{"id":573,"date":"2021-03-22T22:43:13","date_gmt":"2021-03-22T21:43:13","guid":{"rendered":"http:\/\/ibiworld.eu\/en\/?page_id=573"},"modified":"2023-07-03T12:14:27","modified_gmt":"2023-07-03T10:14:27","slug":"names-directory-b","status":"publish","type":"page","link":"https:\/\/ibiworld.eu\/en\/names-directory-b\/","title":{"rendered":"NAMES\u2019 DIRECTORY | B"},"content":{"rendered":"[vc_row][vc_column][vc_column_text]\n

A<\/a> B<\/a> C<\/a> D<\/a> E<\/a> F<\/a> G<\/a> H<\/a> I<\/a> J<\/a> K<\/a> L<\/a> M<\/a> N<\/a> O<\/a> P<\/a> Q<\/a> R<\/a> S<\/a> T<\/a> U<\/a> V<\/a> W<\/a> X<\/a> Y<\/a> Z<\/a><\/strong><\/h3>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_column][\/vc_column][vc_empty_space height=”50px”][vc_column_text]\n\n\n\n
 <\/p>\n

 <\/td>\n

\n

French\"\"<\/strong><\/p>\n<\/td>\n

English\"\"<\/strong><\/td>\nItalian\"\"<\/strong><\/td>\nRussian\"\"<\/strong><\/td>\nGerman\"\"<\/strong><\/td>\nSpanish\"\"<\/strong><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n[\/vc_column_text][vc_tta_section title=”B” tab_id=”1606167105224-c40cf75f-499c”][vc_column_text]\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
\"\"Ba<\/strong>, Mamadou<\/p>\n

Politician, 1974-
\n\"\"<\/td>\n

GUINEE, ENCORE UN CHANGEMENT DE LEOPARD<\/a><\/td>\nGUINEA, YET ANOTHER LEOPARD CHANGE<\/a><\/td>\nGUINEA, L\u2019ENNESIMO CAMBIAMENTO DEL GATTOPARDO<\/a><\/td>\n\u0413\u0412\u0418\u041d\u0415\u042f, \u0415\u0429\u0415 \u041e\u0414\u041d\u041e \u0418\u0417\u041c\u0415\u041d\u0415\u041d\u0418\u0415 GATTOPARDO<\/a><\/td>\nNOCH EIN LEOPARDENWECHSEL IN GUINEA<\/a><\/td>\nGUINEA, OTRO CAMBIO DE LEOPARDO<\/a><\/td>\n<\/tr>\n
<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

\"\"Baatar<\/strong>, Bold<\/p>\n

Manager, 1977-
\n\"\"<\/td>\n

COMMENT RIO TINTO MET EN DANGER LES INTERETS OCCIDENTAUX EN MONGOLIE<\/a><\/td>\nHOW RIO TINTO UNDERMINES WESTERN INTERESTS IN MONGOLIA<\/a><\/td>\nRIO TINTO METTE IN PERICOLO GLI INTERESSI OCCIDENTALI IN MONGOLIA<\/a><\/td>\n\u041a\u0410\u041a \u0420\u0418\u041e \u0422\u0418\u041d\u0422\u041e \u041f\u041e\u0414\u0420\u042b\u0412\u0410\u0415\u0422 \u0418\u041d\u0422\u0415\u0420\u0415\u0421\u042b \u0417\u0410\u041f\u0410\u0414\u0410 \u0412 \u041c\u041e\u041d\u0413\u041e\u041b\u0418\u0418<\/a><\/td>\nWIE RIO TINTO WESTLICHE INTERESSEN IN DER MONGOLEI GEF\u00c4HRDET<\/a><\/td>\nR\u00cdO TINTO PONE EN PELIGRO LOS INTERESES OCCIDENTALES EN MONGOLIA<\/a><\/td>\n<\/tr>\n
<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

\"\"Baba Kak\u00e9<\/strong>, Ibrahima<\/p>\n

Historian, 1919-1996
\n\"\"<\/td>\n

GUINEE, ENCORE UN CHANGEMENT DE LEOPARD<\/a><\/td>\nGUINEA, YET ANOTHER LEOPARD CHANGE<\/a><\/td>\nGUINEA, L\u2019ENNESIMO CAMBIAMENTO DEL GATTOPARDO<\/a><\/td>\n\u0413\u0412\u0418\u041d\u0415\u042f, \u0415\u0429\u0415 \u041e\u0414\u041d\u041e \u0418\u0417\u041c\u0415\u041d\u0415\u041d\u0418\u0415 GATTOPARDO<\/a><\/td>\nNOCH EIN LEOPARDENWECHSEL IN GUINEA<\/a><\/td>\nGUINEA, OTRO CAMBIO DE LEOPARDO<\/a><\/td>\n<\/tr>\n
<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

 <\/p>\n

\"\"Babacan<\/strong>, Ali<\/p>\n

Politician, 1967-<\/p>\n

\"\"<\/td>\n

QUAND LE CRIME DEVIENT UN \u00c9TAT : LA TURQUIE DE KAMER ET ERDOGAN<\/a><\/td>\nWHEN THE MOB BECOMES THE STATE: THE TURKEY OF KAMER AND ERDO\u011eAN<\/a><\/td>\nQUANDO IL CRIMINE SI FA STATO: LA TURCHIA DI KAMER E ERDO\u011eAN<\/a><\/td>\n\u041a\u041e\u0413\u0414\u0410 \u041f\u0420\u0415\u0421\u0422\u0423\u041f\u041b\u0415\u041d\u0418\u0415 \u0417\u041d\u0410\u0427\u0418\u0422 \u0413\u041e\u0421\u0423\u0414\u0410\u0420\u0421\u0422\u0412\u041e: \u0422\u0423\u0420\u0426\u0418\u042f \u041a\u0410\u041c\u0415\u0420\u0410 \u0418 \u042d\u0420\u0414\u041e\u0413\u0410\u041d\u0410<\/a><\/td>\nWENN KRIMINALIT\u00c4T ZUM STAAT WIRD: KAMER UND ERDO\u011eANS T\u00dcRKEI<\/a><\/td>\nCUANDO EL CRIMEN SE CONVIERTE EN ESTADO: LA TURQU\u00cdA DE KAMER Y ERDO\u011eAN<\/a><\/td>\n<\/tr>\n
<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

\"\"Babariko<\/strong>, Eduard<\/p>\n

Politician and Industrial entrepreneur, 1990-<\/p>\n

\"\"<\/td>\n

LA SOUFFRANCE DES ABANDONN\u00c9S: LA BI\u00c9LORUSSIE NE SE REND PAS AU TYRAN<\/a><\/p>\n

MINSK, DEUX ANS APRES : UN DEUIL SANS ESPOIR<\/a><\/td>\n

THE SUFFERING OF THE ABANDONED: BELARUS DOES NOT SURRENDER TO THE TYRANT<\/a><\/p>\n

MINSK, TWO YEARS LATER: MOURNING WITHOUT HOPE<\/a><\/td>\n

LO STRAZIO DEGLI ABBANDONATI: LA BIELORUSSIA NON SI ARRENDE AL TIRANNO<\/a><\/p>\n

MINSK, DUE ANNI DOPO: IL LUTTO SENZA SPERANZA<\/a><\/td>\n

\u0421\u0422\u0420\u0410\u0422\u0415\u0413\u0418\u042f \u0417\u0410\u0411\u0420\u041e\u0428\u0415\u041d\u041d\u042b\u0425: \u0411\u0415\u041b\u0410\u0420\u0423\u0421\u042c \u041d\u0415 \u0421\u0414\u0410\u0415\u0422\u0421\u042f \u0422\u0418\u0420\u0410\u041d\u0423<\/a><\/p>\n

\u041c\u0418\u041d\u0421\u041a \u0414\u0412\u0410 \u0413\u041e\u0414\u0410 \u0421\u041f\u0423\u0421\u0422\u042f: \u0422\u0420\u0410\u0423\u0420 \u0411\u0415\u0417 \u041d\u0410\u0414\u0415\u0416\u0414\u042b<\/a><\/td>\n

DAS LEIDEN DER VERLASSENEN: WEI\u00dfRUSSLAND ERGIBT SICH NICHT DEM TYRANNEN<\/a><\/p>\n

MINSK, ZWEI JAHRE DANACH: TRAUER OHNE HOFFNUNG<\/a><\/td>\n

LA ANGUSTIA DE LOS ABANDONADOS: BIELORRUSIA NO SE RINDE ANTE EL TIRANO<\/a><\/p>\n

MINSK, DOS A\u00d1OS DESPU\u00c9S: LUTO SIN ESPERANZA<\/a><\/td>\n<\/tr>\n

<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

\"\"Babariko<\/strong>, Viktor<\/p>\n

Politician and Banker, 1963-<\/p>\n

\"\"<\/td>\n

LA SOUFFRANCE DES ABANDONN\u00c9S: LA BI\u00c9LORUSSIE NE SE REND PAS AU TYRAN<\/a><\/p>\n

BELARUS : LE SILENCE DU DESESPOIR<\/a><\/p>\n

MINSK, DEUX ANS APRES : UN DEUIL SANS ESPOIR<\/a><\/td>\n

THE SUFFERING OF THE ABANDONED: BELARUS DOES NOT SURRENDER TO THE TYRANT<\/a><\/p>\n

BELARUS: THE SILENCE OF DESPAIR<\/a><\/p>\n

MINSK, TWO YEARS LATER: MOURNING WITHOUT HOPE<\/a><\/td>\n

LO STRAZIO DEGLI ABBANDONATI: LA BIELORUSSIA NON SI ARRENDE AL TIRANNO<\/a><\/p>\n

BIELORUSSIA: IL SILENZIO DELLA DISPERAZIONE<\/a><\/p>\n

MINSK, DUE ANNI DOPO: IL LUTTO SENZA SPERANZA<\/a><\/td>\n

\u0421\u0422\u0420\u0410\u0422\u0415\u0413\u0418\u042f \u0417\u0410\u0411\u0420\u041e\u0428\u0415\u041d\u041d\u042b\u0425: \u0411\u0415\u041b\u0410\u0420\u0423\u0421\u042c \u041d\u0415 \u0421\u0414\u0410\u0415\u0422\u0421\u042f \u0422\u0418\u0420\u0410\u041d\u0423<\/a><\/p>\n

\u0411\u0415\u041b\u0410\u0420\u0423\u0421\u042c: \u041c\u041e\u041b\u0427\u0410\u041d\u0418\u0415 \u041e\u0422\u0427\u0410\u042f\u041d\u0418\u042f<\/a><\/p>\n

\u041c\u0418\u041d\u0421\u041a \u0414\u0412\u0410 \u0413\u041e\u0414\u0410 \u0421\u041f\u0423\u0421\u0422\u042f: \u0422\u0420\u0410\u0423\u0420 \u0411\u0415\u0417 \u041d\u0410\u0414\u0415\u0416\u0414\u042b<\/a><\/td>\n

DAS LEIDEN DER VERLASSENEN: WEI\u00dfRUSSLAND ERGIBT SICH NICHT DEM TYRANNEN<\/a><\/p>\n

BELARUS: DAS SCHWEIGEN DER VERZWEIFLUNG<\/a><\/p>\n

MINSK, ZWEI JAHRE DANACH: TRAUER OHNE HOFFNUNG<\/a><\/td>\n

LA ANGUSTIA DE LOS ABANDONADOS: BIELORRUSIA NO SE RINDE ANTE EL TIRANO<\/a><\/p>\n

BIELORRUSIA: EL SILENCIO DE LA DESESPERACI\u00d3N<\/a><\/p>\n

MINSK, DOS A\u00d1OS DESPU\u00c9S: LUTO SIN ESPERANZA<\/a><\/td>\n<\/tr>\n

<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

 <\/p>\n

\"\"Bachelay<\/strong>, Alexis<\/p>\n

Politician, 1973-
\n\"\"<\/td>\n

GOLFE PERSIQUE : LA GUERRE APRES L\u2019ARMISTICE<\/a><\/td>\nPERSIAN GULF: THE WAR AFTER THE ARMISTICE<\/a><\/td>\nGOLFO PERSICO: LA GUERRA DOPO L\u2019ARMISTIZIO<\/a><\/td>\n\u041f\u0415\u0420\u0421\u0418\u0414\u0421\u041a\u0418\u0419 \u0417\u0410\u041b\u0418\u0412: \u0412\u041e\u0419\u041d\u0410 \u041f\u041e\u0421\u041b\u0415 \u041f\u0415\u0420\u0415\u041c\u0418\u0420\u0418\u042f<\/a><\/td>\nPERSISCHER GOLF: DER KRIEG NACH DEM WAFFENSTILLSTAND<\/a><\/td>\nNOCH EIN LEOPARDENWECHSEL IN GUINEA<\/a><\/td>\n<\/tr>\n
<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

 <\/p>\n

\"\"Bachelet Jeria<\/strong>, Ver\u00f3nica Michelle<\/p>\n

Politician, 1951-
\n\"\"<\/td>\n

COMMENT L\u2019EGYPTE ET ISRA\u00cbL DETRUISENT LA PALESTINE<\/a><\/p>\n

LE CHILI DE GABRIEL BORIC : LE RETOUR DE L\u2019ESPOIR<\/a><\/p>\n

SRI LANKA: GALOPER VERS LE DESASTRE<\/a><\/p>\n

LE GENOCIDE OU\u00cfGHOUR: ENTRETIEN AVEC DOLKUN ISA<\/a><\/p>\n

LE CHILI APRES LE NON: LA COHESION SOCIALE EST DESORMAIS EN DANGER<\/a><\/td>\n

HOW EGYPT AND ISRAEL ARE DESTROYING PALESTINE<\/a><\/p>\n

GABRIEL BORIC\u2019S CHILE: THE RETURN OF HOPE<\/a><\/p>\n

SRI LANKA: GALLOPING TOWARDS DISASTER<\/a><\/p>\n

THE UYGHUR GENOCIDE: INTERVIEW WITH DOLKUN ISA<\/a><\/p>\n

CHILE AFTER THE NO: NOW SOCIAL COHESION IS IN DANGER<\/a><\/td>\n

COME EGITTO ED ISRAELE STANNO ANNIENTANDO LA PALESTINA<\/a><\/p>\n

IL CILE DI GABRIEL BORIC: IL RITORNO DELLA SPERANZA<\/a><\/p>\n

SRI LANKA: AL GALOPPO VERSO IL DISASTRO<\/a><\/p>\n

IL GENOCIDIO DEGLI UIGURI: INTERVISTA A DOLKUN ISA<\/a><\/p>\n

IL CILE DOPO IL NO: ORA LA COESIONE SOCIALE \u00c8 IN PERICOLO<\/a><\/td>\n

\u041a\u0410\u041a \u0415\u0413\u0418\u041f\u0415\u0422 \u0418 \u0418\u0417\u0420\u0410\u0418\u041b\u042c \u0423\u041d\u0418\u0427\u0422\u041e\u0416\u0410\u042e\u0422 \u041f\u0410\u041b\u0415\u0421\u0422\u0418\u041d\u0423<\/a><\/p>\n

\u0427\u0418\u041b\u0418 \u0413\u0410\u0411\u0420\u0418\u042d\u041b\u042f \u0411\u041e\u0420\u0418\u0427: \u0412\u041e\u0417\u0412\u0420\u0410\u0429\u0415\u041d\u0418\u0415 \u041d\u0410\u0414\u0415\u0416\u0414\u042b<\/a><\/p>\n

\u0428\u0420\u0418-\u041b\u0410\u041d\u041a\u0410: \u0413\u0410\u041b\u041e\u041f\u041e\u041c \u041a \u041a\u0410\u0422\u0410\u0421\u0422\u0420\u041e\u0424\u0415<\/a><\/p>\n

\u0413\u0415\u041d\u041e\u0426\u0418\u0414 \u0423\u0419\u0413\u0423\u0420\u041e\u0412: \u0418\u041d\u0422\u0415\u0420\u0412\u042c\u042e \u0421 \u0414\u041e\u041b\u041a\u0423\u041d\u041e\u041c \u0418\u0421\u0410<\/a><\/p>\n

\u0427\u0418\u041b\u0418 \u041f\u041e\u0421\u041b\u0415 \u041d\u0415\u0422: \u0422\u0415\u041f\u0415\u0420\u042c \u0421\u041e\u0426\u0418\u0410\u041b\u042c\u041d\u0410\u042f \u0421\u041f\u041b\u041e\u0427\u0415\u041d\u041d\u041e\u0421\u0422\u042c \u041f\u041e\u0414 \u0423\u0413\u0420\u041e\u0417\u041e\u0419<\/a><\/td>\n

WIE \u00c4GYPTEN UND ISRAEL PAL\u00c4STINA GEMEINSAM VERNICHTEN<\/a><\/p>\n

GABRIEL BORIC\u2019S CHILE: DIE R\u00dcCKKEHR DER HOFFNUNG<\/a><\/p>\n

SRI LANKA: IM GALOPP IN DIE KATASTROPHE<\/a><\/p>\n

DER V\u00d6LKERMORD AN DEN UIGUREN: INTERVIEW MIT DOLKUN ISA<\/a><\/p>\n

CHILE NACH DEM NEIN: NUN IST DER SOZIALE ZUSAMMENHALT IN GEFAHR<\/a><\/td>\n

C\u00d3MO EGIPTO E ISRAEL EST\u00c1N ANIQUILANDO A PALESTINA<\/a><\/p>\n

EL CHILE DE GABRIEL BORIC: EL RETORNO DE LA ESPERANZA<\/a><\/p>\n

SRI LANKA: AL GALOPE HACIA EL DESASTRE<\/a><\/p>\n

EL GENOCIDIO UIGUR: ENTREVISTA CON DOLKUN ISA<\/a><\/p>\n

CHILE DESPU\u00c9S DEL NO: AHORA LA COHESI\u00d3N SOCIAL EST\u00c1 EN PELIGRO<\/a><\/td>\n<\/tr>\n

<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

\"\"Bacon<\/strong>, Francis<\/p>\n

Politician and philosopher, 1561-1626<\/p>\n

\"\"<\/td>\n

PHILIP MORRIS ENTRE EN GUERRE \u2013 AVEC LES POPULISTES, LES EXTREMISTES DE DROITE ET LES CHEIKHS ARABES<\/a><\/td>\nPHILIP MORRIS GOES TO WAR \u2013 WITH POPULISTS, SUPREMACISTS AND ARAB SHEIKHS<\/a><\/td>\nLA PHILIP MORRIS VA ALLA GUERRA \u2013 ALLEATA A SUPREMATISTI, POPULISTI E SCEICCHI ARABI<\/a><\/td>\n\u0424\u0418\u041b\u0418\u041f \u041c\u041e\u0420\u0420\u0418\u0421 \u0418\u0414\u0415\u0422 \u041d\u0410 \u0412\u041e\u0419\u041d\u0423 \u2013 \u041d\u0410 \u0421\u0422\u041e\u0420\u041e\u041d\u0415 \u0410\u0420\u0410\u0411\u0421\u041a\u0418\u0425 \u0421\u0423\u041f\u0420\u0415\u041c\u0410\u0422\u0418\u0421\u0422\u041e\u0412, \u041f\u041e\u041f\u0423\u041b\u0418\u0421\u0422\u041e\u0412 \u0418 \u0428\u0415\u0419\u041a\u041e\u0412<\/a><\/td>\nPHILIP MORRIS ZIEHT IN DEN KRIEG \u2013 MIT POPULISTEN, RECHTSEXTREMISTEN UND ARABISCHEN SCHEICHS<\/a><\/td>\nPHILIP MORRIS VA A LA GUERRA \u2013 ALIADO CON SUPREMACISTAS, POPULISTAS Y JEQUES \u00c1RABES<\/a><\/td>\n<\/tr>\n
<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

\"\"Badai<\/strong>, Kirill<\/p>\n

Banker<\/p>\n

\"\"<\/td>\n

LA SOUFFRANCE DES ABANDONN\u00c9S: LA BI\u00c9LORUSSIE NE SE REND PAS AU TYRAN<\/a><\/td>\nTHE SUFFERING OF THE ABANDONED: BELARUS DOES NOT SURRENDER TO THE TYRANT<\/a><\/td>\nLO STRAZIO DEGLI ABBANDONATI: LA BIELORUSSIA NON SI ARRENDE AL TIRANNO<\/a><\/td>\n\u0421\u0422\u0420\u0410\u0422\u0415\u0413\u0418\u042f \u0417\u0410\u0411\u0420\u041e\u0428\u0415\u041d\u041d\u042b\u0425: \u0411\u0415\u041b\u0410\u0420\u0423\u0421\u042c \u041d\u0415 \u0421\u0414\u0410\u0415\u0422\u0421\u042f \u0422\u0418\u0420\u0410\u041d\u0423<\/a><\/td>\nDAS LEIDEN DER VERLASSENEN: WEI\u00dfRUSSLAND ERGIBT SICH NICHT DEM TYRANNEN<\/a><\/td>\nLA ANGUSTIA DE LOS ABANDONADOS: BIELORRUSIA NO SE RINDE ANTE EL TIRANO<\/a><\/td>\n<\/tr>\n
<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

 <\/p>\n

\"\"Badalamenti<\/strong>, Gaetano<\/p>\n

Gangster, 1923-2004
\n\"\"<\/td>\n

L\u2019ETERNEL TRESORIER DE COSA NOSTRA<\/a><\/td>\nTHE ETERNAL TREASURER OF COSA NOSTRA<\/a><\/td>\nL\u2019ETERNO TESORIERE DI COSA NOSTRA<\/a><\/td>\n\u0412\u0415\u0427\u041d\u042b\u0419 \u041a\u0410\u0417\u041d\u0410\u0427\u0415\u0419 COSA NOSTRA<\/a><\/td>\nDER EWIGE SCHATZMEISTER DER COSA NOSTRA<\/a><\/td>\nEL ETERNO TESORERO DE LA COSA NOSTRA<\/a><\/td>\n<\/tr>\n
<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

\"\"Badio<\/strong>, Joseph Felix<\/p>\n

Military, 1968-
\n\"\"<\/td>\n

HA\u00cfTI, L\u2019ENFER DES CARA\u00cfBES<\/a><\/td>\nHAITI, THE HELL OF THE CARIBBEAN<\/a><\/td>\nHAITI, L\u2019INFERNO DEI CARAIBI<\/a><\/td>\n\u0413\u0410\u0418\u0422\u0418, \u0410\u0414 \u041a\u0410\u0420\u0418\u0411\u0421\u041a\u041e\u0413\u041e \u041c\u041e\u0420\u042f<\/a><\/td>\nHAITI, DIE H\u00d6LLE DER KARIBIK<\/a><\/td>\nHAIT\u00cd, EL INFIERNO DEL CARIBE<\/a><\/td>\n<\/tr>\n
<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

 <\/p>\n

\"\"Baetsen<\/strong>, Rudolf Theodoor Anna<\/p>\n

Money launderer, 1966-<\/p>\n

\"\"<\/td>\n

CURA\u00c7AO : NAISSANCE ET MORT D\u2019UN PARADIS FISCAL<\/a><\/td>\nCURA\u00c7AO: THE BIRTH AND DEATH OF A TAX HAVEN<\/a><\/td>\nCURA\u00c7AO: NASCITA E MORTE DI UN PARADISO FISCALE<\/a><\/td>\n\u041a\u042e\u0420\u0410\u0421\u0410\u041e: \u0420\u041e\u0416\u0414\u0415\u041d\u0418\u0415 \u0418 \u0421\u041c\u0415\u0420\u0422\u042c \u041d\u0410\u041b\u041e\u0413\u041e\u0412\u041e\u0419 \u0413\u0410\u0412\u0410\u041d\u0418<\/a><\/td>\nCURA\u00c7AO: GEBURT UND TOD EINES STEUERPARADIESES<\/a><\/td>\nCURA\u00c7AO: NACIMIENTO Y MUERTE DE UN PARA\u00cdSO FISCAL<\/a><\/td>\n<\/tr>\n
<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

 <\/p>\n

\"\"Baez<\/strong>, Joan<\/p>\n

Musician, 1941-
\n\"\"<\/td>\n

VIOLETA PARRA, LA LIBERTE EST UNE DOULEUR ABSOLUE<\/a><\/td>\nVIOLETA PARRA, FREEDOM IS AN ABSOLUTE PAIN<\/a><\/td>\nVIOLETA PARRA, LA LIBERT\u00c0 \u00c8 UN DOLORE ASSOLUTO<\/a><\/td>\nVIOLETA PARRA, \u0421\u0412\u041e\u0411\u041e\u0414\u0410 \u2013 \u042d\u0422\u041e \u0410\u0411\u0421\u041e\u041b\u042e\u0422\u041d\u0410\u042f \u0411\u041e\u041b\u042c<\/a><\/td>\nVIOLETA PARRA, FREIHEIT IST EIN ABSOLUTER SCHMERZ<\/a><\/td>\nVIOLETA PARRA, LA LIBERTAD ES UN DOLOR ABSOLUTO<\/a><\/td>\n<\/tr>\n
<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

 <\/p>\n

\"\"Ba\u011fci<\/strong>, Aydinli \u00d6mer<\/p>\n

Politician, 1954-<\/p>\n

\"\"<\/td>\n

QUAND LE CRIME DEVIENT UN \u00c9TAT : LA TURQUIE DE KAMER ET ERDOGAN<\/a><\/td>\nWHEN THE MOB BECOMES THE STATE: THE TURKEY OF KAMER AND ERDO\u011eAN<\/a><\/td>\nQUANDO IL CRIMINE SI FA STATO: LA TURCHIA DI KAMER E ERDO\u011eAN<\/a><\/td>\n\u041a\u041e\u0413\u0414\u0410 \u041f\u0420\u0415\u0421\u0422\u0423\u041f\u041b\u0415\u041d\u0418\u0415 \u0417\u041d\u0410\u0427\u0418\u0422 \u0413\u041e\u0421\u0423\u0414\u0410\u0420\u0421\u0422\u0412\u041e: \u0422\u0423\u0420\u0426\u0418\u042f \u041a\u0410\u041c\u0415\u0420\u0410 \u0418 \u042d\u0420\u0414\u041e\u0413\u0410\u041d\u0410<\/a><\/td>\nWENN KRIMINALIT\u00c4T ZUM STAAT WIRD: KAMER UND ERDO\u011eANS T\u00dcRKEI<\/a><\/td>\nCUANDO EL CRIMEN SE CONVIERTE EN ESTADO: LA TURQU\u00cdA DE KAMER Y ERDO\u011eAN<\/a><\/td>\n<\/tr>\n
<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

 <\/p>\n

\"\"Bagnasco<\/strong>, Orazio<\/p>\n

Entrepreneur, 1927-2005
\n\"\"<\/td>\n

LA DERNIERE VICTIME DU BANCO AMBROSIANO<\/a><\/td>\nTHE LAST VICTIM OF BANCO AMBROSIANO<\/a><\/td>\nL\u2019ULTIMA VITTIMA DEL BANCO AMBROSIANO<\/a><\/td>\n\u041f\u041e\u0421\u041b\u0415\u0414\u041d\u042f\u042f \u0416\u0415\u0420\u0422\u0412\u0410\u0411\u0410\u041d\u041a\u0410 \u0410\u041c\u0411\u0420\u041e\u0417\u0418\u0410\u041d\u041e<\/a><\/td>\nDAS LETZTE OPFER DER BANCO AMBROSIANO<\/a><\/td>\nLA \u00daLTIMA V\u00cdCTIMA DEL BANCO AMBROSIANO<\/a><\/td>\n<\/tr>\n
<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

\"\"Bah<\/strong>, Ibrahim<\/p>\n

Soldier, 1965-<\/p>\n

\"\"<\/td>\n

APRES LA MORT D\u2019ALPHA-ALPHA<\/a><\/td>\nTHE DEATH OF ALPHA-ALPHA<\/a><\/td>\nIN MORTE DI ALFA ALFA<\/a><\/td>\n\u0421\u041c\u0415\u0420\u0422\u042c \u0410\u041b\u042c\u0424\u0410-\u0410\u041b\u042c\u0424\u0410<\/a><\/td>\nZUM TOD VON ALFA-ALFA<\/a><\/td>\nEN LA MUERTE DE ALFA ALFA<\/a><\/td>\n<\/tr>\n
<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

 <\/p>\n

\"\"<\/strong>Bahareon<\/strong>, Mohammed<\/p>\n

Geo-strategy, 1965-
\n\"\"<\/td>\n

LA TRES LONGUE VAGUE DE CORRUPTION A BRUXELLES<\/a><\/td>\nTHE LONG WAVE OF CORRUPTION IN BRUSSELS<\/a><\/td>\nL\u2019ONDA LUNGHISSIMA DELLA CORRUZIONE A BRUXELLES<\/a><\/td>\n\u041e\u0427\u0415\u041d\u042c \u0414\u041b\u0418\u041d\u041d\u0410\u042f \u0412\u041e\u041b\u041d\u0410 \u041a\u041e\u0420\u0420\u0423\u041f\u0426\u0418\u0418 \u0412 \u0411\u0420\u042e\u0421\u0421\u0415\u041b\u0415<\/a><\/td>\nDIE SEHR LANGE WELLE DER KORRUPTION IN BR\u00dcSSEL<\/a><\/td>\nLA LARGU\u00cdSIMA OLA DE CORRUPCI\u00d3N EN BRUSELAS<\/a><\/td>\n<\/tr>\n
<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

 <\/p>\n

\"\"Bahbah<\/strong>, Salwah<\/p>\n

Scientist, 1984-<\/p>\n

\"\"<\/td>\n

ENTRE REVE ET ESPOIR : LE PROJET DE LA GRANDE MURAILLE VERTE<\/a><\/td>\nBETWEEN DREAM AND HOPE: THE GREAT GREEN WALL PROJECT<\/a><\/td>\nTRA SOGNO E SPERANZA: IL PROGETTO DELLA GRANDE MURAGLIA VERDE<\/a><\/td>\n\u041c\u0415\u0416\u0414\u0423 \u041c\u0415\u0427\u0422\u041e\u0419 \u0418 \u041d\u0410\u0414\u0415\u0416\u0414\u041e\u0419: \u041f\u0420\u041e\u0415\u041a\u0422 \u0412\u0415\u041b\u0418\u041a\u041e\u0419 \u0417\u0415\u041b\u0415\u041d\u041e\u0419 \u0421\u0422\u0415\u041d\u042b<\/a><\/td>\nZWISCHEN TRAUM UND HOFFNUNG: DAS PROJEKT DER GRO\u00dfEN GR\u00dcNEN MAUER<\/a><\/td>\nENTRE EL SUE\u00d1O Y LA ESPERANZA: EL PROYECTO DE LA GRAN MURALLA VERDE<\/a><\/td>\n<\/tr>\n
<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

\"\"Bah\u00e7eli<\/strong>, Devlet<\/p>\n

Politician, 1948-
\n\"\"<\/td>\n

COMMENT LA TURQUIE TORTURE ET TUE LES INTELLECTUELS<\/a><\/td>\nHOW TURKEY TORTURES AND KILLS INTELLECTUALS<\/a><\/td>\nCOS\u00cc LA TURCHIA TORTURA E UCCIDE GLI INTELLETTUALI<\/a><\/td>\n\u041a\u0410\u041a \u0422\u0423\u0420\u0426\u0418\u042f \u041f\u042b\u0422\u0410\u0415\u0422 \u0418 \u0423\u0411\u0418\u0412\u0410\u0415\u0422 \u0418\u041d\u0422\u0415\u041b\u041b\u0415\u041a\u0422\u0423\u0410\u041b\u041e\u0412<\/a><\/td>\nWIE DIE T\u00dcRKEI INTELLEKTUELLE FOLTERT UND T\u00d6TET<\/a><\/td>\nC\u00d3MO TORTURA Y MATA TURQU\u00cdA A LOS INTELECTUALES<\/a><\/p>\n

 <\/td>\n<\/tr>\n

<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

\"\"Bailey<\/strong>, Andrew<\/p>\n

Banker, 1959-
\n\"\"<\/td>\n

LE DESASTRE DU BREXIT ET LA CHUTE DE BORIS JOHNSON<\/a><\/td>\nTHE BREXIT DISASTER AND THE FALL OF BORIS JOHNSON<\/a><\/td>\nIL DISASTRO BREXIT E LA CADUTA DI BORIS JOHNSON<\/a><\/td>\n\u041a\u0410\u0422\u0410\u0421\u0422\u0420\u041e\u0424\u0410 BREXIT \u0418 \u041f\u0410\u0414\u0415\u041d\u0418\u0415 \u0411\u041e\u0420\u0418\u0421\u0410 \u0414\u0416\u041e\u041d\u0421\u041e\u041d\u0410<\/a><\/td>\nDAS BREXIT-DESASTER UND DER STURZ VON BORIS JOHNSON<\/a><\/td>\nEL DESASTRE DEL BREXIT Y LA CA\u00cdDA DE BORIS JOHNSON<\/a><\/p>\n

 <\/td>\n<\/tr>\n

<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

\"\"Bailey<\/strong>, Katie<\/p>\n

Musician,
\n\"\"<\/td>\n

SHEIN: L\u2019OGRE CHINOIS QUI GRANDIT DANS L\u2019OMBRE<\/a><\/td>\nSHEIN: THE CHINESE OGRE GROWING IN THE SHADOWS<\/a><\/td>\nSHEIN: L\u2019ORCO CINESE CHE CRESCE NELL\u2019OMBRA<\/a><\/td>\nSHEIN: \u041a\u0418\u0422\u0410\u0419\u0421\u041a\u0418\u0419 \u041b\u042e\u0414\u041e\u0415\u0414, \u0420\u0410\u0421\u0422\u0423\u0429\u0418\u0419 \u0412 \u0422\u0415\u041d\u0418<\/a><\/td>\nSHEIN: DAS CHINESISCHE UNGEHEUER, DAS IM VERBORGENEN W\u00c4CHST<\/a><\/td>\nSHEIN: ELbiden OGRO CHINO QUE CRECE EN LA SOMBRA<\/a><\/td>\n<\/tr>\n
<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

 <\/p>\n

\"\"Bainimarama<\/strong>, Frank Josaya Voreqe<\/p>\n

Politician, 1954-
\n\"\"<\/td>\n

L\u2019EXPLOITATION DES FONDS MARINS, NOUVELLE LIMITE AUTODESTRUCTRICE DE L\u2019HUMANITE<\/a><\/td>\nTHE EXPLOITATION OF THE SEABED, A NEW SELF-DESTRUCTIVE LIMIT FOR HUMANITY<\/a><\/td>\nLO SFRUTTAMENTO DEI FONDALI OCEANICI, NUOVA FRONTIERA DELL\u2019AUTODISTRUZIONE DELL\u2019UMANIT\u00c0<\/a><\/td>\n\u042d\u041a\u0421\u041f\u041b\u0423\u0410\u0422\u0410\u0426\u0418\u042f \u0414\u041d\u0410 \u041e\u041a\u0415\u0410\u041d\u0410, \u041d\u041e\u0412\u042b\u0419 \u0424\u0420\u0410\u0413\u041c\u0415\u041d\u0422 \u0421\u0410\u041c\u041e\u0423\u041d\u0418\u0427\u0422\u041e\u0416\u0415\u041d\u0418\u042f \u0427\u0415\u041b\u041e\u0412\u0415\u0427\u0415\u0421\u0422\u0412\u0410<\/a><\/td>\nDIE AUSBEUTUNG DES MEERESBODENS, NEUE SELBSTZERST\u00d6RUNGSGRENZE DER MENSCHHEIT<\/a><\/td>\nLA EXPLOTACI\u00d3N DE LOS FONDOS MARINOS, LA NUEVA FRONTERA DE LA AUTODESTRUCCI\u00d3N DE LA HUMANIDAD<\/a><\/td>\n<\/tr>\n
<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

\"\"Baird<\/strong>, John<\/p>\n

Politician, 1969-
\n\"\"<\/td>\n

OR, CYANURE ET SANG DANS L\u2019ENFER DE BARRICK GOLD<\/a><\/td>\nGOLD, CYANIDE AND BLOOD IN BARRICK\u2019S HELL<\/a><\/td>\nORO, CIANURO E SANGUE NELL\u2019INFERNO DELLA BARRICK GOLD<\/a><\/td>\n\u0417\u041e\u041b\u041e\u0422\u041e, \u042f\u0414 \u0418 \u041a\u0420\u041e\u0412\u042c \u0412 \u0423\u0416\u0410\u0421\u0415 BARRICK GOLD<\/a><\/td>\nGOLD, ZYANID UND BLUT IN DER H\u00d6LLE DER BARRICK GROUP<\/a><\/td>\nORO, CIANURO Y SANGRE EN EL INFIERNO DE BARRICK GOLD<\/a><\/td>\n<\/tr>\n
<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

\"\"Baker<\/strong>, James<\/p>\n

Politician, 1930-
\n\"\"<\/td>\n

NOAM CHOMSKY : LE MONDE A L\u2019HEURE DES COMPTES<\/a><\/td>\nNOAM CHOMSKY: THE WORLD AT RECKONING<\/a><\/td>\nNOAM CHOMSKY: IL MONDO ALLA RESA DEI CONTI<\/a><\/td>\n\u041d\u041e\u0410\u041c \u0425\u041e\u041c\u0421\u041a\u0418\u0419: \u041c\u0418\u0420 \u0412 \u0420\u0410\u0421\u041f\u041b\u0410\u0422\u0415<\/a><\/td>\nNOAM CHOMSKY: DIE WELT IM UMBRUCH<\/a><\/td>\nNOAM CHOMSKY: EL MUNDO EN EL AJUSTE DE CUENTAS<\/a><\/td>\n<\/tr>\n
<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

 <\/p>\n

\"\"Baldvinsson<\/strong>, \u00deorsteinn M\u00e1r<\/p>\n

Businessman, 1952-
\n\"\"<\/td>\n

UN NOUVEL ICEBERG MENACE L\u2019ISLANDE<\/a><\/td>\nA NEW ICEBERG THREATENS ICELAND<\/a><\/td>\nUN NUOVO ICEBERG MINACCIA L\u2019ISLANDA<\/a><\/td>\n\u041d\u041e\u0412\u042b\u0419 \u0410\u0419\u0421\u0411\u0415\u0420\u0413 \u0423\u0413\u0420\u041e\u0416\u0410\u0415\u0422 \u0418\u0421\u041b\u0410\u041d\u0414\u0418\u0418<\/a><\/td>\nEIN NEUER EISBERG BEDROHT ISLAND<\/a><\/td>\nUN NUEVO ICEBERG AMENAZA ISLANDIA<\/a><\/td>\n<\/tr>\n
<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

\"\"Baldwin<\/strong>, W. Preston III<\/p>\n

Lobbyst, 1962-
\n\"\"<\/td>\n

PHILIP MORRIS ENTRE EN GUERRE \u2013 AVEC LES POPULISTES, LES EXTREMISTES DE DROITE ET LES CHEIKHS ARABES<\/a><\/td>\nPHILIP MORRIS GOES TO WAR \u2013 WITH POPULISTS, SUPREMACISTS AND ARAB SHEIKHS<\/a><\/td>\nLA PHILIP MORRIS VA ALLA GUERRA \u2013 ALLEATA A SUPREMATISTI, POPULISTI E SCEICCHI ARABI<\/a><\/td>\n\u0424\u0418\u041b\u0418\u041f \u041c\u041e\u0420\u0420\u0418\u0421 \u0418\u0414\u0415\u0422 \u041d\u0410 \u0412\u041e\u0419\u041d\u0423 \u2013 \u041d\u0410 \u0421\u0422\u041e\u0420\u041e\u041d\u0415 \u0410\u0420\u0410\u0411\u0421\u041a\u0418\u0425 \u0421\u0423\u041f\u0420\u0415\u041c\u0410\u0422\u0418\u0421\u0422\u041e\u0412, \u041f\u041e\u041f\u0423\u041b\u0418\u0421\u0422\u041e\u0412 \u0418 \u0428\u0415\u0419\u041a\u041e\u0412<\/a><\/td>\nPHILIP MORRIS ZIEHT IN DEN KRIEG \u2013 MIT POPULISTEN, RECHTSEXTREMISTEN UND ARABISCHEN SCHEICHS<\/a><\/td>\nPHILIP MORRIS VA A LA GUERRA \u2013 ALIADO CON SUPREMACISTAS, POPULISTAS Y JEQUES \u00c1RABES<\/a><\/td>\n<\/tr>\n
<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

Balistreri<\/strong>, Maria<\/p>\n

\"\"<\/td>\n

ROSA BALISTRERI, LES CRIS DE DOULEUR DE LA SICILE<\/a><\/td>\nROSA BALISTRERI, SICILY\u2019S CRIES OF PAIN<\/a><\/td>\nROSA BALISTRERI, LE URLA DI DOLORE DELLA SICILIA<\/a><\/td>\nROSA BALISTRERI, \u041a\u0420\u0418\u041a\u0418 \u0411\u041e\u041b\u0418 \u0421\u0418\u0426\u0418\u041b\u0418\u0418<\/a><\/td>\nROSA BALISTRERI, SIZILIENS SCHMERZENSSCHREIE<\/a><\/td>\nROSA BALISTRERI, LOS GRITOS DE DOLOR DE SICILIA<\/a><\/td>\n<\/tr>\n
<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

\"\"Balistreri,<\/strong> Rosa<\/p>\n

Singer, 1927-1990
\n\"\"<\/td>\n

VOIX DE FEMMES<\/a><\/p>\n

ROSA BALISTRERI, LES CRIS DE DOULEUR DE LA SICILE<\/a><\/td>\n

VOICES OF WOMEN<\/a><\/p>\n

ROSA BALISTRERI, SICILY\u2019S CRIES OF PAIN<\/a><\/p>\n

 <\/td>\n

VOCI DI DONNA<\/a><\/p>\n

ROSA BALISTRERI, LE URLA DI DOLORE DELLA SICILIA<\/a><\/td>\n

\u0436\u0435\u043d\u0441\u043a\u0438\u0435 \u0433\u043e\u043b\u043e\u0441\u0430<\/a><\/p>\n

ROSA BALISTRERI, \u041a\u0420\u0418\u041a\u0418 \u0411\u041e\u041b\u0418 \u0421\u0418\u0426\u0418\u041b\u0418\u0418<\/a><\/td>\n

FRAUENSTIMMEN<\/a><\/p>\n

ROSA BALISTRERI, SIZILIENS SCHMERZENSSCHREIE<\/a><\/td>\n

VOCES DE MUJERES<\/a><\/p>\n

ROSA BALISTRERI, LOS GRITOS DE DOLOR DE SICILIA<\/a><\/td>\n<\/tr>\n

<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

Balistreri<\/strong>, Vincenzo<\/p>\n

\"\"<\/td>\n

ROSA BALISTRERI, LES CRIS DE DOULEUR DE LA SICILE<\/a><\/td>\nROSA BALISTRERI, SICILY\u2019S CRIES OF PAIN<\/a><\/td>\nROSA BALISTRERI, LE URLA DI DOLORE DELLA SICILIA<\/a><\/td>\nROSA BALISTRERI, \u041a\u0420\u0418\u041a\u0418 \u0411\u041e\u041b\u0418 \u0421\u0418\u0426\u0418\u041b\u0418\u0418<\/a><\/td>\nROSA BALISTRERI, SIZILIENS SCHMERZENSSCHREIE<\/a><\/td>\nROSA BALISTRERI, LOS GRITOS DE DOLOR DE SICILIA<\/a><\/td>\n<\/tr>\n
<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

\"\"Balladur<\/strong>, Eduard<\/p>\n

Politician, 1929-
\n\"\"<\/td>\n

DERRIERE LES RIDEAUX, DANS LES CAPITALES EUROPEENS, LE DESIR POUR L\u2019IRAN GRANDIT<\/a><\/p>\n

GREGOIRE VERDEAUX : L\u2019AMI QUI GERE LE TRESOR<\/a><\/p>\n

L\u2019AMI PARISIEN DES CHEIKHS DU GOLFE PERSIQUE<\/a><\/td>\n

BEHIND THE CURTAINS, IN THE EUROPEAN CAPITALS, THE DESIRE FOR IRAN GROWS<\/a><\/p>\n

GR\u00c9GOIRE VERDEAUX: THE FRIEND WHO MANAGES THE TREASURE<\/a><\/p>\n

THE PARISIAN FRIEND OF THE SHEIKHS OF THE PERSIAN GULF<\/a><\/td>\n

DIETRO LE QUINTE DELLE CAPITALI EUROPEE CRESCE LA VOGLIA DI IRAN<\/a><\/p>\n

GR\u00c9GOIRE VERDEAUX: L\u2019AMICO CHE GESTISCE IL TESORO<\/a><\/p>\n

L\u2019AMICA PARIGINA DEGLI SCEICCHI DEL GOLFO PERSICO<\/a><\/td>\n

\u0417\u0410 \u041a\u0423\u041b\u0418\u0421\u0410\u041c\u0418 \u0415\u0412\u0420\u041e\u041f\u0415\u0419\u0421\u041a\u0418\u0425 \u0421\u0422\u041e\u041b\u0418\u0426 \u0420\u0410\u0421\u0422\u0415\u0422 \u0416\u0415\u041b\u0410\u041d\u0418\u0415 \u0418\u0420\u0410\u041d\u0410<\/a><\/p>\n

\u0413\u0420\u0415\u0413\u041e\u0420\u0418 \u0412\u0415\u0420\u0414\u041e: \u0414\u0420\u0423\u0413, \u0423\u041f\u0420\u0410\u0412\u041b\u042f\u042e\u0429\u0418\u0419 \u041a\u0410\u0417\u041d\u0410\u0427\u0415\u0419\u0421\u0422\u0412\u041e\u041c<\/a><\/p>\n

\u041f\u0410\u0420\u0418\u0416\u0421\u041a\u0410\u042f \u041f\u041e\u0414\u0420\u0423\u0413\u0410 \u0428\u0415\u0419\u0425\u041e\u0412 \u041f\u0415\u0420\u0421\u0418\u0414\u0421\u041a\u041e\u0413\u041e \u0417\u0410\u041b\u0418\u0412\u0410<\/a><\/td>\n

HINTER DEN KULISSEN DER EUROP\u00c4ISCHEN HAUPTST\u00c4DTE W\u00c4CHST DER WUNSCH NACH IRAN<\/a><\/p>\n

GR\u00c9GOIRE VERDEAUX: DER FREUND, DER DEN SCHATZ VERWALTET<\/a><\/p>\n

DIE PARISER FREUNDIN DER SCHEICHS DES PERSISCHEN GOLFS<\/a><\/td>\n

GR\u00c9GOIRE VERDEAUX: EL AMIGO QUE GESTIONA LA TESORER\u00cdA<\/a><\/p>\n

L\u2019AMIGA PARISINA DE LOS JEQUES DEL GOLFO P\u00c9RSICO<\/a><\/p>\n

ENTRE BASTIDORES, EN LAS CAPITALES EUROPEAS, CRECE EL DESEO DE IR\u00c1N<\/a><\/td>\n<\/tr>\n

<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

\"\"Ballester<\/strong>, Rodrigo<\/p>\n

Lobbyist, 1976-
\n\"\"<\/td>\n

LE STYLO QUI TUE PLUS QUE L\u2019EPEE<\/a><\/td>\nTHE PEN THAT KILLS MORE THAN THE SWORD<\/a><\/td>\nLA PENNA CHE UCCIDE PI\u00d9 DELLA SPADA<\/a><\/td>\n\u041f\u0415\u0420\u041e \u0423\u0411\u0418\u0412\u0410\u0415\u0422 \u0421\u0418\u041b\u042c\u041d\u0415\u0415 \u041c\u0415\u0427\u0410<\/a><\/td>\nDIE FEDER, DIE MEHR T\u00d6TET ALS DAS SCHWERT<\/a><\/td>\nLA PLUMA QUE MATA M\u00c1S QUE LA ESPADA<\/a><\/td>\n<\/tr>\n
<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

\"\"Banci<\/strong>, Giuseppe<\/p>\n

Architect
\n\"\"<\/td>\n

L\u2019ENTREPRISE MILLIONNAIRE PAS SI SECRETE DU HEZBOLLAH EN GAMBIE<\/a><\/td>\nHEZBOLLAH\u2019S NOT-SO-SECRET MILLIONAIRE BUSINESS WITH GAMBIA<\/a><\/td>\nIL BUSINESS MILIONARIO, NEMMENO TANTO SEGRETO, DI HEZBOLLAH IN GAMBIA<\/a><\/td>\n\u041c\u0418\u041b\u041b\u0418\u041e\u041d\u0415\u0420\u041d\u042b\u0419 \u0411\u0418\u0417\u041d\u0415\u0421, \u0414\u0410\u0416\u0415 \u041e\u0427\u0415\u041d\u042c \u0421\u0415\u041a\u0420\u0415\u0422\u041d\u042b\u0419, \u0425\u0415\u0417\u0411\u041e\u041b\u041b\u0410 \u0412 \u0413\u0410\u041c\u0411\u0418\u0418<\/a><\/td>\nDAS NICHT SO GEHEIME MILLION\u00c4RSGESCH\u00c4FT DER HISBOLLAH IN GAMBIA<\/a><\/td>\nEL NO TAN SECRETO NEGOCIO DE HEZBOL\u00c1 EN GAMBIA<\/a><\/td>\n<\/tr>\n
<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

\"\"Banda<\/strong>, Joyce<\/p>\n

Politician, 1950-
\n\"\"<\/td>\n

UNE HERO\u00cfNE POUR LE MALAWI<\/a><\/td>\nA HEROINE FOR MALAWI<\/a><\/td>\nUN\u2019EROINA PER IL MALAWI<\/a><\/td>\n\u0413\u0415\u0420\u041e\u0418\u041d\u042f \u0414\u041b\u042f \u041c\u0410\u041b\u0410\u0412\u0418<\/a><\/td>\nEINE HELDIN F\u00dcR MALAWI<\/a><\/td>\nUNA HERO\u00cdNA PARA MALAWI<\/a><\/td>\n<\/tr>\n
<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

\"\"Banderas<\/strong>, Jos\u00e9 Antonio Dominguez<\/p>\n

Actor, 1960-
\n\"\"<\/td>\n

MADERE, L\u2019ILE DE CRISTIANO RONALDO<\/a><\/td>\nMADEIRA, THE ISLAND OF CRISTIANO RONALDO<\/a><\/td>\nMADEIRA, L\u2019ISOLA DI CRISTIANO RONALDO<\/a><\/td>\n\u041c\u0410\u0414\u0415\u0419\u0420\u0410, \u041e\u0421\u0422\u0420\u041e\u0412 \u041a\u0420\u0418\u0421\u0422\u0418\u0410\u041d\u041e\u0420\u041e\u041d\u0410\u041b\u0414\u041e<\/a><\/td>\nMADEIRA, DIE INSEL VON CRISTIANO RONALDO<\/a><\/td>\nMADEIRA, LA ISLA DE CRISTIANO RONALDO<\/a><\/td>\n<\/tr>\n
<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

\"\"Banks<\/strong> Iain<\/p>\n

Novelist, 1954-2013
\n\"\"<\/td>\n

ELON MUSK : LE VANTARD LE PLUS DANGEREUX DU MONDE<\/a><\/td>\nELON MUSK: THE WORLD\u2019S MOST DANGEROUS BLOWHARD<\/a><\/td>\nELON MUSK: LO SBRUFFONE PI\u00d9 PERICOLOSO DEL MONDO<\/a><\/td>\n\u042d\u041b\u041e\u041d \u041c\u0410\u0421\u041a: \u0421\u0410\u041c\u042b\u0419 \u041e\u041f\u0410\u0421\u041d\u042b\u0419 \u0412 \u041c\u0418\u0420\u0415 \u041d\u0410\u0413\u041b\u0415\u0426<\/a><\/td>\nELON MUSK: DER GEF\u00c4HRLICHSTE ANGEBER DER WELT<\/a><\/td>\nELON MUSK: EL FANFARR\u00d3N M\u00c1S PELIGROSO DEL MUNDO<\/a><\/td>\n<\/tr>\n
<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

 <\/p>\n

\"\"Banko<\/strong>, Michele<\/p>\n

Research Engineer, 1980-
\n\"\"<\/td>\n

CHATGPT: ENTRE FASCINATION ET CRAINTE<\/a><\/td>\nCHATGPT: BETWEEN FASCINATION AND FEAR<\/a><\/td>\nCHATGPT: TRA FASCINO E PAURA<\/a><\/td>\nCHATGPT: \u041c\u0415\u0416\u0414\u0423 \u041e\u0427\u0410\u0420\u041e\u0412\u0410\u041d\u0418\u0415\u041c \u0418 \u0421\u0422\u0420\u0410\u0425\u041e\u041c<\/a><\/td>\nCHATGPT: ZWISCHEN FASZINATION UND ANGST<\/a><\/td>\nCHATGPT: ENTRE LA FASCINACI\u00d3N Y EL MIEDO<\/a><\/td>\n<\/tr>\n
<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

\"\"Banna,<\/strong> Rim<\/p>\n

Singer, 1966-2018
\n\"\"<\/td>\n

VOIX DE FEMMES<\/a><\/p>\n

RIM BANNA, LA VOIX DU C\u0152UR BLESSE DE LA PALESTINE<\/a><\/td>\n

VOICES OF WOMEN<\/a><\/p>\n

RIM BANNA, VOICE OF THE WOUNDED HEART OF PALESTINE<\/a><\/td>\n

VOCI DI DONNA<\/a><\/p>\n

RIM BANNA, VOCE DEL CUORE FERITO DELLA PALESTINA<\/a><\/td>\n

\u0436\u0435\u043d\u0441\u043a\u0438\u0435 \u0433\u043e\u043b\u043e\u0441\u0430<\/a><\/p>\n

\u0420\u0418\u041c \u0411\u0410\u041d\u041d\u0410, \u0413\u041e\u041b\u041e\u0421 \u0418\u0417\u0420\u0410\u041d\u0415\u041d\u041d\u041e\u0413\u041e \u0421\u0415\u0420\u0414\u0426\u0410 \u041f\u0410\u041b\u0415\u0421\u0422\u0418\u041d\u042b<\/a><\/td>\n

FRAUENSTIMMEN<\/a><\/p>\n

RIM BANNA, DIE STIMME DES VERWUNDETEN HERZENS VON PAL\u00c4STINA<\/a><\/td>\n

VOCES DE MUJERES<\/a><\/p>\n

RIM BANNA, VOZ DEL CORAZ\u00d3N HERIDO DE PALESTINA<\/a><\/td>\n<\/tr>\n

<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

\"\"Bannister<\/strong>, Chris<\/p>\n

Manager, 1959-
\n\"\"<\/td>\n

SUPERCIUK D\u2019ISLANDE, LE DERNIER HEROS DES VIKINGS<\/a><\/td>\nSUPERCIUK OF ICELAND, THE LAST VIKING HERO<\/a><\/td>\nSUPERCIUK D\u2019ISLANDA, L\u2019ULTIMO EROE DEI VICHINGHI<\/a><\/td>\n\u0421\u0423\u041f\u0415\u0420\u0427\u0423\u041a \u0418\u0417 \u0418\u0421\u041b\u0410\u041d\u0414\u0418\u0418, \u041f\u041e\u0421\u041b\u0415\u0414\u041d\u0418\u0419 \u0413\u0415\u0420\u041e\u0419 \u0412\u0418\u041a\u0418\u041d\u0413\u041e\u0412<\/a><\/td>\nSUPERCIUK VON ISLAND, DER LETZTE HELD DER WIKINGER<\/a><\/td>\nSUPERCHUK DE ISLANDIA, EL \u00daLTIMO H\u00c9ROE VIKINGO<\/a><\/td>\n<\/tr>\n
<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

