7AO: THE BIRTH AND DEATH OF A TAX HAVEN<\/a><\/td>\nCURA\u00c7AO: NASCITA E MORTE DI UN PARADISO FISCALE<\/a><\/td>\n\u041a\u042e\u0420\u0410\u0421\u0410\u041e: \u0420\u041e\u0416\u0414\u0415\u041d\u0418\u0415 \u0418 \u0421\u041c\u0415\u0420\u0422\u042c \u041d\u0410\u041b\u041e\u0413\u041e\u0412\u041e\u0419 \u0413\u0410\u0412\u0410\u041d\u0418<\/a><\/td>\nCURA\u00c7AO: GEBURT UND TOD EINES STEUERPARADIESES<\/a><\/td>\nCURA\u00c7AO: NACIMIENTO Y MUERTE DE UN PARA\u00cdSO FISCAL<\/a><\/td>\n<\/tr>\n
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\"\"Dettori<\/strong>, Marcello<\/p>\n

Communication expert, 1992-
\n\"\"<\/td>\n

MOUVEMENT 5 ETOILES ET LEGANORD : REPETITIONS GENERALES POUR UNE INTERNATIONALE POSTFASCISTE<\/a><\/td>\n5-STAR MOVEMENT AND LEGANORD: DRESS REHEARSALS FOR A POST-FASCIST INTERNATIONAL<\/a><\/td>\nMOVIMENTO 5 STELLE E LEGA NORD: PROVE GENERALI PER UN\u2019INTERNAZIONALE POST-FASCISTA<\/a><\/td>\n\u0414\u0412\u0418\u0416\u0415\u041d\u0418\u0415 5 \u0417\u0412\u0415\u0417\u0414 \u0418 \u0421\u0415\u0412\u0415\u0420\u041d\u0410\u042f \u041b\u0418\u0413\u0410: \u0418\u0421\u041f\u042b\u0422\u0410\u041d\u0418\u042f \u0414\u041b\u042f \u041f\u041e\u0421\u0422\u0424\u0410\u0428\u0418\u0421\u0422\u0421\u041a\u041e\u0413\u041e \u0418\u041d\u0422\u0415\u0420\u041d\u0410\u0426\u0418\u041e\u041d\u0410\u041b\u0410<\/a><\/td>\n5-STERNE-BEWEGUNG UND LEGANORD: GENERALPROBEN F\u00dcR EINE POSTFASCHISTISCHE INTERNATIONALE<\/a><\/td>\nEL MOVIMIENTO 5 ESTRELLAS Y LA LIGA NORTE: ENSAYO GENERAL DE UNA INTERNACIONAL POST-FASCISTA<\/a><\/td>\n<\/tr>\n
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\"\"Deva<\/strong>, Nirj<\/p>\n

Lobbyist, 1948-
\n\"\"\"\"<\/td>\n

APRES L\u2019ARTICLE D\u2019ALDO TORCHIARO : GENNARO VECCHIONE N\u2019EST QUE LA POINTE DE L\u2019ICEBERG<\/a><\/td>\nAFTER ALDO TORCHIARO\u2019S ARTICLE: GENNARO VECCHIONE IS ONLY THE TIP OF THE ICEBERG<\/a><\/td>\nDOPO L\u2019ARTICOLO DI ALDO TORCHIARO: GENNARO VECCHIONE \u00c8 SOLO LA PUNTA DELL\u2019ICEBERG<\/a><\/td>\n\u041f\u041e\u0421\u041b\u0415 \u0421\u0422\u0410\u0422\u042c\u0418 \u0410\u041b\u042c\u0414\u041e \u0422\u041e\u0420\u041a\u042c\u042f\u0420\u041e (ALDO TORCHIARO): GENNARO VECCHIONE \u2013 \u0422\u041e\u041b\u042c\u041a\u041e \u0412\u0415\u0420\u0428\u0418\u041d\u0410 \u0410\u0419\u0421\u0411\u0415\u0420\u0413\u0410<\/a><\/td>\nNACH DEM ARTIKEL VON ALDO TORCHIARO: GENNARO VECCHIONE IST NUR DIE SPITZE DES EISBERGS<\/a><\/td>\nTRAS EL ART\u00cdCULO DE ALDO TORCHIARO: GENNARO VECCHIONE ES S\u00d3LO LA PUNTA DEL ICEBERG<\/a><\/td>\n<\/tr>\n
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\"\"Devol<\/strong>, George Charles<\/p>\n

Inventor, 1912-2011
\n\"\"<\/td>\n

CHATGPT: ENTRE FASCINATION ET CRAINTE<\/a><\/td>\nCHATGPT: BETWEEN FASCINATION AND FEAR<\/a><\/td>\nCHATGPT: TRA FASCINO E PAURA<\/a><\/td>\nCHATGPT: \u041c\u0415\u0416\u0414\u0423 \u041e\u0427\u0410\u0420\u041e\u0412\u0410\u041d\u0418\u0415\u041c \u0418 \u0421\u0422\u0420\u0410\u0425\u041e\u041c<\/a><\/td>\nCHATGPT: ZWISCHEN FASZINATION UND ANGST<\/a><\/td>\nCHATGPT: ENTRE LA FASCINACI\u00d3N Y EL MIEDO<\/a><\/td>\n<\/tr>\n
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\"\"De Wilde<\/strong>, Julien<\/p>\n

Manager, 1944-
\n\"\"<\/td>\n

NYRSTAR: L\u2019AGONIE DU GEANT DANS LES GRIFFES DE TRAFIGURA<\/a><\/td>\nNYRSTAR: THE AGONY OF THE GIANT IN THE CLAWS OF TRAFIGURA<\/a><\/td>\nNYRSTAR: L\u2019AGONIA DEL GIGANTE NEGLI ARTIGLI DI TRAFIGURA<\/a><\/td>\nNYRSTAR: \u0410\u0413\u041e\u041d\u0418\u042f \u0413\u0418\u0413\u0410\u041d\u0422\u0410 \u0412 \u041a\u041e\u0413\u0422\u042f\u0425 TRAFIGURA<\/a><\/td>\nNYRSTAR: DIE QUALEN DES RIESEN IN DEN KLAUEN VON TRAFIGURA<\/a><\/td>\nNYRSTAR: LA AGON\u00cdA DEL GIGANTE EN LAS GARRAS DE TRAFIGURA<\/a><\/td>\n<\/tr>\n
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\"\"Diabat\u00e9<\/strong>, Toumani<\/p>\n

Musician, 1965-
\n\"\"<\/td>\n

SONA JOBARTEH : LA KORA QUI GU\u00c9RIT LE MAL D\u2019AFRIQUE<\/a><\/td>\nSONA JOBARTEH: THE KORA THAT HEALS THE AFRICAN BLUES<\/a><\/td>\nSONA JOBARTEH: LA KORA CHE GUARISCE IL MAL D\u2019AFRICA<\/a><\/td>\nSONA JOBARTEH: \u041a\u041e\u0420\u0410, \u0418\u0421\u0426\u0415\u041b\u042f\u042e\u0429\u0410\u042f \u0411\u041e\u041b\u042c \u0410\u0424\u0420\u0418\u041a\u0418<\/a><\/td>\nSONA JOBARTEH: DIE KORA, DIE DIE AFRIKANISCHE SEHNSUCHT HEILT<\/a><\/td>\nSONA JOBARTEH: LA KORA QUE CURA LA NOSTALGIA AFRICANA<\/a><\/td>\n<\/tr>\n
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\"\"Diaby<\/strong>, Ibrahima<\/p>\n

Oil trader, 1954-
\n\"\"<\/td>\n

TRAFIGURA: POURQUOI NOUS DEVRIONS EN AVOIR PEUR<\/a><\/td>\nTRAFIGURA: WHY WE SHOULD BE AFRAID OF IT<\/a><\/td>\nTRAFIGURA: PERCH\u00c9 DOBBIAMO AVERNE PAURA<\/a><\/td>\nTRAFIGURA: \u041f\u041e\u0427\u0415\u041c\u0423 \u041d\u0410\u041c \u0421\u0422\u041e\u0418\u0422 \u0415\u0401 \u0411\u041e\u042f\u0422\u042c\u0421\u042f<\/a><\/td>\nTRAFIGURA: WARUM WIR UNS DAVOR F\u00dcRCHTEN SOLLTEN<\/a><\/td>\nTRAFIGURA: POR QU\u00c9 DEBEMOS TEMERLA<\/a><\/td>\n<\/tr>\n
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\"\"Diacono<\/strong>, Karl<\/p>\n

Trustee, 1962-
\n\"\"<\/td>\n

CETTE TENDRE PETITE FIDUCIAIRE DE JERSEY<\/a><\/td>\nTHAT TENDER LITTLE TRUST IN JERSEY<\/a><\/td>\nQUELLA PICCOLA E TENERA FIDUCIARIA NEL JERSEY<\/a><\/td>\n\u042d\u0422\u041e \u041c\u0410\u041b\u0415\u041d\u042c\u041a\u041e\u0415 \u0418 \u041d\u0415\u0416\u041d\u041e\u0415 \u0414\u041e\u0412\u0415\u0420\u0415\u041d\u041d\u041e\u0415 \u041b\u0418\u0426\u041e \u0418\u0417 \u0414\u0416\u0415\u0420\u0421\u0418<\/a><\/td>\nDIE ZARTE KLEINE TREUHAND IN JERSEY<\/a><\/td>\nESE DELICADO FIDEICOMISO DE JERSEY<\/a><\/td>\n<\/tr>\n
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\"\"Diadoco<\/strong>, Proclo<\/p>\n

Historian, 412-485
\n\"\"<\/td>\n

A LA MORT DE L\u2019ICONE DU NEO-FASCISME RUSSE<\/a><\/td>\nIN DEATH OF THE ICON OF RUSSIAN NEO-FASCISM<\/a><\/td>\nIN MORTE DELL\u2019ICONA DEL NEOFASCISMO RUSSO<\/a><\/td>\n\u0421\u041c\u0415\u0420\u0422\u042c \u0418\u041a\u041e\u041d\u042b \u0420\u041e\u0421\u0421\u0418\u0419\u0421\u041a\u041e\u0413\u041e \u041d\u0415\u041e\u0424\u0410\u0428\u0418\u0417\u041c\u0410<\/a><\/td>\nZUM TOD DER IKONE DES RUSSISCHEN NEOFASCHISMUS<\/a><\/td>\nEN LA MUERTE DEL ICONO DEL NEOFASCISMO RUSO<\/a><\/td>\n<\/tr>\n
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\"\"Diakite<\/strong>, Abubakar \u201cToumba\u201d<\/p>\n

Military, 1971-
\n\"\"<\/td>\n

GUINEE, ENCORE UN CHANGEMENT DE LEOPARD<\/a><\/td>\nGUINEA, YET ANOTHER LEOPARD CHANGE<\/a><\/td>\nGUINEA, L\u2019ENNESIMO CAMBIAMENTO DEL GATTOPARDO<\/a><\/td>\n\u0413\u0412\u0418\u041d\u0415\u042f, \u0415\u0429\u0415 \u041e\u0414\u041d\u041e \u0418\u0417\u041c\u0415\u041d\u0415\u041d\u0418\u0415 GATTOPARDO<\/a><\/td>\nNOCH EIN LEOPARDENWECHSEL IN GUINEA<\/a><\/td>\nGUINEA, OTRO CAMBIO DE LEOPARDO<\/a><\/td>\n<\/tr>\n
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\"\"Diallo<\/strong>, Celou Dalein<\/p>\n

Politician, 1952-
\n\"\"<\/td>\n

GUINEE, ENCORE UN CHANGEMENT DE LEOPARD<\/a><\/td>\nGUINEA, YET ANOTHER LEOPARD CHANGE<\/a><\/td>\nGUINEA, L\u2019ENNESIMO CAMBIAMENTO DEL GATTOPARDO<\/a><\/td>\n\u0413\u0412\u0418\u041d\u0415\u042f, \u0415\u0429\u0415 \u041e\u0414\u041d\u041e \u0418\u0417\u041c\u0415\u041d\u0415\u041d\u0418\u0415 GATTOPARDO<\/a><\/td>\nNOCH EIN LEOPARDENWECHSEL IN GUINEA<\/a><\/td>\nGUINEA, OTRO CAMBIO DE LEOPARDO<\/a><\/td>\n<\/tr>\n
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\"\"Diallo<\/strong>, Siradou<\/p>\n

Politician, 1936-2004
\n\"\"<\/td>\n

GUINEE, ENCORE UN CHANGEMENT DE LEOPARD<\/a><\/td>\nGUINEA, YET ANOTHER LEOPARD CHANGE<\/a><\/td>\nGUINEA, L\u2019ENNESIMO CAMBIAMENTO DEL GATTOPARDO<\/a><\/td>\n\u0413\u0412\u0418\u041d\u0415\u042f, \u0415\u0429\u0415 \u041e\u0414\u041d\u041e \u0418\u0417\u041c\u0415\u041d\u0415\u041d\u0418\u0415 GATTOPARDO<\/a><\/td>\nNOCH EIN LEOPARDENWECHSEL IN GUINEA<\/a><\/td>\nGUINEA, OTRO CAMBIO DE LEOPARDO<\/a><\/td>\n<\/tr>\n
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\"\"<\/strong>Diamantopoulou<\/strong>, Anna<\/p>\n

Politician, 1959-
\n\"\"<\/td>\n

LA TRES LONGUE VAGUE DE CORRUPTION A BRUXELLES<\/a><\/td>\nTHE LONG WAVE OF CORRUPTION IN BRUSSELS<\/a><\/td>\nL\u2019ONDA LUNGHISSIMA DELLA CORRUZIONE A BRUXELLES<\/a><\/td>\n\u041e\u0427\u0415\u041d\u042c \u0414\u041b\u0418\u041d\u041d\u0410\u042f \u0412\u041e\u041b\u041d\u0410 \u041a\u041e\u0420\u0420\u0423\u041f\u0426\u0418\u0418 \u0412 \u0411\u0420\u042e\u0421\u0421\u0415\u041b\u0415<\/a><\/td>\nDIE SEHR LANGE WELLE DER KORRUPTION IN BR\u00dcSSEL<\/a><\/td>\nLA LARGU\u00cdSIMA OLA DE CORRUPCI\u00d3N EN BRUSELAS<\/a><\/td>\n<\/tr>\n
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\"\"Dian\u00e9<\/strong>, Charles<\/p>\n

Politician, 1932-
\n\"\"<\/td>\n

GUINEE, ENCORE UN CHANGEMENT DE LEOPARD<\/a><\/td>\nGUINEA, YET ANOTHER LEOPARD CHANGE<\/a><\/td>\nGUINEA, L\u2019ENNESIMO CAMBIAMENTO DEL GATTOPARDO<\/a><\/td>\n\u0413\u0412\u0418\u041d\u0415\u042f, \u0415\u0429\u0415 \u041e\u0414\u041d\u041e \u0418\u0417\u041c\u0415\u041d\u0415\u041d\u0418\u0415 GATTOPARDO<\/a><\/td>\nNOCH EIN LEOPARDENWECHSEL IN GUINEA<\/a><\/td>\nGUINEA, OTRO CAMBIO DE LEOPARDO<\/a><\/td>\n<\/tr>\n
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\"\"Diarra<\/strong>, Cheick Modibo<\/p>\n

Politician, 1952-
\n\"\"<\/td>\n

GUERRES ETHNIQUES, RELIGIEUSES ET COLONIALES : LE MALI COMME METAPHORE DE UN DESASTRE MONDIAL<\/a><\/td>\nETHNIC, RELIGIOUS, COLONIAL WARS AND TRIBAL REVENGE: MALI AS A METAPHOR FOR A GLOBAL DISASTER<\/a><\/td>\nGUERRE ETNICHE, RELIGIOSE, COLONIALI E VENDETTE TRIBALI: IL MALI COME METAFORA DEL DISASTRO GLOBALE<\/a><\/td>\n\u042d\u0422\u041d\u0418\u0427\u0415\u0421\u041a\u0418\u0415, \u0420\u0415\u041b\u0418\u0413\u0418\u041e\u0417\u041d\u042b\u0415, \u041a\u041e\u041b\u041e\u041d\u0418\u0410\u041b\u042c\u041d\u042b\u0415 \u0412\u041e\u0419\u041d\u042b \u0418 \u041f\u041b\u0415\u041c\u0415\u041d\u041d\u0410\u042f \u041c\u0415\u0421\u0422\u042c: \u041c\u0410\u041b\u0418 \u041a\u0410\u041a \u041c\u0415\u0422\u0410\u0424\u041e\u0420\u0410 \u0413\u041b\u041e\u0411\u0410\u041b\u042c\u041d\u041e\u0413\u041e \u0411\u0415\u0414\u0421\u0422\u0412\u0418\u042f<\/a><\/td>\nKOLONIALKRIEGE UND STAMMESRACHE: MALI ALS METAPHER F\u00dcR DIE GLOBALE KATASTROPHE<\/a><\/td>\nGUERRAS \u00c9TNICAS, RELIGIOSAS, COLONIALES Y VENGANZAS TRIBALES: MAL\u00cd COMO MET\u00c1FORA DEL DESASTRE GLOBAL<\/a><\/td>\n<\/tr>\n
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\"\"Diaw<\/strong>, Malick<\/p>\n

Military, 1979-
\n\"\"<\/td>\n

GUERRES ETHNIQUES, RELIGIEUSES ET COLONIALES : LE MALI COMME METAPHORE DE UN DESASTRE MONDIAL<\/a><\/td>\nETHNIC, RELIGIOUS, COLONIAL WARS AND TRIBAL REVENGE: MALI AS A METAPHOR FOR A GLOBAL DISASTER<\/a><\/td>\nGUERRE ETNICHE, RELIGIOSE, COLONIALI E VENDETTE TRIBALI: IL MALI COME METAFORA DEL DISASTRO GLOBALE<\/a><\/td>\n\u042d\u0422\u041d\u0418\u0427\u0415\u0421\u041a\u0418\u0415, \u0420\u0415\u041b\u0418\u0413\u0418\u041e\u0417\u041d\u042b\u0415, \u041a\u041e\u041b\u041e\u041d\u0418\u0410\u041b\u042c\u041d\u042b\u0415 \u0412\u041e\u0419\u041d\u042b \u0418 \u041f\u041b\u0415\u041c\u0415\u041d\u041d\u0410\u042f \u041c\u0415\u0421\u0422\u042c: \u041c\u0410\u041b\u0418 \u041a\u0410\u041a \u041c\u0415\u0422\u0410\u0424\u041e\u0420\u0410 \u0413\u041b\u041e\u0411\u0410\u041b\u042c\u041d\u041e\u0413\u041e \u0411\u0415\u0414\u0421\u0422\u0412\u0418\u042f<\/a><\/td>\nKOLONIALKRIEGE UND STAMMESRACHE: MALI ALS METAPHER F\u00dcR DIE GLOBALE KATASTROPHE<\/a><\/td>\nGUERRAS \u00c9TNICAS, RELIGIOSAS, COLONIALES Y VENGANZAS TRIBALES: MAL\u00cd COMO MET\u00c1FORA DEL DESASTRE GLOBAL<\/a><\/td>\n<\/tr>\n
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\"\"Diaz<\/strong>, Porfirio<\/p>\n