\"\"Bannon<\/strong>, Steve<\/p>\n

Lobbyst e Politician, 1953-
\n\"\"<\/td>\n

VATICAN ET FRERES MUSULMANS : 100 ANS DE RELATIONS POLITIQUES ET ECONOMIQUES<\/a><\/p>\n

PHILIP MORRIS ENTRE EN GUERRE \u2013 AVEC LES POPULISTES, LES EXTREMISTES DE DROITE ET LES CHEIKHS ARABES<\/a><\/p>\n

MOUVEMENT 5 ETOILES ET LEGANORD : REPETITIONS GENERALES POUR UNE INTERNATIONALE POSTFASCISTE<\/a><\/p>\n

APRES L\u2019ARTICLE D\u2019ALDO TORCHIARO : GENNARO VECCHIONE N\u2019EST QUE LA POINTE DE L\u2019ICEBERG<\/a><\/p>\n

CAMBRIDGE ANALYTICA : LES CRIMINELS QUI NOUS PERSUADENT DE VOTER POUR TRUMP<\/a><\/p>\n

PETER THIEL: LE REVE D\u2019UNE TECHNOCRATIE MYSTIQUE<\/a><\/p>\n

LE STYLO QUI TUE PLUS QUE L\u2019EPEE<\/a><\/td>\n

VATICAN AND MUSLIM BROTHERHOOD: 100 YEARS OF POLITICAL AND ECONOMIC RELATIONS<\/a><\/p>\n

PHILIP MORRIS GOES TO WAR \u2013 WITH POPULISTS, SUPREMACISTS AND ARAB SHEIKHS<\/a><\/p>\n

5-STAR MOVEMENT AND LEGANORD: DRESS REHEARSALS FOR A POST-FASCIST INTERNATIONAL<\/a><\/p>\n

AFTER ALDO TORCHIARO\u2019S ARTICLE: GENNARO VECCHIONE IS ONLY THE TIP OF THE ICEBERG<\/a><\/p>\n

CAMBRIDGE ANALYTICA: THE CRIMINALS WHO PERSUADE US TO VOTE FOR TRUMP<\/a><\/p>\n

PETER THIEL: THE DREAM OF A MYSTICAL TECHNOCRACY<\/a><\/p>\n

THE PEN THAT KILLS MORE THAN THE SWORD<\/a><\/td>\n

VATICANO E FRATELLI MUSULMANI: UN SECOLO DI RELAZIONI POLITICHE E FINANZIARIE<\/a><\/p>\n

LA PHILIP MORRIS VA ALLA GUERRA \u2013 ALLEATA A SUPREMATISTI, POPULISTI E SCEICCHI ARABI<\/a><\/p>\n

MOVIMENTO 5 STELLE E LEGA NORD: PROVE GENERALI PER UN\u2019INTERNAZIONALE POST-FASCISTA<\/a><\/p>\n

DOPO L\u2019ARTICOLO DI ALDO TORCHIARO: GENNARO VECCHIONE \u00c8 SOLO LA PUNTA DELL\u2019ICEBERG<\/a><\/p>\n

CAMBRIDGE ANALYTICA: I CRIMINALI CHE CI CONVINCONO A VOTARE TRUMP<\/a><\/p>\n

PETER THIEL: IL SOGNO DI UNA TECNOCRAZIA MISTICA<\/a><\/p>\n

LA PENNA CHE UCCIDE PI\u00d9 DELLA SPADA<\/a><\/td>\n

\u0412\u0410\u0422\u0418\u041a\u0410\u041d \u0418 \u041c\u0423\u0421\u0423\u041b\u042c\u041c\u0410\u041d\u0421\u041a\u0418\u0415 \u0411\u0420\u0410\u0422\u042c\u042f: \u0412\u0415\u041a \u041f\u041e\u041b\u0418\u0422\u0418\u0427\u0415\u0421\u041a\u0418\u0425 \u0418 \u0424\u0418\u041d\u0410\u041d\u0421\u041e\u0412\u042b\u0425 \u041e\u0422\u041d\u041e\u0428\u0415\u041d\u0418\u0419<\/a><\/p>\n

\u0424\u0418\u041b\u0418\u041f \u041c\u041e\u0420\u0420\u0418\u0421 \u0418\u0414\u0415\u0422 \u041d\u0410 \u0412\u041e\u0419\u041d\u0423 \u2013 \u041d\u0410 \u0421\u0422\u041e\u0420\u041e\u041d\u0415 \u0410\u0420\u0410\u0411\u0421\u041a\u0418\u0425 \u0421\u0423\u041f\u0420\u0415\u041c\u0410\u0422\u0418\u0421\u0422\u041e\u0412, \u041f\u041e\u041f\u0423\u041b\u0418\u0421\u0422\u041e\u0412 \u0418 \u0428\u0415\u0419\u041a\u041e\u0412<\/a><\/p>\n

\u0414\u0412\u0418\u0416\u0415\u041d\u0418\u0415 5 \u0417\u0412\u0415\u0417\u0414 \u0418 \u0421\u0415\u0412\u0415\u0420\u041d\u0410\u042f \u041b\u0418\u0413\u0410: \u0418\u0421\u041f\u042b\u0422\u0410\u041d\u0418\u042f \u0414\u041b\u042f \u041f\u041e\u0421\u0422\u0424\u0410\u0428\u0418\u0421\u0422\u0421\u041a\u041e\u0413\u041e \u0418\u041d\u0422\u0415\u0420\u041d\u0410\u0426\u0418\u041e\u041d\u0410\u041b\u0410<\/a><\/p>\n

\u041f\u041e\u0421\u041b\u0415 \u0421\u0422\u0410\u0422\u042c\u0418 \u0410\u041b\u042c\u0414\u041e \u0422\u041e\u0420\u041a\u042c\u042f\u0420\u041e (ALDO TORCHIARO): GENNARO VECCHIONE \u2013 \u0422\u041e\u041b\u042c\u041a\u041e \u0412\u0415\u0420\u0428\u0418\u041d\u0410 \u0410\u0419\u0421\u0411\u0415\u0420\u0413\u0410<\/a><\/p>\n

CAMBRIDGE ANALYTICA: \u041f\u0420\u0415\u0421\u0422\u0423\u041f\u041d\u0418\u041a\u0418, \u041a\u041e\u0422\u041e\u0420\u042b\u0415 \u0423\u0411\u0415\u0414\u0418\u041b\u0418 \u041d\u0410\u0421 \u0413\u041e\u041b\u041e\u0421\u041e\u0412\u0410\u0422\u042c \u0417\u0410 \u0422\u0420\u0410\u041c\u041f\u0410<\/a><\/p>\n

\u041f\u0418\u0422\u0415\u0420 \u0422\u0418\u041b\u042c: \u041c\u0415\u0427\u0422\u0410 \u041e \u041c\u0418\u0421\u0422\u0418\u0427\u0415\u0421\u041a\u041e\u0419 \u0422\u0415\u0425\u041d\u041e\u041a\u0420\u0410\u0422\u0418\u0418<\/a><\/p>\n

\u041f\u0415\u0420\u041e \u0423\u0411\u0418\u0412\u0410\u0415\u0422 \u0421\u0418\u041b\u042c\u041d\u0415\u0415 \u041c\u0415\u0427\u0410<\/a><\/td>\n

VATIKAN UND MUSLIMBRUDERSCHAFT: 100 JAHRE POLITISCHEN UND WIRTSCHAFTLICHEN BEZIEHUNGEN<\/a><\/p>\n

PHILIP MORRIS ZIEHT IN DEN KRIEG \u2013 MIT POPULISTEN, RECHTSEXTREMISTEN UND ARABISCHEN SCHEICHS<\/a><\/p>\n

5-STERNE-BEWEGUNG UND LEGANORD: GENERALPROBEN F\u00dcR EINE POSTFASCHISTISCHE INTERNATIONALE<\/a><\/p>\n

NACH DEM ARTIKEL VON ALDO TORCHIARO: GENNARO VECCHIONE IST NUR DIE SPITZE DES EISBERGS<\/a><\/p>\n

CAMBRIDGE ANALYTICA: DIE KRIMINELLEN, DIE UNS \u00dcBERREDEN, F\u00dcR TRUMP ZU STIMMEN<\/a><\/p>\n

PETER THIEL: DER TRAUM VON EINER MYSTISCHEN TECHNOKRATIE<\/a><\/p>\n

DIE FEDER, DIE MEHR T\u00d6TET ALS DAS SCHWERT<\/a><\/td>\n

EL VATICANO Y LOS HERMANOS MUSULMANES: UN SIGLO DE RELACIONES POL\u00cdTICAS Y FINANCIERAS<\/a><\/p>\n

EL MOVIMIENTO 5 ESTRELLAS Y LA LIGA NORTE: ENSAYO GENERAL DE UNA INTERNACIONAL POST-FASCISTA<\/a><\/p>\n

TRAS EL ART\u00cdCULO DE ALDO TORCHIARO: GENNARO VECCHIONE ES S\u00d3LO LA PUNTA DEL ICEBERG<\/a><\/p>\n

PHILIP MORRIS VA A LA GUERRA \u2013 ALIADO CON SUPREMACISTAS, POPULISTAS Y JEQUES \u00c1RABES<\/a><\/p>\n

CAMBRIDGE ANALYTICA: LOS CRIMINALES QUE NOS CONVENCEN DE VOTAR A TRUMP<\/a><\/p>\n

PETER THIEL: EL SUE\u00d1O DE UNA TECNOCRACIA M\u00cdSTICA<\/a><\/p>\n

LA PLUMA QUE MATA M\u00c1S QUE LA ESPADA<\/a><\/td>\n<\/tr>\n

<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

\"\"Baranoff<\/strong>, Elena<\/p>\n

Manager of Donald Trump, 1950-2015
\n\"\"<\/td>\n

LE ROI SECRET DE TAORMINE<\/a><\/td>\nTHE SECRET KING OF TAORMINA<\/a><\/td>\nIL RE SEGRETO DI TAORMINA<\/a><\/td>\n\u0422\u0410\u0419\u041d\u042b\u0419 \u041a\u041e\u0420\u041e\u041b\u042c \u0422\u0410\u041e\u0420\u041c\u0418\u041d\u042b<\/a><\/td>\nDER GEHEIME K\u00d6NIG VON TAORMINA<\/a><\/td>\nEL REY SECRETO DE TAORMINA<\/a><\/td>\n<\/tr>\n
<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

\"\"Barazi<\/strong>, Juan<\/p>\n

Businessman, 1968
\n\"\"<\/td>\n

MADERE, L\u2019ILE DE CRISTIANO RONALDO<\/a><\/td>\nMADEIRA, THE ISLAND OF CRISTIANO RONALDO<\/a><\/td>\nMADEIRA, L\u2019ISOLA DI CRISTIANO RONALDO<\/a><\/td>\n\u041c\u0410\u0414\u0415\u0419\u0420\u0410, \u041e\u0421\u0422\u0420\u041e\u0412 \u041a\u0420\u0418\u0421\u0422\u0418\u0410\u041d\u041e\u0420\u041e\u041d\u0410\u041b\u0414\u041e<\/a><\/td>\nMADEIRA, DIE INSEL VON CRISTIANO RONALDO<\/a><\/td>\nMADEIRA, LA ISLA DE CRISTIANO RONALDO<\/a><\/td>\n<\/tr>\n
<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

 <\/p>\n

\"\"Barbey<\/strong>, Aron K.<\/p>\n

Scientist, 1977-
\n\"\"<\/td>\n

SI TON ORDINATEUR TOMBE SOUDAINEMENT AMOUREUX<\/a><\/td>\nSUDDENLY, IF YOUR COMPUTER FALLS IN LOVE<\/a><\/td>\nSE IL TUO COMPUTER DI COLPO SI INNAMORA<\/a><\/td>\n\u0415\u0421\u041b\u0418 \u0412\u0410\u0428 \u041a\u041e\u041c\u041f\u042c\u042e\u0422\u0415\u0420 \u0412\u0414\u0420\u0423\u0413 \u0412\u041b\u042e\u0411\u0418\u0422\u0421\u042f<\/a><\/td>\nWENN DEIN COMPUTER SICH PL\u00d6TZLICH VERLIEBT<\/a><\/td>\nSI UN ORDENADOR DE REPENTE SE ENAMORA<\/a><\/td>\n<\/tr>\n
<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

\"\"Barbie<\/strong>, Klaus<\/p>\n

SS officer, 1913-1991
\n\"\"<\/td>\n

HENRY KISSINGER, L\u2019AME NOIRE DU 20EME SIECLE<\/a><\/td>\nHENRY KISSINGER, THE DARK SOUL OF THE 20TH CENTURY<\/a><\/td>\nHENRY KISSINGER, L\u2019ANIMA NERA DEL XX SECOLO<\/a><\/td>\n\u0413\u0415\u041d\u0420\u0418 \u041a\u0418\u0421\u0421\u0418\u041d\u0414\u0416\u0415\u0420, \u0427\u0415\u0420\u041d\u0410\u042f \u0414\u0423\u0428\u0410 20 \u0412\u0415\u041a\u0410<\/a><\/td>\nHENRY KISSINGER, DIE SCHWARZE SEELE DES 20. JAHRHUNDERTS<\/a><\/td>\nHENRY KISSINGER, EL ALMA NEGRA DEL SIGLO XX<\/a><\/td>\n<\/tr>\n
<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

 <\/p>\n

\"\"Barghouti<\/strong>, Mustafa<\/p>\n

Politician, 1954-
\n\"\"<\/td>\n

PALESTINE, OU CHAQUE JOUR CAIN REVIENT<\/a><\/td>\nPALESTINE, WHERE EVERY DAY CAIN RETURNS<\/a><\/td>\nPALESTINA, DOVE OGNI GIORNO RITORNA CAINO<\/a><\/td>\n\u041f\u0410\u041b\u0415\u0421\u0422\u0418\u041d\u0410, \u041a\u0423\u0414\u0410 \u041a\u0410\u0416\u0414\u042b\u0419 \u0414\u0415\u041d\u042c \u0412\u041e\u0417\u0412\u0420\u0410\u0429\u0410\u0415\u0422\u0421\u042f \u041a\u0410\u0418\u041d<\/a><\/td>\nPAL\u00c4STINA, WO KAIN JEDEN TAG ZUR\u00dcCKKEHRT<\/a><\/td>\nPALESTINA, DONDE CADA D\u00cdA VUELVE CA\u00cdN<\/a><\/td>\n<\/tr>\n
<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

 <\/p>\n

\"\"Barlow<\/strong>, Luther Eeben<\/p>\n

Mercenary, 1956-
\n\"\"\"\"<\/td>\n

MERCENAIRES ET EMIRATS: LE PERIL MONDIAL DE L\u2019INDUSTRIE PRIVEE DE LA MORT<\/a><\/p>\n

CABINDA, UNE GUERRE QUI PUE LE PETROLE<\/a><\/td>\n

SOLDIERS OF FORTUNE AND EMIRATES: THE GLOBAL DANGER OF THE PRIVATE DEATH\u2019S INDUSTRY<\/a><\/p>\n

CABINDA, A WAR THAT REEKS OF OIL<\/a><\/td>\n

SOLDATI DI SVENTURA: LA MINACCIA GLOBALE DELL\u2019INDUSTRIA PRIVATA DELLA MORTE<\/a><\/p>\n

CABINDA, UNA GUERRA CHE PUZZA DI PETROLIO<\/a><\/td>\n

\u0421\u041e\u041b\u0414\u0410\u0422\u042b DOOM: \u0413\u041b\u041e\u0411\u0410\u041b\u042c\u041d\u0410\u042f \u0423\u0413\u0420\u041e\u0417\u0410 \u0427\u0410\u0421\u0422\u041d\u041e\u0419 \u0418\u041d\u0414\u0423\u0421\u0422\u0420\u0418\u0418 \u0421\u041c\u0415\u0420\u0422\u0418<\/a><\/p>\n

\u041a\u0410\u0411\u0418\u041d\u0414\u0410:\u0412\u041e\u0419\u041d\u0410, \u041a\u041e\u0422\u041e\u0420\u0410\u042f\u041f\u0410\u0425\u041d\u0415\u0422\u041d\u0415\u0424\u0422\u042c\u042e<\/a><\/td>\n

S\u00d6LDNER UND EMIRATEN: DIE GLOBALE GEFAHR DER PRIVATEN TODESINDUSTRIE<\/a><\/p>\n

CABINDA, EIN KRIEG, DER NACH \u00d6L STINKT<\/a><\/td>\n

SOLDADOS DE LA PERDICI\u00d3N: LA AMENAZA GLOBAL DE LA INDUSTRIA PRIVADA DE LA MUERTE<\/a><\/p>\n

CABINDA, UNA GUERRA QUE APESTA A PETR\u00d3LEO<\/a><\/td>\n<\/tr>\n

<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

 <\/p>\n

\"\"Barnier<\/strong>, Michel<\/p>\n

Politician, 1951-<\/p>\n

\"\"<\/td>\n

GREGOIRE VERDEAUX : L\u2019AMI QUI GERE LE TRESOR<\/a><\/p>\n

LE DESASTRE DU BREXIT ET LA CHUTE DE BORIS JOHNSON<\/a><\/td>\n

GR\u00c9GOIRE VERDEAUX: THE FRIEND WHO MANAGES THE TREASURE<\/a><\/p>\n

THE BREXIT DISASTER AND THE FALL OF BORIS JOHNSON<\/a><\/td>\n

GR\u00c9GOIRE VERDEAUX: L\u2019AMICO CHE GESTISCE IL TESORO<\/a><\/p>\n

IL DISASTRO BREXIT E LA CADUTA DI BORIS JOHNSON<\/a><\/td>\n

\u0413\u0420\u0415\u0413\u041e\u0420\u0418 \u0412\u0415\u0420\u0414\u041e: \u0414\u0420\u0423\u0413, \u0423\u041f\u0420\u0410\u0412\u041b\u042f\u042e\u0429\u0418\u0419 \u041a\u0410\u0417\u041d\u0410\u0427\u0415\u0419\u0421\u0422\u0412\u041e\u041c<\/a><\/p>\n

\u041a\u0410\u0422\u0410\u0421\u0422\u0420\u041e\u0424\u0410 BREXIT \u0418 \u041f\u0410\u0414\u0415\u041d\u0418\u0415 \u0411\u041e\u0420\u0418\u0421\u0410 \u0414\u0416\u041e\u041d\u0421\u041e\u041d\u0410<\/a><\/td>\n

GR\u00c9GOIRE VERDEAUX: DER FREUND, DER DEN SCHATZ VERWALTET<\/a><\/p>\n

DAS BREXIT-DESASTER UND DER STURZ VON BORIS JOHNSON<\/a><\/td>\n

GR\u00c9GOIRE VERDEAUX: EL AMIGO QUE GESTIONA LA TESORER\u00cdA<\/a><\/p>\n

EL DESASTRE DEL BREXIT Y LA CA\u00cdDA DE BORIS JOHNSON<\/a><\/td>\n<\/tr>\n

<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

\"\"Barr<\/strong>, William Pelham<\/p>\n

Magistrate, 1950-
\n\"\"<\/td>\n

LES DESHONORANTS CHEVALIERS DE (ENE)MALTE<\/a><\/td>\nTHE DISHONOURABLE KNIGHTS OF (ENE)MALTA<\/a><\/td>\nI DISONOREVOLI CAVALIERI DI (ENE)MALTA<\/a><\/td>\n\u0411\u0415\u0421\u0427\u0415\u0421\u0422\u041d\u042b\u0415 \u0420\u042b\u0426\u0410\u0420\u0418 (\u042d\u041d\u0415)\u041c\u0410\u041b\u042c\u0422\u042b<\/a><\/td>\nDIE UNEHRENHAFTEN RITTER VON (ENE)MALTA<\/a><\/td>\nLOS DESHONROSOS CABALLEROS DE (ENE)MALTA<\/a><\/td>\n<\/tr>\n
<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

 <\/p>\n

\"\"Barrack,<\/strong> Thomas Joseph<\/p>\n

Businessman, 1947-
\n\"\"<\/td>\n

SEYCHELLES : LA TIRELIRE DES OLIGARQUES<\/a><\/td>\nSEYCHELLES: THE OLIGARCHS\u2019 PIGGY BANK<\/a><\/td>\nSEYCHELLES: IL SALVADANAIO DEGLI OLIGARCHI<\/a><\/td>\n\u0421\u0415\u0419\u0428\u0415\u041b\u042c\u0421\u041a\u0418\u0415 \u041e\u0421\u0422\u0420\u041e\u0412\u0410: \u041a\u041e\u041f\u0418\u041b\u041a\u0410 \u041e\u041b\u0418\u0413\u0410\u0420\u0425\u041e\u0412<\/a><\/td>\nSEYCHELLEN: DAS SPARSCHWEIN DER OLIGARCHEN<\/a><\/td>\nSEYCHELLES: LA HUCHA DE LOS OLIGARCAS<\/a><\/td>\n<\/tr>\n
<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

\"\"Barre,<\/strong> Siad Mohamed<\/p>\n

Dictator, 1919-1985
\n\"\"<\/td>\n

AL-SHABAAB: L\u2019EPEE DE DAMOCLES SUR LA SOMALIE<\/a><\/td>\nAL-SHABAAB: THE SWORD OF DAMOCLES OVER SOMALIA<\/a><\/td>\nAL-SHABAAB: LA SPADA DI DAMOCLE SULLA SOMALIA<\/a><\/td>\n\u0410\u0428-\u0428\u0410\u0411\u0410\u0411: \u0414\u0410\u041c\u041e\u041a\u041b\u041e\u0412 \u041c\u0415\u0427 \u041d\u0410\u0414 \u0421\u041e\u041c\u0410\u041b\u0418<\/a><\/td>\nAL-SHABAAB: DAS DAMOKLESSCHWERT \u00dcBER SOMALIA<\/a><\/td>\nAL-SHABAAB: LA ESPADA DE DAMOCLES SOBRE SOMALIA<\/a><\/td>\n<\/tr>\n
<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

 <\/p>\n

\"\"<\/strong>Barreca<\/strong>, Gianandrea<\/p>\n

Architect, 1969-
\n\"\"<\/td>\n

LUXE EXTREME: UNE METROPOLE DANS LES ARBRES<\/a><\/td>\nEXTREME LUXURY: A METROPOLIS IN THE TREES<\/a><\/td>\nIL LUSSO ESTREMO: UNA METROPOLI TRA GLI ALBERI<\/a><\/td>\n\u042d\u041a\u0421\u0422\u0420\u0415\u041c\u0410\u041b\u042c\u041d\u0410\u042f \u0420\u041e\u0421\u041a\u041e\u0428\u042c: \u041c\u0415\u0413\u0410\u041f\u041e\u041b\u0418\u0421 \u0421\u0420\u0415\u0414\u0418 \u0414\u0415\u0420\u0415\u0412\u042c\u0415\u0412<\/a><\/td>\nEXTREMER LUXUS: EINE METROPOLE IN DEN B\u00c4UMEN<\/a><\/td>\nLUJO EXTREMO: UNA METR\u00d3POLIS EN LOS \u00c1RBOLES<\/a><\/td>\n<\/tr>\n
<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

 <\/p>\n

\"\"Barron<\/strong>, Gerard Robert<\/p>\n

Industrial entrepreneur, 1966-
\n\"\"<\/td>\n

DEEP SEA MINING<\/a><\/p>\n

HEEREMA : LE LONG VOYAGE DU NATIONAL-SOCIALISME A L\u2019EXPLOITATION DES FONDS MARINS<\/a><\/p>\n

ALISER USMANOV : LES YEUX INDISCRETS D\u2019UN OLIGARQUE SUR LE MONDE<\/a><\/td>\n

DEEP SEA MINING<\/a><\/p>\n

HEEREMA: THE LONG JOURNEY FROM NATIONAL SOCIALISM TO THE EXPLOITATION OF THE SEABED<\/a><\/p>\n

ALI\u0160ER USMANOV: AN OLIGARCH\u2019S PRYING EYES ON THE WORLD<\/a><\/td>\n

DEEP SEA MINING<\/a><\/p>\n

HEEREMA: IL LUNGO VIAGGIO DAL NAZISMO ALLO SFRUTTAMENTO DEI FONDALI OCEANICI<\/a><\/p>\n

ALI\u0160ER USMANOV: GLI SGUARDI INDISCRETI DI UN OLIGARCA SUL MONDO<\/a><\/td>\n

DEEP SEA MINING<\/a><\/p>\n

HEEREMA: \u0414\u041e\u041b\u0413\u041e\u0415 \u041f\u0423\u0422\u0415\u0428\u0415\u0421\u0422\u0412\u0418\u0415 \u041e\u0422 \u041d\u0410\u0426\u0418\u0417\u041c\u0410 \u041a \u042d\u041a\u0421\u041f\u041b\u0423\u0410\u0422\u0410\u0426\u0418\u0418 \u041e\u041a\u0415\u0410\u041d\u0421\u041a\u041e\u0413\u041e \u0414\u041d\u0410<\/a><\/p>\n

\u0410\u041b\u0418\u0428\u0415\u0420 \u0423\u0421\u041c\u0410\u041d\u041e\u0412: \u041d\u0410\u0417\u041e\u0419\u041b\u0418\u0412\u042b\u0419 \u0412\u0417\u0413\u041b\u042f\u0414 \u041e\u041b\u0418\u0413\u0410\u0420\u0425\u0410 \u041d\u0410 \u041c\u0418\u0420<\/a><\/td>\n

DEEP SEA MINING<\/a><\/p>\n

HEEREMA: DIE LANGE REISE VOM NATIONALSOZIALISMUS ZUR AUSBEUTUNG DES MEERESBODENS<\/a><\/p>\n

ALI\u0160ER USMANOV: DIE INDISKRETE BLICKE EINES OLIGARCHEN AUF DIE WELT<\/a><\/td>\n

DEEP SEA MINING<\/a><\/p>\n

HEEREMA: EL LARGO VIAJE DEL NAZISMO A LA EXPLOTACI\u00d3N DE LOS FONDOS MARINOS<\/a><\/p>\n

ALI\u0160ER USMANOV: LA MIRADA INDISCRETA DE UN OLIGARCA SOBRE EL MUNDO<\/a><\/p>\n

LA EXPLOTACI\u00d3N DE LOS FONDOS MARINOS, LA NUEVA FRONTERA DE LA AUTODESTRUCCI\u00d3N DE LA HUMANIDAD<\/a><\/td>\n<\/tr>\n

<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

\"\"Barrow<\/strong>, Adama<\/p>\n

Politician, 1965-
\n\"\"<\/td>\n

SONA JOBARTEH : LA KORA QUI GU\u00c9RIT LE MAL D\u2019AFRIQUE<\/a><\/td>\nSONA JOBARTEH: THE KORA THAT HEALS THE AFRICAN BLUES<\/a><\/td>\nSONA JOBARTEH: LA KORA CHE GUARISCE IL MAL D\u2019AFRICA<\/a><\/td>\nSONA JOBARTEH: \u041a\u041e\u0420\u0410, \u0418\u0421\u0426\u0415\u041b\u042f\u042e\u0429\u0410\u042f \u0411\u041e\u041b\u042c \u0410\u0424\u0420\u0418\u041a\u0418<\/a><\/td>\nSONA JOBARTEH: DIE KORA, DIE DIE AFRIKANISCHE SEHNSUCHT HEILT<\/a><\/td>\nSONA JOBARTEH: LA KORA QUE CURA LA NOSTALGIA AFRICANA<\/a><\/td>\n<\/tr>\n
<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

\"\"Barsanti<\/strong>, Eugenio<\/p>\n

Inventor, 1821\u20131864
\n\"\"<\/td>\n

LE VRAI PARI DE LA VOITURE ELECTRIQUE<\/a><\/td>\nTHE REAL BET BEHIND THE ELECTRIC CAR<\/a><\/td>\nLA VERA SCOMMESSA DIETRO L\u2019AUTO ELETTRICA<\/a><\/td>\n\u0427\u0422\u041e \u0420\u0415\u0410\u041b\u042c\u041d\u041e \u0421\u0422\u041e\u0418\u0422 \u0417\u0410 \u042d\u041b\u0415\u041a\u0422\u0420\u041e\u041c\u041e\u0411\u0418\u041b\u0415\u041c<\/a><\/td>\nDIE WIRKLICHE WETTE HINTER DEM ELEKTROAUTO<\/a><\/td>\nLA VERDADERA APUESTA DETR\u00c1S DEL COCHE EL\u00c9CTRICO<\/a><\/td>\n<\/tr>\n
<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

\"\"Barthes<\/strong>, Roland<\/p>\n

Philosopher, 1915-1980
\n\"\"<\/td>\n

NOAM CHOMSKY : LE MONDE A L\u2019HEURE DES COMPTES<\/a><\/td>\nNOAM CHOMSKY: THE WORLD AT RECKONING<\/a><\/td>\nNOAM CHOMSKY: IL MONDO ALLA RESA DEI CONTI<\/a><\/td>\n\u041d\u041e\u0410\u041c \u0425\u041e\u041c\u0421\u041a\u0418\u0419: \u041c\u0418\u0420 \u0412 \u0420\u0410\u0421\u041f\u041b\u0410\u0422\u0415<\/a><\/td>\nNOAM CHOMSKY: DIE WELT IM UMBRUCH<\/a><\/td>\nNOAM CHOMSKY: EL MUNDO EN EL AJUSTE DE CUENTAS<\/a><\/td>\n<\/tr>\n
<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

 <\/p>\n

\"\"Barzani<\/strong>, Mas\u2019ud<\/p>\n

Politician, 1946-
\n\"\"<\/td>\n

SEULS, COMME LES KURDES<\/a><\/td>\nLONELY AS THE KURDS<\/a><\/td>\nSOLI COME CURDI<\/a><\/td>\n\u041e\u0414\u0418\u041d\u041e\u041a\u0418 \u041a\u0410\u041a \u041a\u0423\u0420\u0414\u042b<\/a><\/td>\nEINSAM WIE DIE KURDEN<\/a><\/td>\nTAN SOLO COMO LOS KURDOS<\/a><\/td>\n<\/tr>\n
<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

 <\/p>\n

\"\"Barzani<\/strong>, Mustafa<\/p>\n

Military, 1903-1979
\n\"\"<\/td>\n

SEULS, COMME LES KURDES<\/a><\/td>\nLONELY AS THE KURDS<\/a><\/td>\nSOLI COME CURDI<\/a><\/td>\n\u041e\u0414\u0418\u041d\u041e\u041a\u0418 \u041a\u0410\u041a \u041a\u0423\u0420\u0414\u042b<\/a><\/td>\nEINSAM WIE DIE KURDEN<\/a><\/td>\nTAN SOLO COMO LOS KURDOS<\/a><\/td>\n<\/tr>\n
<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

\"\"Bashir<\/strong>, Bashir Saleh<\/p>\n

Politician, 1946-
\n\"\"<\/td>\n

MADERE, L\u2019ILE DE CRISTIANO RONALDO<\/a><\/p>\n

TANT QU\u2019IL Y A UNE GUERRE, IL Y A UN LOBBYISTE<\/a><\/td>\n

MADEIRA, THE ISLAND OF CRISTIANO RONALDO<\/a><\/p>\n

AS LONG AS THERE IS WAR THERE IS A LOBBYIST<\/a><\/td>\n

MADEIRA, L\u2019ISOLA DI CRISTIANO RONALDO<\/a><\/p>\n

FINCH\u00c9 C\u2019\u00c8 GUERRA C\u2019\u00c8 UN LOBBYSTA<\/a><\/td>\n

\u041c\u0410\u0414\u0415\u0419\u0420\u0410, \u041e\u0421\u0422\u0420\u041e\u0412 \u041a\u0420\u0418\u0421\u0422\u0418\u0410\u041d\u041e\u0420\u041e\u041d\u0410\u041b\u0414\u041e<\/a><\/p>\n

\u041f\u041e\u041a\u0410 \u0415\u0421\u0422\u042c \u0412\u041e\u0419\u041d\u0410, \u0415\u0421\u0422\u042c \u041b\u041e\u0411\u0411\u0418\u0421\u0422<\/a><\/td>\n

MADEIRA, DIE INSEL VON CRISTIANO RONALDO<\/a><\/p>\n

SOLANGE ES KRIEG GIBT, GIBT ES AUCH LOBBYISTEN<\/a><\/td>\n

MADEIRA, LA ISLA DE CRISTIANO RONALDO<\/a><\/p>\n

MIENTRAS HAYA GUERRA HABR\u00c1 UN LOBBYISTA<\/a><\/td>\n<\/tr>\n

<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

\"\"Bashirov<\/strong>, Marat<\/p>\n

Politician, 1964-
\n\"\"<\/td>\n

KAZAKHSTAN : L\u2019EPOQUE DU FAUX CHAOS<\/a><\/td>\nKAZAKHSTAN: THE DAYS OF FAKE CHAOS<\/a><\/td>\nKAZAKISTAN: I GIORNI DEL FINTO CAOS<\/a><\/td>\n\u041a\u0410\u0417\u0410\u0425\u0421\u0422\u0410\u041d: \u0414\u041d\u0418 \u0424\u0410\u041b\u042c\u0428\u0418\u0412\u041e\u0413\u041e \u0425\u0410\u041e\u0421\u0410<\/a><\/td>\nKASACHSTAN: DIE TAGE DES VORGET\u00c4USCHTEN CHAOS<\/a><\/td>\nKAZAJST\u00c1N: LOS D\u00cdAS DEL FALSO CAOS<\/a><\/td>\n<\/tr>\n
<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

\"\"Bassil<\/strong>, Gebran<\/p>\n

Politician, 1970-
\n\"\"<\/td>\n

L\u2019ENTREPRISE MILLIONNAIRE PAS SI SECRETE DU HEZBOLLAH EN GAMBIE<\/a><\/td>\nHEZBOLLAH\u2019S NOT-SO-SECRET MILLIONAIRE BUSINESS WITH GAMBIA<\/a><\/td>\nIL BUSINESS MILIONARIO, NEMMENO TANTO SEGRETO, DI HEZBOLLAH IN GAMBIA<\/a><\/td>\n\u041c\u0418\u041b\u041b\u0418\u041e\u041d\u0415\u0420\u041d\u042b\u0419 \u0411\u0418\u0417\u041d\u0415\u0421, \u0414\u0410\u0416\u0415 \u041e\u0427\u0415\u041d\u042c \u0421\u0415\u041a\u0420\u0415\u0422\u041d\u042b\u0419, \u0425\u0415\u0417\u0411\u041e\u041b\u041b\u0410 \u0412 \u0413\u0410\u041c\u0411\u0418\u0418<\/a><\/td>\nDAS NICHT SO GEHEIME MILLION\u00c4RSGESCH\u00c4FT DER HISBOLLAH IN GAMBIA<\/a><\/td>\nEL NO TAN SECRETO NEGOCIO DE HEZBOL\u00c1 EN GAMBIA<\/a><\/td>\n<\/tr>\n
<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

 <\/p>\n

\"\"Bastos de Morais<\/strong>, Jean-Claude<\/p>\n

Entrepreneur, 1967-
\n\"\"<\/td>\n

CABINDA, UNE GUERRE QUI PUE LE PETROLE<\/a><\/td>\nCABINDA, A WAR THAT REEKS OF OIL<\/a><\/td>\nCABINDA, UNA GUERRA CHE PUZZA DI PETROLIO<\/a><\/td>\n\u041a\u0410\u0411\u0418\u041d\u0414\u0410:\u0412\u041e\u0419\u041d\u0410, \u041a\u041e\u0422\u041e\u0420\u0410\u042f\u041f\u0410\u0425\u041d\u0415\u0422\u041d\u0415\u0424\u0422\u042c\u042e<\/a><\/td>\nCABINDA, EIN KRIEG, DER NACH \u00d6L STINKT<\/a><\/td>\nCABINDA, UNA GUERRA QUE APESTA A PETR\u00d3LEO<\/a><\/td>\n<\/tr>\n
<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

 <\/p>\n

\"\"Ba\u015ftovoi<\/strong>, Andrei<\/p>\n

Manager, 1958-
\n\"\"<\/td>\n

LA MOLDAVIE DES OLIGARQUES, OU LE MOYEN \u00c2GE EST PLUS VIVANT QUE JAMAIS<\/a><\/td>\nTHE MOLDOVA OF THE OLIGARCHS, WHERE THE MIDDLE AGES ARE MORE ALIVE THAN EVER<\/a><\/td>\nLA MOLDAVIA DEGLI OLIGARCHI, DOVE IL MEDIOEVO \u00c8 PI\u00d9 VIVO CHE MAI<\/a><\/td>\n\u041c\u041e\u041b\u0414\u0410\u0412\u0418\u042f \u041e\u041b\u0418\u0413\u0410\u0420\u0425\u041e\u0412, \u0413\u0414\u0415 \u0421\u0420\u0415\u0414\u041d\u0415\u0412\u0415\u041a\u041e\u0412\u042c\u0415 \u0416\u0418\u0412\u041e, \u041a\u0410\u041a \u041d\u0418\u041a\u041e\u0413\u0414\u0410<\/a><\/td>\nMOLDAWIEN DER OLIGARCHEN, WO DAS MITTELALTER LEBENDIGER IST ALS JE ZUVOR<\/a><\/td>\nLA MOLDAVIA DE LOS OLIGARCAS, DONDE LA EDAD MEDIA EST\u00c1 M\u00c1S VIVA QUE NUNCA<\/a><\/td>\n<\/tr>\n
<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

 <\/p>\n

\"\"Batista<\/strong>, Fulgencio<\/p>\n

Politician, 1901-1973
\n\"\"<\/td>\n

CUBA AUJOURD\u2019HUI : CE QUI RESTE DU REVE \u2013 ET DU CAUCHEMAR<\/a><\/td>\nCUBA TODAY: WHAT REMAINS OF THE DREAM \u2013 AND THE NIGHTMARE<\/a><\/td>\nCUBA, OGGI: CI\u00d2 CHE RESTA DEL SOGNO \u2013 E DELL\u2019INCUBO<\/a><\/td>\n\u041a\u0423\u0411\u0410 \u0421\u0415\u0413\u041e\u0414\u041d\u042f: \u0427\u0422\u041e \u041e\u0421\u0422\u0410\u041b\u041e\u0421\u042c \u041e\u0422 \u041c\u0415\u0427\u0422\u042b \u2013 \u0418 \u041e\u0422 \u041a\u041e\u0428\u041c\u0410\u0420\u0410<\/a><\/td>\nKUBA HEUTE: WAS BLEIBT VOM TRAUM \u2013 UND VOM ALBTRAUM<\/a><\/td>\nCUBA, HOY: LO QUE QUEDA DEL SUE\u00d1O \u2013 Y DE LA PESADILLA<\/a><\/td>\n<\/tr>\n
<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

\"\"Battulga<\/strong>, Khaltmaa<\/p>\n

Politician, 1963-
\n\"\"<\/td>\n

COMMENT RIO TINTO MET EN DANGER LES INTERETS OCCIDENTAUX EN MONGOLIE<\/a><\/td>\nHOW RIO TINTO UNDERMINES WESTERN INTERESTS IN MONGOLIA<\/a><\/td>\nRIO TINTO METTE IN PERICOLO GLI INTERESSI OCCIDENTALI IN MONGOLIA<\/a><\/td>\n\u041a\u0410\u041a \u0420\u0418\u041e \u0422\u0418\u041d\u0422\u041e \u041f\u041e\u0414\u0420\u042b\u0412\u0410\u0415\u0422 \u0418\u041d\u0422\u0415\u0420\u0415\u0421\u042b \u0417\u0410\u041f\u0410\u0414\u0410 \u0412 \u041c\u041e\u041d\u0413\u041e\u041b\u0418\u0418<\/a><\/td>\nWIE RIO TINTO WESTLICHE INTERESSEN IN DER MONGOLEI GEF\u00c4HRDET<\/a><\/td>\nR\u00cdO TINTO PONE EN PELIGRO LOS INTERESES OCCIDENTALES EN MONGOLIA<\/a><\/td>\n<\/tr>\n
<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

\"\"Baumgertner<\/strong>, Vladislav<\/p>\n

Industrial entrepreneur, 1972-
\n\"\"<\/td>\n

COMMENT TROIS \u00ab FILLES \u00bb POURRAIENT SAUVER LA BIELORUSSIE<\/a><\/p>\n

DMITRYI MAZEPIN, LE PREMIER OLIGARQUE DE LONDONGRAD<\/a><\/td>\n

HOW THREE \u201cGIRLS\u201d COULD SAVE BELARUS<\/a><\/p>\n

DMITRIJ MAZEPIN, THE FIRST OLIGARCH OF LONDONGRAD<\/a><\/td>\n

ECCO LE TRE \u201cRAGAZZE\u201d CHE POTREBBERO SALVARE LA BIELORUSSIA<\/a><\/p>\n

DMITRIJ MAZEPIN, IL PRIMO OLIGARCA DI LONDONGRAD<\/a><\/td>\n

\u041a\u0410\u041a \u0422\u0420\u0418 \u00ab\u0414\u0415\u0412\u0423\u0428\u041a\u0418\u00bb \u041c\u041e\u0413\u0423\u0422 \u0421\u041f\u0410\u0421\u0422\u0418 \u0411\u0415\u041b\u0410\u0420\u0423\u0421\u042c<\/a><\/p>\n

\u0414\u041c\u0418\u0422\u0420\u0418\u0419 \u041c\u0410\u0417\u0415\u041f\u0418\u041d, \u041f\u0415\u0420\u0412\u042b\u0419 \u041e\u041b\u0418\u0413\u0410\u0420\u0425 \u041b\u041e\u041d\u0414\u041e\u041d\u0413\u0420\u0410\u0414\u0410<\/a><\/td>\n

WIE DREI \u201cM\u00c4DCHEN\u201d BELARUS RETTEN K\u00d6NNTEN<\/a><\/p>\n

DMITRIJ MAZEPIN, DER ERSTE OLIGARCH VON LONDONGRAD<\/a><\/td>\n

DMITRIJ MAZEPIN, EL PRIMER OLIGARCA DE LONDONGRAD<\/a><\/p>\n

ESTAS SON LAS TRES \u00abCHICAS\u00bb QUE PODR\u00cdAN SALVAR A BIELORRUSIA<\/a><\/p>\n

 <\/td>\n<\/tr>\n

<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

 <\/p>\n

\"\"<\/strong>Bay<\/strong>, Nicolas<\/p>\n

Politician, 1977-
\n\"\"<\/td>\n

LE CROQUE-MITAINE INCULTE DU PACTE JUDEO-SUNNITE<\/a><\/td>\nTHE UNLEARNED BOGEYMAN OF THE JEWISH-SUNNITE PACT<\/a><\/td>\nL\u2019AZZIMATO UOMO NERO DEL PATTO EBREO-SUNNITA<\/a><\/td>\n\u041d\u0415\u041e\u0411\u0423\u0427\u0410\u0415\u041c\u042b\u0419 \u0413\u041e\u041f\u041d\u0418\u041a \u0415\u0412\u0420\u0415\u0419\u0421\u041a\u041e-\u0421\u0423\u041d\u041d\u0418\u0422\u0421\u041a\u041e\u0413\u041e \u041f\u0410\u041a\u0422\u0410<\/a><\/td>\nDAS UNGELEHRTE SCHRECKGESPENST DES J\u00dcDISCH-SUNNITISCHEN PAKTES<\/a><\/td>\nEL HOMBRE DEL SACO DEL PACTO JUDEO-SUNNITA<\/a><\/td>\n<\/tr>\n
<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

 <\/p>\n

\"\"Bayraktar<\/strong>, Sel\u00e7uk<\/p>\n

Military engineer, 1979-<\/p>\n

\"\"<\/td>\n

QUAND LE CRIME DEVIENT UN \u00c9TAT: LA TURQUIE DE KAMER ET ERDOGAN<\/a><\/td>\nWHEN THE MOB BECOMES THE STATE: THE TURKEY OF KAMER AND ERDO\u011eAN<\/a><\/td>\nQUANDO IL CRIMINE SI FA STATO: LA TURCHIA DI KAMER E ERDO\u011eAN<\/a><\/td>\n\u041a\u041e\u0413\u0414\u0410 \u041f\u0420\u0415\u0421\u0422\u0423\u041f\u041b\u0415\u041d\u0418\u0415 \u0417\u041d\u0410\u0427\u0418\u0422 \u0413\u041e\u0421\u0423\u0414\u0410\u0420\u0421\u0422\u0412\u041e: \u0422\u0423\u0420\u0426\u0418\u042f \u041a\u0410\u041c\u0415\u0420\u0410 \u0418 \u042d\u0420\u0414\u041e\u0413\u0410\u041d\u0410<\/a><\/td>\nWENN KRIMINALIT\u00c4T ZUM STAAT WIRD: KAMER UND ERDO\u011eANS T\u00dcRKEI<\/a><\/td>\nCUANDO EL CRIMEN SE CONVIERTE EN ESTADO: LA TURQU\u00cdA DE KAMER Y ERDO\u011eAN<\/a><\/td>\n<\/tr>\n
<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

\"\"Bayramov<\/strong>, Jeyhun<\/p>\n

Politician, 1973-
\n\"\"<\/td>\n

SI TU ES L\u2019AMI D\u2019ERDOGAN, TU N\u2019AS PLUS BESOIN D\u2019ENNEMIS<\/a><\/td>\nIF YOU ARE ERDOGAN\u2019S FRIEND, YOU DON\u2019T NEED ENEMIES<\/a><\/td>\nSE SEI AMICO DI ERDOGAN, NON HAI BISOGNO DI NEMICI<\/a><\/td>\n\u0415\u0421\u041b\u0418 \u0422\u042b \u0414\u0420\u0423\u0413 \u042d\u0420\u0414\u041e\u0413\u0410\u041d\u0410, \u0422\u0415\u0411\u0415 \u041d\u0415 \u041d\u0423\u0416\u041d\u042b \u0412\u0420\u0410\u0413\u0418<\/a><\/td>\nWENN DU ERDOGANS FREUND BIST, BRAUCHST DU KEINE FEINDE MEHR<\/a><\/td>\nSI ERES AMIGO DE ERDOGAN, NO NECESITAS M\u00c1S ENEMIGOS<\/a><\/td>\n<\/tr>\n
<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

 <\/p>\n

\"\"<\/strong>Bazire<\/strong>, Nicolas<\/p>\n

Entrepreneur, 1957-
\n\"\"<\/td>\n

TANT QU\u2019IL Y A UNE GUERRE, IL Y A UN LOBBYISTE<\/a><\/td>\nAS LONG AS THERE IS WAR THERE IS A LOBBYIST<\/a><\/td>\nFINCH\u00c9 C\u2019\u00c8 GUERRA C\u2019\u00c8 UN LOBBYSTA<\/a><\/td>\n\u041f\u041e\u041a\u0410 \u0415\u0421\u0422\u042c \u0412\u041e\u0419\u041d\u0410, \u0415\u0421\u0422\u042c \u041b\u041e\u0411\u0411\u0418\u0421\u0422<\/a><\/td>\nSOLANGE ES KRIEG GIBT, GIBT ES AUCH LOBBYISTEN<\/a><\/td>\nMIENTRAS HAYA GUERRA HABR\u00c1 UN LOBBYISTA<\/a><\/td>\n<\/tr>\n
<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

\"\"Bazoum<\/strong>, Mohamed<\/p>\n

Politician, 1960
\n\"\"<\/td>\n

KARA-KARA, OU LE MONDE S\u2019ENFONCE<\/a><\/td>\nKARA-KARA, WHERE THE WORLD FALLS APART<\/a><\/td>\nKARA-KARA, L\u00c0 DOVE SPROFONDA IL MONDO<\/a><\/td>\nKARA-KARA, \u0422\u0410\u041c, \u0413\u0414\u0415 \u0422\u041e\u041d\u0415\u0422 \u041c\u0418\u0420<\/a><\/td>\nKARA-KARA, WO DIE WELT VERSINKT<\/a><\/td>\nKARA-KARA, DONDE EL MUNDO SE HUNDE<\/a><\/td>\n<\/tr>\n
<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

\"\"Bazzi<\/strong>, Mohammed Ibrahim<\/p>\n

Banker, 1964-
\n\"\"<\/td>\n

L\u2019ENTREPRISE MILLIONNAIRE PAS SI SECRETE DU HEZBOLLAH EN GAMBIE<\/a><\/td>\nHEZBOLLAH\u2019S NOT-SO-SECRET MILLIONAIRE BUSINESS WITH GAMBIA<\/a><\/td>\nIL BUSINESS MILIONARIO, NEMMENO TANTO SEGRETO, DI HEZBOLLAH IN GAMBIA<\/a><\/td>\n\u041c\u0418\u041b\u041b\u0418\u041e\u041d\u0415\u0420\u041d\u042b\u0419 \u0411\u0418\u0417\u041d\u0415\u0421, \u0414\u0410\u0416\u0415 \u041e\u0427\u0415\u041d\u042c \u0421\u0415\u041a\u0420\u0415\u0422\u041d\u042b\u0419, \u0425\u0415\u0417\u0411\u041e\u041b\u041b\u0410 \u0412 \u0413\u0410\u041c\u0411\u0418\u0418<\/a><\/td>\nDAS NICHT SO GEHEIME MILLION\u00c4RSGESCH\u00c4FT DER HISBOLLAH IN GAMBIA<\/a><\/td>\nEL NO TAN SECRETO NEGOCIO DE HEZBOL\u00c1 EN GAMBIA<\/a><\/td>\n<\/tr>\n
<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

\"\"Bazzi<\/strong>, Wa’el<\/p>\n

Financier, 1989-
\n\"\"<\/td>\n

L\u2019ENTREPRISE MILLIONNAIRE PAS SI SECRETE DU HEZBOLLAH EN GAMBIE<\/a><\/td>\nHEZBOLLAH\u2019S NOT-SO-SECRET MILLIONAIRE BUSINESS WITH GAMBIA<\/a><\/td>\nIL BUSINESS MILIONARIO, NEMMENO TANTO SEGRETO, DI HEZBOLLAH IN GAMBIA<\/a><\/td>\n\u041c\u0418\u041b\u041b\u0418\u041e\u041d\u0415\u0420\u041d\u042b\u0419 \u0411\u0418\u0417\u041d\u0415\u0421, \u0414\u0410\u0416\u0415 \u041e\u0427\u0415\u041d\u042c \u0421\u0415\u041a\u0420\u0415\u0422\u041d\u042b\u0419, \u0425\u0415\u0417\u0411\u041e\u041b\u041b\u0410 \u0412 \u0413\u0410\u041c\u0411\u0418\u0418<\/a><\/td>\nDAS NICHT SO GEHEIME MILLION\u00c4RSGESCH\u00c4FT DER HISBOLLAH IN GAMBIA<\/a><\/td>\nEL NO TAN SECRETO NEGOCIO DE HEZBOL\u00c1 EN GAMBIA<\/a><\/td>\n<\/tr>\n
<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

 <\/p>\n

\"\"<\/strong>Beaudemoulin<\/strong>, Thierry<\/p>\n

Manager, 1971-
\n\"\"<\/td>\n

QUAND MEME L\u2019AIGLE N\u2019OSE PLUS VOLER<\/a><\/td>\nWHEN EVEN THE EAGLE NO LONGER DARES TO FLY<\/a><\/td>\nQUANDO NEMMENO L\u2019AQUILA OSA PI\u00d9 VOLARE<\/a><\/td>\n\u041a\u041e\u0413\u0414\u0410 \u0414\u0410\u0416\u0415 \u041e\u0420\u0415\u041b \u0411\u041e\u041b\u042c\u0428\u0415 \u041d\u0415 \u041e\u0421\u041c\u0415\u041b\u0418\u0412\u0410\u0415\u0422\u0421\u042f \u041b\u0415\u0422\u0410\u0422\u042c<\/a><\/td>\nWENN SELBST DER ADLER NICHT MEHR ZU FLIEGEN WAGT<\/a><\/td>\nCUANDO HASTA EL \u00c1GUILA YA NO SE ATREVE A VOLAR<\/a><\/td>\n<\/tr>\n
<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

 <\/p>\n

\"\"Becciu<\/strong>, Giovanni Angelo<\/p>\n

Cardinal, 1948-
\n\"\"<\/td>\n

LA MISERE OPULENTE DE LA THEOCRATIE ROMAINE<\/a><\/td>\nTHE OPULENT MISERY OF THE ROMAN THEOCRACY<\/a><\/td>\nL\u2019OPULENTA MISERIA DELLA TEOCRAZIA ROMANA<\/a><\/td>\n\u0420\u041e\u0421\u041a\u041e\u0428\u041d\u041e\u0415 \u041d\u0415\u0421\u0427\u0410\u0421\u0422\u042c\u0415 \u0420\u0418\u041c\u0421\u041a\u041e\u0419 \u0422\u0415\u041e\u041a\u0420\u0410\u0422\u0418\u0418<\/a><\/td>\nDAS \u00dcPPIGE ELEND DER R\u00d6MISCHEN THEOKRATIE<\/a><\/td>\nLA OPULENTA MISERIA DE LA TEOCRACIA ROMANA<\/a><\/td>\n<\/tr>\n
<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

\"\"Becirovic<\/strong>, Denis<\/p>\n

Politician, 1975\u2013
\n\"\"<\/td>\n

CENT ANS APRES: SARAJEVO BRULE TOUJOURS<\/a><\/td>\nONE HUNDRED YEARS LATER: SARAJEVO BURNS AGAIN<\/a><\/td>\nCENTO ANNI DOPO: SARAJEVO BRUCIA ANCORA<\/a><\/td>\n\u0421\u0422\u041e \u041b\u0415\u0422 \u0421\u041f\u0423\u0421\u0422\u042f: \u0421\u0410\u0420\u0410\u0415\u0412\u041e \u0412\u0421\u0415 \u0415\u0429\u0415 \u0413\u041e\u0420\u0418\u0422<\/a><\/td>\nHUNDERT JAHRE SP\u00c4TER: SARAJEVO BRENNT WEITER<\/a><\/td>\nCIEN A\u00d1OS DESPU\u00c9S: SARAJEVO SIGUE ARDIENDO<\/a><\/td>\n<\/tr>\n
<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

\"\"Beckham<\/strong>, David<\/p>\n

Soccer player, 1975-
\n\"\"<\/td>\n

SUPERCIUK D\u2019ISLANDE, LE DERNIER HEROS DES VIKINGS<\/a><\/td>\nSUPERCIUK OF ICELAND, THE LAST VIKING HERO<\/a><\/td>\nSUPERCIUK D\u2019ISLANDA, L\u2019ULTIMO EROE DEI VICHINGHI<\/a><\/td>\n\u0421\u0423\u041f\u0415\u0420\u0427\u0423\u041a \u0418\u0417 \u0418\u0421\u041b\u0410\u041d\u0414\u0418\u0418, \u041f\u041e\u0421\u041b\u0415\u0414\u041d\u0418\u0419 \u0413\u0415\u0420\u041e\u0419 \u0412\u0418\u041a\u0418\u041d\u0413\u041e\u0412<\/a><\/td>\nSUPERCIUK VON ISLAND, DER LETZTE HELD DER WIKINGER<\/a><\/td>\nSUPERCHUK DE ISLANDIA, EL \u00daLTIMO H\u00c9ROE VIKINGO<\/a><\/td>\n<\/tr>\n
<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

 <\/p>\n

\"\"Beckstein<\/strong>, G\u00fcnther<\/p>\n

Politician, 1943-
\n\"\"<\/td>\n

GOLFE PERSIQUE : LA GUERRE APRES L\u2019ARMISTICE<\/a><\/td>\nPERSIAN GULF: THE WAR AFTER THE ARMISTICE<\/a><\/td>\nGOLFO PERSICO: LA GUERRA DOPO L\u2019ARMISTIZIO<\/a><\/td>\n\u041f\u0415\u0420\u0421\u0418\u0414\u0421\u041a\u0418\u0419 \u0417\u0410\u041b\u0418\u0412: \u0412\u041e\u0419\u041d\u0410 \u041f\u041e\u0421\u041b\u0415 \u041f\u0415\u0420\u0415\u041c\u0418\u0420\u0418\u042f<\/a><\/td>\nPERSISCHER GOLF: DER KRIEG NACH DEM WAFFENSTILLSTAND<\/a><\/td>\nNOCH EIN LEOPARDENWECHSEL IN GUINEA<\/a><\/td>\n<\/tr>\n
<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

 <\/p>\n

\"\"Bedford<\/strong>, Claude<\/p>\n

Barrister, 1979-
\n\"\"<\/td>\n

HA\u00cfTI DANS LE SANG : LA TERREUR DES GANGS CRIMINELS<\/a><\/td>\nHAITI IN BLOOD: THE TERROR OF CRIMINAL GANGS<\/a><\/td>\nHAITI NEL SANGUE: IL TERRORE DELLE BANDE CRIMINALI<\/a><\/td>\n\u0413\u0410\u0418\u0422\u0418 \u0412 \u041a\u0420\u041e\u0412\u0418: \u0422\u0415\u0420\u0420\u041e\u0420 \u041f\u0420\u0415\u0421\u0422\u0423\u041f\u041d\u042b\u0425 \u0413\u0420\u0423\u041f\u041f\u0418\u0420\u041e\u0412\u041e\u041a<\/a><\/td>\nHAITI IN BLUT: DER TERROR DER KRIMINELLEN BANDEN<\/a><\/td>\nHAIT\u00cd EN LA SANGRE: EL TERROR DE LAS PANDILLAS CRIMINALES<\/a><\/td>\n<\/tr>\n
<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