Politician, 1830-1915
\n\"\"<\/td>\n

PEMEX, LE THERMOMETRE MEXICAIN<\/a><\/td>\nPEMEX, THE MEXICAN THERMOMETER<\/a><\/td>\nPEMEX, TERMOMETRO DELLA TEMPERATURA MESSICANA<\/a><\/td>\nPEMEX, \u0413\u0420\u0410\u0414\u0423\u0421\u041d\u0418\u041a \u041c\u0415\u041a\u0421\u0418\u041a\u0410\u041d\u0421\u041a\u041e\u0419 \u0422\u0415\u041c\u041f\u0415\u0420\u0410\u0422\u0423\u0420\u042b<\/a><\/td>\nPEMEX, DAS MEXIKANISCHE THERMOMETER<\/a><\/td>\nPEMEX, EL TERM\u00d3METRO MEXICANO<\/a><\/td>\n<\/tr>\n
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\"\"Diaz-Canel Berm\u00fadez<\/strong>, Miguel Mario<\/p>\n

Politician, 1960-
\n\"\"<\/td>\n

CUBA AUJOURD\u2019HUI : CE QUI RESTE DU REVE \u2013 ET DU CAUCHEMAR<\/a><\/p>\n

LE CHILI DE GABRIEL BORIC : LE RETOUR DE L\u2019ESPOIR<\/a><\/td>\n

CUBA TODAY: WHAT REMAINS OF THE DREAM \u2013 AND THE NIGHTMARE<\/a><\/p>\n

GABRIEL BORIC\u2019S CHILE: THE RETURN OF HOPE<\/a><\/td>\n

CUBA, OGGI: CI\u00d2 CHE RESTA DEL SOGNO \u2013 E DELL\u2019INCUBO<\/a><\/p>\n

IL CILE DI GABRIEL BORIC: IL RITORNO DELLA SPERANZA<\/a><\/td>\n

\u041a\u0423\u0411\u0410 \u0421\u0415\u0413\u041e\u0414\u041d\u042f: \u0427\u0422\u041e \u041e\u0421\u0422\u0410\u041b\u041e\u0421\u042c \u041e\u0422 \u041c\u0415\u0427\u0422\u042b \u2013 \u0418 \u041e\u0422 \u041a\u041e\u0428\u041c\u0410\u0420\u0410<\/a><\/p>\n

\u0427\u0418\u041b\u0418 \u0413\u0410\u0411\u0420\u0418\u042d\u041b\u042f \u0411\u041e\u0420\u0418\u0427: \u0412\u041e\u0417\u0412\u0420\u0410\u0429\u0415\u041d\u0418\u0415 \u041d\u0410\u0414\u0415\u0416\u0414\u042b<\/a><\/td>\n

KUBA HEUTE: WAS BLEIBT VOM TRAUM \u2013 UND VOM ALBTRAUM<\/a><\/p>\n

GABRIEL BORIC\u2019S CHILE: DIE R\u00dcCKKEHR DER HOFFNUNG<\/a><\/td>\n

CUBA, HOY: LO QUE QUEDA DEL SUE\u00d1O \u2013 Y DE LA PESADILLA<\/a><\/p>\n

EL CHILE DE GABRIEL BORIC: EL RETORNO DE LA ESPERANZA<\/a><\/td>\n<\/tr>\n

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\"\"Di Caprio<\/strong>, Leonardo<\/p>\n

Actor, 1974-
\n\"\"<\/td>\n

VIE ET MIRACLES D\u2019UN MERCENAIRE DANS LA GUERRE MEDIATIQUE<\/a><\/td>\nLIFE AND MIRACLES OF A MERCENARY IN THE MEDIA WAR<\/a><\/td>\nVITA E MIRACOLI DI UN MERCENARIO NELLA GUERRA DEI MEDIA<\/a><\/td>\n\u0416\u0418\u0417\u041d\u042c \u0418 \u0427\u0423\u0414\u0415\u0421\u0410 \u041d\u0410\u0415\u041c\u041d\u0418\u041a\u0410 \u0412 \u0412\u041e\u0419\u041d\u0415 \u0421\u041e \u0421\u041c\u0418<\/a><\/td>\nLEBEN UND WUNDER EINES S\u00d6LDNERS IM MEDIENKRIEG<\/a><\/td>\nVIDA Y MILAGROS DE UN MERCENARIO EN LA GUERRA MEDI\u00c1TICA<\/a><\/td>\n<\/tr>\n
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\"\"Di Carlo<\/strong>, Francesco<\/p>\n

Gangster, 1941-2020
\n\"\"<\/td>\n

L\u2019ETERNEL TRESORIER DE COSA NOSTRA<\/a><\/td>\nTHE ETERNAL TREASURER OF COSA NOSTRA<\/a><\/td>\nL\u2019ETERNO TESORIERE DI COSA NOSTRA<\/a><\/td>\n\u0412\u0415\u0427\u041d\u042b\u0419 \u041a\u0410\u0417\u041d\u0410\u0427\u0415\u0419 COSA NOSTRA<\/a><\/td>\nDER EWIGE SCHATZMEISTER DER COSA NOSTRA<\/a><\/td>\nEL ETERNO TESORERO DE LA COSA NOSTRA<\/a><\/td>\n<\/tr>\n
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\"\"Di Maio<\/strong>, Luigi<\/p>\n

Politician, 1986-
\n\"\"<\/td>\n

MOUVEMENT 5 ETOILES ET LEGANORD : REPETITIONS GENERALES POUR UNE INTERNATIONALE POSTFASCISTE<\/a><\/p>\n

APRES L\u2019ARTICLE D\u2019ALDO TORCHIARO : GENNARO VECCHIONE N\u2019EST QUE LA POINTE DE L\u2019ICEBERG<\/a><\/p>\n

L\u2019EFFONDREMENT DE LA PECHE EN ITALIE<\/a><\/td>\n

5-STAR MOVEMENT AND LEGANORD: DRESS REHEARSALS FOR A POST-FASCIST INTERNATIONAL<\/a><\/p>\n

AFTER ALDO TORCHIARO\u2019S ARTICLE: GENNARO VECCHIONE IS ONLY THE TIP OF THE ICEBERG<\/a><\/p>\n

THE DISTRESSING DEMISE OF FISHING IN ITALY<\/a><\/td>\n

MOVIMENTO 5 STELLE E LEGA NORD: PROVE GENERALI PER UN\u2019INTERNAZIONALE POST-FASCISTA<\/a><\/p>\n

DOPO L\u2019ARTICOLO DI ALDO TORCHIARO: GENNARO VECCHIONE \u00c8 SOLO LA PUNTA DELL\u2019ICEBERG<\/a><\/p>\n

L\u2019ANGOSCIOSO TRAMONTO DELLA PESCA IN ITALIA<\/a><\/td>\n

\u0414\u0412\u0418\u0416\u0415\u041d\u0418\u0415 5 \u0417\u0412\u0415\u0417\u0414 \u0418 \u0421\u0415\u0412\u0415\u0420\u041d\u0410\u042f \u041b\u0418\u0413\u0410: \u0418\u0421\u041f\u042b\u0422\u0410\u041d\u0418\u042f \u0414\u041b\u042f \u041f\u041e\u0421\u0422\u0424\u0410\u0428\u0418\u0421\u0422\u0421\u041a\u041e\u0413\u041e \u0418\u041d\u0422\u0415\u0420\u041d\u0410\u0426\u0418\u041e\u041d\u0410\u041b\u0410<\/a><\/p>\n

\u041f\u041e\u0421\u041b\u0415 \u0421\u0422\u0410\u0422\u042c\u0418 \u0410\u041b\u042c\u0414\u041e \u0422\u041e\u0420\u041a\u042c\u042f\u0420\u041e (ALDO TORCHIARO): GENNARO VECCHIONE \u2013 \u0422\u041e\u041b\u042c\u041a\u041e \u0412\u0415\u0420\u0428\u0418\u041d\u0410 \u0410\u0419\u0421\u0411\u0415\u0420\u0413\u0410<\/a><\/p>\n

\u041c\u0423\u0427\u0418\u0422\u0415\u041b\u042c\u041d\u042b\u0419 \u0417\u0410\u041a\u0410\u0422 \u0420\u042b\u0411\u0410\u041b\u041a\u0418 \u0412 \u0418\u0422\u0410\u041b\u0418\u0418<\/a><\/td>\n

5-STERNE-BEWEGUNG UND LEGANORD: GENERALPROBEN F\u00dcR EINE POSTFASCHISTISCHE INTERNATIONALE<\/a><\/p>\n

NACH DEM ARTIKEL VON ALDO TORCHIARO: GENNARO VECCHIONE IST NUR DIE SPITZE DES EISBERGS<\/a><\/p>\n

DER TRAURIGE NIEDERGANG DER FISCHEREI IN ITALIEN<\/a><\/td>\n

EL MOVIMIENTO 5 ESTRELLAS Y LA LIGA NORTE: ENSAYO GENERAL DE UNA INTERNACIONAL POST-FASCISTA<\/a><\/p>\n

TRAS EL ART\u00cdCULO DE ALDO TORCHIARO: GENNARO VECCHIONE ES S\u00d3LO LA PUNTA DEL ICEBERG<\/a><\/p>\n

LA ANGUSTIOSA DESAPARICI\u00d3N DE LA PESCA EN ITALIA<\/a><\/td>\n<\/tr>\n

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\"\"Dickie<\/strong>, Nigel<\/p>\n

Manager Kraft Heinz,
\n\"\"<\/td>\n

PHILIP MORRIS ENTRE EN GUERRE \u2013 AVEC LES POPULISTES, LES EXTREMISTES DE DROITE ET LES CHEIKHS ARABES<\/a><\/td>\nPHILIP MORRIS GOES TO WAR \u2013 WITH POPULISTS, SUPREMACISTS AND ARAB SHEIKHS<\/a><\/td>\nLA PHILIP MORRIS VA ALLA GUERRA \u2013 ALLEATA A SUPREMATISTI, POPULISTI E SCEICCHI ARABI<\/a><\/td>\n\u0424\u0418\u041b\u0418\u041f \u041c\u041e\u0420\u0420\u0418\u0421 \u0418\u0414\u0415\u0422 \u041d\u0410 \u0412\u041e\u0419\u041d\u0423 \u2013 \u041d\u0410 \u0421\u0422\u041e\u0420\u041e\u041d\u0415 \u0410\u0420\u0410\u0411\u0421\u041a\u0418\u0425 \u0421\u0423\u041f\u0420\u0415\u041c\u0410\u0422\u0418\u0421\u0422\u041e\u0412, \u041f\u041e\u041f\u0423\u041b\u0418\u0421\u0422\u041e\u0412 \u0418 \u0428\u0415\u0419\u041a\u041e\u0412<\/a><\/td>\nPHILIP MORRIS ZIEHT IN DEN KRIEG \u2013 MIT POPULISTEN, RECHTSEXTREMISTEN UND ARABISCHEN SCHEICHS<\/a><\/td>\nPHILIP MORRIS VA A LA GUERRA \u2013 ALIADO CON SUPREMACISTAS, POPULISTAS Y JEQUES \u00c1RABES<\/a><\/td>\n<\/tr>\n
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\"\"Dickmanns<\/strong>, Ernst Dieter<\/p>\n

Scientist, 1936-
\n\"\"<\/td>\n

VOITURES AUTOPILOTEES: L\u2019AVENIR EST DEJA LA<\/a><\/td>\nSELF-DRIVING CARS: THE FUTURE IS ALREADY HERE<\/a><\/td>\nSELF-DRIVING CARS: IL FUTURO \u00c8 GI\u00c0 QUI<\/a><\/td>\n\u0421\u0410\u041c\u041e\u0423\u041f\u0420\u0410\u0412\u041b\u042f\u0415\u041c\u042b\u0415 \u0410\u0412\u0422\u041e\u041c\u041e\u0411\u0418\u041b\u0418: \u0411\u0423\u0414\u0423\u0429\u0415\u0415 \u0423\u0416\u0415 \u041d\u0410\u0421\u0422\u0423\u041f\u0418\u041b\u041e<\/a><\/td>\nSELBSTFAHRENDE AUTOS: DIE ZUKUNFT IST SCHON DA<\/a><\/td>\nCOCHES AUT\u00d3NOMOS: EL FUTURO YA EST\u00c1 AQU<\/a><\/td>\n<\/tr>\n
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\"\"Dicko<\/strong>, Mahmoud<\/p>\n

Imam, 1954-
\n\"\"<\/td>\n

GUERRES ETHNIQUES, RELIGIEUSES ET COLONIALES : LE MALI COMME METAPHORE DE UN DESASTRE MONDIAL<\/a><\/td>\nETHNIC, RELIGIOUS, COLONIAL WARS AND TRIBAL REVENGE: MALI AS A METAPHOR FOR A GLOBAL DISASTER<\/a><\/td>\nGUERRE ETNICHE, RELIGIOSE, COLONIALI E VENDETTE TRIBALI: IL MALI COME METAFORA DEL DISASTRO GLOBALE<\/a><\/td>\n\u042d\u0422\u041d\u0418\u0427\u0415\u0421\u041a\u0418\u0415, \u0420\u0415\u041b\u0418\u0413\u0418\u041e\u0417\u041d\u042b\u0415, \u041a\u041e\u041b\u041e\u041d\u0418\u0410\u041b\u042c\u041d\u042b\u0415 \u0412\u041e\u0419\u041d\u042b \u0418 \u041f\u041b\u0415\u041c\u0415\u041d\u041d\u0410\u042f \u041c\u0415\u0421\u0422\u042c: \u041c\u0410\u041b\u0418 \u041a\u0410\u041a \u041c\u0415\u0422\u0410\u0424\u041e\u0420\u0410 \u0413\u041b\u041e\u0411\u0410\u041b\u042c\u041d\u041e\u0413\u041e \u0411\u0415\u0414\u0421\u0422\u0412\u0418\u042f<\/a><\/td>\nKOLONIALKRIEGE UND STAMMESRACHE: MALI ALS METAPHER F\u00dcR DIE GLOBALE KATASTROPHE<\/a><\/td>\nGUERRAS \u00c9TNICAS, RELIGIOSAS, COLONIALES Y VENGANZAS TRIBALES: MAL\u00cd COMO MET\u00c1FORA DEL DESASTRE GLOBAL<\/a><\/td>\n<\/tr>\n
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\"\"Didiza<\/strong>, Angela Thoko<\/p>\n

Politician, 1965-
\n\"\"<\/td>\n

KWAZULU-NATAL, LA DERNIERE GRANDE MONARCHIE NOIRE<\/a><\/td>\nKWAZULU-NATAL, THE LAST GREAT BLACK MONARCHY<\/a><\/td>\nIL KWAZULU-NATAL, ULTIMA GRANDE MONARCHIA NERA<\/a><\/td>\n\u041a\u0412\u0410\u0417\u0423\u041b\u0423-\u041d\u0410\u0422\u0410\u041b, \u041f\u041e\u0421\u041b\u0415\u0414\u041d\u042f\u042f \u0412\u0415\u041b\u0418\u041a\u0410\u042f \u0427\u0415\u0420\u041d\u0410\u042f \u041c\u041e\u041d\u0410\u0420\u0425\u0418\u042f<\/a><\/td>\nKWAZULU-NATAL, DIE LETZTE GRO\u00dfE SCHWARZE MONARCHIE<\/a><\/td>\nKWAZULU-NATAL, LA \u00daLTIMA GRAN MONARQU\u00cdA NEGRA<\/a><\/td>\n<\/tr>\n
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\"\"Dietl<\/strong>, Fritz<\/p>\n

Art\u2019s trader, 1956-
\n\"\"<\/td>\n

L\u2019\u0152UVRE D\u2019ART : LA DEVISE DE LE RECEL MONDIALE<\/a><\/td>\nART: THE CURRENCY OF THE GLOBAL COMMERCE OF STOLEN GOODS<\/a><\/td>\nL\u2019OPERA D\u2019ARTE: LA VALUTA DELLA RICETTAZIONE GLOBALE<\/a><\/td>\n\u041f\u0420\u041e\u0418\u0417\u0412\u0415\u0414\u0415\u041d\u0418\u042f \u0418\u0421\u041a\u0423\u0421\u0421\u0422\u0412\u0410: \u0412\u0410\u041b\u042e\u0422\u0410 \u041c\u0418\u0420\u041e\u0412\u041e\u0413\u041e \u0424\u0415\u0425\u0422\u041e\u0412\u0410\u041d\u0418\u042f<\/a><\/td>\nDAS KUNSTWERK: DIE W\u00c4HRUNG DER GLOBALEN HEHLEREI<\/a><\/td>\nLA OBRA DE ARTE: LA DIVISA DE LA RECEPTACI\u00d3N MUNDIAL<\/a><\/td>\n<\/tr>\n
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\"\"Dietrich<\/strong>, Marlene<\/p>\n

Singer, 1901-1992
\n\"\"<\/td>\n

MERCEDES SOSA, LA VOIX DES SANS-VOIX<\/a><\/td>\nMERCEDES SOSA, THE VOICE OF THE VOICELESS<\/a><\/td>\nMERCEDES SOSA, LA VOCE DEI SENZA VOCE<\/a><\/td>\nMERCEDES SOSA, \u0413\u041e\u041b\u041e\u0421 \u0411\u0415\u0417\u0413\u041e\u041b\u041e\u0421\u042b\u0425<\/a><\/td>\nMERCEDES SOSA, DIE STIMME DER STUMMEN<\/a><\/td>\nMERCEDES SOSA, LA VOZ DE LOS SIN VOZ<\/a><\/td>\n<\/tr>\n
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\"\"Dieudonn\u00e9<\/strong>, Carola<\/p>\n

Politician, 1991-
\n\"\"<\/td>\n

HEEREMA : LE LONG VOYAGE DU NATIONAL-SOCIALISME A L\u2019EXPLOITATION DES FONDS MARINS<\/a><\/td>\nHEEREMA: THE LONG JOURNEY FROM NATIONAL SOCIALISM TO THE EXPLOITATION OF THE SEABED<\/a><\/td>\nHEEREMA: IL LUNGO VIAGGIO DAL NAZISMO ALLO SFRUTTAMENTO DEI FONDALI OCEANICI<\/a><\/td>\nHEEREMA: \u0414\u041e\u041b\u0413\u041e\u0415 \u041f\u0423\u0422\u0415\u0428\u0415\u0421\u0422\u0412\u0418\u0415 \u041e\u0422 \u041d\u0410\u0426\u0418\u0417\u041c\u0410 \u041a \u042d\u041a\u0421\u041f\u041b\u0423\u0410\u0422\u0410\u0426\u0418\u0418 \u041e\u041a\u0415\u0410\u041d\u0421\u041a\u041e\u0413\u041e \u0414\u041d\u0410<\/a><\/td>\nHEEREMA: DIE LANGE REISE VOM NATIONALSOZIALISMUS ZUR AUSBEUTUNG DES MEERESBODENS<\/a><\/td>\nHEEREMA: EL LARGO VIAJE DEL NAZISMO A LA EXPLOTACI\u00d3N DE LOS FONDOS MARINOS<\/a><\/p>\n

LA EXPLOTACI\u00d3N DE LOS FONDOS MARINOS, LA NUEVA FRONTERA DE LA AUTODESTRUCCI\u00d3N DE LA HUMANIDAD<\/a><\/td>\n<\/tr>\n

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\"\"Dilan<\/strong>, Ezgi<\/p>\n

Musician, 1988-
\n\"\"<\/td>\n

COMMENT LA TURQUIE TORTURE ET TUE LES INTELLECTUELS<\/a><\/td>\nHOW TURKEY TORTURES AND KILLS INTELLECTUALS<\/a><\/td>\nCOS\u00cc LA TURCHIA TORTURA E UCCIDE GLI INTELLETTUALI<\/a><\/td>\n\u041a\u0410\u041a \u0422\u0423\u0420\u0426\u0418\u042f \u041f\u042b\u0422\u0410\u0415\u0422 \u0418 \u0423\u0411\u0418\u0412\u0410\u0415\u0422 \u0418\u041d\u0422\u0415\u041b\u041b\u0415\u041a\u0422\u0423\u0410\u041b\u041e\u0412<\/a><\/td>\nWIE DIE T\u00dcRKEI INTELLEKTUELLE FOLTERT UND T\u00d6TET<\/a><\/td>\nC\u00d3MO TORTURA Y MATA TURQU\u00cdA A LOS INTELECTUALES<\/a><\/p>\n

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\"\"Dimitriev<\/strong>, Kirill<\/p>\n

Economist, 1975\u2013
\n\"\"<\/td>\n

ENTRE LES FUSILS ET LE FOOTBALL, LE METTEUR EN SCENE D\u2019ABU DHABI<\/a><\/td>\nBETWEEN GUNS AND FOOTBALL, THE DIRECTOR FROM ABU DHABI<\/a><\/td>\nTRA ARMI E CALCIO, IL REGISTA CHE VIENE DA ABU DHABI<\/a><\/td>\n\u041c\u0415\u0416\u0414\u0423 \u041e\u0420\u0423\u0416\u0418\u0415\u041c \u0418 \u0424\u0423\u0422\u0411\u041e\u041b\u041e\u041c: \u0420\u0415\u0416\u0418\u0421\u0421\u0415\u0420 \u0418\u0417 \u0410\u0411\u0423-\u0414\u0410\u0411\u0418<\/a><\/td>\nZWISCHEN WAFFEN UND FU\u00dfBALL, DER REGISSEUR AUS ABU DHABI<\/a><\/td>\nENTRE ARMAS Y F\u00daTBOL, EL DIRECTOR DE ABU DHABI<\/a><\/td>\n<\/tr>\n
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\"\"Dingaan<\/strong>, kaSenzangakhona<\/p>\n

King of Zulu, 1795-1840
\n\"\"<\/td>\n

KWAZULU-NATAL, LA DERNIERE GRANDE MONARCHIE NOIRE<\/a><\/td>\nKWAZULU-NATAL, THE LAST GREAT BLACK MONARCHY<\/a><\/td>\nIL KWAZULU-NATAL, ULTIMA GRANDE MONARCHIA NERA<\/a><\/td>\n\u041a\u0412\u0410\u0417\u0423\u041b\u0423-\u041d\u0410\u0422\u0410\u041b, \u041f\u041e\u0421\u041b\u0415\u0414\u041d\u042f\u042f \u0412\u0415\u041b\u0418\u041a\u0410\u042f \u0427\u0415\u0420\u041d\u0410\u042f \u041c\u041e\u041d\u0410\u0420\u0425\u0418\u042f<\/a><\/td>\nKWAZULU-NATAL, DIE LETZTE GRO\u00dfE SCHWARZE MONARCHIE<\/a><\/td>\nKWAZULU-NATAL, LA \u00daLTIMA GRAN MONARQU\u00cdA NEGRA<\/a><\/td>\n<\/tr>\n
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\"\"Dingiswayo<\/strong><\/p>\n

King of Zulu, 1780-1817
\n\"\"<\/td>\n

KWAZULU-NATAL, LA DERNIERE GRANDE MONARCHIE NOIRE<\/a><\/td>\nKWAZULU-NATAL, THE LAST GREAT BLACK MONARCHY<\/a><\/td>\nIL KWAZULU-NATAL, ULTIMA GRANDE MONARCHIA NERA<\/a><\/td>\n\u041a\u0412\u0410\u0417\u0423\u041b\u0423-\u041d\u0410\u0422\u0410\u041b, \u041f\u041e\u0421\u041b\u0415\u0414\u041d\u042f\u042f \u0412\u0415\u041b\u0418\u041a\u0410\u042f \u0427\u0415\u0420\u041d\u0410\u042f \u041c\u041e\u041d\u0410\u0420\u0425\u0418\u042f<\/a><\/td>\nKWAZULU-NATAL, DIE LETZTE GRO\u00dfE SCHWARZE MONARCHIE<\/a><\/td>\nKWAZULU-NATAL, LA \u00daLTIMA GRAN MONARQU\u00cdA NEGRA<\/a><\/td>\n<\/tr>\n
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\"\"Dinuzulu<\/strong>, kaCetshwayo<\/p>\n

King of Zulu, 1868,1913
\n\"\"<\/td>\n

KWAZULU-NATAL, LA DERNIERE GRANDE MONARCHIE NOIRE<\/a><\/td>\nKWAZULU-NATAL, THE LAST GREAT BLACK MONARCHY<\/a><\/td>\nIL KWAZULU-NATAL, ULTIMA GRANDE MONARCHIA NERA<\/a><\/td>\n\u041a\u0412\u0410\u0417\u0423\u041b\u0423-\u041d\u0410\u0422\u0410\u041b, \u041f\u041e\u0421\u041b\u0415\u0414\u041d\u042f\u042f \u0412\u0415\u041b\u0418\u041a\u0410\u042f \u0427\u0415\u0420\u041d\u0410\u042f \u041c\u041e\u041d\u0410\u0420\u0425\u0418\u042f<\/a><\/td>\nKWAZULU-NATAL, DIE LETZTE GRO\u00dfE SCHWARZE MONARCHIE<\/a><\/td>\nKWAZULU-NATAL, LA \u00daLTIMA GRAN MONARQU\u00cdA NEGRA<\/a><\/td>\n<\/tr>\n
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\"\"Dion<\/strong>, C\u00e9line<\/p>\n

Singer, 1968-
\n\"\"<\/td>\n

\u00c9TATS-UNIS D\u2019AMERIQUE : LE NOUVEAU TIERS MONDE<\/a><\/td>\nUNITED STATES OF AMERICA: THE NEW THIRD WORLD<\/a><\/td>\nSTATI UNITI D\u2019AMERICA: IL NUOVO TERZO MONDO<\/a><\/td>\n\u0421\u041e\u0415\u0414\u0418\u041d\u0415\u041d\u041d\u042b\u0415 \u0428\u0422\u0410\u0422\u042b \u0410\u041c\u0415\u0420\u0418\u041a\u0418: \u041d\u041e\u0412\u042b\u0419 \u0422\u0420\u0415\u0422\u0418\u0419 \u041c\u0418\u0420<\/a><\/td>\nVEREINIGTE STAATEN VON AMERIKA: DIE NEUE DRITTE WELT<\/a><\/td>\nESTADOS UNIDOS DE AM\u00c9RICA: EL NUEVO TERCER MUNDO<\/a><\/td>\n<\/tr>\n
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\"\"Diop<\/strong>, Abdoulaye<\/p>\n

Politician, 1964-
\n\"\"<\/td>\n

LAVROV, L\u2019AFRIQUE ET LE NOUVEL ORDRE MONDIAL<\/a><\/td>\nLAVROV, AFRICA AND THE NEW GLOBAL ORDER<\/a><\/td>\nLAVROV, L\u2019AFRICA E IL NUOVO ORDINE GLOBALE<\/a><\/td>\n\u041b\u0410\u0412\u0420\u041e\u0412, \u0410\u0424\u0420\u0418\u041a\u0410 \u0418 \u041d\u041e\u0412\u042b\u0419 \u041c\u0418\u0420\u041e\u0412\u041e\u0419 \u041f\u041e\u0420\u042f\u0414\u041e\u041a<\/a><\/td>\nLAWROW, AFRIKA UND DIE NEUE GLOBALE ORDNUNG<\/a><\/td>\nLAVROV, \u00c1FRICA Y EL NUEVO ORDEN GLOBAL<\/a><\/td>\n<\/tr>\n
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\"\"Dirksen<\/strong>, Everett McKinley<\/p>\n

Politician, 1896-1969
\n\"\"<\/td>\n

HENRY KISSINGER, L\u2019AME NOIRE DU 20EME SIECLE<\/a><\/td>\nHENRY KISSINGER, THE DARK SOUL OF THE 20TH CENTURY<\/a><\/td>\nHENRY KISSINGER, L\u2019ANIMA NERA DEL XX SECOLO<\/a><\/td>\n\u0413\u0415\u041d\u0420\u0418 \u041a\u0418\u0421\u0421\u0418\u041d\u0414\u0416\u0415\u0420, \u0427\u0415\u0420\u041d\u0410\u042f \u0414\u0423\u0428\u0410 20 \u0412\u0415\u041a\u0410<\/a><\/td>\nHENRY KISSINGER, DIE SCHWARZE SEELE DES 20. JAHRHUNDERTS<\/a><\/td>\nHENRY KISSINGER, EL ALMA NEGRA DEL SIGLO XX<\/a><\/td>\n<\/tr>\n
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\"\"Di Segni<\/strong>, Noemi<\/p>\n

Accountant, 1969
\n\"\"<\/td>\n

ISRA\u00cbL: LE CHANTAGE DE NETANYAHOU<\/a><\/td>\nISRAEL: NETANYAHU\u2019S BLACKMAIL<\/a><\/td>\nISRAELE: IL RICATTO DI NETANYAHU<\/a><\/td>\n\u0418\u0417\u0420\u0410\u0418\u041b\u042c: \u0428\u0410\u041d\u0422\u0410\u0416 \u041d\u0415\u0422\u0410\u041d\u042c\u042f\u0425\u0423<\/a><\/td>\nISRAEL: DIE ERPRESSUNG VON NETANJAHU<\/a><\/td>\nISRAEL: EL CHANTAJE DE NETANYAHU<\/a><\/td>\n<\/tr>\n
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\"\"Disini<\/strong>, Herminio<\/p>\n

Money launderer, 1940-
\n\"\"<\/td>\n

LES PHILIPPINES VOTENT POUR LE FILS DU DICTATEUR<\/a><\/td>\nPHILIPPINES VOTES FOR THE DICTATOR\u2019S SON<\/a><\/td>\nLE FILIPPINE VOTANO PER IL FIGLIO DEL DITTATORE<\/a><\/td>\n\u0424\u0418\u041b\u0418\u041f\u041f\u0418\u041d\u042b \u0413\u041e\u041b\u041e\u0421\u0423\u042e\u0422 \u0417\u0410 \u0421\u042b\u041d\u0410 \u0414\u0418\u041a\u0422\u0410\u0422\u041e\u0420\u0410<\/a><\/td>\nPHILIPPINEN W\u00c4HLEN DEN SOHN DES DIKTATORS<\/a><\/td>\nFILIPINAS VOTA AL HIJO DEL DICTADOR<\/a><\/td>\n<\/tr>\n
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\"\"Diskin<\/strong>, Yuval<\/p>\n

Spy, 1956-
\n\"\"<\/td>\n

COMMENT MEME LA FOURMI MAURITANIENNE PEUT CHANGER L\u2019EQUILIBRE DU MONDE<\/a><\/td>\nMOHAMMED DAHLAN, ASSASSIN FOR THE KING<\/a><\/td>\nMOHAMMED DAHLAN, SICARIO DEL RE<\/a><\/td>\n\u041c\u041e\u0425\u0410\u041c\u041c\u0415\u0414 \u0414\u0410\u0425\u041b\u0410\u041d, \u0423\u0411\u0418\u0419\u0426\u0410 \u041a\u041e\u0420\u041e\u041b\u042f<\/a><\/td>\nMOHAMMED DAHLAN, AUFTRAGSM\u00d6RDER F\u00dcR DEN K\u00d6NIG<\/a><\/td>\nMOHAMMED DAHLAN, ASESINO A SUELDO DEL REY<\/a><\/td>\n<\/tr>\n
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\"\"D\u2019Istria,<\/strong> Marcel<\/p>\n

Corsican freedom\u2019s fighter, 1957-
\n\"\"<\/td>\n

YVAN COLONNA : ILS ONT TUE LE DERNIER GRAND HEROS<\/a><\/td>\nYVAN COLONNA: DEATH OF A LAST LOCAL HERO<\/a><\/td>\nYVAN COLONNA: HANNO UCCISO L\u2019UOMO RAMBO<\/a><\/td>\n\u0418\u0412\u0410\u041d \u041a\u041e\u041b\u041e\u041d\u041d\u0410: \u041e\u041d \u0423\u0411\u0418\u041b\u0418 \u0427\u0415\u041b\u041e\u0412\u0415\u041a\u0410 \u0420\u042d\u041c\u0411\u041e<\/a><\/td>\nYVAN COLONNA: TOD EINES NATIONALEN HELDEN<\/a><\/td>\nYVAN COLONNA: MATARON AL \u00daLTIMO H\u00c9ROE<\/a><\/td>\n<\/tr>\n
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\"\"Ditodi<\/strong>, Thabo<\/p>\n

Magistrate, 1982-
\n\"\"<\/td>\n

KWAZULU-NATAL, LA DERNIERE GRANDE MONARCHIE NOIRE<\/a><\/td>\nKWAZULU-NATAL, THE LAST GREAT BLACK MONARCHY<\/a><\/td>\nIL KWAZULU-NATAL, ULTIMA GRANDE MONARCHIA NERA<\/a><\/td>\n\u041a\u0412\u0410\u0417\u0423\u041b\u0423-\u041d\u0410\u0422\u0410\u041b, \u041f\u041e\u0421\u041b\u0415\u0414\u041d\u042f\u042f \u0412\u0415\u041b\u0418\u041a\u0410\u042f \u0427\u0415\u0420\u041d\u0410\u042f \u041c\u041e\u041d\u0410\u0420\u0425\u0418\u042f<\/a><\/td>\nKWAZULU-NATAL, DIE LETZTE GRO\u00dfE SCHWARZE MONARCHIE<\/a><\/td>\nKWAZULU-NATAL, LA \u00daLTIMA GRAN MONARQU\u00cdA NEGRA<\/a><\/td>\n<\/tr>\n
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\"\"Dlamini<\/strong>, Sibongile Winifred<\/p>\n

Queen of the Zulu, 1969-
\n\"\"<\/td>\n

COMMENT JACOB ZUMA SE PREPARE A UNE GUERRE CIVILE<\/a><\/td>\nHOW JACOB ZUMA PREPARES FOR CIVIL WAR<\/a><\/td>\nCOS\u00cc JACOB ZUMA PREPARA UNA GUERRA CIVILE<\/a><\/td>\n\u0422\u0410\u041a \u0414\u0416\u0415\u0419\u041a\u041e\u0411 \u0417\u0423\u041c\u0410 \u0413\u041e\u0422\u041e\u0412\u0418\u0422 \u0413\u0420\u0410\u0416\u0414\u0410\u041d\u0421\u041a\u0423\u042e \u0412\u041e\u0419\u041d\u0423<\/a><\/td>\nWIE JACOB ZUMA SICH AUF EINEN B\u00dcRGERKRIEG VORBEREITET<\/a><\/td>\nC\u00d3MO SE PREPARA JACOB ZUMA PARA LA GUERRA CIVIL<\/a><\/td>\n<\/tr>\n
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\"\"Dlamini<\/strong>, Shiyiwe Mantfombi<\/p>\n

Queen of the Zulu, 1956-2021
\n\"\"<\/td>\n

COMMENT JACOB ZUMA SE PREPARE A UNE GUERRE CIVILE<\/a><\/td>\nHOW JACOB ZUMA PREPARES FOR CIVIL WAR<\/a><\/td>\nCOS\u00cc JACOB ZUMA PREPARA UNA GUERRA CIVILE<\/a><\/td>\n\u0422\u0410\u041a \u0414\u0416\u0415\u0419\u041a\u041e\u0411 \u0417\u0423\u041c\u0410 \u0413\u041e\u0422\u041e\u0412\u0418\u0422 \u0413\u0420\u0410\u0416\u0414\u0410\u041d\u0421\u041a\u0423\u042e \u0412\u041e\u0419\u041d\u0423<\/a><\/td>\nWIE JACOB ZUMA SICH AUF EINEN B\u00dcRGERKRIEG VORBEREITET<\/a><\/td>\nC\u00d3MO SE PREPARA JACOB ZUMA PARA LA GUERRA CIVIL<\/a><\/td>\n<\/tr>\n
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\"\"Dlamini-Zuma<\/strong>, Nkosazana<\/p>\n

Politician, 1949-
\n\"\"<\/td>\n

COMMENT L\u2019AFRIQUE DU SUD CONSTRUIT SON AL CAPONE<\/a><\/td>\nHOW SOUTH AFRICA BUILDS ITS OWN AL CAPONE<\/a><\/td>\nCOS\u00cc IL SUDAFRICA COSTRUISCE IL SUO AL CAPONE<\/a><\/td>\n\u041a\u0410\u041a \u042e\u0416\u041d\u0410\u042f \u0410\u0424\u0420\u0418\u041a\u0410 \u0421\u041e\u0417\u0414\u0410\u041b\u0410 \u0421\u0412\u041e\u0415\u0413\u041e \u0410\u041b\u042c \u041a\u0410\u041f\u041e\u041d\u0415<\/a><\/td>\nWIE S\u00dcDAFRIKA SEINEN AL CAPONE AUFBAUT<\/a><\/td>\nC\u00d3MO SUD\u00c1FRICA CONSTRUYE SU AL CAPONE<\/a><\/td>\n<\/tr>\n
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\"\"Dmitriev<\/strong>, Kirill<\/p>\n

Banker, 1975-
\n\"\"<\/td>\n

CAMBRIDGE ANALYTICA : LES CRIMINELS QUI NOUS PERSUADENT DE VOTER POUR TRUMP<\/a><\/p>\n

BON FRERE ET MAUVAIS FRERE : COMMENT LA DYNASTIE AL-NAHYAN CACHE SON VRAI VISAGE<\/a><\/td>\n

CAMBRIDGE ANALYTICA: THE CRIMINALS WHO PERSUADE US TO VOTE FOR TRUMP<\/a><\/p>\n

GOOD BROTHER AND BAD BROTHER: HOW THE AL-NAHYAN DYNASTY HIDES ITS TRUE FACE<\/a><\/td>\n

CAMBRIDGE ANALYTICA: I CRIMINALI CHE CI CONVINCONO A VOTARE TRUMP<\/a><\/p>\n

FRATELLO BUONO E FRATELLO CATTIVO: COME LA DINASTIA AL-NAHYAN NASCONDE IL PROPRIO VERO VOLTO<\/a><\/td>\n

CAMBRIDGE ANALYTICA: \u041f\u0420\u0415\u0421\u0422\u0423\u041f\u041d\u0418\u041a\u0418, \u041a\u041e\u0422\u041e\u0420\u042b\u0415 \u0423\u0411\u0415\u0414\u0418\u041b\u0418 \u041d\u0410\u0421 \u0413\u041e\u041b\u041e\u0421\u041e\u0412\u0410\u0422\u042c \u0417\u0410 \u0422\u0420\u0410\u041c\u041f\u0410<\/a><\/p>\n