\"\"Begley,<\/strong> Thomas<\/p>\n

Terrorist, 1970-1993
\n\"\"<\/td>\n

LA VICTOIRE DU SINN FEIN POUSSE L\u2019ULSTER VERS L\u2019EUROPE<\/a><\/td>\nSINN F\u00c9IN\u2019S VICTORY PUSHES ULSTER TOWARDS EUROPE<\/a><\/td>\nLA VITTORIA DI SINN F\u00c9IN SPINGE L\u2019ULSTER VERSO L\u2019EUROPA<\/a><\/td>\n\u041f\u041e\u0411\u0415\u0414\u0410 \u0428\u0418\u041d\u041d \u0424\u0415\u0419\u041d \u041f\u0420\u041e\u0414\u0412\u0418\u0413\u0410\u0415\u0422 \u041e\u041b\u042c\u0421\u0422\u0415\u0420 \u041a \u0415\u0412\u0420\u041e\u041f\u0415<\/a><\/td>\nDER SIEG DER SINN F\u00c9IN BRINGT ULSTER N\u00c4HER AN EUROPA HERAN<\/a><\/td>\nLA VICTORIA DEL SINN F\u00c9IN EMPUJA AL ULSTER HACIA EUROPA<\/a><\/td>\n<\/tr>\n
<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

 <\/p>\n

\"\"Begon<\/strong>, Jack<\/p>\n

Journalist, 1923-1991
\n\"\"<\/td>\n

LA DERNIERE VICTIME DU BANCO AMBROSIANO<\/a><\/td>\nTHE LAST VICTIM OF BANCO AMBROSIANO<\/a><\/td>\nL\u2019ULTIMA VITTIMA DEL BANCO AMBROSIANO<\/a><\/td>\n\u041f\u041e\u0421\u041b\u0415\u0414\u041d\u042f\u042f \u0416\u0415\u0420\u0422\u0412\u0410\u0411\u0410\u041d\u041a\u0410 \u0410\u041c\u0411\u0420\u041e\u0417\u0418\u0410\u041d\u041e<\/a><\/td>\nDAS LETZTE OPFER DER BANCO AMBROSIANO<\/a><\/td>\nLA \u00daLTIMA V\u00cdCTIMA DEL BANCO AMBROSIANO<\/a><\/td>\n<\/tr>\n
<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

 <\/p>\n

\"\"Beisheim<\/strong>, Otto<\/p>\n

Entrepreneur, 1924-2013
\n\"\"<\/td>\n

HEEREMA : LE LONG VOYAGE DU NATIONAL-SOCIALISME A L\u2019EXPLOITATION DES FONDS MARINS<\/a><\/td>\nHEEREMA: THE LONG JOURNEY FROM NATIONAL SOCIALISM TO THE EXPLOITATION OF THE SEABED<\/a><\/td>\nHEEREMA: IL LUNGO VIAGGIO DAL NAZISMO ALLO SFRUTTAMENTO DEI FONDALI OCEANICI<\/a><\/td>\nHEEREMA: \u0414\u041e\u041b\u0413\u041e\u0415 \u041f\u0423\u0422\u0415\u0428\u0415\u0421\u0422\u0412\u0418\u0415 \u041e\u0422 \u041d\u0410\u0426\u0418\u0417\u041c\u0410 \u041a \u042d\u041a\u0421\u041f\u041b\u0423\u0410\u0422\u0410\u0426\u0418\u0418 \u041e\u041a\u0415\u0410\u041d\u0421\u041a\u041e\u0413\u041e \u0414\u041d\u0410<\/a><\/td>\nHEEREMA: DIE LANGE REISE VOM NATIONALSOZIALISMUS ZUR AUSBEUTUNG DES MEERESBODENS<\/a><\/td>\nHEEREMA: EL LARGO VIAJE DEL NAZISMO A LA EXPLOTACI\u00d3N DE LOS FONDOS MARINOS<\/a><\/p>\n

LA EXPLOTACI\u00d3N DE LOS FONDOS MARINOS, LA NUEVA FRONTERA DE LA AUTODESTRUCCI\u00d3N DE LA HUMANIDAD<\/a><\/td>\n<\/tr>\n

<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

 <\/p>\n

\"\"Bekrine<\/strong>, Ahmed Ould<\/p>\n

Military, 1954-
\n\"\"<\/td>\n

COMMENT MEME LA FOURMI MAURITANIENNE PEUT CHANGER L\u2019EQUILIBRE DU MONDE<\/a><\/td>\nHOW EVEN THE MAURITANIAN ANT CAN CHANGE THE BALANCE OF THE WORLD<\/a><\/td>\nCOME PERSINO LA FORMICA MAURITANIA CAMBIA GLI EQUILIBRI DEL MONDO<\/a><\/td>\n\u041a\u0410\u041a \u0414\u0410\u0416\u0415 \u041c\u0410\u0412\u0420\u0418\u0422\u0410\u041d\u0421\u041a\u0418\u0419 \u041c\u0423\u0420\u0410\u0412\u0415\u0419 \u041c\u0415\u041d\u042f\u0415\u0422 \u0411\u0410\u041b\u0410\u041d\u0421 \u041c\u0418\u0420\u0410<\/a><\/td>\nWIE SELBST DIE MAURETANISCHE AMEISE DAS GLEICHGEWICHT DER WELT VER\u00c4NDERN KANN<\/a><\/td>\nC\u00d3MO INCLUSO LA HORMIGA MAURITANIA CAMBIA EL EQUILIBRIO DEL MUNDO<\/a><\/td>\n<\/tr>\n
<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

 <\/p>\n

\"\"Belafonte<\/strong>, Harry<\/p>\n

Singer, 1927-2023
\n\"\"<\/td>\n

MIRIAM MAKEBA, LA VOIX DE L\u2019AFRIQUE<\/a><\/td>\nMIRIAM MAKEBA, THE VOICE OF AFRICA<\/a><\/td>\nMIRIAM MAKEBA, LA VOCE DELL\u2019AFRICA<\/a><\/td>\n\u041c\u0418\u0420\u0418\u0410\u041c \u041c\u0410\u041a\u0415\u0411\u0410, \u0413\u041e\u041b\u041e\u0421 \u0410\u0424\u0420\u0418\u041a\u0418<\/a><\/td>\nMIRIAM MAKEBA, DIE STIMME AFRIKAS<\/a><\/td>\nMIRIAM MAKEBA, LA VOZ DE \u00c1FRICA<\/a><\/td>\n<\/tr>\n
<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

\"\"Belew<\/strong>, Kathleen<\/p>\n

Assistant professor at the University of Chicago, 1981-
\n\"\"<\/td>\n

DU PLASTIQUE ET DU SANG POUR LES ANUS N\u00c9O-NAZIS<\/a><\/td>\nPLASTIC AND BLOOD FOR NEO-NAZI ANUSES<\/a><\/td>\nPLASTICA E SANGUE PER GLI ANI NEONAZISTI<\/a><\/td>\n\u041f\u041b\u0410\u0421\u0422\u0418\u041a \u0418 \u041a\u0420\u041e\u0412\u042c \u0414\u041b\u042f \u0410\u041d\u0423\u0421\u041e\u0412 \u041d\u0415\u041e\u041d\u0410\u0426\u0418\u0421\u0422\u041e\u0412<\/a><\/td>\nPLASTIK UND BLUT F\u00dcR NEONAZI-ANUS<\/a><\/td>\nPL\u00c1STICO Y SANGRE PARA ANOS NEONAZIS<\/a><\/td>\n<\/tr>\n
<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

\"\"Belhouji<\/strong>, Souad<\/p>\n

Lobbyist, 1983-
\n\"\"<\/td>\n

JONATHAN GRAY : PARIS A SON NOUVEAU RICHELIEU<\/a><\/p>\n

GOLFE PERSIQUE: LA GUERRE APRES L\u2019ARMISTICE<\/a><\/td>\n

JONATHAN GRAY: PARIS HAS ITS NEW RICHELIEU<\/a><\/p>\n

PERSIAN GULF: THE WAR AFTER THE ARMISTICE<\/a><\/td>\n

JONATHAN GRAY: PARIGI HA IL SUO NUOVO RICHELIEU<\/a><\/p>\n

GOLFO PERSICO: LA GUERRA DOPO L\u2019ARMISTIZIO<\/a><\/td>\n

JONATHAN GRAY: \u0412 \u041f\u0410\u0420\u0418\u0416\u0415 \u041d\u041e\u0412\u042b\u0419 \u0420\u0418\u0428\u0415\u041b\u042c\u0415<\/a><\/p>\n

\u041f\u0415\u0420\u0421\u0418\u0414\u0421\u041a\u0418\u0419 \u0417\u0410\u041b\u0418\u0412: \u0412\u041e\u0419\u041d\u0410 \u041f\u041e\u0421\u041b\u0415 \u041f\u0415\u0420\u0415\u041c\u0418\u0420\u0418\u042f<\/a><\/td>\n

JONATHAN GRAY: PARIS HAT SEINEN NEUEN RICHELIEU<\/a><\/p>\n

PERSISCHER GOLF: DER KRIEG NACH DEM WAFFENSTILLSTAND<\/a><\/td>\n

JONATHAN GRAY: PAR\u00cdS TIENE SU NUEVO RICHELIEU<\/a><\/p>\n

GOLFO P\u00c9RSICO: LA GUERRA DESPU\u00c9S DEL ARMISTICIO<\/a><\/td>\n<\/tr>\n

<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

\"\"Belkacem,<\/strong> Sma\u00efn Ait Ali<\/p>\n

Muslim terrorist, 1968-
\n\"\"<\/td>\n

YVAN COLONNA : ILS ONT TUE LE DERNIER GRAND HEROS<\/a><\/td>\nYVAN COLONNA: DEATH OF A LAST LOCAL HERO<\/a><\/td>\nYVAN COLONNA: HANNO UCCISO L\u2019UOMO RAMBO<\/a><\/td>\n\u0418\u0412\u0410\u041d \u041a\u041e\u041b\u041e\u041d\u041d\u0410: \u041e\u041d \u0423\u0411\u0418\u041b\u0418 \u0427\u0415\u041b\u041e\u0412\u0415\u041a\u0410 \u0420\u042d\u041c\u0411\u041e<\/a><\/td>\nYVAN COLONNA: TOD EINES NATIONALEN HELDEN<\/a><\/td>\nYVAN COLONNA: MATARON AL \u00daLTIMO H\u00c9ROE<\/a><\/td>\n<\/tr>\n
<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

\"\"Bellanova<\/strong>, Teresa<\/p>\n

Politician, 1958-
\n\"\"<\/td>\n

MOUVEMENT 5 ETOILES ET LEGANORD : REPETITIONS GENERALES POUR UNE INTERNATIONALE POSTFASCISTE<\/a><\/td>\n5-STAR MOVEMENT AND LEGANORD: DRESS REHEARSALS FOR A POST-FASCIST INTERNATIONAL<\/a><\/td>\nMOVIMENTO 5 STELLE E LEGA NORD: PROVE GENERALI PER UN\u2019INTERNAZIONALE POST-FASCISTA<\/a><\/td>\n\u0414\u0412\u0418\u0416\u0415\u041d\u0418\u0415 5 \u0417\u0412\u0415\u0417\u0414 \u0418 \u0421\u0415\u0412\u0415\u0420\u041d\u0410\u042f \u041b\u0418\u0413\u0410: \u0418\u0421\u041f\u042b\u0422\u0410\u041d\u0418\u042f \u0414\u041b\u042f \u041f\u041e\u0421\u0422\u0424\u0410\u0428\u0418\u0421\u0422\u0421\u041a\u041e\u0413\u041e \u0418\u041d\u0422\u0415\u0420\u041d\u0410\u0426\u0418\u041e\u041d\u0410\u041b\u0410<\/a><\/td>\n5-STERNE-BEWEGUNG UND LEGANORD: GENERALPROBEN F\u00dcR EINE POSTFASCHISTISCHE INTERNATIONALE<\/a><\/td>\nEL MOVIMIENTO 5 ESTRELLAS Y LA LIGA NORTE: ENSAYO GENERAL DE UNA INTERNACIONAL POST-FASCISTA<\/a><\/td>\n<\/tr>\n
<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

\"\"Bellavista<\/strong>, Gianluca<\/p>\n

Manager of Philip Morris, 1977-
\n\"\"<\/td>\n

MOUVEMENT 5 ETOILES ET LEGANORD : REPETITIONS GENERALES POUR UNE INTERNATIONALE POSTFASCISTE<\/a><\/td>\n5-STAR MOVEMENT AND LEGANORD: DRESS REHEARSALS FOR A POST-FASCIST INTERNATIONAL<\/a><\/td>\nMOVIMENTO 5 STELLE E LEGA NORD: PROVE GENERALI PER UN\u2019INTERNAZIONALE POST-FASCISTA<\/a><\/td>\n\u0414\u0412\u0418\u0416\u0415\u041d\u0418\u0415 5 \u0417\u0412\u0415\u0417\u0414 \u0418 \u0421\u0415\u0412\u0415\u0420\u041d\u0410\u042f \u041b\u0418\u0413\u0410: \u0418\u0421\u041f\u042b\u0422\u0410\u041d\u0418\u042f \u0414\u041b\u042f \u041f\u041e\u0421\u0422\u0424\u0410\u0428\u0418\u0421\u0422\u0421\u041a\u041e\u0413\u041e \u0418\u041d\u0422\u0415\u0420\u041d\u0410\u0426\u0418\u041e\u041d\u0410\u041b\u0410<\/a><\/td>\n5-STERNE-BEWEGUNG UND LEGANORD: GENERALPROBEN F\u00dcR EINE POSTFASCHISTISCHE INTERNATIONALE<\/a><\/td>\nEL MOVIMIENTO 5 ESTRELLAS Y LA LIGA NORTE: ENSAYO GENERAL DE UNA INTERNACIONAL POST-FASCISTA<\/a><\/td>\n<\/tr>\n
<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

\"\"Bellerive<\/strong>, Jean-Marc<\/p>\n

Politician, 1958-
\n\"\"<\/td>\n

HA\u00cfTI, L\u2019ENFER DES CARA\u00cfBES<\/a><\/td>\nHAITI, THE HELL OF THE CARIBBEAN<\/a><\/td>\nHAITI, L\u2019INFERNO DEI CARAIBI<\/a><\/td>\n\u0413\u0410\u0418\u0422\u0418, \u0410\u0414 \u041a\u0410\u0420\u0418\u0411\u0421\u041a\u041e\u0413\u041e \u041c\u041e\u0420\u042f<\/a><\/td>\nHAITI, DIE H\u00d6LLE DER KARIBIK<\/a><\/td>\nHAIT\u00cd, EL INFIERNO DEL CARIBE<\/a><\/td>\n<\/tr>\n
<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

 <\/p>\n

\"\"Belli<\/strong>, Arcangelo<\/p>\n

Entrepreneur, 1933-2020
\n\"\"<\/td>\n

LA DERNIERE VICTIME DU BANCO AMBROSIANO<\/a><\/td>\nTHE LAST VICTIM OF BANCO AMBROSIANO<\/a><\/td>\nL\u2019ULTIMA VITTIMA DEL BANCO AMBROSIANO<\/a><\/td>\n\u041f\u041e\u0421\u041b\u0415\u0414\u041d\u042f\u042f \u0416\u0415\u0420\u0422\u0412\u0410\u0411\u0410\u041d\u041a\u0410 \u0410\u041c\u0411\u0420\u041e\u0417\u0418\u0410\u041d\u041e<\/a><\/td>\nDAS LETZTE OPFER DER BANCO AMBROSIANO<\/a><\/td>\nLA \u00daLTIMA V\u00cdCTIMA DEL BANCO AMBROSIANO<\/a><\/td>\n<\/tr>\n
<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

\"\"Bellini<\/strong>, Monica Rossana<\/p>\n

Financial advisor, 1967\u2013
\n\"\"<\/td>\n

PANZERI ET CES AMIS DE L\u2019AUTRE RIVE<\/a><\/td>\nPANZERI AND THOSE FRIENDS FROM THE OTHER SIDE<\/a><\/td>\nPANZERI E QUEGLI AMICI DELL\u2019ALTRA SPONDA<\/a><\/td>\n\u041f\u0410\u041d\u0426\u0415\u0420\u0418 \u0418 \u0422\u0415 \u0414\u0420\u0423\u0417\u042c\u042f \u0421 \u0414\u0420\u0423\u0413\u041e\u0419 \u0421\u0422\u041e\u0420\u041e\u041d\u042b<\/a><\/td>\nPANZERI UND DIE FREUNDE VON DER ANDEREN SEITE<\/a><\/td>\nPANZERI Y ESOS AMIGOS DEL OTRO LADO<\/a><\/td>\n<\/tr>\n
<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

 <\/p>\n

\"\"Belluzzi<\/strong>, Iro<\/p>\n

Politician, 1964-
\n\"\"<\/td>\n

SAINT-MARIN: L\u2019HISTOIRE D\u2019UN EFFONDREMENT ANNONCE<\/a><\/td>\nSAN MARINO: HISTORY OF AN ANNOUNCED COLLAPSE<\/a><\/td>\nSAN MARINO: STORIA DI UN TRACOLLO ANNUNCIATO<\/a><\/td>\n\u0421\u0410\u041d-\u041c\u0410\u0420\u0418\u041d\u041e: \u0418\u0421\u0422\u041e\u0420\u0418\u042f \u041e\u0411\u042a\u042f\u0412\u041b\u0415\u041d\u041d\u041e\u0413\u041e \u041a\u0420\u0410\u0425\u0410<\/a><\/td>\nSAN MARINO: DIE GESCHICHTE EINES ANGEK\u00dcNDIGTEN ZUSAMMENBRUCHS<\/a><\/td>\nSAN MARINO: HISTORIA DE UN COLAPSO ANUNCIADO<\/a><\/td>\n<\/tr>\n
<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

 <\/p>\n

\"\"Belushi<\/strong>, John<\/p>\n

Actor, 1949-1982
\n\"\"<\/td>\n

L\u2019EUROPE, UNE UNION A SOUVERAINETE LIMITEE<\/a><\/td>\nEUROPE, A UNION WITH LIMITED SOVEREIGNTY<\/a><\/td>\nL\u2019EUROPA, UN\u2019UNIONE A SOVRANIT\u00c0 LIMITATA<\/a><\/td>\n\u0415\u0412\u0420\u041e\u041f\u0410, \u0421\u041e\u042e\u0417 \u0421 \u041e\u0413\u0420\u0410\u041d\u0418\u0427\u0415\u041d\u041d\u042b\u041c \u0421\u0423\u0412\u0415\u0420\u0415\u041d\u0418\u0422\u0415\u0422\u041e\u041c<\/a><\/td>\nEUROPA, EINE UNION MIT BEGRENZTER SOUVER\u00c4NIT\u00c4T<\/a><\/td>\nEUROPA, UNA UNI\u00d3N CON SOBERAN\u00cdA LIMITADA<\/a><\/td>\n<\/tr>\n
<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

\"\"Belykh<\/strong>, Nikita<\/p>\n

Politician, 1975-
\n\"\"<\/td>\n

DMITRYI MAZEPIN, LE PREMIER OLIGARQUE DE LONDONGRAD<\/a><\/td>\nDMITRIJ MAZEPIN, THE FIRST OLIGARCH OF LONDONGRAD<\/a><\/td>\nDMITRIJ MAZEPIN, IL PRIMO OLIGARCA DI LONDONGRAD<\/a><\/td>\n\u0414\u041c\u0418\u0422\u0420\u0418\u0419 \u041c\u0410\u0417\u0415\u041f\u0418\u041d, \u041f\u0415\u0420\u0412\u042b\u0419 \u041e\u041b\u0418\u0413\u0410\u0420\u0425 \u041b\u041e\u041d\u0414\u041e\u041d\u0413\u0420\u0410\u0414\u0410<\/a><\/td>\nDMITRIJ MAZEPIN, DER ERSTE OLIGARCH VON LONDONGRAD<\/a><\/td>\nDMITRIJ MAZEPIN, EL PRIMER OLIGARCA DE LONDONGRAD<\/a><\/td>\n<\/tr>\n
<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

 <\/p>\n

\"\"Ben Ali<\/strong>, Zine El Abidine<\/p>\n

Politician, 1936-2018
\n\"\"<\/td>\n

LIBYE: LA LUTTE POUR LE PETROLE<\/a><\/td>\nLIBYA: THE FIGHT FOR OIL<\/a><\/td>\nLIBIA: LA LOTTA PER IL PETROLIO<\/a><\/td>\n\u041b\u0418\u0412\u0418\u042f: \u0411\u041e\u0420\u042c\u0411\u0410 \u0417\u0410 \u041d\u0415\u0424\u0422\u042c<\/a><\/td>\nLIBYEN: DER KAMPF UMS \u00d6L<\/a><\/td>\nLIBIA: LA LUCHA POR EL PETR\u00d3LEO<\/a><\/td>\n<\/tr>\n
<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

 <\/p>\n

\"\"<\/strong>Ben Chedly<\/strong>, Elies (Elyes o Ly\u00e8s)<\/p>\n

Lobbyist,
\n\"\"<\/td>\n

TANT QU\u2019IL Y A UNE GUERRE, IL Y A UN LOBBYISTE<\/a><\/td>\nAS LONG AS THERE IS WAR THERE IS A LOBBYIST<\/a><\/td>\nFINCH\u00c9 C\u2019\u00c8 GUERRA C\u2019\u00c8 UN LOBBYSTA<\/a><\/td>\n\u041f\u041e\u041a\u0410 \u0415\u0421\u0422\u042c \u0412\u041e\u0419\u041d\u0410, \u0415\u0421\u0422\u042c \u041b\u041e\u0411\u0411\u0418\u0421\u0422<\/a><\/td>\nSOLANGE ES KRIEG GIBT, GIBT ES AUCH LOBBYISTEN<\/a><\/td>\nMIENTRAS HAYA GUERRA HABR\u00c1 UN LOBBYISTA<\/a><\/td>\n<\/tr>\n
<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

 <\/p>\n

\"\"Benalla<\/strong>, Alexandre<\/p>\n

Security Agent, 1991-
\n\"\"<\/td>\n

VIE ET MIRACLES D\u2019UN MERCENAIRE DANS LA GUERRE MEDIATIQUE<\/a><\/td>\nLIFE AND MIRACLES OF A MERCENARY IN THE MEDIA WAR<\/a><\/td>\nVITA E MIRACOLI DI UN MERCENARIO NELLA GUERRA DEI MEDIA<\/a><\/td>\n\u0416\u0418\u0417\u041d\u042c \u0418 \u0427\u0423\u0414\u0415\u0421\u0410 \u041d\u0410\u0415\u041c\u041d\u0418\u041a\u0410 \u0412 \u0412\u041e\u0419\u041d\u0415 \u0421\u041e \u0421\u041c\u0418<\/a><\/td>\nLEBEN UND WUNDER EINES S\u00d6LDNERS IM MEDIENKRIEG<\/a><\/td>\nVIDA Y MILAGROS DE UN MERCENARIO EN LA GUERRA MEDI\u00c1TICA<\/a><\/td>\n<\/tr>\n
<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

 <\/p>\n

\"\"Bender<\/strong>, Emily<\/p>\n

Linguist, 1973-
\n\"\"<\/td>\n

SI TON ORDINATEUR TOMBE SOUDAINEMENT AMOUREUX<\/a><\/td>\nSUDDENLY, IF YOUR COMPUTER FALLS IN LOVE<\/a><\/td>\nSE IL TUO COMPUTER DI COLPO SI INNAMORA<\/a><\/td>\n\u0415\u0421\u041b\u0418 \u0412\u0410\u0428 \u041a\u041e\u041c\u041f\u042c\u042e\u0422\u0415\u0420 \u0412\u0414\u0420\u0423\u0413 \u0412\u041b\u042e\u0411\u0418\u0422\u0421\u042f<\/a><\/td>\nWENN DEIN COMPUTER SICH PL\u00d6TZLICH VERLIEBT<\/a><\/td>\nSI UN ORDENADOR DE REPENTE SE ENAMORA<\/a><\/td>\n<\/tr>\n
<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

\"\"Bendukidze<\/strong>, Kakha<\/p>\n

Oligarch, 1956-2014
\n\"\"<\/td>\n

DMITRYI MAZEPIN, LE PREMIER OLIGARQUE DE LONDONGRAD<\/a><\/td>\nDMITRIJ MAZEPIN, THE FIRST OLIGARCH OF LONDONGRAD<\/a><\/td>\nDMITRIJ MAZEPIN, IL PRIMO OLIGARCA DI LONDONGRAD<\/a><\/td>\n\u0414\u041c\u0418\u0422\u0420\u0418\u0419 \u041c\u0410\u0417\u0415\u041f\u0418\u041d, \u041f\u0415\u0420\u0412\u042b\u0419 \u041e\u041b\u0418\u0413\u0410\u0420\u0425 \u041b\u041e\u041d\u0414\u041e\u041d\u0413\u0420\u0410\u0414\u0410<\/a><\/td>\nDMITRIJ MAZEPIN, DER ERSTE OLIGARCH VON LONDONGRAD<\/a><\/td>\nDMITRIJ MAZEPIN, EL PRIMER OLIGARCA DE LONDONGRAD<\/a><\/td>\n<\/tr>\n
<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

 <\/p>\n

\"\"Benedetti<\/strong>, Mario<\/p>\n

Philosopher, 1920-2009
\n\"\"<\/td>\n

MERCEDES SOSA, LA VOIX DES SANS-VOIX<\/a><\/td>\nMERCEDES SOSA, THE VOICE OF THE VOICELESS<\/a><\/td>\nMERCEDES SOSA, LA VOCE DEI SENZA VOCE<\/a><\/td>\nMERCEDES SOSA, \u0413\u041e\u041b\u041e\u0421 \u0411\u0415\u0417\u0413\u041e\u041b\u041e\u0421\u042b\u0425<\/a><\/td>\nMERCEDES SOSA, DIE STIMME DER STUMMEN<\/a><\/td>\nMERCEDES SOSA, LA VOZ DE LOS SIN VOZ<\/a><\/td>\n<\/tr>\n
<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

\"\"Benedetto<\/strong> XVI<\/p>\n

Pope, 1927-2022
\n\"\"<\/td>\n

VATICAN ET FRERES MUSULMANS : 100 ANS DE RELATIONS POLITIQUES ET ECONOMIQUES<\/a><\/p>\n

DE LA SCIENCE-FICTION AU CAUCHEMAR: LES LOGICIELS ESPIONS UTILISENT POUR TRAQUER LES ADVERSAIRES<\/a><\/p>\n

PETER THIEL: LE REVE D\u2019UNE TECHNOCRATIE MYSTIQUE<\/a><\/p>\n

LA MISERE OPULENTE DE LA THEOCRATIE ROMAINE<\/a><\/td>\n

VATICAN AND MUSLIM BROTHERHOOD: 100 YEARS OF POLITICAL AND ECONOMIC RELATIONS<\/a><\/p>\n

FROM SCI-FI TO NIGHTMARE: HOW SPYWARE ARE USED TO TRACK DOWN OPPONENTS<\/a><\/p>\n

PETER THIEL: THE DREAM OF A MYSTICAL TECHNOCRACY<\/a><\/p>\n

THE OPULENT MISERY OF THE ROMAN THEOCRACY<\/a><\/td>\n

VATICANO E FRATELLI MUSULMANI: UN SECOLO DI RELAZIONI POLITICHE E FINANZIARIE<\/a><\/p>\n

DALLA FANTASCIENZA ALL\u2019INCUBO: LO SPYWARE DI REGIME PER IL CONTROLLO TOTALE<\/a><\/p>\n

PETER THIEL: IL SOGNO DI UNA TECNOCRAZIA MISTICA<\/a><\/p>\n

L\u2019OPULENTA MISERIA DELLA TEOCRAZIA ROMANA<\/a><\/td>\n

\u0412\u0410\u0422\u0418\u041a\u0410\u041d \u0418 \u041c\u0423\u0421\u0423\u041b\u042c\u041c\u0410\u041d\u0421\u041a\u0418\u0415 \u0411\u0420\u0410\u0422\u042c\u042f: \u0412\u0415\u041a \u041f\u041e\u041b\u0418\u0422\u0418\u0427\u0415\u0421\u041a\u0418\u0425 \u0418 \u0424\u0418\u041d\u0410\u041d\u0421\u041e\u0412\u042b\u0425 \u041e\u0422\u041d\u041e\u0428\u0415\u041d\u0418\u0419<\/a><\/p>\n

DALLA FANTASCIENZA ALL\u2019INCUBO: LO SPYWARE DI REGIME PER IL CONTROLLO TOTALE<\/a><\/p>\n

\u041f\u0418\u0422\u0415\u0420 \u0422\u0418\u041b\u042c: \u041c\u0415\u0427\u0422\u0410 \u041e \u041c\u0418\u0421\u0422\u0418\u0427\u0415\u0421\u041a\u041e\u0419 \u0422\u0415\u0425\u041d\u041e\u041a\u0420\u0410\u0422\u0418\u0418<\/a><\/p>\n

\u0420\u041e\u0421\u041a\u041e\u0428\u041d\u041e\u0415 \u041d\u0415\u0421\u0427\u0410\u0421\u0422\u042c\u0415 \u0420\u0418\u041c\u0421\u041a\u041e\u0419 \u0422\u0415\u041e\u041a\u0420\u0410\u0422\u0418\u0418<\/a><\/td>\n

VATIKAN UND MUSLIMBRUDERSCHAFT: 100 JAHRE POLITISCHEN UND WIRTSCHAFTLICHEN BEZIEHUNGEN<\/a><\/p>\n

VON SCIENCE FICTION ZUM ALBTRAUM: DIE SPYWARE, MIT DER REGIME GEGNER VERFOLGEN<\/a><\/p>\n

PETER THIEL: DER TRAUM VON EINER MYSTISCHEN TECHNOKRATIE<\/a><\/p>\n

DAS \u00dcPPIGE ELEND DER R\u00d6MISCHEN THEOKRATIE<\/a><\/td>\n

DE LA CIENCIA FICCI\u00d3N A LA PESADILLA: PROGRAMAS ESP\u00cdA DEL R\u00c9GIMEN PARA EL CONTROL TOTAL<\/a><\/p>\n

EL VATICANO Y LOS HERMANOS MUSULMANES: UN SIGLO DE RELACIONES POL\u00cdTICAS Y FINANCIERAS<\/a><\/p>\n

PETER THIEL: EL SUE\u00d1O DE UNA TECNOCRACIA M\u00cdSTICA<\/a><\/p>\n

LA OPULENTA MISERIA DE LA TEOCRACIA ROMANA<\/a><\/td>\n<\/tr>\n

<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

\"\"Benedetto<\/strong>, Mariella<\/p>\n

Dino Papale’s wife, 1945-2012
\n\"\"<\/td>\n

LE ROI SECRET DE TAORMINE<\/a><\/td>\nTHE SECRET KING OF TAORMINA<\/a><\/td>\nIL RE SEGRETO DI TAORMINA<\/a><\/td>\n\u0422\u0410\u0419\u041d\u042b\u0419 \u041a\u041e\u0420\u041e\u041b\u042c \u0422\u0410\u041e\u0420\u041c\u0418\u041d\u042b<\/a><\/td>\nDER GEHEIME K\u00d6NIG VON TAORMINA<\/a><\/td>\nEL REY SECRETO DE TAORMINA<\/a><\/td>\n<\/tr>\n
<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

 <\/p>\n

\"\"Benediktsson<\/strong>, Bjarni<\/p>\n

Politician, 1970-
\n\"\"<\/td>\n

UN NOUVEL ICEBERG MENACE L\u2019ISLANDE<\/a><\/td>\nA NEW ICEBERG THREATENS ICELAND<\/a><\/td>\nUN NUOVO ICEBERG MINACCIA L\u2019ISLANDA<\/a><\/td>\n\u041d\u041e\u0412\u042b\u0419 \u0410\u0419\u0421\u0411\u0415\u0420\u0413 \u0423\u0413\u0420\u041e\u0416\u0410\u0415\u0422 \u0418\u0421\u041b\u0410\u041d\u0414\u0418\u0418<\/a><\/td>\nEIN NEUER EISBERG BEDROHT ISLAND<\/a><\/td>\nUN NUEVO ICEBERG AMENAZA ISLANDIA<\/a><\/td>\n<\/tr>\n
<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

\"\"Beneduce<\/strong>, Alberto<\/p>\n

Banker, 1877-1944
\n\"\"<\/td>\n

VATICAN ET FRERES MUSULMANS : 100 ANS DE RELATIONS POLITIQUES ET ECONOMIQUES<\/a><\/td>\nVATICAN AND MUSLIM BROTHERHOOD: 100 YEARS OF POLITICAL AND ECONOMIC RELATIONS<\/a><\/td>\nVATICANO E FRATELLI MUSULMANI: UN SECOLO DI RELAZIONI POLITICHE E FINANZIARIE<\/a><\/td>\n\u0412\u0410\u0422\u0418\u041a\u0410\u041d \u0418 \u041c\u0423\u0421\u0423\u041b\u042c\u041c\u0410\u041d\u0421\u041a\u0418\u0415 \u0411\u0420\u0410\u0422\u042c\u042f: \u0412\u0415\u041a \u041f\u041e\u041b\u0418\u0422\u0418\u0427\u0415\u0421\u041a\u0418\u0425 \u0418 \u0424\u0418\u041d\u0410\u041d\u0421\u041e\u0412\u042b\u0425 \u041e\u0422\u041d\u041e\u0428\u0415\u041d\u0418\u0419<\/a><\/td>\nVATIKAN UND MUSLIMBRUDERSCHAFT: 100 JAHRE POLITISCHEN UND WIRTSCHAFTLICHEN BEZIEHUNGEN<\/a><\/td>\nEL VATICANO Y LOS HERMANOS MUSULMANES: UN SIGLO DE RELACIONES POL\u00cdTICAS Y FINANCIERAS<\/a><\/td>\n<\/tr>\n
<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

 <\/p>\n


\n\"\"Benelli<\/strong>, Giovanni<\/p>\n

Cardinal, 1921-1982
\n\"\"<\/td>\n

LE CHILI DE GABRIEL BORIC: LE RETOUR DE L\u2019ESPOIR<\/a><\/td>\nGABRIEL BORIC\u2019S CHILE: THE RETURN OF HOPE<\/a><\/td>\nIL CILE DI GABRIEL BORIC: IL RITORNO DELLA SPERANZA<\/a><\/td>\n\u0427\u0418\u041b\u0418 \u0413\u0410\u0411\u0420\u0418\u042d\u041b\u042f \u0411\u041e\u0420\u0418\u0427: \u0412\u041e\u0417\u0412\u0420\u0410\u0429\u0415\u041d\u0418\u0415 \u041d\u0410\u0414\u0415\u0416\u0414\u042b<\/a><\/td>\nGABRIEL BORIC\u2019S CHILE: DIE R\u00dcCKKEHR DER HOFFNUNG<\/a><\/td>\nEL CHILE DE GABRIEL BORIC: EL RETORNO DE LA ESPERANZA<\/a><\/td>\n<\/tr>\n
<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

 <\/p>\n

\"\"Bengdara<\/strong>, Farhat Omar<\/p>\n

Manager, 1965-
\n\"\"<\/td>\n

LIBYE: LA LUTTE POUR LE PETROLE<\/a><\/td>\nLIBYA: THE FIGHT FOR OIL<\/a><\/td>\nLIBIA: LA LOTTA PER IL PETROLIO<\/a><\/td>\n\u041b\u0418\u0412\u0418\u042f: \u0411\u041e\u0420\u042c\u0411\u0410 \u0417\u0410 \u041d\u0415\u0424\u0422\u042c<\/a><\/td>\nLIBYEN: DER KAMPF UMS \u00d6L<\/a><\/td>\nLIBIA: LA LUCHA POR EL PETR\u00d3LEO<\/a><\/td>\n<\/tr>\n
<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

 <\/p>\n

\"\"Ben-Gvir<\/strong>, Itamar<\/p>\n

Politician, 1976-
\n\"\"<\/td>\n

ISRA\u00cbL: LE CHANTAGE DE NETANYAHOU<\/a><\/td>\nISRAEL: NETANYAHU\u2019S BLACKMAIL<\/a><\/td>\nISRAELE: IL RICATTO DI NETANYAHU<\/a><\/td>\n\u0418\u0417\u0420\u0410\u0418\u041b\u042c: \u0428\u0410\u041d\u0422\u0410\u0416 \u041d\u0415\u0422\u0410\u041d\u042c\u042f\u0425\u0423<\/a><\/td>\nISRAEL: DIE ERPRESSUNG VON NETANJAHU<\/a><\/td>\nISRAEL: EL CHANTAJE DE NETANYAHU<\/a><\/td>\n<\/tr>\n
<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

 <\/p>\n

\"\"Benjakob<\/strong>, Omer<\/p>\n

Journalist,
\n\"\"<\/td>\n

TAL HANAN: LA MORT DE LA VERITE<\/a><\/td>\nTAL HANAN: THE DEATH OF TRUTH<\/a><\/td>\nTAL HANAN: LA MORTE DELLA VERIT\u00c0<\/a><\/td>\n\u0422\u0410\u041b\u042c\u0425\u0410\u041d\u0410\u041d: \u0421\u041c\u0415\u0420\u0422\u042c \u041f\u0420\u0410\u0412\u0414\u042b<\/a><\/td>\nTAL HANAN: DER TOD DER WAHRHEIT<\/a><\/td>\nTAL HANAN: LA MUERTE DE LA VERDAD
\n<\/a><\/td>\n<\/tr>\n
<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

\"\"Benkirane<\/strong>, Abdelilah<\/p>\n

Politician, 1954-
\n\"\"<\/td>\n

LA HAINE INDOMPTABLE DU CONVERTI<\/a><\/td>\nTHE INDOMITABLE HATRED OF THE CONVERT<\/a><\/td>\nL\u2019ASTIO IMMARCESCIBILE DEL CONVERTITO<\/a><\/td>\n\u0411\u0415\u0421\u0421\u041c\u0415\u0420\u0422\u041d\u0410\u042f \u041d\u0415\u041d\u0410\u0412\u0418\u0421\u0422\u042c \u041a \u041e\u0411\u0420\u0410\u0429\u0415\u041d\u041d\u041e\u041c\u0423<\/a><\/td>\nDER UNSTILLBARE HASS DES KONVERTITEN<\/a><\/td>\nEL RENCOR IMPLACABLE DEL CONVERSO<\/a><\/td>\n<\/tr>\n
<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

\"\"Bennato<\/strong>, Edoardo<\/p>\n

Musician, 1946-
\n\"\"<\/td>\n

NOAM CHOMSKY : LE MONDE A L\u2019HEURE DES COMPTES<\/a><\/td>\nNOAM CHOMSKY: THE WORLD AT RECKONING<\/a><\/td>\nNOAM CHOMSKY: IL MONDO ALLA RESA DEI CONTI<\/a><\/td>\n\u041d\u041e\u0410\u041c \u0425\u041e\u041c\u0421\u041a\u0418\u0419: \u041c\u0418\u0420 \u0412 \u0420\u0410\u0421\u041f\u041b\u0410\u0422\u0415<\/a><\/td>\nNOAM CHOMSKY: DIE WELT IM UMBRUCH<\/a><\/td>\nNOAM CHOMSKY: EL MUNDO EN EL AJUSTE DE CUENTAS<\/a><\/td>\n<\/tr>\n
<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

\"\"Bennett<\/strong>, Bill<\/p>\n

Politician, 1943-
\n\"\"<\/td>\n

OR, CYANURE ET SANG DANS L\u2019ENFER DE BARRICK GOLD<\/a><\/p>\n

PETER THIEL: LE REVE D\u2019UNE TECHNOCRATIE MYSTIQUE<\/a><\/td>\n

GOLD, CYANIDE AND BLOOD IN BARRICK\u2019S HELL<\/a><\/p>\n

PETER THIEL: THE DREAM OF A MYSTICAL TECHNOCRACY<\/a><\/td>\n

ORO, CIANURO E SANGUE NELL\u2019INFERNO DELLA BARRICK GOLD<\/a><\/p>\n

PETER THIEL: IL SOGNO DI UNA TECNOCRAZIA MISTICA<\/a><\/td>\n

\u0417\u041e\u041b\u041e\u0422\u041e, \u042f\u0414 \u0418 \u041a\u0420\u041e\u0412\u042c \u0412 \u0423\u0416\u0410\u0421\u0415 BARRICK GOLD<\/a><\/p>\n

\u041f\u0418\u0422\u0415\u0420 \u0422\u0418\u041b\u042c: \u041c\u0415\u0427\u0422\u0410 \u041e \u041c\u0418\u0421\u0422\u0418\u0427\u0415\u0421\u041a\u041e\u0419 \u0422\u0415\u0425\u041d\u041e\u041a\u0420\u0410\u0422\u0418\u0418<\/a><\/td>\n

GOLD, ZYANID UND BLUT IN DER H\u00d6LLE DER BARRICK GROUP<\/a><\/p>\n

PETER THIEL: DER TRAUM VON EINER MYSTISCHEN TECHNOKRATIE<\/a><\/td>\n

ORO, CIANURO Y SANGRE EN EL INFIERNO DE BARRICK GOLD<\/a><\/p>\n

PETER THIEL: EL SUE\u00d1O DE UNA TECNOCRACIA M\u00cdSTICA<\/a><\/td>\n<\/tr>\n

<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

\"\"Bennett,<\/strong> John<\/p>\n

Spy, 1961-
\n\"\"<\/td>\n

AL-SHABAAB : L\u2019EPEE DE DAMOCLES SUR LA SOMALIE<\/a><\/td>\nAL-SHABAAB: THE SWORD OF DAMOCLES OVER SOMALIA<\/a><\/td>\nAL-SHABAAB: LA SPADA DI DAMOCLE SULLA SOMALIA<\/a><\/td>\n\u0410\u0428-\u0428\u0410\u0411\u0410\u0411: \u0414\u0410\u041c\u041e\u041a\u041b\u041e\u0412 \u041c\u0415\u0427 \u041d\u0410\u0414 \u0421\u041e\u041c\u0410\u041b\u0418<\/a><\/td>\nAL-SHABAAB: DAS DAMOKLESSCHWERT \u00dcBER SOMALIA<\/a><\/td>\nAL-SHABAAB: LA ESPADA DE DAMOCLES SOBRE SOMALIA<\/a><\/td>\n<\/tr>\n
<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

 <\/p>\n

\"\"Bennett<\/strong>, Naftali<\/p>\n

Politician, 1972-
\n\"\"<\/td>\n

PALESTINE, OU CHAQUE JOUR CAIN REVIENT<\/a><\/p>\n

ISRA\u00cbL: LE CHANTAGE DE NETANYAHOU<\/a><\/td>\n

PALESTINE, WHERE EVERY DAY CAIN RETURNS<\/a><\/p>\n

ISRAEL: NETANYAHU\u2019S BLACKMAIL<\/a><\/td>\n

PALESTINA, DOVE OGNI GIORNO RITORNA CAINO<\/a><\/p>\n

ISRAELE: IL RICATTO DI NETANYAHU<\/a><\/td>\n

\u041f\u0410\u041b\u0415\u0421\u0422\u0418\u041d\u0410, \u041a\u0423\u0414\u0410 \u041a\u0410\u0416\u0414\u042b\u0419 \u0414\u0415\u041d\u042c \u0412\u041e\u0417\u0412\u0420\u0410\u0429\u0410\u0415\u0422\u0421\u042f \u041a\u0410\u0418\u041d<\/a><\/p>\n

\u0418\u0417\u0420\u0410\u0418\u041b\u042c: \u0428\u0410\u041d\u0422\u0410\u0416 \u041d\u0415\u0422\u0410\u041d\u042c\u042f\u0425\u0423<\/a><\/td>\n

PAL\u00c4STINA, WO KAIN JEDEN TAG ZUR\u00dcCKKEHRT<\/a><\/p>\n

ISRAEL: DIE ERPRESSUNG VON NETANJAHU<\/a><\/td>\n

PALESTINA, DONDE CADA D\u00cdA VUELVE CA\u00cdN<\/a><\/p>\n

ISRAEL: EL CHANTAJE DE NETANYAHU<\/a><\/td>\n<\/tr>\n

<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

 <\/p>\n

\"\"Bennoune<\/strong>, Karima<\/p>\n

Lawyer, 1967-
\n\"\"<\/td>\n

LE REVE SAOUDIEN D\u2019UNE VILLE DANS LE DESERT<\/a><\/td>\nTHE SAUDI DREAM OF A CITY IN THE DESERT<\/a><\/td>\nIL SOGNO SAUDITA DI UNA CITT\u00c0 NEL DESERTO<\/a><\/td>\n\u0421\u0410\u0423\u0414\u041e\u0412\u0421\u041a\u0410\u042f \u041c\u0415\u0427\u0422\u0410 \u041e \u0413\u041e\u0420\u041e\u0414\u0415 \u0412 \u041f\u0423\u0421\u0422\u042b\u041d\u0415<\/a><\/td>\nDER SAUDISCHE TRAUM VON EINER STADT IN DER W\u00dcSTE<\/a><\/td>\nEL SUE\u00d1O SAUD\u00cd DE UNA CIUDAD EN EL DESIERTO<\/a><\/td>\n<\/tr>\n
<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

 <\/p>\n

\"\"Benoiton<\/strong>, Conrad<\/p>\n

Politician, 1970-
\n\"\"<\/td>\n

SEYCHELLES : LA TIRELIRE DES OLIGARQUES<\/a><\/td>\nSEYCHELLES: THE OLIGARCHS\u2019 PIGGY BANK<\/a><\/td>\nSEYCHELLES: IL SALVADANAIO DEGLI OLIGARCHI<\/a><\/td>\n\u0421\u0415\u0419\u0428\u0415\u041b\u042c\u0421\u041a\u0418\u0415 \u041e\u0421\u0422\u0420\u041e\u0412\u0410: \u041a\u041e\u041f\u0418\u041b\u041a\u0410 \u041e\u041b\u0418\u0413\u0410\u0420\u0425\u041e\u0412<\/a><\/td>\nSEYCHELLEN: DAS SPARSCHWEIN DER OLIGARCHEN<\/a><\/td>\nSEYCHELLES: LA HUCHA DE LOS OLIGARCAS<\/a><\/td>\n<\/tr>\n
<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

 <\/p>\n

\"\"Benoiton<\/strong>, Leslie<\/p>\n

Military, 1960-
\n\"\"<\/td>\n

SEYCHELLES : LA TIRELIRE DES OLIGARQUES<\/a><\/td>\nSEYCHELLES: THE OLIGARCHS\u2019 PIGGY BANK<\/a><\/td>\nSEYCHELLES: IL SALVADANAIO DEGLI OLIGARCHI<\/a><\/td>\n\u0421\u0415\u0419\u0428\u0415\u041b\u042c\u0421\u041a\u0418\u0415 \u041e\u0421\u0422\u0420\u041e\u0412\u0410: \u041a\u041e\u041f\u0418\u041b\u041a\u0410 \u041e\u041b\u0418\u0413\u0410\u0420\u0425\u041e\u0412<\/a><\/td>\nSEYCHELLEN: DAS SPARSCHWEIN DER OLIGARCHEN<\/a><\/td>\nSEYCHELLES: LA HUCHA DE LOS OLIGARCAS<\/a><\/td>\n<\/tr>\n
<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

 <\/p>\n

\"\"Bento Bembe<\/strong>, Antonio<\/p>\n

Politician, 1950-
\n\"\"<\/td>\n

CABINDA, UNE GUERRE QUI PUE LE PETROLE<\/a><\/td>\nCABINDA, A WAR THAT REEKS OF OIL<\/a><\/td>\nCABINDA, UNA GUERRA CHE PUZZA DI PETROLIO<\/a><\/td>\n\u041a\u0410\u0411\u0418\u041d\u0414\u0410:\u0412\u041e\u0419\u041d\u0410, \u041a\u041e\u0422\u041e\u0420\u0410\u042f\u041f\u0410\u0425\u041d\u0415\u0422\u041d\u0415\u0424\u0422\u042c\u042e<\/a><\/td>\nCABINDA, EIN KRIEG, DER NACH \u00d6L STINKT<\/a><\/td>\nCABINDA, UNA GUERRA QUE APESTA A PETR\u00d3LEO<\/a><\/td>\n<\/tr>\n
<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

 <\/p>\n

\"\"Berbero\u011flu<\/strong>, Enis<\/p>\n

Journalist, 1956-
\n\"\"<\/td>\n

PARC GEZI : LE SYMBOLE DE L\u2019EFFONDREMENT DE LA TURQUIE<\/a><\/td>\nGEZI PARK: THE SYMBOL OF TURKEY\u2019S COLLAPSE<\/a><\/td>\nGEZI PARK: IL SIMBOLO DELLA TURCHIA AL COLLASSO<\/a><\/td>\nGEZI \u041f\u0410\u0420\u041a: \u0421\u0418\u041c\u0412\u041e\u041b \u0422\u0423\u0420\u0426\u0418\u0418, \u041a\u041e\u0422\u041e\u0420\u0410\u042f \u0420\u0410\u0417\u0420\u0423\u0428\u0410\u0415\u0422\u0421\u042f<\/a><\/td>\nGEZI PARK: DAS SYMBOL DES ZUSAMMENBRUCHS DER T\u00dcRKEI<\/a><\/td>\nPARQUE GEZI: EL S\u00cdMBOLO DEL COLAPSO DE TURQU\u00cdA<\/a><\/td>\n<\/tr>\n
<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

\"\"Berezowsky<\/strong>, Boris<\/p>\n

Oligarch, 1946-2013
\n\"\"<\/td>\n

DMITRYI MAZEPIN, LE PREMIER OLIGARQUE DE LONDONGRAD<\/a><\/td>\nDMITRIJ MAZEPIN, THE FIRST OLIGARCH OF LONDONGRAD<\/a><\/td>\nDMITRIJ MAZEPIN, IL PRIMO OLIGARCA DI LONDONGRAD<\/a><\/td>\n\u0414\u041c\u0418\u0422\u0420\u0418\u0419 \u041c\u0410\u0417\u0415\u041f\u0418\u041d, \u041f\u0415\u0420\u0412\u042b\u0419 \u041e\u041b\u0418\u0413\u0410\u0420\u0425 \u041b\u041e\u041d\u0414\u041e\u041d\u0413\u0420\u0410\u0414\u0410<\/a><\/td>\nDMITRIJ MAZEPIN, DER ERSTE OLIGARCH VON LONDONGRAD<\/a><\/td>\nDMITRIJ MAZEPIN, EL PRIMER OLIGARCA DE LONDONGRAD<\/a><\/td>\n<\/tr>\n
<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

\"\"Berg<\/strong>, Alan<\/p>\n

Lawyer, liberal Jew, 1934-1984
\n\"\"<\/td>\n

DU PLASTIQUE ET DU SANG POUR LES ANUS N\u00c9O-NAZIS<\/a><\/td>\nPLASTIC AND BLOOD FOR NEO-NAZI ANUSES<\/a><\/td>\nPLASTICA E SANGUE PER GLI ANI NEONAZISTI<\/a><\/td>\n\u041f\u041b\u0410\u0421\u0422\u0418\u041a \u0418 \u041a\u0420\u041e\u0412\u042c \u0414\u041b\u042f \u0410\u041d\u0423\u0421\u041e\u0412 \u041d\u0415\u041e\u041d\u0410\u0426\u0418\u0421\u0422\u041e\u0412<\/a><\/td>\nPLASTIK UND BLUT F\u00dcR NEONAZI-ANUS<\/a><\/td>\nPL\u00c1STICO Y SANGRE PARA ANOS NEONAZIS<\/a><\/td>\n<\/tr>\n
<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

 <\/p>\n

\"\"<\/strong>Berg<\/strong>, Benjamin<\/p>\n

Politician\/entrepreneur, 1977\u2013
\n\"\"<\/td>\n

PARLEMENTAIRE ET LOBBYISTE: LE PLUS GRAND DES CONFLITS D\u2019INTERETS<\/a><\/td>\nPARLIAMENTARIAN AND LOBBYIST: THE GREATEST OF CONFLICTS OF INTEREST<\/a><\/td>\nPARLAMENTARE E LOBBYSTA: IL PI\u00d9 GRANDE DEI CONFLITTI D\u2019INTERESSE<\/a><\/td>\n\u041f\u0410\u0420\u041b\u0410\u041c\u0415\u041d\u0422\u0410\u0420\u0418\u0419 \u0418 \u041b\u041e\u0411\u0411\u0418\u0421\u0422: \u0412\u0415\u041b\u0418\u0427\u0410\u0419\u0428\u0418\u0419 \u0418\u0417 \u041a\u041e\u041d\u0424\u041b\u0418\u041a\u0422\u041e\u0412 \u0418\u041d\u0422\u0415\u0420\u0415\u0421\u041e\u0412<\/a><\/td>\nPARLAMENTARIER UND LOBBYIST: DER GR\u00d6\u00dfTE INTERESSENKONFLIKT<\/a><\/td>\nPARLAMENTARIO Y GRUPO DE PRESI\u00d3N: EL MAYOR DE LOS CONFLICTOS DE INTERESES<\/a><\/td>\n<\/tr>\n
<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

 <\/p>\n

\"\"Berg<\/strong>, Henk<\/p>\n

Christian activist, 1962-
\n\"\"<\/td>\n

HEEREMA: LE LONG VOYAGE DU NATIONAL-SOCIALISME A L\u2019EXPLOITATION DES FONDS MARINS<\/a><\/td>\nHEEREMA: THE LONG JOURNEY FROM NATIONAL SOCIALISM TO THE EXPLOITATION OF THE SEABED<\/a><\/td>\nHEEREMA: IL LUNGO VIAGGIO DAL NAZISMO ALLO SFRUTTAMENTO DEI FONDALI OCEANICI<\/a><\/td>\nHEEREMA: \u0414\u041e\u041b\u0413\u041e\u0415 \u041f\u0423\u0422\u0415\u0428\u0415\u0421\u0422\u0412\u0418\u0415 \u041e\u0422 \u041d\u0410\u0426\u0418\u0417\u041c\u0410 \u041a \u042d\u041a\u0421\u041f\u041b\u0423\u0410\u0422\u0410\u0426\u0418\u0418 \u041e\u041a\u0415\u0410\u041d\u0421\u041a\u041e\u0413\u041e \u0414\u041d\u0410<\/a><\/td>\nHEEREMA: DIE LANGE REISE VOM NATIONALSOZIALISMUS ZUR AUSBEUTUNG DES MEERESBODENS<\/a><\/td>\nHEEREMA: EL LARGO VIAJE DEL NAZISMO A LA EXPLOTACI\u00d3N DE LOS FONDOS MARINOS<\/a><\/p>\n

LA EXPLOTACI\u00d3N DE LOS FONDOS MARINOS, LA NUEVA FRONTERA DE LA AUTODESTRUCCI\u00d3N DE LA HUMANIDAD<\/a><\/td>\n<\/tr>\n