\u0414\u041e\u0411\u0420\u042b\u0419 \u0411\u0420\u0410\u0422 \u0418 \u041f\u041b\u041e\u0425\u041e\u0419 \u0411\u0420\u0410\u0422: \u041a\u0410\u041a \u0414\u0418\u041d\u0410\u0421\u0422\u0418\u042f \u0410\u041b\u042c-\u041d\u0410\u0425\u0410\u042f\u041d \u0421\u041a\u0420\u042b\u0412\u0410\u0415\u0422 \u0421\u041e\u0411\u0421\u0422\u0412\u0415\u041d\u041d\u041e\u0415 \u041b\u0418\u0426\u041e<\/a><\/td>\n

CAMBRIDGE ANALYTICA: DIE KRIMINELLEN, DIE UNS \u00dcBERREDEN, F\u00dcR TRUMP ZU STIMMEN<\/a><\/p>\n

LIEBER BRUDER UND B\u00d6SER BRUDER: WIE DIE AL-NAHYAN-DYNASTIE IHR WAHRES GESICHT VERBIRGT<\/a><\/td>\n

CAMBRIDGE ANALYTICA: LOS CRIMINALES QUE NOS CONVENCEN DE VOTAR A TRUMP<\/a><\/p>\n

HERMANO BUENO Y HERMANO MALO: C\u00d3MO LA DINAST\u00cdA AL-NAHYAN OCULTA SU VERDADERO ROSTRO<\/a><\/td>\n<\/tr>\n

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\"\"Dobkin<\/strong>, Arkady<\/p>\n

Businessman, 1960-
\n\"\"<\/td>\n

COMMENT TROIS \u00ab FILLES \u00bb POURRAIENT SAUVER LA BIELORUSSIE<\/a><\/td>\nHOW THREE \u201cGIRLS\u201d COULD SAVE BELARUS<\/a><\/td>\nECCO LE TRE \u201cRAGAZZE\u201d CHE POTREBBERO SALVARE LA BIELORUSSIA<\/a><\/td>\n\u041a\u0410\u041a \u0422\u0420\u0418 \u00ab\u0414\u0415\u0412\u0423\u0428\u041a\u0418\u00bb \u041c\u041e\u0413\u0423\u0422 \u0421\u041f\u0410\u0421\u0422\u0418 \u0411\u0415\u041b\u0410\u0420\u0423\u0421\u042c<\/a><\/td>\nWIE DREI \u201cM\u00c4DCHEN\u201d BELARUS RETTEN K\u00d6NNTEN<\/a><\/td>\nESTAS SON LAS TRES \u00abCHICAS\u00bb QUE PODR\u00cdAN SALVAR A BIELORRUSIA<\/a><\/td>\n<\/tr>\n
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\"\"Dodik<\/strong>, Milorad<\/p>\n

Politician, 1959\u2013
\n\"\"<\/td>\n

CENT ANS APRES: SARAJEVO BRULE TOUJOURS<\/a><\/td>\nONE HUNDRED YEARS LATER: SARAJEVO BURNS AGAIN<\/a><\/td>\nCENTO ANNI DOPO: SARAJEVO BRUCIA ANCORA<\/a><\/td>\n\u0421\u0422\u041e \u041b\u0415\u0422 \u0421\u041f\u0423\u0421\u0422\u042f: \u0421\u0410\u0420\u0410\u0415\u0412\u041e \u0412\u0421\u0415 \u0415\u0429\u0415 \u0413\u041e\u0420\u0418\u0422<\/a><\/td>\nHUNDERT JAHRE SP\u00c4TER: SARAJEVO BRENNT WEITER<\/a><\/td>\nCIEN A\u00d1OS DESPU\u00c9S: SARAJEVO SIGUE ARDIENDO<\/a><\/td>\n<\/tr>\n
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\"\"Dodon<\/strong>, Igor<\/p>\n

Politician, 1975-
\n\"\"<\/td>\n

LA MOLDAVIE DES OLIGARQUES, OU LE MOYEN \u00c2GE EST PLUS VIVANT QUE JAMAIS<\/a><\/td>\nTHE MOLDOVA OF THE OLIGARCHS, WHERE THE MIDDLE AGES ARE MORE ALIVE THAN EVER<\/a><\/td>\nLA MOLDAVIA DEGLI OLIGARCHI, DOVE IL MEDIOEVO \u00c8 PI\u00d9 VIVO CHE MAI<\/a><\/td>\n\u041c\u041e\u041b\u0414\u0410\u0412\u0418\u042f \u041e\u041b\u0418\u0413\u0410\u0420\u0425\u041e\u0412, \u0413\u0414\u0415 \u0421\u0420\u0415\u0414\u041d\u0415\u0412\u0415\u041a\u041e\u0412\u042c\u0415 \u0416\u0418\u0412\u041e, \u041a\u0410\u041a \u041d\u0418\u041a\u041e\u0413\u0414\u0410<\/a><\/td>\nMOLDAWIEN DER OLIGARCHEN, WO DAS MITTELALTER LEBENDIGER IST ALS JE ZUVOR<\/a><\/td>\nLA MOLDAVIA DE LOS OLIGARCAS, DONDE LA EDAD MEDIA EST\u00c1 M\u00c1S VIVA QUE NUNCA<\/a><\/td>\n<\/tr>\n
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\"\"Doebber<\/strong>, Ian<\/p>\n

Engineer, 1980-
\n\"\"<\/td>\n

LE VRAI PARI DE LA VOITURE ELECTRIQUE<\/a><\/td>\nTHE REAL BET BEHIND THE ELECTRIC CAR<\/a><\/td>\nLA VERA SCOMMESSA DIETRO L\u2019AUTO ELETTRICA<\/a><\/td>\n\u0427\u0422\u041e \u0420\u0415\u0410\u041b\u042c\u041d\u041e \u0421\u0422\u041e\u0418\u0422 \u0417\u0410 \u042d\u041b\u0415\u041a\u0422\u0420\u041e\u041c\u041e\u0411\u0418\u041b\u0415\u041c<\/a><\/td>\nDIE WIRKLICHE WETTE HINTER DEM ELEKTROAUTO<\/a><\/td>\nLA VERDADERA APUESTA DETR\u00c1S DEL COCHE EL\u00c9CTRICO<\/a><\/td>\n<\/tr>\n
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\"\"Do\u011fan<\/strong>, \u0130smail<\/p>\n

Artist, 1978-
\n\"\"<\/td>\n

COMMENT LA TURQUIE TORTURE ET TUE LES INTELLECTUELS<\/a><\/td>\nHOW TURKEY TORTURES AND KILLS INTELLECTUALS<\/a><\/td>\nCOS\u00cc LA TURCHIA TORTURA E UCCIDE GLI INTELLETTUALI<\/a><\/td>\n\u041a\u0410\u041a \u0422\u0423\u0420\u0426\u0418\u042f \u041f\u042b\u0422\u0410\u0415\u0422 \u0418 \u0423\u0411\u0418\u0412\u0410\u0415\u0422 \u0418\u041d\u0422\u0415\u041b\u041b\u0415\u041a\u0422\u0423\u0410\u041b\u041e\u0412<\/a><\/td>\nWIE DIE T\u00dcRKEI INTELLEKTUELLE FOLTERT UND T\u00d6TET<\/a><\/td>\nC\u00d3MO TORTURA Y MATA TURQU\u00cdA A LOS INTELECTUALES<\/a><\/p>\n

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\"\"Dokolo<\/strong>, Sindika<\/p>\n

Businessman, 1972-2020
\n\"\"<\/td>\n

MADERE, L\u2019ILE DE CRISTIANO RONALDO<\/a><\/p>\n

CABINDA, UNE GUERRE QUI PUE LE PETROLE<\/a><\/td>\n

MADEIRA, THE ISLAND OF CRISTIANO RONALDO<\/a><\/p>\n

CABINDA, A WAR THAT REEKS OF OIL<\/a><\/td>\n

MADEIRA, L\u2019ISOLA DI CRISTIANO RONALDO<\/a><\/p>\n

CABINDA, UNA GUERRA CHE PUZZA DI PETROLIO<\/a><\/td>\n

\u041c\u0410\u0414\u0415\u0419\u0420\u0410, \u041e\u0421\u0422\u0420\u041e\u0412 \u041a\u0420\u0418\u0421\u0422\u0418\u0410\u041d\u041e\u0420\u041e\u041d\u0410\u041b\u0414\u041e<\/a><\/p>\n

\u041a\u0410\u0411\u0418\u041d\u0414\u0410:\u0412\u041e\u0419\u041d\u0410, \u041a\u041e\u0422\u041e\u0420\u0410\u042f\u041f\u0410\u0425\u041d\u0415\u0422\u041d\u0415\u0424\u0422\u042c\u042e<\/a><\/td>\n

MADEIRA, DIE INSEL VON CRISTIANO RONALDO<\/a><\/p>\n

CABINDA, EIN KRIEG, DER NACH \u00d6L STINKT<\/a><\/td>\n

MADEIRA, LA ISLA DE CRISTIANO RONALDO<\/a><\/p>\n

CABINDA, UNA GUERRA QUE APESTA A PETR\u00d3LEO<\/a><\/td>\n<\/tr>\n

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\"\"Doman<\/strong>, Amar S.<\/p>\n

Businessman,
\n\"\"<\/td>\n

OR, CYANURE ET SANG DANS L\u2019ENFER DE BARRICK GOLD<\/a><\/td>\nGOLD, CYANIDE AND BLOOD IN BARRICK\u2019S HELL<\/a><\/td>\nORO, CIANURO E SANGUE NELL\u2019INFERNO DELLA BARRICK GOLD<\/a><\/td>\n\u0417\u041e\u041b\u041e\u0422\u041e, \u042f\u0414 \u0418 \u041a\u0420\u041e\u0412\u042c \u0412 \u0423\u0416\u0410\u0421\u0415 BARRICK GOLD<\/a><\/td>\nGOLD, ZYANID UND BLUT IN DER H\u00d6LLE DER BARRICK GROUP<\/a><\/td>\nORO, CIANURO Y SANGRE EN EL INFIERNO DE BARRICK GOLD<\/a><\/td>\n<\/tr>\n
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\"\"Doman<\/strong>, Harbanse Singh<\/p>\n

Businessman, 1932-2007
\n\"\"<\/td>\n

OR, CYANURE ET SANG DANS L\u2019ENFER DE BARRICK GOLD<\/a><\/td>\nGOLD, CYANIDE AND BLOOD IN BARRICK\u2019S HELL<\/a><\/td>\nORO, CIANURO E SANGUE NELL\u2019INFERNO DELLA BARRICK GOLD<\/a><\/td>\n\u0417\u041e\u041b\u041e\u0422\u041e, \u042f\u0414 \u0418 \u041a\u0420\u041e\u0412\u042c \u0412 \u0423\u0416\u0410\u0421\u0415 BARRICK GOLD<\/a><\/td>\nGOLD, ZYANID UND BLUT IN DER H\u00d6LLE DER BARRICK GROUP<\/a><\/td>\nORO, CIANURO Y SANGRE EN EL INFIERNO DE BARRICK GOLD<\/a><\/td>\n<\/tr>\n
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\"\"Doms<\/strong>, Kristof<\/p>\n

Manager Philip Morris, 1972-
\n\"\"<\/td>\n

PHILIP MORRIS ENTRE EN GUERRE \u2013 AVEC LES POPULISTES, LES EXTREMISTES DE DROITE ET LES CHEIKHS ARABES<\/a><\/td>\nPHILIP MORRIS GOES TO WAR \u2013 WITH POPULISTS, SUPREMACISTS AND ARAB SHEIKHS<\/a><\/td>\nLA PHILIP MORRIS VA ALLA GUERRA \u2013 ALLEATA A SUPREMATISTI, POPULISTI E SCEICCHI ARABI<\/a><\/td>\n\u0424\u0418\u041b\u0418\u041f \u041c\u041e\u0420\u0420\u0418\u0421 \u0418\u0414\u0415\u0422 \u041d\u0410 \u0412\u041e\u0419\u041d\u0423 \u2013 \u041d\u0410 \u0421\u0422\u041e\u0420\u041e\u041d\u0415 \u0410\u0420\u0410\u0411\u0421\u041a\u0418\u0425 \u0421\u0423\u041f\u0420\u0415\u041c\u0410\u0422\u0418\u0421\u0422\u041e\u0412, \u041f\u041e\u041f\u0423\u041b\u0418\u0421\u0422\u041e\u0412 \u0418 \u0428\u0415\u0419\u041a\u041e\u0412<\/a><\/td>\nPHILIP MORRIS ZIEHT IN DEN KRIEG \u2013 MIT POPULISTEN, RECHTSEXTREMISTEN UND ARABISCHEN SCHEICHS<\/a><\/td>\nPHILIP MORRIS VA A LA GUERRA \u2013 ALIADO CON SUPREMACISTAS, POPULISTAS Y JEQUES \u00c1RABES<\/a><\/td>\n<\/tr>\n
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\"\"Donadio<\/strong>, Gianfranco<\/p>\n

Magistrate, 1956-
\n\"\"<\/td>\n

HENRY KISSINGER, L\u2019AME NOIRE DU 20EME SIECLE<\/a><\/td>\nHENRY KISSINGER, THE DARK SOUL OF THE 20TH CENTURY<\/a><\/td>\nHENRY KISSINGER, L\u2019ANIMA NERA DEL XX SECOLO<\/a><\/td>\n\u0413\u0415\u041d\u0420\u0418 \u041a\u0418\u0421\u0421\u0418\u041d\u0414\u0416\u0415\u0420, \u0427\u0415\u0420\u041d\u0410\u042f \u0414\u0423\u0428\u0410 20 \u0412\u0415\u041a\u0410<\/a><\/td>\nHENRY KISSINGER, DIE SCHWARZE SEELE DES 20. JAHRHUNDERTS<\/a><\/td>\nHENRY KISSINGER, EL ALMA NEGRA DEL SIGLO XX<\/a><\/td>\n<\/tr>\n
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\"\"Donaldson,<\/strong> Jeffrey<\/p>\n

Politician, 1962-
\n\"\"<\/td>\n

LA VICTOIRE DU SINN FEIN POUSSE L\u2019ULSTER VERS L\u2019EUROPE<\/a><\/td>\nSINN F\u00c9IN\u2019S VICTORY PUSHES ULSTER TOWARDS EUROPE<\/a><\/td>\nLA VITTORIA DI SINN F\u00c9IN SPINGE L\u2019ULSTER VERSO L\u2019EUROPA<\/a><\/td>\n\u041f\u041e\u0411\u0415\u0414\u0410 \u0428\u0418\u041d\u041d \u0424\u0415\u0419\u041d \u041f\u0420\u041e\u0414\u0412\u0418\u0413\u0410\u0415\u0422 \u041e\u041b\u042c\u0421\u0422\u0415\u0420 \u041a \u0415\u0412\u0420\u041e\u041f\u0415<\/a><\/td>\nDER SIEG DER SINN F\u00c9IN BRINGT ULSTER N\u00c4HER AN EUROPA HERAN<\/a><\/td>\nLA VICTORIA DEL SINN F\u00c9IN EMPUJA AL ULSTER HACIA EUROPA<\/a><\/td>\n<\/tr>\n
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\"\"Donfried<\/strong>, Mark<\/p>\n

Religious leader,
\n\"\"<\/td>\n

FAUX ONG ET AGENTS MAROCAINS DANS LA GUERRE DE LIBYE<\/a><\/td>\nFALSE NGOS AND MOROCCAN AGENTS IN THE LIBYAN WAR<\/a><\/td>\nFINTE ONG ED AGENTI MAROCCHINI ALLA GUERRA DI LIBIA<\/a><\/td>\n\u041f\u041e\u0414\u0414\u0415\u041b\u042c\u041d\u042b\u0415 \u041e\u0411\u0429\u0415\u0421\u0422\u0412\u0415\u041d\u041d\u042b\u0415 \u041e\u0420\u0413\u0410\u041d\u0418\u0417\u0410\u0426\u0418\u0418 \u0418 \u041c\u0410\u0420\u041e\u041a\u041a\u0410\u041d\u0421\u041a\u0418\u0415 \u0410\u0413\u0415\u041d\u0422\u042b \u0412 \u041b\u0418\u0412\u0418\u0419\u0421\u041a\u041e\u0419 \u0412\u041e\u0419\u041d\u0415<\/a><\/td>\nFALSCHE NGOS UND MAROKKANISCHE AGENTEN IM LIBYENKRIEG<\/a><\/td>\nFALSAS ONG Y AGENTES MARROQU\u00cdES EN GUERRA EN LIBIA<\/a><\/td>\n<\/tr>\n
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\"\"Doninelli Binaghi<\/strong>, Stefania<\/p>\n

Lawyer, 1931-2015
\n\"\"<\/td>\n

LA DERNIERE VICTIME DU BANCO AMBROSIANO<\/a><\/td>\nTHE LAST VICTIM OF BANCO AMBROSIANO<\/a><\/td>\nL\u2019ULTIMA VITTIMA DEL BANCO AMBROSIANO<\/a><\/td>\n\u041f\u041e\u0421\u041b\u0415\u0414\u041d\u042f\u042f \u0416\u0415\u0420\u0422\u0412\u0410\u0411\u0410\u041d\u041a\u0410 \u0410\u041c\u0411\u0420\u041e\u0417\u0418\u0410\u041d\u041e<\/a><\/td>\nDAS LETZTE OPFER DER BANCO AMBROSIANO<\/a><\/td>\nLA \u00daLTIMA V\u00cdCTIMA DEL BANCO AMBROSIANO<\/a><\/td>\n<\/tr>\n
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\"\"Doninelli<\/strong>, Ercole<\/p>\n

Lawyer, 1916-2001
\n\"\"<\/td>\n

LA DERNIERE VICTIME DU BANCO AMBROSIANO<\/a><\/td>\nTHE LAST VICTIM OF BANCO AMBROSIANO<\/a><\/td>\nL\u2019ULTIMA VITTIMA DEL BANCO AMBROSIANO<\/a><\/td>\n\u041f\u041e\u0421\u041b\u0415\u0414\u041d\u042f\u042f \u0416\u0415\u0420\u0422\u0412\u0410\u0411\u0410\u041d\u041a\u0410 \u0410\u041c\u0411\u0420\u041e\u0417\u0418\u0410\u041d\u041e<\/a><\/td>\nDAS LETZTE OPFER DER BANCO AMBROSIANO<\/a><\/td>\nLA \u00daLTIMA V\u00cdCTIMA DEL BANCO AMBROSIANO<\/a><\/td>\n<\/tr>\n
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\"\"Doorn<\/strong>, Robert Jan<\/p>\n