<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

\"\"Berlusconi<\/strong>, Silvio<\/p>\n

Businessman, Politician, 1936-2023
\n\"\"<\/td>\n

MOUVEMENT 5 ETOILES ET LEGANORD : REPETITIONS GENERALES POUR UNE INTERNATIONALE POSTFASCISTE<\/a><\/p>\n

APRES L\u2019ARTICLE D\u2019ALDO TORCHIARO : GENNARO VECCHIONE N\u2019EST QUE LA POINTE DE L\u2019ICEBERG<\/a><\/p>\n

LA DERNIERE NUIT GLACIALE D\u2019ANGELA MERKEL<\/a><\/p>\n

LES DESHONORANTS CHEVALIERS DE (ENE)MALTE<\/a><\/p>\n

LE NOUVEAU MILAN DES MILITARISTES ARABES<\/a><\/p>\n

L\u2019AXE SECRET ENTRE GOLDMAN SACHS ET LES OLIGARQUES<\/a><\/p>\n

NOAM CHOMSKY: LE MONDE A L\u2019HEURE DES COMPTES<\/a><\/p>\n

L\u2019ETERNEL TRESORIER DE COSA NOSTRA<\/a><\/p>\n

LES DERNIERS TABOUS DES EMISSIONS DE TELE-REALITE<\/a><\/p>\n

LA DERNIERE VICTIME DU BANCO AMBROSIANO<\/a><\/p>\n

BOLLORE: LE VERITABLE ROI DE L\u2019AFRIQUE<\/a><\/td>\n

5-STAR MOVEMENT AND LEGANORD: DRESS REHEARSALS FOR A POST-FASCIST INTERNATIONAL<\/a><\/p>\n

AFTER ALDO TORCHIARO\u2019S ARTICLE: GENNARO VECCHIONE IS ONLY THE TIP OF THE ICEBERG<\/a><\/p>\n

ANGELA MERKEL\u2019S LAST ICE-COLD NIGHT<\/a><\/p>\n

THE DISHONOURABLE KNIGHTS OF (ENE)MALTA<\/a><\/p>\n

THE NEW MILAN OF THE ARAB MILITARISTS<\/a><\/p>\n

THE SECRET AXIS BETWEEN GOLDMAN SACHS AND THE OLIGARCHS<\/a><\/p>\n

NOAM CHOMSKY: THE WORLD AT RECKONING<\/a><\/p>\n

THE ETERNAL TREASURER OF COSA NOSTRA<\/a><\/p>\n

THE LAST TABOOS OF REALITY SHOWS<\/a><\/p>\n

THE LAST VICTIM OF BANCO AMBROSIANO<\/a><\/p>\n

BOLLOR\u00c9: THE TRUE KING OF AFRICA<\/a><\/td>\n

MOVIMENTO 5 STELLE E LEGA NORD: PROVE GENERALI PER UN\u2019INTERNAZIONALE POST-FASCISTA<\/a><\/p>\n

DOPO L\u2019ARTICOLO DI ALDO TORCHIARO: GENNARO VECCHIONE \u00c8 SOLO LA PUNTA DELL\u2019ICEBERG<\/a><\/p>\n

L\u2019ULTIMA GELIDA NOTTE DI ANGELA MERKEL<\/a><\/p>\n

I DISONOREVOLI CAVALIERI DI (ENE)MALTA<\/a><\/p>\n

IL NUOVO MILAN DEI MILITARISTI ARABI<\/a><\/p>\n

L\u2019ASSE SEGRETO TRA GOLDMAN SACHS E GLI OLIGARCHI<\/a><\/p>\n

NOAM CHOMSKY: IL MONDO ALLA RESA DEI CONTI<\/a><\/p>\n

L\u2019ETERNO TESORIERE DI COSA NOSTRA<\/a><\/p>\n

L\u2019ULTIMO TAB\u00d9 DEI REALITY SHOWS<\/a><\/p>\n

L\u2019ULTIMA VITTIMA DEL BANCO AMBROSIANO<\/a><\/p>\n

BOLLOR\u00c9: IL VERO RE D\u2019AFRICA<\/a><\/td>\n

\u0414\u0412\u0418\u0416\u0415\u041d\u0418\u0415 5 \u0417\u0412\u0415\u0417\u0414 \u0418 \u0421\u0415\u0412\u0415\u0420\u041d\u0410\u042f \u041b\u0418\u0413\u0410: \u0418\u0421\u041f\u042b\u0422\u0410\u041d\u0418\u042f \u0414\u041b\u042f \u041f\u041e\u0421\u0422\u0424\u0410\u0428\u0418\u0421\u0422\u0421\u041a\u041e\u0413\u041e \u0418\u041d\u0422\u0415\u0420\u041d\u0410\u0426\u0418\u041e\u041d\u0410\u041b\u0410<\/a><\/p>\n

\u041f\u041e\u0421\u041b\u0415 \u0421\u0422\u0410\u0422\u042c\u0418 \u0410\u041b\u042c\u0414\u041e \u0422\u041e\u0420\u041a\u042c\u042f\u0420\u041e (ALDO TORCHIARO): GENNARO VECCHIONE \u2013 \u0422\u041e\u041b\u042c\u041a\u041e \u0412\u0415\u0420\u0428\u0418\u041d\u0410 \u0410\u0419\u0421\u0411\u0415\u0420\u0413\u0410<\/a><\/p>\n

\u041f\u041e\u0421\u041b\u0415\u0414\u041d\u042f\u042f \u041c\u041e\u0420\u041e\u0417\u041d\u0410\u042f \u041d\u041e\u0427\u042c \u0410\u041d\u0413\u0415\u041b\u042b \u041c\u0415\u0420\u041a\u0415\u041b\u042c<\/a><\/p>\n

\u0411\u0415\u0421\u0427\u0415\u0421\u0422\u041d\u042b\u0415 \u0420\u042b\u0426\u0410\u0420\u0418 (\u042d\u041d\u0415)\u041c\u0410\u041b\u042c\u0422\u042b<\/a><\/p>\n

\u041d\u041e\u0412\u042b\u0419 \u041c\u0418\u041b\u0410\u041d \u0410\u0420\u0410\u0411\u0421\u041a\u0418\u0425 \u041c\u0418\u041b\u0418\u0422\u0410\u0420\u0418\u0421\u0422\u041e\u0412<\/a><\/p>\n

\u0422\u0410\u0419\u041d\u0410\u042f \u041e\u0421\u042c \u041c\u0415\u0416\u0414\u0423 \u00ab\u0413\u041e\u041b\u0414\u041c\u0410\u041d\u0421\u0410\u041a\u0421\u00bb \u0418 \u041e\u041b\u0418\u0413\u0410\u0420\u0425\u0410\u041c\u0418<\/a><\/p>\n

\u041d\u041e\u0410\u041c \u0425\u041e\u041c\u0421\u041a\u0418\u0419: \u041c\u0418\u0420 \u0412 \u0420\u0410\u0421\u041f\u041b\u0410\u0422\u0415<\/a><\/p>\n

\u0412\u0415\u0427\u041d\u042b\u0419 \u041a\u0410\u0417\u041d\u0410\u0427\u0415\u0419 COSA NOSTRA<\/a><\/p>\n

\u041f\u041e\u0421\u041b\u0415\u0414\u041d\u0415\u0415 \u0422\u0410\u0411\u0423 \u0420\u0415\u0410\u041b\u0418\u0422\u0418-\u0428\u041e\u0423<\/a><\/p>\n

\u041f\u041e\u0421\u041b\u0415\u0414\u041d\u042f\u042f \u0416\u0415\u0420\u0422\u0412\u0410\u0411\u0410\u041d\u041a\u0410 \u0410\u041c\u0411\u0420\u041e\u0417\u0418\u0410\u041d\u041e<\/a><\/p>\n

\u0411\u041e\u041b\u041b\u041e\u0420\u0415: \u0418\u0421\u0422\u0418\u041d\u041d\u042b\u0419 \u041a\u041e\u0420\u041e\u041b\u042c \u0410\u0424\u0420\u0418\u041a\u0418<\/a><\/td>\n

5-STERNE-BEWEGUNG UND LEGANORD: GENERALPROBEN F\u00dcR EINE POSTFASCHISTISCHE INTERNATIONALE<\/a><\/p>\n

NACH DEM ARTIKEL VON ALDO TORCHIARO: GENNARO VECCHIONE IST NUR DIE SPITZE DES EISBERGS<\/a><\/p>\n

DIE LETZTE EISKALTE NACHT DER ANGELA MERKEL<\/a><\/p>\n

DIE UNEHRENHAFTEN RITTER VON (ENE)MALTA<\/a><\/p>\n

DAS NEUE AC MAILAND DER ARABISCHEN MILITARISTEN<\/a><\/p>\n

DIE GEHEIME ACHSE ZWISCHEN GOLDMAN SACHS UND DEN OLIGARCHEN<\/a><\/p>\n

NOAM CHOMSKY: DIE WELT IM UMBRUCH<\/a><\/p>\n

DER EWIGE SCHATZMEISTER DER COSA NOSTRA<\/a><\/p>\n

DIE LETZTEN TABUS DER REALITY-SHOWS<\/a><\/p>\n

DAS LETZTE OPFER DER BANCO AMBROSIANO<\/a><\/p>\n

BOLLOR\u00c9: DER WAHRE K\u00d6NIG VON AFRIKA<\/a><\/td>\n

LA \u00daLTIMA NOCHE FR\u00cdA DE ANGELA MERKEL<\/a><\/p>\n

EL MOVIMIENTO 5 ESTRELLAS Y LA LIGA NORTE: ENSAYO GENERAL DE UNA INTERNACIONAL POST-FASCISTA<\/a><\/p>\n

TRAS EL ART\u00cdCULO DE ALDO TORCHIARO: GENNARO VECCHIONE ES S\u00d3LO LA PUNTA DEL ICEBERG<\/a><\/p>\n

LOS DESHONROSOS CABALLEROS DE (ENE)MALTA<\/a><\/p>\n

EL NUEVO MIL\u00c1N DE LOS MILITARISTAS \u00c1RABES<\/a><\/p>\n

EL EJE SECRETO ENTRE GOLDMAN SACHS Y LOS OLIGARCAS<\/a><\/p>\n

NOAM CHOMSKY: EL MUNDO EN EL AJUSTE DE CUENTAS<\/a><\/p>\n

EL ETERNO TESORERO DE LA COSA NOSTRA<\/a><\/p>\n

EL \u00daLTIMO TAB\u00da DE LOS REALITY SHOWS<\/a><\/p>\n

LA \u00daLTIMA V\u00cdCTIMA DEL BANCO AMBROSIANO<\/a><\/p>\n

BOLLOR\u00c9: EL VERDADERO REY DE \u00c1FRICA<\/a><\/td>\n<\/tr>\n

<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

 <\/p>\n

\"\"Berners-Lee<\/strong>, Tim<\/p>\n

Scientist, 1955-
\n\"\"<\/td>\n

METAVERSE, LE PARI FINAL<\/a><\/td>\nMETAVERSE, THE ULTIMATE GAMBLE<\/a><\/td>\nMETAVERSO, L\u2019ULTIMA SCOMMESSA<\/a><\/td>\n\u041c\u0415\u0422\u0410\u0412\u0415\u0420\u0421 \u2013 \u041f\u041e\u0421\u041b\u0415\u0414\u041d\u042f\u042f \u0410\u0412\u0410\u041d\u0422\u042e\u0420\u0410<\/a><\/td>\nMETAVERSE, DAS ULTIMATIVE WAGNIS<\/a><\/td>\nMETAVERSO, LA APUESTA DEFINITIVA<\/a><\/td>\n<\/tr>\n
<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

 <\/p>\n

\"\"Bernheim<\/strong>, Antoine<\/p>\n

Banker, 1924-2012
\n\"\"<\/td>\n

BOLLORE: LE VERITABLE ROI DE L\u2019AFRIQUE<\/a><\/td>\nBOLLOR\u00c9: THE TRUE KING OF AFRICA<\/a><\/td>\nBOLLOR\u00c9: IL VERO RE D\u2019AFRICA<\/a><\/td>\n\u0411\u041e\u041b\u041b\u041e\u0420\u0415: \u0418\u0421\u0422\u0418\u041d\u041d\u042b\u0419 \u041a\u041e\u0420\u041e\u041b\u042c \u0410\u0424\u0420\u0418\u041a\u0418<\/a><\/td>\nBOLLOR\u00c9: DER WAHRE K\u00d6NIG VON AFRIKA<\/a><\/td>\nBOLLOR\u00c9: EL VERDADERO REY DE \u00c1FRICA<\/a><\/td>\n<\/tr>\n
<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

\"\"Berquist<\/strong>, Christer<\/p>\n

Banker, 1951-
\n\"\"<\/td>\n

LA TRISTE HISTOIRE DES INGENIEURS QUI VOULAIENT DEMINER LE MONDE<\/a><\/td>\nTHE VERY SAD STORY OF THE ENGINEERS WHO WANTED TO DEMINE THE WORLD<\/a><\/td>\nLA TRISTE STORIA DEGLI INGEGNERI CHE VOLEVANO SMINARE IL MONDO<\/a><\/td>\n\u041f\u0415\u0427\u0410\u041b\u042c\u041d\u0410\u042f \u0418\u0421\u0422\u041e\u0420\u0418\u042f \u0418\u041d\u0416\u0415\u041d\u0415\u0420\u041e\u0412, \u041a\u041e\u0422\u041e\u0420\u042b\u0415 \u0420\u0410\u0417\u041c\u0418\u041d\u0418\u0420\u041e\u0412\u0410\u041b\u0418 \u041c\u0418\u0420<\/a><\/td>\nDAS TRAUERM\u00c4RCHEN JENER INGENIEURE, DIE DIE WELT VON DEN LANDMINEN BEFREIEN WOLLTEN<\/a><\/td>\nLA TRISTE HISTORIA DE LOS INGENIEROS QUE QUER\u00cdAN LLEVAR EL MUNDO A LAS MINAS<\/a><\/td>\n<\/tr>\n
<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

 <\/p>\n

\"\"<\/strong>Bertone<\/strong>, Tarcisio<\/p>\n

Cardinal, 1934-
\n\"\"<\/td>\n

LA MISERE OPULENTE DE LA THEOCRATIE ROMAINE<\/a><\/td>\nTHE OPULENT MISERY OF THE ROMAN THEOCRACY<\/a><\/td>\nL\u2019OPULENTA MISERIA DELLA TEOCRAZIA ROMANA<\/a><\/td>\n\u0420\u041e\u0421\u041a\u041e\u0428\u041d\u041e\u0415 \u041d\u0415\u0421\u0427\u0410\u0421\u0422\u042c\u0415 \u0420\u0418\u041c\u0421\u041a\u041e\u0419 \u0422\u0415\u041e\u041a\u0420\u0410\u0422\u0418\u0418<\/a><\/td>\nDAS \u00dcPPIGE ELEND DER R\u00d6MISCHEN THEOKRATIE<\/a><\/td>\nLA OPULENTA MISERIA DE LA TEOCRACIA ROMANA<\/a><\/td>\n<\/tr>\n
<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

 <\/p>\n

\"\"<\/strong>Beseda<\/strong>, Sergey<\/p>\n

Spy, 1954 –
\n\"\"<\/td>\n

IL EST TEMPS POUR POUTINE DE REGLER SES COMPTES<\/a><\/td>\nTIME FOR PUTIN TO SETTLE THE SCORE<\/a><\/td>\nPER PUTIN \u00c8 L\u2019ORA DEL REGOLAMENTO DEI CONTI<\/a><\/td>\n\u0414\u041b\u042f \u041f\u0423\u0422\u0418\u041d\u0410 \u041f\u0420\u0418\u0428\u041b\u041e \u0412\u0420\u0415\u041c\u042f \u0421\u0412\u0415\u0422\u0418 \u0421\u0427\u0415\u0422\u042b<\/a><\/td>\nPUTIN: DIE ZEIT DER ABRECHNUNG<\/a><\/td>\nPUTIN: ES HORA DE AJUSTAR CUENTAS<\/a><\/td>\n<\/tr>\n
<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

 <\/p>\n

\"\"Besson<\/strong>, Sylvain<\/p>\n

Investigative Journalist, 1970-
\n\"\"<\/td>\n

VIE ET MIRACLES D\u2019UN MERCENAIRE DANS LA GUERRE MEDIATIQUE<\/a><\/td>\nLIFE AND MIRACLES OF A MERCENARY IN THE MEDIA WAR<\/a><\/td>\nVITA E MIRACOLI DI UN MERCENARIO NELLA GUERRA DEI MEDIA<\/a><\/td>\n\u0416\u0418\u0417\u041d\u042c \u0418 \u0427\u0423\u0414\u0415\u0421\u0410 \u041d\u0410\u0415\u041c\u041d\u0418\u041a\u0410 \u0412 \u0412\u041e\u0419\u041d\u0415 \u0421\u041e \u0421\u041c\u0418<\/a><\/td>\nLEBEN UND WUNDER EINES S\u00d6LDNERS IM MEDIENKRIEG<\/a><\/td>\nVIDA Y MILAGROS DE UN MERCENARIO EN LA GUERRA MEDI\u00c1TICA<\/a><\/td>\n<\/tr>\n
<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

 <\/p>\n

\"\"Bettencourt<\/strong>, Liliane<\/p>\n

Businesswoman, 1922-2017
\n\"\"<\/td>\n

SEYCHELLES: LA TIRELIRE DES OLIGARQUES<\/a><\/td>\nSEYCHELLES: THE OLIGARCHS\u2019 PIGGY BANK<\/a><\/td>\nSEYCHELLES: IL SALVADANAIO DEGLI OLIGARCHI<\/a><\/td>\n\u0421\u0415\u0419\u0428\u0415\u041b\u042c\u0421\u041a\u0418\u0415 \u041e\u0421\u0422\u0420\u041e\u0412\u0410: \u041a\u041e\u041f\u0418\u041b\u041a\u0410 \u041e\u041b\u0418\u0413\u0410\u0420\u0425\u041e\u0412<\/a><\/td>\nSEYCHELLEN: DAS SPARSCHWEIN DER OLIGARCHEN<\/a><\/td>\nSEYCHELLES: LA HUCHA DE LOS OLIGARCAS<\/a><\/td>\n<\/tr>\n
<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

\"\"Bevilacqua<\/strong>, Alberto<\/p>\n

Writer, 1934-2013
\n\"\"<\/td>\n

LE ROI SECRET DE TAORMINE<\/a><\/td>\nTHE SECRET KING OF TAORMINA<\/a><\/td>\nIL RE SEGRETO DI TAORMINA<\/a><\/td>\n\u0422\u0410\u0419\u041d\u042b\u0419 \u041a\u041e\u0420\u041e\u041b\u042c \u0422\u0410\u041e\u0420\u041c\u0418\u041d\u042b<\/a><\/td>\nDER GEHEIME K\u00d6NIG VON TAORMINA<\/a><\/td>\nEL REY SECRETO DE TAORMINA<\/a><\/td>\n<\/tr>\n
<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

 <\/p>\n

\"\"Beygo<\/strong>, Okan<\/p>\n

Attorney, 1964-<\/p>\n

\"\"<\/td>\n

QUAND LE CRIME DEVIENT UN \u00c9TAT : LA TURQUIE DE KAMER ET ERDOGAN<\/a><\/td>\nWHEN THE MOB BECOMES THE STATE: THE TURKEY OF KAMER AND ERDO\u011eAN<\/a><\/td>\nQUANDO IL CRIMINE SI FA STATO: LA TURCHIA DI KAMER E ERDO\u011eAN<\/a><\/td>\n\u041a\u041e\u0413\u0414\u0410 \u041f\u0420\u0415\u0421\u0422\u0423\u041f\u041b\u0415\u041d\u0418\u0415 \u0417\u041d\u0410\u0427\u0418\u0422 \u0413\u041e\u0421\u0423\u0414\u0410\u0420\u0421\u0422\u0412\u041e: \u0422\u0423\u0420\u0426\u0418\u042f \u041a\u0410\u041c\u0415\u0420\u0410 \u0418 \u042d\u0420\u0414\u041e\u0413\u0410\u041d\u0410<\/a><\/td>\nWENN KRIMINALIT\u00c4T ZUM STAAT WIRD: KAMER UND ERDO\u011eANS T\u00dcRKEI<\/a><\/td>\nCUANDO EL CRIMEN SE CONVIERTE EN ESTADO: LA TURQU\u00cdA DE KAMER Y ERDO\u011eAN<\/a><\/td>\n<\/tr>\n
<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

 <\/p>\n

\"\"Bezos<\/strong>, Jeff<\/p>\n

Entrepreneur, 1964-
\n\"\"<\/td>\n

GLASGOW CONCERNE L\u2019ENVIRONNEMENT MONDIAL, MAIS AUSSI LE POUVOIR MONDIAL<\/a><\/p>\n

MARS, LA PROCHAINE PROVINCE DE L\u2019EMPIRE<\/a><\/p>\n

\u00c9TATS-UNIS D\u2019AMERIQUE: LE NOUVEAU TIERS MONDE<\/a><\/p>\n

PETER THIEL: LE REVE D\u2019UNE TECHNOCRATIE MYSTIQUE<\/a><\/p>\n

RWANDA, CONGO ET OUGANDA: LA FRONTIERE MAUDITE<\/a><\/td>\n

GLASGOW IS ABOUT THE GLOBAL ENVIRONMENT, BUT ALSO ABOUT GLOBAL POWER<\/a><\/p>\n

MARS, THE EMPIRE\u2019S NEXT PROVINCE<\/a><\/p>\n

UNITED STATES OF AMERICA: THE NEW THIRD WORLD<\/a><\/p>\n

PETER THIEL: THE DREAM OF A MYSTICAL TECHNOCRACY<\/a><\/p>\n

RWANDA, CONGO AND UGANDA: THE CURSED BORDER<\/a><\/td>\n

GLASGOW RIGUARDA L\u2019AMBIENTE GLOBALE, MA ANCHE IL POTERE GLOBALE<\/a><\/p>\n

MARTE, LA PROSSIMA PROVINCIA DELL\u2019IMPERO<\/a><\/p>\n

STATI UNITI D\u2019AMERICA: IL NUOVO TERZO MONDO<\/a><\/p>\n

PETER THIEL: IL SOGNO DI UNA TECNOCRAZIA MISTICA<\/a><\/p>\n

RUANDA, CONGO E UGANDA: IL CONFINE MALEDETTO<\/a><\/td>\n

\u0413\u041b\u0410\u0417\u0413\u041e \u2013 \u041e \u0413\u041b\u041e\u0411\u0410\u041b\u042c\u041d\u041e\u0419 \u041e\u041a\u0420\u0423\u0416\u0410\u042e\u0429\u0415\u0419 \u0421\u0420\u0415\u0414\u0415, \u041d\u041e \u0422\u0410\u041a\u0416\u0415 \u0418 \u041e \u0413\u041b\u041e\u0411\u0410\u041b\u042c\u041d\u041e\u0419 \u0412\u041b\u0410\u0421\u0422\u0418<\/a><\/p>\n

\u041c\u0410\u0420\u0421, \u0421\u041b\u0415\u0414\u0423\u042e\u0429\u0410\u042f \u041f\u0420\u041e\u0412\u0418\u041d\u0426\u0418\u042f \u0418\u041c\u041f\u0415\u0420\u0418\u0418<\/a><\/p>\n

\u0421\u041e\u0415\u0414\u0418\u041d\u0415\u041d\u041d\u042b\u0415 \u0428\u0422\u0410\u0422\u042b \u0410\u041c\u0415\u0420\u0418\u041a\u0418: \u041d\u041e\u0412\u042b\u0419 \u0422\u0420\u0415\u0422\u0418\u0419 \u041c\u0418\u0420<\/a><\/p>\n

\u041f\u0418\u0422\u0415\u0420 \u0422\u0418\u041b\u042c: \u041c\u0415\u0427\u0422\u0410 \u041e \u041c\u0418\u0421\u0422\u0418\u0427\u0415\u0421\u041a\u041e\u0419 \u0422\u0415\u0425\u041d\u041e\u041a\u0420\u0410\u0422\u0418\u0418<\/a><\/p>\n

\u0420\u0423\u0410\u041d\u0414\u0410, \u041a\u041e\u041d\u0413\u041e \u0418 \u0423\u0413\u0410\u041d\u0414\u0410: \u041f\u0420\u041e\u041a\u041b\u042f\u0422\u0410\u042f \u0413\u0420\u0410\u041d\u0418\u0426\u0410<\/a><\/td>\n

IN GLASGOW GEHT ES UM DIE GLOBALE UMWELT, ABER AUCH UM DIE GLOBALE MACHT<\/a><\/p>\n

MARS, DIE N\u00c4CHSTE PROVINZ DES IMPERIUMS<\/a><\/p>\n

VEREINIGTE STAATEN VON AMERIKA: DIE NEUE DRITTE WELT<\/a><\/p>\n

PETER THIEL: DER TRAUM VON EINER MYSTISCHEN TECHNOKRATIE<\/a><\/p>\n

RUANDA, KONGO UND UGANDA: DIE VERFLUCHTE GRENZE<\/a><\/td>\n

GLASGOW TIENE QUE VER CON EL MEDIO AMBIENTE GLOBAL, PERO TAMBI\u00c9N CON EL PODER GLOBAL<\/a><\/p>\n

MARTE, LA PR\u00d3XIMA PROVINCIA DEL IMPERIO<\/a><\/p>\n

ESTADOS UNIDOS DE AM\u00c9RICA: EL NUEVO TERCER MUNDO<\/a><\/p>\n

PETER THIEL: EL SUE\u00d1O DE UNA TECNOCRACIA M\u00cdSTICA<\/a><\/p>\n

RUANDA, CONGO Y UGANDA: LA FRONTERA MALDITA<\/a><\/td>\n<\/tr>\n

<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

\"\"Bhimji<\/strong>, Amratial Purshottam Narbadaben<\/p>\n

Smuggler, 1930-2012<\/p>\n

\"\"<\/td>\n

60 ANS DE DICTATURE ET 200 ANS DE GUERRES, D\u2019ESCLAVAGE ET DE CONTREBANDE : BIENVENUE AU CONGO<\/a><\/td>\n60 YEARS OF DICTATORSHIP AND 200 YEARS OF WARS, SLAVERY AND SMUGGLING: WELCOME TO THE CONGO<\/a><\/td>\nIL CONGO DRC DOPO 60 ANNI DI DITTATURA E DUE SECOLI DI GUERRE, SCHIAVISMO E CONTRABBANDO<\/a><\/td>\n\u0414\u0420\u041a \u041a\u041e\u041d\u0413\u041e \u041f\u041e\u0421\u041b\u0415 60 \u041b\u0415\u0422 \u0414\u0418\u041a\u0422\u0410\u0422\u0423\u0420\u042b \u0418 \u0414\u0412\u0423\u0425 \u0412\u0415\u041a\u041e\u0412 \u0412\u041e\u0419\u041d, \u0420\u0410\u0411\u0421\u0422\u0412\u0410 \u0418 \u041a\u041e\u041d\u0422\u0420\u0410\u0411\u0410\u041d\u0414\u042b<\/a><\/td>\n60 JAHREN DIKTATUR UND 200 JAHREN KRIEGEN, SKLAVEREI UND SCHMUGGEL: WILLKOMMEN IN KONGO<\/a><\/td>\nCONGO RDC TRAS 60 A\u00d1OS DE DICTADURA Y DOS SIGLOS DE GUERRA, ESCLAVITUD Y CONTRABANDO<\/a><\/td>\n<\/tr>\n
<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

\"\"Bhimji<\/strong>, Sameer<\/p>\n

Smuggler, 1982<\/p>\n

\"\"<\/td>\n

60 ANS DE DICTATURE ET 200 ANS DE GUERRES, D\u2019ESCLAVAGE ET DE CONTREBANDE : BIENVENUE AU CONGO<\/a><\/td>\n60 YEARS OF DICTATORSHIP AND 200 YEARS OF WARS, SLAVERY AND SMUGGLING: WELCOME TO THE CONGO<\/a><\/td>\nIL CONGO DRC DOPO 60 ANNI DI DITTATURA E DUE SECOLI DI GUERRE, SCHIAVISMO E CONTRABBANDO<\/a><\/td>\n\u0414\u0420\u041a \u041a\u041e\u041d\u0413\u041e \u041f\u041e\u0421\u041b\u0415 60 \u041b\u0415\u0422 \u0414\u0418\u041a\u0422\u0410\u0422\u0423\u0420\u042b \u0418 \u0414\u0412\u0423\u0425 \u0412\u0415\u041a\u041e\u0412 \u0412\u041e\u0419\u041d, \u0420\u0410\u0411\u0421\u0422\u0412\u0410 \u0418 \u041a\u041e\u041d\u0422\u0420\u0410\u0411\u0410\u041d\u0414\u042b<\/a><\/td>\n60 JAHREN DIKTATUR UND 200 JAHREN KRIEGEN, SKLAVEREI UND SCHMUGGEL: WILLKOMMEN IN KONGO<\/a><\/td>\nCONGO RDC TRAS 60 A\u00d1OS DE DICTADURA Y DOS SIGLOS DE GUERRA, ESCLAVITUD Y CONTRABANDO<\/a><\/td>\n<\/tr>\n
<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

 <\/p>\n

\"\"Bhutto<\/strong>, Benazir<\/p>\n

Politician, 1953-2007<\/p>\n

\"\"<\/td>\n

60 ANS DE DICTATURE ET 200 ANS DE GUERRES, D\u2019ESCLAVAGE ET DE CONTREBANDE : BIENVENUE AU CONGO<\/a><\/td>\n60 YEARS OF DICTATORSHIP AND 200 YEARS OF WARS, SLAVERY AND SMUGGLING: WELCOME TO THE CONGO<\/a><\/td>\nIL CONGO DRC DOPO 60 ANNI DI DITTATURA E DUE SECOLI DI GUERRE, SCHIAVISMO E CONTRABBANDO<\/a><\/td>\n\u0414\u0420\u041a \u041a\u041e\u041d\u0413\u041e \u041f\u041e\u0421\u041b\u0415 60 \u041b\u0415\u0422 \u0414\u0418\u041a\u0422\u0410\u0422\u0423\u0420\u042b \u0418 \u0414\u0412\u0423\u0425 \u0412\u0415\u041a\u041e\u0412 \u0412\u041e\u0419\u041d, \u0420\u0410\u0411\u0421\u0422\u0412\u0410 \u0418 \u041a\u041e\u041d\u0422\u0420\u0410\u0411\u0410\u041d\u0414\u042b<\/a><\/td>\n60 JAHREN DIKTATUR UND 200 JAHREN KRIEGEN, SKLAVEREI UND SCHMUGGEL: WILLKOMMEN IN KONGO<\/a><\/td>\nCONGO RDC TRAS 60 A\u00d1OS DE DICTADURA Y DOS SIGLOS DE GUERRA, ESCLAVITUD Y CONTRABANDO<\/a><\/td>\n<\/tr>\n
<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

 <\/p>\n

\"\"Bianchi<\/strong>, Alberto<\/p>\n

Entrepreneur, 1954-
\n\"\"<\/td>\n

VOYAGER LABS : L\u2019ARME CONTONDANTE DE L\u2019INTELLIGENCE ARTIFICIELLE<\/a><\/td>\nVOYAGER LABS: THE BLUNT WEAPON OF ARTIFICIAL INTELLIGENCE<\/a><\/td>\nVOYAGER LABS: L\u2019ARMA SPUNTATA DELL\u2019INTELLIGENZA ARTIFICIALE<\/a><\/td>\nVOYAGERLABS: \u0422\u0423\u041f\u041e\u0415 \u041e\u0420\u0423\u0416\u0418\u0415 \u0418\u0421\u041a\u0423\u0421\u0421\u0422\u0412\u0415\u041d\u041d\u041e\u0413\u041e \u0418\u041d\u0422\u0415\u041b\u041b\u0415\u041a\u0422\u0410<\/a><\/td>\nVOYAGER LABS: DIE STUMPFE WAFFE DER K\u00dcNSTLICHEN INTELLIGENZ<\/a><\/td>\nVOYAGER LABS: EL ARMA CONTUNDENTE DE LA INTELIGENCIA ARTIFICIAL<\/a><\/td>\n<\/tr>\n
<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

 <\/p>\n

\"\"Bibler<\/strong>, Jared<\/p>\n

Author,
\n\"\"<\/td>\n

UN NOUVEL ICEBERG MENACE L\u2019ISLANDE<\/a><\/td>\nA NEW ICEBERG THREATENS ICELAND<\/a><\/td>\nUN NUOVO ICEBERG MINACCIA L\u2019ISLANDA<\/a><\/td>\n\u041d\u041e\u0412\u042b\u0419 \u0410\u0419\u0421\u0411\u0415\u0420\u0413 \u0423\u0413\u0420\u041e\u0416\u0410\u0415\u0422 \u0418\u0421\u041b\u0410\u041d\u0414\u0418\u0418<\/a><\/td>\nEIN NEUER EISBERG BEDROHT ISLAND<\/a><\/td>\nUN NUEVO ICEBERG AMENAZA ISLANDIA<\/a><\/td>\n<\/tr>\n
<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

\"\"Bictogo<\/strong>, Adama<\/p>\n

Politician, 1962-,
\n\"\"<\/td>\n

TRAFIGURA: POURQUOI NOUS DEVRIONS EN AVOIR PEUR<\/a><\/td>\nTRAFIGURA: WHY WE SHOULD BE AFRAID OF IT<\/a><\/td>\nTRAFIGURA: PERCH\u00c9 DOBBIAMO AVERNE PAURA<\/a><\/td>\nTRAFIGURA: \u041f\u041e\u0427\u0415\u041c\u0423 \u041d\u0410\u041c \u0421\u0422\u041e\u0418\u0422 \u0415\u0401 \u0411\u041e\u042f\u0422\u042c\u0421\u042f<\/a><\/td>\nTRAFIGURA: WARUM WIR UNS DAVOR F\u00dcRCHTEN SOLLTEN<\/a><\/td>\nTRAFIGURA: POR QU\u00c9 DEBEMOS TEMERLA<\/a><\/td>\n<\/tr>\n
<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

\"\"Biden,<\/strong> Hunter<\/p>\n

Entrepreneur, 1970-
\n\"\"<\/td>\n

L\u2019AVENIR DE L\u2019AFRIQUE DEPEND DU CONGO<\/a><\/td>\nAFRICA\u2019S FUTURE DEPENDS ON CONGO<\/a><\/td>\nIL FUTURO DELL\u2019AFRICA DIPENDE DAL CONGO<\/a><\/td>\n\u0411\u0423\u0414\u0423\u0429\u0415\u0415 \u0410\u0424\u0420\u0418\u041a\u0418 \u0417\u0410\u0412\u0418\u0421\u0418\u0422 \u041e\u0422 \u041a\u041e\u041d\u0413\u041e<\/a><\/td>\nAFRIKAS ZUKUNFT H\u00c4NGT VOM KONGO AB<\/a><\/td>\nEL FUTURO DE \u00c1FRICA DEPENDE DEL CONGO<\/a><\/td>\n<\/tr>\n
<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

 <\/p>\n

\"\"Biden<\/strong>, Joseph Robinette Jr \u201cJoe\u201d<\/p>\n

Politician, 1942-
\n\"\"<\/td>\n

CUBA AUJOURD\u2019HUI : CE QUI RESTE DU REVE \u2013 ET DU CAUCHEMAR<\/a><\/p>\n

BELARUS : LE SILENCE DU DESESPOIR<\/a><\/p>\n

GLASGOW CONCERNE L\u2019ENVIRONNEMENT MONDIAL, MAIS AUSSI LE POUVOIR MONDIAL<\/a><\/p>\n

LE CHILI DE GABRIEL BORIC: LE RETOUR DE L\u2019ESPOIR<\/a><\/p>\n

VOYAGER LABS: L\u2019ARME CONTONDANTE DE L\u2019INTELLIGENCE ARTIFICIELLE<\/a><\/p>\n

L\u2019AXE SECRET ENTRE GOLDMAN SACHS ET LES OLIGARQUES<\/a><\/p>\n

L\u2019AVENIR DE L\u2019AFRIQUE DEPEND DU CONGO<\/a><\/p>\n

LE SOMMET DE LOS ANGELES, UN NOUVEL ECHEC DE LA POLITIQUE ETRANGERE AMERICAINE<\/a><\/p>\n

ELON MUSK: LE VANTARD LE PLUS DANGEREUX DU MONDE<\/a><\/p>\n

TRAFIGURA, POUTINE ET CES SANCTIONS INUTILES<\/a><\/p>\n

NOAM CHOMSKY: LE MONDE A L\u2019HEURE DES COMPTES<\/a><\/p>\n

\u00c9TATS-UNIS D\u2019AMERIQUE: LE NOUVEAU TIERS MONDE<\/a><\/p>\n

HA\u00cfTI DANS LE SANG: LA TERREUR DES GANGS CRIMINELS<\/a><\/p>\n

L\u2019EUROPE, UNE UNION A SOUVERAINETE LIMITEE<\/a><\/p>\n

TAIWAN, L\u2019ENERGIE VERTE ET LA PEUR DE LA CHINE<\/a><\/p>\n

UNE NOUVELLE VICTOIRE POUR VLADIMIR POUTINE<\/a><\/p>\n

SHEIN: L\u2019OGRE CHINOIS QUI GRANDIT DANS L\u2019OMBRE<\/a><\/p>\n

ISRA\u00cbL: LE CHANTAGE DE NETANYAHOU<\/a><\/td>\n

CUBA TODAY: WHAT REMAINS OF THE DREAM \u2013 AND THE NIGHTMARE<\/a><\/p>\n

BELARUS: THE SILENCE OF DESPAIR<\/a><\/p>\n

GLASGOW IS ABOUT THE GLOBAL ENVIRONMENT, BUT ALSO ABOUT GLOBAL POWER<\/a><\/p>\n

GABRIEL BORIC\u2019S CHILE: THE RETURN OF HOPE<\/a><\/p>\n

VOYAGER LABS: THE BLUNT WEAPON OF ARTIFICIAL INTELLIGENCE<\/a><\/p>\n

THE SECRET AXIS BETWEEN GOLDMAN SACHS AND THE OLIGARCHS<\/a><\/p>\n

AFRICA\u2019S FUTURE DEPENDS ON CONGO<\/a><\/p>\n

THE LOS ANGELES SUMMIT, ANOTHER FAILURE OF US FOREIGN POLICY<\/a><\/p>\n

ELON MUSK: THE WORLD\u2019S MOST DANGEROUS BLOWHARD<\/a><\/p>\n

TRAFIGURA, PUTIN AND THOSE USELESS SANCTIONS<\/a><\/p>\n

NOAM CHOMSKY: THE WORLD AT RECKONING<\/a><\/p>\n

UNITED STATES OF AMERICA: THE NEW THIRD WORLD<\/a><\/p>\n

HAITI IN BLOOD: THE TERROR OF CRIMINAL GANGS<\/a><\/p>\n

EUROPE, A UNION WITH LIMITED SOVEREIGNTY<\/a><\/p>\n

TAIWAN, GREEN ENERGY AND THE FEAR OF CHINA<\/a><\/p>\n

YET ANOTHER VICTORY FOR VLADIMIR PUTIN<\/a><\/p>\n

SHEIN: THE CHINESE OGRE GROWING IN THE SHADOWS<\/a><\/p>\n

ISRAEL: NETANYAHU\u2019S BLACKMAIL<\/a><\/td>\n

CUBA, OGGI: CI\u00d2 CHE RESTA DEL SOGNO \u2013 E DELL\u2019INCUBO<\/a><\/p>\n

BIELORUSSIA: IL SILENZIO DELLA DISPERAZIONE<\/a><\/p>\n

GLASGOW RIGUARDA L\u2019AMBIENTE GLOBALE, MA ANCHE IL POTERE GLOBALE<\/a><\/p>\n

IL CILE DI GABRIEL BORIC: IL RITORNO DELLA SPERANZA<\/a><\/p>\n

VOYAGER LABS: L\u2019ARMA SPUNTATA DELL\u2019INTELLIGENZA ARTIFICIALE<\/a><\/p>\n

L\u2019ASSE SEGRETO TRA GOLDMAN SACHS E GLI OLIGARCHI<\/a><\/p>\n

IL FUTURO DELL\u2019AFRICA DIPENDE DAL CONGO<\/a><\/p>\n

IL SUMMIT DI LOS ANGELES, ENNESIMO FALLIMENTO DELLA POLITICA ESTERA AMERICANA<\/a><\/p>\n

ELON MUSK: LO SBRUFFONE PI\u00d9 PERICOLOSO DEL MONDO<\/a><\/p>\n

TRAFIGURA, PUTIN E QUELLE INUTILI SANZIONI<\/a><\/p>\n

NOAM CHOMSKY: IL MONDO ALLA RESA DEI CONTI<\/a><\/p>\n

STATI UNITI D\u2019AMERICA: IL NUOVO TERZO MONDO<\/a><\/p>\n

HAITI NEL SANGUE: IL TERRORE DELLE BANDE CRIMINALI<\/a><\/p>\n

L\u2019EUROPA, UN\u2019UNIONE A SOVRANIT\u00c0 LIMITATA<\/a><\/p>\n

TAIWAN, L\u2019ENERGIA VERDE E LA PAURA DELLA CINA<\/a><\/p>\n

L\u2019ENNESIMA VITTORIA PER VLADIMIR PUTIN<\/a><\/p>\n

SHEIN: L\u2019ORCO CINESE CHE CRESCE NELL\u2019OMBRA<\/a><\/p>\n

ISRAELE: IL RICATTO DI NETANYAHU<\/a><\/td>\n

\u041a\u0423\u0411\u0410 \u0421\u0415\u0413\u041e\u0414\u041d\u042f: \u0427\u0422\u041e \u041e\u0421\u0422\u0410\u041b\u041e\u0421\u042c \u041e\u0422 \u041c\u0415\u0427\u0422\u042b \u2013 \u0418 \u041e\u0422 \u041a\u041e\u0428\u041c\u0410\u0420\u0410<\/a><\/p>\n

\u0411\u0415\u041b\u0410\u0420\u0423\u0421\u042c: \u041c\u041e\u041b\u0427\u0410\u041d\u0418\u0415 \u041e\u0422\u0427\u0410\u042f\u041d\u0418\u042f<\/a><\/p>\n

\u0413\u041b\u0410\u0417\u0413\u041e \u2013 \u041e \u0413\u041b\u041e\u0411\u0410\u041b\u042c\u041d\u041e\u0419 \u041e\u041a\u0420\u0423\u0416\u0410\u042e\u0429\u0415\u0419 \u0421\u0420\u0415\u0414\u0415, \u041d\u041e \u0422\u0410\u041a\u0416\u0415 \u0418 \u041e \u0413\u041b\u041e\u0411\u0410\u041b\u042c\u041d\u041e\u0419 \u0412\u041b\u0410\u0421\u0422\u0418<\/a><\/p>\n

\u0427\u0418\u041b\u0418 \u0413\u0410\u0411\u0420\u0418\u042d\u041b\u042f \u0411\u041e\u0420\u0418\u0427: \u0412\u041e\u0417\u0412\u0420\u0410\u0429\u0415\u041d\u0418\u0415 \u041d\u0410\u0414\u0415\u0416\u0414\u042b<\/a><\/p>\n

VOYAGERLABS: \u0422\u0423\u041f\u041e\u0415 \u041e\u0420\u0423\u0416\u0418\u0415 \u0418\u0421\u041a\u0423\u0421\u0421\u0422\u0412\u0415\u041d\u041d\u041e\u0413\u041e \u0418\u041d\u0422\u0415\u041b\u041b\u0415\u041a\u0422\u0410<\/a><\/p>\n

\u0422\u0410\u0419\u041d\u0410\u042f \u041e\u0421\u042c \u041c\u0415\u0416\u0414\u0423 \u00ab\u0413\u041e\u041b\u0414\u041c\u0410\u041d\u0421\u0410\u041a\u0421\u00bb \u0418 \u041e\u041b\u0418\u0413\u0410\u0420\u0425\u0410\u041c\u0418<\/a><\/p>\n

\u0411\u0423\u0414\u0423\u0429\u0415\u0415 \u0410\u0424\u0420\u0418\u041a\u0418 \u0417\u0410\u0412\u0418\u0421\u0418\u0422 \u041e\u0422 \u041a\u041e\u041d\u0413\u041e<\/a><\/p>\n

\u0421\u0410\u041c\u041c\u0418\u0422 \u0412 \u041b\u041e\u0421 \u0410\u041d\u0416\u0415\u041b\u0415\u0421\u0415, \u041e\u0427\u0415\u0420\u0415\u0414\u041d\u041e\u0419 \u041f\u0420\u041e\u0412\u0410\u041b \u0410\u041c\u0415\u0420\u0418\u041a\u0410\u041d\u0421\u041a\u041e\u0419 \u0412\u041d\u0415\u0428\u041d\u0415\u0419 \u041f\u041e\u041b\u0418\u0422\u0418\u041a\u0418<\/a><\/p>\n

\u042d\u041b\u041e\u041d \u041c\u0410\u0421\u041a: \u0421\u0410\u041c\u042b\u0419 \u041e\u041f\u0410\u0421\u041d\u042b\u0419 \u0412 \u041c\u0418\u0420\u0415 \u041d\u0410\u0413\u041b\u0415\u0426<\/a><\/p>\n

TRAFIGURA, \u041f\u0423\u0422\u0418\u041d \u0418 \u042d\u0422\u0418 \u0411\u0415\u0421\u041f\u041e\u041b\u0415\u0417\u041d\u042b\u0415 \u0421\u0410\u041d\u041a\u0426\u0418\u0418<\/a><\/p>\n

\u041d\u041e\u0410\u041c \u0425\u041e\u041c\u0421\u041a\u0418\u0419: \u041c\u0418\u0420 \u0412 \u0420\u0410\u0421\u041f\u041b\u0410\u0422\u0415<\/a><\/p>\n

\u0421\u041e\u0415\u0414\u0418\u041d\u0415\u041d\u041d\u042b\u0415 \u0428\u0422\u0410\u0422\u042b \u0410\u041c\u0415\u0420\u0418\u041a\u0418: \u041d\u041e\u0412\u042b\u0419 \u0422\u0420\u0415\u0422\u0418\u0419 \u041c\u0418\u0420<\/a><\/p>\n

\u0413\u0410\u0418\u0422\u0418 \u0412 \u041a\u0420\u041e\u0412\u0418: \u0422\u0415\u0420\u0420\u041e\u0420 \u041f\u0420\u0415\u0421\u0422\u0423\u041f\u041d\u042b\u0425 \u0413\u0420\u0423\u041f\u041f\u0418\u0420\u041e\u0412\u041e\u041a<\/a><\/p>\n

\u0415\u0412\u0420\u041e\u041f\u0410, \u0421\u041e\u042e\u0417 \u0421 \u041e\u0413\u0420\u0410\u041d\u0418\u0427\u0415\u041d\u041d\u042b\u041c \u0421\u0423\u0412\u0415\u0420\u0415\u041d\u0418\u0422\u0415\u0422\u041e\u041c<\/a><\/p>\n

\u0422\u0410\u0419\u0412\u0410\u041d\u042c, \u0417\u0415\u041b\u0415\u041d\u0410\u042f \u042d\u041d\u0415\u0420\u0413\u0418\u042f \u0418 \u0421\u0422\u0420\u0410\u0425 \u041f\u0415\u0420\u0415\u0414 \u041a\u0418\u0422\u0410\u0415\u041c<\/a><\/p>\n

\u041e\u0427\u0415\u0420\u0415\u0414\u041d\u0410\u042f \u041f\u041e\u0411\u0415\u0414\u0410 \u0412\u041b\u0410\u0414\u0418\u041c\u0418\u0420\u0410 \u041f\u0423\u0422\u0418\u041d\u0410<\/a><\/p>\n

SHEIN: \u041a\u0418\u0422\u0410\u0419\u0421\u041a\u0418\u0419 \u041b\u042e\u0414\u041e\u0415\u0414, \u0420\u0410\u0421\u0422\u0423\u0429\u0418\u0419 \u0412 \u0422\u0415\u041d\u0418<\/a><\/p>\n

\u0418\u0417\u0420\u0410\u0418\u041b\u042c: \u0428\u0410\u041d\u0422\u0410\u0416 \u041d\u0415\u0422\u0410\u041d\u042c\u042f\u0425\u0423<\/a><\/td>\n

KUBA HEUTE: WAS BLEIBT VOM TRAUM \u2013 UND VOM ALBTRAUM<\/a><\/p>\n

BELARUS: DAS SCHWEIGEN DER VERZWEIFLUNG<\/a><\/p>\n

IN GLASGOW GEHT ES UM DIE GLOBALE UMWELT, ABER AUCH UM DIE GLOBALE MACHT<\/a><\/p>\n

GABRIEL BORIC\u2019S CHILE: DIE R\u00dcCKKEHR DER HOFFNUNG<\/a><\/p>\n

VOYAGER LABS: DIE STUMPFE WAFFE DER K\u00dcNSTLICHEN INTELLIGENZ<\/a><\/p>\n

DIE GEHEIME ACHSE ZWISCHEN GOLDMAN SACHS UND DEN OLIGARCHEN<\/a><\/p>\n

AFRIKAS ZUKUNFT H\u00c4NGT VOM KONGO AB<\/a><\/p>\n

DAS GIPFEL VON LOS ANGELES, EIN WEITERES SCHEITERN DER US-AU\u00dfENPOLITIK<\/a><\/p>\n

ELON MUSK: DER GEF\u00c4HRLICHSTE ANGEBER DER WELT<\/a><\/p>\n

TRAFIGURA, PUTIN UND DIE NUTZLOSEN SANKTIONEN<\/a><\/p>\n

NOAM CHOMSKY: DIE WELT IM UMBRUCH<\/a><\/p>\n

VEREINIGTE STAATEN VON AMERIKA: DIE NEUE DRITTE WELT<\/a><\/p>\n

HAITI IN BLUT: DER TERROR DER KRIMINELLEN BANDEN<\/a><\/p>\n

EUROPA, EINE UNION MIT BEGRENZTER SOUVER\u00c4NIT\u00c4T<\/a><\/p>\n

TAIWAN, GR\u00dcNE ENERGIE UND DIE ANGST VOR CHINA<\/a><\/p>\n

EIN WEITERER SIEG F\u00dcR WLADIMIR PUTIN<\/a><\/p>\n

SHEIN: DAS CHINESISCHE UNGEHEUER, DAS IM VERBORGENEN W\u00c4CHST<\/a><\/p>\n

ISRAEL: DIE ERPRESSUNG VON NETANJAHU<\/a><\/td>\n

BIELORRUSIA: EL SILENCIO DE LA DESESPERACI\u00d3N<\/a><\/p>\n

GLASGOW TIENE QUE VER CON EL MEDIO AMBIENTE GLOBAL, PERO TAMBI\u00c9N CON EL PODER GLOBAL<\/a><\/p>\n

CUBA, HOY: LO QUE QUEDA DEL SUE\u00d1O \u2013 Y DE LA PESADILLA<\/a><\/p>\n

EL CHILE DE GABRIEL BORIC: EL RETORNO DE LA ESPERANZA<\/a><\/p>\n

VOYAGER LABS: EL ARMA CONTUNDENTE DE LA INTELIGENCIA ARTIFICIAL<\/a><\/p>\n

EL EJE SECRETO ENTRE GOLDMAN SACHS Y LOS OLIGARCAS<\/a><\/p>\n

EL FUTURO DE \u00c1FRICA DEPENDE DEL CONGO<\/a><\/p>\n

LA CONFERENCIA DE LOS \u00c1NGELES, FRACASO DE LA POL\u00cdTICA EXTERIOR DE EE.UU.<\/a><\/p>\n

ELON MUSK: EL FANFARR\u00d3N M\u00c1S PELIGROSO DEL MUNDO<\/a><\/p>\n

TRAFIGURA, PUTIN Y ESAS SANCIONES IN\u00daTILES<\/a><\/p>\n

NOAM CHOMSKY: EL MUNDO EN EL AJUSTE DE CUENTAS<\/a><\/p>\n

ESTADOS UNIDOS DE AM\u00c9RICA: EL NUEVO TERCER MUNDO<\/a><\/p>\n

HAIT\u00cd EN LA SANGRE: EL TERROR DE LAS PANDILLAS CRIMINALES<\/a><\/p>\n

EUROPA, UNA UNI\u00d3N CON SOBERAN\u00cdA LIMITADA<\/a><\/p>\n

TAIW\u00c1N, LA ENERG\u00cdA VERDE Y EL MIEDO A CHINA<\/a><\/p>\n

NUEVA VICTORIA DE VLADIMIR PUTIN<\/a><\/p>\n

SHEIN: EL OGRO CHINO QUE CRECE EN LA SOMBRA<\/a><\/p>\n

ISRAEL: EL CHANTAJE DE NETANYAHU<\/a><\/td>\n<\/tr>\n

<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

 <\/p>\n

\"\"Biko<\/strong>, Steve<\/p>\n

Freedom fighter, 1946-1977<\/p>\n

\"\"<\/td>\n

COMMENT JACOB ZUMA SE PREPARE A UNE GUERRE CIVILE<\/a><\/td>\nHOW JACOB ZUMA PREPARES FOR CIVIL WAR<\/a><\/td>\nCOS\u00cc JACOB ZUMA PREPARA UNA GUERRA CIVILE<\/a><\/td>\n\u0422\u0410\u041a \u0414\u0416\u0415\u0419\u041a\u041e\u0411 \u0417\u0423\u041c\u0410 \u0413\u041e\u0422\u041e\u0412\u0418\u0422 \u0413\u0420\u0410\u0416\u0414\u0410\u041d\u0421\u041a\u0423\u042e \u0412\u041e\u0419\u041d\u0423<\/a><\/td>\nWIE JACOB ZUMA SICH AUF EINEN B\u00dcRGERKRIEG VORBEREITET<\/a><\/td>\nC\u00d3MO SE PREPARA JACOB ZUMA PARA LA GUERRA CIVIL<\/a><\/td>\n<\/tr>\n
<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

 <\/p>\n

\"\"Bildt<\/strong>, Carl<\/p>\n

Politician, 1949-
\n\"\"<\/td>\n

G\u00d8TLAND, OU COMMENCE LA NOUVELLE GUERRE MONDIALE<\/a><\/td>\nG\u00d8TLAND, WHERE THE NEW WORLD WAR BEGINS<\/a><\/td>\nG\u00d8TLAND, DOVE COMINCIA LA NUOVA GUERRA MONDIALE<\/a><\/td>\n\u0413\u0401\u0422\u041b\u0410\u041d\u0414, \u0413\u0414\u0415 \u041d\u0410\u0427\u0418\u041d\u0410\u0415\u0422\u0421\u042f \u041d\u041e\u0412\u0410\u042f \u041c\u0418\u0420\u041e\u0412\u0410\u042f \u0412\u041e\u0419\u041d\u0410<\/a><\/td>\nG\u00d8TLAND, WO DER NEUE WELTKRIEG BEGINNT<\/a><\/td>\nG\u00d8TLAND, DONDE COMIENZA LA NUEVA GUERRA MUNDIAL<\/a><\/td>\n<\/tr>\n
<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

 <\/p>\n

\"\"Bin Ghaith<\/strong>, Nasser<\/p>\n

Human rights defender, 1959-<\/p>\n

\"\"<\/td>\n

BON FRERE ET MAUVAIS FRERE : COMMENT LA DYNASTIE AL-NAHYAN CACHE SON VRAI VISAGE<\/a><\/p>\n

HANNAH NEUMANN, L\u2019AUTRE FACE DE LA CORRUPTION A BRUXELLES<\/a><\/td>\n

GOOD BROTHER AND BAD BROTHER: HOW THE AL-NAHYAN DYNASTY HIDES ITS TRUE FACE<\/a><\/p>\n

HANNAH NEUMANN, THE OTHER SIDE OF CORRUPTION IN BRUSSELS<\/a><\/td>\n

FRATELLO BUONO E FRATELLO CATTIVO: COME LA DINASTIA AL-NAHYAN NASCONDE IL PROPRIO VERO VOLTO<\/a><\/p>\n

HANNAH NEUMANN, L\u2019ALTRA FACCIA DELLA CORRUZIONE A BRUXELLES<\/a><\/td>\n

\u0414\u041e\u0411\u0420\u042b\u0419 \u0411\u0420\u0410\u0422 \u0418 \u041f\u041b\u041e\u0425\u041e\u0419 \u0411\u0420\u0410\u0422: \u041a\u0410\u041a \u0414\u0418\u041d\u0410\u0421\u0422\u0418\u042f \u0410\u041b\u042c-\u041d\u0410\u0425\u0410\u042f\u041d \u0421\u041a\u0420\u042b\u0412\u0410\u0415\u0422 \u0421\u041e\u0411\u0421\u0422\u0412\u0415\u041d\u041d\u041e\u0415 \u041b\u0418\u0426\u041e<\/a><\/p>\n

\u0425\u0410\u041d\u041d\u0410 \u041d\u041e\u0419\u041c\u0410\u041d\u041d, \u0414\u0420\u0423\u0413\u0410\u042f \u0421\u0422\u041e\u0420\u041e\u041d\u0410 \u041a\u041e\u0420\u0420\u0423\u041f\u0426\u0418\u0418 \u0412 \u0411\u0420\u042e\u0421\u0421\u0415\u041b\u0415<\/a><\/td>\n

LIEBER BRUDER UND B\u00d6SER BRUDER: WIE DIE AL-NAHYAN-DYNASTIE IHR WAHRES GESICHT VERBIRGT<\/a><\/p>\n

HANNAH NEUMANN, DIE ANDERE SEITE DER KORRUPTION IN BR\u00dcSSEL<\/a><\/td>\n

HERMANO BUENO Y HERMANO MALO: C\u00d3MO LA DINAST\u00cdA AL-NAHYAN OCULTA SU VERDADERO ROSTRO<\/a><\/p>\n

HANNAH NEUMANN, LA OTRA CARA DE LA CORRUPCI\u00d3N EN BRUSELAS<\/a><\/td>\n<\/tr>\n

<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

 <\/p>\n

\"\"Bin Laden<\/strong>, Osama<\/p>\n

Terrorist, 1957-2011
\n\"\"<\/td>\n

GOLFE PERSIQUE: LA GUERRE APRES L\u2019ARMISTICE<\/a><\/p>\n

AL-SHABAAB : L\u2019EPEE DE DAMOCLES SUR LA SOMALIE<\/a><\/p>\n

L\u2019AMI PARISIEN DES CHEIKHS DU GOLFE PERSIQUE<\/a><\/p>\n

LE STYLO QUI TUE PLUS QUE L\u2019EPEE<\/a><\/p>\n

VIE ET MIRACLES D\u2019UN MERCENAIRE DANS LA GUERRE MEDIATIQUE<\/a><\/td>\n

PERSIAN GULF: THE WAR AFTER THE ARMISTICE<\/a><\/p>\n

AL-SHABAAB: THE SWORD OF DAMOCLES OVER SOMALIA<\/a><\/p>\n

THE PARISIAN FRIEND OF THE SHEIKHS OF THE PERSIAN GULF<\/a><\/p>\n

THE PEN THAT KILLS MORE THAN THE SWORD<\/a><\/p>\n

LIFE AND MIRACLES OF A MERCENARY IN THE MEDIA WAR<\/a><\/td>\n

GOLFO PERSICO: LA GUERRA DOPO L\u2019ARMISTIZIO<\/a><\/p>\n

AL-SHABAAB: LA SPADA DI DAMOCLE SULLA SOMALIA<\/a><\/p>\n

L\u2019AMICA PARIGINA DEGLI SCEICCHI DEL GOLFO PERSICO<\/a><\/p>\n

LA PENNA CHE UCCIDE PI\u00d9 DELLA SPADA<\/a><\/p>\n

VITA E MIRACOLI DI UN MERCENARIO NELLA GUERRA DEI MEDIA<\/a><\/td>\n

\u041f\u0415\u0420\u0421\u0418\u0414\u0421\u041a\u0418\u0419 \u0417\u0410\u041b\u0418\u0412: \u0412\u041e\u0419\u041d\u0410 \u041f\u041e\u0421\u041b\u0415 \u041f\u0415\u0420\u0415\u041c\u0418\u0420\u0418\u042f<\/a><\/p>\n

\u0410\u0428-\u0428\u0410\u0411\u0410\u0411: \u0414\u0410\u041c\u041e\u041a\u041b\u041e\u0412 \u041c\u0415\u0427 \u041d\u0410\u0414 \u0421\u041e\u041c\u0410\u041b\u0418<\/a><\/p>\n

\u041f\u0410\u0420\u0418\u0416\u0421\u041a\u0410\u042f \u041f\u041e\u0414\u0420\u0423\u0413\u0410 \u0428\u0415\u0419\u0425\u041e\u0412 \u041f\u0415\u0420\u0421\u0418\u0414\u0421\u041a\u041e\u0413\u041e \u0417\u0410\u041b\u0418\u0412\u0410<\/a><\/p>\n

\u041f\u0415\u0420\u041e \u0423\u0411\u0418\u0412\u0410\u0415\u0422 \u0421\u0418\u041b\u042c\u041d\u0415\u0415 \u041c\u0415\u0427\u0410<\/a><\/p>\n

\u0416\u0418\u0417\u041d\u042c \u0418 \u0427\u0423\u0414\u0415\u0421\u0410 \u041d\u0410\u0415\u041c\u041d\u0418\u041a\u0410 \u0412 \u0412\u041e\u0419\u041d\u0415 \u0421\u041e \u0421\u041c\u0418<\/a><\/td>\n

PERSISCHER GOLF: DER KRIEG NACH DEM WAFFENSTILLSTAND<\/a><\/p>\n

AL-SHABAAB: DAS DAMOKLESSCHWERT \u00dcBER SOMALIA<\/a><\/p>\n

DIE PARISER FREUNDIN DER SCHEICHS DES PERSISCHEN GOLFS<\/a><\/p>\n

DIE FEDER, DIE MEHR T\u00d6TET ALS DAS SCHWERT<\/a><\/p>\n

LEBEN UND WUNDER EINES S\u00d6LDNERS IM MEDIENKRIEG<\/a><\/td>\n

L\u2019AMIGA PARISINA DE LOS JEQUES DEL GOLFO P\u00c9RSICO<\/a><\/p>\n

AL-SHABAAB: LA ESPADA DE DAMOCLES SOBRE SOMALIA<\/a><\/p>\n

LA PLUMA QUE MATA M\u00c1S QUE LA ESPADA<\/a><\/p>\n

VIDA Y MILAGROS DE UN MERCENARIO EN LA GUERRA MEDI\u00c1TICA<\/a><\/td>\n<\/tr>\n

<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

\"\"Bin Mubarak,<\/strong> Ahmed Awad<\/p>\n

Politician, 1968-
\n\"\"<\/td>\n

SOCOTRA, LA DERNIERE ILE ENCHANTEE ET MERVEILLEUSE<\/a><\/td>\nSOCOTRA, THE LAST WONDERFUL ENCHANTED ISLAND<\/a><\/td>\nSOCOTRA, L\u2019ULTIMA MERAVIGLIOSA ISOLA INCANTATA<\/a><\/td>\n\u0421\u041e\u041a\u041e\u0422\u0420\u0410, \u041f\u041e\u0421\u041b\u0415\u0414\u041d\u0418\u0419 \u0427\u0423\u0414\u0415\u0421\u041d\u042b\u0419 \u0417\u0410\u0427\u0410\u0420\u041e\u0412\u0410\u041d\u041d\u042b\u0419 \u041e\u0421\u0422\u0420\u041e\u0412<\/a><\/td>\nSOKOTRA, DIE LETZTE WUNDERBARE, VERWUNSCHENE INSEL<\/a><\/td>\nSOCOTRA, LA \u00daLTIMA Y MARAVILLOSA ISLA ENCANTADA<\/a><\/td>\n<\/tr>\n
<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

\"\"Bin Nayef<\/strong> Al Sa\u2019ud<\/strong>, Mohammed<\/p>\n

Royal Family member, Politician, 1959-
\n\"\"<\/td>\n

HUSSAIN AL NOWAIS : LE MOYEN \u00c2GE DU CAPITALISME ARABE AVANT L\u2019EPREUVE DU TROISIEME MILLENAIRE<\/a><\/td>\nHUSSAIN AL NOWAIS: THE MEDIEVALISM OF THE ARAB CAPITALISM FACING THE TEST OF THE THIRD MILLENNIUM<\/a><\/td>\nHUSSAIN AL NOWAIS: IL MEDIEVALISMO ECONOMICO ARABO ALLA PROVA DEL TERZO MILLENNIO<\/a><\/td>\n\u0425\u0423\u0421\u0421\u0415\u0419\u041d \u0410\u041b\u042c-\u041d\u041e\u0412\u0410\u0418\u0421: \u0410\u0420\u0410\u0411\u0421\u041a\u041e\u0415 \u042d\u041a\u041e\u041d\u041e\u041c\u0418\u0427\u0415\u0421\u041a\u041e\u0415 \u0421\u0420\u0415\u0414\u041d\u0415\u0412\u0415\u041a\u041e\u0412\u042c\u0415, \u041f\u0420\u041e\u0412\u0415\u0420\u0415\u041d\u041d\u041e\u0415 \u0422\u0420\u0415\u0422\u042c\u0418\u041c \u0422\u042b\u0421\u042f\u0427\u0415\u041b\u0415\u0422\u0418\u0415\u041c<\/a><\/td>\nHUSSAIN AL NOWAIS: ARABISCHE WIRTSCHAFTSMITTELALTER VOR DEM TEST DES DRITTEN JAHRTAUSENDS<\/a><\/td>\nHUSSAIN AL NOWAIS: EL MEDIEVALISMO ECON\u00d3MICO \u00c1RABE A PRUEBA DEL TERCER MILENIO<\/a><\/td>\n<\/tr>\n
<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

\"\"Bin Salman,<\/strong> Mohammed<\/p>\n

Heir to the throne, Politician, 1985-
\n\"\"<\/td>\n

HUSSAIN AL NOWAIS: LE MOYEN \u00c2GE DU CAPITALISME ARABE AVANT L\u2019EPREUVE DU TROISIEME MILLENAIRE<\/a><\/p>\n

ENFER YEMEN: ARMES ALLEMANDES POUR L\u2019ARABIE, POUR AL-QAIDA ET POUR LES MERCENAIRES AMERICAINS<\/a><\/p>\n

AL-SHABAAB: L\u2019EPEE DE DAMOCLES SUR LA SOMALIE<\/a><\/p>\n

MOHAMMED DAHLAN, ASSASSIN A LA SOLDE DU ROI<\/a><\/p>\n

L\u2019AMI PARISIEN DES CHEIKHS DU GOLFE PERSIQUE<\/a><\/p>\n

JONATHAN GRAY: PARIS A SON NOUVEAU RICHELIEU<\/a><\/p>\n

LE REVE SAOUDIEN D\u2019UNE VILLE DANS LE DESERT<\/a><\/p>\n

HANNAH NEUMANN, L\u2019AUTRE FACE DE LA CORRUPTION A BRUXELLES<\/a><\/p>\n

LA TRES LONGUE VAGUE DE CORRUPTION A BRUXELLES<\/a><\/p>\n

ISRA\u00cbL: LE CHANTAGE DE NETANYAHOU<\/a><\/td>\n

HUSSAIN AL NOWAIS: THE MEDIEVALISM OF THE ARAB CAPITALISM FACING THE TEST OF THE THIRD MILLENNIUM<\/a><\/p>\n

YEMEN\u2019S HELL: GERMAN WEAPONS FOR ARABIA, FOR AL-QAIDA AND FOR AMERICAN MERCENARIES<\/a><\/p>\n

AL-SHABAAB: THE SWORD OF DAMOCLES OVER SOMALIA<\/a><\/p>\n

MOHAMMED DAHLAN, ASSASSIN FOR THE KING<\/a><\/p>\n

THE PARISIAN FRIEND OF THE SHEIKHS OF THE PERSIAN GULF<\/a><\/p>\n

JONATHAN GRAY: PARIS HAS ITS NEW RICHELIEU<\/a><\/p>\n

THE SAUDI DREAM OF A CITY IN THE DESERT<\/a><\/p>\n

HANNAH NEUMANN, THE OTHER SIDE OF CORRUPTION IN BRUSSELS<\/a><\/p>\n

THE LONG WAVE OF CORRUPTION IN BRUSSELS<\/a><\/p>\n

ISRAEL: NETANYAHU\u2019S BLACKMAIL<\/a><\/td>\n

HUSSAIN AL NOWAIS: IL MEDIEVALISMO ECONOMICO ARABO ALLA PROVA DEL TERZO MILLENNIO<\/a><\/p>\n

INFERNO YEMEN: ARMI TEDESCHE PER L\u2019ARABIA, PER AL-QAEDA E PER I MERCENARI AMERICANI<\/a><\/p>\n

AL-SHABAAB: LA SPADA DI DAMOCLE SULLA SOMALIA<\/a><\/p>\n

MOHAMMED DAHLAN, SICARIO DEL RE<\/a><\/p>\n

L\u2019AMICA PARIGINA DEGLI SCEICCHI DEL GOLFO PERSICO<\/a><\/p>\n

JONATHAN GRAY: PARIGI HA IL SUO NUOVO RICHELIEU<\/a><\/p>\n

IL SOGNO SAUDITA DI UNA CITT\u00c0 NEL DESERTO<\/a><\/p>\n

HANNAH NEUMANN, L\u2019ALTRA FACCIA DELLA CORRUZIONE A BRUXELLES<\/a><\/p>\n

L\u2019ONDA LUNGHISSIMA DELLA CORRUZIONE A BRUXELLES<\/a><\/p>\n

ISRAELE: IL RICATTO DI NETANYAHU<\/a><\/td>\n

\u0425\u0423\u0421\u0421\u0415\u0419\u041d \u0410\u041b\u042c-\u041d\u041e\u0412\u0410\u0418\u0421: \u0410\u0420\u0410\u0411\u0421\u041a\u041e\u0415 \u042d\u041a\u041e\u041d\u041e\u041c\u0418\u0427\u0415\u0421\u041a\u041e\u0415 \u0421\u0420\u0415\u0414\u041d\u0415\u0412\u0415\u041a\u041e\u0412\u042c\u0415, \u041f\u0420\u041e\u0412\u0415\u0420\u0415\u041d\u041d\u041e\u0415 \u0422\u0420\u0415\u0422\u042c\u0418\u041c \u0422\u042b\u0421\u042f\u0427\u0415\u041b\u0415\u0422\u0418\u0415\u041c<\/a><\/p>\n

\u0410\u0414 \u0412 \u0419\u0415\u041c\u0415\u041d\u0415: \u041d\u0415\u041c\u0415\u0426\u041a\u041e\u0415 \u041e\u0420\u0423\u0416\u0418\u0415 \u0414\u041b\u042f \u0421\u0410\u0423\u0414\u041e\u0412\u0421\u041a\u041e\u0419 \u0410\u0420\u0410\u0412\u0418\u0418, \u0410\u041b\u042c-\u041a\u0410\u0418\u0414\u042b \u0418 \u0410\u041c\u0415\u0420\u0418\u041a\u0410\u041d\u0421\u041a\u0418\u0425 \u0413\u041e\u041b\u041e\u0412\u041e\u0420\u0415\u0417\u041e\u0412<\/a><\/p>\n

\u0410\u0428-\u0428\u0410\u0411\u0410\u0411: \u0414\u0410\u041c\u041e\u041a\u041b\u041e\u0412 \u041c\u0415\u0427 \u041d\u0410\u0414 \u0421\u041e\u041c\u0410\u041b\u0418<\/a><\/p>\n

\u041c\u041e\u0425\u0410\u041c\u041c\u0415\u0414 \u0414\u0410\u0425\u041b\u0410\u041d, \u0423\u0411\u0418\u0419\u0426\u0410 \u041a\u041e\u0420\u041e\u041b\u042f<\/a><\/p>\n

\u041f\u0410\u0420\u0418\u0416\u0421\u041a\u0410\u042f \u041f\u041e\u0414\u0420\u0423\u0413\u0410 \u0428\u0415\u0419\u0425\u041e\u0412 \u041f\u0415\u0420\u0421\u0418\u0414\u0421\u041a\u041e\u0413\u041e \u0417\u0410\u041b\u0418\u0412\u0410<\/a><\/p>\n

JONATHAN GRAY: \u0412 \u041f\u0410\u0420\u0418\u0416\u0415 \u041d\u041e\u0412\u042b\u0419 \u0420\u0418\u0428\u0415\u041b\u042c\u0415<\/a><\/p>\n

\u0421\u0410\u0423\u0414\u041e\u0412\u0421\u041a\u0410\u042f \u041c\u0415\u0427\u0422\u0410 \u041e \u0413\u041e\u0420\u041e\u0414\u0415 \u0412 \u041f\u0423\u0421\u0422\u042b\u041d\u0415<\/a><\/p>\n

\u0425\u0410\u041d\u041d\u0410 \u041d\u041e\u0419\u041c\u0410\u041d\u041d, \u0414\u0420\u0423\u0413\u0410\u042f \u0421\u0422\u041e\u0420\u041e\u041d\u0410 \u041a\u041e\u0420\u0420\u0423\u041f\u0426\u0418\u0418 \u0412 \u0411\u0420\u042e\u0421\u0421\u0415\u041b\u0415<\/a><\/p>\n

\u041e\u0427\u0415\u041d\u042c \u0414\u041b\u0418\u041d\u041d\u0410\u042f \u0412\u041e\u041b\u041d\u0410 \u041a\u041e\u0420\u0420\u0423\u041f\u0426\u0418\u0418 \u0412 \u0411\u0420\u042e\u0421\u0421\u0415\u041b\u0415<\/a><\/p>\n

\u0418\u0417\u0420\u0410\u0418\u041b\u042c: \u0428\u0410\u041d\u0422\u0410\u0416 \u041d\u0415\u0422\u0410\u041d\u042c\u042f\u0425\u0423<\/a><\/td>\n

HUSSAIN AL NOWAIS: ARABISCHE WIRTSCHAFTSMITTELALTER VOR DEM TEST DES DRITTEN JAHRTAUSENDS<\/a><\/p>\n

H\u00d6LLENJEMEN: DEUTSCHE WAFFEN F\u00dcR ARABIEN, F\u00dcR AL-QAIDA UND F\u00dcR AMERIKANISCHE S\u00d6LDNER<\/a><\/p>\n

AL-SHABAAB: DAS DAMOKLESSCHWERT \u00dcBER SOMALIA<\/a><\/p>\n

MOHAMMED DAHLAN, AUFTRAGSM\u00d6RDER F\u00dcR DEN K\u00d6NIG<\/a><\/p>\n

DIE PARISER FREUNDIN DER SCHEICHS DES PERSISCHEN GOLFS<\/a><\/p>\n

JONATHAN GRAY: PARIS HAT SEINEN NEUEN RICHELIEU<\/a><\/p>\n

DER SAUDISCHE TRAUM VON EINER STADT IN DER W\u00dcSTE<\/a><\/p>\n

HANNAH NEUMANN, DIE ANDERE SEITE DER KORRUPTION IN BR\u00dcSSEL<\/a><\/p>\n

DIE SEHR LANGE WELLE DER KORRUPTION IN BR\u00dcSSEL<\/a><\/p>\n

ISRAEL: DIE ERPRESSUNG VON NETANJAHU<\/a><\/td>\n

MOHAMMED DAHLAN, ASESINO A SUELDO DEL REY<\/a><\/p>\n

L\u2019AMIGA PARISINA DE LOS JEQUES DEL GOLFO P\u00c9RSICO<\/a><\/p>\n

EL INFIERNO DE YEMEN: ARMAS ALEMANAS PARA ARABIA, AL QAEDA Y MERCENARIOS ESTADOUNIDENSES<\/a><\/p>\n

HUSSAIN AL NOWAIS: EL MEDIEVALISMO ECON\u00d3MICO \u00c1RABE A PRUEBA DEL TERCER MILENIO<\/a><\/p>\n

AL-SHABAAB: LA ESPADA DE DAMOCLES SOBRE SOMALIA<\/a><\/p>\n

JONATHAN GRAY: PAR\u00cdS TIENE SU NUEVO RICHELIEU<\/a><\/p>\n

EL SUE\u00d1O SAUD\u00cd DE UNA CIUDAD EN EL DESIERTO<\/a><\/p>\n

HANNAH NEUMANN, LA OTRA CARA DE LA CORRUPCI\u00d3N EN BRUSELAS<\/a><\/p>\n

LA LARGU\u00cdSIMA OLA DE CORRUPCI\u00d3N EN BRUSELAS<\/a><\/p>\n

ISRAEL: EL CHANTAJE DE NETANYAHU<\/a><\/td>\n<\/tr>\n

<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

\"\"Bin Talal,<\/strong> Al Waleed<\/p>\n

Businessman, 1955-
\n\"\"<\/td>\n

HUSSAIN AL NOWAIS : LE MOYEN \u00c2GE DU CAPITALISME ARABE AVANT L\u2019EPREUVE DU TROISIEME MILLENAIRE<\/a><\/td>\nHUSSAIN AL NOWAIS: THE MEDIEVALISM OF THE ARAB CAPITALISM FACING THE TEST OF THE THIRD MILLENNIUM<\/a><\/td>\nHUSSAIN AL NOWAIS: IL MEDIEVALISMO ECONOMICO ARABO ALLA PROVA DEL TERZO MILLENNIO<\/a><\/td>\n\u0425\u0423\u0421\u0421\u0415\u0419\u041d \u0410\u041b\u042c-\u041d\u041e\u0412\u0410\u0418\u0421: \u0410\u0420\u0410\u0411\u0421\u041a\u041e\u0415 \u042d\u041a\u041e\u041d\u041e\u041c\u0418\u0427\u0415\u0421\u041a\u041e\u0415 \u0421\u0420\u0415\u0414\u041d\u0415\u0412\u0415\u041a\u041e\u0412\u042c\u0415, \u041f\u0420\u041e\u0412\u0415\u0420\u0415\u041d\u041d\u041e\u0415 \u0422\u0420\u0415\u0422\u042c\u0418\u041c \u0422\u042b\u0421\u042f\u0427\u0415\u041b\u0415\u0422\u0418\u0415\u041c<\/a><\/td>\nHUSSAIN AL NOWAIS: ARABISCHE WIRTSCHAFTSMITTELALTER VOR DEM TEST DES DRITTEN JAHRTAUSENDS<\/a><\/td>\nHUSSAIN AL NOWAIS: EL MEDIEVALISMO ECON\u00d3MICO \u00c1RABE A PRUEBA DEL TERCER MILENIO<\/a><\/td>\n<\/tr>\n
<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

\"\"Bin Yaqut,<\/strong> Issa Salem<\/p>\n

Sheikh of Socotra, 1962-
\n\"\"<\/td>\n

SOCOTRA, LA DERNIERE ILE ENCHANTEE ET MERVEILLEUSE<\/a><\/td>\nSOCOTRA, THE LAST WONDERFUL ENCHANTED ISLAND<\/a><\/td>\nSOCOTRA, L\u2019ULTIMA MERAVIGLIOSA ISOLA INCANTATA<\/a><\/td>\n\u0421\u041e\u041a\u041e\u0422\u0420\u0410, \u041f\u041e\u0421\u041b\u0415\u0414\u041d\u0418\u0419 \u0427\u0423\u0414\u0415\u0421\u041d\u042b\u0419 \u0417\u0410\u0427\u0410\u0420\u041e\u0412\u0410\u041d\u041d\u042b\u0419 \u041e\u0421\u0422\u0420\u041e\u0412<\/a><\/td>\nSOKOTRA, DIE LETZTE WUNDERBARE, VERWUNSCHENE INSEL<\/a><\/td>\nSOCOTRA, LA \u00daLTIMA Y MARAVILLOSA ISLA ENCANTADA<\/a><\/td>\n<\/tr>\n
<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

\"\"Bin Zayed<\/strong>, Abdullah<\/p>\n

Lobbyist, 1972-
\n\"\"<\/td>\n

LE STYLO QUI TUE PLUS QUE L\u2019EPEE<\/a><\/td>\nTHE PEN THAT KILLS MORE THAN THE SWORD<\/a><\/td>\nLA PENNA CHE UCCIDE PI\u00d9 DELLA SPADA<\/a><\/td>\n\u041f\u0415\u0420\u041e \u0423\u0411\u0418\u0412\u0410\u0415\u0422 \u0421\u0418\u041b\u042c\u041d\u0415\u0415 \u041c\u0415\u0427\u0410<\/a><\/td>\nDIE FEDER, DIE MEHR T\u00d6TET ALS DAS SCHWERT<\/a><\/td>\nLA PLUMA QUE MATA M\u00c1S QUE LA ESPADA<\/a><\/td>\n<\/tr>\n
<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

 <\/p>\n

\"\"<\/strong>Bin Zayed Al Nahyan<\/strong>, Mohamed<\/p>\n

Politician. 1961-
\n\"\"<\/td>\n

LA TRES LONGUE VAGUE DE CORRUPTION A BRUXELLES<\/a><\/p>\n

ISRA\u00cbL: LE CHANTAGE DE NETANYAHOU<\/a><\/p>\n

VIE ET MIRACLES D\u2019UN MERCENAIRE DANS LA GUERRE MEDIATIQUE<\/a><\/td>\n

THE LONG WAVE OF CORRUPTION IN BRUSSELS<\/a><\/p>\n

ISRAEL: NETANYAHU\u2019S BLACKMAIL<\/a><\/p>\n

LIFE AND MIRACLES OF A MERCENARY IN THE MEDIA WAR<\/a><\/td>\n

L\u2019ONDA LUNGHISSIMA DELLA CORRUZIONE A BRUXELLES<\/a><\/p>\n

ISRAELE: IL RICATTO DI NETANYAHU<\/a><\/p>\n

VITA E MIRACOLI DI UN MERCENARIO NELLA GUERRA DEI MEDIA<\/a><\/td>\n

\u041e\u0427\u0415\u041d\u042c \u0414\u041b\u0418\u041d\u041d\u0410\u042f \u0412\u041e\u041b\u041d\u0410 \u041a\u041e\u0420\u0420\u0423\u041f\u0426\u0418\u0418 \u0412 \u0411\u0420\u042e\u0421\u0421\u0415\u041b\u0415<\/a><\/p>\n

\u0418\u0417\u0420\u0410\u0418\u041b\u042c: \u0428\u0410\u041d\u0422\u0410\u0416 \u041d\u0415\u0422\u0410\u041d\u042c\u042f\u0425\u0423<\/a><\/p>\n

\u0416\u0418\u0417\u041d\u042c \u0418 \u0427\u0423\u0414\u0415\u0421\u0410 \u041d\u0410\u0415\u041c\u041d\u0418\u041a\u0410 \u0412 \u0412\u041e\u0419\u041d\u0415 \u0421\u041e \u0421\u041c\u0418<\/a><\/td>\n

DIE SEHR LANGE WELLE DER KORRUPTION IN BR\u00dcSSEL<\/a><\/p>\n

ISRAEL: DIE ERPRESSUNG VON NETANJAHU<\/a><\/p>\n

LEBEN UND WUNDER EINES S\u00d6LDNERS IM MEDIENKRIEG<\/a><\/td>\n

LA LARGU\u00cdSIMA OLA DE CORRUPCI\u00d3N EN BRUSELAS<\/a><\/p>\n

ISRAEL: EL CHANTAJE DE NETANYAHU<\/a><\/p>\n

VIDA Y MILAGROS DE UN MERCENARIO EN LA GUERRA MEDI\u00c1TICA<\/a><\/td>\n<\/tr>\n

<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

\"\"Bin Zayed<\/strong>, Khalifa Al Nahyan<\/p>\n

Sheikh, 1948-2022
\n\"\"<\/td>\n

TORTOLA, ETERNELLE ILE DES PIRATES<\/a><\/td>\nTORTOLA, ETERNAL PIRATE ISLAND<\/a><\/td>\nTORTOLA, ETERNA ISOLA DEI PIRATI<\/a><\/td>\n\u0422\u041e\u0420\u0422\u041e\u041b\u0410, \u0412\u0415\u0427\u041d\u042b\u0419 \u041e\u0421\u0422\u0420\u041e\u0412 \u041f\u0418\u0420\u0410\u0422\u041e\u0412<\/a><\/td>\nTORTOLA, DIE EWIGE PIRATENINSEL<\/a><\/td>\nT\u00d3RTOLA, ETERNA ISLA PIRATA<\/a><\/td>\n<\/tr>\n
<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

\"\"Biondo<\/strong>, Nicola<\/p>\n

Journalist, 1970-
\n\"\"<\/td>\n

MOUVEMENT 5 ETOILES ET LEGANORD : REPETITIONS GENERALES POUR UNE INTERNATIONALE POSTFASCISTE<\/a><\/td>\n5-STAR MOVEMENT AND LEGANORD: DRESS REHEARSALS FOR A POST-FASCIST INTERNATIONAL<\/a><\/td>\nMOVIMENTO 5 STELLE E LEGA NORD: PROVE GENERALI PER UN\u2019INTERNAZIONALE POST-FASCISTA<\/a><\/td>\n\u0414\u0412\u0418\u0416\u0415\u041d\u0418\u0415 5 \u0417\u0412\u0415\u0417\u0414 \u0418 \u0421\u0415\u0412\u0415\u0420\u041d\u0410\u042f \u041b\u0418\u0413\u0410: \u0418\u0421\u041f\u042b\u0422\u0410\u041d\u0418\u042f \u0414\u041b\u042f \u041f\u041e\u0421\u0422\u0424\u0410\u0428\u0418\u0421\u0422\u0421\u041a\u041e\u0413\u041e \u0418\u041d\u0422\u0415\u0420\u041d\u0410\u0426\u0418\u041e\u041d\u0410\u041b\u0410<\/a><\/td>\n5-STERNE-BEWEGUNG UND LEGANORD: GENERALPROBEN F\u00dcR EINE POSTFASCHISTISCHE INTERNATIONALE<\/a><\/td>\nEL MOVIMIENTO 5 ESTRELLAS Y LA LIGA NORTE: ENSAYO GENERAL DE UNA INTERNACIONAL POST-FASCISTA<\/a><\/td>\n<\/tr>\n
<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

 <\/p>\n

\"\"Birdsall<\/strong>, Mark Ian<\/p>\n

Journalist, 1959-
\n\"\"<\/td>\n

PROJETS<\/a><\/td>\nPROJECTS<\/a><\/td>\nPROGETTI<\/a><\/td>\n\u041f\u0420\u041e\u0415\u041a\u0422\u042b<\/a><\/td>\nPROJEKTE<\/a><\/td>\nPROYECTOS<\/a><\/td>\n<\/tr>\n
<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

 <\/p>\n

\"\"Biruta<\/strong>, Vincent<\/p>\n

Politician, 1958-
\n\"\"<\/td>\n

RWANDA, CONGO ET OUGANDA: LA FRONTIERE MAUDITE<\/a><\/td>\nRWANDA, CONGO AND UGANDA: THE CURSED BORDER<\/a><\/td>\nRUANDA, CONGO E UGANDA: IL CONFINE MALEDETTO<\/a><\/td>\n\u0420\u0423\u0410\u041d\u0414\u0410, \u041a\u041e\u041d\u0413\u041e \u0418 \u0423\u0413\u0410\u041d\u0414\u0410: \u041f\u0420\u041e\u041a\u041b\u042f\u0422\u0410\u042f \u0413\u0420\u0410\u041d\u0418\u0426\u0410<\/a><\/td>\nRUANDA, KONGO UND UGANDA: DIE VERFLUCHTE GRENZE<\/a><\/td>\nRUANDA, CONGO Y UGANDA: LA FRONTERA MALDITA<\/a><\/td>\n<\/tr>\n
<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

\"\"Bitschin<\/strong>, Peter<\/p>\n

Architect, 1956-
\n\"\"<\/td>\n

L\u2019\u0152UVRE D\u2019ART : LA DEVISE DE LE RECEL MONDIALE<\/a><\/td>\nART: THE CURRENCY OF THE GLOBAL COMMERCE OF STOLEN GOODS<\/a><\/td>\nL\u2019OPERA D\u2019ARTE: LA VALUTA DELLA RICETTAZIONE GLOBALE<\/a><\/td>\n\u041f\u0420\u041e\u0418\u0417\u0412\u0415\u0414\u0415\u041d\u0418\u042f \u0418\u0421\u041a\u0423\u0421\u0421\u0422\u0412\u0410: \u0412\u0410\u041b\u042e\u0422\u0410 \u041c\u0418\u0420\u041e\u0412\u041e\u0413\u041e \u0424\u0415\u0425\u0422\u041e\u0412\u0410\u041d\u0418\u042f<\/a><\/td>\nDAS KUNSTWERK: DIE W\u00c4HRUNG DER GLOBALEN HEHLEREI<\/a><\/td>\nLA OBRA DE ARTE: LA DIVISA DE LA RECEPTACI\u00d3N MUNDIAL<\/a><\/td>\n<\/tr>\n
<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

 <\/p>\n

\"\"Biya<\/strong>, Chantal<\/p>\n

Politically exposed person, PEP, 1970-
\n\"\"<\/td>\n

BOLLORE: LE VERITABLE ROI DE L\u2019AFRIQUE<\/a><\/td>\nBOLLOR\u00c9: THE TRUE KING OF AFRICA<\/a><\/td>\nBOLLOR\u00c9: IL VERO RE D\u2019AFRICA<\/a><\/td>\n\u0411\u041e\u041b\u041b\u041e\u0420\u0415: \u0418\u0421\u0422\u0418\u041d\u041d\u042b\u0419 \u041a\u041e\u0420\u041e\u041b\u042c \u0410\u0424\u0420\u0418\u041a\u0418<\/a><\/td>\nBOLLOR\u00c9: DER WAHRE K\u00d6NIG VON AFRIKA<\/a><\/td>\nBOLLOR\u00c9: EL VERDADERO REY DE \u00c1FRICA<\/a><\/td>\n<\/tr>\n
<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

 <\/p>\n

\"\"Biya<\/strong>, Paul<\/p>\n

Politician, 1933-
\n\"\"<\/td>\n

BOLLORE: LE VERITABLE ROI DE L\u2019AFRIQUE<\/a><\/td>\nBOLLOR\u00c9: THE TRUE KING OF AFRICA<\/a><\/td>\nBOLLOR\u00c9: IL VERO RE D\u2019AFRICA<\/a><\/td>\n\u0411\u041e\u041b\u041b\u041e\u0420\u0415: \u0418\u0421\u0422\u0418\u041d\u041d\u042b\u0419 \u041a\u041e\u0420\u041e\u041b\u042c \u0410\u0424\u0420\u0418\u041a\u0418<\/a><\/td>\nBOLLOR\u00c9: DER WAHRE K\u00d6NIG VON AFRIKA<\/a><\/td>\nBOLLOR\u00c9: EL VERDADERO REY DE \u00c1FRICA<\/a><\/td>\n<\/tr>\n
<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

\"\"Bj\u00f6rg\u00f3lfsson<\/strong>, Bj\u00f6rgolfur Thor<\/p>\n

Entrepreneur, 1967-
\n\"\"<\/td>\n

SUPERCIUK D\u2019ISLANDE, LE DERNIER HEROS DES VIKINGS<\/a><\/td>\nSUPERCIUK OF ICELAND, THE LAST VIKING HERO<\/a><\/td>\nSUPERCIUK D\u2019ISLANDA, L\u2019ULTIMO EROE DEI VICHINGHI<\/a><\/td>\n\u0421\u0423\u041f\u0415\u0420\u0427\u0423\u041a \u0418\u0417 \u0418\u0421\u041b\u0410\u041d\u0414\u0418\u0418, \u041f\u041e\u0421\u041b\u0415\u0414\u041d\u0418\u0419 \u0413\u0415\u0420\u041e\u0419 \u0412\u0418\u041a\u0418\u041d\u0413\u041e\u0412<\/a><\/td>\nSUPERCIUK VON ISLAND, DER LETZTE HELD DER WIKINGER<\/a><\/td>\nSUPERCHUK DE ISLANDIA, EL \u00daLTIMO H\u00c9ROE VIKINGO<\/a><\/td>\n<\/tr>\n
<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

 <\/p>\n

\"\"Blackwell<\/strong>, Trevor<\/p>\n

Computer Engineer, 1969-
\n\"\"<\/td>\n

CHATGPT: ENTRE FASCINATION ET CRAINTE<\/a><\/td>\nCHATGPT: BETWEEN FASCINATION AND FEAR<\/a><\/td>\nCHATGPT: TRA FASCINO E PAURA<\/a><\/td>\nCHATGPT: \u041c\u0415\u0416\u0414\u0423 \u041e\u0427\u0410\u0420\u041e\u0412\u0410\u041d\u0418\u0415\u041c \u0418 \u0421\u0422\u0420\u0410\u0425\u041e\u041c<\/a><\/td>\nCHATGPT: ZWISCHEN FASZINATION UND ANGST<\/a><\/td>\nCHATGPT: ENTRE LA FASCINACI\u00d3N Y EL MIEDO<\/a><\/td>\n<\/tr>\n
<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

 <\/p>\n

\"\"Blair<\/strong>, Dennis Cutler<\/p>\n

Spy, 1947-
\n\"\"<\/td>\n

VOYAGER LABS : L\u2019ARME CONTONDANTE DE L\u2019INTELLIGENCE ARTIFICIELLE<\/a><\/td>\nVOYAGER LABS: THE BLUNT WEAPON OF ARTIFICIAL INTELLIGENCE<\/a><\/td>\nVOYAGER LABS: L\u2019ARMA SPUNTATA DELL\u2019INTELLIGENZA ARTIFICIALE<\/a><\/td>\nVOYAGERLABS: \u0422\u0423\u041f\u041e\u0415 \u041e\u0420\u0423\u0416\u0418\u0415 \u0418\u0421\u041a\u0423\u0421\u0421\u0422\u0412\u0415\u041d\u041d\u041e\u0413\u041e \u0418\u041d\u0422\u0415\u041b\u041b\u0415\u041a\u0422\u0410<\/a><\/td>\nVOYAGER LABS: DIE STUMPFE WAFFE DER K\u00dcNSTLICHEN INTELLIGENZ<\/a><\/td>\nVOYAGER LABS: EL ARMA CONTUNDENTE DE LA INTELIGENCIA ARTIFICIAL<\/a><\/td>\n<\/tr>\n
<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

\"\"Blair<\/strong>, Tony<\/p>\n

Politician, 1953-
\n\"\"<\/td>\n

LA TRISTE HISTOIRE DES INGENIEURS QUI VOULAIENT DEMINER LE MONDE<\/a><\/p>\n

QUAND LE CRIME DEVIENT UN \u00c9TAT: LA TURQUIE DE KAMER ET ERDOGAN<\/a><\/p>\n

MERCENAIRES ET EMIRATS: LE PERIL MONDIAL DE L\u2019INDUSTRIE PRIVEE DE LA MORT<\/a><\/p>\n

ENTRE LES FUSILS ET LE FOOTBALL, LE METTEUR EN SCENE D\u2019ABU DHABI<\/a><\/td>\n

THE VERY SAD STORY OF THE ENGINEERS WHO WANTED TO DEMINE THE WORLD<\/a><\/p>\n

WHEN THE MOB BECOMES THE STATE: THE TURKEY OF KAMER AND ERDO\u011eAN<\/a><\/p>\n

SOLDIERS OF FORTUNE AND EMIRATES: THE GLOBAL DANGER OF THE PRIVATE DEATH\u2019S INDUSTRY<\/a><\/p>\n

BETWEEN GUNS AND FOOTBALL, THE DIRECTOR FROM ABU DHABI<\/a><\/td>\n

LA TRISTE STORIA DEGLI INGEGNERI CHE VOLEVANO SMINARE IL MONDO<\/a><\/p>\n

QUANDO IL CRIMINE SI FA STATO: LA TURCHIA DI KAMER E ERDO\u011eAN<\/a><\/p>\n

SOLDATI DI SVENTURA: LA MINACCIA GLOBALE DELL\u2019INDUSTRIA PRIVATA DELLA MORTE<\/a><\/p>\n

TRA ARMI E CALCIO, IL REGISTA CHE VIENE DA ABU DHABI<\/a><\/td>\n

\u041f\u0415\u0427\u0410\u041b\u042c\u041d\u0410\u042f \u0418\u0421\u0422\u041e\u0420\u0418\u042f \u0418\u041d\u0416\u0415\u041d\u0415\u0420\u041e\u0412, \u041a\u041e\u0422\u041e\u0420\u042b\u0415 \u0420\u0410\u0417\u041c\u0418\u041d\u0418\u0420\u041e\u0412\u0410\u041b\u0418 \u041c\u0418\u0420<\/a><\/p>\n

\u041a\u041e\u0413\u0414\u0410 \u041f\u0420\u0415\u0421\u0422\u0423\u041f\u041b\u0415\u041d\u0418\u0415 \u0417\u041d\u0410\u0427\u0418\u0422 \u0413\u041e\u0421\u0423\u0414\u0410\u0420\u0421\u0422\u0412\u041e: \u0422\u0423\u0420\u0426\u0418\u042f \u041a\u0410\u041c\u0415\u0420\u0410 \u0418 \u042d\u0420\u0414\u041e\u0413\u0410\u041d\u0410<\/a><\/p>\n

\u0421\u041e\u041b\u0414\u0410\u0422\u042b DOOM: \u0413\u041b\u041e\u0411\u0410\u041b\u042c\u041d\u0410\u042f \u0423\u0413\u0420\u041e\u0417\u0410 \u0427\u0410\u0421\u0422\u041d\u041e\u0419 \u0418\u041d\u0414\u0423\u0421\u0422\u0420\u0418\u0418 \u0421\u041c\u0415\u0420\u0422\u0418<\/a><\/p>\n

\u041c\u0415\u0416\u0414\u0423 \u041e\u0420\u0423\u0416\u0418\u0415\u041c \u0418 \u0424\u0423\u0422\u0411\u041e\u041b\u041e\u041c: \u0420\u0415\u0416\u0418\u0421\u0421\u0415\u0420 \u0418\u0417 \u0410\u0411\u0423-\u0414\u0410\u0411\u0418<\/a><\/td>\n

DAS TRAUERM\u00c4RCHEN JENER INGENIEURE, DIE DIE WELT VON DEN LANDMINEN BEFREIEN WOLLTEN<\/a><\/p>\n

WENN KRIMINALIT\u00c4T ZUM STAAT WIRD: KAMER UND ERDO\u011eANS T\u00dcRKEI<\/a><\/p>\n

S\u00d6LDNER UND EMIRATEN: DIE GLOBALE GEFAHR DER PRIVATEN TODESINDUSTRIE<\/a><\/p>\n

ZWISCHEN WAFFEN UND FU\u00dfBALL, DER REGISSEUR AUS ABU DHABI<\/a><\/td>\n

LA TRISTE HISTORIA DE LOS INGENIEROS QUE QUER\u00cdAN LLEVAR EL MUNDO A LAS MINAS<\/a><\/p>\n

CUANDO EL CRIMEN SE CONVIERTE EN ESTADO: LA TURQU\u00cdA DE KAMER Y ERDO\u011eAN<\/a><\/p>\n

SOLDADOS DE LA PERDICI\u00d3N: LA AMENAZA GLOBAL DE LA INDUSTRIA PRIVADA DE LA MUERTE<\/a><\/p>\n

ENTRE ARMAS Y F\u00daTBOL, EL DIRECTOR DE ABU DHABI<\/a><\/td>\n<\/tr>\n

<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

 <\/p>\n

\"\"<\/strong>Blan\u0441<\/strong>, Patrick<\/p>\n

Botanik, 1953-
\n\"\"<\/td>\n

LUXE EXTREME: UNE METROPOLE DANS LES ARBRES<\/a><\/td>\nEXTREME LUXURY: A METROPOLIS IN THE TREES<\/a><\/td>\nIL LUSSO ESTREMO: UNA METROPOLI TRA GLI ALBERI<\/a><\/td>\n\u042d\u041a\u0421\u0422\u0420\u0415\u041c\u0410\u041b\u042c\u041d\u0410\u042f \u0420\u041e\u0421\u041a\u041e\u0428\u042c: \u041c\u0415\u0413\u0410\u041f\u041e\u041b\u0418\u0421 \u0421\u0420\u0415\u0414\u0418 \u0414\u0415\u0420\u0415\u0412\u042c\u0415\u0412<\/a><\/td>\nEXTREMER LUXUS: EINE METROPOLE IN DEN B\u00c4UMEN<\/a><\/td>\nLUJO EXTREMO: UNA METR\u00d3POLIS EN LOS \u00c1RBOLES<\/a><\/td>\n<\/tr>\n
<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

\"\"Blankfein<\/strong>, Lloyd Craig<\/p>\n

Banker, 1954-
\n\"\"<\/td>\n

L\u2019AXE SECRET ENTRE GOLDMAN SACHS ET LES OLIGARQUES<\/a><\/td>\nTHE SECRET AXIS BETWEEN GOLDMAN SACHS AND THE OLIGARCHS<\/a><\/td>\nL\u2019ASSE SEGRETO TRA GOLDMAN SACHS E GLI OLIGARCHI<\/a><\/td>\n\u0422\u0410\u0419\u041d\u0410\u042f \u041e\u0421\u042c \u041c\u0415\u0416\u0414\u0423 \u00ab\u0413\u041e\u041b\u0414\u041c\u0410\u041d\u0421\u0410\u041a\u0421\u00bb \u0418 \u041e\u041b\u0418\u0413\u0410\u0420\u0425\u0410\u041c\u0418<\/a><\/td>\nDIE GEHEIME ACHSE ZWISCHEN GOLDMAN SACHS UND DEN OLIGARCHEN<\/a><\/td>\nEL EJE SECRETO ENTRE GOLDMAN SACHS Y LOS OLIGARCAS<\/a><\/p>\n

 <\/td>\n<\/tr>\n

<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

\"\"Blinken<\/strong>, Antony<\/p>\n

Politician, 1962-
\n\"\"<\/td>\n

COMMENT LA TURQUIE TORTURE ET TUE LES INTELLECTUELS<\/a><\/p>\n

SI TU ES L\u2019AMI D\u2019ERDOGAN, TU N\u2019AS PLUS BESOIN D\u2019ENNEMIS<\/a><\/p>\n

ASSASSIN\u00c9. POUR UN VOILE DE TISSU<\/a><\/td>\n

HOW TURKEY TORTURES AND KILLS INTELLECTUALS<\/a><\/p>\n

IF YOU ARE ERDOGAN\u2019S FRIEND, YOU DON\u2019T NEED ENEMIES<\/a><\/p>\n

SHOT DEAD. FOR A VEIL OF CLOTH<\/a><\/td>\n

COS\u00cc LA TURCHIA TORTURA E UCCIDE GLI INTELLETTUALI<\/a><\/p>\n

SE SEI AMICO DI ERDOGAN, NON HAI BISOGNO DI NEMICI<\/a><\/p>\n

MORTA AMMAZZATA. PER UN VELO DI STOFFA<\/a><\/td>\n

\u041a\u0410\u041a \u0422\u0423\u0420\u0426\u0418\u042f \u041f\u042b\u0422\u0410\u0415\u0422 \u0418 \u0423\u0411\u0418\u0412\u0410\u0415\u0422 \u0418\u041d\u0422\u0415\u041b\u041b\u0415\u041a\u0422\u0423\u0410\u041b\u041e\u0412<\/a><\/p>\n

\u0415\u0421\u041b\u0418 \u0422\u042b \u0414\u0420\u0423\u0413 \u042d\u0420\u0414\u041e\u0413\u0410\u041d\u0410, \u0422\u0415\u0411\u0415 \u041d\u0415 \u041d\u0423\u0416\u041d\u042b \u0412\u0420\u0410\u0413\u0418<\/a><\/p>\n

\u0423\u0411\u0418\u0422\u0410. \u0417\u0410 \u041a\u041b\u041e\u0427\u041e\u041a \u0422\u041a\u0410\u041d\u0418<\/a><\/td>\n

WIE DIE T\u00dcRKEI INTELLEKTUELLE FOLTERT UND T\u00d6TET<\/a><\/p>\n

WENN DU ERDOGANS FREUND BIST, BRAUCHST DU KEINE FEINDE MEHR<\/a><\/p>\n

ZU TODE GETRETEN. F\u00dcR EINEN SCHLEIER AUS STOFF<\/a><\/td>\n

C\u00d3MO TORTURA Y MATA TURQU\u00cdA A LOS INTELECTUALES<\/a><\/p>\n

SI ERES AMIGO DE ERDOGAN, NO NECESITAS M\u00c1S ENEMIGOS<\/a><\/p>\n

ASESINADA. PARA UN VELO DE TELA<\/a><\/td>\n<\/tr>\n

<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

\"\"Bludhorn<\/strong>, Charles George<\/p>\n

Entrepreneur \/ Film Produce, 1926-1983
\n\"\"<\/td>\n

HENRY KISSINGER, L\u2019AME NOIRE DU 20EME SIECLE<\/a><\/td>\nHENRY KISSINGER, THE DARK SOUL OF THE 20TH CENTURY<\/a><\/td>\nHENRY KISSINGER, L\u2019ANIMA NERA DEL XX SECOLO<\/a><\/td>\n\u0413\u0415\u041d\u0420\u0418 \u041a\u0418\u0421\u0421\u0418\u041d\u0414\u0416\u0415\u0420, \u0427\u0415\u0420\u041d\u0410\u042f \u0414\u0423\u0428\u0410 20 \u0412\u0415\u041a\u0410<\/a><\/td>\nHENRY KISSINGER, DIE SCHWARZE SEELE DES 20. JAHRHUNDERTS<\/a><\/td>\nHENRY KISSINGER, EL ALMA NEGRA DEL SIGLO XX<\/a><\/td>\n<\/tr>\n
<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

 <\/p>\n

\"\"Blum<\/strong>, L\u00e9on<\/p>\n

Politician, 1872-1950
\n\"\"<\/td>\n

BOLLORE: LE VERITABLE ROI DE L\u2019AFRIQUE<\/a><\/td>\nBOLLOR\u00c9: THE TRUE KING OF AFRICA<\/a><\/td>\nBOLLOR\u00c9: IL VERO RE D\u2019AFRICA<\/a><\/td>\n\u0411\u041e\u041b\u041b\u041e\u0420\u0415: \u0418\u0421\u0422\u0418\u041d\u041d\u042b\u0419 \u041a\u041e\u0420\u041e\u041b\u042c \u0410\u0424\u0420\u0418\u041a\u0418<\/a><\/td>\nBOLLOR\u00c9: DER WAHRE K\u00d6NIG VON AFRIKA<\/a><\/td>\nBOLLOR\u00c9: EL VERDADERO REY DE \u00c1FRICA<\/a><\/td>\n<\/tr>\n
<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

\"\"B\u1ed9<\/strong>, Mai V\u0103n<\/p>\n

Writer \/ Diplomat, 1918-2002
\n\"\"<\/td>\n

HENRY KISSINGER, L\u2019AME NOIRE DU 20EME SIECLE<\/a><\/td>\nHENRY KISSINGER, THE DARK SOUL OF THE 20TH CENTURY<\/a><\/td>\nHENRY KISSINGER, L\u2019ANIMA NERA DEL XX SECOLO<\/a><\/td>\n\u0413\u0415\u041d\u0420\u0418 \u041a\u0418\u0421\u0421\u0418\u041d\u0414\u0416\u0415\u0420, \u0427\u0415\u0420\u041d\u0410\u042f \u0414\u0423\u0428\u0410 20 \u0412\u0415\u041a\u0410<\/a><\/td>\nHENRY KISSINGER, DIE SCHWARZE SEELE DES 20. JAHRHUNDERTS<\/a><\/td>\nHENRY KISSINGER, EL ALMA NEGRA DEL SIGLO XX<\/a><\/td>\n<\/tr>\n
<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

 <\/p>\n

\"\"Bockstaele<\/strong>, Erwin<\/p>\n

Mercenary,
\n\"\"<\/td>\n

MERCENAIRES ET EMIRATS : LE PERIL MONDIAL DE L\u2019INDUSTRIE PRIVEE DE LA MORT<\/a><\/td>\nSOLDIERS OF FORTUNE AND EMIRATES: THE GLOBAL DANGER OF THE PRIVATE DEATH\u2019S INDUSTRY<\/a><\/td>\nSOLDATI DI SVENTURA: LA MINACCIA GLOBALE DELL\u2019INDUSTRIA PRIVATA DELLA MORTE<\/a><\/td>\n\u0421\u041e\u041b\u0414\u0410\u0422\u042b DOOM: \u0413\u041b\u041e\u0411\u0410\u041b\u042c\u041d\u0410\u042f \u0423\u0413\u0420\u041e\u0417\u0410 \u0427\u0410\u0421\u0422\u041d\u041e\u0419 \u0418\u041d\u0414\u0423\u0421\u0422\u0420\u0418\u0418 \u0421\u041c\u0415\u0420\u0422\u0418<\/a><\/td>\nS\u00d6LDNER UND EMIRATEN: DIE GLOBALE GEFAHR DER PRIVATEN TODESINDUSTRIE<\/a><\/td>\nSOLDADOS DE LA PERDICI\u00d3N: LA AMENAZA GLOBAL DE LA INDUSTRIA PRIVADA DE LA MUERTE<\/a><\/td>\n<\/tr>\n
<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

 <\/p>\n

\"\"<\/strong>Boeri<\/strong>, Stefano<\/p>\n

Architect, 1965-
\n\"\"<\/td>\n

LUXE EXTREME: UNE METROPOLE DANS LES ARBRES<\/a><\/td>\nEXTREME LUXURY: A METROPOLIS IN THE TREES<\/a><\/td>\nIL LUSSO ESTREMO: UNA METROPOLI TRA GLI ALBERI<\/a><\/td>\n\u042d\u041a\u0421\u0422\u0420\u0415\u041c\u0410\u041b\u042c\u041d\u0410\u042f \u0420\u041e\u0421\u041a\u041e\u0428\u042c: \u041c\u0415\u0413\u0410\u041f\u041e\u041b\u0418\u0421 \u0421\u0420\u0415\u0414\u0418 \u0414\u0415\u0420\u0415\u0412\u042c\u0415\u0412<\/a><\/td>\nEXTREMER LUXUS: EINE METROPOLE IN DEN B\u00c4UMEN<\/a><\/td>\nLUJO EXTREMO: UNA METR\u00d3POLIS EN LOS \u00c1RBOLES<\/a><\/td>\n<\/tr>\n
<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

 <\/p>\n

\"\"Bogdanov<\/strong>, Maksim Yuryevich<\/p>\n

Geologist, 1978-
\n\"\"<\/td>\n

BASES MILITAIRES ET MINES : LE NOUVEAU VISAGE DES FONDS MARINS<\/a><\/td>\nMILITARY BASES AND MINES: THE NEW FACE OF THE SEABED<\/a><\/td>\nBASI MILITARI E MINIERE: IL VOLTO NUOVO DEL FONDO DELL\u2019OCEANO<\/a><\/td>\n\u0412\u041e\u0415\u041d\u041d\u042b\u0415 \u0411\u0410\u0417\u042b \u0418 \u0420\u0423\u0414\u041d\u0418\u041a\u0418: \u041d\u041e\u0412\u042b\u0415 \u041b\u0418\u0426\u0410 \u041e\u041a\u0415\u0410\u041d\u0421\u041a\u041e\u0413\u041e \u0414\u041d\u0410<\/a><\/td>\nMILIT\u00c4RST\u00dcTZPUNKTE UND MINEN: DAS NEUE GESICHT DES MEERESBODENS<\/a><\/td>\nBASES MILITARES Y MINAS: LA NUEVA CARA DE LOS FONDOS MARINOS<\/a><\/td>\n<\/tr>\n
<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

\"\"Bogdanov,<\/strong> Mikhail<\/p>\n

Politician, 1952-
\n\"\"<\/td>\n

SOCOTRA, LA DERNIERE ILE ENCHANTEE ET MERVEILLEUSE<\/a><\/td>\nSOCOTRA, THE LAST WONDERFUL ENCHANTED ISLAND<\/a><\/td>\nSOCOTRA, L\u2019ULTIMA MERAVIGLIOSA ISOLA INCANTATA<\/a><\/td>\n\u0421\u041e\u041a\u041e\u0422\u0420\u0410, \u041f\u041e\u0421\u041b\u0415\u0414\u041d\u0418\u0419 \u0427\u0423\u0414\u0415\u0421\u041d\u042b\u0419 \u0417\u0410\u0427\u0410\u0420\u041e\u0412\u0410\u041d\u041d\u042b\u0419 \u041e\u0421\u0422\u0420\u041e\u0412<\/a><\/td>\nSOKOTRA, DIE LETZTE WUNDERBARE, VERWUNSCHENE INSEL<\/a><\/td>\nSOCOTRA, LA \u00daLTIMA Y MARAVILLOSA ISLA ENCANTADA<\/a><\/td>\n<\/tr>\n
<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