Politician, 1946-
\n\"\"<\/td>\n

HEEREMA : LE LONG VOYAGE DU NATIONAL-SOCIALISME A L\u2019EXPLOITATION DES FONDS MARINS<\/a><\/td>\nHEEREMA: THE LONG JOURNEY FROM NATIONAL SOCIALISM TO THE EXPLOITATION OF THE SEABED<\/a><\/td>\nHEEREMA: IL LUNGO VIAGGIO DAL NAZISMO ALLO SFRUTTAMENTO DEI FONDALI OCEANICI<\/a><\/td>\nHEEREMA: \u0414\u041e\u041b\u0413\u041e\u0415 \u041f\u0423\u0422\u0415\u0428\u0415\u0421\u0422\u0412\u0418\u0415 \u041e\u0422 \u041d\u0410\u0426\u0418\u0417\u041c\u0410 \u041a \u042d\u041a\u0421\u041f\u041b\u0423\u0410\u0422\u0410\u0426\u0418\u0418 \u041e\u041a\u0415\u0410\u041d\u0421\u041a\u041e\u0413\u041e \u0414\u041d\u0410<\/a><\/td>\nHEEREMA: DIE LANGE REISE VOM NATIONALSOZIALISMUS ZUR AUSBEUTUNG DES MEERESBODENS<\/a><\/td>\nHEEREMA: EL LARGO VIAJE DEL NAZISMO A LA EXPLOTACI\u00d3N DE LOS FONDOS MARINOS<\/a><\/p>\n

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\"\"Dor\u00e9<\/strong>, Jean-Marie<\/p>\n

Politician, 1938-2016
\n\"\"<\/td>\n

GUINEE, ENCORE UN CHANGEMENT DE LEOPARD<\/a><\/td>\nGUINEA, YET ANOTHER LEOPARD CHANGE<\/a><\/td>\nGUINEA, L\u2019ENNESIMO CAMBIAMENTO DEL GATTOPARDO<\/a><\/td>\n\u0413\u0412\u0418\u041d\u0415\u042f, \u0415\u0429\u0415 \u041e\u0414\u041d\u041e \u0418\u0417\u041c\u0415\u041d\u0415\u041d\u0418\u0415 GATTOPARDO<\/a><\/td>\nNOCH EIN LEOPARDENWECHSEL IN GUINEA<\/a><\/td>\nGUINEA, OTRO CAMBIO DE LEOPARDO<\/a><\/td>\n<\/tr>\n
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\"\"Dorent<\/strong>, Jean-Philippe<\/p>\n

Manager, 1957-
\n\"\"<\/td>\n

BOLLORE: LE VERITABLE ROI DE L\u2019AFRIQUE<\/a><\/td>\nBOLLOR\u00c9: THE TRUE KING OF AFRICA<\/a><\/td>\nBOLLOR\u00c9: IL VERO RE D\u2019AFRICA<\/a><\/td>\n\u0411\u041e\u041b\u041b\u041e\u0420\u0415: \u0418\u0421\u0422\u0418\u041d\u041d\u042b\u0419 \u041a\u041e\u0420\u041e\u041b\u042c \u0410\u0424\u0420\u0418\u041a\u0418<\/a><\/td>\nBOLLOR\u00c9: DER WAHRE K\u00d6NIG VON AFRIKA<\/a><\/td>\nBOLLOR\u00c9: EL VERDADERO REY DE \u00c1FRICA<\/a><\/td>\n<\/tr>\n
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\"\"Dorfman<\/strong>, Lloyd Marshall<\/p>\n

Entrepreneur, 1952-
\n\"\"<\/td>\n

VOYAGER LABS : L\u2019ARME CONTONDANTE DE L\u2019INTELLIGENCE ARTIFICIELLE<\/a><\/td>\nVOYAGER LABS: THE BLUNT WEAPON OF ARTIFICIAL INTELLIGENCE<\/a><\/td>\nVOYAGER LABS: L\u2019ARMA SPUNTATA DELL\u2019INTELLIGENZA ARTIFICIALE<\/a><\/td>\nVOYAGERLABS: \u0422\u0423\u041f\u041e\u0415 \u041e\u0420\u0423\u0416\u0418\u0415 \u0418\u0421\u041a\u0423\u0421\u0421\u0422\u0412\u0415\u041d\u041d\u041e\u0413\u041e \u0418\u041d\u0422\u0415\u041b\u041b\u0415\u041a\u0422\u0410<\/a><\/td>\nVOYAGER LABS: DIE STUMPFE WAFFE DER K\u00dcNSTLICHEN INTELLIGENZ<\/a><\/td>\nVOYAGER LABS: EL ARMA CONTUNDENTE DE LA INTELIGENCIA ARTIFICIAL<\/a><\/td>\n<\/tr>\n
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\"\"Doris,<\/strong> Brendan<\/p>\n

Victim, 1934-2006
\n\"\"<\/td>\n

LA VICTOIRE DU SINN FEIN POUSSE L\u2019ULSTER VERS L\u2019EUROPE<\/a><\/td>\nSINN F\u00c9IN\u2019S VICTORY PUSHES ULSTER TOWARDS EUROPE<\/a><\/td>\nLA VITTORIA DI SINN F\u00c9IN SPINGE L\u2019ULSTER VERSO L\u2019EUROPA<\/a><\/td>\n\u041f\u041e\u0411\u0415\u0414\u0410 \u0428\u0418\u041d\u041d \u0424\u0415\u0419\u041d \u041f\u0420\u041e\u0414\u0412\u0418\u0413\u0410\u0415\u0422 \u041e\u041b\u042c\u0421\u0422\u0415\u0420 \u041a \u0415\u0412\u0420\u041e\u041f\u0415<\/a><\/td>\nDER SIEG DER SINN F\u00c9IN BRINGT ULSTER N\u00c4HER AN EUROPA HERAN<\/a><\/td>\nLA VICTORIA DEL SINN F\u00c9IN EMPUJA AL ULSTER HACIA EUROPA<\/a><\/td>\n<\/tr>\n
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\"\"Dorofeyev<\/strong>, Mikhail<\/p>\n

Journalist, 1969-2021
\n\"\"<\/td>\n

KAZAKHSTAN : L\u2019EPOQUE DU FAUX CHAOS<\/a><\/td>\nKAZAKHSTAN: THE DAYS OF FAKE CHAOS<\/a><\/td>\nKAZAKISTAN: I GIORNI DEL FINTO CAOS<\/a><\/td>\n\u041a\u0410\u0417\u0410\u0425\u0421\u0422\u0410\u041d: \u0414\u041d\u0418 \u0424\u0410\u041b\u042c\u0428\u0418\u0412\u041e\u0413\u041e \u0425\u0410\u041e\u0421\u0410<\/a><\/td>\nKASACHSTAN: DIE TAGE DES VORGET\u00c4USCHTEN CHAOS<\/a><\/td>\nKAZAJST\u00c1N: LOS D\u00cdAS DEL FALSO CAOS<\/a><\/td>\n<\/tr>\n
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\"\"Dorsey<\/strong> Jack<\/p>\n

Entrepreneur, 1976-
\n\"\"<\/td>\n

ELON MUSK : LE VANTARD LE PLUS DANGEREUX DU MONDE<\/a><\/td>\nELON MUSK: THE WORLD\u2019S MOST DANGEROUS BLOWHARD<\/a><\/td>\nELON MUSK: LO SBRUFFONE PI\u00d9 PERICOLOSO DEL MONDO<\/a><\/td>\n\u042d\u041b\u041e\u041d \u041c\u0410\u0421\u041a: \u0421\u0410\u041c\u042b\u0419 \u041e\u041f\u0410\u0421\u041d\u042b\u0419 \u0412 \u041c\u0418\u0420\u0415 \u041d\u0410\u0413\u041b\u0415\u0426<\/a><\/td>\nELON MUSK: DER GEF\u00c4HRLICHSTE ANGEBER DER WELT<\/a><\/td>\nELON MUSK: EL FANFARR\u00d3N M\u00c1S PELIGROSO DEL MUNDO<\/a><\/td>\n<\/tr>\n
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\"\"Dosanov<\/strong>, Dimash<\/p>\n

Businessman, 1981-
\n\"\"<\/td>\n

KAZAKHSTAN : L\u2019EPOQUE DU FAUX CHAOS<\/a><\/td>\nKAZAKHSTAN: THE DAYS OF FAKE CHAOS<\/a><\/td>\nKAZAKISTAN: I GIORNI DEL FINTO CAOS<\/a><\/td>\n\u041a\u0410\u0417\u0410\u0425\u0421\u0422\u0410\u041d: \u0414\u041d\u0418 \u0424\u0410\u041b\u042c\u0428\u0418\u0412\u041e\u0413\u041e \u0425\u0410\u041e\u0421\u0410<\/a><\/td>\nKASACHSTAN: DIE TAGE DES VORGET\u00c4USCHTEN CHAOS<\/a><\/td>\nKAZAJST\u00c1N: LOS D\u00cdAS DEL FALSO CAOS<\/a><\/td>\n<\/tr>\n
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\"\"Dos Santos<\/strong>, Isabel<\/p>\n

Financier, 1973-
\n\"\"<\/td>\n

DAR AL-HANDASAH: LE C\u00d4T\u00c9 OBSCUR DU COLOSSE<\/a><\/p>\n

MADERE, L\u2019ILE DE CRISTIANO RONALDO<\/a><\/p>\n

SEYCHELLES: LA TIRELIRE DES OLIGARQUES<\/a><\/p>\n

CABINDA, UNE GUERRE QUI PUE LE PETROLE<\/a><\/td>\n

DAR AL-HANDASAH: THE DARK SIDE OF THE GIANT<\/a><\/p>\n

MADEIRA, THE ISLAND OF CRISTIANO RONALDO<\/a><\/p>\n

SEYCHELLES: THE OLIGARCHS\u2019 PIGGY BANK<\/a><\/p>\n

CABINDA, A WAR THAT REEKS OF OIL<\/a><\/td>\n

IL LATO OSCURO DEL COLOSSO DAR AL-HANDASAH<\/a><\/p>\n

MADEIRA, L\u2019ISOLA DI CRISTIANO RONALDO<\/a><\/p>\n

SEYCHELLES: IL SALVADANAIO DEGLI OLIGARCHI<\/a><\/p>\n

CABINDA, UNA GUERRA CHE PUZZA DI PETROLIO<\/a><\/td>\n

\u0422\u0415\u041c\u041d\u0410\u042f \u0421\u0422\u041e\u0420\u041e\u041d\u0410 \u041a\u041e\u041b\u041e\u0421\u0421\u0410 \u0414\u0410\u0420 \u0410\u041b\u042c-\u0425\u0410\u041d\u0414\u0410\u0421\u0410<\/a><\/p>\n

\u041c\u0410\u0414\u0415\u0419\u0420\u0410, \u041e\u0421\u0422\u0420\u041e\u0412 \u041a\u0420\u0418\u0421\u0422\u0418\u0410\u041d\u041e\u0420\u041e\u041d\u0410\u041b\u0414\u041e<\/a><\/p>\n

\u0421\u0415\u0419\u0428\u0415\u041b\u042c\u0421\u041a\u0418\u0415 \u041e\u0421\u0422\u0420\u041e\u0412\u0410: \u041a\u041e\u041f\u0418\u041b\u041a\u0410 \u041e\u041b\u0418\u0413\u0410\u0420\u0425\u041e\u0412<\/a><\/p>\n

\u041a\u0410\u0411\u0418\u041d\u0414\u0410:\u0412\u041e\u0419\u041d\u0410, \u041a\u041e\u0422\u041e\u0420\u0410\u042f\u041f\u0410\u0425\u041d\u0415\u0422\u041d\u0415\u0424\u0422\u042c\u042e<\/a><\/td>\n

DIE DUNKLE SEITE DES KOLOSSES DAR AL-HANDASAH<\/a><\/p>\n

MADEIRA, DIE INSEL VON CRISTIANO RONALDO<\/a><\/p>\n

SEYCHELLEN: DAS SPARSCHWEIN DER OLIGARCHEN<\/a><\/p>\n

CABINDA, EIN KRIEG, DER NACH \u00d6L STINKT<\/a><\/td>\n

EL LADO OSCURO DEL COLOSO DAR AL-HANDASAH<\/a><\/p>\n

MADEIRA, LA ISLA DE CRISTIANO RONALDO<\/a><\/p>\n

SEYCHELLES: LA HUCHA DE LOS OLIGARCAS<\/a><\/p>\n

CABINDA, UNA GUERRA QUE APESTA A PETR\u00d3LEO<\/a><\/td>\n<\/tr>\n

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\"\"Dos Santos<\/strong>, Jos\u00e9 Eduardo \u201cZedu\u201d<\/p>\n

Politician, 1942-
\n\"\"<\/td>\n

DAR AL-HANDASAH: LE C\u00d4T\u00c9 OBSCUR DU COLOSSE<\/a><\/p>\n

LES POMMES POURRIES DU JARDIN D\u2018EDEN<\/a><\/p>\n

MERCENAIRES ET EMIRATS: LE PERIL MONDIAL DE L\u2019INDUSTRIE PRIVEE DE LA MORT<\/a><\/p>\n

TRAFIGURA: POURQUOI NOUS DEVRIONS EN AVOIR PEUR<\/a><\/p>\n

MADERE, L\u2019ILE DE CRISTIANO RONALDO<\/a><\/p>\n

SEYCHELLES: LA TIRELIRE DES OLIGARQUES<\/a><\/p>\n

ANGOLA, CONGO, CHINE ET LES VILLES FANTOMES<\/a><\/p>\n

CABINDA, UNE GUERRE QUI PUE LE PETROLE<\/a><\/td>\n

DAR AL-HANDASAH: THE DARK SIDE OF THE GIANT<\/a><\/p>\n

ROTTEN APPLES IN THE GARDEN OF EDEN<\/a><\/p>\n

SOLDIERS OF FORTUNE AND EMIRATES: THE GLOBAL DANGER OF THE PRIVATE DEATH\u2019S INDUSTRY<\/a><\/p>\n

TRAFIGURA: WHY WE SHOULD BE AFRAID OF IT<\/a><\/p>\n

MADEIRA, THE ISLAND OF CRISTIANO RONALDO<\/a><\/p>\n

SEYCHELLES: THE OLIGARCHS\u2019 PIGGY BANK<\/a><\/p>\n

ANGOLA, CONGO, CHINA AND THE GHOST TOWNS<\/a><\/p>\n

CABINDA, A WAR THAT REEKS OF OIL<\/a><\/td>\n

IL LATO OSCURO DEL COLOSSO DAR AL-HANDASAH<\/a><\/p>\n

LE MELE MARCE DEL PARADISO TERRESTRE<\/a><\/p>\n

SOLDATI DI SVENTURA: LA MINACCIA GLOBALE DELL\u2019INDUSTRIA PRIVATA DELLA MORTE<\/a><\/p>\n

TRAFIGURA: PERCH\u00c9 DOBBIAMO AVERNE PAURA<\/a><\/p>\n

MADEIRA, L\u2019ISOLA DI CRISTIANO RONALDO<\/a><\/p>\n

SEYCHELLES: IL SALVADANAIO DEGLI OLIGARCHI<\/a><\/p>\n

L\u2019ANGOLA, IL CONGO, LA CINA E LE CITT\u00c0 FANTASMA<\/a><\/p>\n

CABINDA, UNA GUERRA CHE PUZZA DI PETROLIO<\/a><\/td>\n

\u0422\u0415\u041c\u041d\u0410\u042f \u0421\u0422\u041e\u0420\u041e\u041d\u0410 \u041a\u041e\u041b\u041e\u0421\u0421\u0410 \u0414\u0410\u0420 \u0410\u041b\u042c-\u0425\u0410\u041d\u0414\u0410\u0421\u0410<\/a><\/p>\n

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\u0413\u041d\u0418\u041b\u042b\u0415 \u042f\u0411\u041b\u041e\u041a\u0418 \u0417\u0415\u041c\u041d\u041e\u0413\u041e \u0420\u0410\u042f<\/a><\/p>\n

\u0421\u041e\u041b\u0414\u0410\u0422\u042b DOOM: \u0413\u041b\u041e\u0411\u0410\u041b\u042c\u041d\u0410\u042f \u0423\u0413\u0420\u041e\u0417\u0410 \u0427\u0410\u0421\u0422\u041d\u041e\u0419 \u0418\u041d\u0414\u0423\u0421\u0422\u0420\u0418\u0418 \u0421\u041c\u0415\u0420\u0422\u0418<\/a><\/p>\n

TRAFIGURA: \u041f\u041e\u0427\u0415\u041c\u0423 \u041d\u0410\u041c \u0421\u0422\u041e\u0418\u0422 \u0415\u0401 \u0411\u041e\u042f\u0422\u042c\u0421\u042f<\/a><\/p>\n

\u041c\u0410\u0414\u0415\u0419\u0420\u0410, \u041e\u0421\u0422\u0420\u041e\u0412 \u041a\u0420\u0418\u0421\u0422\u0418\u0410\u041d\u041e\u0420\u041e\u041d\u0410\u041b\u0414\u041e<\/a><\/p>\n

\u0421\u0415\u0419\u0428\u0415\u041b\u042c\u0421\u041a\u0418\u0415 \u041e\u0421\u0422\u0420\u041e\u0412\u0410: \u041a\u041e\u041f\u0418\u041b\u041a\u0410 \u041e\u041b\u0418\u0413\u0410\u0420\u0425\u041e\u0412<\/a><\/p>\n

\u0412\u0410\u041d\u0413\u041e\u041b\u0410, \u041a\u041e\u041d\u0413\u041e, \u041a\u0418\u0422\u0410\u0419 \u0418 \u0413\u041e\u0420\u041e\u0414\u0410-\u041f\u0420\u0418\u0417\u0420\u0410\u041a\u0418<\/a><\/p>\n

\u041a\u0410\u0411\u0418\u041d\u0414\u0410:\u0412\u041e\u0419\u041d\u0410, \u041a\u041e\u0422\u041e\u0420\u0410\u042f\u041f\u0410\u0425\u041d\u0415\u0422\u041d\u0415\u0424\u0422\u042c\u042e<\/a><\/td>\n

DIE DUNKLE SEITE DES KOLOSSES DAR AL-HANDASAH<\/a><\/p>\n

DIE FAULEN \u00c4PFEL DES GARTENS EDEN<\/a><\/p>\n

S\u00d6LDNER UND EMIRATEN: DIE GLOBALE GEFAHR DER PRIVATEN TODESINDUSTRIE<\/a><\/p>\n

TRAFIGURA: WARUM WIR UNS DAVOR F\u00dcRCHTEN SOLLTEN<\/a><\/p>\n

MADEIRA, DIE INSEL VON CRISTIANO RONALDO<\/a><\/p>\n

SEYCHELLEN: DAS SPARSCHWEIN DER OLIGARCHEN<\/a><\/p>\n

ANGOLA, KONGO, CHINA UND GEISTERST\u00c4DTE<\/a><\/p>\n

CABINDA, EIN KRIEG, DER NACH \u00d6L STINKT<\/a><\/td>\n

EL LADO OSCURO DEL COLOSO DAR AL-HANDASAH<\/a><\/p>\n

LAS MANZANAS PODRIDAS DEL PARA\u00cdSO<\/a><\/p>\n

TRAFIGURA: POR QU\u00c9 DEBEMOS TEMERLA<\/a><\/p>\n

SOLDADOS DE LA PERDICI\u00d3N: LA AMENAZA GLOBAL DE LA INDUSTRIA PRIVADA DE LA MUERTE<\/a><\/p>\n

MADEIRA, LA ISLA DE CRISTIANO RONALDO<\/a><\/p>\n

SEYCHELLES: LA HUCHA DE LOS OLIGARCAS<\/a><\/p>\n

ANGOLA, CONGO, CHINA Y LAS CIUDADES FANTASMA<\/a><\/p>\n

CABINDA, UNA GUERRA QUE APESTA A PETR\u00d3LEO<\/a><\/td>\n<\/tr>\n

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\"\"Dos Santos<\/strong>, Jos\u00e9 Filomeno<\/p>\n

Entrepreneur, 1978-
\n\"\"<\/td>\n

CABINDA, UNE GUERRE QUI PUE LE PETROLE<\/a><\/td>\nCABINDA, A WAR THAT REEKS OF OIL<\/a><\/td>\nCABINDA, UNA GUERRA CHE PUZZA DI PETROLIO<\/a><\/td>\n\u041a\u0410\u0411\u0418\u041d\u0414\u0410:\u0412\u041e\u0419\u041d\u0410, \u041a\u041e\u0422\u041e\u0420\u0410\u042f\u041f\u0410\u0425\u041d\u0415\u0422\u041d\u0415\u0424\u0422\u042c\u042e<\/a><\/td>\nCABINDA, EIN KRIEG, DER NACH \u00d6L STINKT<\/a><\/td>\nCABINDA, UNA GUERRA QUE APESTA A PETR\u00d3LEO<\/a><\/td>\n<\/tr>\n
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\"\"Dos Santos<\/strong>, Robertico \u201cRobbie\u201d<\/p>\n

Entrepreneur, 1957-<\/p>\n

\"\"<\/td>\n

CURA\u00c7AO : NAISSANCE ET MORT D\u2019UN PARADIS FISCAL<\/a><\/td>\nCURA\u00c7AO: THE BIRTH AND DEATH OF A TAX HAVEN<\/a><\/td>\nCURA\u00c7AO: NASCITA E MORTE DI UN PARADISO FISCALE<\/a><\/td>\n\u041a\u042e\u0420\u0410\u0421\u0410\u041e: \u0420\u041e\u0416\u0414\u0415\u041d\u0418\u0415 \u0418 \u0421\u041c\u0415\u0420\u0422\u042c \u041d\u0410\u041b\u041e\u0413\u041e\u0412\u041e\u0419 \u0413\u0410\u0412\u0410\u041d\u0418<\/a><\/td>\nCURA\u00c7AO: GEBURT UND TOD EINES STEUERPARADIESES<\/a><\/td>\nCURA\u00c7AO: NACIMIENTO Y MUERTE DE UN PARA\u00cdSO FISCAL<\/a><\/td>\n<\/tr>\n
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\"\"Douglas<\/strong>, Noel Adams<\/p>\n

Writer, 1952-2001
\n\"\"<\/td>\n

LE VRAI PARI DE LA VOITURE ELECTRIQUE<\/a><\/td>\nTHE REAL BET BEHIND THE ELECTRIC CAR<\/a><\/td>\nLA VERA SCOMMESSA DIETRO L\u2019AUTO ELETTRICA<\/a><\/td>\n\u0427\u0422\u041e \u0420\u0415\u0410\u041b\u042c\u041d\u041e \u0421\u0422\u041e\u0418\u0422 \u0417\u0410 \u042d\u041b\u0415\u041a\u0422\u0420\u041e\u041c\u041e\u0411\u0418\u041b\u0415\u041c<\/a><\/td>\nDIE WIRKLICHE WETTE HINTER DEM ELEKTROAUTO<\/a><\/td>\nLA VERDADERA APUESTA DETR\u00c1S DEL COCHE EL\u00c9CTRICO<\/a><\/td>\n<\/tr>\n
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\"\"Doumbouya<\/strong>, Mamadi<\/p>\n

Politician, 1980-
\n\"\"<\/td>\n

GUINEE, ENCORE UN CHANGEMENT DE LEOPARD<\/a><\/td>\nGUINEA, YET ANOTHER LEOPARD CHANGE<\/a><\/td>\nGUINEA, L\u2019ENNESIMO CAMBIAMENTO DEL GATTOPARDO<\/a><\/td>\n\u0413\u0412\u0418\u041d\u0415\u042f, \u0415\u0429\u0415 \u041e\u0414\u041d\u041e \u0418\u0417\u041c\u0415\u041d\u0415\u041d\u0418\u0415 GATTOPARDO<\/a><\/td>\nNOCH EIN LEOPARDENWECHSEL IN GUINEA<\/a><\/td>\nGUINEA, OTRO CAMBIO DE LEOPARDO<\/a><\/td>\n<\/tr>\n
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\"\"Douste-Blazy<\/strong>, Philippe<\/p>\n

Politician, 1953-<\/p>\n

\"\"<\/td>\n

GREGOIRE VERDEAUX : L\u2019AMI QUI GERE LE TRESOR<\/a><\/p>\n

L\u2019AMI PARISIEN DES CHEIKHS DU GOLFE PERSIQUE<\/a><\/td>\n

GR\u00c9GOIRE VERDEAUX: THE FRIEND WHO MANAGES THE TREASURE<\/a><\/p>\n

THE PARISIAN FRIEND OF THE SHEIKHS OF THE PERSIAN GULF<\/a><\/td>\n

GR\u00c9GOIRE VERDEAUX: L\u2019AMICO CHE GESTISCE IL TESORO<\/a><\/p>\n

L\u2019AMICA PARIGINA DEGLI SCEICCHI DEL GOLFO PERSICO<\/a><\/td>\n

\u0413\u0420\u0415\u0413\u041e\u0420\u0418 \u0412\u0415\u0420\u0414\u041e: \u0414\u0420\u0423\u0413, \u0423\u041f\u0420\u0410\u0412\u041b\u042f\u042e\u0429\u0418\u0419 \u041a\u0410\u0417\u041d\u0410\u0427\u0415\u0419\u0421\u0422\u0412\u041e\u041c<\/a><\/p>\n

\u041f\u0410\u0420\u0418\u0416\u0421\u041a\u0410\u042f \u041f\u041e\u0414\u0420\u0423\u0413\u0410 \u0428\u0415\u0419\u0425\u041e\u0412 \u041f\u0415\u0420\u0421\u0418\u0414\u0421\u041a\u041e\u0413\u041e \u0417\u0410\u041b\u0418\u0412\u0410<\/a><\/td>\n

GR\u00c9GOIRE VERDEAUX: DER FREUND, DER DEN SCHATZ VERWALTET<\/a><\/p>\n

DIE PARISER FREUNDIN DER SCHEICHS DES PERSISCHEN GOLFS<\/a><\/td>\n

GR\u00c9GOIRE VERDEAUX: EL AMIGO QUE GESTIONA LA TESORER\u00cdA<\/a><\/p>\n

L\u2019AMIGA PARISINA DE LOS JEQUES DEL GOLFO P\u00c9RSICO<\/a><\/td>\n<\/tr>\n

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\"\"Draghi<\/strong>, Mario<\/p>\n

Politician, 1947
\n\"\"<\/td>\n

LA KAFALA : UN ESCLAVAGE COMME CELUI DES NOIRS DANS LES \u00c9TATS CONFEDERES D\u2019AMERIQUE<\/a><\/p>\n

GLASGOW CONCERNE L\u2019ENVIRONNEMENT MONDIAL, MAIS AUSSI LE POUVOIR MONDIAL<\/a><\/p>\n

LA MER \u00c9GEE, LA FRONTIERE LA PLUS CHAUDE D\u2019EUROPE<\/a><\/p>\n

L\u2019AXE SECRET ENTRE GOLDMAN SACHS ET LES OLIGARQUES<\/a><\/p>\n

NOAM CHOMSKY : LE MONDE A L\u2019HEURE DES COMPTES<\/a><\/p>\n

LE LAPIN DANS LE CHAPEAU DE L\u2019ISTAT<\/a><\/td>\n

LA KAFALA: A SLAVERY LIKE THAT OF BLACKS IN THE CONFEDERATE STATES OF AMERICA<\/a><\/p>\n

GLASGOW IS ABOUT THE GLOBAL ENVIRONMENT, BUT ALSO ABOUT GLOBAL POWER<\/a><\/p>\n

AEGEAN, THE HOTTEST BORDER IN EUROPE<\/a><\/p>\n

THE SECRET AXIS BETWEEN GOLDMAN SACHS AND THE OLIGARCHS<\/a><\/p>\n

NOAM CHOMSKY: THE WORLD AT RECKONING<\/a><\/p>\n

THE RABBIT IN THE ISTAT HAT<\/a><\/td>\n

LA KAFALA ARABA: UNA SCHIAVIT\u00d9 PARI A QUELLA DEI NERI NELL\u2019AMERICA SUDISTA<\/a><\/p>\n

GLASGOW RIGUARDA L\u2019AMBIENTE GLOBALE, MA ANCHE IL POTERE GLOBALE<\/a><\/p>\n

EGEO, LA FRONTIERA PI\u00d9 CALDA D\u2019EUROPA<\/a><\/p>\n

L\u2019ASSE SEGRETO TRA GOLDMAN SACHS E GLI OLIGARCHI<\/a><\/p>\n

NOAM CHOMSKY: IL MONDO ALLA RESA DEI CONTI<\/a><\/p>\n

IL CONIGLIO NEL CAPPELLO DELL\u2019ISTAT<\/a><\/td>\n

\u0410\u0420\u0410\u0411\u0421\u041a\u0410\u042f \u041a\u0410\u0424\u0410\u041b\u0410: \u0420\u0410\u0411\u0421\u0422\u0412\u041e, \u041a\u0410\u041a \u0421 \u041e\u0414\u041d\u0410\u0416\u0414\u042b \u0412 \u042e\u0416\u041d\u041e\u0419 \u0410\u041c\u0415\u0420\u0418\u041a\u0415<\/a><\/p>\n

\u0413\u041b\u0410\u0417\u0413\u041e \u2013 \u041e \u0413\u041b\u041e\u0411\u0410\u041b\u042c\u041d\u041e\u0419 \u041e\u041a\u0420\u0423\u0416\u0410\u042e\u0429\u0415\u0419 \u0421\u0420\u0415\u0414\u0415, \u041d\u041e \u0422\u0410\u041a\u0416\u0415 \u0418 \u041e \u0413\u041b\u041e\u0411\u0410\u041b\u042c\u041d\u041e\u0419 \u0412\u041b\u0410\u0421\u0422\u0418<\/a><\/p>\n

\u042d\u0413\u0415\u0419\u0421\u041a\u041e\u0415 \u041c\u041e\u0420\u0415 \u2013 \u0421\u0410\u041c\u042b\u0419 \u0413\u041e\u0420\u042f\u0427\u0418\u0419 \u0420\u0423\u0411\u0415\u0416 \u0415\u0412\u0420\u041e\u041f\u042b<\/a><\/p>\n

\u0422\u0410\u0419\u041d\u0410\u042f \u041e\u0421\u042c \u041c\u0415\u0416\u0414\u0423 \u00ab\u0413\u041e\u041b\u0414\u041c\u0410\u041d\u0421\u0410\u041a\u0421\u00bb \u0418 \u041e\u041b\u0418\u0413\u0410\u0420\u0425\u0410\u041c\u0418<\/a><\/p>\n

\u041d\u041e\u0410\u041c \u0425\u041e\u041c\u0421\u041a\u0418\u0419: \u041c\u0418\u0420 \u0412 \u0420\u0410\u0421\u041f\u041b\u0410\u0422\u0415<\/a><\/p>\n

\u041a\u0420\u041e\u041b\u0418\u041a \u0412 \u0428\u041b\u042f\u041f\u0415 ISTAT<\/a><\/td>\n

DAS KAFALA: SKLAVEREI GLEICH DER VON SCHWARZEN IN DEN KONF\u00d6DERIERTEN STAATEN VON AMERIKA<\/a><\/p>\n

IN GLASGOW GEHT ES UM DIE GLOBALE UMWELT, ABER AUCH UM DIE GLOBALE MACHT<\/a><\/p>\n

DIE \u00c4G\u00c4IS, DIE HEI\u00dfESTE GRENZE IN EUROPA<\/a><\/p>\n

DIE GEHEIME ACHSE ZWISCHEN GOLDMAN SACHS UND DEN OLIGARCHEN<\/a><\/p>\n

NOAM CHOMSKY: DIE WELT IM UMBRUCH<\/a><\/p>\n

DAS KANINCHEN IM ISTAT-HUT<\/a><\/td>\n

LA KAFALA \u00c1RABE: ESCLAVITUD IGUAL A LA DE LOS NEGROS EN SUDAM\u00c9RICA<\/a><\/p>\n

GLASGOW TIENE QUE VER CON EL MEDIO AMBIENTE GLOBAL, PERO TAMBI\u00c9N CON EL PODER GLOBAL<\/a><\/p>\n

EL EGEO, LA FRONTERA M\u00c1S CALIENTE DE EUROPA<\/a><\/p>\n

EL EJE SECRETO ENTRE GOLDMAN SACHS Y LOS OLIGARCAS<\/a><\/p>\n

NOAM CHOMSKY: EL MUNDO EN EL AJUSTE DE CUENTAS<\/a><\/p>\n

EL CONEJO EN EL CILINDRO DE LA ISTAT<\/a><\/td>\n<\/tr>\n

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\"\"<\/strong>Dragomiretskaya<\/strong>, Olga<\/p>\n

Oligarch, 1962 \u2013
\n\"\"<\/td>\n

IL EST TEMPS POUR POUTINE DE REGLER SES COMPTES<\/a><\/td>\nTIME FOR PUTIN TO SETTLE THE SCORE<\/a><\/td>\nPER PUTIN \u00c8 L\u2019ORA DEL REGOLAMENTO DEI CONTI<\/a><\/td>\n\u0414\u041b\u042f \u041f\u0423\u0422\u0418\u041d\u0410 \u041f\u0420\u0418\u0428\u041b\u041e \u0412\u0420\u0415\u041c\u042f \u0421\u0412\u0415\u0422\u0418 \u0421\u0427\u0415\u0422\u042b<\/a><\/td>\nPUTIN: DIE ZEIT DER ABRECHNUNG<\/a><\/td>\nPUTIN: ES HORA DE AJUSTAR CUENTAS<\/a><\/td>\n<\/tr>\n
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\"\"Dr\u0103gu\u0163anu<\/strong>, Dorin<\/p>\n

Banker, 1974-
\n\"\"<\/td>\n

LA MOLDAVIE DES OLIGARQUES, OU LE MOYEN \u00c2GE EST PLUS VIVANT QUE JAMAIS<\/a><\/td>\nTHE MOLDOVA OF THE OLIGARCHS, WHERE THE MIDDLE AGES ARE MORE ALIVE THAN EVER<\/a><\/td>\nLA MOLDAVIA DEGLI OLIGARCHI, DOVE IL MEDIOEVO \u00c8 PI\u00d9 VIVO CHE MAI<\/a><\/td>\n\u041c\u041e\u041b\u0414\u0410\u0412\u0418\u042f \u041e\u041b\u0418\u0413\u0410\u0420\u0425\u041e\u0412, \u0413\u0414\u0415 \u0421\u0420\u0415\u0414\u041d\u0415\u0412\u0415\u041a\u041e\u0412\u042c\u0415 \u0416\u0418\u0412\u041e, \u041a\u0410\u041a \u041d\u0418\u041a\u041e\u0413\u0414\u0410<\/a><\/td>\nMOLDAWIEN DER OLIGARCHEN, WO DAS MITTELALTER LEBENDIGER IST ALS JE ZUVOR<\/a><\/td>\nLA MOLDAVIA DE LOS OLIGARCAS, DONDE LA EDAD MEDIA EST\u00c1 M\u00c1S VIVA QUE NUNCA<\/a><\/td>\n<\/tr>\n
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\"\"Drazen<\/strong>, Jeff<\/p>\n

Scientist, 1975-
\n\"\"<\/td>\n

L\u2019EXPLOITATION DES FONDS MARINS, NOUVELLE LIMITE AUTODESTRUCTRICE DE L\u2019HUMANITE<\/a><\/td>\nTHE EXPLOITATION OF THE SEABED, A NEW SELF-DESTRUCTIVE LIMIT FOR HUMANITY<\/a><\/td>\nLO SFRUTTAMENTO DEI FONDALI OCEANICI, NUOVA FRONTIERA DELL\u2019AUTODISTRUZIONE DELL\u2019UMANIT\u00c0<\/a><\/td>\n\u042d\u041a\u0421\u041f\u041b\u0423\u0410\u0422\u0410\u0426\u0418\u042f \u0414\u041d\u0410 \u041e\u041a\u0415\u0410\u041d\u0410, \u041d\u041e\u0412\u042b\u0419 \u0424\u0420\u0410\u0413\u041c\u0415\u041d\u0422 \u0421\u0410\u041c\u041e\u0423\u041d\u0418\u0427\u0422\u041e\u0416\u0415\u041d\u0418\u042f \u0427\u0415\u041b\u041e\u0412\u0415\u0427\u0415\u0421\u0422\u0412\u0410<\/a><\/td>\nDIE AUSBEUTUNG DES MEERESBODENS, NEUE SELBSTZERST\u00d6RUNGSGRENZE DER MENSCHHEIT<\/a><\/td>\nLA EXPLOTACI\u00d3N DE LOS FONDOS MARINOS, LA NUEVA FRONTERA DE LA AUTODESTRUCCI\u00d3N DE LA HUMANIDAD<\/a><\/td>\n<\/tr>\n
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\"\"Drexler<\/strong>, Kim Eric<\/p>\n

Politician, 1921-1992
\n\"\"<\/td>\n

LE MICROCOSME: PLUS IL EST PETIT, MIEUX IL FONCTIONNE<\/a><\/td>\nTHE MICROCOSM: THE SMALLER IT IS, THE BETTER IT WORKS<\/a><\/td>\nIL MICROCOSMO: PI\u00d9 \u00c8 MINUSCOLO, MEGLIO FUNZIONA<\/a><\/td>\n\u041c\u0418\u041a\u0420\u041e\u041c\u0418\u0420: \u0427\u0415\u041c \u041e\u041d \u041c\u0415\u041d\u042c\u0428\u0415, \u0422\u0415\u041c \u041b\u0423\u0427\u0428\u0415 \u0420\u0410\u0411\u041e\u0422\u0410\u0415\u0422<\/a><\/td>\nDER MIKROKOSMOS: JE KLEINER ER IST, DESTO BESSER FUNKTIONIERT ER<\/a><\/td>\nEL MICROCOSMOS: CUANTO M\u00c1S PEQUE\u00d1O, MEJOR FUNCIONA<\/a><\/td>\n<\/tr>\n
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\"\"Drinevsky<\/strong>, Sergei Grigorievich<\/p>\n