\"\"B\u00f6hmermann<\/strong>, Jan<\/p>\n

TV-Journalist, 1981-
\n\"\"<\/td>\n

GRECE : LES NOUVEAUX CAMPS DE CONCENTRATION<\/a><\/td>\nGREECE: NEW CONCENTRATION CAMPS EMERGE<\/a><\/td>\nGRECIA: NASCONO I NUOVI CAMPI DI CONCENTRAMENTO<\/a><\/td>\n\u0413\u0420\u0415\u0426\u0418\u042f: \u041f\u041e\u042f\u0412\u041b\u042f\u042e\u0422\u0421\u042f \u0412\u0421\u0415 \u041d\u041e\u0412\u042b\u0415 \u041a\u041e\u041d\u0426\u041b\u0410\u0413\u0415\u0420\u042f<\/a><\/td>\nGRIECHENLAND: DIE R\u00dcCKKEHR DES KONZENTRATIONSLAGERS<\/a><\/td>\nGRECIA: SURGEN NUEVOS CAMPOS DE CONCENTRACI\u00d3N<\/a><\/td>\n<\/tr>\n
<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

\"\"Boies<\/strong>, David<\/p>\n

Lawyer, 1941-
\n\"\"<\/td>\n

PHILIP MORRIS ENTRE EN GUERRE \u2013 AVEC LES POPULISTES, LES EXTREMISTES DE DROITE ET LES CHEIKHS ARABES<\/a><\/td>\nPHILIP MORRIS GOES TO WAR \u2013 WITH POPULISTS, SUPREMACISTS AND ARAB SHEIKHS<\/a><\/td>\nLA PHILIP MORRIS VA ALLA GUERRA \u2013 ALLEATA A SUPREMATISTI, POPULISTI E SCEICCHI ARABI<\/a><\/td>\n\u0424\u0418\u041b\u0418\u041f \u041c\u041e\u0420\u0420\u0418\u0421 \u0418\u0414\u0415\u0422 \u041d\u0410 \u0412\u041e\u0419\u041d\u0423 \u2013 \u041d\u0410 \u0421\u0422\u041e\u0420\u041e\u041d\u0415 \u0410\u0420\u0410\u0411\u0421\u041a\u0418\u0425 \u0421\u0423\u041f\u0420\u0415\u041c\u0410\u0422\u0418\u0421\u0422\u041e\u0412, \u041f\u041e\u041f\u0423\u041b\u0418\u0421\u0422\u041e\u0412 \u0418 \u0428\u0415\u0419\u041a\u041e\u0412<\/a><\/td>\nPHILIP MORRIS ZIEHT IN DEN KRIEG \u2013 MIT POPULISTEN, RECHTSEXTREMISTEN UND ARABISCHEN SCHEICHS<\/a><\/td>\nPHILIP MORRIS VA A LA GUERRA \u2013 ALIADO CON SUPREMACISTAS, POPULISTAS Y JEQUES \u00c1RABES<\/a><\/td>\n<\/tr>\n
<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

\"\"B\u00f6lek<\/strong>, Helin<\/p>\n

Musician, 1991-2020
\n\"\"<\/td>\n

COMMENT LA TURQUIE TORTURE ET TUE LES INTELLECTUELS<\/a><\/td>\nHOW TURKEY TORTURES AND KILLS INTELLECTUALS<\/a><\/td>\nCOS\u00cc LA TURCHIA TORTURA E UCCIDE GLI INTELLETTUALI<\/a><\/td>\n\u041a\u0410\u041a \u0422\u0423\u0420\u0426\u0418\u042f \u041f\u042b\u0422\u0410\u0415\u0422 \u0418 \u0423\u0411\u0418\u0412\u0410\u0415\u0422 \u0418\u041d\u0422\u0415\u041b\u041b\u0415\u041a\u0422\u0423\u0410\u041b\u041e\u0412<\/a><\/td>\nWIE DIE T\u00dcRKEI INTELLEKTUELLE FOLTERT UND T\u00d6TET<\/a><\/td>\nC\u00d3MO TORTURA Y MATA TURQU\u00cdA A LOS INTELECTUALES<\/a><\/p>\n

 <\/td>\n<\/tr>\n

<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

 <\/p>\n

\"\"Bolgiani<\/strong>, Francesco<\/p>\n

Banker, 1926-2011
\n\"\"<\/td>\n

LA DERNIERE VICTIME DU BANCO AMBROSIANO<\/a><\/td>\nTHE LAST VICTIM OF BANCO AMBROSIANO<\/a><\/td>\nL\u2019ULTIMA VITTIMA DEL BANCO AMBROSIANO<\/a><\/td>\n\u041f\u041e\u0421\u041b\u0415\u0414\u041d\u042f\u042f \u0416\u0415\u0420\u0422\u0412\u0410\u0411\u0410\u041d\u041a\u0410 \u0410\u041c\u0411\u0420\u041e\u0417\u0418\u0410\u041d\u041e<\/a><\/td>\nDAS LETZTE OPFER DER BANCO AMBROSIANO<\/a><\/td>\nLA \u00daLTIMA V\u00cdCTIMA DEL BANCO AMBROSIANO<\/a><\/td>\n<\/tr>\n
<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

\"\"Bolin<\/strong>, Tommy<\/p>\n

Musician, 1951-1976
\n\"\"<\/td>\n

L\u2019ENTREPRISE MILLIONNAIRE PAS SI SECRETE DU HEZBOLLAH EN GAMBIE<\/a><\/td>\nHEZBOLLAH\u2019S NOT-SO-SECRET MILLIONAIRE BUSINESS WITH GAMBIA<\/a><\/td>\nIL BUSINESS MILIONARIO, NEMMENO TANTO SEGRETO, DI HEZBOLLAH IN GAMBIA<\/a><\/td>\n\u041c\u0418\u041b\u041b\u0418\u041e\u041d\u0415\u0420\u041d\u042b\u0419 \u0411\u0418\u0417\u041d\u0415\u0421, \u0414\u0410\u0416\u0415 \u041e\u0427\u0415\u041d\u042c \u0421\u0415\u041a\u0420\u0415\u0422\u041d\u042b\u0419, \u0425\u0415\u0417\u0411\u041e\u041b\u041b\u0410 \u0412 \u0413\u0410\u041c\u0411\u0418\u0418<\/a><\/td>\nDAS NICHT SO GEHEIME MILLION\u00c4RSGESCH\u00c4FT DER HISBOLLAH IN GAMBIA<\/a><\/td>\nEL NO TAN SECRETO NEGOCIO DE HEZBOL\u00c1 EN GAMBIA<\/a><\/td>\n<\/tr>\n
<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

\"\"Bolling<\/strong>, Alexander Russell<\/p>\n

Liutenant General, 1895-1964
\n\"\"<\/td>\n

HENRY KISSINGER, L\u2019AME NOIRE DU 20EME SIECLE<\/a><\/td>\nHENRY KISSINGER, THE DARK SOUL OF THE 20TH CENTURY<\/a><\/td>\nHENRY KISSINGER, L\u2019ANIMA NERA DEL XX SECOLO<\/a><\/td>\n\u0413\u0415\u041d\u0420\u0418 \u041a\u0418\u0421\u0421\u0418\u041d\u0414\u0416\u0415\u0420, \u0427\u0415\u0420\u041d\u0410\u042f \u0414\u0423\u0428\u0410 20 \u0412\u0415\u041a\u0410<\/a><\/td>\nHENRY KISSINGER, DIE SCHWARZE SEELE DES 20. JAHRHUNDERTS<\/a><\/td>\nHENRY KISSINGER, EL ALMA NEGRA DEL SIGLO XX<\/a><\/td>\n<\/tr>\n
<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

 <\/p>\n

\"\"Bollor\u00e9<\/strong>, Cyrille<\/p>\n

Entrepreneur, 1985-
\n\"\"<\/td>\n

BOLLORE: LE VERITABLE ROI DE L\u2019AFRIQUE<\/a><\/td>\nBOLLOR\u00c9: THE TRUE KING OF AFRICA<\/a><\/td>\nBOLLOR\u00c9: IL VERO RE D\u2019AFRICA<\/a><\/td>\n\u0411\u041e\u041b\u041b\u041e\u0420\u0415: \u0418\u0421\u0422\u0418\u041d\u041d\u042b\u0419 \u041a\u041e\u0420\u041e\u041b\u042c \u0410\u0424\u0420\u0418\u041a\u0418<\/a><\/td>\nBOLLOR\u00c9: DER WAHRE K\u00d6NIG VON AFRIKA<\/a><\/td>\nBOLLOR\u00c9: EL VERDADERO REY DE \u00c1FRICA<\/a><\/td>\n<\/tr>\n
<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

 <\/p>\n

\"\"Bollor\u00e9<\/strong>, Guenna\u00ebl<\/p>\n

Entrepreneur, 1925-2001
\n\"\"<\/td>\n

BOLLORE: LE VERITABLE ROI DE L\u2019AFRIQUE<\/a><\/td>\nBOLLOR\u00c9: THE TRUE KING OF AFRICA<\/a><\/td>\nBOLLOR\u00c9: IL VERO RE D\u2019AFRICA<\/a><\/td>\n\u0411\u041e\u041b\u041b\u041e\u0420\u0415: \u0418\u0421\u0422\u0418\u041d\u041d\u042b\u0419 \u041a\u041e\u0420\u041e\u041b\u042c \u0410\u0424\u0420\u0418\u041a\u0418<\/a><\/td>\nBOLLOR\u00c9: DER WAHRE K\u00d6NIG VON AFRIKA<\/a><\/td>\nBOLLOR\u00c9: EL VERDADERO REY DE \u00c1FRICA<\/a><\/td>\n<\/tr>\n
<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

 <\/p>\n

\"\"Bollor\u00e9<\/strong>, Jean Guillaume<\/p>\n

Entrepreneur, 1820-1899
\n\"\"<\/td>\n

BOLLORE: LE VERITABLE ROI DE L\u2019AFRIQUE<\/a><\/td>\nBOLLOR\u00c9: THE TRUE KING OF AFRICA<\/a><\/td>\nBOLLOR\u00c9: IL VERO RE D\u2019AFRICA<\/a><\/td>\n\u0411\u041e\u041b\u041b\u041e\u0420\u0415: \u0418\u0421\u0422\u0418\u041d\u041d\u042b\u0419 \u041a\u041e\u0420\u041e\u041b\u042c \u0410\u0424\u0420\u0418\u041a\u0418<\/a><\/td>\nBOLLOR\u00c9: DER WAHRE K\u00d6NIG VON AFRIKA<\/a><\/td>\nBOLLOR\u00c9: EL VERDADERO REY DE \u00c1FRICA<\/a><\/td>\n<\/tr>\n
<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

 <\/p>\n

\"\"Bollor\u00e9<\/strong>, Jean-Ren\u00e9<\/p>\n

Entrepreneur, 1818-1881
\n\"\"<\/td>\n

BOLLORE: LE VERITABLE ROI DE L\u2019AFRIQUE<\/a><\/td>\nBOLLOR\u00c9: THE TRUE KING OF AFRICA<\/a><\/td>\nBOLLOR\u00c9: IL VERO RE D\u2019AFRICA<\/a><\/td>\n\u0411\u041e\u041b\u041b\u041e\u0420\u0415: \u0418\u0421\u0422\u0418\u041d\u041d\u042b\u0419 \u041a\u041e\u0420\u041e\u041b\u042c \u0410\u0424\u0420\u0418\u041a\u0418<\/a><\/td>\nBOLLOR\u00c9: DER WAHRE K\u00d6NIG VON AFRIKA<\/a><\/td>\nBOLLOR\u00c9: EL VERDADERO REY DE \u00c1FRICA<\/a><\/td>\n<\/tr>\n
<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

 <\/p>\n

\"\"Bollor\u00e9<\/strong>, Mari\u00e9<\/p>\n

Entrepreneur, 1988-
\n\"\"<\/td>\n

BOLLORE: LE VERITABLE ROI DE L\u2019AFRIQUE<\/a><\/td>\nBOLLOR\u00c9: THE TRUE KING OF AFRICA<\/a><\/td>\nBOLLOR\u00c9: IL VERO RE D\u2019AFRICA<\/a><\/td>\n\u0411\u041e\u041b\u041b\u041e\u0420\u0415: \u0418\u0421\u0422\u0418\u041d\u041d\u042b\u0419 \u041a\u041e\u0420\u041e\u041b\u042c \u0410\u0424\u0420\u0418\u041a\u0418<\/a><\/td>\nBOLLOR\u00c9: DER WAHRE K\u00d6NIG VON AFRIKA<\/a><\/td>\nBOLLOR\u00c9: EL VERDADERO REY DE \u00c1FRICA<\/a><\/td>\n<\/tr>\n
<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

 <\/p>\n

\"\"Bollor\u00e9<\/strong>, Michel<\/p>\n

Entrepreneur, 1922-1997
\n\"\"<\/td>\n

BOLLORE: LE VERITABLE ROI DE L\u2019AFRIQUE<\/a><\/td>\nBOLLOR\u00c9: THE TRUE KING OF AFRICA<\/a><\/td>\nBOLLOR\u00c9: IL VERO RE D\u2019AFRICA<\/a><\/td>\n\u0411\u041e\u041b\u041b\u041e\u0420\u0415: \u0418\u0421\u0422\u0418\u041d\u041d\u042b\u0419 \u041a\u041e\u0420\u041e\u041b\u042c \u0410\u0424\u0420\u0418\u041a\u0418<\/a><\/td>\nBOLLOR\u00c9: DER WAHRE K\u00d6NIG VON AFRIKA<\/a><\/td>\nBOLLOR\u00c9: EL VERDADERO REY DE \u00c1FRICA<\/a><\/td>\n<\/tr>\n
<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

 <\/p>\n

\"\"Bollor\u00e9<\/strong>, Michel-Yves<\/p>\n

Entrepreneur, 1945-
\n\"\"<\/td>\n

BOLLORE: LE VERITABLE ROI DE L\u2019AFRIQUE<\/a><\/td>\nBOLLOR\u00c9: THE TRUE KING OF AFRICA<\/a><\/td>\nBOLLOR\u00c9: IL VERO RE D\u2019AFRICA<\/a><\/td>\n\u0411\u041e\u041b\u041b\u041e\u0420\u0415: \u0418\u0421\u0422\u0418\u041d\u041d\u042b\u0419 \u041a\u041e\u0420\u041e\u041b\u042c \u0410\u0424\u0420\u0418\u041a\u0418<\/a><\/td>\nBOLLOR\u00c9: DER WAHRE K\u00d6NIG VON AFRIKA<\/a><\/td>\nBOLLOR\u00c9: EL VERDADERO REY DE \u00c1FRICA<\/a><\/td>\n<\/tr>\n
<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

 <\/p>\n


\n\"\"Bollor\u00e9<\/strong>, Ren\u00e9 Guillaume Marie<\/p>\n

Entrepreneur, 1847-1904
\n\"\"<\/td>\n

BOLLORE: LE VERITABLE ROI DE L\u2019AFRIQUE<\/a><\/td>\nBOLLOR\u00c9: THE TRUE KING OF AFRICA<\/a><\/td>\nBOLLOR\u00c9: IL VERO RE D\u2019AFRICA<\/a><\/td>\n\u0411\u041e\u041b\u041b\u041e\u0420\u0415: \u0418\u0421\u0422\u0418\u041d\u041d\u042b\u0419 \u041a\u041e\u0420\u041e\u041b\u042c \u0410\u0424\u0420\u0418\u041a\u0418<\/a><\/td>\nBOLLOR\u00c9: DER WAHRE K\u00d6NIG VON AFRIKA<\/a><\/td>\nBOLLOR\u00c9: EL VERDADERO REY DE \u00c1FRICA<\/a><\/td>\n<\/tr>\n
<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

 <\/p>\n

\"\"Bollor\u00e9<\/strong>, Ren\u00e9-Guillaume<\/p>\n

Entrepreneur, 1911-1999
\n\"\"<\/td>\n

BOLLORE: LE VERITABLE ROI DE L\u2019AFRIQUE<\/a><\/td>\nBOLLOR\u00c9: THE TRUE KING OF AFRICA<\/a><\/td>\nBOLLOR\u00c9: IL VERO RE D\u2019AFRICA<\/a><\/td>\n\u0411\u041e\u041b\u041b\u041e\u0420\u0415: \u0418\u0421\u0422\u0418\u041d\u041d\u042b\u0419 \u041a\u041e\u0420\u041e\u041b\u042c \u0410\u0424\u0420\u0418\u041a\u0418<\/a><\/td>\nBOLLOR\u00c9: DER WAHRE K\u00d6NIG VON AFRIKA<\/a><\/td>\nBOLLOR\u00c9: EL VERDADERO REY DE \u00c1FRICA<\/a><\/td>\n<\/tr>\n
<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

 <\/p>\n

\"\"Bollor\u00e9<\/strong>, Sebastien<\/p>\n

Entrepreneur, 1978-
\n\"\"<\/td>\n

BOLLORE: LE VERITABLE ROI DE L\u2019AFRIQUE<\/a><\/td>\nBOLLOR\u00c9: THE TRUE KING OF AFRICA<\/a><\/td>\nBOLLOR\u00c9: IL VERO RE D\u2019AFRICA<\/a><\/td>\n\u0411\u041e\u041b\u041b\u041e\u0420\u0415: \u0418\u0421\u0422\u0418\u041d\u041d\u042b\u0419 \u041a\u041e\u0420\u041e\u041b\u042c \u0410\u0424\u0420\u0418\u041a\u0418<\/a><\/td>\nBOLLOR\u00c9: DER WAHRE K\u00d6NIG VON AFRIKA<\/a><\/td>\nBOLLOR\u00c9: EL VERDADERO REY DE \u00c1FRICA<\/a><\/td>\n<\/tr>\n
<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

\"\"Bollor\u00e9<\/strong>, Vincent<\/p>\n

Entrepreneur, 1952-
\n\"\"<\/td>\n

GUINEE, ENCORE UN CHANGEMENT DE LEOPARD<\/a><\/p>\n

JONATHAN GRAY: PARIS A SON NOUVEAU RICHELIEU<\/a><\/p>\n

BOLLORE: LE VERITABLE ROI DE L\u2019AFRIQUE<\/a><\/td>\n

GUINEA, YET ANOTHER LEOPARD CHANGE<\/a><\/p>\n

JONATHAN GRAY: PARIS HAS ITS NEW RICHELIEU<\/a><\/p>\n

BOLLOR\u00c9: THE TRUE KING OF AFRICA<\/a><\/td>\n

GUINEA, L\u2019ENNESIMO CAMBIAMENTO DEL GATTOPARDO<\/a><\/p>\n

JONATHAN GRAY: PARIGI HA IL SUO NUOVO RICHELIEU<\/a><\/p>\n

BOLLOR\u00c9: IL VERO RE D\u2019AFRICA<\/a><\/td>\n

\u0413\u0412\u0418\u041d\u0415\u042f, \u0415\u0429\u0415 \u041e\u0414\u041d\u041e \u0418\u0417\u041c\u0415\u041d\u0415\u041d\u0418\u0415 GATTOPARDO<\/a><\/p>\n

JONATHAN GRAY: \u0412 \u041f\u0410\u0420\u0418\u0416\u0415 \u041d\u041e\u0412\u042b\u0419 \u0420\u0418\u0428\u0415\u041b\u042c\u0415<\/a><\/p>\n

\u0411\u041e\u041b\u041b\u041e\u0420\u0415: \u0418\u0421\u0422\u0418\u041d\u041d\u042b\u0419 \u041a\u041e\u0420\u041e\u041b\u042c \u0410\u0424\u0420\u0418\u041a\u0418<\/a><\/td>\n

NOCH EIN LEOPARDENWECHSEL IN GUINEA<\/a><\/p>\n

JONATHAN GRAY: PARIS HAT SEINEN NEUEN RICHELIEU<\/a><\/p>\n

BOLLOR\u00c9: DER WAHRE K\u00d6NIG VON AFRIKA<\/a><\/td>\n

GUINEA, OTRO CAMBIO DE LEOPARDO<\/a><\/p>\n

JONATHAN GRAY: PAR\u00cdS TIENE SU NUEVO RICHELIEU<\/a><\/p>\n

BOLLOR\u00c9: EL VERDADERO REY DE \u00c1FRICA<\/a><\/td>\n<\/tr>\n

<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

 <\/p>\n

\"\"Bollor\u00e9<\/strong>, Yannick<\/p>\n

Entrepreneur, 1980-
\n\"\"<\/td>\n

BOLLORE: LE VERITABLE ROI DE L\u2019AFRIQUE<\/a><\/td>\nBOLLOR\u00c9: THE TRUE KING OF AFRICA<\/a><\/td>\nBOLLOR\u00c9: IL VERO RE D\u2019AFRICA<\/a><\/td>\n\u0411\u041e\u041b\u041b\u041e\u0420\u0415: \u0418\u0421\u0422\u0418\u041d\u041d\u042b\u0419 \u041a\u041e\u0420\u041e\u041b\u042c \u0410\u0424\u0420\u0418\u041a\u0418<\/a><\/td>\nBOLLOR\u00c9: DER WAHRE K\u00d6NIG VON AFRIKA<\/a><\/td>\nBOLLOR\u00c9: EL VERDADERO REY DE \u00c1FRICA<\/a><\/td>\n<\/tr>\n
<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

\"\"Bolsonaro<\/strong>, Jair Messias<\/p>\n

Politician, 1955-
\n\"\"<\/td>\n

POUDRIER RUSSIE<\/a><\/p>\n

LE CHILI DE GABRIEL BORIC : LE RETOUR DE L\u2019ESPOIR<\/a><\/td>\n

POWDER KEG RUSSIA<\/a><\/p>\n

GABRIEL BORIC\u2019S CHILE: THE RETURN OF HOPE<\/a><\/td>\n

POLVERIERA RUSSIA<\/a><\/p>\n

IL CILE DI GABRIEL BORIC: IL RITORNO DELLA SPERANZA<\/a><\/td>\n

\u041f\u043e\u0440\u043e\u0445\u043e\u0432\u0430\u044f \u0431\u043e\u0447\u043a\u0430 \u0420\u043e\u0441\u0441\u0438\u044f<\/a><\/p>\n

\u0427\u0418\u041b\u0418 \u0413\u0410\u0411\u0420\u0418\u042d\u041b\u042f \u0411\u041e\u0420\u0418\u0427: \u0412\u041e\u0417\u0412\u0420\u0410\u0429\u0415\u041d\u0418\u0415 \u041d\u0410\u0414\u0415\u0416\u0414\u042b<\/a><\/td>\n

PULVERFASS RUSSLAND<\/a><\/p>\n

GABRIEL BORIC\u2019S CHILE: DIE R\u00dcCKKEHR DER HOFFNUNG<\/a><\/td>\n

BARRIL DE P\u00d3LVORA RUSIA<\/a><\/p>\n

EL CHILE DE GABRIEL BORIC: EL RETORNO DE LA ESPERANZA<\/a><\/td>\n<\/tr>\n

<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

\"\"Bolten<\/strong>, Joshua<\/p>\n

Banker, 1954-
\n\"\"<\/td>\n

L\u2019AXE SECRET ENTRE GOLDMAN SACHS ET LES OLIGARQUES<\/a><\/td>\nTHE SECRET AXIS BETWEEN GOLDMAN SACHS AND THE OLIGARCHS<\/a><\/td>\nL\u2019ASSE SEGRETO TRA GOLDMAN SACHS E GLI OLIGARCHI<\/a><\/td>\n\u0422\u0410\u0419\u041d\u0410\u042f \u041e\u0421\u042c \u041c\u0415\u0416\u0414\u0423 \u00ab\u0413\u041e\u041b\u0414\u041c\u0410\u041d\u0421\u0410\u041a\u0421\u00bb \u0418 \u041e\u041b\u0418\u0413\u0410\u0420\u0425\u0410\u041c\u0418<\/a><\/td>\nDIE GEHEIME ACHSE ZWISCHEN GOLDMAN SACHS UND DEN OLIGARCHEN<\/a><\/td>\nEL EJE SECRETO ENTRE GOLDMAN SACHS Y LOS OLIGARCAS<\/a><\/p>\n

 <\/td>\n<\/tr>\n

<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

 <\/p>\n

\"\"Bonaparte<\/strong>, Napol\u00e9on<\/p>\n

Empereur, 1769-1821<\/p>\n

\"\"<\/td>\n

LA MONTAGNE ENCHANTEE ET LES GNOMES DE LA FINANCE<\/a><\/p>\n

THE NEW COLD WAR<\/a><\/p>\n

HA\u00cfTI, L\u2019ENFER DES CARA\u00cfBES<\/a><\/p>\n

MADERE, L\u2019ILE DE CRISTIANO RONALDO<\/a><\/p>\n

SRI LANKA: GALOPER VERS LE DESASTRE<\/a><\/td>\n

THE ENCHANTED MOUNTAIN AND THE FINANCIAL GNOMES<\/a><\/p>\n

THE NEW COLD WAR<\/a><\/p>\n

HAITI, THE HELL OF THE CARIBBEAN<\/a><\/p>\n

MADEIRA, THE ISLAND OF CRISTIANO RONALDO<\/a><\/p>\n

SRI LANKA: GALLOPING TOWARDS DISASTER<\/a><\/td>\n

LA MONTAGNA INCANTATA E GLI GNOMI DELLA FINANZA<\/a><\/p>\n

THE NEW COLD WAR<\/a><\/p>\n

HAITI, L\u2019INFERNO DEI CARAIBI<\/a><\/p>\n

MADEIRA, L\u2019ISOLA DI CRISTIANO RONALDO<\/a><\/p>\n

SRI LANKA: AL GALOPPO VERSO IL DISASTRO<\/a><\/td>\n

\u0417\u0410\u0427\u0410\u0420\u041e\u0412\u0410\u041d\u041d\u042b\u0415 \u0413\u041e\u0420\u042b \u0418 \u0424\u0418\u041d\u0410\u041d\u0421\u041e\u0412\u042b\u0415 \u0413\u041d\u041e\u041c\u042b<\/a><\/p>\n

THE NEW COLD WAR<\/a><\/p>\n

\u0413\u0410\u0418\u0422\u0418, \u0410\u0414 \u041a\u0410\u0420\u0418\u0411\u0421\u041a\u041e\u0413\u041e \u041c\u041e\u0420\u042f<\/a><\/p>\n

\u041c\u0410\u0414\u0415\u0419\u0420\u0410, \u041e\u0421\u0422\u0420\u041e\u0412 \u041a\u0420\u0418\u0421\u0422\u0418\u0410\u041d\u041e\u0420\u041e\u041d\u0410\u041b\u0414\u041e<\/a><\/p>\n

\u0428\u0420\u0418-\u041b\u0410\u041d\u041a\u0410: \u0413\u0410\u041b\u041e\u041f\u041e\u041c \u041a \u041a\u0410\u0422\u0410\u0421\u0422\u0420\u041e\u0424\u0415<\/a><\/td>\n

DER VERZAUBERTE BERG UND DIE GNOME DER FINANZ<\/a><\/p>\n

THE NEW COLD WAR<\/a><\/p>\n

HAITI, DIE H\u00d6LLE DER KARIBIK<\/a><\/p>\n

MADEIRA, DIE INSEL VON CRISTIANO RONALDO<\/a><\/p>\n

SRI LANKA: IM GALOPP IN DIE KATASTROPHE<\/a><\/td>\n

LA MONTA\u00d1A ENCANTADA Y LOS GNOMOS DE LAS FINANZAS<\/a><\/p>\n

THE NEW COLD WAR<\/a><\/p>\n

HAIT\u00cd, EL INFIERNO DEL CARIBE<\/a><\/p>\n

MADEIRA, LA ISLA DE CRISTIANO RONALDO<\/a><\/p>\n

SRI LANKA: AL GALOPE HACIA EL DESASTRE<\/a><\/td>\n<\/tr>\n

<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

\"\"Bonazzi<\/strong>, Roberta<\/p>\n

Lobbyist, 1975-
\n\"\"<\/td>\n

LE STYLO QUI TUE PLUS QUE L\u2019EPEE<\/a><\/td>\nTHE PEN THAT KILLS MORE THAN THE SWORD<\/a><\/td>\nLA PENNA CHE UCCIDE PI\u00d9 DELLA SPADA<\/a><\/td>\n\u041f\u0415\u0420\u041e \u0423\u0411\u0418\u0412\u0410\u0415\u0422 \u0421\u0418\u041b\u042c\u041d\u0415\u0415 \u041c\u0415\u0427\u0410<\/a><\/td>\nDIE FEDER, DIE MEHR T\u00d6TET ALS DAS SCHWERT<\/a><\/td>\nLA PLUMA QUE MATA M\u00c1S QUE LA ESPADA<\/a><\/td>\n<\/tr>\n
<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

 <\/p>\n

\"\"Boncompagni Ludovisi<\/strong>, Francesco<\/p>\n

Politician, 1886-1955
\n\"\"<\/td>\n

LA DERNIERE VICTIME DU BANCO AMBROSIANO<\/a><\/td>\nTHE LAST VICTIM OF BANCO AMBROSIANO<\/a><\/td>\nL\u2019ULTIMA VITTIMA DEL BANCO AMBROSIANO<\/a><\/td>\n\u041f\u041e\u0421\u041b\u0415\u0414\u041d\u042f\u042f \u0416\u0415\u0420\u0422\u0412\u0410\u0411\u0410\u041d\u041a\u0410 \u0410\u041c\u0411\u0420\u041e\u0417\u0418\u0410\u041d\u041e<\/a><\/td>\nDAS LETZTE OPFER DER BANCO AMBROSIANO<\/a><\/td>\nLA \u00daLTIMA V\u00cdCTIMA DEL BANCO AMBROSIANO<\/a><\/td>\n<\/tr>\n
<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

\"\"Bondarenko<\/strong>, Roman<\/p>\n

Painter, 1979-2020
\n\"\"<\/td>\n

BELARUS : LE SILENCE DU DESESPOIR<\/a><\/td>\nBELARUS: THE SILENCE OF DESPAIR<\/a><\/td>\nBIELORUSSIA: IL SILENZIO DELLA DISPERAZIONE<\/a><\/td>\n\u0411\u0415\u041b\u0410\u0420\u0423\u0421\u042c: \u041c\u041e\u041b\u0427\u0410\u041d\u0418\u0415 \u041e\u0422\u0427\u0410\u042f\u041d\u0418\u042f<\/a><\/td>\nBELARUS: DAS SCHWEIGEN DER VERZWEIFLUNG<\/a><\/td>\nBIELORRUSIA: EL SILENCIO DE LA DESESPERACI\u00d3N<\/a><\/td>\n<\/tr>\n
<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

 <\/p>\n

\"\"Bonnant<\/strong>, Marc<\/p>\n

Lawyer, 1944-
\n\"\"<\/td>\n

VIE ET MIRACLES D\u2019UN MERCENAIRE DANS LA GUERRE MEDIATIQUE<\/a><\/td>\nLIFE AND MIRACLES OF A MERCENARY IN THE MEDIA WAR<\/a><\/td>\nVITA E MIRACOLI DI UN MERCENARIO NELLA GUERRA DEI MEDIA<\/a><\/td>\n\u0416\u0418\u0417\u041d\u042c \u0418 \u0427\u0423\u0414\u0415\u0421\u0410 \u041d\u0410\u0415\u041c\u041d\u0418\u041a\u0410 \u0412 \u0412\u041e\u0419\u041d\u0415 \u0421\u041e \u0421\u041c\u0418<\/a><\/td>\nLEBEN UND WUNDER EINES S\u00d6LDNERS IM MEDIENKRIEG<\/a><\/td>\nVIDA Y MILAGROS DE UN MERCENARIO EN LA GUERRA MEDI\u00c1TICA<\/a><\/td>\n<\/tr>\n
<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

\"\"Bonnema<\/strong>, Eric<\/p>\n

Research engineer, 1984-
\n\"\"<\/td>\n

LE VRAI PARI DE LA VOITURE ELECTRIQUE<\/a><\/td>\nTHE REAL BET BEHIND THE ELECTRIC CAR<\/a><\/td>\nLA VERA SCOMMESSA DIETRO L\u2019AUTO ELETTRICA<\/a><\/td>\n\u0427\u0422\u041e \u0420\u0415\u0410\u041b\u042c\u041d\u041e \u0421\u0422\u041e\u0418\u0422 \u0417\u0410 \u042d\u041b\u0415\u041a\u0422\u0420\u041e\u041c\u041e\u0411\u0418\u041b\u0415\u041c<\/a><\/td>\nDIE WIRKLICHE WETTE HINTER DEM ELEKTROAUTO<\/a><\/td>\nLA VERDADERA APUESTA DETR\u00c1S DEL COCHE EL\u00c9CTRICO<\/a><\/td>\n<\/tr>\n
<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

 <\/p>\n

\"\"Bonomi<\/strong>, Carlo<\/p>\n

Entrepreneur, 1966-
\n\"\"<\/td>\n

LE LAPIN DANS LE CHAPEAU DE L\u2019ISTAT<\/a><\/td>\nTHE RABBIT IN THE ISTAT HAT<\/a><\/td>\nIL CONIGLIO NEL CAPPELLO DELL\u2019ISTAT<\/a><\/td>\n\u041a\u0420\u041e\u041b\u0418\u041a \u0412 \u0428\u041b\u042f\u041f\u0415 ISTAT<\/a><\/td>\nDAS KANINCHEN IM ISTAT-HUT<\/a><\/td>\nEL CONEJO EN EL CILINDRO DE LA ISTAT<\/a><\/td>\n<\/tr>\n
<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

 <\/p>\n

\"\"Bonomo<\/strong>, Giovanni<\/p>\n

Gangster, 1935-2010
\n\"\"<\/td>\n

L\u2019ETERNEL TRESORIER DE COSA NOSTRA<\/a><\/td>\nTHE ETERNAL TREASURER OF COSA NOSTRA<\/a><\/td>\nL\u2019ETERNO TESORIERE DI COSA NOSTRA<\/a><\/td>\n\u0412\u0415\u0427\u041d\u042b\u0419 \u041a\u0410\u0417\u041d\u0410\u0427\u0415\u0419 COSA NOSTRA<\/a><\/td>\nDER EWIGE SCHATZMEISTER DER COSA NOSTRA<\/a><\/td>\nEL ETERNO TESORERO DE LA COSA NOSTRA<\/a><\/td>\n<\/tr>\n
<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

\"\"Bonsignore<\/strong>, Mario<\/p>\n

Politician, 1935-
\n\"\"<\/td>\n

LE ROI SECRET DE TAORMINE<\/a><\/td>\nTHE SECRET KING OF TAORMINA<\/a><\/td>\nIL RE SEGRETO DI TAORMINA<\/a><\/td>\n\u0422\u0410\u0419\u041d\u042b\u0419 \u041a\u041e\u0420\u041e\u041b\u042c \u0422\u0410\u041e\u0420\u041c\u0418\u041d\u042b<\/a><\/td>\nDER GEHEIME K\u00d6NIG VON TAORMINA<\/a><\/td>\nEL REY SECRETO DE TAORMINA<\/a><\/td>\n<\/tr>\n
<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

 <\/p>\n

\"\"<\/strong>Bonzon<\/strong>, Ariane<\/p>\n

Journalist, 1959-
\n\"\"<\/td>\n

LE CROQUE-MITAINE INCULTE DU PACTE JUDEO-SUNNITE<\/a><\/td>\nTHE UNLEARNED BOGEYMAN OF THE JEWISH-SUNNITE PACT<\/a><\/td>\nL\u2019AZZIMATO UOMO NERO DEL PATTO EBREO-SUNNITA<\/a><\/td>\n\u041d\u0415\u041e\u0411\u0423\u0427\u0410\u0415\u041c\u042b\u0419 \u0413\u041e\u041f\u041d\u0418\u041a \u0415\u0412\u0420\u0415\u0419\u0421\u041a\u041e-\u0421\u0423\u041d\u041d\u0418\u0422\u0421\u041a\u041e\u0413\u041e \u041f\u0410\u041a\u0422\u0410<\/a><\/td>\nDAS UNGELEHRTE SCHRECKGESPENST DES J\u00dcDISCH-SUNNITISCHEN PAKTES<\/a><\/td>\nEL HOMBRE DEL SACO DEL PACTO JUDEO-SUNNITA<\/a><\/td>\n<\/tr>\n
<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

 <\/p>\n

\"\"Bookchin<\/strong>, Murray<\/p>\n

Philosopher, 1921-2006
\n\"\"<\/td>\n

SEULS, COMME LES KURDES<\/a><\/td>\nLONELY AS THE KURDS<\/a><\/td>\nSOLI COME CURDI<\/a><\/td>\n\u041e\u0414\u0418\u041d\u041e\u041a\u0418 \u041a\u0410\u041a \u041a\u0423\u0420\u0414\u042b<\/a><\/td>\nEINSAM WIE DIE KURDEN<\/a><\/td>\nTAN SOLO COMO LOS KURDOS<\/a><\/td>\n<\/tr>\n
<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

\"\"Bordas<\/strong>, Mark<\/p>\n

Manager Philip Morris, Lawyer
\n\"\"<\/td>\n

PHILIP MORRIS ENTRE EN GUERRE \u2013 AVEC LES POPULISTES, LES EXTREMISTES DE DROITE ET LES CHEIKHS ARABES<\/a><\/td>\nPHILIP MORRIS GOES TO WAR \u2013 WITH POPULISTS, SUPREMACISTS AND ARAB SHEIKHS<\/a><\/td>\nLA PHILIP MORRIS VA ALLA GUERRA \u2013 ALLEATA A SUPREMATISTI, POPULISTI E SCEICCHI ARABI<\/a><\/td>\n\u0424\u0418\u041b\u0418\u041f \u041c\u041e\u0420\u0420\u0418\u0421 \u0418\u0414\u0415\u0422 \u041d\u0410 \u0412\u041e\u0419\u041d\u0423 \u2013 \u041d\u0410 \u0421\u0422\u041e\u0420\u041e\u041d\u0415 \u0410\u0420\u0410\u0411\u0421\u041a\u0418\u0425 \u0421\u0423\u041f\u0420\u0415\u041c\u0410\u0422\u0418\u0421\u0422\u041e\u0412, \u041f\u041e\u041f\u0423\u041b\u0418\u0421\u0422\u041e\u0412 \u0418 \u0428\u0415\u0419\u041a\u041e\u0412<\/a><\/td>\nPHILIP MORRIS ZIEHT IN DEN KRIEG \u2013 MIT POPULISTEN, RECHTSEXTREMISTEN UND ARABISCHEN SCHEICHS<\/a><\/td>\nPHILIP MORRIS VA A LA GUERRA \u2013 ALIADO CON SUPREMACISTAS, POPULISTAS Y JEQUES \u00c1RABES<\/a><\/td>\n<\/tr>\n
<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

\"\"Borg<\/strong>, Bj\u00f6rn<\/p>\n

Tennis player, 1956-
\n\"\"<\/td>\n

LA TRISTE HISTOIRE DES INGENIEURS QUI VOULAIENT DEMINER LE MONDE<\/a><\/td>\nTHE VERY SAD STORY OF THE ENGINEERS WHO WANTED TO DEMINE THE WORLD<\/a><\/td>\nLA TRISTE STORIA DEGLI INGEGNERI CHE VOLEVANO SMINARE IL MONDO<\/a><\/td>\n\u041f\u0415\u0427\u0410\u041b\u042c\u041d\u0410\u042f \u0418\u0421\u0422\u041e\u0420\u0418\u042f \u0418\u041d\u0416\u0415\u041d\u0415\u0420\u041e\u0412, \u041a\u041e\u0422\u041e\u0420\u042b\u0415 \u0420\u0410\u0417\u041c\u0418\u041d\u0418\u0420\u041e\u0412\u0410\u041b\u0418 \u041c\u0418\u0420<\/a><\/td>\nDAS TRAUERM\u00c4RCHEN JENER INGENIEURE, DIE DIE WELT VON DEN LANDMINEN BEFREIEN WOLLTEN<\/a><\/td>\nLA TRISTE HISTORIA DE LOS INGENIEROS QUE QUER\u00cdAN LLEVAR EL MUNDO A LAS MINAS<\/a><\/td>\n<\/tr>\n
<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

\"\"Borges<\/strong>, Jorge Luis<\/p>\n

Novelist, 1899-1986
\n\"\"<\/td>\n

NOAM CHOMSKY : LE MONDE A L\u2019HEURE DES COMPTES<\/a><\/td>\nNOAM CHOMSKY: THE WORLD AT RECKONING<\/a><\/td>\nNOAM CHOMSKY: IL MONDO ALLA RESA DEI CONTI<\/a><\/td>\n\u041d\u041e\u0410\u041c \u0425\u041e\u041c\u0421\u041a\u0418\u0419: \u041c\u0418\u0420 \u0412 \u0420\u0410\u0421\u041f\u041b\u0410\u0422\u0415<\/a><\/td>\nNOAM CHOMSKY: DIE WELT IM UMBRUCH<\/a><\/td>\nNOAM CHOMSKY: EL MUNDO EN EL AJUSTE DE CUENTAS<\/a><\/td>\n<\/tr>\n
<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

 <\/p>\n

\"\"Borges<\/strong>, Julio Andr\u00e9s<\/p>\n

Politician, 1969-<\/p>\n

\"\"<\/td>\n

BON FRERE ET MAUVAIS FRERE : COMMENT LA DYNASTIE AL-NAHYAN CACHE SON VRAI VISAGE<\/a><\/td>\nGOOD BROTHER AND BAD BROTHER: HOW THE AL-NAHYAN DYNASTY HIDES ITS TRUE FACE<\/a><\/td>\nFRATELLO BUONO E FRATELLO CATTIVO: COME LA DINASTIA AL-NAHYAN NASCONDE IL PROPRIO VERO VOLTO<\/a><\/td>\n\u0414\u041e\u0411\u0420\u042b\u0419 \u0411\u0420\u0410\u0422 \u0418 \u041f\u041b\u041e\u0425\u041e\u0419 \u0411\u0420\u0410\u0422: \u041a\u0410\u041a \u0414\u0418\u041d\u0410\u0421\u0422\u0418\u042f \u0410\u041b\u042c-\u041d\u0410\u0425\u0410\u042f\u041d \u0421\u041a\u0420\u042b\u0412\u0410\u0415\u0422 \u0421\u041e\u0411\u0421\u0422\u0412\u0415\u041d\u041d\u041e\u0415 \u041b\u0418\u0426\u041e<\/a><\/td>\nLIEBER BRUDER UND B\u00d6SER BRUDER: WIE DIE AL-NAHYAN-DYNASTIE IHR WAHRES GESICHT VERBIRGT<\/a><\/td>\nHERMANO BUENO Y HERMANO MALO: C\u00d3MO LA DINAST\u00cdA AL-NAHYAN OCULTA SU VERDADERO ROSTRO<\/a><\/td>\n<\/tr>\n
<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

 <\/p>\n

\"\"Borghese<\/strong>, Junio Valerio<\/p>\n

Military, 1906-1974
\n\"\"<\/td>\n

APRES L\u2019ARTICLE D\u2019ALDO TORCHIARO: GENNARO VECCHIONE N\u2019EST QUE LA POINTE DE L\u2019ICEBERG<\/a><\/p>\n

HENRY KISSINGER, L\u2019AME NOIRE DU 20EME SIECLE<\/a><\/td>\n

AFTER ALDO TORCHIARO\u2019S ARTICLE: GENNARO VECCHIONE IS ONLY THE TIP OF THE ICEBERG<\/a><\/p>\n

HENRY KISSINGER, THE DARK SOUL OF THE 20TH CENTURY<\/a><\/td>\n

DOPO L\u2019ARTICOLO DI ALDO TORCHIARO: GENNARO VECCHIONE \u00c8 SOLO LA PUNTA DELL\u2019ICEBERG<\/a><\/p>\n

HENRY KISSINGER, L\u2019ANIMA NERA DEL XX SECOLO<\/a><\/td>\n

\u041f\u041e\u0421\u041b\u0415 \u0421\u0422\u0410\u0422\u042c\u0418 \u0410\u041b\u042c\u0414\u041e \u0422\u041e\u0420\u041a\u042c\u042f\u0420\u041e (ALDO TORCHIARO): GENNARO VECCHIONE \u2013 \u0422\u041e\u041b\u042c\u041a\u041e \u0412\u0415\u0420\u0428\u0418\u041d\u0410 \u0410\u0419\u0421\u0411\u0415\u0420\u0413\u0410<\/a><\/p>\n

\u0413\u0415\u041d\u0420\u0418 \u041a\u0418\u0421\u0421\u0418\u041d\u0414\u0416\u0415\u0420, \u0427\u0415\u0420\u041d\u0410\u042f \u0414\u0423\u0428\u0410 20 \u0412\u0415\u041a\u0410<\/a><\/td>\n

NACH DEM ARTIKEL VON ALDO TORCHIARO: GENNARO VECCHIONE IST NUR DIE SPITZE DES EISBERGS<\/a><\/p>\n

HENRY KISSINGER, DIE SCHWARZE SEELE DES 20. JAHRHUNDERTS<\/a><\/td>\n

TRAS EL ART\u00cdCULO DE ALDO TORCHIARO: GENNARO VECCHIONE ES S\u00d3LO LA PUNTA DEL ICEBERG<\/a><\/p>\n

HENRY KISSINGER, EL ALMA NEGRA DEL SIGLO XX<\/a><\/td>\n<\/tr>\n

<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

\"\"Borghezio<\/strong>, Mario<\/p>\n

Politician, 1947-
\n\"\"<\/td>\n

MOUVEMENT 5 ETOILES ET LEGANORD : REPETITIONS GENERALES POUR UNE INTERNATIONALE POSTFASCISTE<\/a><\/td>\n5-STAR MOVEMENT AND LEGANORD: DRESS REHEARSALS FOR A POST-FASCIST INTERNATIONAL<\/a><\/td>\nMOVIMENTO 5 STELLE E LEGA NORD: PROVE GENERALI PER UN\u2019INTERNAZIONALE POST-FASCISTA<\/a><\/td>\n\u0414\u0412\u0418\u0416\u0415\u041d\u0418\u0415 5 \u0417\u0412\u0415\u0417\u0414 \u0418 \u0421\u0415\u0412\u0415\u0420\u041d\u0410\u042f \u041b\u0418\u0413\u0410: \u0418\u0421\u041f\u042b\u0422\u0410\u041d\u0418\u042f \u0414\u041b\u042f \u041f\u041e\u0421\u0422\u0424\u0410\u0428\u0418\u0421\u0422\u0421\u041a\u041e\u0413\u041e \u0418\u041d\u0422\u0415\u0420\u041d\u0410\u0426\u0418\u041e\u041d\u0410\u041b\u0410<\/a><\/td>\n5-STERNE-BEWEGUNG UND LEGANORD: GENERALPROBEN F\u00dcR EINE POSTFASCHISTISCHE INTERNATIONALE<\/a><\/td>\nEL MOVIMIENTO 5 ESTRELLAS Y LA LIGA NORTE: ENSAYO GENERAL DE UNA INTERNACIONAL POST-FASCISTA<\/a><\/td>\n<\/tr>\n
<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

 <\/p>\n

\"\"Boric<\/strong>, Gabriel<\/p>\n

Politician, 1986-
\n\"\"<\/td>\n

LE CHILI DE GABRIEL BORIC : LE RETOUR DE L\u2019ESPOIR<\/a><\/p>\n

LE SOMMET DE LOS ANGELES, UN NOUVEL ECHEC DE LA POLITIQUE ETRANGERE AMERICAINE<\/a><\/p>\n

LE CHILI APRES LE NON: LA COHESION SOCIALE EST DESORMAIS EN DANGER<\/a><\/td>\n

GABRIEL BORIC\u2019S CHILE: THE RETURN OF HOPE<\/a><\/p>\n

THE LOS ANGELES SUMMIT, ANOTHER FAILURE OF US FOREIGN POLICY<\/a><\/p>\n

CHILE AFTER THE NO: NOW SOCIAL COHESION IS IN DANGER<\/a><\/td>\n

IL CILE DI GABRIEL BORIC: IL RITORNO DELLA SPERANZA<\/a><\/p>\n

IL SUMMIT DI LOS ANGELES, ENNESIMO FALLIMENTO DELLA POLITICA ESTERA AMERICANA<\/a><\/p>\n

IL CILE DOPO IL NO: ORA LA COESIONE SOCIALE \u00c8 IN PERICOLO<\/a><\/td>\n

\u0427\u0418\u041b\u0418 \u0413\u0410\u0411\u0420\u0418\u042d\u041b\u042f \u0411\u041e\u0420\u0418\u0427: \u0412\u041e\u0417\u0412\u0420\u0410\u0429\u0415\u041d\u0418\u0415 \u041d\u0410\u0414\u0415\u0416\u0414\u042b<\/a><\/p>\n

\u0421\u0410\u041c\u041c\u0418\u0422 \u0412 \u041b\u041e\u0421 \u0410\u041d\u0416\u0415\u041b\u0415\u0421\u0415, \u041e\u0427\u0415\u0420\u0415\u0414\u041d\u041e\u0419 \u041f\u0420\u041e\u0412\u0410\u041b \u0410\u041c\u0415\u0420\u0418\u041a\u0410\u041d\u0421\u041a\u041e\u0419 \u0412\u041d\u0415\u0428\u041d\u0415\u0419 \u041f\u041e\u041b\u0418\u0422\u0418\u041a\u0418<\/a><\/p>\n

\u0427\u0418\u041b\u0418 \u041f\u041e\u0421\u041b\u0415 \u041d\u0415\u0422: \u0422\u0415\u041f\u0415\u0420\u042c \u0421\u041e\u0426\u0418\u0410\u041b\u042c\u041d\u0410\u042f \u0421\u041f\u041b\u041e\u0427\u0415\u041d\u041d\u041e\u0421\u0422\u042c \u041f\u041e\u0414 \u0423\u0413\u0420\u041e\u0417\u041e\u0419<\/a><\/td>\n

GABRIEL BORIC\u2019S CHILE: DIE R\u00dcCKKEHR DER HOFFNUNG<\/a><\/p>\n

DAS GIPFEL VON LOS ANGELES, EIN WEITERES SCHEITERN DER US-AU\u00dfENPOLITIK<\/a><\/p>\n

CHILE NACH DEM NEIN: NUN IST DER SOZIALE ZUSAMMENHALT IN GEFAHR<\/a><\/td>\n

EL CHILE DE GABRIEL BORIC: EL RETORNO DE LA ESPERANZA<\/a><\/p>\n

LA CONFERENCIA DE LOS \u00c1NGELES, FRACASO DE LA POL\u00cdTICA EXTERIOR DE EE.UU.<\/a><\/p>\n

CHILE DESPU\u00c9S DEL NO: AHORA LA COHESI\u00d3N SOCIAL EST\u00c1 EN PELIGRO<\/a><\/td>\n<\/tr>\n

<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

\"\"Borisevich<\/strong>, Katya<\/p>\n

Journalist, 1989-
\n\"\"<\/td>\n

BELARUS : LE SILENCE DU DESESPOIR<\/a><\/td>\nBELARUS: THE SILENCE OF DESPAIR<\/a><\/td>\nBIELORUSSIA: IL SILENZIO DELLA DISPERAZIONE<\/a><\/td>\n\u0411\u0415\u041b\u0410\u0420\u0423\u0421\u042c: \u041c\u041e\u041b\u0427\u0410\u041d\u0418\u0415 \u041e\u0422\u0427\u0410\u042f\u041d\u0418\u042f<\/a><\/td>\nBELARUS: DAS SCHWEIGEN DER VERZWEIFLUNG<\/a><\/td>\nBIELORRUSIA: EL SILENCIO DE LA DESESPERACI\u00d3N<\/a><\/td>\n<\/tr>\n
<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

\"\"Bormann<\/strong>, Martin Ludwig<\/p>\n

Military \/ Politician, 1900-1945
\n\"\"<\/td>\n

HENRY KISSINGER, L\u2019AME NOIRE DU 20EME SIECLE<\/a><\/td>\nHENRY KISSINGER, THE DARK SOUL OF THE 20TH CENTURY<\/a><\/td>\nHENRY KISSINGER, L\u2019ANIMA NERA DEL XX SECOLO<\/a><\/td>\n\u0413\u0415\u041d\u0420\u0418 \u041a\u0418\u0421\u0421\u0418\u041d\u0414\u0416\u0415\u0420, \u0427\u0415\u0420\u041d\u0410\u042f \u0414\u0423\u0428\u0410 20 \u0412\u0415\u041a\u0410<\/a><\/td>\nHENRY KISSINGER, DIE SCHWARZE SEELE DES 20. JAHRHUNDERTS<\/a><\/td>\nHENRY KISSINGER, EL ALMA NEGRA DEL SIGLO XX<\/a><\/td>\n<\/tr>\n
<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

 <\/p>\n

\"\"<\/strong>Borodakiy<\/strong>, Denis Yevgenyevich<\/p>\n

Businessman, 1972-<\/p>\n

\"\"<\/td>\n

ALISER USMANOV : LES YEUX INDISCRETS D\u2019UN OLIGARQUE SUR LE MONDE<\/a><\/td>\nALI\u0160ER USMANOV: AN OLIGARCH\u2019S PRYING EYES ON THE WORLD<\/a><\/td>\nALI\u0160ER USMANOV: GLI SGUARDI INDISCRETI DI UN OLIGARCA SUL MONDO<\/a><\/td>\n\u0410\u041b\u0418\u0428\u0415\u0420 \u0423\u0421\u041c\u0410\u041d\u041e\u0412: \u041d\u0410\u0417\u041e\u0419\u041b\u0418\u0412\u042b\u0419 \u0412\u0417\u0413\u041b\u042f\u0414 \u041e\u041b\u0418\u0413\u0410\u0420\u0425\u0410 \u041d\u0410 \u041c\u0418\u0420<\/a><\/td>\nALI\u0160ER USMANOV: DIE INDISKRETE BLICKE EINES OLIGARCHEN AUF DIE WELT<\/a><\/td>\nALI\u0160ER USMANOV: LA MIRADA INDISCRETA DE UN OLIGARCA SOBRE EL MUNDO<\/a><\/td>\n<\/tr>\n
<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

\"\"Borrell<\/strong>, Josep<\/p>\n

Politician, 1947-
\n\"\"<\/td>\n

LAVROV, L\u2019AFRIQUE ET LE NOUVEL ORDRE MONDIAL<\/a><\/td>\nLAVROV, AFRICA AND THE NEW GLOBAL ORDER<\/a><\/td>\nLAVROV, L\u2019AFRICA E IL NUOVO ORDINE GLOBALE<\/a><\/td>\n\u041b\u0410\u0412\u0420\u041e\u0412, \u0410\u0424\u0420\u0418\u041a\u0410 \u0418 \u041d\u041e\u0412\u042b\u0419 \u041c\u0418\u0420\u041e\u0412\u041e\u0419 \u041f\u041e\u0420\u042f\u0414\u041e\u041a<\/a><\/td>\nLAWROW, AFRIKA UND DIE NEUE GLOBALE ORDNUNG<\/a><\/td>\nLAVROV, \u00c1FRICA Y EL NUEVO ORDEN GLOBAL<\/a><\/td>\n<\/tr>\n
<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

 <\/p>\n

\"\"Borsellino<\/strong>, Paolo<\/p>\n

Magistrate, 1940-1992
\n\"\"<\/td>\n

L\u2019ETERNEL TRESORIER DE COSA NOSTRA<\/a><\/p>\n

HENRY KISSINGER, L\u2019AME NOIRE DU 20EME SIECLE<\/a><\/td>\n

THE ETERNAL TREASURER OF COSA NOSTRA<\/a><\/p>\n

HENRY KISSINGER, THE DARK SOUL OF THE 20TH CENTURY<\/a><\/td>\n

L\u2019ETERNO TESORIERE DI COSA NOSTRA<\/a><\/p>\n

HENRY KISSINGER, L\u2019ANIMA NERA DEL XX SECOLO<\/a><\/td>\n

\u0412\u0415\u0427\u041d\u042b\u0419 \u041a\u0410\u0417\u041d\u0410\u0427\u0415\u0419 COSA NOSTRA<\/a><\/p>\n

\u0413\u0415\u041d\u0420\u0418 \u041a\u0418\u0421\u0421\u0418\u041d\u0414\u0416\u0415\u0420, \u0427\u0415\u0420\u041d\u0410\u042f \u0414\u0423\u0428\u0410 20 \u0412\u0415\u041a\u0410<\/a><\/td>\n

DER EWIGE SCHATZMEISTER DER COSA NOSTRA<\/a><\/p>\n

HENRY KISSINGER, DIE SCHWARZE SEELE DES 20. JAHRHUNDERTS<\/a><\/td>\n

EL ETERNO TESORERO DE LA COSA NOSTRA<\/a><\/p>\n

HENRY KISSINGER, EL ALMA NEGRA DEL SIGLO XX<\/a><\/td>\n<\/tr>\n

<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

 <\/p>\n

\"\"<\/strong>Boshuizen<\/strong>, Chris<\/p>\n

Scientist, 1978-<\/p>\n

\"\"<\/td>\n

ALISER USMANOV : LES YEUX INDISCRETS D\u2019UN OLIGARQUE SUR LE MONDE<\/a><\/td>\nALI\u0160ER USMANOV: AN OLIGARCH\u2019S PRYING EYES ON THE WORLD<\/a><\/td>\nALI\u0160ER USMANOV: GLI SGUARDI INDISCRETI DI UN OLIGARCA SUL MONDO<\/a><\/td>\n\u0410\u041b\u0418\u0428\u0415\u0420 \u0423\u0421\u041c\u0410\u041d\u041e\u0412: \u041d\u0410\u0417\u041e\u0419\u041b\u0418\u0412\u042b\u0419 \u0412\u0417\u0413\u041b\u042f\u0414 \u041e\u041b\u0418\u0413\u0410\u0420\u0425\u0410 \u041d\u0410 \u041c\u0418\u0420<\/a><\/td>\nALI\u0160ER USMANOV: DIE INDISKRETE BLICKE EINES OLIGARCHEN AUF DIE WELT<\/a><\/td>\nALI\u0160ER USMANOV: LA MIRADA INDISCRETA DE UN OLIGARCA SOBRE EL MUNDO<\/a><\/td>\n<\/tr>\n
<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

\"\"Bo\u0161njak<\/strong>, Branka<\/p>\n

Politician, 1956-
\n\"\"<\/td>\n

LES DESHONORANTS CHEVALIERS DE (ENE)MALTE<\/a><\/td>\nTHE DISHONOURABLE KNIGHTS OF (ENE)MALTA<\/a><\/td>\nI DISONOREVOLI CAVALIERI DI (ENE)MALTA<\/a><\/td>\n\u0411\u0415\u0421\u0427\u0415\u0421\u0422\u041d\u042b\u0415 \u0420\u042b\u0426\u0410\u0420\u0418 (\u042d\u041d\u0415)\u041c\u0410\u041b\u042c\u0422\u042b<\/a><\/td>\nDIE UNEHRENHAFTEN RITTER VON (ENE)MALTA<\/a><\/td>\nLOS DESHONROSOS CABALLEROS DE (ENE)MALTA<\/a><\/td>\n<\/tr>\n
<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

 <\/p>\n

\"\"Boso<\/strong>, Burcu<\/p>\n

Lawyer, 1985-<\/p>\n

\"\"<\/td>\n

QUAND LE CRIME DEVIENT UN \u00c9TAT : LA TURQUIE DE KAMER ET ERDOGAN<\/a><\/td>\nWHEN THE MOB BECOMES THE STATE: THE TURKEY OF KAMER AND ERDO\u011eAN<\/a><\/td>\nQUANDO IL CRIMINE SI FA STATO: LA TURCHIA DI KAMER E ERDO\u011eAN<\/a><\/td>\n\u041a\u041e\u0413\u0414\u0410 \u041f\u0420\u0415\u0421\u0422\u0423\u041f\u041b\u0415\u041d\u0418\u0415 \u0417\u041d\u0410\u0427\u0418\u0422 \u0413\u041e\u0421\u0423\u0414\u0410\u0420\u0421\u0422\u0412\u041e: \u0422\u0423\u0420\u0426\u0418\u042f \u041a\u0410\u041c\u0415\u0420\u0410 \u0418 \u042d\u0420\u0414\u041e\u0413\u0410\u041d\u0410<\/a><\/td>\nWENN KRIMINALIT\u00c4T ZUM STAAT WIRD: KAMER UND ERDO\u011eANS T\u00dcRKEI<\/a><\/td>\nCUANDO EL CRIMEN SE CONVIERTE EN ESTADO: LA TURQU\u00cdA DE KAMER Y ERDO\u011eAN<\/a><\/td>\n<\/tr>\n
<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

\"\"Bossi<\/strong>, Umberto<\/p>\n

Politician, 1941-
\n\"\"<\/td>\n

MOUVEMENT 5 ETOILES ET LEGANORD : REPETITIONS GENERALES POUR UNE INTERNATIONALE POSTFASCISTE<\/a><\/td>\n5-STAR MOVEMENT AND LEGANORD: DRESS REHEARSALS FOR A POST-FASCIST INTERNATIONAL<\/a><\/td>\nMOVIMENTO 5 STELLE E LEGA NORD: PROVE GENERALI PER UN\u2019INTERNAZIONALE POST-FASCISTA<\/a><\/td>\n\u0414\u0412\u0418\u0416\u0415\u041d\u0418\u0415 5 \u0417\u0412\u0415\u0417\u0414 \u0418 \u0421\u0415\u0412\u0415\u0420\u041d\u0410\u042f \u041b\u0418\u0413\u0410: \u0418\u0421\u041f\u042b\u0422\u0410\u041d\u0418\u042f \u0414\u041b\u042f \u041f\u041e\u0421\u0422\u0424\u0410\u0428\u0418\u0421\u0422\u0421\u041a\u041e\u0413\u041e \u0418\u041d\u0422\u0415\u0420\u041d\u0410\u0426\u0418\u041e\u041d\u0410\u041b\u0410<\/a><\/td>\n5-STERNE-BEWEGUNG UND LEGANORD: GENERALPROBEN F\u00dcR EINE POSTFASCHISTISCHE INTERNATIONALE<\/a><\/td>\nEL MOVIMIENTO 5 ESTRELLAS Y LA LIGA NORTE: ENSAYO GENERAL DE UNA INTERNACIONAL POST-FASCISTA<\/a><\/td>\n<\/tr>\n
<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

 <\/p>\n

\"\"Bostrom<\/strong>, Nik<\/p>\n

Philosopher, 1973-
\n\"\"<\/td>\n

CHATGPT: ENTRE FASCINATION ET CRAINTE<\/a><\/td>\nCHATGPT: BETWEEN FASCINATION AND FEAR<\/a><\/td>\nCHATGPT: TRA FASCINO E PAURA<\/a><\/td>\nCHATGPT: \u041c\u0415\u0416\u0414\u0423 \u041e\u0427\u0410\u0420\u041e\u0412\u0410\u041d\u0418\u0415\u041c \u0418 \u0421\u0422\u0420\u0410\u0425\u041e\u041c<\/a><\/td>\nCHATGPT: ZWISCHEN FASZINATION UND ANGST<\/a><\/td>\nCHATGPT: ENTRE LA FASCINACI\u00d3N Y EL MIEDO<\/a><\/td>\n<\/tr>\n
<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

 <\/p>\n

\"\"Botha<\/strong>, Louis<\/p>\n

Politician, 1862-1919
\n\"\"<\/td>\n

KWAZULU-NATAL, LA DERNIERE GRANDE MONARCHIE NOIRE<\/a><\/p>\n

AFRIQUE DU SUD: L\u2019OMBRE DES GANGS DERRIERE UN NOUVEAU SCANDALE<\/a><\/td>\n

KWAZULU-NATAL, THE LAST GREAT BLACK MONARCHY<\/a><\/p>\n

SOUTH AFRICA: THE GANGS\u2019 SHADOW OVER THE LAST SCANDAL<\/a><\/td>\n

IL KWAZULU-NATAL, ULTIMA GRANDE MONARCHIA NERA<\/a><\/p>\n

SUDAFRICA: L\u2019OMBRA DELLE GANG DIETRO L\u2019ENNESIMO SCANDALO<\/a><\/td>\n

\u041a\u0412\u0410\u0417\u0423\u041b\u0423-\u041d\u0410\u0422\u0410\u041b, \u041f\u041e\u0421\u041b\u0415\u0414\u041d\u042f\u042f \u0412\u0415\u041b\u0418\u041a\u0410\u042f \u0427\u0415\u0420\u041d\u0410\u042f \u041c\u041e\u041d\u0410\u0420\u0425\u0418\u042f<\/a><\/p>\n

\u042e\u0416\u041d\u0410\u042f \u0410\u0424\u0420\u0418\u041a\u0410: \u0417\u0410 \u041e\u0427\u0415\u0420\u0415\u0414\u041d\u042b\u041c \u0421\u041a\u0410\u041d\u0414\u0410\u041b\u041e\u041c \u0421\u041d\u041e\u0412\u0410 \u0422\u0415\u041d\u042c \u0411\u0410\u041d\u0414\u042b<\/a><\/td>\n

KWAZULU-NATAL, DIE LETZTE GRO\u00dfE SCHWARZE MONARCHIE<\/a><\/p>\n

S\u00dcDAFRIKA: DER SCHATTEN DES VERBRECHENS HINTER DEM PR\u00c4SIDENTENSKANDAL<\/a><\/td>\n

KWAZULU-NATAL, LA \u00daLTIMA GRAN MONARQU\u00cdA NEGRA<\/a><\/p>\n

SUD\u00c1FRICA: LA SOMBRA DE LAS BANDAS EN OTRO ESC\u00c1NDALO<\/a><\/td>\n<\/tr>\n

<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

 <\/p>\n

\"\"Botha<\/strong>, Pieter Willem<\/p>\n

Politician, 1916-2006
\n\"\"<\/td>\n

LABORATOIRE AFRIQUE DU SUD<\/a><\/td>\nLABORATORY SOUTH AFRICA<\/a><\/td>\nLABORATORIO SUDAFRICA<\/a><\/td>\n\u043b\u0430\u0431\u043e\u0440\u0430\u0442\u043e\u0440\u0438\u044f \u042e\u0436\u043d\u0430\u044f \u0410\u0444\u0440\u0438\u043a\u0430<\/a><\/td>\nLABORATORIUM S\u00dcDAFRIKA<\/a><\/td>\nLABORATORIO SUD\u00c1FRICA<\/a><\/td>\n<\/tr>\n
<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

\"\"Botha<\/strong> Roelof<\/p>\n

Entrepreneur, 1973-
\n\"\"<\/td>\n

ELON MUSK : LE VANTARD LE PLUS DANGEREUX DU MONDE<\/a><\/td>\nELON MUSK: THE WORLD\u2019S MOST DANGEROUS BLOWHARD<\/a><\/td>\nELON MUSK: LO SBRUFFONE PI\u00d9 PERICOLOSO DEL MONDO<\/a><\/td>\n\u042d\u041b\u041e\u041d \u041c\u0410\u0421\u041a: \u0421\u0410\u041c\u042b\u0419 \u041e\u041f\u0410\u0421\u041d\u042b\u0419 \u0412 \u041c\u0418\u0420\u0415 \u041d\u0410\u0413\u041b\u0415\u0426<\/a><\/td>\nELON MUSK: DER GEF\u00c4HRLICHSTE ANGEBER DER WELT<\/a><\/td>\nELON MUSK: EL FANFARR\u00d3N M\u00c1S PELIGROSO DEL MUNDO<\/a><\/td>\n<\/tr>\n
<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

 <\/p>\n

\"\"Bottomley<\/strong>, John<\/p>\n

Spy, 1966-
\n\"\"<\/td>\n

CAMBRIDGE ANALYTICA : LES CRIMINELS QUI NOUS PERSUADENT DE VOTER POUR TRUMP<\/a><\/td>\nCAMBRIDGE ANALYTICA: THE CRIMINALS WHO PERSUADE US TO VOTE FOR TRUMP<\/a><\/td>\nCAMBRIDGE ANALYTICA: I CRIMINALI CHE CI CONVINCONO A VOTARE TRUMP<\/a><\/td>\nCAMBRIDGE ANALYTICA: \u041f\u0420\u0415\u0421\u0422\u0423\u041f\u041d\u0418\u041a\u0418, \u041a\u041e\u0422\u041e\u0420\u042b\u0415 \u0423\u0411\u0415\u0414\u0418\u041b\u0418 \u041d\u0410\u0421 \u0413\u041e\u041b\u041e\u0421\u041e\u0412\u0410\u0422\u042c \u0417\u0410 \u0422\u0420\u0410\u041c\u041f\u0410<\/a><\/td>\nCAMBRIDGE ANALYTICA: DIE KRIMINELLEN, DIE UNS \u00dcBERREDEN, F\u00dcR TRUMP ZU STIMMEN<\/a><\/td>\nCAMBRIDGE ANALYTICA: LOS CRIMINALES QUE NOS CONVENCEN DE VOTAR A TRUMP<\/a><\/td>\n<\/tr>\n
<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

 <\/p>\n

\"\"Bourdain<\/strong>, Anthony<\/p>\n

Chef de cuisine, 1956-2018
\n\"\"<\/td>\n

SI TON ORDINATEUR TOMBE SOUDAINEMENT AMOUREUX<\/a><\/td>\nSUDDENLY, IF YOUR COMPUTER FALLS IN LOVE<\/a><\/td>\nSE IL TUO COMPUTER DI COLPO SI INNAMORA<\/a><\/td>\n\u0415\u0421\u041b\u0418 \u0412\u0410\u0428 \u041a\u041e\u041c\u041f\u042c\u042e\u0422\u0415\u0420 \u0412\u0414\u0420\u0423\u0413 \u0412\u041b\u042e\u0411\u0418\u0422\u0421\u042f<\/a><\/td>\nWENN DEIN COMPUTER SICH PL\u00d6TZLICH VERLIEBT<\/a><\/td>\nSI UN ORDENADOR DE REPENTE SE ENAMORA<\/a><\/td>\n<\/tr>\n
<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

\"\"Bourgi<\/strong>, Robert<\/p>\n

Politician, 1945-,
\n\"\"<\/td>\n

TRAFIGURA: POURQUOI NOUS DEVRIONS EN AVOIR PEUR<\/a><\/td>\nTRAFIGURA: WHY WE SHOULD BE AFRAID OF IT<\/a><\/td>\nTRAFIGURA: PERCH\u00c9 DOBBIAMO AVERNE PAURA<\/a><\/td>\nTRAFIGURA: \u041f\u041e\u0427\u0415\u041c\u0423 \u041d\u0410\u041c \u0421\u0422\u041e\u0418\u0422 \u0415\u0401 \u0411\u041e\u042f\u0422\u042c\u0421\u042f<\/a><\/td>\nTRAFIGURA: WARUM WIR UNS DAVOR F\u00dcRCHTEN SOLLTEN<\/a><\/td>\nTRAFIGURA: POR QU\u00c9 DEBEMOS TEMERLA<\/a><\/td>\n<\/tr>\n
<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

 <\/p>\n

\"\"Bout<\/strong>, Viktor<\/p>\n

Arms dealer, 1967-<\/p>\n

\"\"<\/td>\n

60 ANS DE DICTATURE ET 200 ANS DE GUERRES, D\u2019ESCLAVAGE ET DE CONTREBANDE : BIENVENUE AU CONGO<\/a><\/p>\n

MERCENAIRES ET EMIRATS: LE PERIL MONDIAL DE L\u2019INDUSTRIE PRIVEE DE LA MORT<\/a><\/p>\n

LA MOLDAVIE DES OLIGARQUES, OU LE MOYEN \u00c2GE EST PLUS VIVANT QUE JAMAIS<\/a><\/p>\n

UNE NOUVELLE VICTOIRE POUR VLADIMIR POUTINE<\/a><\/td>\n

60 YEARS OF DICTATORSHIP AND 200 YEARS OF WARS, SLAVERY AND SMUGGLING: WELCOME TO THE CONGO<\/a><\/p>\n

SOLDIERS OF FORTUNE AND EMIRATES: THE GLOBAL DANGER OF THE PRIVATE DEATH\u2019S INDUSTRY<\/a><\/p>\n

THE MOLDOVA OF THE OLIGARCHS, WHERE THE MIDDLE AGES ARE MORE ALIVE THAN EVER<\/a><\/p>\n

YET ANOTHER VICTORY FOR VLADIMIR PUTIN<\/a><\/td>\n

IL CONGO DRC DOPO 60 ANNI DI DITTATURA E DUE SECOLI DI GUERRE, SCHIAVISMO E CONTRABBANDO<\/a><\/p>\n

SOLDATI DI SVENTURA: LA MINACCIA GLOBALE DELL\u2019INDUSTRIA PRIVATA DELLA MORTE<\/a><\/p>\n

LA MOLDAVIA DEGLI OLIGARCHI, DOVE IL MEDIOEVO \u00c8 PI\u00d9 VIVO CHE MAI<\/a><\/p>\n

L\u2019ENNESIMA VITTORIA PER VLADIMIR PUTIN<\/a><\/td>\n

\u0414\u0420\u041a \u041a\u041e\u041d\u0413\u041e \u041f\u041e\u0421\u041b\u0415 60 \u041b\u0415\u0422 \u0414\u0418\u041a\u0422\u0410\u0422\u0423\u0420\u042b \u0418 \u0414\u0412\u0423\u0425 \u0412\u0415\u041a\u041e\u0412 \u0412\u041e\u0419\u041d, \u0420\u0410\u0411\u0421\u0422\u0412\u0410 \u0418 \u041a\u041e\u041d\u0422\u0420\u0410\u0411\u0410\u041d\u0414\u042b<\/a><\/p>\n

\u0421\u041e\u041b\u0414\u0410\u0422\u042b DOOM: \u0413\u041b\u041e\u0411\u0410\u041b\u042c\u041d\u0410\u042f \u0423\u0413\u0420\u041e\u0417\u0410 \u0427\u0410\u0421\u0422\u041d\u041e\u0419 \u0418\u041d\u0414\u0423\u0421\u0422\u0420\u0418\u0418 \u0421\u041c\u0415\u0420\u0422\u0418<\/a><\/p>\n

\u041c\u041e\u041b\u0414\u0410\u0412\u0418\u042f \u041e\u041b\u0418\u0413\u0410\u0420\u0425\u041e\u0412, \u0413\u0414\u0415 \u0421\u0420\u0415\u0414\u041d\u0415\u0412\u0415\u041a\u041e\u0412\u042c\u0415 \u0416\u0418\u0412\u041e, \u041a\u0410\u041a \u041d\u0418\u041a\u041e\u0413\u0414\u0410<\/a><\/p>\n

\u041e\u0427\u0415\u0420\u0415\u0414\u041d\u0410\u042f \u041f\u041e\u0411\u0415\u0414\u0410 \u0412\u041b\u0410\u0414\u0418\u041c\u0418\u0420\u0410 \u041f\u0423\u0422\u0418\u041d\u0410<\/a><\/td>\n

60 JAHREN DIKTATUR UND 200 JAHREN KRIEGEN, SKLAVEREI UND SCHMUGGEL: WILLKOMMEN IN KONGO<\/a><\/p>\n

S\u00d6LDNER UND EMIRATEN: DIE GLOBALE GEFAHR DER PRIVATEN TODESINDUSTRIE<\/a><\/p>\n

MOLDAWIEN DER OLIGARCHEN, WO DAS MITTELALTER LEBENDIGER IST ALS JE ZUVOR<\/a><\/p>\n

EIN WEITERER SIEG F\u00dcR WLADIMIR PUTIN<\/a><\/td>\n

LA MOLDAVIA DE LOS OLIGARCAS, DONDE LA EDAD MEDIA EST\u00c1 M\u00c1S VIVA QUE NUNCA<\/a><\/p>\n

CONGO RDC TRAS 60 A\u00d1OS DE DICTADURA Y DOS SIGLOS DE GUERRA, ESCLAVITUD Y CONTRABANDO<\/a><\/p>\n

SOLDADOS DE LA PERDICI\u00d3N: LA AMENAZA GLOBAL DE LA INDUSTRIA PRIVADA DE LA MUERTE<\/a><\/p>\n

NUEVA VICTORIA DE VLADIMIR PUTIN<\/a><\/td>\n<\/tr>\n

<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

\"\"Bouvier<\/strong>, Yves<\/p>\n

Art\u2019s trader, 1963-
\n\"\"<\/td>\n

L\u2019\u0152UVRE D\u2019ART: LA DEVISE DE LE RECEL MONDIALE<\/a><\/p>\n

VIE ET MIRACLES D\u2019UN MERCENAIRE DANS LA GUERRE MEDIATIQUE<\/a><\/td>\n

ART: THE CURRENCY OF THE GLOBAL COMMERCE OF STOLEN GOODS<\/a><\/p>\n

LIFE AND MIRACLES OF A MERCENARY IN THE MEDIA WAR<\/a><\/td>\n

L\u2019OPERA D\u2019ARTE: LA VALUTA DELLA RICETTAZIONE GLOBALE<\/a><\/p>\n

VITA E MIRACOLI DI UN MERCENARIO NELLA GUERRA DEI MEDIA<\/a><\/td>\n

\u041f\u0420\u041e\u0418\u0417\u0412\u0415\u0414\u0415\u041d\u0418\u042f \u0418\u0421\u041a\u0423\u0421\u0421\u0422\u0412\u0410: \u0412\u0410\u041b\u042e\u0422\u0410 \u041c\u0418\u0420\u041e\u0412\u041e\u0413\u041e \u0424\u0415\u0425\u0422\u041e\u0412\u0410\u041d\u0418\u042f<\/a><\/p>\n

\u0416\u0418\u0417\u041d\u042c \u0418 \u0427\u0423\u0414\u0415\u0421\u0410 \u041d\u0410\u0415\u041c\u041d\u0418\u041a\u0410 \u0412 \u0412\u041e\u0419\u041d\u0415 \u0421\u041e \u0421\u041c\u0418<\/a><\/td>\n

DAS KUNSTWERK: DIE W\u00c4HRUNG DER GLOBALEN HEHLEREI<\/a><\/p>\n

LEBEN UND WUNDER EINES S\u00d6LDNERS IM MEDIENKRIEG<\/a><\/td>\n

LA OBRA DE ARTE: LA DIVISA DE LA RECEPTACI\u00d3N MUNDIAL<\/a><\/p>\n

VIDA Y MILAGROS DE UN MERCENARIO EN LA GUERRA MEDI\u00c1TICA<\/a><\/td>\n<\/tr>\n

<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

\"\"Bowie<\/strong>, Robert Richardson<\/p>\n

Diplomat \/ Scholar, 1909-2013
\n\"\"<\/td>\n

HENRY KISSINGER, L\u2019AME NOIRE DU 20EME SIECLE<\/a><\/td>\nHENRY KISSINGER, THE DARK SOUL OF THE 20TH CENTURY<\/a><\/td>\nHENRY KISSINGER, L\u2019ANIMA NERA DEL XX SECOLO<\/a><\/td>\n\u0413\u0415\u041d\u0420\u0418 \u041a\u0418\u0421\u0421\u0418\u041d\u0414\u0416\u0415\u0420, \u0427\u0415\u0420\u041d\u0410\u042f \u0414\u0423\u0428\u0410 20 \u0412\u0415\u041a\u0410<\/a><\/td>\nHENRY KISSINGER, DIE SCHWARZE SEELE DES 20. JAHRHUNDERTS<\/a><\/td>\nHENRY KISSINGER, EL ALMA NEGRA DEL SIGLO XX<\/a><\/td>\n<\/tr>\n
<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

\"\"Boyer<\/strong>, Jean-Pierre<\/p>\n

Politician, 1776-1850
\n\"\"<\/td>\n

HA\u00cfTI, L\u2019ENFER DES CARA\u00cfBES<\/a><\/td>\nHAITI, THE HELL OF THE CARIBBEAN<\/a><\/td>\nHAITI, L\u2019INFERNO DEI CARAIBI<\/a><\/td>\n\u0413\u0410\u0418\u0422\u0418, \u0410\u0414 \u041a\u0410\u0420\u0418\u0411\u0421\u041a\u041e\u0413\u041e \u041c\u041e\u0420\u042f<\/a><\/td>\nHAITI, DIE H\u00d6LLE DER KARIBIK<\/a><\/td>\nHAIT\u00cd, EL INFIERNO DEL CARIBE<\/a><\/td>\n<\/tr>\n
<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

 <\/p>\n

\"\"Bouygues<\/strong>, Chlo\u00e9 Felicia<\/p>\n

Entrepreneur, 1979-
\n\"\"<\/td>\n

BOLLORE: LE VERITABLE ROI DE L\u2019AFRIQUE<\/a><\/td>\nBOLLOR\u00c9: THE TRUE KING OF AFRICA<\/a><\/td>\nBOLLOR\u00c9: IL VERO RE D\u2019AFRICA<\/a><\/td>\n\u0411\u041e\u041b\u041b\u041e\u0420\u0415: \u0418\u0421\u0422\u0418\u041d\u041d\u042b\u0419 \u041a\u041e\u0420\u041e\u041b\u042c \u0410\u0424\u0420\u0418\u041a\u0418<\/a><\/td>\nBOLLOR\u00c9: DER WAHRE K\u00d6NIG VON AFRIKA<\/a><\/td>\nBOLLOR\u00c9: EL VERDADERO REY DE \u00c1FRICA<\/a><\/td>\n<\/tr>\n
<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

 <\/p>\n

\"\"Bouygues<\/strong>, Martin Pierre Marie<\/p>\n

Entrepreneur, 1952-
\n\"\"<\/td>\n

BOLLORE: LE VERITABLE ROI DE L\u2019AFRIQUE<\/a><\/td>\nBOLLOR\u00c9: THE TRUE KING OF AFRICA<\/a><\/td>\nBOLLOR\u00c9: IL VERO RE D\u2019AFRICA<\/a><\/td>\n\u0411\u041e\u041b\u041b\u041e\u0420\u0415: \u0418\u0421\u0422\u0418\u041d\u041d\u042b\u0419 \u041a\u041e\u0420\u041e\u041b\u042c \u0410\u0424\u0420\u0418\u041a\u0418<\/a><\/td>\nBOLLOR\u00c9: DER WAHRE K\u00d6NIG VON AFRIKA<\/a><\/td>\nBOLLOR\u00c9: EL VERDADERO REY DE \u00c1FRICA<\/a><\/td>\n<\/tr>\n
<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

 <\/p>\n

\"\"Bozkurt<\/strong>, Zinar<\/p>\n

Politician, 1996-
\n\"\"<\/td>\n

SEULS, COMME LES KURDES<\/a><\/td>\nLONELY AS THE KURDS<\/a><\/td>\nSOLI COME CURDI<\/a><\/td>\n\u041e\u0414\u0418\u041d\u041e\u041a\u0418 \u041a\u0410\u041a \u041a\u0423\u0420\u0414\u042b<\/a><\/td>\nEINSAM WIE DIE KURDEN<\/a><\/td>\nTAN SOLO COMO LOS KURDOS<\/a><\/td>\n<\/tr>\n
<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

 <\/p>\n

\"\"Branson<\/strong>, Mark<\/p>\n

Magistrate, 1968-
\n\"\"<\/td>\n

UNE MACHINE A BOUE INONDE BERLIN<\/a><\/td>\nA MUD MACHINE FLOODS BERLIN<\/a><\/td>\nLA MACCHINA DEL FANGO SOMMERGE ANCHE BERLINO<\/a><\/td>\n\u041c\u0410\u0428\u0418\u041d\u0410 \u0413\u0420\u042f\u0417\u0418 \u041f\u041e\u0413\u041b\u041e\u0429\u0410\u0415\u0422 \u0418 \u0411\u0415\u0420\u041b\u0418\u041d<\/a><\/td>\nEINE SCHLAMMMASCHINE \u00dcBERFLUTET BERLIN<\/a><\/td>\nLA M\u00c1QUINA DE LODO INUNDA BERL\u00cdN<\/a><\/td>\n<\/tr>\n
<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

\"\"Branson<\/strong>, Richard<\/p>\n

Entrepreneur, 1950-
\n\"\"<\/td>\n

MARS, LA PROCHAINE PROVINCE DE L\u2019EMPIRE<\/a><\/td>\nMARS, THE EMPIRE\u2019S NEXT PROVINCE<\/a><\/td>\nMARTE, LA PROSSIMA PROVINCIA DELL\u2019IMPERO<\/a><\/td>\n\u041c\u0410\u0420\u0421, \u0421\u041b\u0415\u0414\u0423\u042e\u0429\u0410\u042f \u041f\u0420\u041e\u0412\u0418\u041d\u0426\u0418\u042f \u0418\u041c\u041f\u0415\u0420\u0418\u0418<\/a><\/td>\nMARS, DIE N\u00c4CHSTE PROVINZ DES IMPERIUMS<\/a><\/td>\nMARTE, LA PR\u00d3XIMA PROVINCIA DEL IMPERIO<\/a><\/td>\n<\/tr>\n
<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

\"\"Braun<\/strong>, Wernher von<\/p>\n

Scientist, 1912-1977
\n\"\"
\n\"\"<\/td>\n

HENRY KISSINGER, L\u2019AME NOIRE DU 20EME SIECLE<\/a><\/td>\nHENRY KISSINGER, THE DARK SOUL OF THE 20TH CENTURY<\/a><\/td>\nHENRY KISSINGER, L\u2019ANIMA NERA DEL XX SECOLO<\/a><\/td>\n\u0413\u0415\u041d\u0420\u0418 \u041a\u0418\u0421\u0421\u0418\u041d\u0414\u0416\u0415\u0420, \u0427\u0415\u0420\u041d\u0410\u042f \u0414\u0423\u0428\u0410 20 \u0412\u0415\u041a\u0410<\/a><\/td>\nHENRY KISSINGER, DIE SCHWARZE SEELE DES 20. JAHRHUNDERTS<\/a><\/td>\nHENRY KISSINGER, EL ALMA NEGRA DEL SIGLO XX<\/a><\/td>\n<\/tr>\n
<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

 <\/p>\n

\"\"Breivik<\/strong>, Anders Behring<\/p>\n

Murder, 1979-
\n\"\"<\/td>\n

LA SUEDE MULTICULTURELLE \u2013 LA FIN D\u2019UN MYTHE<\/a><\/p>\n

LE STYLO QUI TUE PLUS QUE L\u2019EPEE<\/a><\/p>\n

DU PLASTIQUE ET DU SANG POUR LES ANUS N\u00c9O-NAZIS<\/a><\/td>\n

MULTICULTURAL SWEDEN \u2013 THE END OF A MYTH<\/a><\/p>\n

THE PEN THAT KILLS MORE THAN THE SWORD<\/a><\/p>\n

PLASTIC AND BLOOD FOR NEO-NAZI ANUSES<\/a><\/td>\n

LA SVEZIA MULTICULTURALE \u2013 LA FINE DI UN MITO<\/a><\/p>\n

LA PENNA CHE UCCIDE PI\u00d9 DELLA SPADA<\/a><\/p>\n

PLASTICA E SANGUE PER GLI ANI NEONAZISTI<\/a><\/td>\n

\u041c\u0423\u041b\u042c\u0422\u0418\u041a\u0423\u041b\u042c\u0422\u0423\u0420\u041d\u0410\u042f \u0428\u0412\u0415\u0426\u0418\u042f \u2013 \u041a\u041e\u041d\u0415\u0426 \u041c\u0418\u0424\u0410<\/a><\/p>\n

\u041f\u0415\u0420\u041e \u0423\u0411\u0418\u0412\u0410\u0415\u0422 \u0421\u0418\u041b\u042c\u041d\u0415\u0415 \u041c\u0415\u0427\u0410<\/a><\/p>\n

\u041f\u041b\u0410\u0421\u0422\u0418\u041a \u0418 \u041a\u0420\u041e\u0412\u042c \u0414\u041b\u042f \u0410\u041d\u0423\u0421\u041e\u0412 \u041d\u0415\u041e\u041d\u0410\u0426\u0418\u0421\u0422\u041e\u0412<\/a><\/td>\n

MULTIKULTURELLES SCHWEDEN \u2013 DAS ENDE EINES MYTHOS<\/a><\/p>\n

DIE FEDER, DIE MEHR T\u00d6TET ALS DAS SCHWERT<\/a><\/p>\n

PLASTIK UND BLUT F\u00dcR NEONAZI-ANUS<\/a><\/td>\n

SUECIA MULTICULTURAL: EL FIN DE UN MITO<\/a><\/p>\n

LA PLUMA QUE MATA M\u00c1S QUE LA ESPADA<\/a><\/p>\n

PL\u00c1STICO Y SANGRE PARA ANOS NEONAZIS<\/a><\/td>\n<\/tr>\n

<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

 <\/p>\n

\"\"Bremnes<\/strong>, Kari<\/p>\n

Singer, 1956-
\n\"\"<\/td>\n

RIM BANNA, LA VOIX DU C\u0152UR BLESSE DE LA PALESTINE<\/a><\/td>\nRIM BANNA, VOICE OF THE WOUNDED HEART OF PALESTINE<\/a><\/td>\nRIM BANNA, VOCE DEL CUORE FERITO DELLA PALESTINA<\/a><\/td>\n\u0420\u0418\u041c \u0411\u0410\u041d\u041d\u0410, \u0413\u041e\u041b\u041e\u0421 \u0418\u0417\u0420\u0410\u041d\u0415\u041d\u041d\u041e\u0413\u041e \u0421\u0415\u0420\u0414\u0426\u0410 \u041f\u0410\u041b\u0415\u0421\u0422\u0418\u041d\u042b<\/a><\/td>\nRIM BANNA, DIE STIMME DES VERWUNDETEN HERZENS VON PAL\u00c4STINA<\/a><\/td>\nRIM BANNA, VOZ DEL CORAZ\u00d3N HERIDO DE PALESTINA<\/a><\/td>\n<\/tr>\n
<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

\"\"Brennan,<\/strong> John<\/p>\n

Spy, 1955-
\n\"\"<\/td>\n

L\u2019AMI PARISIEN DES CHEIKHS DU GOLFE PERSIQUE<\/a><\/td>\nTHE PARISIAN FRIEND OF THE SHEIKHS OF THE PERSIAN GULF<\/a><\/td>\nL\u2019AMICA PARIGINA DEGLI SCEICCHI DEL GOLFO PERSICO<\/a><\/td>\n\u041f\u0410\u0420\u0418\u0416\u0421\u041a\u0410\u042f \u041f\u041e\u0414\u0420\u0423\u0413\u0410 \u0428\u0415\u0419\u0425\u041e\u0412 \u041f\u0415\u0420\u0421\u0418\u0414\u0421\u041a\u041e\u0413\u041e \u0417\u0410\u041b\u0418\u0412\u0410<\/a><\/td>\nDIE PARISER FREUNDIN DER SCHEICHS DES PERSISCHEN GOLFS<\/a><\/td>\nL\u2019AMIGA PARISINA DE LOS JEQUES DEL GOLFO P\u00c9RSICO<\/a><\/td>\n<\/tr>\n
<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

\"\"Brenneke<\/strong>, Richard John<\/p>\n

CIA agent, 1941-2015
\n\"\"<\/td>\n

HENRY KISSINGER, L\u2019AME NOIRE DU 20EME SIECLE<\/a><\/td>\nHENRY KISSINGER, THE DARK SOUL OF THE 20TH CENTURY<\/a><\/td>\nHENRY KISSINGER, L\u2019ANIMA NERA DEL XX SECOLO<\/a><\/td>\n\u0413\u0415\u041d\u0420\u0418 \u041a\u0418\u0421\u0421\u0418\u041d\u0414\u0416\u0415\u0420, \u0427\u0415\u0420\u041d\u0410\u042f \u0414\u0423\u0428\u0410 20 \u0412\u0415\u041a\u0410<\/a><\/td>\nHENRY KISSINGER, DIE SCHWARZE SEELE DES 20. JAHRHUNDERTS<\/a><\/td>\nHENRY KISSINGER, EL ALMA NEGRA DEL SIGLO XX<\/a><\/td>\n<\/tr>\n
<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

 <\/p>\n

\"\"Brero<\/strong>, Mario<\/p>\n

Private Investigator, 1946-
\n\"\"<\/td>\n

VIE ET MIRACLES D\u2019UN MERCENAIRE DANS LA GUERRE MEDIATIQUE<\/a><\/p>\n

LE CROQUE-MITAINE INCULTE DU PACTE JUDEO-SUNNITE<\/a><\/td>\n

LIFE AND MIRACLES OF A MERCENARY IN THE MEDIA WAR<\/a><\/p>\n

THE UNLEARNED BOGEYMAN OF THE JEWISH-SUNNITE PACT<\/a><\/td>\n

VITA E MIRACOLI DI UN MERCENARIO NELLA GUERRA DEI MEDIA<\/a><\/p>\n

L\u2019AZZIMATO UOMO NERO DEL PATTO EBREO-SUNNITA<\/a><\/td>\n

\u0416\u0418\u0417\u041d\u042c \u0418 \u0427\u0423\u0414\u0415\u0421\u0410 \u041d\u0410\u0415\u041c\u041d\u0418\u041a\u0410 \u0412 \u0412\u041e\u0419\u041d\u0415 \u0421\u041e \u0421\u041c\u0418<\/a><\/p>\n

\u041d\u0415\u041e\u0411\u0423\u0427\u0410\u0415\u041c\u042b\u0419 \u0413\u041e\u041f\u041d\u0418\u041a \u0415\u0412\u0420\u0415\u0419\u0421\u041a\u041e-\u0421\u0423\u041d\u041d\u0418\u0422\u0421\u041a\u041e\u0413\u041e \u041f\u0410\u041a\u0422\u0410<\/a><\/td>\n

LEBEN UND WUNDER EINES S\u00d6LDNERS IM MEDIENKRIEG<\/a><\/p>\n

DAS UNGELEHRTE SCHRECKGESPENST DES J\u00dcDISCH-SUNNITISCHEN PAKTES<\/a><\/td>\n

VIDA Y MILAGROS DE UN MERCENARIO EN LA GUERRA MEDI\u00c1TICA<\/a><\/p>\n

EL HOMBRE DEL SACO DEL PACTO JUDEO-SUNNITA<\/a><\/td>\n<\/tr>\n

<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

 <\/p>\n

\"\"Br\u00e9\u017enev<\/strong>, Leon\u00edd Il’\u00ed\u010d<\/p>\n

Politician, 1906-1982
\n\"\"<\/td>\n

CUBA AUJOURD\u2019HUI: CE QUI RESTE DU REVE \u2013 ET DU CAUCHEMAR<\/a><\/td>\nCUBA TODAY: WHAT REMAINS OF THE DREAM \u2013 AND THE NIGHTMARE<\/a><\/td>\nCUBA, OGGI: CI\u00d2 CHE RESTA DEL SOGNO \u2013 E DELL\u2019INCUBO<\/a><\/td>\n\u041a\u0423\u0411\u0410 \u0421\u0415\u0413\u041e\u0414\u041d\u042f: \u0427\u0422\u041e \u041e\u0421\u0422\u0410\u041b\u041e\u0421\u042c \u041e\u0422 \u041c\u0415\u0427\u0422\u042b \u2013 \u0418 \u041e\u0422 \u041a\u041e\u0428\u041c\u0410\u0420\u0410<\/a><\/td>\nKUBA HEUTE: WAS BLEIBT VOM TRAUM \u2013 UND VOM ALBTRAUM<\/a><\/td>\nCUBA, HOY: LO QUE QUEDA DEL SUE\u00d1O \u2013 Y DE LA PESADILLA<\/a><\/td>\n<\/tr>\n
<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

\"\"Bristow<\/strong>, Mark<\/p>\n

Businessman, 1959-
\n\"\"<\/td>\n

OR, CYANURE ET SANG DANS L\u2019ENFER DE BARRICK GOLD<\/a><\/td>\nGOLD, CYANIDE AND BLOOD IN BARRICK\u2019S HELL<\/a><\/td>\nORO, CIANURO E SANGUE NELL\u2019INFERNO DELLA BARRICK GOLD<\/a><\/td>\n\u0417\u041e\u041b\u041e\u0422\u041e, \u042f\u0414 \u0418 \u041a\u0420\u041e\u0412\u042c \u0412 \u0423\u0416\u0410\u0421\u0415 BARRICK GOLD<\/a><\/td>\nGOLD, ZYANID UND BLUT IN DER H\u00d6LLE DER BARRICK GROUP<\/a><\/td>\nORO, CIANURO Y SANGRE EN EL INFIERNO DE BARRICK GOLD<\/a><\/td>\n<\/tr>\n
<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

 <\/p>\n

\"\"Brocchi<\/strong>, Pietro<\/p>\n

Fiduciary trustee, 1940-
\n\"\"<\/td>\n

LA DERNIERE VICTIME DU BANCO AMBROSIANO<\/a><\/td>\nTHE LAST VICTIM OF BANCO AMBROSIANO<\/a><\/td>\nL\u2019ULTIMA VITTIMA DEL BANCO AMBROSIANO<\/a><\/td>\n\u041f\u041e\u0421\u041b\u0415\u0414\u041d\u042f\u042f \u0416\u0415\u0420\u0422\u0412\u0410\u0411\u0410\u041d\u041a\u0410 \u0410\u041c\u0411\u0420\u041e\u0417\u0418\u0410\u041d\u041e<\/a><\/td>\nDAS LETZTE OPFER DER BANCO AMBROSIANO<\/a><\/td>\nLA \u00daLTIMA V\u00cdCTIMA DEL BANCO AMBROSIANO<\/a><\/td>\n<\/tr>\n
<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

 <\/p>\n

\"\"Brockman<\/strong>, Greg<\/p>\n

Mathematical Engineer, 1989-
\n\"\"<\/td>\n

CHATGPT: ENTRE FASCINATION ET CRAINTE<\/a><\/td>\nCHATGPT: BETWEEN FASCINATION AND FEAR<\/a><\/td>\nCHATGPT: TRA FASCINO E PAURA<\/a><\/td>\nCHATGPT: \u041c\u0415\u0416\u0414\u0423 \u041e\u0427\u0410\u0420\u041e\u0412\u0410\u041d\u0418\u0415\u041c \u0418 \u0421\u0422\u0420\u0410\u0425\u041e\u041c<\/a><\/td>\nCHATGPT: ZWISCHEN FASZINATION UND ANGST<\/a><\/td>\nCHATGPT: ENTRE LA FASCINACI\u00d3N Y EL MIEDO<\/a><\/td>\n<\/tr>\n
<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

\"\"Broidy<\/strong>, Elliott<\/p>\n

Politician, 1956-
\n\"\"<\/td>\n

SI ABU DHABI CROIT DE CONTROLER DONALD TRUMP<\/a><\/p>\n

ANWAR GARGASH: L\u2019HOMME DES ALLIANCES MILITAIRES<\/a><\/td>\n

IF ABU DHABI BELIEVES TO \u201cGUIDE\u201d DONALD TRUMP<\/a><\/p>\n

ANWAR GARGASH: THE MAN OF MILITARY ALLIANCES<\/a><\/td>\n

SE ABU DHABI PENSA DI \u201cPILOTARE\u201d DONALD TRUMP<\/a><\/p>\n

ANWAR GARGASH: L\u2019UOMO DELLE ALLEANZE MILITARI<\/a><\/td>\n

\u0415\u0421\u041b\u0418 \u0410\u0411\u0423-\u0414\u0410\u0411\u0418 \u0414\u0423\u041c\u0410\u0415\u0422, \u0427\u0422\u041e \u0421\u041c\u041e\u0416\u0415\u0422 \u00ab\u041f\u0418\u041b\u041e\u0422\u0418\u0420\u041e\u0412\u0410\u0422\u042c\u00bb \u0414\u041e\u041d\u0410\u041b\u042c\u0414\u0410 \u0422\u0420\u0410\u041c\u041f\u0410<\/a><\/p>\n

\u0410\u041d\u0412\u0410\u0420 \u0413\u0410\u0420\u0413\u0410\u0428: \u0427\u0415\u041b\u041e\u0412\u0415\u041a \u0412\u041e\u0415\u041d\u041d\u042b\u0425 \u0421\u041e\u042e\u0417\u041e\u0412<\/a><\/td>\n

SO GLAUBT ABU DHABI, DONALD TRUMP STEUERN ZU K\u00d6NNEN<\/a><\/p>\n

ANWAR GARGASH: DER MANN DER MILIT\u00c4RB\u00dcNDNISSE<\/a><\/td>\n

SI ABU DHABI CREE QUE EST\u00c1 \u00abPILOTANDO\u00bb A DONALD TRUMP<\/a><\/p>\n

ANWAR GARGASH: EL HOMBRE DE LAS ALIANZAS MILITARES<\/a><\/td>\n<\/tr>\n

<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

\"\"Brough<\/strong>, Paul Jeremy<\/p>\n

Restructuring specialist, 1956-
\n\"\"<\/td>\n

QUI FAIT PLEURER LA CITE DU LION<\/a><\/td>\nWHO MAKES THE LION CITY CRY<\/a><\/td>\nCHI \u00c8 CHE FA PIANGERE LA CITT\u00c0 DEL LEONE<\/a><\/td>\n\u041a\u0422\u041e \u0417\u0410\u0421\u0422\u0410\u0412\u041b\u042f\u0415\u0422 \u041f\u041b\u0410\u041a\u0410\u0422\u042c \u0413\u041e\u0420\u041e\u0414 \u041b\u042c\u0412\u0410<\/a><\/td>\nWER BRINGT DIE L\u00d6WENSTADT ZUM WEINEN<\/a><\/td>\nQUI\u00c9N HACE LLORAR A LA CIUDAD DE LE\u00d3N<\/a><\/td>\n<\/tr>\n
<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

\"\"Brown<\/strong>, Christopher Richard<\/p>\n

Businessman, 1965-
\n\"\"<\/td>\n

CETTE TENDRE PETITE FIDUCIAIRE DE JERSEY<\/a><\/td>\nTHAT TENDER LITTLE TRUST IN JERSEY<\/a><\/td>\nQUELLA PICCOLA E TENERA FIDUCIARIA NEL JERSEY<\/a><\/td>\n\u042d\u0422\u041e \u041c\u0410\u041b\u0415\u041d\u042c\u041a\u041e\u0415 \u0418 \u041d\u0415\u0416\u041d\u041e\u0415 \u0414\u041e\u0412\u0415\u0420\u0415\u041d\u041d\u041e\u0415 \u041b\u0418\u0426\u041e \u0418\u0417 \u0414\u0416\u0415\u0420\u0421\u0418<\/a><\/td>\nDIE ZARTE KLEINE TREUHAND IN JERSEY<\/a><\/td>\nESE DELICADO FIDEICOMISO DE JERSEY<\/a><\/td>\n<\/tr>\n
<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

\"\"Brown<\/strong>, Michael Jr.<\/p>\n

White supremacist, 1982-
\n\"\"<\/td>\n

DU PLASTIQUE ET DU SANG POUR LES ANUS N\u00c9O-NAZIS<\/a><\/td>\nPLASTIC AND BLOOD FOR NEO-NAZI ANUSES<\/a><\/td>\nPLASTICA E SANGUE PER GLI ANI NEONAZISTI<\/a><\/td>\n\u041f\u041b\u0410\u0421\u0422\u0418\u041a \u0418 \u041a\u0420\u041e\u0412\u042c \u0414\u041b\u042f \u0410\u041d\u0423\u0421\u041e\u0412 \u041d\u0415\u041e\u041d\u0410\u0426\u0418\u0421\u0422\u041e\u0412<\/a><\/td>\nPLASTIK UND BLUT F\u00dcR NEONAZI-ANUS<\/a><\/td>\nPL\u00c1STICO Y SANGRE PARA ANOS NEONAZIS<\/a><\/td>\n<\/tr>\n
<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

 <\/p>\n

\"\"Browne<\/strong>, Lord John<\/p>\n

Politician, 1948\u2013
\n\"\"<\/td>\n

ENTRE LES FUSILS ET LE FOOTBALL, LE METTEUR EN SCENE D\u2019ABU DHABI<\/a><\/td>\nBETWEEN GUNS AND FOOTBALL, THE DIRECTOR FROM ABU DHABI<\/a><\/td>\nTRA ARMI E CALCIO, IL REGISTA CHE VIENE DA ABU DHABI<\/a><\/td>\n\u041c\u0415\u0416\u0414\u0423 \u041e\u0420\u0423\u0416\u0418\u0415\u041c \u0418 \u0424\u0423\u0422\u0411\u041e\u041b\u041e\u041c: \u0420\u0415\u0416\u0418\u0421\u0421\u0415\u0420 \u0418\u0417 \u0410\u0411\u0423-\u0414\u0410\u0411\u0418<\/a><\/td>\nZWISCHEN WAFFEN UND FU\u00dfBALL, DER REGISSEUR AUS ABU DHABI<\/a><\/td>\nENTRE ARMAS Y F\u00daTBOL, EL DIRECTOR DE ABU DHABI<\/a><\/td>\n<\/tr>\n
<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

 <\/p>\n

\"\"Br\u00fclhart<\/strong>, Ren\u00e9<\/p>\n

Lawyer, 1972-
\n\"\"<\/td>\n

GOLFE PERSIQUE: LA GUERRE APRES L\u2019ARMISTICE<\/a><\/p>\n

UNE MACHINE A BOUE INONDE BERLIN<\/a><\/p>\n

LA MISERE OPULENTE DE LA THEOCRATIE ROMAINE<\/a><\/td>\n

PERSIAN GULF: THE WAR AFTER THE ARMISTICE<\/a><\/p>\n

A MUD MACHINE FLOODS BERLIN<\/a><\/p>\n

THE OPULENT MISERY OF THE ROMAN THEOCRACY<\/a><\/td>\n

GOLFO PERSICO: LA GUERRA DOPO L\u2019ARMISTIZIO<\/a><\/p>\n

LA MACCHINA DEL FANGO SOMMERGE ANCHE BERLINO<\/a><\/p>\n

L\u2019OPULENTA MISERIA DELLA TEOCRAZIA ROMANA<\/a><\/td>\n

\u041f\u0415\u0420\u0421\u0418\u0414\u0421\u041a\u0418\u0419 \u0417\u0410\u041b\u0418\u0412: \u0412\u041e\u0419\u041d\u0410 \u041f\u041e\u0421\u041b\u0415 \u041f\u0415\u0420\u0415\u041c\u0418\u0420\u0418\u042f<\/a><\/p>\n

\u041c\u0410\u0428\u0418\u041d\u0410 \u0413\u0420\u042f\u0417\u0418 \u041f\u041e\u0413\u041b\u041e\u0429\u0410\u0415\u0422 \u0418 \u0411\u0415\u0420\u041b\u0418\u041d<\/a><\/p>\n

\u0420\u041e\u0421\u041a\u041e\u0428\u041d\u041e\u0415 \u041d\u0415\u0421\u0427\u0410\u0421\u0422\u042c\u0415 \u0420\u0418\u041c\u0421\u041a\u041e\u0419 \u0422\u0415\u041e\u041a\u0420\u0410\u0422\u0418\u0418<\/a><\/td>\n

PERSISCHER GOLF: DER KRIEG NACH DEM WAFFENSTILLSTAND<\/a><\/p>\n

EINE SCHLAMMMASCHINE \u00dcBERFLUTET BERLIN<\/a><\/p>\n

DAS \u00dcPPIGE ELEND DER R\u00d6MISCHEN THEOKRATIE<\/a><\/td>\n

GOLFO P\u00c9RSICO: LA GUERRA DESPU\u00c9S DEL ARMISTICIO<\/a><\/p>\n

LA M\u00c1QUINA DE LODO INUNDA BERL\u00cdN<\/a><\/p>\n

LA OPULENTA MISERIA DE LA TEOCRACIA ROMANA<\/a><\/td>\n<\/tr>\n

<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

\"\"Brun<\/strong>, Eske<\/p>\n

Politician, 1904-1987
\n\"\"<\/td>\n

LE GROENLAND, NOUVELLE TERRE PROMISE DE L\u2019HUMANITE<\/a><\/td>\nGREENLAND, HUMANITY\u2019S NEW PROMISED LAND<\/a><\/td>\nGROENLANDIA, NUOVA TERRA PROMESSA DELL\u2019UMANIT\u00c0<\/a><\/td>\n\u0413\u0420\u0415\u041d\u041b\u0410\u041d\u0414\u0418\u042f, \u041d\u041e\u0412\u0410\u042f \u0417\u0415\u041c\u041b\u042f \u041e\u0411\u0415\u0422\u041e\u0412\u0410\u041d\u041d\u0410\u042f \u0414\u041b\u042f \u0427\u0415\u041b\u041e\u0412\u0415\u0427\u0415\u0421\u0422\u0412\u0410<\/a><\/td>\nGR\u00d6NLAND, DAS NEUE GELOBTE LAND DER MENSCHHEIT<\/a><\/td>\nGROENLANDIA, LA NUEVA TIERRA PROMETIDA DE LA HUMANIDAD<\/a><\/td>\n<\/tr>\n
<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

 <\/p>\n

\"\"Bruni-Sarkozy<\/strong>, Carla Gilberta<\/p>\n

Top model, 1967-<\/p>\n

\"\"<\/td>\n

GREGOIRE VERDEAUX : L\u2019AMI QUI GERE LE TRESOR<\/a><\/td>\nGR\u00c9GOIRE VERDEAUX: THE FRIEND WHO MANAGES THE TREASURE<\/a><\/td>\nGR\u00c9GOIRE VERDEAUX: L\u2019AMICO CHE GESTISCE IL TESORO<\/a><\/td>\n\u0413\u0420\u0415\u0413\u041e\u0420\u0418 \u0412\u0415\u0420\u0414\u041e: \u0414\u0420\u0423\u0413, \u0423\u041f\u0420\u0410\u0412\u041b\u042f\u042e\u0429\u0418\u0419 \u041a\u0410\u0417\u041d\u0410\u0427\u0415\u0419\u0421\u0422\u0412\u041e\u041c<\/a><\/td>\nGR\u00c9GOIRE VERDEAUX: DER FREUND, DER DEN SCHATZ VERWALTET<\/a><\/td>\nGR\u00c9GOIRE VERDEAUX: EL AMIGO QUE GESTIONA LA TESORER\u00cdA<\/a><\/td>\n<\/tr>\n
<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

\"\"Brunner<\/strong>, Edouard<\/p>\n

Diplomat, 1932-2007
\n\"\"<\/td>\n

HENRY KISSINGER, L\u2019AME NOIRE DU 20EME SIECLE<\/a><\/td>\nHENRY KISSINGER, THE DARK SOUL OF THE 20TH CENTURY<\/a><\/td>\nHENRY KISSINGER, L\u2019ANIMA NERA DEL XX SECOLO<\/a><\/td>\n\u0413\u0415\u041d\u0420\u0418 \u041a\u0418\u0421\u0421\u0418\u041d\u0414\u0416\u0415\u0420, \u0427\u0415\u0420\u041d\u0410\u042f \u0414\u0423\u0428\u0410 20 \u0412\u0415\u041a\u0410<\/a><\/td>\nHENRY KISSINGER, DIE SCHWARZE SEELE DES 20. JAHRHUNDERTS<\/a><\/td>\nHENRY KISSINGER, EL ALMA NEGRA DEL SIGLO XX<\/a><\/td>\n<\/tr>\n
<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

 <\/p>\n

\"\"Brusca<\/strong>, Giovanni<\/p>\n

Gangster, 1957-
\n\"\"<\/td>\n

L\u2019ETERNEL TRESORIER DE COSA NOSTRA<\/a><\/td>\nTHE ETERNAL TREASURER OF COSA NOSTRA<\/a><\/td>\nL\u2019ETERNO TESORIERE DI COSA NOSTRA<\/a><\/td>\n\u0412\u0415\u0427\u041d\u042b\u0419 \u041a\u0410\u0417\u041d\u0410\u0427\u0415\u0419 COSA NOSTRA<\/a><\/td>\nDER EWIGE SCHATZMEISTER DER COSA NOSTRA<\/a><\/td>\nEL ETERNO TESORERO DE LA COSA NOSTRA<\/a><\/td>\n<\/tr>\n
<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

\"\"Brzezinski<\/strong>, Zbigniew<\/p>\n

Politician, 1928-2017
\n\"\"<\/td>\n

HENRY KISSINGER, L\u2019AME NOIRE DU 20EME SIECLE<\/a><\/td>\nHENRY KISSINGER, THE DARK SOUL OF THE 20TH CENTURY<\/a><\/td>\nHENRY KISSINGER, L\u2019ANIMA NERA DEL XX SECOLO<\/a><\/td>\n\u0413\u0415\u041d\u0420\u0418 \u041a\u0418\u0421\u0421\u0418\u041d\u0414\u0416\u0415\u0420, \u0427\u0415\u0420\u041d\u0410\u042f \u0414\u0423\u0428\u0410 20 \u0412\u0415\u041a\u0410<\/a><\/td>\nHENRY KISSINGER, DIE SCHWARZE SEELE DES 20. JAHRHUNDERTS<\/a><\/td>\nHENRY KISSINGER, EL ALMA NEGRA DEL SIGLO XX<\/a><\/td>\n<\/tr>\n
<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