Manager, 1970-
\n\"\"<\/td>\n

DMITRYI MAZEPIN, LE PREMIER OLIGARQUE DE LONDONGRAD<\/a><\/td>\nDMITRIJ MAZEPIN, THE FIRST OLIGARCH OF LONDONGRAD<\/a><\/td>\nDMITRIJ MAZEPIN, IL PRIMO OLIGARCA DI LONDONGRAD<\/a><\/td>\n\u0414\u041c\u0418\u0422\u0420\u0418\u0419 \u041c\u0410\u0417\u0415\u041f\u0418\u041d, \u041f\u0415\u0420\u0412\u042b\u0419 \u041e\u041b\u0418\u0413\u0410\u0420\u0425 \u041b\u041e\u041d\u0414\u041e\u041d\u0413\u0420\u0410\u0414\u0410<\/a><\/td>\nDMITRIJ MAZEPIN, DER ERSTE OLIGARCH VON LONDONGRAD<\/a><\/td>\nDMITRIJ MAZEPIN, EL PRIMER OLIGARCA DE LONDONGRAD<\/a><\/td>\n<\/tr>\n
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\"\"Duarte<\/strong>, Jos\u00e9 Napoleon<\/p>\n

Military, 1925-1990
\n\"\"<\/td>\n

LE SOMMET DE LOS ANGELES, UN NOUVEL ECHEC DE LA POLITIQUE ETRANGERE AMERICAINE<\/a><\/td>\nTHE LOS ANGELES SUMMIT, ANOTHER FAILURE OF US FOREIGN POLICY<\/a><\/td>\nIL SUMMIT DI LOS ANGELES, ENNESIMO FALLIMENTO DELLA POLITICA ESTERA AMERICANA<\/a><\/td>\n\u0421\u0410\u041c\u041c\u0418\u0422 \u0412 \u041b\u041e\u0421 \u0410\u041d\u0416\u0415\u041b\u0415\u0421\u0415, \u041e\u0427\u0415\u0420\u0415\u0414\u041d\u041e\u0419 \u041f\u0420\u041e\u0412\u0410\u041b \u0410\u041c\u0415\u0420\u0418\u041a\u0410\u041d\u0421\u041a\u041e\u0419 \u0412\u041d\u0415\u0428\u041d\u0415\u0419 \u041f\u041e\u041b\u0418\u0422\u0418\u041a\u0418<\/a><\/td>\nDAS GIPFEL VON LOS ANGELES, EIN WEITERES SCHEITERN DER US-AU\u00dfENPOLITIK<\/a><\/td>\nLA CONFERENCIA DE LOS \u00c1NGELES, FRACASO DE LA POL\u00cdTICA EXTERIOR DE EE.UU.<\/a><\/td>\n<\/tr>\n
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\"\"Dub\u010dek<\/strong>, Alexander<\/p>\n

Politician, 1921-1992
\n\"\"<\/td>\n

MARTA KUBI\u0160OV\u00c1, CETTE VOIX CONTRE LES TANKS<\/a><\/td>\nMARTA KUBI\u0160OV\u00c1, THE VOICE AGAINST THE TANKS<\/a><\/td>\nMARTA KUBI\u0160OV\u00c1, LA VOCE CONTRO I CARRI ARMATI<\/a><\/td>\n\u041c\u0410\u0420\u0422\u0410 \u041a\u0423\u0411\u0418\u0428\u041e\u0412\u0410, \u0413\u041e\u041b\u041e\u0421 \u041f\u0420\u041e\u0422\u0418\u0412 \u0422\u0410\u041d\u041a\u041e\u0412<\/a><\/td>\nMARTA KUBI\u0160OV\u00c1, JENE STIMME GEGEN DIE PANZER<\/a><\/td>\nMARTA KUBI\u0160OV\u00c1, LA VOZ CONTRA LOS TANQUES<\/a><\/td>\n<\/tr>\n
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\"\"Dubow<\/strong>, Jim<\/p>\n

Managing Director,
\n\"\"<\/td>\n

QUI FAIT PLEURER LA CITE DU LION<\/a><\/td>\nWHO MAKES THE LION CITY CRY<\/a><\/td>\nCHI \u00c8 CHE FA PIANGERE LA CITT\u00c0 DEL LEONE<\/a><\/td>\n\u041a\u0422\u041e \u0417\u0410\u0421\u0422\u0410\u0412\u041b\u042f\u0415\u0422 \u041f\u041b\u0410\u041a\u0410\u0422\u042c \u0413\u041e\u0420\u041e\u0414 \u041b\u042c\u0412\u0410<\/a><\/td>\nWER BRINGT DIE L\u00d6WENSTADT ZUM WEINEN<\/a><\/td>\nQUI\u00c9N HACE LLORAR A LA CIUDAD DE LE\u00d3N<\/a><\/td>\n<\/tr>\n
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\"\"Dubowitz<\/strong>, Mark<\/p>\n

Lobbyist, 1968-
\n\"\"<\/td>\n

LE STYLO QUI TUE PLUS QUE L\u2019EPEE<\/a><\/td>\nTHE PEN THAT KILLS MORE THAN THE SWORD<\/a><\/td>\nLA PENNA CHE UCCIDE PI\u00d9 DELLA SPADA<\/a><\/td>\n\u041f\u0415\u0420\u041e \u0423\u0411\u0418\u0412\u0410\u0415\u0422 \u0421\u0418\u041b\u042c\u041d\u0415\u0415 \u041c\u0415\u0427\u0410<\/a><\/td>\nDIE FEDER, DIE MEHR T\u00d6TET ALS DAS SCHWERT<\/a><\/td>\nLA PLUMA QUE MATA M\u00c1S QUE LA ESPADA<\/a><\/td>\n<\/tr>\n
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\"\"Dudarev<\/strong>, Vladimir<\/p>\n

Politician, Banker
\n\"\"<\/td>\n

LA SOUFFRANCE DES ABANDONN\u00c9S: LA BI\u00c9LORUSSIE NE SE REND PAS AU TYRAN<\/a><\/td>\nTHE SUFFERING OF THE ABANDONED: BELARUS DOES NOT SURRENDER TO THE TYRANT<\/a><\/td>\nLO STRAZIO DEGLI ABBANDONATI: LA BIELORUSSIA NON SI ARRENDE AL TIRANNO<\/a><\/td>\n\u0421\u0422\u0420\u0410\u0422\u0415\u0413\u0418\u042f \u0417\u0410\u0411\u0420\u041e\u0428\u0415\u041d\u041d\u042b\u0425: \u0411\u0415\u041b\u0410\u0420\u0423\u0421\u042c \u041d\u0415 \u0421\u0414\u0410\u0415\u0422\u0421\u042f \u0422\u0418\u0420\u0410\u041d\u0423<\/a><\/td>\nDAS LEIDEN DER VERLASSENEN: WEI\u00dfRUSSLAND ERGIBT SICH NICHT DEM TYRANNEN<\/a><\/td>\nLA ANGUSTIA DE LOS ABANDONADOS: BIELORRUSIA NO SE RINDE ANTE EL TIRANO<\/a><\/td>\n<\/tr>\n
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\"\"Duhig<\/strong>, John<\/p>\n

Lobbyist, 1964-
\n\"\"<\/td>\n

LE STYLO QUI TUE PLUS QUE L\u2019EPEE<\/a><\/td>\nTHE PEN THAT KILLS MORE THAN THE SWORD<\/a><\/td>\nLA PENNA CHE UCCIDE PI\u00d9 DELLA SPADA<\/a><\/td>\n\u041f\u0415\u0420\u041e \u0423\u0411\u0418\u0412\u0410\u0415\u0422 \u0421\u0418\u041b\u042c\u041d\u0415\u0415 \u041c\u0415\u0427\u0410<\/a><\/td>\nDIE FEDER, DIE MEHR T\u00d6TET ALS DAS SCHWERT<\/a><\/td>\nLA PLUMA QUE MATA M\u00c1S QUE LA ESPADA<\/a><\/td>\n<\/tr>\n
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\"\"Duhon<\/strong>, Andy<\/p>\n

Military, 1982-
\n\"\"<\/td>\n

GUERRES ETHNIQUES, RELIGIEUSES ET COLONIALES : LE MALI COMME METAPHORE DE UN DESASTRE MONDIAL<\/a><\/td>\nETHNIC, RELIGIOUS, COLONIAL WARS AND TRIBAL REVENGE: MALI AS A METAPHOR FOR A GLOBAL DISASTER<\/a><\/td>\nGUERRE ETNICHE, RELIGIOSE, COLONIALI E VENDETTE TRIBALI: IL MALI COME METAFORA DEL DISASTRO GLOBALE<\/a><\/td>\n\u042d\u0422\u041d\u0418\u0427\u0415\u0421\u041a\u0418\u0415, \u0420\u0415\u041b\u0418\u0413\u0418\u041e\u0417\u041d\u042b\u0415, \u041a\u041e\u041b\u041e\u041d\u0418\u0410\u041b\u042c\u041d\u042b\u0415 \u0412\u041e\u0419\u041d\u042b \u0418 \u041f\u041b\u0415\u041c\u0415\u041d\u041d\u0410\u042f \u041c\u0415\u0421\u0422\u042c: \u041c\u0410\u041b\u0418 \u041a\u0410\u041a \u041c\u0415\u0422\u0410\u0424\u041e\u0420\u0410 \u0413\u041b\u041e\u0411\u0410\u041b\u042c\u041d\u041e\u0413\u041e \u0411\u0415\u0414\u0421\u0422\u0412\u0418\u042f<\/a><\/td>\nKOLONIALKRIEGE UND STAMMESRACHE: MALI ALS METAPHER F\u00dcR DIE GLOBALE KATASTROPHE<\/a><\/td>\nGUERRAS \u00c9TNICAS, RELIGIOSAS, COLONIALES Y VENGANZAS TRIBALES: MAL\u00cd COMO MET\u00c1FORA DEL DESASTRE GLOBAL<\/a><\/td>\n<\/tr>\n
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\"\"Dugin<\/strong>, Alexander<\/p>\n

Politician, 1962-
\n\"\"<\/td>\n

A LA MORT DE L\u2019ICONE DU NEO-FASCISME RUSSE<\/a><\/td>\nIN DEATH OF THE ICON OF RUSSIAN NEO-FASCISM<\/a><\/td>\nIN MORTE DELL\u2019ICONA DEL NEOFASCISMO RUSSO<\/a><\/td>\n\u0421\u041c\u0415\u0420\u0422\u042c \u0418\u041a\u041e\u041d\u042b \u0420\u041e\u0421\u0421\u0418\u0419\u0421\u041a\u041e\u0413\u041e \u041d\u0415\u041e\u0424\u0410\u0428\u0418\u0417\u041c\u0410<\/a><\/td>\nZUM TOD DER IKONE DES RUSSISCHEN NEOFASCHISMUS<\/a><\/td>\nEN LA MUERTE DEL ICONO DEL NEOFASCISMO RUSO<\/a><\/td>\n<\/tr>\n
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\"\"Dugina<\/strong>, Darya<\/p>\n

Journalist, 1992-2022
\n\"\"<\/td>\n

A LA MORT DE L\u2019ICONE DU NEO-FASCISME RUSSE<\/a><\/p>\n

MEME A MOSCOU, LES GENS MEURENT POUR POUTINE<\/a><\/td>\n

IN DEATH OF THE ICON OF RUSSIAN NEO-FASCISM<\/a><\/p>\n

EVEN IN MOSCOW, PEOPLE DIE FOR PUTIN<\/a><\/td>\n

IN MORTE DELL\u2019ICONA DEL NEOFASCISMO RUSSO<\/a><\/p>\n

ANCHE A MOSCA SI MUORE DI PUTIN<\/a><\/td>\n

\u0421\u041c\u0415\u0420\u0422\u042c \u0418\u041a\u041e\u041d\u042b \u0420\u041e\u0421\u0421\u0418\u0419\u0421\u041a\u041e\u0413\u041e \u041d\u0415\u041e\u0424\u0410\u0428\u0418\u0417\u041c\u0410<\/a><\/p>\n

\u0418 \u0412 \u041c\u041e\u0421\u041a\u0412\u0415 \u0423\u041c\u0418\u0420\u0410\u042e\u0422 \u0418\u0417-\u0417\u0410 \u041f\u0423\u0422\u0418\u041d\u0410<\/a><\/td>\n

ZUM TOD DER IKONE DES RUSSISCHEN NEOFASCHISMUS<\/a><\/p>\n

WEGEN PUTIN STIRBT MAN AUCH IN MOSKAU<\/a><\/td>\n

EN LA MUERTE DEL ICONO DEL NEOFASCISMO RUSO<\/a><\/p>\n

INCLUSO EN MOSC\u00da, LA GENTE MUERE POR PUTIN<\/a><\/td>\n<\/tr>\n

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\"\"Dulles<\/strong>, Allen Welsh<\/p>\n

Lawyer, CIA director, 1893-1969
\n\"\"<\/td>\n

HENRY KISSINGER, L\u2019AME NOIRE DU 20EME SIECLE<\/a><\/td>\nHENRY KISSINGER, THE DARK SOUL OF THE 20TH CENTURY<\/a><\/td>\nHENRY KISSINGER, L\u2019ANIMA NERA DEL XX SECOLO<\/a><\/td>\n\u0413\u0415\u041d\u0420\u0418 \u041a\u0418\u0421\u0421\u0418\u041d\u0414\u0416\u0415\u0420, \u0427\u0415\u0420\u041d\u0410\u042f \u0414\u0423\u0428\u0410 20 \u0412\u0415\u041a\u0410<\/a><\/td>\nHENRY KISSINGER, DIE SCHWARZE SEELE DES 20. JAHRHUNDERTS<\/a><\/td>\nHENRY KISSINGER, EL ALMA NEGRA DEL SIGLO XX<\/a><\/td>\n<\/tr>\n
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\"\"Dulles<\/strong>, John Foster<\/p>\n

Lawyer, Politician, 1888-1959
\n\"\"<\/td>\n

HENRY KISSINGER, L\u2019AME NOIRE DU 20EME SIECLE<\/a><\/td>\nHENRY KISSINGER, THE DARK SOUL OF THE 20TH CENTURY<\/a><\/td>\nHENRY KISSINGER, L\u2019ANIMA NERA DEL XX SECOLO<\/a><\/td>\n\u0413\u0415\u041d\u0420\u0418 \u041a\u0418\u0421\u0421\u0418\u041d\u0414\u0416\u0415\u0420, \u0427\u0415\u0420\u041d\u0410\u042f \u0414\u0423\u0428\u0410 20 \u0412\u0415\u041a\u0410<\/a><\/td>\nHENRY KISSINGER, DIE SCHWARZE SEELE DES 20. JAHRHUNDERTS<\/a><\/td>\nHENRY KISSINGER, EL ALMA NEGRA DEL SIGLO XX<\/a><\/td>\n<\/tr>\n
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\"\"Dumbadze<\/strong>, Nodar<\/p>\n

Novelist, 1928-1984
\n\"\"<\/td>\n

GEORGIE : DES ROSES CONTRE LA PEUR DES RUSSES<\/a><\/td>\nGEORGIA: ROSES AGAINST THE FEAR OF THE RUSSIANS<\/a><\/td>\nGEORGIA: ROSE IN PIAZZA CONTRO LA PAURA DEI RUSSI<\/a><\/td>\n\u0413\u0420\u0423\u0417\u0418\u042f: \u0420\u041e\u0417\u042b \u041d\u0410 \u0423\u041b\u0418\u0426\u0410\u0425 \u041f\u0420\u041e\u0422\u0418\u0412 \u0421\u0422\u0420\u0410\u0425\u0410 \u0420\u0423\u0421\u0421\u041a\u0418\u0425<\/a><\/td>\nGEORGIEN: AUF DEN STRA\u00dfEN, ROSEN GEGEN DIE RUSSEN<\/a><\/td>\nGEORGIA: ROSAS CONTRA EL MIEDO A LOS RUSOS<\/a><\/td>\n<\/tr>\n
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\"\"Dupuydauby<\/strong>, Jacques<\/p>\n

Entrepreneur, 1949-
\n\"\"<\/td>\n

BOLLORE: LE VERITABLE ROI DE L\u2019AFRIQUE<\/a><\/td>\nBOLLOR\u00c9: THE TRUE KING OF AFRICA<\/a><\/td>\nBOLLOR\u00c9: IL VERO RE D\u2019AFRICA<\/a><\/td>\n\u0411\u041e\u041b\u041b\u041e\u0420\u0415: \u0418\u0421\u0422\u0418\u041d\u041d\u042b\u0419 \u041a\u041e\u0420\u041e\u041b\u042c \u0410\u0424\u0420\u0418\u041a\u0418<\/a><\/td>\nBOLLOR\u00c9: DER WAHRE K\u00d6NIG VON AFRIKA<\/a><\/td>\nBOLLOR\u00c9: EL VERDADERO REY DE \u00c1FRICA<\/a><\/td>\n<\/tr>\n
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\"\"Duque M\u00e1rquez<\/strong>, Ivan<\/p>\n

Politician, 1976-
\n\"\"<\/td>\n

LE CHILI DE GABRIEL BORIC : LE RETOUR DE L\u2019ESPOIR<\/a><\/td>\nGABRIEL BORIC\u2019S CHILE: THE RETURN OF HOPE<\/a><\/td>\nIL CILE DI GABRIEL BORIC: IL RITORNO DELLA SPERANZA<\/a><\/td>\n\u0427\u0418\u041b\u0418 \u0413\u0410\u0411\u0420\u0418\u042d\u041b\u042f \u0411\u041e\u0420\u0418\u0427: \u0412\u041e\u0417\u0412\u0420\u0410\u0429\u0415\u041d\u0418\u0415 \u041d\u0410\u0414\u0415\u0416\u0414\u042b<\/a><\/td>\nGABRIEL BORIC\u2019S CHILE: DIE R\u00dcCKKEHR DER HOFFNUNG<\/a><\/td>\nEL CHILE DE GABRIEL BORIC: EL RETORNO DE LA ESPERANZA<\/a><\/td>\n<\/tr>\n
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\"\"Durham<\/strong>, John Henry<\/p>\n

Politician, 1950-
\n\"\"<\/td>\n

LES DESHONORANTS CHEVALIERS DE (ENE)MALTE<\/a><\/td>\nTHE DISHONOURABLE KNIGHTS OF (ENE)MALTA<\/a><\/td>\nI DISONOREVOLI CAVALIERI DI (ENE)MALTA<\/a><\/td>\n\u0411\u0415\u0421\u0427\u0415\u0421\u0422\u041d\u042b\u0415 \u0420\u042b\u0426\u0410\u0420\u0418 (\u042d\u041d\u0415)\u041c\u0410\u041b\u042c\u0422\u042b<\/a><\/td>\nDIE UNEHRENHAFTEN RITTER VON (ENE)MALTA<\/a><\/td>\nLOS DESHONROSOS CABALLEROS DE (ENE)MALTA<\/a><\/td>\n<\/tr>\n
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\"\"Duri<\/strong>, Munir<\/p>\n