 <\/p>\n

\"\"Buckingham<\/strong>, Anthony Leslie Rowland “Tony”<\/p>\n

Entrepreneur, 1951-
\n\"\"<\/td>\n

MERCENAIRES ET EMIRATS : LE PERIL MONDIAL DE L\u2019INDUSTRIE PRIVEE DE LA MORT<\/a><\/td>\nSOLDIERS OF FORTUNE AND EMIRATES: THE GLOBAL DANGER OF THE PRIVATE DEATH\u2019S INDUSTRY<\/a><\/td>\nSOLDATI DI SVENTURA: LA MINACCIA GLOBALE DELL\u2019INDUSTRIA PRIVATA DELLA MORTE<\/a><\/td>\n\u0421\u041e\u041b\u0414\u0410\u0422\u042b DOOM: \u0413\u041b\u041e\u0411\u0410\u041b\u042c\u041d\u0410\u042f \u0423\u0413\u0420\u041e\u0417\u0410 \u0427\u0410\u0421\u0422\u041d\u041e\u0419 \u0418\u041d\u0414\u0423\u0421\u0422\u0420\u0418\u0418 \u0421\u041c\u0415\u0420\u0422\u0418<\/a><\/td>\nS\u00d6LDNER UND EMIRATEN: DIE GLOBALE GEFAHR DER PRIVATEN TODESINDUSTRIE<\/a><\/td>\nSOLDADOS DE LA PERDICI\u00d3N: LA AMENAZA GLOBAL DE LA INDUSTRIA PRIVADA DE LA MUERTE<\/a><\/td>\n<\/tr>\n
<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

 <\/p>\n

\"\"Budimbu<\/strong>, Didier Ntubuanga<\/p>\n

Politician, 1977-
\n\"\"<\/td>\n

RWANDA, CONGO ET OUGANDA: LA FRONTIERE MAUDITE<\/a><\/td>\nRWANDA, CONGO AND UGANDA: THE CURSED BORDER<\/a><\/td>\nRUANDA, CONGO E UGANDA: IL CONFINE MALEDETTO<\/a><\/td>\n\u0420\u0423\u0410\u041d\u0414\u0410, \u041a\u041e\u041d\u0413\u041e \u0418 \u0423\u0413\u0410\u041d\u0414\u0410: \u041f\u0420\u041e\u041a\u041b\u042f\u0422\u0410\u042f \u0413\u0420\u0410\u041d\u0418\u0426\u0410<\/a><\/td>\nRUANDA, KONGO UND UGANDA: DIE VERFLUCHTE GRENZE<\/a><\/td>\nRUANDA, CONGO Y UGANDA: LA FRONTERA MALDITA<\/a><\/td>\n<\/tr>\n
<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

 <\/p>\n

\"\"Buhari<\/strong>, Muhammadi<\/p>\n

Politician, 1942-
\n\"\"<\/td>\n

TAL HANAN: LA MORT DE LA VERITE<\/a><\/td>\nTAL HANAN: THE DEATH OF TRUTH<\/a><\/td>\nTAL HANAN: LA MORTE DELLA VERIT\u00c0<\/a><\/td>\n\u0422\u0410\u041b\u042c\u0425\u0410\u041d\u0410\u041d: \u0421\u041c\u0415\u0420\u0422\u042c \u041f\u0420\u0410\u0412\u0414\u042b<\/a><\/td>\nTAL HANAN: DER TOD DER WAHRHEIT<\/a><\/td>\nTAL HANAN: LA MUERTE DE LA VERDAD
\n<\/a><\/td>\n<\/tr>\n
<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

\"\"Bukele<\/strong>, Nayib<\/p>\n

Politician, 1981-
\n\"\"<\/td>\n

LE SOMMET DE LOS ANGELES, UN NOUVEL ECHEC DE LA POLITIQUE ETRANGERE AMERICAINE<\/a><\/td>\nTHE LOS ANGELES SUMMIT, ANOTHER FAILURE OF US FOREIGN POLICY<\/a><\/td>\nIL SUMMIT DI LOS ANGELES, ENNESIMO FALLIMENTO DELLA POLITICA ESTERA AMERICANA<\/a><\/td>\n\u0421\u0410\u041c\u041c\u0418\u0422 \u0412 \u041b\u041e\u0421 \u0410\u041d\u0416\u0415\u041b\u0415\u0421\u0415, \u041e\u0427\u0415\u0420\u0415\u0414\u041d\u041e\u0419 \u041f\u0420\u041e\u0412\u0410\u041b \u0410\u041c\u0415\u0420\u0418\u041a\u0410\u041d\u0421\u041a\u041e\u0419 \u0412\u041d\u0415\u0428\u041d\u0415\u0419 \u041f\u041e\u041b\u0418\u0422\u0418\u041a\u0418<\/a><\/td>\nDAS GIPFEL VON LOS ANGELES, EIN WEITERES SCHEITERN DER US-AU\u00dfENPOLITIK<\/a><\/td>\nLA CONFERENCIA DE LOS \u00c1NGELES, FRACASO DE LA POL\u00cdTICA EXTERIOR DE EE.UU.<\/a><\/td>\n<\/tr>\n
<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

 <\/p>\n

\"\"Bukhtoyarov<\/strong>, Valentin<\/p>\n

Businessman, 1955-
\n\"\"<\/td>\n

GOLFE PERSIQUE : LA GUERRE APRES L\u2019ARMISTICE<\/a><\/td>\nPERSIAN GULF: THE WAR AFTER THE ARMISTICE<\/a><\/td>\nGOLFO PERSICO: LA GUERRA DOPO L\u2019ARMISTIZIO<\/a><\/td>\n\u041f\u0415\u0420\u0421\u0418\u0414\u0421\u041a\u0418\u0419 \u0417\u0410\u041b\u0418\u0412: \u0412\u041e\u0419\u041d\u0410 \u041f\u041e\u0421\u041b\u0415 \u041f\u0415\u0420\u0415\u041c\u0418\u0420\u0418\u042f<\/a><\/td>\nPERSISCHER GOLF: DER KRIEG NACH DEM WAFFENSTILLSTAND<\/a><\/td>\nNOCH EIN LEOPARDENWECHSEL IN GUINEA<\/a><\/td>\n<\/tr>\n
<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

\"\"Bunche<\/strong>, Raphael \u201cRalph\u201d Johnson<\/p>\n

Diplomat, 1903-1971
\n\"\"<\/td>\n

HENRY KISSINGER, L\u2019AME NOIRE DU 20EME SIECLE<\/a><\/td>\nHENRY KISSINGER, THE DARK SOUL OF THE 20TH CENTURY<\/a><\/td>\nHENRY KISSINGER, L\u2019ANIMA NERA DEL XX SECOLO<\/a><\/td>\n\u0413\u0415\u041d\u0420\u0418 \u041a\u0418\u0421\u0421\u0418\u041d\u0414\u0416\u0415\u0420, \u0427\u0415\u0420\u041d\u0410\u042f \u0414\u0423\u0428\u0410 20 \u0412\u0415\u041a\u0410<\/a><\/td>\nHENRY KISSINGER, DIE SCHWARZE SEELE DES 20. JAHRHUNDERTS<\/a><\/td>\nHENRY KISSINGER, EL ALMA NEGRA DEL SIGLO XX<\/a><\/td>\n<\/tr>\n
<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

\"\"Bundy<\/strong>, McGeorge<\/p>\n

Academic \/ Politician, 1919-1996
\n\"\"<\/td>\n

HENRY KISSINGER, L\u2019AME NOIRE DU 20EME SIECLE<\/a><\/td>\nHENRY KISSINGER, THE DARK SOUL OF THE 20TH CENTURY<\/a><\/td>\nHENRY KISSINGER, L\u2019ANIMA NERA DEL XX SECOLO<\/a><\/td>\n\u0413\u0415\u041d\u0420\u0418 \u041a\u0418\u0421\u0421\u0418\u041d\u0414\u0416\u0415\u0420, \u0427\u0415\u0420\u041d\u0410\u042f \u0414\u0423\u0428\u0410 20 \u0412\u0415\u041a\u0410<\/a><\/td>\nHENRY KISSINGER, DIE SCHWARZE SEELE DES 20. JAHRHUNDERTS<\/a><\/td>\nHENRY KISSINGER, EL ALMA NEGRA DEL SIGLO XX<\/a><\/td>\n<\/tr>\n
<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

 <\/p>\n

\"\"Burbeza<\/strong>, Zoya<\/p>\n

Lawyer, 1983-<\/p>\n

\"\"<\/td>\n

60 ANS DE DICTATURE ET 200 ANS DE GUERRES, D\u2019ESCLAVAGE ET DE CONTREBANDE : BIENVENUE AU CONGO<\/a><\/td>\n60 YEARS OF DICTATORSHIP AND 200 YEARS OF WARS, SLAVERY AND SMUGGLING: WELCOME TO THE CONGO<\/a><\/td>\nIL CONGO DRC DOPO 60 ANNI DI DITTATURA E DUE SECOLI DI GUERRE, SCHIAVISMO E CONTRABBANDO<\/a><\/td>\n\u0414\u0420\u041a \u041a\u041e\u041d\u0413\u041e \u041f\u041e\u0421\u041b\u0415 60 \u041b\u0415\u0422 \u0414\u0418\u041a\u0422\u0410\u0422\u0423\u0420\u042b \u0418 \u0414\u0412\u0423\u0425 \u0412\u0415\u041a\u041e\u0412 \u0412\u041e\u0419\u041d, \u0420\u0410\u0411\u0421\u0422\u0412\u0410 \u0418 \u041a\u041e\u041d\u0422\u0420\u0410\u0411\u0410\u041d\u0414\u042b<\/a><\/td>\n60 JAHREN DIKTATUR UND 200 JAHREN KRIEGEN, SKLAVEREI UND SCHMUGGEL: WILLKOMMEN IN KONGO<\/a><\/td>\nCONGO RDC TRAS 60 A\u00d1OS DE DICTADURA Y DOS SIGLOS DE GUERRA, ESCLAVITUD Y CONTRABANDO<\/a><\/td>\n<\/tr>\n
<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

 <\/p>\n

\"\"<\/strong>Burchill<\/strong>, Richard<\/p>\n

Doctor of Philosophy, 1967-
\n\"\"<\/td>\n

LA TRES LONGUE VAGUE DE CORRUPTION A BRUXELLES<\/a><\/td>\nTHE LONG WAVE OF CORRUPTION IN BRUSSELS<\/a><\/td>\nL\u2019ONDA LUNGHISSIMA DELLA CORRUZIONE A BRUXELLES<\/a><\/td>\n\u041e\u0427\u0415\u041d\u042c \u0414\u041b\u0418\u041d\u041d\u0410\u042f \u0412\u041e\u041b\u041d\u0410 \u041a\u041e\u0420\u0420\u0423\u041f\u0426\u0418\u0418 \u0412 \u0411\u0420\u042e\u0421\u0421\u0415\u041b\u0415<\/a><\/td>\nDIE SEHR LANGE WELLE DER KORRUPTION IN BR\u00dcSSEL<\/a><\/td>\nLA LARGU\u00cdSIMA OLA DE CORRUPCI\u00d3N EN BRUSELAS<\/a><\/td>\n<\/tr>\n
<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

 <\/p>\n

\"\"Burgis<\/strong>, Tom<\/p>\n

Investigative reporter, 1982-
\n\"\"<\/td>\n

RWANDA, CONGO ET OUGANDA: LA FRONTIERE MAUDITE<\/a><\/td>\nRWANDA, CONGO AND UGANDA: THE CURSED BORDER<\/a><\/td>\nRUANDA, CONGO E UGANDA: IL CONFINE MALEDETTO<\/a><\/td>\n\u0420\u0423\u0410\u041d\u0414\u0410, \u041a\u041e\u041d\u0413\u041e \u0418 \u0423\u0413\u0410\u041d\u0414\u0410: \u041f\u0420\u041e\u041a\u041b\u042f\u0422\u0410\u042f \u0413\u0420\u0410\u041d\u0418\u0426\u0410<\/a><\/td>\nRUANDA, KONGO UND UGANDA: DIE VERFLUCHTE GRENZE<\/a><\/td>\nRUANDA, CONGO Y UGANDA: LA FRONTERA MALDITA<\/a><\/td>\n<\/tr>\n
<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

\"\"Burke<\/strong>, Raymond Leo<\/p>\n

Cardinal, 1948-
\n\"\"<\/td>\n

MOUVEMENT 5 ETOILES ET LEGANORD : REPETITIONS GENERALES POUR UNE INTERNATIONALE POSTFASCISTE<\/a><\/p>\n

APRES L\u2019ARTICLE D\u2019ALDO TORCHIARO : GENNARO VECCHIONE N\u2019EST QUE LA POINTE DE L\u2019ICEBERG<\/a><\/td>\n

5-STAR MOVEMENT AND LEGANORD: DRESS REHEARSALS FOR A POST-FASCIST INTERNATIONAL<\/a><\/p>\n

AFTER ALDO TORCHIARO\u2019S ARTICLE: GENNARO VECCHIONE IS ONLY THE TIP OF THE ICEBERG<\/a><\/td>\n

MOVIMENTO 5 STELLE E LEGA NORD: PROVE GENERALI PER UN\u2019INTERNAZIONALE POST-FASCISTA<\/a><\/p>\n

DOPO L\u2019ARTICOLO DI ALDO TORCHIARO: GENNARO VECCHIONE \u00c8 SOLO LA PUNTA DELL\u2019ICEBERG<\/a><\/td>\n

\u0414\u0412\u0418\u0416\u0415\u041d\u0418\u0415 5 \u0417\u0412\u0415\u0417\u0414 \u0418 \u0421\u0415\u0412\u0415\u0420\u041d\u0410\u042f \u041b\u0418\u0413\u0410: \u0418\u0421\u041f\u042b\u0422\u0410\u041d\u0418\u042f \u0414\u041b\u042f \u041f\u041e\u0421\u0422\u0424\u0410\u0428\u0418\u0421\u0422\u0421\u041a\u041e\u0413\u041e \u0418\u041d\u0422\u0415\u0420\u041d\u0410\u0426\u0418\u041e\u041d\u0410\u041b\u0410<\/a><\/p>\n

\u041f\u041e\u0421\u041b\u0415 \u0421\u0422\u0410\u0422\u042c\u0418 \u0410\u041b\u042c\u0414\u041e \u0422\u041e\u0420\u041a\u042c\u042f\u0420\u041e (ALDO TORCHIARO): GENNARO VECCHIONE \u2013 \u0422\u041e\u041b\u042c\u041a\u041e \u0412\u0415\u0420\u0428\u0418\u041d\u0410 \u0410\u0419\u0421\u0411\u0415\u0420\u0413\u0410<\/a><\/td>\n

5-STERNE-BEWEGUNG UND LEGANORD: GENERALPROBEN F\u00dcR EINE POSTFASCHISTISCHE INTERNATIONALE<\/a><\/p>\n

NACH DEM ARTIKEL VON ALDO TORCHIARO: GENNARO VECCHIONE IST NUR DIE SPITZE DES EISBERGS<\/a><\/td>\n

EL MOVIMIENTO 5 ESTRELLAS Y LA LIGA NORTE: ENSAYO GENERAL DE UNA INTERNACIONAL POST-FASCISTA<\/a><\/p>\n

TRAS EL ART\u00cdCULO DE ALDO TORCHIARO: GENNARO VECCHIONE ES S\u00d3LO LA PUNTA DEL ICEBERG<\/a><\/td>\n<\/tr>\n

<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

\"\"Burnett<\/strong>, Leo<\/p>\n

Advertising agent, 1935-
\n\"\"<\/td>\n

PHILIP MORRIS ENTRE EN GUERRE \u2013 AVEC LES POPULISTES, LES EXTREMISTES DE DROITE ET LES CHEIKHS ARABES<\/a><\/p>\n

HEEREMA : LE LONG VOYAGE DU NATIONAL-SOCIALISME A L\u2019EXPLOITATION DES FONDS MARINS<\/a><\/p>\n

 <\/td>\n

PHILIP MORRIS GOES TO WAR \u2013 WITH POPULISTS, SUPREMACISTS AND ARAB SHEIKHS<\/a><\/p>\n

HEEREMA: THE LONG JOURNEY FROM NATIONAL SOCIALISM TO THE EXPLOITATION OF THE SEABED<\/a><\/td>\n

LA PHILIP MORRIS VA ALLA GUERRA \u2013 ALLEATA A SUPREMATISTI, POPULISTI E SCEICCHI ARABI<\/a><\/p>\n

HEEREMA: IL LUNGO VIAGGIO DAL NAZISMO ALLO SFRUTTAMENTO DEI FONDALI OCEANICI<\/a><\/td>\n

\u0424\u0418\u041b\u0418\u041f \u041c\u041e\u0420\u0420\u0418\u0421 \u0418\u0414\u0415\u0422 \u041d\u0410 \u0412\u041e\u0419\u041d\u0423 \u2013 \u041d\u0410 \u0421\u0422\u041e\u0420\u041e\u041d\u0415 \u0410\u0420\u0410\u0411\u0421\u041a\u0418\u0425 \u0421\u0423\u041f\u0420\u0415\u041c\u0410\u0422\u0418\u0421\u0422\u041e\u0412, \u041f\u041e\u041f\u0423\u041b\u0418\u0421\u0422\u041e\u0412 \u0418 \u0428\u0415\u0419\u041a\u041e\u0412<\/a><\/p>\n

HEEREMA: \u0414\u041e\u041b\u0413\u041e\u0415 \u041f\u0423\u0422\u0415\u0428\u0415\u0421\u0422\u0412\u0418\u0415 \u041e\u0422 \u041d\u0410\u0426\u0418\u0417\u041c\u0410 \u041a \u042d\u041a\u0421\u041f\u041b\u0423\u0410\u0422\u0410\u0426\u0418\u0418 \u041e\u041a\u0415\u0410\u041d\u0421\u041a\u041e\u0413\u041e \u0414\u041d\u0410<\/a><\/td>\n

PHILIP MORRIS ZIEHT IN DEN KRIEG \u2013 MIT POPULISTEN, RECHTSEXTREMISTEN UND ARABISCHEN SCHEICHS<\/a><\/p>\n

HEEREMA: DIE LANGE REISE VOM NATIONALSOZIALISMUS ZUR AUSBEUTUNG DES MEERESBODENS<\/a><\/td>\n

PHILIP MORRIS VA A LA GUERRA \u2013 ALIADO CON SUPREMACISTAS, POPULISTAS Y JEQUES \u00c1RABES<\/a><\/p>\n

HEEREMA: EL LARGO VIAJE DEL NAZISMO A LA EXPLOTACI\u00d3N DE LOS FONDOS MARINOS<\/a><\/td>\n<\/tr>\n

<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

 <\/p>\n

\"\"<\/strong>Bury<\/strong>, John Bugnell<\/p>\n

Philologist, 1861-1927
\n\"\"<\/td>\n

QUAND MEME L\u2019AIGLE N\u2019OSE PLUS VOLER<\/a><\/td>\nWHEN EVEN THE EAGLE NO LONGER DARES TO FLY<\/a><\/td>\nQUANDO NEMMENO L\u2019AQUILA OSA PI\u00d9 VOLARE<\/a><\/td>\n\u041a\u041e\u0413\u0414\u0410 \u0414\u0410\u0416\u0415 \u041e\u0420\u0415\u041b \u0411\u041e\u041b\u042c\u0428\u0415 \u041d\u0415 \u041e\u0421\u041c\u0415\u041b\u0418\u0412\u0410\u0415\u0422\u0421\u042f \u041b\u0415\u0422\u0410\u0422\u042c<\/a><\/td>\nWENN SELBST DER ADLER NICHT MEHR ZU FLIEGEN WAGT<\/a><\/td>\nCUANDO HASTA EL \u00c1GUILA YA NO SE ATREVE A VOLAR<\/a><\/td>\n<\/tr>\n
<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

\"\"Busacca<\/strong>, Ciccio<\/p>\n

Guitar player, 1925-1989
\n\"\"<\/td>\n

ROSA BALISTRERI, LES CRIS DE DOULEUR DE LA SICILE<\/a><\/td>\nROSA BALISTRERI, SICILY\u2019S CRIES OF PAIN<\/a><\/td>\nROSA BALISTRERI, LE URLA DI DOLORE DELLA SICILIA<\/a><\/td>\nROSA BALISTRERI, \u041a\u0420\u0418\u041a\u0418 \u0411\u041e\u041b\u0418 \u0421\u0418\u0426\u0418\u041b\u0418\u0418<\/a><\/td>\nROSA BALISTRERI, SIZILIENS SCHMERZENSSCHREIE<\/a><\/td>\nROSA BALISTRERI, LOS GRITOS DE DOLOR DE SICILIA<\/a><\/td>\n<\/tr>\n
<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

\"\"Buscetta<\/strong>, Tommaso<\/p>\n

Mobster, 1928-2000
\n\"\"<\/td>\n

HENRY KISSINGER, L\u2019AME NOIRE DU 20EME SIECLE<\/a><\/p>\n

LA DERNIERE VICTIME DU BANCO AMBROSIANO<\/a><\/td>\n

HENRY KISSINGER, THE DARK SOUL OF THE 20TH CENTURY<\/a><\/p>\n

THE LAST VICTIM OF BANCO AMBROSIANO<\/a><\/td>\n

HENRY KISSINGER, L\u2019ANIMA NERA DEL XX SECOLO<\/a><\/p>\n

L\u2019ULTIMA VITTIMA DEL BANCO AMBROSIANO<\/a><\/td>\n

\u0413\u0415\u041d\u0420\u0418 \u041a\u0418\u0421\u0421\u0418\u041d\u0414\u0416\u0415\u0420, \u0427\u0415\u0420\u041d\u0410\u042f \u0414\u0423\u0428\u0410 20 \u0412\u0415\u041a\u0410<\/a><\/p>\n

\u041f\u041e\u0421\u041b\u0415\u0414\u041d\u042f\u042f \u0416\u0415\u0420\u0422\u0412\u0410\u0411\u0410\u041d\u041a\u0410 \u0410\u041c\u0411\u0420\u041e\u0417\u0418\u0410\u041d\u041e<\/a><\/td>\n

HENRY KISSINGER, DIE SCHWARZE SEELE DES 20. JAHRHUNDERTS<\/a><\/p>\n

DAS LETZTE OPFER DER BANCO AMBROSIANO<\/a><\/td>\n

HENRY KISSINGER, EL ALMA NEGRA DEL SIGLO XX<\/a><\/p>\n

LA \u00daLTIMA V\u00cdCTIMA DEL BANCO AMBROSIANO<\/a><\/td>\n<\/tr>\n

<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

\"\"Busch<\/strong>, Ebba<\/p>\n

Politician, 1987-
\n\"\"<\/td>\n

SUEDE : QUAND LE REVE DES REFUGIES DEVIENT UN CAUCHEMAR<\/a><\/td>\nSWEDEN: WHEN THE REFUGEE DREAM BECOMES A NIGHTMARE<\/a><\/td>\nSVEZIA: SE IL SOGNO DEI RIFUGIATI DIVENTA INCUBO<\/a><\/td>\n\u0428\u0412\u0415\u0426\u0418\u042f: \u0415\u0421\u041b\u0418 \u041c\u0415\u0427\u0422\u0410 \u0411\u0415\u0416\u0415\u041d\u0426\u0415\u0412 \u0421\u0422\u0410\u041d\u0415\u0422 \u041a\u041e\u0428\u041c\u0410\u0420\u041e\u041c<\/a><\/td>\nSCHWEDEN: WENN DER TRAUM DER FL\u00dcCHTLINGE ZUM ALBTRAUM WIRD<\/a><\/td>\nSUECIA: CUANDO EL SUE\u00d1O DE LOS REFUGIADOS SE CONVIERTE EN PESADILLA<\/a><\/td>\n<\/tr>\n
<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

 <\/p>\n

\"\"<\/strong>Busek<\/strong>, Jerzey<\/p>\n

Politician. 1940-
\n\"\"<\/td>\n

LA TRES LONGUE VAGUE DE CORRUPTION A BRUXELLES<\/a><\/td>\nTHE LONG WAVE OF CORRUPTION IN BRUSSELS<\/a><\/td>\nL\u2019ONDA LUNGHISSIMA DELLA CORRUZIONE A BRUXELLES<\/a><\/td>\n\u041e\u0427\u0415\u041d\u042c \u0414\u041b\u0418\u041d\u041d\u0410\u042f \u0412\u041e\u041b\u041d\u0410 \u041a\u041e\u0420\u0420\u0423\u041f\u0426\u0418\u0418 \u0412 \u0411\u0420\u042e\u0421\u0421\u0415\u041b\u0415<\/a><\/td>\nDIE SEHR LANGE WELLE DER KORRUPTION IN BR\u00dcSSEL<\/a><\/td>\nLA LARGU\u00cdSIMA OLA DE CORRUPCI\u00d3N EN BRUSELAS<\/a><\/td>\n<\/tr>\n
<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

\"\"Bush<\/strong>, George H. W.<\/p>\n

Politician, 1924-2018
\n\"\"<\/td>\n

PHILIP MORRIS ENTRE EN GUERRE \u2013 AVEC LES POPULISTES, LES EXTREMISTES DE DROITE ET LES CHEIKHS ARABES<\/a><\/p>\n

NOAM CHOMSKY: LE MONDE A L\u2019HEURE DES COMPTES<\/a><\/p>\n

\u00c9TATS-UNIS D\u2019AMERIQUE: LE NOUVEAU TIERS MONDE<\/a><\/p>\n

HENRY KISSINGER, L\u2019AME NOIRE DU 20EME SIECLE<\/a><\/p>\n

RWANDA, CONGO ET OUGANDA: LA FRONTIERE MAUDITE<\/a><\/p>\n

TAL HANAN: LA MORT DE LA VERITE<\/a><\/td>\n

PHILIP MORRIS GOES TO WAR \u2013 WITH POPULISTS, SUPREMACISTS AND ARAB SHEIKHS<\/a><\/p>\n

NOAM CHOMSKY: THE WORLD AT RECKONING<\/a><\/p>\n

UNITED STATES OF AMERICA: THE NEW THIRD WORLD<\/a><\/p>\n

HENRY KISSINGER, THE DARK SOUL OF THE 20TH CENTURY<\/a><\/p>\n

RWANDA, CONGO AND UGANDA: THE CURSED BORDER<\/a><\/p>\n

TAL HANAN: THE DEATH OF TRUTH<\/a><\/td>\n

LA PHILIP MORRIS VA ALLA GUERRA \u2013 ALLEATA A SUPREMATISTI, POPULISTI E SCEICCHI ARABI<\/a><\/p>\n

NOAM CHOMSKY: IL MONDO ALLA RESA DEI CONTI<\/a><\/p>\n

STATI UNITI D\u2019AMERICA: IL NUOVO TERZO MONDO<\/a><\/p>\n

HENRY KISSINGER, L\u2019ANIMA NERA DEL XX SECOLO<\/a><\/p>\n

RUANDA, CONGO E UGANDA: IL CONFINE MALEDETTO<\/a><\/p>\n

TAL HANAN: LA MORTE DELLA VERIT\u00c0<\/a><\/td>\n

\u0424\u0418\u041b\u0418\u041f \u041c\u041e\u0420\u0420\u0418\u0421 \u0418\u0414\u0415\u0422 \u041d\u0410 \u0412\u041e\u0419\u041d\u0423 \u2013 \u041d\u0410 \u0421\u0422\u041e\u0420\u041e\u041d\u0415 \u0410\u0420\u0410\u0411\u0421\u041a\u0418\u0425 \u0421\u0423\u041f\u0420\u0415\u041c\u0410\u0422\u0418\u0421\u0422\u041e\u0412, \u041f\u041e\u041f\u0423\u041b\u0418\u0421\u0422\u041e\u0412 \u0418 \u0428\u0415\u0419\u041a\u041e\u0412<\/a><\/p>\n

\u041d\u041e\u0410\u041c \u0425\u041e\u041c\u0421\u041a\u0418\u0419: \u041c\u0418\u0420 \u0412 \u0420\u0410\u0421\u041f\u041b\u0410\u0422\u0415<\/a><\/p>\n

\u0421\u041e\u0415\u0414\u0418\u041d\u0415\u041d\u041d\u042b\u0415 \u0428\u0422\u0410\u0422\u042b \u0410\u041c\u0415\u0420\u0418\u041a\u0418: \u041d\u041e\u0412\u042b\u0419 \u0422\u0420\u0415\u0422\u0418\u0419 \u041c\u0418\u0420<\/a><\/p>\n

\u0413\u0415\u041d\u0420\u0418 \u041a\u0418\u0421\u0421\u0418\u041d\u0414\u0416\u0415\u0420, \u0427\u0415\u0420\u041d\u0410\u042f \u0414\u0423\u0428\u0410 20 \u0412\u0415\u041a\u0410<\/a><\/p>\n

\u0420\u0423\u0410\u041d\u0414\u0410, \u041a\u041e\u041d\u0413\u041e \u0418 \u0423\u0413\u0410\u041d\u0414\u0410: \u041f\u0420\u041e\u041a\u041b\u042f\u0422\u0410\u042f \u0413\u0420\u0410\u041d\u0418\u0426\u0410<\/a><\/p>\n

\u0422\u0410\u041b\u042c\u0425\u0410\u041d\u0410\u041d: \u0421\u041c\u0415\u0420\u0422\u042c \u041f\u0420\u0410\u0412\u0414\u042b<\/a><\/td>\n

PHILIP MORRIS ZIEHT IN DEN KRIEG \u2013 MIT POPULISTEN, RECHTSEXTREMISTEN UND ARABISCHEN SCHEICHS<\/a><\/p>\n

NOAM CHOMSKY: DIE WELT IM UMBRUCH<\/a><\/p>\n

VEREINIGTE STAATEN VON AMERIKA: DIE NEUE DRITTE WELT<\/a><\/p>\n

HENRY KISSINGER, DIE SCHWARZE SEELE DES 20. JAHRHUNDERTS<\/a><\/p>\n

RUANDA, KONGO UND UGANDA: DIE VERFLUCHTE GRENZE<\/a><\/p>\n

TAL HANAN: DER TOD DER WAHRHEIT<\/a><\/td>\n

PHILIP MORRIS VA A LA GUERRA \u2013 ALIADO CON SUPREMACISTAS, POPULISTAS Y JEQUES \u00c1RABES<\/a><\/p>\n

NOAM CHOMSKY: EL MUNDO EN EL AJUSTE DE CUENTAS<\/a><\/p>\n

ESTADOS UNIDOS DE AM\u00c9RICA: EL NUEVO TERCER MUNDO<\/a><\/p>\n

HENRY KISSINGER, EL ALMA NEGRA DEL SIGLO XX<\/a><\/p>\n

RUANDA, CONGO Y UGANDA: LA FRONTERA MALDITA<\/a><\/p>\n

TAL HANAN: LA MUERTE DE LA VERDAD<\/a><\/td>\n<\/tr>\n

<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

\"\"Bush<\/strong>, George W.<\/p>\n

Politician, 1946-
\n\"\"<\/td>\n

PHILIP MORRIS ENTRE EN GUERRE \u2013 AVEC LES POPULISTES, LES EXTREMISTES DE DROITE ET LES CHEIKHS ARABES<\/a><\/p>\n

MOUVEMENT 5 ETOILES ET LEGANORD : REPETITIONS GENERALES POUR UNE INTERNATIONALE POSTFASCISTE<\/a><\/p>\n

MERCENAIRES ET EMIRATS : LE PERIL MONDIAL DE L\u2019INDUSTRIE PRIVEE DE LA MORT<\/a><\/p>\n

MOHAMMED DAHLAN, ASSASSIN A LA SOLDE DU ROI<\/a><\/p>\n

LA GUERRE SECRETE POUR L\u2019OCEAN ARCTIQUE<\/a><\/p>\n

L\u2019AXE SECRET ENTRE GOLDMAN SACHS ET LES OLIGARQUES<\/a><\/p>\n

LE GROUPE WAGNER : LES FANTOMES DE LA MORT LACHES PAR LE KREMLIN<\/a><\/p>\n

NOAM CHOMSKY : LE MONDE A L\u2019HEURE DES COMPTES<\/a><\/p>\n

RIM BANNA, LA VOIX DU C\u0152UR BLESSE DE LA PALESTINE<\/a><\/td>\n

PHILIP MORRIS GOES TO WAR \u2013 WITH POPULISTS, SUPREMACISTS AND ARAB SHEIKHS<\/a><\/p>\n

5-STAR MOVEMENT AND LEGANORD: DRESS REHEARSALS FOR A POST-FASCIST INTERNATIONAL<\/a><\/p>\n

SOLDIERS OF FORTUNE AND EMIRATES: THE GLOBAL DANGER OF THE PRIVATE DEATH\u2019S INDUSTRY<\/a><\/p>\n

MOHAMMED DAHLAN, ASSASSIN FOR THE KING<\/a><\/p>\n

THE SECRET WAR FOR THE ARCTIC OCEAN<\/a><\/p>\n

THE SECRET AXIS BETWEEN GOLDMAN SACHS AND THE OLIGARCHS<\/a><\/p>\n

THE WAGNER GROUP: THE GHOSTS OF DEATH UNLEASHED BY THE KREMLIN<\/a><\/p>\n

NOAM CHOMSKY: THE WORLD AT RECKONING<\/a><\/p>\n

RIM BANNA, VOICE OF THE WOUNDED HEART OF PALESTINE<\/a><\/td>\n

LA PHILIP MORRIS VA ALLA GUERRA \u2013 ALLEATA A SUPREMATISTI, POPULISTI E SCEICCHI ARABI<\/a><\/p>\n

MOVIMENTO 5 STELLE E LEGA NORD: PROVE GENERALI PER UN\u2019INTERNAZIONALE POST-FASCISTA<\/a><\/p>\n

SOLDATI DI SVENTURA: LA MINACCIA GLOBALE DELL\u2019INDUSTRIA PRIVATA DELLA MORTE<\/a><\/p>\n

MOHAMMED DAHLAN, SICARIO DEL RE<\/a><\/p>\n

LA GUERRA SEGRETA PER L\u2019OCEANO ARTICO<\/a><\/p>\n

L\u2019ASSE SEGRETO TRA GOLDMAN SACHS E GLI OLIGARCHI<\/a><\/p>\n

WAGNER GROUP: I FANTASMI DI MORTE SCATENATI DAL CREMLINO<\/a><\/p>\n

NOAM CHOMSKY: IL MONDO ALLA RESA DEI CONTI<\/a><\/p>\n

RIM BANNA, VOCE DEL CUORE FERITO DELLA PALESTINA<\/a><\/td>\n

\u0424\u0418\u041b\u0418\u041f \u041c\u041e\u0420\u0420\u0418\u0421 \u0418\u0414\u0415\u0422 \u041d\u0410 \u0412\u041e\u0419\u041d\u0423 \u2013 \u041d\u0410 \u0421\u0422\u041e\u0420\u041e\u041d\u0415 \u0410\u0420\u0410\u0411\u0421\u041a\u0418\u0425 \u0421\u0423\u041f\u0420\u0415\u041c\u0410\u0422\u0418\u0421\u0422\u041e\u0412, \u041f\u041e\u041f\u0423\u041b\u0418\u0421\u0422\u041e\u0412 \u0418 \u0428\u0415\u0419\u041a\u041e\u0412<\/a><\/p>\n

\u0414\u0412\u0418\u0416\u0415\u041d\u0418\u0415 5 \u0417\u0412\u0415\u0417\u0414 \u0418 \u0421\u0415\u0412\u0415\u0420\u041d\u0410\u042f \u041b\u0418\u0413\u0410: \u0418\u0421\u041f\u042b\u0422\u0410\u041d\u0418\u042f \u0414\u041b\u042f \u041f\u041e\u0421\u0422\u0424\u0410\u0428\u0418\u0421\u0422\u0421\u041a\u041e\u0413\u041e \u0418\u041d\u0422\u0415\u0420\u041d\u0410\u0426\u0418\u041e\u041d\u0410\u041b\u0410<\/a><\/p>\n

\u0421\u041e\u041b\u0414\u0410\u0422\u042b DOOM: \u0413\u041b\u041e\u0411\u0410\u041b\u042c\u041d\u0410\u042f \u0423\u0413\u0420\u041e\u0417\u0410 \u0427\u0410\u0421\u0422\u041d\u041e\u0419 \u0418\u041d\u0414\u0423\u0421\u0422\u0420\u0418\u0418 \u0421\u041c\u0415\u0420\u0422\u0418<\/a><\/p>\n

\u041c\u041e\u0425\u0410\u041c\u041c\u0415\u0414 \u0414\u0410\u0425\u041b\u0410\u041d, \u0423\u0411\u0418\u0419\u0426\u0410 \u041a\u041e\u0420\u041e\u041b\u042f<\/a><\/p>\n

\u0422\u0410\u0419\u041d\u0410\u042f \u0412\u041e\u0419\u041d\u0410 \u0417\u0410 \u0410\u0420\u041a\u0422\u0418\u0427\u0415\u0421\u041a\u0418\u0419 \u041e\u041a\u0415\u0410\u041d<\/a><\/p>\n

\u0422\u0410\u0419\u041d\u0410\u042f \u041e\u0421\u042c \u041c\u0415\u0416\u0414\u0423 \u00ab\u0413\u041e\u041b\u0414\u041c\u0410\u041d\u0421\u0410\u041a\u0421\u00bb \u0418 \u041e\u041b\u0418\u0413\u0410\u0420\u0425\u0410\u041c\u0418<\/a><\/p>\n

\u0413\u0420\u0423\u041f\u041f\u0410 \u0412\u0410\u0413\u041d\u0415\u0420\u0410: \u041f\u0420\u0418\u0417\u0420\u0410\u041a\u0418 \u0421\u041c\u0415\u0420\u0422\u0418, \u0412\u041e\u0421\u041a\u0420\u0415\u0428\u0415\u041d\u041d\u042b\u0415 \u041a\u0420\u0415\u041c\u041b\u0415\u041c<\/a><\/p>\n

\u041d\u041e\u0410\u041c \u0425\u041e\u041c\u0421\u041a\u0418\u0419: \u041c\u0418\u0420 \u0412 \u0420\u0410\u0421\u041f\u041b\u0410\u0422\u0415<\/a><\/p>\n

\u0420\u0418\u041c \u0411\u0410\u041d\u041d\u0410, \u0413\u041e\u041b\u041e\u0421 \u0418\u0417\u0420\u0410\u041d\u0415\u041d\u041d\u041e\u0413\u041e \u0421\u0415\u0420\u0414\u0426\u0410 \u041f\u0410\u041b\u0415\u0421\u0422\u0418\u041d\u042b<\/a><\/td>\n

PHILIP MORRIS ZIEHT IN DEN KRIEG \u2013 MIT POPULISTEN, RECHTSEXTREMISTEN UND ARABISCHEN SCHEICHS<\/a><\/p>\n

5-STERNE-BEWEGUNG UND LEGANORD: GENERALPROBEN F\u00dcR EINE POSTFASCHISTISCHE INTERNATIONALE<\/a><\/p>\n

S\u00d6LDNER UND EMIRATEN: DIE GLOBALE GEFAHR DER PRIVATEN TODESINDUSTRIE<\/a><\/p>\n

MOHAMMED DAHLAN, AUFTRAGSM\u00d6RDER F\u00dcR DEN K\u00d6NIG<\/a><\/p>\n

DER GEHEIME KRIEG UM DEN ARKTISCHEN OZEAN<\/a><\/p>\n

DIE GEHEIME ACHSE ZWISCHEN GOLDMAN SACHS UND DEN OLIGARCHEN<\/a><\/p>\n

DIE WAGNER-GRUPPE: DIE VOM KREML ENTFESSELTEN GEISTER DES TODES<\/a><\/p>\n

NOAM CHOMSKY: DIE WELT IM UMBRUCH<\/a><\/p>\n

RIM BANNA, DIE STIMME DES VERWUNDETEN HERZENS VON PAL\u00c4STINA<\/a><\/td>\n

MOHAMMED DAHLAN, ASESINO A SUELDO DEL REY<\/a><\/p>\n

EL MOVIMIENTO 5 ESTRELLAS Y LA LIGA NORTE: ENSAYO GENERAL DE UNA INTERNACIONAL POST-FASCISTA<\/a><\/p>\n

PHILIP MORRIS VA A LA GUERRA \u2013 ALIADO CON SUPREMACISTAS, POPULISTAS Y JEQUES \u00c1RABES<\/a><\/p>\n

SOLDADOS DE LA PERDICI\u00d3N: LA AMENAZA GLOBAL DE LA INDUSTRIA PRIVADA DE LA MUERTE<\/a><\/p>\n

LA GUERRA SECRETA POR EL OC\u00c9ANO \u00c1RTICO<\/a><\/p>\n

EL EJE SECRETO ENTRE GOLDMAN SACHS Y LOS OLIGARCAS<\/a><\/p>\n

EL GRUPO WAGNER: LOS FANTASMAS DE LA MUERTE DESATADOS POR EL KREMLIN<\/a><\/p>\n

NOAM CHOMSKY: EL MUNDO EN EL AJUSTE DE CUENTAS<\/a><\/p>\n

RIM BANNA, VOZ DEL CORAZ\u00d3N HERIDO DE PALESTINA<\/a><\/td>\n<\/tr>\n

<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

\"\"Busisiwe<\/strong>, Mkhwebane<\/p>\n

Lawyer, 1970-
\n\"\"<\/td>\n

COMMENT L\u2019AFRIQUE DU SUD CONSTRUIT SON AL CAPONE<\/a><\/td>\nHOW SOUTH AFRICA BUILDS ITS OWN AL CAPONE<\/a><\/td>\nCOS\u00cc IL SUDAFRICA COSTRUISCE IL SUO AL CAPONE<\/a><\/td>\n\u041a\u0410\u041a \u042e\u0416\u041d\u0410\u042f \u0410\u0424\u0420\u0418\u041a\u0410 \u0421\u041e\u0417\u0414\u0410\u041b\u0410 \u0421\u0412\u041e\u0415\u0413\u041e \u0410\u041b\u042c \u041a\u0410\u041f\u041e\u041d\u0415<\/a><\/td>\nWIE S\u00dcDAFRIKA SEINEN AL CAPONE AUFBAUT<\/a><\/td>\nC\u00d3MO SUD\u00c1FRICA CONSTRUYE SU AL CAPONE<\/a><\/td>\n<\/tr>\n
<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

\"\"Buthelezi<\/strong>, Mangosuthu Gatsha<\/p>\n

Politician, 1928-
\n\"\"<\/td>\n

KWAZULU-NATAL, LA DERNIERE GRANDE MONARCHIE NOIRE<\/a><\/p>\n

COMMENT JACOB ZUMA SE PREPARE A UNE GUERRE CIVILE<\/a><\/td>\n

KWAZULU-NATAL, THE LAST GREAT BLACK MONARCHY<\/a><\/p>\n

HOW JACOB ZUMA PREPARES FOR CIVIL WAR<\/a><\/td>\n

IL KWAZULU-NATAL, ULTIMA GRANDE MONARCHIA NERA<\/a><\/p>\n

COS\u00cc JACOB ZUMA PREPARA UNA GUERRA CIVILE<\/a><\/td>\n

\u041a\u0412\u0410\u0417\u0423\u041b\u0423-\u041d\u0410\u0422\u0410\u041b, \u041f\u041e\u0421\u041b\u0415\u0414\u041d\u042f\u042f \u0412\u0415\u041b\u0418\u041a\u0410\u042f \u0427\u0415\u0420\u041d\u0410\u042f \u041c\u041e\u041d\u0410\u0420\u0425\u0418\u042f<\/a><\/p>\n

\u0422\u0410\u041a \u0414\u0416\u0415\u0419\u041a\u041e\u0411 \u0417\u0423\u041c\u0410 \u0413\u041e\u0422\u041e\u0412\u0418\u0422 \u0413\u0420\u0410\u0416\u0414\u0410\u041d\u0421\u041a\u0423\u042e \u0412\u041e\u0419\u041d\u0423<\/a><\/td>\n

KWAZULU-NATAL, DIE LETZTE GRO\u00dfE SCHWARZE MONARCHIE<\/a><\/p>\n

WIE JACOB ZUMA SICH AUF EINEN B\u00dcRGERKRIEG VORBEREITET<\/a><\/td>\n

KWAZULU-NATAL, LA \u00daLTIMA GRAN MONARQU\u00cdA NEGRA<\/a><\/p>\n

C\u00d3MO SE PREPARA JACOB ZUMA PARA LA GUERRA CIVIL<\/a><\/td>\n<\/tr>\n

<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

\"\"Buttitta<\/strong>, Ignazio<\/p>\n

Poet, 1899-1997
\n\"\"<\/td>\n

ROSA BALISTRERI, LES CRIS DE DOULEUR DE LA SICILE<\/a><\/td>\nROSA BALISTRERI, SICILY\u2019S CRIES OF PAIN<\/a><\/td>\nROSA BALISTRERI, LE URLA DI DOLORE DELLA SICILIA<\/a><\/td>\nROSA BALISTRERI, \u041a\u0420\u0418\u041a\u0418 \u0411\u041e\u041b\u0418 \u0421\u0418\u0426\u0418\u041b\u0418\u0418<\/a><\/td>\nROSA BALISTRERI, SIZILIENS SCHMERZENSSCHREIE<\/a><\/td>\nROSA BALISTRERI, LOS GRITOS DE DOLOR DE SICILIA<\/a><\/td>\n<\/tr>\n
<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

\"\"Buzurtanov<\/strong>, Akhmed<\/p>\n

Athlete, 1977-2012
\n\"\"<\/td>\n

ERDO\u011eAN ET POUTINE : L\u2019ALLIANCE SECRETE DANS LE CAUCASE<\/a><\/td>\nERDO\u011eAN AND PUTIN: A SECRET ALLIANCE IN THE CAUCASUS<\/a><\/td>\nERDO\u011eAN E PUTIN: L\u2019ALLEANZA SEGRETA NEL CAUCASO<\/a><\/td>\n\u042d\u0420\u0414\u041e\u0413\u0410\u041d \u0418 \u041f\u0423\u0422\u0418\u041d: \u0422\u0410\u0419\u041d\u042b\u0419 \u0421\u041e\u042e\u0417 \u041d\u0410 \u041a\u0410\u0412\u041a\u0410\u0417\u0415<\/a><\/td>\nERDO\u011eAN UND PUTIN: DIE GEHEIME ALLIANZ IM KAUKASUS<\/a><\/td>\nERDOGAN Y PUTIN: LA ALIANZA SECRETA EN EL C\u00c1UCASO<\/a><\/td>\n<\/tr>\n
<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

\"\"Buzurtanov<\/strong>, Baishk<\/p>\n

Shaman, soldier, 1875-1919
\n\"\"<\/td>\n

ERDO\u011eAN ET POUTINE : L\u2019ALLIANCE SECRETE DANS LE CAUCASE<\/a><\/td>\nERDO\u011eAN AND PUTIN: A SECRET ALLIANCE IN THE CAUCASUS<\/a><\/td>\nERDO\u011eAN E PUTIN: L\u2019ALLEANZA SEGRETA NEL CAUCASO<\/a><\/td>\n\u042d\u0420\u0414\u041e\u0413\u0410\u041d \u0418 \u041f\u0423\u0422\u0418\u041d: \u0422\u0410\u0419\u041d\u042b\u0419 \u0421\u041e\u042e\u0417 \u041d\u0410 \u041a\u0410\u0412\u041a\u0410\u0417\u0415<\/a><\/td>\nERDO\u011eAN UND PUTIN: DIE GEHEIME ALLIANZ IM KAUKASUS<\/a><\/td>\nERDOGAN Y PUTIN: LA ALIANZA SECRETA EN EL C\u00c1UCASO<\/a><\/td>\n<\/tr>\n
<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

\"\"Buzurtanov<\/strong>, Beksultan Akhmetovich<\/p>\n

Politician, 1977-
\n\"\"<\/td>\n

ERDO\u011eAN ET POUTINE : L\u2019ALLIANCE SECRETE DANS LE CAUCASE<\/a><\/td>\nERDO\u011eAN AND PUTIN: A SECRET ALLIANCE IN THE CAUCASUS<\/a><\/td>\nERDO\u011eAN E PUTIN: L\u2019ALLEANZA SEGRETA NEL CAUCASO<\/a><\/td>\n\u042d\u0420\u0414\u041e\u0413\u0410\u041d \u0418 \u041f\u0423\u0422\u0418\u041d: \u0422\u0410\u0419\u041d\u042b\u0419 \u0421\u041e\u042e\u0417 \u041d\u0410 \u041a\u0410\u0412\u041a\u0410\u0417\u0415<\/a><\/td>\nERDO\u011eAN UND PUTIN: DIE GEHEIME ALLIANZ IM KAUKASUS<\/a><\/td>\nERDOGAN Y PUTIN: LA ALIANZA SECRETA EN EL C\u00c1UCASO<\/a><\/td>\n<\/tr>\n
<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

\"\"Buzurtanov<\/strong>, Mohammed O.<\/p>\n

Geographer, 1927-1988
\n\"\"<\/td>\n

ERDO\u011eAN ET POUTINE : L\u2019ALLIANCE SECRETE DANS LE CAUCASE<\/a><\/td>\nERDO\u011eAN AND PUTIN: A SECRET ALLIANCE IN THE CAUCASUS<\/a><\/td>\nERDO\u011eAN E PUTIN: L\u2019ALLEANZA SEGRETA NEL CAUCASO<\/a><\/td>\n\u042d\u0420\u0414\u041e\u0413\u0410\u041d \u0418 \u041f\u0423\u0422\u0418\u041d: \u0422\u0410\u0419\u041d\u042b\u0419 \u0421\u041e\u042e\u0417 \u041d\u0410 \u041a\u0410\u0412\u041a\u0410\u0417\u0415<\/a><\/td>\nERDO\u011eAN UND PUTIN: DIE GEHEIME ALLIANZ IM KAUKASUS<\/a><\/td>\nERDOGAN Y PUTIN: LA ALIANZA SECRETA EN EL C\u00c1UCASO<\/a><\/td>\n<\/tr>\n
<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

\"\"Buzzi<\/strong>, Aleardo<\/p>\n

Manager Philip Morris, 1929-
\n\"\"<\/td>\n

MOUVEMENT 5 ETOILES ET LEGANORD : REPETITIONS GENERALES POUR UNE INTERNATIONALE POSTFASCISTE<\/a><\/td>\n5-STAR MOVEMENT AND LEGANORD: DRESS REHEARSALS FOR A POST-FASCIST INTERNATIONAL<\/a><\/td>\nMOVIMENTO 5 STELLE E LEGA NORD: PROVE GENERALI PER UN\u2019INTERNAZIONALE POST-FASCISTA<\/a><\/td>\n\u0414\u0412\u0418\u0416\u0415\u041d\u0418\u0415 5 \u0417\u0412\u0415\u0417\u0414 \u0418 \u0421\u0415\u0412\u0415\u0420\u041d\u0410\u042f \u041b\u0418\u0413\u0410: \u0418\u0421\u041f\u042b\u0422\u0410\u041d\u0418\u042f \u0414\u041b\u042f \u041f\u041e\u0421\u0422\u0424\u0410\u0428\u0418\u0421\u0422\u0421\u041a\u041e\u0413\u041e \u0418\u041d\u0422\u0415\u0420\u041d\u0410\u0426\u0418\u041e\u041d\u0410\u041b\u0410<\/a><\/td>\n5-STERNE-BEWEGUNG UND LEGANORD: GENERALPROBEN F\u00dcR EINE POSTFASCHISTISCHE INTERNATIONALE<\/a><\/td>\nEL MOVIMIENTO 5 ESTRELLAS Y LA LIGA NORTE: ENSAYO GENERAL DE UNA INTERNACIONAL POST-FASCISTA<\/a><\/td>\n<\/tr>\n
<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

 <\/p>\n

\"\"Byd\u00e9n<\/strong>, Micael<\/p>\n

Military, 1964-
\n\"\"<\/td>\n

G\u00d8TLAND, OU COMMENCE LA NOUVELLE GUERRE MONDIALE<\/a><\/td>\nG\u00d8TLAND, WHERE THE NEW WORLD WAR BEGINS<\/a><\/td>\nG\u00d8TLAND, DOVE COMINCIA LA NUOVA GUERRA MONDIALE<\/a><\/td>\n\u0413\u0401\u0422\u041b\u0410\u041d\u0414, \u0413\u0414\u0415 \u041d\u0410\u0427\u0418\u041d\u0410\u0415\u0422\u0421\u042f \u041d\u041e\u0412\u0410\u042f \u041c\u0418\u0420\u041e\u0412\u0410\u042f \u0412\u041e\u0419\u041d\u0410<\/a><\/td>\nG\u00d8TLAND, WO DER NEUE WELTKRIEG BEGINNT<\/a><\/td>\nG\u00d8TLAND, DONDE COMIENZA LA NUEVA GUERRA MUNDIAL<\/a><\/td>\n<\/tr>\n
<\/td>\n <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n

\"\"Byron<\/strong>, Kathy<\/p>\n

Politician, 1953-
\n\"\"<\/td>\n

PHILIP MORRIS ENTRE EN GUERRE \u2013 AVEC LES POPULISTES, LES EXTREMISTES DE DROITE ET LES CHEIKHS ARABES<\/a><\/td>\nPHILIP MORRIS GOES TO WAR \u2013 WITH POPULISTS, SUPREMACISTS AND ARAB SHEIKHS<\/a><\/td>\nLA PHILIP MORRIS VA ALLA GUERRA \u2013 ALLEATA A SUPREMATISTI, POPULISTI E SCEICCHI ARABI<\/a><\/td>\n\u0424\u0418\u041b\u0418\u041f \u041c\u041e\u0420\u0420\u0418\u0421 \u0418\u0414\u0415\u0422 \u041d\u0410 \u0412\u041e\u0419\u041d\u0423 \u2013 \u041d\u0410 \u0421\u0422\u041e\u0420\u041e\u041d\u0415 \u0410\u0420\u0410\u0411\u0421\u041a\u0418\u0425 \u0421\u0423\u041f\u0420\u0415\u041c\u0410\u0422\u0418\u0421\u0422\u041e\u0412, \u041f\u041e\u041f\u0423\u041b\u0418\u0421\u0422\u041e\u0412 \u0418 \u0428\u0415\u0419\u041a\u041e\u0412<\/a><\/td>\nPHILIP MORRIS ZIEHT IN DEN KRIEG \u2013 MIT POPULISTEN, RECHTSEXTREMISTEN UND ARABISCHEN SCHEICHS<\/a><\/td>\nPHILIP MORRIS VA A LA GUERRA \u2013 ALIADO CON SUPREMACISTAS, POPULISTAS Y JEQUES \u00c1RABES<\/a><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n[\/vc_column_text][\/vc_tta_section]\n","protected":false},"excerpt":{"rendered":"

[vc_row][vc_column][vc_column_text] A B C D E F G H I J K L M N O P Q R S T U V W X Y Z [\/vc_column_text][\/vc_column][\/vc_row][vc_column][\/vc_column][vc_empty_space height=”50px”][vc_column_text]     French English Italian Russian German Spanish [\/vc_column_text][vc_tta_section title=”B” tab_id=”1606167105224-c40cf75f-499c”][vc_column_text] Ba, Mamadou Politician, 1974- GUINEE, ENCORE UN<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"page-FullWidth.php","meta":{"footnotes":""},"class_list":["post-573","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/ibiworld.eu\/en\/wp-json\/wp\/v2\/pages\/573"}],"collection":[{"href":"https:\/\/ibiworld.eu\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/ibiworld.eu\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/ibiworld.eu\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/ibiworld.eu\/en\/wp-json\/wp\/v2\/comments?post=573"}],"version-history":[{"count":125,"href":"https:\/\/ibiworld.eu\/en\/wp-json\/wp\/v2\/pages\/573\/revisions"}],"predecessor-version":[{"id":4746,"href":"https:\/\/ibiworld.eu\/en\/wp-json\/wp\/v2\/pages\/573\/revisions\/4746"}],"wp:attachment":[{"href":"https:\/\/ibiworld.eu\/en\/wp-json\/wp\/v2\/media?parent=573"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}