Financier,
\n\"\"<\/td>\n

AFFAIRES SALES, CORRUPTION, ESCLAVAGE : CE QUI SE CACHE DERRIERE LE MARTYRE DU PEUPLE OROMO<\/a><\/td>\nDODGY BUSINESS, CORRUPTION, SLAVERY: WHAT\u2019S BEHIND THE MARTYR OF THE OROMO PEOPLE<\/a><\/td>\nAFFARI SPORCHI, CORRUZIONE, SCHIAVISMO: IL MARTIRIO DEL POPOLO OROMO<\/a><\/td>\n\u0413\u0420\u042f\u0417\u041d\u042b\u0415 \u0414\u0415\u041b\u0410, \u041a\u041e\u0420\u0420\u0423\u041f\u0426\u0418\u042f, \u0420\u0410\u0411\u0421\u0422\u0412\u041e: \u0427\u0422\u041e \u0421\u041a\u0420\u042b\u0412\u0410\u0415\u0422\u0421\u042f \u0417\u0410 \u041c\u0423\u0427\u0415\u041d\u0418\u041a\u0410\u041c\u0418 \u041d\u0410\u0420\u041e\u0414\u0410 \u041e\u0420\u041e\u041c\u041e<\/a><\/td>\nSCHMUTZIGE GESCH\u00c4FTE, KORRUPTION, SKLAVEREI: WAS HINTER DEM MARTYRIUM DES VOLKES OROMO STECKT<\/a><\/td>\nNEGOCIOS SUCIOS, CORRUPCI\u00d3N, ESCLAVITUD: EL MARTIRIO DEL PUEBLO OROMO<\/a><\/td>\n<\/tr>\n
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\"\"Dushnisky<\/strong>, Kelvin<\/p>\n

Mining manager , 1963-
\n\"\"<\/td>\n

OR, CYANURE ET SANG DANS L\u2019ENFER DE BARRICK GOLD<\/a><\/td>\nGOLD, CYANIDE AND BLOOD IN BARRICK\u2019S HELL<\/a><\/td>\nORO, CIANURO E SANGUE NELL\u2019INFERNO DELLA BARRICK GOLD<\/a><\/td>\n\u0417\u041e\u041b\u041e\u0422\u041e, \u042f\u0414 \u0418 \u041a\u0420\u041e\u0412\u042c \u0412 \u0423\u0416\u0410\u0421\u0415 BARRICK GOLD<\/a><\/td>\nGOLD, ZYANID UND BLUT IN DER H\u00d6LLE DER BARRICK GROUP<\/a><\/td>\nORO, CIANURO Y SANGRE EN EL INFIERNO DE BARRICK GOLD<\/a><\/td>\n<\/tr>\n
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 <\/p>\n

\"\"Duss<\/strong>, Matt<\/p>\n

Politician, 1972-
\n\"\"<\/td>\n

PALESTINE, OU CHAQUE JOUR CAIN REVIENT<\/a><\/td>\nPALESTINE, WHERE EVERY DAY CAIN RETURNS<\/a><\/td>\nPALESTINA, DOVE OGNI GIORNO RITORNA CAINO<\/a><\/td>\n\u041f\u0410\u041b\u0415\u0421\u0422\u0418\u041d\u0410, \u041a\u0423\u0414\u0410 \u041a\u0410\u0416\u0414\u042b\u0419 \u0414\u0415\u041d\u042c \u0412\u041e\u0417\u0412\u0420\u0410\u0429\u0410\u0415\u0422\u0421\u042f \u041a\u0410\u0418\u041d<\/a><\/td>\nPAL\u00c4STINA, WO KAIN JEDEN TAG ZUR\u00dcCKKEHRT<\/a><\/td>\nPALESTINA, DONDE CADA D\u00cdA VUELVE CA\u00cdN<\/a><\/td>\n<\/tr>\n
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 <\/p>\n

\"\"Duterte<\/strong>, Rodrigo<\/p>\n

Politician, 1945-
\n\"\"<\/td>\n

LA KAFALA : UN ESCLAVAGE COMME CELUI DES NOIRS DANS LES \u00c9TATS CONFEDERES D\u2019AMERIQUE<\/a><\/td>\nLA KAFALA: A SLAVERY LIKE THAT OF BLACKS IN THE CONFEDERATE STATES OF AMERICA<\/a><\/td>\nLA KAFALA ARABA: UNA SCHIAVIT\u00d9 PARI A QUELLA DEI NERI NELL\u2019AMERICA SUDISTA<\/a><\/td>\n\u0410\u0420\u0410\u0411\u0421\u041a\u0410\u042f \u041a\u0410\u0424\u0410\u041b\u0410: \u0420\u0410\u0411\u0421\u0422\u0412\u041e, \u041a\u0410\u041a \u0421 \u041e\u0414\u041d\u0410\u0416\u0414\u042b \u0412 \u042e\u0416\u041d\u041e\u0419 \u0410\u041c\u0415\u0420\u0418\u041a\u0415<\/a><\/td>\nDAS KAFALA: SKLAVEREI GLEICH DER VON SCHWARZEN IN DEN KONF\u00d6DERIERTEN STAATEN VON AMERIKA<\/a><\/td>\nLA KAFALA \u00c1RABE: ESCLAVITUD IGUAL A LA DE LOS NEGROS EN SUDAM\u00c9RICA<\/a><\/td>\n<\/tr>\n
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\"\"Dutiro<\/strong>, Courage<\/p>\n

Journalist, 1999-
\n\"\"<\/td>\n

LE ZIMBABWE PLUS DETERMINE QUE JAMAIS A FAIRE TAIRE SES DETRACTEURS<\/a><\/td>\nZIMBABWE MORE DETERMINED THAN EVER TO SILENCE ITS CRITICS<\/a><\/td>\nLO ZIMBABWE PI\u00d9 DETERMINATO CHE MAI A METTERE A TACERE I SUOI CRITICI<\/a><\/td>\n\u0417\u0418\u041c\u0411\u0410\u0411\u0412\u0415 \u041a\u0410\u041a \u041d\u0418\u041a\u041e\u0413\u0414\u0410 \u0420\u0415\u0428\u0418\u0422\u0415\u041b\u042c\u041d\u041e \u041d\u0410\u0421\u0422\u0420\u041e\u0415\u041d\u0410 \u0417\u0410\u0421\u0422\u0410\u0412\u0418\u0422\u042c \u0417\u0410\u041c\u041e\u041b\u0427\u0410\u0422\u042c \u0421\u0412\u041e\u0418\u0425 \u041a\u0420\u0418\u0422\u0418\u041a\u041e\u0412<\/a><\/td>\nSIMBABWE IST MEHR DENN JE ENTSCHLOSSEN, SEINE KRITIKER ZUM SCHWEIGEN ZU BRINGEN<\/a><\/td>\nZIMBABUE EST\u00c1 M\u00c1S DECIDIDO QUE NUNCA A SILENCIAR A SUS CR\u00cdTICOS<\/a><\/td>\n<\/tr>\n
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\"\"Duvalier<\/strong>, Fran\u00e7ois \u00abPapa Doc\u00bb<\/p>\n

Dictator, 1907-1971
\n\"\"<\/td>\n

HA\u00cfTI, L\u2019ENFER DES CARA\u00cfBES<\/a><\/td>\nHAITI, THE HELL OF THE CARIBBEAN<\/a><\/td>\nHAITI, L\u2019INFERNO DEI CARAIBI<\/a><\/td>\n\u0413\u0410\u0418\u0422\u0418, \u0410\u0414 \u041a\u0410\u0420\u0418\u0411\u0421\u041a\u041e\u0413\u041e \u041c\u041e\u0420\u042f<\/a><\/td>\nHAITI, DIE H\u00d6LLE DER KARIBIK<\/a><\/td>\nHAIT\u00cd, EL INFIERNO DEL CARIBE<\/a><\/td>\n<\/tr>\n
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\"\"Duvalier<\/strong>, Jean-Claude \u00abBaby Doc\u00bb<\/p>\n

Dictator, 1951-2014
\n\"\"<\/td>\n

HA\u00cfTI, L\u2019ENFER DES CARA\u00cfBES<\/a><\/td>\nHAITI, THE HELL OF THE CARIBBEAN<\/a><\/td>\nHAITI, L\u2019INFERNO DEI CARAIBI<\/a><\/td>\n\u0413\u0410\u0418\u0422\u0418, \u0410\u0414 \u041a\u0410\u0420\u0418\u0411\u0421\u041a\u041e\u0413\u041e \u041c\u041e\u0420\u042f<\/a><\/td>\nHAITI, DIE H\u00d6LLE DER KARIBIK<\/a><\/td>\nHAIT\u00cd, EL INFIERNO DEL CARIBE<\/a><\/td>\n<\/tr>\n
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\"\"Duvalier<\/strong>, Simone<\/p>\n

Wife of the dictator, 1939-1971
\n\"\"<\/td>\n

HA\u00cfTI, L\u2019ENFER DES CARA\u00cfBES<\/a><\/td>\nHAITI, THE HELL OF THE CARIBBEAN<\/a><\/td>\nHAITI, L\u2019INFERNO DEI CARAIBI<\/a><\/td>\n\u0413\u0410\u0418\u0422\u0418, \u0410\u0414 \u041a\u0410\u0420\u0418\u0411\u0421\u041a\u041e\u0413\u041e \u041c\u041e\u0420\u042f<\/a><\/td>\nHAITI, DIE H\u00d6LLE DER KARIBIK<\/a><\/td>\nHAIT\u00cd, EL INFIERNO DEL CARIBE<\/a><\/td>\n<\/tr>\n
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\"\"Duvat<\/strong>, Virginie<\/p>\n

Professor of geography, 1970?-
\n\"\"<\/td>\n

TUVALU, LA NOUVELLE ATLANTIS<\/a><\/td>\nTUVALU, THE NEW ATLANTIS<\/a><\/td>\nTUVALU, LA NUOVA ATLANTIDE<\/a><\/td>\n\u0422\u0423\u0412\u0410\u041b\u0423, \u041d\u041e\u0412\u0410\u042f \u0410\u0422\u041b\u0410\u041d\u0422\u0418\u0414\u0410<\/a><\/td>\nTUVALU, DAS NEUE ATLANTIS<\/a><\/td>\nTUVALU, LA NUEVA ATL\u00c1NTIDA<\/a><\/td>\n<\/tr>\n
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\"\"<\/strong>Dvorkovich<\/strong>, Arkadiy<\/p>\n

Oligarch, 1972 –
\n\"\"<\/td>\n

IL EST TEMPS POUR POUTINE DE REGLER SES COMPTES<\/a><\/td>\nTIME FOR PUTIN TO SETTLE THE SCORE<\/a><\/td>\nPER PUTIN \u00c8 L\u2019ORA DEL REGOLAMENTO DEI CONTI<\/a><\/td>\n\u0414\u041b\u042f \u041f\u0423\u0422\u0418\u041d\u0410 \u041f\u0420\u0418\u0428\u041b\u041e \u0412\u0420\u0415\u041c\u042f \u0421\u0412\u0415\u0422\u0418 \u0421\u0427\u0415\u0422\u042b<\/a><\/td>\nPUTIN: DIE ZEIT DER ABRECHNUNG<\/a><\/td>\nPUTIN: ES HORA DE AJUSTAR CUENTAS<\/a><\/td>\n<\/tr>\n
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\"\"Dyleuski<\/strong>, Siarhei<\/p>\n

Unions\u2019 leader, 1989-
\n\"\"<\/td>\n

MINSK, DEUX ANS APRES : UN DEUIL SANS ESPOIR<\/a><\/p>\n

LA SOUFFRANCE DES ABANDONN\u00c9S: LA BI\u00c9LORUSSIE NE SE REND PAS AU TYRAN<\/a><\/td>\n

MINSK, TWO YEARS LATER: MOURNING WITHOUT HOPE<\/a><\/p>\n

THE SUFFERING OF THE ABANDONED: BELARUS DOES NOT SURRENDER TO THE TYRANT<\/a><\/td>\n

MINSK, DUE ANNI DOPO: IL LUTTO SENZA SPERANZA<\/a><\/p>\n

LO STRAZIO DEGLI ABBANDONATI: LA BIELORUSSIA NON SI ARRENDE AL TIRANNO<\/a><\/td>\n

\u041c\u0418\u041d\u0421\u041a \u0414\u0412\u0410 \u0413\u041e\u0414\u0410 \u0421\u041f\u0423\u0421\u0422\u042f: \u0422\u0420\u0410\u0423\u0420 \u0411\u0415\u0417 \u041d\u0410\u0414\u0415\u0416\u0414\u042b<\/a><\/p>\n

\u0421\u0422\u0420\u0410\u0422\u0415\u0413\u0418\u042f \u0417\u0410\u0411\u0420\u041e\u0428\u0415\u041d\u041d\u042b\u0425: \u0411\u0415\u041b\u0410\u0420\u0423\u0421\u042c \u041d\u0415 \u0421\u0414\u0410\u0415\u0422\u0421\u042f \u0422\u0418\u0420\u0410\u041d\u0423<\/a><\/td>\n

MINSK, ZWEI JAHRE DANACH: TRAUER OHNE HOFFNUNG<\/a><\/p>\n

DAS LEIDEN DER VERLASSENEN: WEI\u00dfRUSSLAND ERGIBT SICH NICHT DEM TYRANNEN<\/a><\/td>\n

MINSK, DOS A\u00d1OS DESPU\u00c9S: LUTO SIN ESPERANZA<\/a><\/p>\n

LA ANGUSTIA DE LOS ABANDONADOS: BIELORRUSIA NO SE RINDE ANTE EL TIRANO<\/a><\/td>\n<\/tr>\n

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 <\/p>\n

\"\"<\/strong>Dyukov<\/strong>, Alexander<\/p>\n

Oligarch, 1967 –
\n\"\"<\/td>\n

IL EST TEMPS POUR POUTINE DE REGLER SES COMPTES<\/a><\/td>\nTIME FOR PUTIN TO SETTLE THE SCORE<\/a><\/td>\nPER PUTIN \u00c8 L\u2019ORA DEL REGOLAMENTO DEI CONTI<\/a><\/td>\n\u0414\u041b\u042f \u041f\u0423\u0422\u0418\u041d\u0410 \u041f\u0420\u0418\u0428\u041b\u041e \u0412\u0420\u0415\u041c\u042f \u0421\u0412\u0415\u0422\u0418 \u0421\u0427\u0415\u0422\u042b<\/a><\/td>\nPUTIN: DIE ZEIT DER ABRECHNUNG<\/a><\/td>\nPUTIN: ES HORA DE AJUSTAR CUENTAS<\/a><\/td>\n<\/tr>\n
<\/td>\n <\/p>\n

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\"\"D\u017eaferovi\u0107<\/strong>, \u0160efik<\/p>\n

Politician, 1957\u2013
\n\"\"<\/td>\n

CENT ANS APRES: SARAJEVO BRULE TOUJOURS<\/a><\/td>\nONE HUNDRED YEARS LATER: SARAJEVO BURNS AGAIN<\/a><\/td>\nCENTO ANNI DOPO: SARAJEVO BRUCIA ANCORA<\/a><\/td>\n\u0421\u0422\u041e \u041b\u0415\u0422 \u0421\u041f\u0423\u0421\u0422\u042f: \u0421\u0410\u0420\u0410\u0415\u0412\u041e \u0412\u0421\u0415 \u0415\u0429\u0415 \u0413\u041e\u0420\u0418\u0422<\/a><\/td>\nHUNDERT JAHRE SP\u00c4TER: SARAJEVO BRENNT WEITER<\/a><\/td>\nCIEN A\u00d1OS DESPU\u00c9S: SARAJEVO SIGUE ARDIENDO<\/a><\/td>\n<\/tr>\n
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\"\"Dzeko<\/strong>, Edin<\/p>\n

Football player, 1986\u2013
\n\"\"<\/td>\n

CENT ANS APRES: SARAJEVO BRULE TOUJOURS<\/a><\/td>\nONE HUNDRED YEARS LATER: SARAJEVO BURNS AGAIN<\/a><\/td>\nCENTO ANNI DOPO: SARAJEVO BRUCIA ANCORA<\/a><\/td>\n\u0421\u0422\u041e \u041b\u0415\u0422 \u0421\u041f\u0423\u0421\u0422\u042f: \u0421\u0410\u0420\u0410\u0415\u0412\u041e \u0412\u0421\u0415 \u0415\u0429\u0415 \u0413\u041e\u0420\u0418\u0422<\/a><\/td>\nHUNDERT JAHRE SP\u00c4TER: SARAJEVO BRENNT WEITER<\/a><\/td>\nCIEN A\u00d1OS DESPU\u00c9S: SARAJEVO SIGUE ARDIENDO<\/a><\/td>\n<\/tr>\n
<\/td>\n <\/p>\n

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\"\"Dzintars<\/strong>, Raivis<\/p>\n

Politician, 1982-
\n\"\"<\/td>\n

DMITRYI MAZEPIN, LE PREMIER OLIGARQUE DE LONDONGRAD<\/a><\/td>\nDMITRIJ MAZEPIN, THE FIRST OLIGARCH OF LONDONGRAD<\/a><\/td>\nDMITRIJ MAZEPIN, IL PRIMO OLIGARCA DI LONDONGRAD<\/a><\/td>\n\u0414\u041c\u0418\u0422\u0420\u0418\u0419 \u041c\u0410\u0417\u0415\u041f\u0418\u041d, \u041f\u0415\u0420\u0412\u042b\u0419 \u041e\u041b\u0418\u0413\u0410\u0420\u0425 \u041b\u041e\u041d\u0414\u041e\u041d\u0413\u0420\u0410\u0414\u0410<\/a><\/td>\nDMITRIJ MAZEPIN, DER ERSTE OLIGARCH VON LONDONGRAD<\/a><\/td>\nDMITRIJ MAZEPIN, EL PRIMER OLIGARCA DE LONDONGRAD<\/a><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n[\/vc_column_text][\/vc_tta_section]\n","protected":false},"excerpt":{"rendered":"

[vc_row][vc_column][vc_column_text] A B C D E F G H I J K L M N O P Q R S T U V W X Y Z [\/vc_column_text][\/vc_column][\/vc_row][vc_column][\/vc_column][vc_empty_space height=”50px”][vc_column_text]     French English Italian Russian German Spanish [\/vc_column_text][vc_tta_section title=”D” tab_id=”1606167310297-71af7f0b-ceab”][vc_column_text]   Daddah, Moktar Ould Politician, 1924-2003 COMMENT<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"page-FullWidth.php","meta":{"footnotes":""},"class_list":["post-577","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/ibiworld.eu\/en\/wp-json\/wp\/v2\/pages\/577"}],"collection":[{"href":"https:\/\/ibiworld.eu\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/ibiworld.eu\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/ibiworld.eu\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/ibiworld.eu\/en\/wp-json\/wp\/v2\/comments?post=577"}],"version-history":[{"count":94,"href":"https:\/\/ibiworld.eu\/en\/wp-json\/wp\/v2\/pages\/577\/revisions"}],"predecessor-version":[{"id":4748,"href":"https:\/\/ibiworld.eu\/en\/wp-json\/wp\/v2\/pages\/577\/revisions\/4748"}],"wp:attachment":[{"href":"https:\/\/ibiworld.eu\/en\/wp-json\/wp\/v2\/media?parent=577"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}